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  1. Éros, amour et sexualité : la paiderastía dans le Banquet de Platon.Pascal-Olivier Dumas-Dubreuil - 2020 - Ithaque 2020:25-47.
    Le texte du Banquet de Platon constitue l’un des témoignages les plus importants de ce que fut l’institution pédérastique en Grèce antique. Le dialogue sur l’amour, qui prend la forme d’une réunion au cours de laquelle les différents protagonistes feront successivement l’éloge d’Éros, pose toutefois problème dans la mesure où la position de l’auteur est éminemment ambigüe. Bien que la position de Diotime semble plus cohérente avec le reste de la doctrine platonicienne, il serait malgré tout réducteur de considérer celle (...)
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  2. Two Passions in Plato’s Symposium: Diotima’s To Kalon as a Reorientation of Imperialistic Erōs.Mateo Duque - 2019 - In Heather L. Reid & Tony Leyh (eds.), Looking at Beauty to Kalon in Western Greece: Selected Essays from the 2018 Symposium on the Heritage of Western Greece. Sioux City, IA, USA: Parnassos Press – Fonte Aretusa. pp. 95-110.
    In this essay, I propose a reading of two contrasting passions, two kinds of erōs, in the "Symposium." On the one hand, there is the imperialistic desire for conquering and possessing that Alcibiades represents; and on the other hand, there is the productive love of immortal wisdom that Diotima represents. It’s not just what Alcibiades says in the Symposium, but also what he symbolizes. Alcibiades gives a speech in honor of Socrates and of his unrequited love for him, but even (...)
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  3. Epoché as the Erotic Conversion of One Into Two.Rachel Aumiller - 2017 - In Giuseppe Veltri (ed.), Yearbook of the Maimonides Centre for Advanced Studies. Berlin, Germany: pp. 3-13.
    This essay interprets the epoché of ancient scepticism as the perpetual conversion of the love of one into the love of two. The process of one becoming two is represented in Plato’s Symposium by Diotima’s description of the second rung of ‘the ladder,’ by which one ascends to the highest form of philosophical devotion (Pl. Sym. 209e-210e). Diotima’s ladder offers a vision of philosophy as a total conversion of both the lover and the object of love (or philosopher and object (...)
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  4. Aristophanic Tragedy.Suzanne Obdrzalek - 2017 - In Z. Giannopoulou & P. Destrée (eds.), The Cambridge Critical Guide to Plato’s Symposium. Cambridge, UK: Cambridge University Press. pp. 70-87.
    In this paper, I offer a new interpretation of Aristophanes’ speech in Plato’s Symposium. Though Plato deliberately draws attention to the significance of Aristophanes’ speech in relation to Diotima’s (205d-206a, 211d), it has received relatively little philosophical attention. Critics who discuss it typically treat it as a comic fable, of little philosophical merit (e.g. Guthrie 1975, Rowe 1998), or uncover in it an appealing and even romantic treatment of love that emphasizes the significance of human individuals as love-objects to be (...)
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  5. The Functions of Apollodorus.Matthew D. Walker - 2016 - In Mauro Tulli & Michael Erler (eds.), The Selected Papers of the Tenth Symposium Platonicum. 53757 Sankt Augustin, Germany: pp. 110-116.
    In Plato’s Symposium, the mysterious Apollodorus recounts to an unnamed comrade, and to us, Aristodemus’ story of just what happened at Agathon’s drinking party. Since Apollodorus did not attend the party, however, it is unclear what relevance he could have to our understanding of Socrates’ speech, or to the Alcibiadean “satyr and silenic drama” (222d) that follows. The strangeness of Apollodorus is accentuated by his recession into the background after only two Stephanus pages. What difference—if any—does Apollodorus make to the (...)
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  6. 'Making New Gods? A Reflection on the Gift of the Symposium.Mitchell Miller - 2015 - In Debra Nails, Harold Tarrant, Mika Kajava & Eero Salmenkivi (eds.), Second Sailing: Alternative Perspectives on Plato. Societas Scientiarum Fennica. pp. 285-306.
    A commentary on the Symposium as a challenge and a gift to Athens. I begin with a reflection on three dates: 416 bce, the date of Agathon’s victory party, c. 400, the approximate date of Apollodorus’ retelling of the party, and c. 375, the approximate date of the ‘publication’ of the dialogue, and I argue that Plato reminds his contemporary Athens both of its great poetic and legal and scientific traditions and of the historical fact that the way late fourth (...)
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  7. Bad Luck to Take a Woman Aboard.Debra Nails - 2015 - In Debra Nails & Harold Tarrant (eds.), Second Sailing: Alternative Perspectives on Plato. Helsinki, Finland: Societas Scientiarum Fennica. pp. 73-90.
    Despite Diotima’s irresistible virtues and attractiveness across the millennia, she spells trouble for philosophy. It is not her fault that she has been misunderstood, nor is it Plato’s. Rather, I suspect, each era has made of Diotima what it desired her to be. Her malleability is related to the assumption that Plato invented her, that she is a mere literary fiction, licensing the imagination to do what it will. In the first part of my paper, I argue against three contemporary (...)
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  8. La redécouverte de la « via regia ». Freud lecteur de Platon.Marco Solinas - 2015 - Revue Philosophique De Louvain 113 (4):535-567.
    A partir du renvoi à la « maxime de Platon » insérée dans l’avant dernière page de la première édition de L’interprétation du rêve, l’auteur expose d’abord les convergences entre la conception du rêve de Platon présentée dans La République et les intuitions qui fondent l’édifice métapsychologique freudien. A la lumière des sources textuelles citées par Freud et de ses intérêts, l’auteur avance ensuite l’hypothèse selon laquelle Freud aurait non seulement omis de reconnaître la généalogie théorétique platonicienne de la « (...)
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  9. André Höhn: Beobachtungen zur Formung des Sokratesbildes im platonischen 'Symposion'. [REVIEW]Gregor Damschen & Rafael Ferber - 2014 - Gnomon 86 (7):644-646.
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  10. La riscoperta della via regia. Freud lettore di Platone.Marco Solinas - 2012 - Psicoterapia E Scienze Umane (4):539-568.
    Starting with the reference to “Plato’s dictum” that Freud added in the second last page of the first edition of The Interpretation of Dreams, the author explains the convergences between the conception of dreams expounded by Plato in the Republic and Freud’s fundamental insights. The analysis of bibliographic sources used by Freud, and of his interests, allow than to suppose not only that Freud omitted to acknowledge the Plato’s theoretical genealogy of “the Via Regia to the unconscious”, but also the (...)
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  11. Moral Transformation and the Love of Beauty in Plato's Symposium.Suzanne Obdrzalek - 2010 - Journal of the History of Philosophy 48:415-44.
    This paper offers an intellectualist interpretation of Diotima’s speech in Plato’s Symposium. Diotima’s purpose, in discussing the lower lovers, is to critique their erōs as aimed at a goal it can never secure, immortality, and as focused on an inferior object, themselves. By contrast, in loving beauty, the philosopher gains a mortal sort of completion; in turning outside of himself, he also ceases to be preoccupied by his own incompleteness.
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  12. Moral Transformation and the Love of Beauty in Plato's Symposium.Suzanne Obdrzalek - 2010 - Journal of the History of Philosophy 48 (4):415-444.
    This paper defends an intellectualist interpretation of Diotima’s speech in Plato’s Symposium. I argue that Diotima’s purpose, in discussing the lower lovers, is to critique their erōs as aimed at a goal it can never secure, immortality, and as focused on an inferior object, themselves. By contrast, in loving the form of beauty, the philosopher gains a mortal sort of completion; in turning outside of himself, he also ceases to be preoccupied by his own incompleteness.
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  13. The Desire for Recognition in Plato’s Symposium.Alessandra Fussi - 2008 - Arethusa 41: 237–262.
    The paper argues that thumos, which is never explicitly mentioned as a part of the soul in the Symposium, plays a major role in the dialogue. In light of the Republic’s characterization of thumos as the source of emotions such as of love of honor, love of victory, admiration for courage, shame, anger, and the propensity to become indignant at real or imaginary wrongs, the paper argues that both Phaedrus’ speech and the speech of Alcibiades are shaped by thumoeidetic motivations. (...)
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  14. Sheffield (F.C.C.) Plato's Symposium: The Ethics of Desire. Pp. X + 252. Oxford: Oxford University Press, 2006. Cased, £50. ISBN: 978-0-19-928677-. [REVIEW]Suzanne Obdrzalek - 2008 - The Classical Review 58 (1):62-64.
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  15. Tragedy Off-Stage.Debra Nails - 2006 - In J. H. Lesher, Debra Nails & Frisbee C. C. Sheffield (eds.), Plato's Symposium: Issues in Interpretation and Reception. Harvard University Press.
    I argue that the tragedies envisioned by the Symposium are two, both of which are introduced in the dialogue: (i) within months of Agathon's victory, half the characters who celebrated with him suffer death or exile on charges of impiety; (ii) Socrates is executed weeks after the dramatic date of the frame. Thus the most defensible notion of tragedy across Plato's dialogues is a fundamentally epistemological one: if we do not know the good, we increase our risk of making mistakes (...)
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  16. La paternità dell’eros: il “Simposio” e Freud.Marco Solinas - 2005 - In Gherardo Ugolini (ed.), Die Kraft der Vergangenheit – La forza del passato. Georg Olms Verlag. pp. 231-241.
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  17. Plato's Use of Eleusinian Mystery Motifs.Anne Mary Farrell - 1999 - Dissertation, The University of Texas at Austin
    The Eleusinian Mysteries are religious rituals that include rites of initiation, purification, and revelation. The high point of these Mysteries is the moment when a priest reveals the secret of the Mysteries to the newly initiated. Plato frequently uses language and motifs from the Mysteries in his dialogues, yet Plato scholars have not paid much attention to this usage, and those who have done so have not found much philosophical significance in it. I argue that in explaining his epistemology in (...)
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  18. Plato's Theory of Desire.Charles H. Kahn - 1987 - Review of Metaphysics 41 (1):77 - 103.
    My aim here is to make sense of Plato's account of desire in the middle dialogues. To do that I need to unify or reconcile what are at first sight two quite different accounts: the doctrine of eros in the Symposium and the tripartite theory of motivation in the Republic. It may be that the two theories are after all irreconcilable, that Plato simply changed his mind on the nature of human desire after writing the Symposium and before composing the (...)
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  19. The Hymn to Eros: An Interpretation of Plato's "Symposium.".Robert Lloyd Mitchell - 1978 - Dissertation, Duquesne University
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