Plato: Sophist

The focus on this contribution is on the ‘late-learners’ digression. In Sph. 251a8-c6, the Eleatic Stranger briefly discusses the view of some ‘young and old late-learners’ who hold that, from a logico-metaphysical point of view, unlike ‘a man is a man’ or ‘a good is good’, the statement ‘a man is good’ is neither a well-formed nor a grammatical sentence. Usually, modern commentators devote little energy to interpreting this passage since they are content to note that it suffices to discriminate (...) identity and predication to avoid the sophism. The aim of this paper is to show that the position of the ‘late-learners’ is in fact more subtle than it seems, since it is widely open to many readings, and that the chosen reading of the digression has a direct impact on the general interpretation of the rest of the dialogue (communication of kinds, semantic distinction between names and verbs, etc.). To this end, the view of the ‘late-learners’ will be compared with a similar position discussed in a quite different philosophical ecosystem: the White-Horse Paradox forged by Gōngsūn Lóng, a dialectician of the ‘School of Names’. This paradox states that the sentence ‘a white horse is not a horse’ is true. Many readings of the White-Horse Paradox have been offered: some of these readings are the same as those suggested for the ‘late-learners’ view, but others are absent from the scholarly literature, although they provide interesting insights into the interpretation of Sph. 251a8-c6. (shrink)

Sph. 244d11–12 is a locus desperatus. Editors have suspected these lines to be corrupted. Accordingly, they have proposed multiple emendations. In my view, however, the pas sage does not need emendation but only interpretation and Schleiermacher’s construal. I argue that Sph. 244d11–12 shows that the one is not identical to a name. It shows this by analyzing what a name is and proving that the terms ‘name’ and ‘one’ are not intersubstitutable salva veritate.

In the Sophist, the Eleatic Stranger develops an account of non-being according to which it is understood as a part of Different. Yet the precise language he uses to characterize the form Non-Being and other negative forms has two variations. In the first, a negative form is characterized as a part of the nature of Different contraposed to the nature of the form negated. Thus, Non-Beautiful is described as ‘something different among beings that is marked-off from some one kind and (...) in turn contraposed with something among beings’ (257e2-4), and Non-Being is identified as ‘the part of the nature of Different contraposed with the being of each thing’ (258e2). In the second variation, however, a negative form is characterized as the contraposing (antithesis) of the nature of a part of Different relative to the nature of the form negated. Hence, Non-Beautiful ‘turns out to be a contraposing of being in relation to being’ (257e6-7) and Non-Being is ‘the contraposing of the nature of a part of Different and of the nature of Being’ (258a11-b1). In this essay, I develop an account of the parts of Different that explains the two variants in the Stranger’s characterization of negative forms, focusing on the Stranger’s description of the Non-Beautiful as a part of Different. Since the Stranger’s account of the parts of Different is based on an analogy with parts of knowledge, I begin by examining what it means to be a part of knowledge, drawing on Socrates’ account of knowledge in Republic V. (shrink)

-/- In Plato's work the "Sophist", Socrates, who typically occupies a central position in Plato's dialogues, is assigned a supporting role. This has led some scholars to argue for a shift in Plato's oeuvre, where he distances himself from Socrates and introduces a new main protagonist. However, this new protagonist remains unnamed and is only identified by his social position as Xenos, indicating that he is an outsider and a stranger whose identity is ambiguous. In this article, I argue that (...) Plato's decision to leave the character unnamed serves to raise a first problem: the question of whether this stranger is a friend or an adversary of philosophy. At the beginning of the dialogue, Socrates employs a series of references to Homer to bring into play a second problem: the problem of disguise. The third problem, “What is a sophist?”, is attributed to the Xenos. This is the only problem that is explicitly developed and is, therefore, the most prominent in the dialogue. If we relate these three problems to each other, it becomes clear that they represent contradictory intuitions without providing us with a strict criterion for deciding which of these intuitions is correct. By presenting these problems in their entanglement without providing a way out, Plato invites his readers to think without making explicit what the outcome of this thinking should be. -/- [In Dutch: In de "Sofist" speelt Sokrates, vaak het meest prominente personage in Plato’s dialogen, alleen maar een bijrol. Dit heeft veel interpreten ertoe verleid om een breuk in het oeuvre van Plato te postuleren, waarbij Plato afstand zou nemen van Sokrates ten behoeve van een nieuw personage. Ik zal echter laten zien dat Plato er bewust voor kiest om dit nieuwe personage naamloos te laten en hem alleen aan te duiden via zijn sociale positie als xenos (vreemdeling). Hiermee roept Plato, zo zal ik betogen, impliciet een eerste probleem op: is deze naamlo- ze Xenos een vriend of een vijand van de filosofie? Aan het begin van de dialoog wordt er door Sokrates een tweede probleem in spel gebracht: het probleem van de vermomming. Het derde probleem — ‘wat is een sofist?’ — wordt toegeschreven aan de Xenos. Dit is het enige probleem dat expliciet wordt uitgewerkt en is dan ook het meest prominent aanwezig in de dialoog. Als we deze drie problemen op elkaar betrekken dan wordt duidelijk dat ze tegenstrijdige intuïties vertolken, zonder dat we een strikt criterium krijgen aangereikt om te beslissen welke van deze intuïties de juiste is. Door deze problemen in een nog niet ontwarde kluwen te presenteren, nodigt Plato zijn lezers uit tot denken, zonder expliciet te maken wat de uitkomst van dit denken zou moeten zijn.]. (shrink)

Philosophical texts always have a form as well as content. This seemingly self-evident fact is often overlooked by interpreters. Philosophy is frequently discussed as if it were solely concerned with formulating clear arguments and consistent concepts. The consequence of this fixation on content is that form is dismissed as little more than an incidental and insignificant packaging. However, a brief look at the history of philosophy reveals that neglecting form in this way creates a significant blind spot. -/- The choice (...) of a particular form often arises precisely in response to fundamental problems that are difficult to address in purely content-based terms. How can truth be expressed in language? How can others be inspired to lead a philosophical life? For this issue of Wijsgerig Perspectief, we have invited experts from different periods in the history of Western philosophy to reflect on the various ways in which the relationship between form and content in philosophical texts can be understood. -/- [In Dutch: Filosofische teksten hebben, behalve een inhoud, ook altijd een vorm. Dit schijnbaar evidente gegeven wordt lang niet altijd door interpreten in ogenschouw genomen. Vaak wordt er over de filosofie gesproken alsof zij alleen maar zou draaien om het formuleren van heldere argumenten en consistente concepten. Het gevolg van deze fixatie op de inhoud van de tekst is dat de vorm wordt afgedaan als weinig meer dan een toevallige en onbelangrijke verpakking. Een korte blik op de geschiedenis van de filosofie wijst echter uit dat een dergelijke veronachtzaming van vorm een grote blinde vlek creëert. -/- De keuze voor een bepaalde vorm komt vaak juist voort uit een reactie op fundamentele problemen die zich moeilijk aan de orde laten stellen in puur inhoudelijke termen. Hoe kan waarheid in taal worden uitgedrukt? Hoe kunnen andere mensen ertoe worden bewogen een filosofisch leven te leiden? Voor dit nummer van Wijsgerig Perspectief hebben we kenners van verschillende tijdvlakken in de geschiedenis van de Westerse filosofie uitgenodigd om te reflecteren op de verschillende manieren waarop de relatie tussen vorm en inhoud in filosofische teksten begrepen kan worden. (shrink)

This paper examines how Plato’s rejection of the friends of the forms at 248a–249b in the Sophist is continuous with the arguments that he develops shortly after this part of the dialogue for the interrelatedness of the forms. I claim that the interrelatedness of the forms implies that they are changed, and that this explains Plato’s rejection of the friends of the forms. Much here turns on the kind of change that Plato wants to attribute to the forms. I distinguish (...) my view of the sort of change that the forms experience from other kinds of change—such as ‘Cambridge change’—that scholars have believed Plato has in mind in rejecting the friends of the forms. On the view that I advance, a form experiences a change (which I call ‘perfect change’) in its association with another form that distinguishes it as the distinctive being that it is—that is, through its possession of its distinctive properties. (shrink)

At Sophist 260e3-261a2, the Eleatic Stranger claims that in order to demonstrate that falsehood is, he and Theaetetus must first track down what speech (logos), opinion (doxa), and appearance (phantasia) are, and then observe the communion (koinōnia) that speech, opinion, and appearance have with non-being. The Stranger, however, never explicitly discusses the communion of speech, opinion, and appearance with non-being. Yet presumably their communion is implicit in his account of falsehood, given his claim that observing that communion is needed in (...) order to demonstrate that falsehood is (260e5-a2). This essay seeks to make the communion that speech has with non-being explicit. I argue that speech has communion with non-being in that the things and actions speech combines together by means of nouns and verbs need not be combined in a way that reveals how the being a given speech is about combines ontologically with other beings. (shrink)

Plato’s Sophist and Statesman stand out from many other Platonic dialogues by at least two features. First, they do not raise a ti esti question about a single virtue or feature of something, but raise the questions what sophist, statesman, and philosopher are, how they differ from each other, and what worth each should be accorded. Second, a visitor from Elea, rather than Socrates, seeks to addressed these questions and does so by employing what is commonly referred to as the (...) method of collection and division. Some scholars have argued that this so-called method is value neutral and therefore unable to address the question how philosophy differs from sophistry and statesmanship according to worth. This article contends that the procedures of collection and division does not preclude the visitor from taking considerations of worth into account, but rather helps establish an objective basis for settling the main questions of the dialogue. (shrink)

At a crucial juncture in Plato’s Sophist, when the interlocutors have reached their deepest confusion about being and not-being, the Eleatic Visitor proclaims that there is yet hope. Insofar as they clarify one, he maintains, they will equally clarify the other. But what justifies the Visitor’s seemingly oracular prediction? A new interpretation explains how the Visitor’s hope is in fact warranted by the peculiar aporia they find themselves in. The passage describes a broader pattern of ‘exploring both sides’ that lends (...) insight into Plato’s aporetic method. (shrink)

In this paper, I begin with an account of the initial distinction between likenesses and appearances, a distinction which may resemble the difference between sophists and philosophers. That distinction first arises immediately after the puzzling appearance of the noble sophist, who seems to occupy an odd space in between sophist and philosopher. In the second section, I look more closely at the noble sophist, and on what that figure might tell us about images and the use of images. I also (...) attempt to use the insights provided by the noble sophist in an investigation of the kind of images that Plato the author produces. This raises the question of the general notion of image as it appears in the Sophist, and especially of the dual nature of all images, which in turn invites reflection on certain features of the examination of being and non-being late in the dialogue. Finally, I return to the deception inherent in images, and I argue that this dialogue does not present the possibility of completely honest images. Nevertheless, I hope to show that some uses of deceptions and images are better than others. (shrink)

At Sophist 253d-e the Eleatic Visitor offers a notoriously obscure description of the fields of one-and-many that the dialectician “adequately discerns.” Against the readings of Stenzel, Cornford, Sayre, and Gomez-Lobo, I propose an interpretation of that passage that takes into account the trilogy of Theaetetus-Sophist-Statesman as its context. The key steps are to respond to the irony of Socrates’ refutations at the end of the Theaetetus by reinterpreting the last two senses of logos as directed to forms and to recognize (...) their correlation with the two different modes of diairesis practiced by the Eleatic Visitor. These steps position us to recognize in the Visitor’s remarks at Sophist 253d-e a schematic description of the two kinds of eidetic field that the two modes of diairesis trace. (shrink)

The paper argues that Motion and Rest are “greatest kinds” and not just convenient examples, since they are all-pervading. Thus Motion and Rest can be jointly predicated of a single subject and can be predicated of each other, just as Sameness and Otherness can. While Sameness and Otherness are opposites, a single subject may be the same in one respect, namely, the same as itself, and other in another respect, namely, other than other things. Thus they can be predicated of (...) a single subject, and they can be predicated of each other, as well, since Sameness is other than other things and Otherness is the same as itself. The same explanation applies to Motion and Rest, as the paper demonstrates: a given subject may be in motion in one respect while being at rest in another respect. This distinction is made in the Sophist itself, right in the passage concerning the greatest kinds. Thus Motion and Rest should be considered greatest kinds on par with Being, Sameness, and Otherness, and each of these kinds pervades all other kinds. (shrink)

It is argued that the analysis by which the gene are differentiated in the dialogue is an exercise in studied ambiguities informed by an Eleatic logic of strict dichotomy that was the underpinning of the Sophist's method of division. By this dialectical drill, Plato shows that the metaphysics underlying the Visitor's method fails to adequately distinguish what it means to have a character from what it means to be a character, and therefore remains inadequate to track down the sophist or (...) to distinguish him from the philosopher: Eleaticism, as critically examined by Plato, proves to be means to disguise, not to discover the sophist. (shrink)

Sophist 255c14 distinguishes καθ’ αὑτά and πρὸς ἄλλα (in relation to others). Many commentators identify this with the ‘absolute’ and ‘relative’ category distinction. However, terms such as ‘same’ cannot fit into either category. Several reliable manuscripts read πρὸς ἄλληλα (in relation to each other) for πρὸς ἄλλα. I show that πρὸς ἄλληλα is a palaeographically plausible reading which accommodates the problematic terms. I then defend my reading against objections.

The eponymous dialogue presents the sophist as a figure who defies definition, and those difficulties are attributed to the conception of the image. Ultimately, the sophist is defined as a species of image maker. The image, however, which is important throughout the Platonic corpus as a metaphor, an analogy, and a metaphysical concept as well, receives in the Sophist little clarification or definition apart from whatever may be inferred from the division of image making arts. In the Sophist, the sophist (...) escapes definition as in no other dialogue, rendering even the concluding division one that makes the distinction of the sophist from the philosopher problematic, if not impossible. The paper explores how the dialogue problematizes and rethinks the metaphysics of the image, as compared to its use in dialogues such as the Phaedo and the Republic, pointing to a refinement in understanding the relation of judgment to knowledge and appearance to reality. (shrink)

The logos question, one of the most important among the subjects that traverse the Plato's Sophist, has in fact some different aspects: the criticism of father Parmenides' logos, that is unable to speak about the not-being, but also about the being; the relations between logos and its cognates, phantasia, doxa and dianoia; the logos’ complex structure, that is a compound with onoma and rema; the difference between naming and saying, two distinct but inseparable actions; the logical and ontological conditions that (...) make possible to say the truth, or to lie or simply to joke; the necessity of a most flexible logos that allows us to speak about the not-being, and about the being, but at the same time is a logos dangerously similar to the sophist’ one; finally, the identity between the power to produce “spoken images” and the very power to speak. The aim of the present article is giving a systematical view of the matter that grasps all these faces. (shrink)

The essays in this collection, though ranging in their keys from the teacherly to the scholarly, are united by their search for the deepest questions Plato gives us. The title essay on the Republic is a paradigm case, exploring with a mix of speculative daring and Socratic pleasure in aporia the ring structure of the dialogue, the emergent perspective of a "knowing soul," dianoetic eikasia, and the implicit presence of the One and the Dyad in the metaphysical figures of the (...) central books. See also, especially, the two essays on the Phaedo's legacy of questions and the Minotaurs that threaten it. (shrink)

Plato's Theaetetus rejects four explanations of how someone could falsely believe something. The Sophist accepts an explanation of how someone could falsely believe something. The problem is to fit together what Plato rejects in the Theaetetus with what he accepts in the Sophist, given the intended unity of these two dialogues. ;The traditional solution is to take the Sophist's explanation of false speech and belief to be Plato's last word on the matter, to take that explanation as somehow overreaching the (...) problems raised in the Theaetetus. I argue that this solution is unsatisfactory: Using the Cratylus, I point out a 'match-up postulate' needed for false speech, namely, that a person can 'match-up' x with y in some way or other whether or not x and y really belong together in that way. But The Theaetetus rejects this postulate. And This rejection is canonical, that is, Plato is there arguing in his own person. Now Nowhere in the Sophist is any reason given to accept this postulate, nor is it compatible with certain parts of the Sophist. Thus The Sophist's explanation does not overreach the problems raised in the Theaetetus. ;Having rejected the traditional way of fitting together the Theaetetus and Sophist, I suggest the following new way. Instead of taking the explanation of the Sophist to be Plato's last word on false speech, I take his last word to be the rejection of the various explanations in the Theaetetus. ;I motivate this suggestion by comparing Plato's peculiar style of dialogue--as found, for instance, in the Laches and Meno--with the modern, expository style of presenting philosophy. The aim of my comparison is to show that, whereas in an exposition the arguing is done in the middle followed by the conclusion at the end, in Plato's dialogue style the arguing is done in the middle followed by a denial of the conclusion at the end. (shrink)