The notion of divine love was essential to medieval Christian conceptions of God. Jewish thinkers, though, had a much more ambivalent attitude about this issue. While Maimonides was reluctant to ascribe love, or any other affect, to God, Gersonides and Crescas celebrated God’s love. Though Spinoza is clearly sympathetic to Maimonides’ rejection of divine love as anthropomorphism, he attributes love to God nevertheless, unfolding his notion of amor Dei intellectualis at the conclusion of his Ethics. But is this a legitimate (...) notion within his system? In the first part of this article, I will explain some of the problems surrounding this notion, and then turn, in the second part, to consider two unsatisfactory solutions. In the third part, I will attempt to rework Spinoza’s amor Dei intellectualis from his definitions of love and the other affects in part three of the Ethics. In the fourth part, I will examine closely how Spinoza tweaks his definition of love in order to allow for the possibility of divine intellectual love, and conclude by trying to explain what motivated this move. (shrink)

The focus of this paper is a suite of Latin papers from 1685, some of which are still unpublished, in which Leibniz writes in the guise of a Catholic in order to defend Catholicism and counter Protestant objections, and this despite him being a lifelong Lutheran. After providing an overview of these writings (which I refer to as Leibniz’s “Catholic” writings) and the grounds for dating them to May–June 1685, I consider their purpose, arguing against the claim that they were (...) intended to support Church reunion and suggesting instead that they were apologetic in nature, intended as a reactivation or reimagining of Leibniz’s earlier “Catholic Demonstrations” project. I identify the patron Leibniz had in mind for these writings as Landgrave Ernst von Hessen-Rheinfels and support this by a detailed comparison of the “Catholic” writings with the Leibniz-Landgrave correspondence and the Landgrave’s still-unpublished essays. This reveals that the Protestant arguments Leibniz uses in the “Catholic” writings are the very ones that he himself used when writing to the Landgrave, and that the responses Leibniz gives to these arguments are the very ones that the Landgrave used. I also consider the context of the writings, suggesting they were crafted during a period of personal uncertainty for Leibniz and possibly aimed at securing a position under the Landgrave. (shrink)

In exploring personal identity, we are confronted with a perplexing dilemma: What is it in virtue of which a person's younger self is identical to his later self? Personal identity is a significant concept overarching philosophy, psychology, neuroscience, and ethics (Glover, 1988). It provoked debates amongst countless philosophers regarding ideas about human existence, challenging our understanding of self-continuity and selfhood. This essay explores this philosophical problem to better understand ourselves and our interpretations. To build on the foundation of the contrasting (...) insights of philosophers John Locke and David Hume, whose perspectives are examined through concepts of psychological continuity theory, bodily continuity theory, and narrative theory. By shifting the focus on the roots of identity, I reason that the root of a person's identity is their rational nature, defined as the capacity for reason, abstract thought, and self-reflection that mark human beings as persons. If rational nature has been lost, it is only until his social/narrative identity is lost that the person has completely lost their identity. (shrink)

Apesar de ter florescido no século XII, a tradição do Graal, remonta ao século VI, com a história da “Destruição e Conquista da Bretanha”, escrita pelo clérigo Gildas, que não parece querer retratar mais do que fatos da época envolvendo líderes locais com status de Rei, lutas pelo poder, batalhas e assassinatos em família, todavia, se alguma tradição subterrânea (prática comum entre os judeus) havia, envolvendo esses personagens, sobre isso, Gildas, nada falou. -/- A memória desses homens guerreiros volta à (...) tona em meados do ano 828, em “A História dos Britânicos”, de Nennius, e mais tarde na “História dos Reis da Grã-Bretanha”, de Geoffrey of Monmouth, entre os anos de 1138 -1139. A tradição ressurge entre os anos de 1181 e 1190, com Chrétien de Troyes, que escreve “Perceval, a História do Graal”, que fica inacabada com sua morte. Poucos anos depois, entre 1191 e 1202, Robert de Boron escreve a “História do Graal ou José de Arimatéia”, onde introduz elementos cristãos, como o cálice da Última Ceia que recolheu o sangue do Cristo. No mito, José é preso, Cristo o visita e explica os mistérios do cálice. Após deixar a prisão, José viaja com seus sogros e outros seguidores para oeste, fundando uma dinastia de guardiões do Graal, de quem o rei Artur é descendente. Quase em seguida, surge “Parzival”, de Wolfram Schenbach, escrito entre os anos de 1195 – 1215, que, sem dúvida, é a obra mais robusta em simbolismos e que maior interesse desperta; o autor, por exemplo, não se refere ao Graal como “cálice sagrado”, mas o designa como “pedra”, expurgando, por assim dizer, o simbolismo cristão posto no romance por Robert de Boron e introduzindo o simbolismo judaico. -/- Agora, a questão da literatura arturiana parece estar ligada a algum tipo de tradição marginal que remonta aos primórdios do cristianismo, similarmente à queda da Judeia, já que absorve ambos os elementos. Chrétien de Troyes, que iniciou este novo ciclo da tradição, deixa a entender que escreveu sua história a pedido de Philip I, Conde de Flandres, da Casa de Alsace, isso por que o prólogo da obra (316) é dedicada a seu patrono com altos elogios, apresentando-o como o mais bravo dos homens do Império de Roma, dedicatória similar feita a uma obra anterior, encomendada por Maria de Champagne. Outro dado que chama a atenção, é a possibilidade de Chrétien ter sido um judeu convertido, hipótese fundamentada no fato de a cidade de Troyes ter sido um grande centro de comércio e ensino judaicos, mas também pela assinatura em um de seus poemas, “Philomena”, onde se refere como “Crestien li Gois” e o termo “Goy” implicaria um judeu convertido (317). -/- Logo a seguir à obra de Chrétien, Robert de Boron retoma a tradição acrescentando motivos cristãos e, tal como seu antecessor, a serviço de um nobre, Gautier de Montbéliard (318), da Casa de Montfaucon. Apesar de a obra de Robert ter se popularizado pelos elementos novos que introduziu, não é aquela que mais desperta interesse entre os estudiosos, no entanto, a adição de símbolos cristãos em uma tradição a princípio não cristã, pode referir-se a desvio de foco, mais que a qualquer outro objetivo, ideia que é reforçada quando entendemos que os autores escrevem a pedido de determinadas famílias nobres. Quase ao mesmo tempo, surge a obra capital do romance do Graal, escrita pelo alemão Wolfram Schenbach, que, não fugindo à regra, liga sua história à Casa de Anjou, na época, a família mais poderosa na Europa Ocidental e na Terra Santa, onde seus membros se revezavam como reis de Jerusalém. Um dado curioso é que Philip I, Conde de Flandres da Casa de Alsace, patrono da Chrétien de troyes era primo em primeiro grau do Rei Balduíno, de Jerusalém, da Casa de Anjou. -/- Wolfram Schenbach cita Kyot de Provence, identificado como Guiot de Provins, como sendo sua fonte (319). Historicamente, Guiot foi um autor renomado e popular em sua época, monge e porta voz dos Templários, que escreveu, desde canções de amor, a críticas à Igreja e também canções de adoração ao Templo, o que parece indicar uma origem judaica. Segundo Wolfram, kyot encontrou na cidade de Toledo (320) um antigo manuscrito escrito por Flegetanis, um judeu forçado ao batismo cristão, contendo a história “daquilo que era chamado Graal”, esse é um ponto importante quando entendemos que estamos lidando com uma tradição judaica e não cristã. Depois de ler o manuscrito, Kyot passa a investigar alguns dados nele contido, em vários centros da Europa, buscando principalmente as obras de escrita latina, encontrando finalmente, na França, nos anais da Casa de Anjou (321) ; a história de Mazadan e o registro de sua família (322). -/- O que essa informação quer nos dizer, nas entrelinhas, é que os registros familiares de Mazadan, foram reconhecidos como sendo os mesmos dos manuscritos de Flegetanis, no entanto, alguns estudiosos de “Parzival” dão como não confiável a referência ao personagem Kyot de Provence, não o identificando a Guiot de Provins (323), talvez porque Wolfram não faz qualquer referência ao poeta até o livro oito, para, abruptamente, citá-lo no livro nove, onde explica toda a história. Quero dizer que a referência feita no livro nove e não antes, como seria habitual, denota um antigo simbolismo judaico de utilizar o algarismo “nove” como expressão da verdade (324), veja, por exemplo, a fundação da Ordem do Templo por simbólicos “nove” cavaleiros, não mais, não menos. Das obras, portanto, sobre o romance do Graal, aquela que merece estudo e investigação é Parzival, se quisermos um motivo dentre tantos, a “coisa” que os outros autores chamam Graal, Wolfram não denomina “cálice”, mas “pedra”. -/- William: Lancio; pensei ter entendido quando você falou sobre o simbolismo do cálice associado ao romance do Graal. Mas agora estou confuso, quando diz que o cálice foi um motivo cristão adaptado a essa tradição e a que merece estudo e investigação é aquela em que o Graal não é simbolizado pelo cálice e sim por uma pedra. -/- Lancio: William, quando falamos ou escrevemos sobre simbolismo, o discurso ganha muitas e diferentes interpretações e todas estarão sempre em conformidade com a capacidade daqueles ou daquelas que nos ouvem ou nos leem, mas, todos aqueles que forem além da leitura ou do simples ouvir, questionarão e esses saberão mais. Quando me referi ao cálice como símbolo, associando-o à tradição do Graal, o fiz como ilustração simbólica a uma ritualística, nesse caso; o cálice é aquele que toma variadas formas, que é maleável a diversas leituras e interpretações, que é histórico e é judeu, não é fábula e por isso é também pedra. -/- William: desculpe, Lancio, eu continuo sem entender. A que cálice que também é pedra você se refere? -/- Lancio: o mesmo símbolo que sempre representou a tradição do Graal, não em Robert de Boron, mas em Wolfram Schenbach. Novamente, William, o cálice, antes de ser um símbolo cristão pela fábula de José de Arimatéia, é um símbolo judaico e quando discorri sobre esse simbolismo, era o cálice judaico ou o que se designou chamar de cálice, que Wolfram chamou de “pedra”, o símbolo em questão. -/- William: por maior esforço de memória, eu não consigo compreender a substituição de cálice por pedra dentro do mesmo simbolismo. Quando você deu o exemplo do coração como cálice, sim, é passível de entendimento, mas substituir o coração por pedra e manter o mesmo significado simbólico? -/- Lancio: a dúvida corajosa é a boa dúvida e isso em qualquer disciplina, por ser ela capaz de provocar perguntas capitais. Em poucas palavras, com o que já ouviu; você será capaz de entender o simbolismo do cálice. Primeiro devemos buscar, nas tradições judaicas, um ato ritualístico em que o cálice participe e não é difícil encontrá-lo, pois há no seio do judaísmo uma tradição em que o cálice ou vaso de ouro, como também é chamado, participa, refere-se ao sacrifício das frutas frescas, (omer), contudo, esse simbolismo em que está inscrito o cálice, nada diz à nossa investigação, é uma tradição judaica e nela se encerra, mas não podemos dizer o mesmo da sua representação nas moedas cunhadas pelos seguidores de Judas, o Galileu, quando estes tomaram Jerusalém e o Templo em 66 DC, dando início à primeira revolta contra Roma, proporcionando ao reino judeu, um breve período independência (326). Assim, torna-se ele, o cálice, símbolo daquela revolta e mais do que isso, torna-se o cálice um símbolo em si mesmo, capaz de servir à lembrança e à memória. Quando fiz referência ao simbolismo do cálice, era a esse simbolismo que me reportava e quanto à sua metamorfose em pedra, falarei agora. -/- Wolfram chama aquilo que representa o Graal, não de “cálice”, mas de “lapsit exiliis”, cuja tradução, apesar dos esforços de pesquisa e imaginação, definitivamente não está resolvida. -/- O nome “lapsit exillis” reúne assim como o nome “Lazalies”, “Mazadan” ou “Terdelaschoye”, um sentido propositadamente ambíguo, por isso há sempre dificuldade quanto a seu estudo (337), se é possível encontrar um tímido consenso sobre o significado da palavra lapsit, como sendo “pedra”, no que se refere à palavra composta, entretanto, não há consenso algum quanto ao significado, sendo muitas e corajosas, as interpretações que se tem buscado dar, inclusive com o sentido de “pedra do exílio” ou “pedra exilada”(338), que embora esteja no cesto das interpretações fantasiosas, devo dizer que não deveria, porque “pedra” é uma palavra largamente utilizada nos escritos judaicos com sentido além do literal, significando família, isso é possível devido a composição das palavras na língua hebraica, constituídas em sua maioria por duas ou mais palavras menores, assim pedra, “even”, soletrado, alef, beit, nun, é um acrônimo para av - ben, que significa “pai e filho”, representando a palavra pedra, esse conceito. -/- Esse simbolismo permeia toda a literatura judaica cristã (339). Quando, por exemplo, se diz em determinado versículo que Jacob pegou “pedras” e colocou sob sua cabeça como travesseiro e em outro versículo que Jacob ao acordar tirou a “pedra”, no singular, que tinha posto anteriormente sob sua cabeça; isso revela uma aparente discrepância, no entanto, isso significa, à luz dos intérpretes da Lei, que as “pedras”,no plural, significam os 12 filhos de Jacob, as 12 tribos de Israel que se fundiram em um só povo, uma só nação, uma só “pedra.”(340) Portanto, chamar o Graal por “lapsit exiliis” ou “pedra exilada” ou “pedra do exílio” ou ainda “pedra no exílio”, pelo simbolismo hebreu, significa o mesmo que dizer; família exilada, família do exílio ou família no exílio, termo aplicável ao povo judeu em geral e às famílias judias em particular, mas por ser o romance do Graal uma tradição relacionada a uma família específica, é a essa família que devemos buscar. (shrink)

En este ensayo intento mostrar el estrecho vínculo entre el asunto de la fijación de la extensión de los términos de clase natural y el problema de la proyectabilidad puesto de relieve por Goodman con su nuevo enigma de la inducción. Por un lado argumento que el nuevo enigma de la inducción pone de manifiesto la presencia de un elemento fregeano en la teoría de la referencia directa de Putnam y, por el otro, señalo la necesidad de que (...) una respuesta realista a dicho enigma se articule con una tesis epistemológica de cómo conocemos las presuntas propiedades intrínsecas de los objetos. (shrink)

Scholars have traditionally taken the Marquis de Sade to be a straightforward advocate of immoral hedonism. Without rejecting outright this view, I argue that Sade also presents an insightful theory of the psychology of pleasure, placing him amongst the more insightful psychological thinkers of the late 18th century. This paper outlines Sade’s description of the immoral will, in particular his account of how an agent can come to enjoy the humiliation, torture and murder of others. I argue for the following (...) claims: firstly, that Sade, perhaps despite himself, suggests that the sadistic will is pathological; secondly, that Sade’s work gives a far less flattering view of the sadistic will than is commonly supposed. (shrink)

The problem of time involves an overlap between physics, philosophy, psychology and neuroscience. My talk will discuss the role of time in physics but also emphasize that physics may need to expand to address issues usually regarded as being in the other domains. I will first review the mainstream physics view of time, as it arises in Newtonian theory, relativity theory and quantum theory. I will then discuss the various arrows of time, the most fundamental of which is the passage (...) of time associated with consciousness. I will argue that this goes beyond both relativity theory and quantum theory, so that one needs some new physical paradigm to accommodate it. A new paradigm is required anyway to describe quantum gravity and this may elucidate the nature of both time and consciousness. (shrink)

The article aims to discuss the suicide conceptions in the following works: Karl Marx’s Peuchet: vom Selbstmord (with “co-author” Jacques Peuchet), Émile Durkheim’s Le suicide and Sigmund Freud’s Trauer und melancolie. We can say that throughout the history of philosophy the theme was worked in two ways: as a moral and as an existential question. Discussions about suicide intensified between the late eighteenth and early nineteenth century. While many studies have focused on the moral consequences of suicidal act, other researchers (...) questioned about the nature of the forces that cross the individual to the point of self-extermination. In their conceptions, Marx, Durkheim and Freud avoided determinism and refused to associate suicide to the sin notion advocated by the Christian moral philosophy. However, this article supports the thesis that these three authors continued operating in the “morality axis” and presented suicide as a moral problem: it is precisely the moral that allows a theoretical enunciation about suicide and what sets them apart is, much more, a differentiated position in relation to moral than a radical innovation of the approach. (shrink)

Using “brute reason” I will show why there can be only one valid interpretation of probability. The valid interpretation turns out to be a further refinement of Popper’s Propensity interpretation of probability. Via some famous probability puzzles and new thought experiments I will show how all other interpretations of probability fail, in particular the Bayesian interpretations, while these puzzles do not present any difficulties for the interpretation proposed here. In addition, the new interpretation casts doubt on some concepts often taken (...) as basic and unproblematic, like rationality, utility and expectation. This in turn has implications for decision theory, economic theory and the philosophy of physics. (shrink)

Subject matter expertise goes far beyond simply knowing and regurgitating facts. It is a multifaceted ability encompassing a deep understanding of the content, pedagogical knowledge, assessment proficiency, fostering critical thinking and problem-solving skills, and cultivating positive attitudes and values. This transcendental phenomenological study was conducted to understand the lived experiences of SHS out-of-field research teachers in terms of assignment, instruction, and feedback. To grasp the phenomenon's essence, transcendental phenomenology aims to set aside the researcher's preconceived ideas and strive for neutrality. (...) The study was participated by 14 teacher-participants from the selected private senior high schools in Davao City, Philippines. Findings show that in terms of assignment, participants' experiences include adherence and submission to school administrators, consideration of teacher potential, experience, and training, and feelings of anxiety and frustration. With regards to instructional experiences, it includes lack of experience, aptitude, and administrative support; difficulty in establishing authority and checking outputs. With those, participants must be resourceful and creative and engage in professional development activities. In terms of feedback, participants were honest and open-minded and experienced the welcoming nature of the students. The findings elaborate on the complex and multi-faceted nature of out-of-field teaching, which is expected to inspire improved teacher hiring and placement policy. It is recommended that educational institutions should provide professional development programs to help those out-of-field teachers stay updated with best practices. (shrink)

The mystery of the images and an unknown book.

Il mistero delle immagini e un libro sconosciuto.

Oscar Wilde's The Critic as Artist is shown to foreshadow some key concepts of poststructuralist interpretive theory - such as the necessary interplay of blindness and insight in criticism (Lacan, Paul de Man), or the retroactive effect of interpretation in the construction of the work. More specifically, Wilde's reading of the riddle of the Sphinx in a passage of this work both theorizes and dramatizes the paradoxical relationship between blindness and insight, in the shape of an ironic prophecy which can (...) be read as Wilde's announcement of his own tragic downfall - in which there is an element of compulsive acting out that has been noted by a number of previous critics. That is, Wilde's Sphinx is used as the vehicle of a riddle about Wilde himself, and is an emblem of his own ambivalent attitude toward the public revelation of his homosexuality. (Note: Downloadable file is in Spanish). (shrink)

This article considers how Portuguese cinema questions the possibility of any cinematic representation of national identity. By exposing the subjective mechanisms and the artistic construction of Manoel de Oliveira's Cristóvão Colombo, o enigma (2007), I argue that the film serves as a portrait despite being an affective landscape—what John Caspar Lavater has referred to as a physiognomic. Oliveira achieves this through the atemporal depiction of his own experience of the facts and fictions of Portuguese history. I also examine the (...) Wagnerian concept of Gesamtkunstwerk (" total art ") along with more recent conceptions of " impure cinema. ". (shrink)

Can hybridism about moral claims be made to work? I argue it can if we accept the conventional implicature approach developed in Barker (Analysis 2000). However, this kind of hybrid expressivism is only acceptable if we can make sense of conventional implicature, the kind of meaning carried by operators like ‘even’, ‘but’, etc. Conventional implictures are a form of pragmatic presupposition, which involves an unsaid mode of delivery of content. I argue that we can make sense of conventional implicatures, but (...) doing so requires we embrace a form of pure, non-hybrid expressivism. This is a cognitivist expressivism I have developed elsewhere. We need cognitivist expressivism to make sense of how we evaluate—judge as correct or incorrect—implicature-bearing sentences. Once we embraced the possibility of this pure expressivism, we might as well be pure expressivists about normative discourse too. I show how we can do that. The motivations for a specifically hybrid theory are dialectically undercut. (shrink)

From Joan Lindsay and cinematic master Peter Weir to Ted Kotcheff and Warwick Thornton, over past decades authors, screenwriters and filmmakers have produced films that depict the vast Australian landscape—simply referred to as terra nullius during colonial times by settlers literally confronting a continent vastly different from anything they were culturally and geographically accustomed to—as mysterious, impenetrable and ominous. Just like the dark cold of Scandinavia lends itself perfectly to contemporary Nordic Noir, the Australian New Wave or Australian Film Revival (...) of the 1970s and 1980s saw the release of films that encapsulated the eeriness of this largely rugged, arid and windswept continent, which opens up possibilities for anything to happen within those very, limitless, territories. This article analyses Weir’s Picnic at Hanging Rock (1975), Kotcheff’s horror flick par excellence Wake in Fright (1971); "the best and most terrifying film about Australia in existence" and with a TV-series remake in 2017, and Thornton’s more recent portrayal of Aboriginal misery and poverty Samson and Delilah (2009) set against a hostile urban backdrop, from a Foucauldian perspective. In its theoretical framework it also draws primarily on Freud. Heterotopia is used as a term to refer to strange, bewildering spaces that are disturbing and undecipherable—also described as “an unimaginable space, representable only in language, and as a kind of semimythical real site” (as articulated in Knight, 2017, 141). Foucault’s concept is applied in a cinematic context and used in conjunction with Freud’s notion of the uncanny as a feeling of uneasiness; or, as has been explained in his seminal text “The Uncanny” (1919), “that class of the terrifying that leads back to something long known to us, once very familiar.” We argue that these eerie, fear-induced screened narratives represent a nation whose weather-beaten, freedom-loving yet at heart anxiety-ridden people are most definitely a product of their environment. (shrink)

Published in PoMo Magazine vol. 2, nr. 1 (Spring/Summer 1996) during my years as a grad student at the New School. I examine Nietzsche's presentation of the eternal recurrence, and discuss its interpretations by Heidegger, Bataille, Derrida, Klossowski, Stambaugh, and Vattimo. I will be returning to Nietzsche in the future.

Who is Pulcinella? What does his laughter have to say about the "end of time" and the end of life of Giandomenico Tiepolo? How can the end of a life make anyone laugh like Carnival’s popular mask does? This article tries to answer such questions. By unfolding the tools that come from the realm of Giorgio Agamben’s philosophy – notably the notion of "recapitulation of time" in its relation to comedy – we will trace a path which links Michail Bachtin’s (...) theories on the carnivalesque culture together with a recognition in the aesthetics of "character". In this encounter, the consistency of Pulcinella-King Carnival’s form of life will appear in the light of an “escape route”: it winks at a kind of general and anonymous beatitude, which pairs with the experience of the destitution of time. (shrink)

Fichte-Studien, volume 49 (Leiden: Brill/Rodopi Publishers, 8 April 2021), edited by David W. Wood, 471pp. -/- Presenting new critical perspectives on J.G. Fichte’s Wissenschaftslehre, this volume of articles in English by an international group of scholars addresses the topic of first principles in Fichte’s writings. Especially discussed are the central text of his Jena period, the 1794/95 Grundlage der gesammten Wissenschaftslehre, as well as later versions like the Wissenschaftslehre nova methodo (1796-99) and the presentations of 1804 and 1805. Also included (...) are new studies on the first principles of the particular sub-disciplines of Fichte’s system, such as the doctrines of aesthetics, nature, right, ethics, and history. The volume also contains a number of miscellaneous essays on Fichte research, as well as several book reviews. (shrink)

Herman Gorter (1864-1927) became famous as the author of May (1889) and Poems (1890). His opus magnum Pan, published in 1916, hardly acquired any readership at all, which is remarkable, given the monumental size and scope of this unique achievement, celebrating the imminent proletarian revolution and the advent of the communist era: a visionary work of global proportions. Gorter’s Pan will be assessed as thinking poetry, more precisely: as dialectical materialist poetry, as a work of art which articulates a dialectical (...) materialist worldview, not only concerning political economy and society, but also concerning nature and the universe as such, from the stars and galaxies of modern astrophysics down to the atoms and molecules of modern chemistry and quantum physics. Gorter’s monumental work is ‘thinking poetry’ in the Heideggerian sense of the term, sensitive to an imminent upheaval of Being as such, as well as a dialectical materialist artwork (albeit with a tinge of Spinozism) contributing (via the ‘school of poetry’) to a dialectical understanding of space, time, life and matter. In this article, I will focus on two crucial recurring motives: the motif of the shining crystal and the motif of the beaming galaxy. Via these motifs, so I suggest, Gorter aspires to bridge the gap between his epic-lyrical poetry and twentieth-century science. (shrink)

Connections between Pañcaviṃśatisāhasrikā-prajñāpāramitā-sūtra and Aṣṭasāhasrikā-prajñāpāramitā-sūtra suggest a new interpretation of an important passage in the Prajñāpāramitā-hṛdaya or Heart Sutra. I am able to show that the four phrases exemplified by “form is emptiness” were once a reference to the well-known simile, “Form is like an illusion” (rūpam māyopamam). As the Prajñāpāramitā corpus expanded, the simile became a metaphor, “form is illusion”. It was then deliberately altered by exchanging “illusion” for “emptiness”, leading to the familiar phrases. This connection opens the door (...) to reading the Heart Sutra, and the early Prajñāpāramitā sutras more generally, along the lines of Sue Hamilton’s (2000) epistemological approach to the Pāḷi suttas; i.e. as focussed on experience and particularly the meditative experience known in the Pāḷi suttas as dwelling in emptiness (suññatā-vihāra). In this view, the Heart Sutra makes sense on its own terms without having to invoke paradox or mysticism. (shrink)

This essay is the first part of an analysis on the form and matter in the works of Aristotle. Within the whole analysis, I shall examine passages taken from different works of Aristotle that are relevant to the investigation on form and matter. In this essay, I shall focus exclusively on the chapter Metaphysics Zeta 3. The concepts of substance, matter, ontological subject, form, composite substance, this something and separated, which are consistently used by Aristotle within the development of the (...) mentioned chapter, will be part of my survey of the contents of the chapter. The central argument of Metaphysics Zeta 3, which maintains the equivalence between substance and the feature represented by ontological subject, and which leads, through this first equivalence and through the equivalence between matter and ontological subject, to the result that matter is (the only) substance, will be investigated step by step so that all presuppositions, entailments, and consequences of the argument itself can be clearly shown. The problems which are caused by the mentioned equivalence of substance and ontological subject will be pointed out during my look at the chapter’s contents. In particular, Aristotle cannot accept that, in spite of the ontological subject being a correct feature of substance qua substance, substance is therewith reduced to matter. Being the ontological subject does not represent the only ontological feature of substance qua substance; the ontological features too of substance qua substance that are represented by being a this something and being separated belong to the concept of substance: they can never be forgotten within a right interpretation of substance. The identification of substance only with matter can never be accepted. Only the ontological values of substance represented by the form and by the composite substance possess the ontological features “being a this something” and “being separated”. Therefore, the ontological values of substance as form and as a composite substance must always be reckoned with in a correctly interpreted ontology. Neither of these values can be forgotten within an accurate inquiry of ontology. Hence, regardless of whether matter is substance and is correctly interpreted as substance, the values of substance as form and as composite substance must belong, in Aristotle’s view, to any right ontological system whatsoever. The plurality of values for substance, which I personally advocate, finds confirmation thanks to chapter Metaphysics Zeta 3: Matter, form, and composite substance all represent values for substance, despite the differences which they have as regards their own ontological features. (shrink)

Walter Wink’s last major theological book is the culmination of an expanding vision that took three decades to formulate, based upon what he takes to be a seminal historical moment. This was the “mutation in God-consciousness” that is said to occur with the appearance of “son of man” terminology in the first book of Ezekiel. Drawing upon that language, Wink wants to claim that we can relate to God as human beings only because God is truly Human – in fact, (...) Wink announces that only God is truly human. In this bold pronouncement, Wink not only draws inspiration from Ludwig Feuerbach – he stands Feuerbach virtually on his head. (shrink)

The aim of this paper is to show in what terms reality can be considered as a stratification of surfaces by developing Mario Perniola's philosophy of transit. The first part will deal with the etymology of the word transit, in order to explain its meanings and uses. As it will be clarified, the development of the notion of transit goes together with the conception of reality as deep in the sense of full, available, rich, as the realm of "difference" and (...) "enigmas". The second part will explain the particular conception of temporality implied in the transit. Together with Perniola's analysis, Nietzschean and Deleuzian reflections about "amor fati" and "eternal return" will be further explored. This concept is crucial to understand not only Perniola's overall philosophy by clarifying his position against postmodern thinkers; it also provides a theoretical framework from which the task and the challenge of the philosopher in the contemporary world emerge. (shrink)

Neste texto inrodutório, apresento brevemente o que normalmente se entende pelo velho problema da indução e, em seguida, apresento um pouco mais detidamente, acentuando as diferenças e semelhanças, o novo enigma da indução.

The resolution of the celebrated θ-τ enigma of elementary particle physics through the introduction of the parity violation law by T.D. Lee and C.N. Yang in 1956, may be epistemologically considered as a possible historical instance mostly explainable by means of that particular aspect of Kuhnian theory of scientific revolutions invoking the Gestalt switches as possible psychological patterns whose paradigm’s change is puts into analogy with those inherent the natural sciences (paradigm switches). From what said, then, it will be (...) possible to outline further elementary epistemological considerations. (shrink)

The enigma of consciousness, particularly the subjective and ineffable nature of qualia (our inner conscious experience), poses one of the most challenging puzzles in contemporary philosophy and cognitive science—the "hard problem". Grounded in interdisciplinary perspectives from philosophy of mind and neuroscience, this article introduces a novel theoretical framework aimed at elucidating the mysterious nature of qualia and providing a comprehensive explanation for the hard problem of consciousness. Emphasizing the intricate relationship between consciousness, identity, and subjective experience, and analyzing the (...) brain's “atomic nature”, the proposed model challenges reductionist perspectives that solely attribute consciousness to brain function. Here, the role of identity is integrated, emphasizing its centrality in comprehending conscious phenomena. Rejecting simplistic views equating brain states with mental states, the proposed framework also questions exclusive reliance on information integration theories. The suggested model contends that subjective experience transcends corresponding brain activity, introducing a dualistic perspective that involves non-physical information. The uniqueness of human consciousness is underscored, contrasting it with artificial intelligence, and highlighting it as vital for sustaining emotions, genuine comprehension, and engaging in complex behaviors. The paper advocates for a holistic perspective that recognizes the non-material dimension of consciousness, emphasizing its pivotal role in shaping human experience and behavior. This integrative approach seeks to contribute to both theoretical discourse and empirical investigations, fostering a deeper understanding of the nature of qualia and consciousness. (shrink)

Classical Sparta is an enigma in many ways, but for ancient and contemporary political theorists it is especially intriguing insofar as its politeia (or its educational/political/social system or “constitution”) produced a city-state that was both the hegemon of all other Greek city-states, for instance during the 5th century Persians wars, but was also ignobly defeated by Thebes at the battle of Leuctra in 371, slightly more than a century later, after which its hegemony collapsed and its subject population of (...) helots won a war of emancipation. How did Sparta field citizen-soldiers in the 5th century who were without parallel in their bravery and military prowess? And why did Sparta, perhaps under the same politeia, collapse just over a century later? Xenophon, Plato, Aristotle, and Plutarch searched for answers to such questions in the Spartan public educational program, its mixed constitutions, and its apparently militaristic goal and orientation. Such 4th century intellectuals (and Plutarch, writing in the 1st century CE) debated whether Sparta’s collapse was the result of deep-rooted problems within its Lycurgan constitution or in Sparta’s subsequent departure from that constitution; there also is significant debate concerning the education and roles of women within Spartan society. (shrink)

The enigma of the Emergence of Natural Languages, coupled or not with the closely related problem of their Evolution is perceived today as one of the most important scientific problems. The purpose of the present study is actually to outline such a solution to our problem which is epistemologically consonant with the Big Bang solution of the problem of the Emergence of the Universe}. Such an outline, however, becomes articulable, understandable, and workable only in a drastically extended epistemic and (...) scientific oecumene, where known and habitual approaches to the problem, both theoretical and experimental, become distant, isolated, even if to some degree still hospitable conceptual and methodological islands. The guiding light of our inquiry will be Eugene Paul Wigner's metaphor of ``the unreasonable effectiveness of mathematics in natural sciences'', i.e., the steadily evolving before our eyes, since at least XVIIth century, ``the miracle of the appropriateness of the language of mathematics for the formulation of the laws of physics''. Kurt Goedel's incompleteness and undecidability theory will be our guardian discerner against logical fallacies of otherwise apparently plausible explanations. John Bell's ``unspeakableness'' and the commonplace counterintuitive character of quantum phenomena will be our encouragers. And the radical novelty of the introduced here and adapted to our purposes Big Bang epistemological paradigm will be an appropriate, even if probably shocking response to our equally shocking discovery in the oldest among well preserved linguistic fossils of perfect mathematical structures outdoing the best artifactual Assemblers. (shrink)

Knowledge is still an enigma, with its ability to inductively bring out a pattern without restricting itself to an empirical count of situations experienced. Instead of seeing the concept as a weakened object representing an external reality, it is suggested to view knowledge as the bridging of a distance with an ability for the knower to stay connected with outward reality. Attempts at defining an external and quantitative criterion of truth are questioned, as many human performances are not likely (...) to be solved or even properly grasped by the project of artificial intelligence. The positive side of the cognitive constructivist project is finally assessed and it is argued that one of its unexpected results could be to reinsert the human knowing power in the sub-human realm. (shrink)

Este artículo periodiza y desarrolla los paradigmas concomitantes de la novela policial, para extrapolarlos en un contexto peruano incipiente con textos que cumplen con los requisitos indispensables denominarse de ese modo. La violencia resulta un elemento inexorable para la eficacia receptiva y su tratamiento creativo, además del conocimiento de tópicos afines, como Derecho, Política, Sociología, Fuerzas Policiales, etc. Para ello, se corroborará con la definición de este género (como lo fundamenta principalmente Tzvetan Todorov) y la taxonomía hegemónica de sus subgéneros: (...) novela de enigma, novela problema, novela negra, whodunit, novela policiaca histórica, novela policiaca de período histórico y novela criminal. (shrink)

Dancers and dance philosophers report on experiences of a certain form of sense making and bodily thinking through the dancing body. Yet, discussions on expertise and consciousness are often framed within canonical philosophical world-views that make it difficult to fully recognize, verbalize, and value the full variety of embodied and affective facets of subjectivity. Using qualitative interviews with five professional dancers and choreographers, I make an attempt to disclose the characteristics of what I consider to be a largely overseen state (...) of consciousness: embodied reflection. Dancers are familiar with this attentive bodily presence, which constitutes their work mode and heightens their abilities as experts. Detailed descriptions of their daily work at the theatre help us grasp the qualities and understand the enigmas of the absorbed state of bodily thinking. Husserl’s theories on reflection and Merleau-Ponty’s work on motoricity support our understanding of the structures behind embodied reflection. I believe it is a common human resource, and that whether we are experts or not, we all have the ability to reflect non-conceptually through bodily and/or affective activity. (shrink)

This book presents an original theory of the nature of pictorial representation. The most influential recent theory of depiction, put forward by Nelson Goodman, holds that the relation between depictions and what they represent is entirely conventional. Flint Schier argues to the contrary that depiction involves resemblance to the things depicted, providing a sophisticated defence of our basic intuitions on the subject. Canvassing an attractive theory of 'generativity' rather than resemblance, Dr Schier provides a detailed account of depiction, showing how (...) it illuminates and resolves many of the enigmas of pictorial representation while remaining true to our basic intuitions on the subject. Philosophers, psychologists and art theorists will find this a sophisticated and stimulating treatment of one of the central topics in aesthetics. (shrink)

Editor's Preface to Fichte-Studien 49 (2021), "The Enigma of Fichte’s First Principles", (Leiden/Boston: Brill, 2021): : IX-XIX. Also available on open-access. See the publisher's website.

In this paper, I present an interpretation of Wittgenstein's remarks on the experience of wonder at the existence of the world. According to this interpretation, Wittgenstein's feeling of wonder stems from perceiving the existence of the world as an absolute miracle, that is, as a fact that is in principle beyond explanation. Based on this analysis, I will suggest that Wittgenstein's experience is akin to what has been described by other authors such as Coleridge, Pessoa, Heidegger, Scheler, Sartre, and Hadot, (...) among many others. Through a comparison between Wittgenstein and Coleridge on the experience of existence, I shall highlight some core features of this experience, chief among them the use of the notion of nothingness in clarifying what is understood in the experience, the role of intuition, and the presence of a specific pathos. As a whole, this paper aims to provide a contribution to the project of a phenomenology of the experience of existence and intends to create a bridge for a dialogue between Wittgenstein and the phenomenological tradition on the enigma of existence. (shrink)

The fields of quantum biology and physics are now starting to unite to solve the mysteries associated with the field of evolutionary biology. One such question is the origination and propagation of consciousness which has always been ambiguous and in order to understand this concept, many theories have been proposed by several philosophers and scientists. This review paper agrees with the idea, that evolution is not a random process but hypothesizes, that its succession was managed by the expanding level of (...) consciousness due to cell division and cell differentiation. Several theories propose that the cytoskeleton and its proteins are promoters for consciousness in the brain, which propagates by means of super-conductance. A better correlation of cytoskeletal evolution and consciousness could help solve the enigma of the origination, propagation and existence of consciousness. This review is a compilation of theories, evidences and scientific studies which intends to bring an association between propagation of consciousness and the evolution of the cytoskeleton and its proteins. (shrink)

The recently rising field of Critical Data Studies is still facing fundamental questions. Among these is the enigma of digital subjectivation. Who are the subjects of Big Data? A field where this question is particularly pressing is finance. Since the 1990s traders have been steadily integrated into computerized data assemblages, which calls for an ontology that eliminates the distinction between human sovereign subjects and non-human instrumental objects. The latter subjectivize traders in pre-conscious ways, because human consciousness runs too slow (...) to follow the volatility of the market. In response to this conundrum Social Studies of Finance has drawn on Actor-Network Theory to interpret financial markets as technically constructed networks of human and non-human actors. I argue that in order to develop an explicitly critical data study it might be advantageous to refer to Maurizio Lazzarato’s theory of machinic subjugation instead. Although both accounts describe financial digital subjectivation similarly, Lazzarato has the advantage of coupling his description to a clear critique of and resistance to finance. (shrink)

Hannah Arendt disavowed the title of “philosopher,” and is known above all as a political theorist. But the relationship between philosophy and politics animates her entire oeuvre. We find her addressing the topic in The Human Condition (1958), in Between Past and Future (a collection of essays written in the early 1960s), and in Men in Dark Times (another collection of essays, this one from the late sixties). It is treated in her Lectures on Kant’s Political Philosophy, composed during the (...) seventies, and also in the posthumous Life of the Mind, two of three projected volumes of which were complete when she died in 1975. Certainly, Arendt’s thought cannot be understood without taking into account her deep suspicion of and equally deep commitment to philosophy in the context of political reflection. For all that, her writings on this abiding preoccupation do not gel into a systematically articulated theory or programmatic statement. Instead, they reflect Arendt’s appreciation of what remained for her a “vital tension” – an enigma. (shrink)

A música pode causar emoções fortes. Como havemos de compreender as respostas afetivas à música? Este artigo apresenta os principais enigmas filosóficos atinentes às emoções musicais. O problema principal diz respeito ao chamado "contágio": os ouvintes percebem a música como sendo expressiva de uma certa emoção (por exemplo, tristeza) e a música suscita neles essa mesma emoção. O contágio é desconcertante, pois entra em conflito com a principal teoria da emoção, de acordo com a qual as emoções são experiências de (...) valores (cognitivismo). Este artigo gira, sobretudo, em torno da apresentação crítica das várias respostas a este desafio ao cognitivismo. Apresenta, também, o paradoxo da música triste, isto é, a questão do motivo pelo qual apreciamos música triste. -/- Music can induce strong emotions. How are we to understand affective responses to music? This article presents the main philosophical puzzles pertaining to musical emotions. The chief problem concerns so-called "contagion": listeners perceive music as expressive of some emotion (say, sadness), and the music elicits the same emotion in them. Contagion is perplexing because it collides with the leading theory of emotion, according to which emotions are experiences of values (cognitivism). This article mostly revolves around the critical presentation of the various responses to this challenge to cognitivism. It also presents the paradox of sad music, i.e. the question of why we enjoy sad music. (shrink)

(For English, scroll down) „Kreativität“ ist ein sehr junger Begriff und ein sehr altes Phänomen. Sie gilt als unaufklärbares Rätsel, als eine Art „Black Box“ des Denkens. Dem kollektiven Bewußtsein zufolge ist sie etwas Rares, Flüchtiges, strapaziös zu erzielen und nur wenige Glückliche begünstigend. Das vorliegende Buch präsentiert eine logische Grundidee zur Entstehung von schöpferisch Neuem – Elemente aus Logik, Symbotheorie, Informations-, Kommunikations- und Medientheorie verbindend. Diese „Formel“ wird an philosophischen Stationen von der Antike bis zur Gegenwart erprobt und weiterentwickelt, (...) darunter Theorien von Platon, Aristoteles, Leibniz, Baumgarten, Kant, Wittgenstein, Nelson Goodman und Gregory Bateson. Kreativität zeigt sich als ein Transformationsphänomen, welches das Denken auf eine andere logische Ebene führt, kategoriale Grenzen transformiert und Anschlußformen öffnet. Im Ergebnis ist sie nichts per Definition Abwesendes, erreichbar nur über den Umweg von unverfügbarer Gunst, weltabgewandter Passion oder verborgenen Tricks. Kreativität ist vielmehr omnipräsent, schöpferische Energien sind nur mit großem Aufwand zu unterdrücken, und die Frage, wie man sie erreicht, wird zur Frage, wie man ihr eine optimale Basis bereitet, ohne sie wesentlich zu behindern. Creativity" is a young term and an old phenomenon. It is considered an unexplainable enigma, a kind of "black box" of thought. According to the default view, it is something rare, fleeting, hard to achieve and favoring only a lucky few. The present book presents a logical formula for the emergence of creative newness - combining elements from logic, theories of symbolization, information-theory, communication- and media theories. This structural idea is tested and further developed by confronting it with select philosophical theories regarding the production of ‘newness’ from antiquity to the present, including theories by Plato, Aristotle, Leibniz, Baumgarten, Kant, Wittgenstein, Nelson Goodman and Gregory Bateson. As a result, creativity shows up as a transformation phenomenon, including different logical levels, thereby transforming categorical boundaries. As a result, it is not something mostly absent, attainable only through of luck, manic passion, or hidden tricks. Creativity is rather omnipresent, creative energies can only be suppressed with great effort, and the question of how to achieve it becomes the question of how to prepare an optimal basis without significantly hindering it. (shrink)

Passive frame theory attempts to illuminate what consciousness is, in mechanistic and functional terms; it does not address the “implementation” level of analysis (how neurons instantiate conscious states), an enigma for various disciplines. However, in response to the commentaries, we discuss how our framework provides clues regarding this enigma. In the framework, consciousness is passive albeit essential. Without consciousness, there would not be adaptive skeletomotor action.

Karl Popper and Leo Strauss were two German speaking philosophers of Jewish descent, both having lived under Hitler’s rule, deeply disturbed by the events of the Holocaust; both leaving their homelands to settle in English speaking countries and adopting the teaching profession. In spite of so many similarities, no two persons could have such opposing personalities as these two men. It is strange how similar experiences could lead to the development of completely opposite philosophies. On the one hand we have (...) the peaceful and quiet politics of Popper, simple and straight forward, understandable and like a scientific theory open to criticism and verification. On the other hand however, are the political views of Strauss, a mystery wrapped in an enigma, leaving one to wonder where Strauss talks esoterically and where he is what he is, leaving behind a string of questions never to be answered with surety. This article is a comparison of the political views of Popper and Strauss. (shrink)

In an early poem, "Year's End", Jorge Luis Borges takes the turning of the year as an occasion to consider how "something in us" endures, despite the fact that we are products of "infinite random possibilities" and "droplets in the stream of Heraclitus": It is not the emblematic detail of replacing a two with a three, nor that barren metaphor that brings together a time that dies and another coming up nor yet the rounding out of some astronomical process that (...) stuns and undermines the altiplano1 of this night, and compels us to keep listening for those twelve irreparable tollings of a bell. The true cause is a vague, pervasive apprehension of Time's enigma; a certain awe before the miracle that in spite of... (shrink)

This essay provides a medical theory that could clarify enigmas surrounding the historical Socrates. It offers textual evidence that Socrates had temporal lobe epilepsy and that its two types of seizure manifested as recurrent voices and peculiar behaviour, both of which were notorious hallmarks of Socrates. Common and immediate criticisms against the methodology of retrospective diagnosis are addressed first. Next, the diagnostic reasoning is presented in detail. The possibility of temporal lobe personality in Socrates is also considered. The important implication (...) of this theory is that one of the charges against Socrates, introducing new divinities, was a now well-known neurologic symptom. (shrink)

Time was perceived by ancient philosophy as a cosmological enigma. The search for truth beyond time determined Greek thought. A true definition, says Aristotle (384-322 BC), expresses “the what-it-is-to-be” (τὸ τί ἦν εἶναι) of a thing, it is an account of the essence, and essence is identity. The principle of non-contradiction was considered by Aristotle as the first principle of the inquiry into Being. As such, it cannot be demonstrated, since this would lead to an infinite regress. Instead, the (...) noncontradiction principle is the first axiom of ontology. But time seems to question this tautology. Aristotle discusses time in the Physics. He begins with the questions about time’s existence which stem from his contemporaries’ conceptions. (shrink)

It will be shown in this article that an ontological approach for some problems related to the interpretation of Quantum Mechanics (QM) could emerge from a re-evaluation of the main paradox of early Greek thought: the paradox of Being and non-Being, and the solutions presented to it by Plato and Aristotle. More well known are the derivative paradoxes of Zeno: the paradox of motion and the paradox of the One and the Many. They stem from what was perceived by classical (...) philosophy to be the fundamental enigma for thinking about the world: the seemingly contradictory results that followed from the co-incidence of being and non-being in the world of change and motion as we experience it, and the experience of absolute existence here and now. The most clear expression of both stances can be found, again following classical thought, in the thinking of Heraclitus of Ephesus and Parmenides of Elea. The problem put forward by these paradoxes reduces for both Plato and Aristotle to the possibility of the existence of stable objects as a necessary condition for knowledge. Hence the primarily ontological nature of the solutions they proposed: Plato’s Theory of Forms and Aristotle’s metaphysics and logic. Plato’s and Aristotle’s systems are argued here to do on the ontological level essentially the same: to introduce stability in the world by introducing the notion of a separable, stable object, for which a ‘principle of contradiction’ is valid: an object cannot be and not-be at the same place at the same time. So it becomes possible to forbid contradiction on an epistemological level, and thus to guarantee the certainty of knowledge that seemed to be threatened before. After leaving Aristotelian metaphysics, early modern science had to cope with these problems: it did so by introducing “space” as the seat of stability, and “time” as the theater of motion. But the ontological structure present in this solution remained the same. Therefore the fundamental notion ‘separable system’, related to the notions observation and measurement, themselves related to the modern concepts of space and time, appears to be intrinsically problematic, because it is inextricably connected to classical logic on the ontological level. We see therefore the problems dealt with by quantum logic not as merely formal, and the problem of ‘non-locality’ as related to it, indicating the need to re-think the notions system, entity, as well as the implications of the operation ‘measurement’, which is seen here as an application of classical logic (including its ontological consequences) on the material world. (shrink)

The Universal Formula: Solving the Problem of Free Will Through the Law of Balance By Angelito Malicse Introduction The problem of free will has puzzled humanity for centuries, often viewed as a philosophical or metaphysical enigma. This essay presents a universal formula that resolves this dilemma by focusing on the law of karma and the universal law of balance. It explores the interconnectedness of systems, the critical role of accurate knowledge, and the evolution of emotions in maintaining harmony. By (...) examining real-world examples such as overpopulation, environmental degradation, economic instability, and the flaws of capitalism, this essay demonstrates how the universal formula can guide human decision-making to achieve a balanced and sustainable world. The Law of Karma: Systems and Balance The universal formula begins with the law of karma, which extends beyond cause and effect to encompass the integrity of systems, both natural and man-made. Every system—whether ecological, social, or economic—operates according to the universal law of balance. When imbalances arise, the system becomes dysfunctional, leading to adverse consequences. For example, while humans sit at the top of the food chain, the Earth's ecosystem cannot sustain unchecked overpopulation of our species. Overpopulation leads to the destruction of natural resources as humans consume everything, including plants, animals, and even insects. This voracious consumption damages ecosystems, accelerates deforestation, depletes biodiversity, and disrupts the delicate balance of the natural world. To ensure the sustainability of life on Earth, it is crucial to regulate population growth, conserve natural resources, and refrain from exploiting all animals on land and in the sea. By preserving biodiversity and maintaining the integrity of ecosystems, we protect the foundation of life that supports all species, including humans. Free Will and the Dependence on Correct Knowledge Human free will is not an autonomous force but is entirely dependent on correct knowledge and information. Errors in decision-making, often caused by ignorance, false beliefs, and distorted theories, disrupt the balance of systems. For instance, the failure to regulate overpopulation creates cascading problems, including climate change, pollution, and resource depletion. Without accurate knowledge about the consequences of overpopulation, individuals and societies continue to make decisions that exacerbate these imbalances. Education and government policy play vital roles in addressing these issues. Policies that promote population regulation can maintain a sustainable economy, while education fosters awareness of the need to protect ecosystems and biodiversity. Correct information empowers individuals to make decisions that align with the universal law of balance, preventing errors that destabilize systems. The Flaws of Capitalism and the Need for Balance The efficiency of the capitalistic system increases over time, leading to significant flaws if left unchecked. Private companies continually strive to reduce overhead and operating expenses, often by automating processes and replacing human labor with robotics. While this enhances profitability, it also reduces employment opportunities, suppresses wages, and widens income inequality. These principles, central to the management strategies of most private companies, create systemic imbalances in the economy. The solution lies in adopting a mixed economic system that counterbalances the excesses of capitalism with socialist principles. Governments must play a pivotal role in addressing these imbalances by implementing the following measures: Creating High-Salary Government Jobs: These jobs provide stable income and stimulate local economies. Providing Unemployment Benefits or Universal Basic Income (UBI): These measures ensure that individuals who lose jobs due to automation and efficiency gains still have the purchasing power to meet their needs. Offering Free Healthcare and Education: These fundamental services reduce the financial burden on families, enabling them to invest in other areas of life. Promoting Government Spending: By investing in infrastructure, renewable energy, and public services, governments can create new jobs and maintain the flow of money in the economy. Government spending serves as a balancing mechanism by injecting funds into the economy, which in turn supports private companies through increased consumer demand. This feedback loop creates private-sector jobs, stabilizes the economy, and ensures a balanced flow of resources between public and private sectors. The Role of Emotions in Balancing Systems Human emotions, both positive and negative, serve as essential feedback mechanisms for maintaining balance. Positive emotions, such as love and joy, encourage cooperative behavior and strengthen familial and social bonds. Negative emotions, such as fear and anger, signal imbalances that require corrective action. For example, the unconditional love within a family fosters a nurturing environment that supports the emotional and psychological development of children. This foundation contributes to a high-quality next generation of parents, capable of fostering further generational improvement. Conversely, the absence of such love or a dysfunctional family structure often leads to crime, substance abuse, and other societal problems. These negative outcomes are the effects of systemic imbalances, whether caused by poor parenting, economic hardship, or the lack of a government safety net. Addressing Environmental and Social Imbalances The universal formula underscores the importance of a holistic education system in addressing systemic imbalances. Education must instill values such as cleanliness, discipline, ethics, and good manners while fostering a respect for nature. Teaching children the importance of not harming wildlife and preserving ecosystems is critical to protecting biodiversity and ensuring a harmonious coexistence with other species. Government policies also play a crucial role. Regulations that protect natural resources, reduce pollution, and promote renewable energy can prevent environmental degradation. Policies that provide social safety nets can alleviate poverty and reduce crime by addressing the root causes of economic and social imbalance. The Importance of Holistic Systems Thinking The universal formula emphasizes the interconnectedness of systems, demonstrating that imbalances in one area often ripple through others. For instance, a lack of holistic education contributes to ignorance, which leads to poor decision-making. This, in turn, exacerbates issues such as overpopulation, resource depletion, and social unrest. Producing a high-quality young generation requires a combination of good parenting, access to education, and supportive government policies. By fostering an environment that values balance, discipline, and ethics, societies can produce individuals capable of making decisions that align with the universal law of balance. Conclusion The universal formula offers a comprehensive solution to the problem of free will by integrating the law of karma, the universal law of balance, and the evolutionary role of emotions. By understanding and addressing the root causes of imbalance—whether environmental, social, or economic—humanity can achieve harmony within and across systems. Real-world examples, such as overpopulation, economic instability, environmental destruction, and the flaws of capitalism, highlight the urgent need to apply this formula. Through holistic education, informed policies, and an unwavering commitment to balance, individuals and societies can prevent errors, correct existing imbalances, and create a sustainable and harmonious future. The time to act is now. By embracing the universal formula, humanity can unlock the full potential of free will, ensuring a balanced and equitable world for generations to come. ---. (shrink)