This paper explores the impact of furniture and machines on spatial organization and circulation systems in industrial buildings using space syntax analysis. While space syntax research covers various settings, industrial buildings have received limited attention. This study aims to address this gap by examining how machines and furniture influence spatial organization and circulation in two industrial buildings: A Nitrile Glove manufacturing facility and a textile manufacturing factory. The furnished and unfurnished floor plans were analyzed using space syntax software, DepthMapX, with (...) connectivity and agent-based analyses. The results indicate that unfurnished plans have centrally located connectivity values, whereas furnished plans create subspaces with varying connectivity. Agent-based analysis reveals that unfurnished spaces have high density in the center, while furnished spaces distribute density more evenly, resulting in more uniform circulation. This study concludes that industrial building spatial configurations result from a combination of architectural design and the placement of machines and furniture. (shrink)

Öz: Frege özel adların (ve diğer dilsel simgelerin) anlamları ve gönderimleri arasında ünlü ayrımını yaptığı “Anlam ve Gönderim Üzerine” (1948) adlı makalesinde, bu ayrımın önemi, gerekliliği ve sonuçları üzerine uzun değerlendirmeler yapar ancak özel adın anlamından tam olarak ne anlaşılması gerektiğinden yalnızca bir dipnotta kısaca söz eder. Örneğin “Aristoteles” özel adının anlamının Platon’un öğrencisi ve Büyük İskender’in öğretmeni ya da Stagira’da doğan Büyük İskender’in öğretmeni olarak alınabileceğini söyler. Burada dikkat çeken nokta örnekteki özel adın olası anlamları olarak gösterilen belirli (...) betimlemelerin de özel ad içeriyor olması. Anlamın Frege için bileşimsel olduğu, bir başka deyişle bir dilsel simgenin anlamının (varsa) parçalarının anlamlarınca belirlendiği düşünülürse, örnekteki belirli betimlemelerin anlamlarının saptanabilmesi için içerdikleri özel adların da anlamları saptanıp betimleme içinde geçtikleri yere konmalıdır. Bu işlem hiçbir özel ad kalmayana kadar sürdürülmelidir. Ancak biraz düşünülünce bir özel adın nesnesini tekil olarak betimleyecek ve içinde özel ad geçmeyecek bir betimleme bulmanın kolay olmadığı görülür. Örneğin yukarıdaki betimlemelerde geçen “Platon”, “Büyük İskender” ve “Stagira” gibi özel adların anlamları olabilecek ancak özel ad içermeyen betimlemeler bulmak pek kolay görünmüyor. Ortaya bir sonsuz gerileme sorunu çıkmış gibi duruyor. Frege’nin anlam-gönderim ayrımını için ciddi sonuçları olabilecek bu sorunu Frege çözebilir mi? Bu yazıda bu sorunun yanıtını arayacağım. Sorunu betimledikten sonra Frege’nin önündeki seçenekleri (örneğin bağlama duyarlı terimlerden (gösterme adılları veya belirteçler) yararlanma veya bağlamı sınırlama gibi) değerlendireceğim. -/- Abstract: In his “Sense and Reference” (1948), Frege makes his famous distinction between the sense and the reference of a proper name (and other signs) and discusses at length the significance, necessity and consequences of the distinction, but he explains how the sense of a proper name should be understood very briefly in a footnote. According to him, for example, the sense of the proper name “Aristotle” can be taken as the pupil of Plato and teacher of Alexander the Great or the teacher of Alexander the Great who was born in Stagira. What is interesting here is that the definite descriptions given as the possible senses of this proper name do themselves contain proper names too. Since the sense is something compositional for Frege, which means the sense of a linguistic sign is determined by its constituents (if there are any), in order to determine the sense of definite descriptions in question, we should first determine the senses of proper names they contain and substitute these senses with the proper names themselves. This process should continue until no proper name remains. However, it does not seem easy to find a definite description which describes the object of a proper name uniquely but contains no proper name itself. For instance, could we find appropriate senses that contain no proper name for “Plato”, “Alexander the Great” and “Stagira”? It does not seem likely. A problem of infinite regress appears to arise. Can Frege solve this problem, which poses a serious threat for his sensereference distinction? I will explore this problem in this paper. After explaining the problem, I will discuss the options (e.g. turning to indexicals or context restriction) Frege can take to deal with it. (shrink)

This article will be based on the concept of respect which is one of the keystone concepts of moral philosophy by Immanuel Kant who is one of the most important philosophers of the history. The Groundwork of the Metaphysics of Morals and Critique of Practical Reason by Kant will be the works to be based on throughout the article. The form of morality of the human who is a social being will be considered by means of the concepts of respect (...) and obligation which are found in these works. Respect which is a principle determines the person for the relation constituted within the realm of common will be discussed by means of its necessity and certainty linked to duty and obligation. The difference by means of context and extent between respect and love which are two basic facts of social life will be pointed out. The formal aspect of Kantian ethics and the morality of law revealed by pure reason, independent of natural causality, constitute the basis of harmonious social structuring. The indispensable importance of the form of Kant's philosophy today, with its moral formula that will continue its currency against the lack of morality, dignity and respect, the necessity of which is clearly revealed in the suffocation of the capitalist system of exploitation, has been the motivation for the disintegration in question. Throughout the study, the basic lines of Kant's ethics will be examined and at the same time, an attempt will be made to shed light on some of today's ethical problems based on these ideas. (shrink)

Background: In order to determine the pathophysiology of tinnitus and deciding on treatment, the function of peripheral hearing organs is very important. -/- Objective: To evaluate the cochlear functions in tinnitus patients with or without hearing-loss(HL). -/- Methods: Participants with tinnitus were divided into two groups; 16 participants with accompanying HL were included in the first study group (SG-I), and 15 participants without HL were included in the second group (SG-II). 21 normal-hearing subjects without tinnitus included as control group(CG). Tinnitus (...) discomfort levels was determined with Tinnitus Handicap Inventory(THI). Besides pure-tone audiometry, Otoacoustic Emissions, to evaluate cochlear functions and to decide dead regions (DR), Threshold Equalizing Noise-(TEN) was used. -/- Results: The threshold-shift was observed with TEN in subjects in SG-I and these levels were statistically different from SG-II and CG. There were both threshold-shift and DR in SG-II according to TEN. TEOAEs did not differ between SG-II and CG. The DPOAE results for SG-II showed significant decreases in emission amplitudes at 6 & 8 kHz. -/- Conclusion: While Tinnitus patients with HL can be evaluated with conventional tests, evaluating patients with normal hearing tinnitus with additional tests such as OAE and TEN allows us to get more precise results on the functions of peripheral hearing organs. (shrink)

This article points out the ways in which the relationship between language and political resistance are problematized in “meta-linguistic” science fiction novels after the 1980s. Although the 20th century anti-utopias tend to view language as a prison house for thought and self-determination under oppressive regimes, Suzette Haden Elgin’s Native Tongue (1984), Neal Stephenson’s Snow Crash (1992) and China Miéville’s Embassytown (2011) are distinct novels in the tradition of language-related science fiction, in the sense that these texts imagine possibilities of resisting (...) oppressive power structures by exploring similar conceptions of language as a way of transforming cultural, perceptual and political realities. The article analyzes these novels where resistance is enacted in the forms of language construction, digital world-making and metaphorical language, in order to question their political and fictional potentials for formulizing subversion in our imagined futures. (shrink)

This article is a study with the heading of moral philosophy in age of Enlightenment, to bring together Immanuel Kant, the great philosopher of Enlightenment age and launcher of a new age in history of philosophy and Ludwig van Beethoven, the great composer who was contemporary of him and launcher of a new age in music history. The first part of article is an investigation of the systems of metaphysical philosophy exposed by eminent philosophers since Platon to Kant in general. (...) Henceforth, it is striven to reveal the metaphysics of Kant by means of his way of speculate about it in a different way than all philosophers before him and way of achieve philosophical revolution. The moral philosophy which is in central position of his system of metaphysics has been main theme of this article. In this study, research based on the exposition of moral way of life and world view by Kant and it's influence on the music of Beethoven. It is invesitgated in the last part of article as one of the very crucial example how the musical content of Ninth Symphony by Beethoven is determined by that influence. This work has been a milestone in the music history likewise the break a new ground in philosophy by Kant. Furthermore, year 2020 is coming across the 250th anniversary of birth of Beethoven was an inspiration for this article. (shrink)

The 18th century witnessed the transformation of aesthetics into an independent philosophical discipline. In this period, two main traditions emerged, based on which we can categorize aesthetic theorists. The first of these is classical or rationalist aesthetics, and the other is empiricist or subjective aesthetics. Because classical/rational aesthetic theories were largely based on Cartesian metaphysics, they also inherited the difficulties faced by Cartesian metaphysics. For Descartes, senseperception is not a reliable mode of cognition and truth only comes out of the (...) ideas of pure understanding. Where Descartes' philosophy came to a dead end was that it could not convincingly explain how the concepts in our minds represent reality that is independent of us. This problem also manifested itself in the rationalist aesthetics. Similarly, the empiricist theory inherited the weaknesses of the empiricist epistemology. The main problem of empiricism was to overcome subjectivism and reach universal principles that make sense of the world surrounding us. To overcome the relativism of the empiricist epistemology, empiricist theoreticians claimed that there is an intuition, a common feeling shared by all human beings. However, this common feeling could not be proven empirically. Diderot created a new aesthetic theory that aimed to reconcile rationalist and empiricist aesthetics by redefining the term perception. This article discusses Diderot's innovative effort to create a new aesthetics free from the limits of rationalism and empiricism. (shrink)

This article expands on the concept of aura, within the frame of art ontology, and based on neurophilosophy, the stages of human thought, and peak experiences. Aura, generally signifying the subjective value of a work of art, is in this work associated with peak experiences and neurobiological impacts. In this context, the concept of aura involves an effort to understand the effects that a work of art has on the viewer and how these effects form a peak experience. This study (...) investigates how aura and peak experiences have changed and evolved in different cultural and historical contexts, considering the stages of human thought. In the end, the thesis presents a broader definition of the concept of aura; stating that aura shows variability according to conditions, periods, and spaces, and it is a concept that enables the subject to reach peak experiences. (shrink)

Although Les Philosophes was an ordinary comedy, and Palissot was far from the caliber of Molière or Voltaire, it successfully consolidated conservative criticisms of the philosophes within a satirical framework, enjoying a successful three-month run in 1760. The reason behind its success was that it was at the center of a debate between the Enlightenment philosophers and the Counter-Enlightenment figures. In addition to being an example of 18th-century French comédie, the play serves as a valuable source for understanding the key (...) points of conservative discourse of the time. While Palissot seemed to focus on attacking individual philosophes’ personalities, he paired these attacks with conceptual critiques, and directed the most of his criticism primarily at Diderot and Rousseau. The play remains significant for two reasons: First, it captures almost all of the concerns and arguments of the conservative reaction to the Enlightenment. Second, it sheds light on Enlightenment thinkers' personal and intellectual struggles. This paper examines Palissot’s Les Philosophes not as a mere literary dispute but as a rich text that reveals the Counter-Enlightenment discourse that emerged in the second half of the 18th century. (shrink)

In this paper, we introduce the concepts of Pythagorean fuzzy valued neutrosophic set (PFVNS) and Pythagorean fuzzy valued neutrosophic (PFVNV) constructed by considering Pythagorean fuzzy values (PFVs) instead of numbers for the degrees of the truth, the indeterminacy and the falsity, which is a new extension of intuitionistic fuzzy valued neutrosophic set (IFVNS). By means of PFVNSs, the degrees of the truth, the indeterminacy and the falsity can be given in Pythagorean fuzzy environment and more sensitive evaluations are made by (...) a decision maker in decision making problems compared to IFVNSs. In other words, such sets enable a decision maker to evaluate the degrees of the truth, the indeterminacy and the falsity as PFVs to model the uncertainty in the evaluations. (shrink)

Robin George Collingwood, tarihsel bilginin dinamik ve öznel doğasını kabul ederek, doğa bilimlerinden farklı bir tarihsel metodolojinin gerekliliğini vurgulamıştır. Onun felsefesi, tüm insanlık tarihinin temelde insan düşüncesinin ve öz farkındalığının tarihi olduğunu ileri sürer. Collingwood, tarihsel aktörlerin düşüncelerini ve niyetlerini yakalama çabasında, geçmiş olayların “dışı” ve “içi” arasında ayrım yapar. Ona göre, tarihçinin rolü sadece olayları kaydetmenin ötesine geçer; ilgili soruları formüle ederek geçmiş düşünceleri zihinsel olarak yeniden canlandırmayı içerir. Bu makale, Collingwood'un felsefesinin tarihsel kavrayış üzerindeki derin etkisini, özellikle de (...) “soru ve cevap mantığı” olarak bilinen yaklaşımı aracılığıyla incelemektedir. Bu yöntem, tarihsel anlayışın temeli olarak sorular ve cevaplar arasındaki etkileşimin altını çizmektedir. Soru ve cevap mantığı, önermeler ve sorular arasındaki karmaşık bağı vurgulayarak geleneksel mantığa meydan okur ve böylece tarihsel sorgulamada anlam, hakikat ve anlayışı yeniden tanımlar. Ayrıca makale, bu yaklaşımı hermenötik gelenek içerisinde analiz ederek, anlamanın süregelen ve sonsuz doğasını ele almaktadır. Heidegger'in döngüsel hermenötik anlayışıyla paralellikler kurarak, tarihsel yorumlamanın ve tarihsel anlam arayışının dinamik, diyalektik ve diyalojik doğasını vurgulamaktadır. Özetle, bu çalışma Collingwood'un çağdaş hermenötik üzerindeki etkisini incelemekte ve tarihsel yorumlama ve insan anlayışında soru ve cevap mantığının geçerliliğini yeniden teyit etmektedir. (shrink)

This study explores John Dewey’s critique of classical liberalism, particularly its conception of the individual, and examines his effort to reconstruct liberalism in response to the social, political, and economic challenges of the early 20th century. During this period, the Western world, which had been industrializing for the last two hundred years, encountered unprecedented social, political, and economic problems. Rapid industrialization, urban migration, and the emergence of class struggles exposed the limitations of classical liberalism. Liberalism faced serious criticism both from (...) within and from outside. While some thinkers proposed alternative models to liberalism, others sought to reinterpret liberalism in line with modern conditions, aiming to preserve its core values of individuality and freedom while addressing its flaws. Dewey, who was in the second group, aimed to reconstruct liberalism, which he saw as one of humanity’s greatest achievements despite all its shortcomings, in accordance with the requirements of the age. Dewey’s reconstruction attempt unfolds in two steps: The first step includes a critical analysis of classical liberalism and the identification of the elements that render it ineffective. The second step is the construction of a new liberalism that leaves the shortcomings of classical liberalism behind but maintains its emphasis on individuality and freedom. This study touches upon Dewey’s proposed new liberalism but mainly focuses on his critique of classical liberalism. Firstly, Dewey reveals that classical liberalism creates an artificial opposition between the individual and society, as well as between freedom and political authority, showing that these artificial dualisms undermine liberalism’s capacity to address contemporary social issues. These false oppositions are a faulty conclusion reached by reasoning based on false premises. Therefore, it is necessary to go deeper to identify the false premises that cause this faulty conclusion. For Dewey, the most fundamental problem of classical liberalism is an abstract understanding of the individual, disconnected from social context and relations. This understanding of the individual is a philosophical ideal inherited from 18th-century liberal thought and lacks historical, psychological, and sociological foundations. John Locke and the tradition that followed him developed an understanding of individuality that has no empirical equivalent in order to protect the individual against social pressures and political coercion; however, the individualism of classical liberalism has led to new forms of oppression over time. This article aims to reveal the steps John Dewey followed in criticizing classical liberalism and the logical relationship between these steps. (shrink)

This article offers a Nietzschean theory of digital will to power to conceptualize the temporality of social media feeds run by algorithms. Stylistic and methodological temporalities of Nietzsche are discussed as well as their influence in subsequent social theory of political technologies. The paradox of heavy investment in both subjective expression and nonhuman temporalization in social media milieus is addressed with the concept of an event-without-witness drawn from Nietzsche’s account of himself as the solitary thinker of catastrophe of nihilism and (...) psychoanalytical and deconstructive literatures on the catastrophes of the 20th century. Nietzsche’s fundamental resistance to and fascination with the philosophical and cultural modes of mummyfication, i.e. eternalization as an expression of the will to power is used to think the will to power in the creative algorithmic temporalization of social interactions through the selection, distribution and serialization of data for social media feeds. (shrink)

Architectural space has some triggers for unique experiences and one of them is its atmosphere. The atmosphere has an unstable structure, instead of static affectivity, and it feeds on uncertainties of spatial experience. Thus, instead of analyzing the dynamic atmospheres through reductionist definitions, it is necessary to address the existing ontological ambiguity of it. Theories of the atmosphere mostly correspond to physical spaces. However, COVID-19 brings about exponential enhance of digitalization. These digital interactions require a spatial dimension. The atmosphere, as (...) one of the fundamental elements of space, needs attention in digital experiences. This paper aims to explore the perception of the atmosphere in digital space. First, the character of the atmosphere and its role in the architectural space have been reviewed. Later, physical space and digital space were compared in order to build the atmosphere belonging to digital space. Digital space is able to diffuse itself with tensions. We are capable of immediate appreciations, e.g. being inside or outside. Thus, the threshold between bodily experiences and mental emergence becomes the blurred one. Atmospheric interaction can be part of the digital space and this interaction strengthens the spatial dimension of the digital medium. However, instead of producing a simulation of the atmosphere in the physical space, it is necessary to analyze the characteristics of digital space and build a unique atmosphere specifically for it. (shrink)

The focus of the article is the self-predication principle, according to which the/a such-and-such is such-and-such. We consider contemporary approaches (Frege, Russell, Meinong) to the self-predication principle, as well as fourteenth-century approaches (Burley, Ockham, Buridan). In crucial ways, the Ockham-Buridan view prefigures Russell’s view, and Burley’s view shows a striking resemblance to Meinong’s view. In short the Russell-Ockham-Buridan view holds: no existence, no truth. The Burley-Meinong view holds, in short: intelligibility suffices for truth. Both views approach self-predication in a uniform (...) way. We were unable to find a medieval philosopher who, like Frege, approaches self-predication in a non-uniform way. We do not want to dispute that there are also considerable differences between the contemporary and the fourteenth-century approach to self-predication. Importantly, fourteenth-century accounts of self-predication rely strongly on the identity theory of predication, and this theory is not endorsed by contemporary philosophers of language. Nevertheless, some basic tenets seem to us to be clearly shared between fourteenth-century and contemporary thinkers. (shrink)

Inspiration has an important role in design education. Searching existing design examples is a widely-used practice for inspiration. There are two different approaches regarding exposure of examples in design process. Some researchers claim that examples can inspire designers and increase the originality of outcomes, while other researchers highlight that examples cause fixedness to their features as a negative effect for creativity. The aim of the study is to analyse different modalities of examples, such as text, photograph, diagram, object as stimulation (...) and to examine the impact of quantity, abstraction, proximity and method on each modality in design education. The paper reviews empirical studies of idea exposure from the existing literature and summarizes results relevant to understanding the effects of the design examples. Overall, to avoid the potential negative effect of using examples in different modalities, designers could pay attention quantity, abstraction, and proximity of examples for each modality. (shrink)

The relationship between space and human occurs through the actions performed with the body. The abstraction study as an exploration of the body is one of the significant practices for first-year design students. However, there are not enough investigations for design students regarding body, space and basic design principles. This paper aims to explore the potentiality and limitations of the body-abstraction process by comparing the impact of two different educational models on students' perception and improvement. The applied methodology includes comparing (...) two design processes of the basic design course depending on parameters: Given example, source of the video, type of movement, the number of the selected-used scenes, mode of sketching, the method for production, requested outcome, the scale of the study, the material of models and critique of the video. The results present that the activation of the body through mental practice, drawing and modelling stages is critical to understand its abstract and spatial capabilities. The realisation of the potentials in the relationship between body and abstraction in spatial perception would enable us to create an advanced design process addressing more original concepts. (shrink)

Architectural space has some triggers for unique experiences and one of them is its atmosphere. The atmosphere has an unstable structure so that it is difficult to define clearly. We are capable of immediate appreciation, such as being inside or outside. Thus, the threshold between bodily experiences and mental emergence becomes a blurred one, like a haze. It is sensed in bodily presence by human beings. The boundaries, such as subject and object, are transgressed through the atmosphere. The subject appears (...) as a body and its movement in this discussion. Recognition of the existence of the body in space plays a significant role throughout the architectural design process. Theatrical dance or dance theatre (Tanztheater) practices provide new horizons for understanding the presence of the body in the space. Pina Bausch, as a choreographer, is one of the pioneers of this genre. The aim of the study is to point out the relations of body, space and atmosphere in Pina movie (2011). This study identifies choreographies with different aspects as follows: (1) In the atmospheric aspect; subject, object and their role in the atmosphere of choreographies by Pina Bausch were observed. (2) In the fictional space aspect; various spaces were examined in the sense of body-object-atmosphere interaction. (3) In the bodily aspect; space which is produced by the body and vice versa in dance theatre was investigated in the volumetric reflections of the body. This research contributes to bridging performative arts and architecture as understanding the space. It can be a guide for an architectural design studio to understand the role of the body through dance theatre. (shrink)

Considering the propositions of the virtual universe with its short history, there are digital twins and various economic investments. While the Metaverse points out a novel universe, it is able to promise much more than producing a copy of the self and imitation of conventional economic interactions. To reveal these potentials, it is necessary to determine the areas that must be meticulously focused on. Although Metaverse has permeated daily life dialogues, studies in the academic field are limited. Likewise, research about (...) its architecture and space needs to be developed in this area. No matter how far the new universe propositions go, they still stick with the quantitative values of the physical world. This issue obstructs the creation of its own reality. However, the universe's own digitalized digitalised structure does not require that the imagination of the spaces stuck with a quantitative basis. To avoid quantitative and reductive attitudes, focusing on the atmosphere of this universe may be a solution. The study aims to collide the possibilities of the Metaverse and the architectural atmosphere discussions to make an alternative reading of the Metaverse. Developing theories about the atmosphere of spaces and conducting atmospheric studies about Metaverse allow us to develop meta-experiences of the Metaverse. Focusing on the architectural atmosphere, immediate appreciation, ecstatic being and hallucinatory image will deepen the definition of Metaverse and provide a multi-layered experience. The image of the atmosphere and ecstatic being is associated with a ‘hallucinatory image'. The hallucinatory image has a structure that does not narrow down its references to the physical world. With this aspect, it may provide forms of alternative perceptions specific to the Metaverse. The hallucinatory image, parallel with the sensation of an ecstatic being, stimulates us to sense the atmosphere produced by the Metaverse. (shrink)

During the idea generation phase of the design process, designers often search for inspirations in external sources of information, such as photographs, written descriptions and physical examples. These sources have potential to enhance creative performance. However, they sometimes become too attached to particular ideas of external precedents or various examples. It refers to fixation which is identified as inadequate adoption of features from existing examples. Influence of the existing examples on creativity and fixation, specifically textual examples, have been discussed in (...) this research. -/- For the nature of design, researchers highlighted the restructuring process of design problem by new sources because the capabilities and boundaries of design problems are not defined very well. Further, the design problem is not knowable at any specific point. Design knowledge identifies itself by its ambiguity. Many models have been developed for design process. The various numbers of divided phases of the models can be seen as having two main areas: (1) idea generation phase (or “ideation”); (2) later phase for details. Idea generation plays an important role in the design process. It is the area of new and creative configurations on design. -/- Creativity is an integral part of the design process. Designers purpose to achieve original ideas to demonstrate their ability and unique designs. External stimuli or inspirational inputs play important roles to increase creativity. They can support moments of stimulation. Associations between information from memory and external stimuli can contribute to the creation of new meanings. Designers are widely influenced by their surroundings in daily lives. However, each stimulus may not be the part of a more creative result Even if designers want to utilize stimulus as an inspirational source, somehow it may fixate their mind to its surface features and they may lose potential creative contributions of the source. It is called fixation. There is much research that shows significant evidence of conformity effects across the design problems. -/- The given examples to designers may cause higher-level fixation and lower-level creativity or vice versa. Fixation may occur when example solutions are introduced, on the other hand, the designers may create more original ideas as well. There is a need for research to find ways to avoid fixation traps or reduce their adverse impact. Thus, this research focuses on variables of the given example. -/- The following claims show some research areas remained unclear: (1) Some researchers investigated textual examples as - one of the modalities of representation - but did not focus on forms of textual examples. (2) Much research has been conducted with examples which are selected by the researcher. Nevertheless, designers can also choose or produce their own stimuli. There is not much research on this possibility. In this context, my research focuses on the following two variables through two studies (Study 1 and 2): (1) forms of textual examples; (2) self-construction of textual examples. First, most of the studies in the literature have focused on visual presentation and there is not enough research on the content and form of the text. The study of textual examples has still not been awarded enough attention especially as various forms of text. Some forms of text are as follows: keyword, paragraph, sentence, poem. These observations lead me to the following research question: Which forms of textual example increase creativity and reduce fixation more? (Study 1). -/- Second, most of the studies regarding textual examples have used prose or keywords. The poems have been ignored. However, poems imply more meaning with fewer words. The structure of the poems enables more creative narratives than structure of prose. Because unusual organization of words stimulates the readers and draws their attention. This activates the creative performance of the reader. The surrealist poem is the extreme form of this activation. It is random assemblies with headlines and sentences which is cut from newspapers. Thus, novel meaning networks are formed. The method of creating a surrealist poem offers a new way of getting inspiration. It is termed as self-construction practice by this research. Through this method, designers create their own example from the given one. Reconstruction of the text may increase the creative process and prevent fixations from the given text. This suggestion led me to the following research question: If the designers write their own poem instead of a given poem (as a self-construction practice), can they internalize the textual example? In addition, does it produce more creative and less fixated designs? (Study 2). Two experimental studies were planned to partially answer the research questions, in which novice students of architecture were asked to solve two different design problems, under different conditions. All of the experimental sessions were conducted in a design education studio. The participants produced sketches and added a written explanation relating to their designs. Fluency, flexibility and repetition of key attributes were calculated by the researcher. -/- Originality, practicality, understanding of the task and quality were ranked by judges. Study 1 shows us tendencies of using various textual forms. Distinctions of keywords and of poems have appeared among them. This emphasizes the role of keyword and poem in the design process as inspirational sources and provides many tips for their potential use. The keyword also leads to a high degree of fixation. However, a low degree of fixation is observed when poems are presented as inspirational examples. -/- In Study 2, the self-constructed poem seems to support develop more successful design ideas from many perspectives. In the context of the surrealist poem, writing and reading the surrealist poem trigger the designers’ imagination. At first, the words and lines of poems seem unrelated to each other and designers try to relate them and solve the puzzle of meaning. Hence, novel meaning networks are formed. It indicates that surrealist poems are able to activate the creative performance of the designers. Writing their own surrealist poems ,as a self-construction practice, motivated designers to begin to produce by having fun. Motivated designers have stimulated themselves to produce creative ideas. In other words, the self-construction process may be added to the design process models in the earlier part of the idea generation phase which is called as pre-design and warm-up phase. This earlier phase makes designers highly motivated and they internalized the given examples. -/- Following the conclusions, several implications and recommendations for the design process and education are discussed. (shrink)

Naturalism has typically been entangled with a physicalist view. Physicalism, on the other hand, falls short of accounting for qualitative states of mental phenomena. The hard problem of consciousness seems to be a natural epistemic boundary in such a way that we do not even have any conceptualization as to how we can possibly account for mental states in physicalist terms in the future, which leads us to some version of causal/ontological plurality in the sense that it does not seem (...) possible to explain everything with the same parameters even though the world fundamentally consists in a single substance. If plurality in multiple levels of scientific explanation is necessary, I argue that strong emergentism is, as a metaphysical framework, the best candidate to account for this fact. I will tackle two major physicalist views by Kim and Sider. Kim shows us that non-reductive physicalism is a bankrupt project whereas Sider’s physicalism that postulates a pure and complete fundamental level renders higher-level phenomena (including mental reality) metaphysically spurious. In relation to Kim and Sider’s accounts, I will try to elaborate on my view that physicalism, when pursued to the end, is inherently reductive and ultimately falls short of accounting for the mental reality. I emphasize that the causal identification of brain and mind rests on an arbitrary carving of world, namely a description of the world which cannot be intrinsic to nature. These are the main reasons why I conclude that our revised naturalism should be disentangled from physicalism and embrace the causal/ontological plurality of strong emergentism without falling for substance dualism. (shrink)

Post-truth has an impression that the facts have been only corrupted with it. Many examples support this impression. However, it should not be perceived as just a disruption of the truth considering only political events. In different fields, such as creative industries, it may have different implications. Despite studies regarding education, there has not been much discussion on the design process and education. The objective of this research is to develop an introductory examination of what the design process (with statements (...) in the book 'How Designers Think') can produce in post-truth cases and to seek the productive potentials of post-truth. Therefore, the claims were reviewed - as design problems, solutions and process itself - within the framework of the post-truth era. Some of the results are as follows: For design problems, designers need to find a way to oscillate among objectives without based on truth. Post-truth environments may trigger finding out unique spatial possibilities with designs of unique hierarchies. For design solutions, in post-truth era, the only optimal thing is to be apathetic about truth. There is no need to seek the optimal solutions. The ideal of wholeness is expired for the solutions. This situation fosters free circulations of tiny parts of solutions in the post-truth universe. For the design process, the correctness of the process is much more questionable anymore. Identifying problem is a crucial part of the design process. As the truth disappears, it becomes more difficult to discriminate the characteristics and value of the problems. (shrink)

This study examines the complex domain of atmosphere/ambiance, emphasizing its development and importance in many academic fields from 2000 to 2023. By examining significant contributions, it highlights the term “atmosphere” as primarily employed in literature. Analysis of citation patterns reveals a substantial surge in scholarly attention after 2020, primarily driven by English-speaking academic circles. The multidisciplinary aspect of atmospheric studies is apparent, since geography, urban design, philosophy, and cultural studies have made significant contributions. The incorporation of novel methodologies from many (...) fields enhances the body of architectural literature, strengthening both theoretical frameworks and practical implementations in the realms of design and urban planning. This thorough examination highlights the increasing influence of atmospheric studies on environmental policy, urban growth, and the preservation of cultural landscapes. The research highlights the importance of ongoing interdisciplinary involvement to enhance our comprehension of the intricate relationship between the environment, space, and human experience. (shrink)

ENG: The advancement of artificial intelligence (AI) presents a duality of opportunity and risk. On the one hand, there are potential dangers inherent in the development of AI. However, on the other hand, the advent of AI also offers humanity a multitude of possibilities for improvement and advancement. The aesthetic values and cultural expressions that artists encounter in their environment serve to redefine the aesthetic judgments they form, thus determining the paths they subsequently follow. The objective of this research is (...) to examine the impact of AI on the field of aesthetics and culture to identify the changes and transformations occurring within the world of art and design. In the conventional domain of aesthetics, emphasis is placed upon the finished object as a singular entity that will be interpreted as a completed work. In contrast, the emerging field of ‘new aesthetics’ prioritizes the atmosphere, directing our focus to the physical object, which is perceived as a spatial extension. Accordingly, the object is not defined by its intrinsic content, but rather its capacity to expand and occupy space. Thus, the domain of aesthetics has evolved to encompass a spatial dimension. Despite the growing interest in the aesthetic dimensions of AI, there has been little discussion to date about the relationship between atmosphere and the field of AI. This study aims to highlight the lack of attention given to this topic in academic discourse and to introduce a new approach to it. Several implications (regarding general propositions and constituents AI aesthetics) has been placed and finalized with layers of hallucination. The application of AI enables the augmentation of the hallucinatory capabilities of the imagination. However, a current challenge is the tendency of AI-powered digital assistants, such as ChatGPT, to hallucinate and present unreal information as if it were real. In this sense, the relationship between AI and hallucination is evolving in a manner that is perceived to be negative. This is justified given the problematic nature of this issue in scientific studies. However, when considered from the perspective of artistic production, there may be potential for new avenues of creativity and imaginative expression. A reappraisal of the role of atmospheric factors in space design is required. The introduction of a novel aesthetic layer to the atmosphere through the use of AI is a possibility, given the hallucinatory tendencies of AI. - TR: Yapay zekanın gelişimi, insanlık için önemli fırsatlar sunarken, aynı zamanda yeni zorluklar ve riskler de ortaya çıkarmaktadır. Ancak, doğru bir şekilde yönetildiğinde ve kullanıldığında, yapay zeka teknolojisi insan hayatını önemli ölçüde iyileştirebileceği ve birçok alanda yenilikler getirebileceği ön görülmektedir. Estetik değerler ve kültürel ifadeler, sanatçıların estetik yargılarını yeniden tarif etmekte ve izledikleri yolları belirlemektedir. Bu araştırma sanat ve tasarım dünyasındaki değişim ve dönüşümleri incelemek adına yapay zekanın estetik ve kültür alanına tesirini irdelemektedir. Konvansiyonel estetikte nesneye tamamlanmış bir çalışma olarak yorumlanacak bitmiş bir varlık olarak odaklanılmıştır. Ancak atmosferi merkeze alan yeni estetik, odak noktamızı mekandaki fiziksel bir uzantı olan nesneye yöneltmektedir. Dolayısıyla nesne 'içerdiği' şeyle değil, mekana yayılma şekliyle karakterize edilmektedir. Böylelikle estetik teori mekânsal katmanlar edinmiştir. Yapay zeka bağlamında estetik tartışmalarında bir ivme kazanılmış olsa da aynı hareketlilik atmosfer ile yapay zekanın ilişkisinde henüz kurulmamıştır. Bu çalışma literatürdeki bu eksikliğe işaret etmeyi ve bir giriş yapmayı hedeflemektedir. Tartışma önermeler olarak şu başlıklar altında toplanmıştır: Teknik arkaplandaki atmosfer tecrübesinin önemi; Deneyimi fazla olan aktörlerin hiyerarşisi; Kısmi telif hakkına yönelik ‘kısmi’ tanımlamalarının gerekliliği; Çizim becerisiden atmosfer üretme becerisine bir yolculuk; Kültürel ve bedensel referansların yorumlanabilmesi. Yapay zekanın estetiğine dair yapı taşları ise şu başlıklar altında toplanmıştır: Estetik akıntı; Yarı-geçirgen bir estetik; Yapay zekanın ara-fenomen olarak incelenmesi; Metaforik istemler; Halüsinatif katmanlar ve alternatif değerlendirmeler. Çalışmanın sonunda odaklanılan konu yapay zekanın gücü ile imgelemin halüsinatif katmanları artırılabilme potansiye olmuştur. Halüsinasyona dair şuan gündemde olan yegane konu ChatGPT gibi yapay zeka asistanlarının halüsinasyon görmeleri ve gerçek olmayan bilgilerin gerçekmiş gibi sunulmasıdır. Bu haliyle yapay zekanın halüsinasyon ile ilişkisi negatif bir tandansta ilerlemektedir. Bu bilimsel çalışmalarda bir problem olması sebebiyle haklı bir negativiteye sahiptir. Ancak sanatsal üretim tabanında bakıldığında imgelemde yeni kapılar açılabilir. Bu konu özellikle mekanın tasarımına gelindiğinde atmosferik etmenler yeniden değerlendirilmelidir. Atmosferin yapay zeka ile yeni bir estetik katman açması yapay zekanın halüsinasyon yatkınlıklarıyla gerçekleşebilir. (shrink)

This paper examines how professionals (N = 32) working on artificial intelligence (AI) view structural AI ethics challenges like injustices and inequalities beyond individual agents' direct intention and control. This paper answers the research question: What are professionals’ perceptions of the structural challenges of AI (in the agri-food sector)? This empirical paper shows that it is essential to broaden the scope of ethics of AI beyond micro- and meso-levels. While ethics guidelines and AI ethics often focus on the responsibility of (...) designers and the competencies and skills of designers to take this responsibility, our results show that many structural challenges are beyond their reach. This result means that while ethics guidelines and AI ethics frameworks are helpful, there is a risk that they overlook more complicated, nuanced, and intersected structural challenges. In addition, it highlights the need to include diverse stakeholders, such as quadruple helix (QH) participants, in discussions around AI ethics rather than solely focusing on the obligations of AI developers and companies. Overall, this paper demonstrates that addressing structural challenges in AI is challenging and requires an approach that considers four requirements: (1) multi-level, (2) multi-faceted, (3) interdisciplinary, and (4) polycentric governance. (shrink)

The first year of design education is essential for students as it is their initial interaction with the design process. Awareness of the body through dance has the potential to reveal bodily experience in space. Abstraction of embodied experience contributes to realising the significance of the body and its analytical dimension for spatial and structural design. This study investigates the impact of embodied experience and abstraction on the architectural design process and the outcome through correlation and regression analysis. We observed (...) that increasing awareness of the space through bodily movement and its drawn representation positively impacted students’ success in architectural design. Also, the measures related to space and structure mainly advanced students’ success in the final design. However, the association of the abstraction process with the final design remained limited. The study’s contribution is the systematic and statistical evaluation of the relationship between body, movement, abstraction and architectural design by constructing a set of measures from various stages of the design studio. We hope our research will provide a basis for the upcoming discourse. (shrink)

How could we go beyond the conventional categorization of the five senses and find out a sixth sense in the observation of a building? Let’s call such a sense atmospheric one. Humans are rooted in the atmosphere, generated by things and space, just as the roots of plants in the soil. To observe novel experiences, we aimed to prioritize the atmosphere and affective encounters in space. First, archive photographs and technical drawings were compiled and examined, parallel with the historical evaluation (...) of the building (Eskişehir Esnaf Sarayı) and its context. However, this reading was not only about the mere transfer of archive data but also their affective engagements of them. Further, the atmosphere and its affects were unveiled through the inherent (and personal) experiences of the space. (shrink)

Metaverse, başka olanakları olan bir evrenin inşa edilmesine yönelik bir girişimdir. Sanal evren önermelerinin çeşitli süreçlerden geçtikten sonra geldiği bu noktada dijital ikizler ve çeşitli ekonomik yatırımlar söz konusudur. Ne var ki, Metaverse yeni bir evrene işaret ederken benliğin bir kopyasını ve konvansiyonel ekonomik etkileşimlerin imitasyonunu üretmenin çok daha ötesini vaad edebilir. Ancak bu potansiyelleri açığa çıkarabilmek için yoğunlaşılması gereken alanları titizlikle tespit etmek gerekir. Metaverse, gündelik hayat diyaloglarına epey sızmış olsa da akademik alanda yapılan çalışmalar sınırlıdır. Keza mekana dair (...) araştırmaların da bu alana odaklanacak şekilde geliştirilmesine ihtiyaç vardır. Yeni evren önermeleri, ne kadar yol alırsa alsın bir noktada fiziksel dünyanın nicel değerlerine tutunması nedeniyle kendi gerçekliğini yaratmasını engellemektedir. Oysa evrenin kendi altyapısının sayısal sistemlere dayanması, ürettiği ve üreteceği mekanların tahayyülünün de nicel bir tabanda sıkışmasını gerektirmez. Nicel ve indirgemeci tavrı kırabilmek adına bu evrenin atmosferlerine yönelmekte fayda vardır. Çalışmanın amacı Metaverse’ün gündeme getirdiği olasılıkları mimari atmosfer tartışmalarıyla çarpıştırmak ve Metaverse’e dair alternatif bir okuma yapmaktır. Mekanların atmosferine dair teorilerin geliştirilmesi ve atmosferik çalışmaların yapılması, bu öte-deneyimlerin tarif edilmesine imkan verecektir. Mimari atmosfere, anidenliğe, esrik varoluşa ve halüsinatif imgeye odaklanılması Metaverse’ün açılımlarını artıracak ve çok katmanlı bir deneyimi mümkün kılacaktır. Atmosferin özne ve nesne gibi sınırları aşan bir fenomen olduğu öne sürülebilir. İnsanları, yerleri ve şeyleri birbirine bağlamasıyla atmosferler, bağlayıcı ve bütünleyici bir tavra sahiptir. Atmosferin kaynağı olan noktayı tam olarak belirlemek güçtür, mekanı bulutsu bir biçimde doldurur. Bulanık görüyü artıran başka bir özellik de atmosferin birden içine düşüldüğüne yönelik deneyimde yatar. Atmosferin tınıları kendini esrik varoluşta duyumsatır. Esriklik özün doğrudan tezahürü olarak da ele alınabilir. Atmosferin ve esrik varoluşun bağdaştığı imge, ‘halüsinatif imge’ olarak tarif edilebilir. Halüsinatif imgenin referanslarını fiziki dünya ile sınırlamayan bir yapısı vardır. Bu yönü ile Metaverse’e özgü alternatif algıların oluşmasına aracı olabilir. Nitekim halüsinatif imgelem, bulutsu dağılımın içine aniden sürükleniş veya dalma hali ile oluşan imgeleri tarif eder. Esrik varoluşun duyumsanmasına paralel bir şekilde oluşan bu imge, bizi Metaverse’ün ürettiği atmosfere içkin bir hale getirecektir. (shrink)

Interaction with the environment occurs in the perception of movement. Movement is the basic concept of mobility. Development and diversification (i.e., faster transportations, new technological access, etc.) of movement concepts may contribute modern people to become independent of any place. Nomadic cultures constitute the basic principles of mobile architecture with light, portable materials and flexible constructions. In the industrial age, futurist manifesto announced machine-housing concepts. The mechanized perception of the spaces prepared ground for mobilization. Mobility, as a source of independence (...) from places, is sometimes a preference but sometimes the result of urgency. “Individual preference”, “cultural movement” and “forced movement” are key reasons for movements which may differentiate modes of mobile space. The objective of this study to examine distinctive features of mobile spaces of forced movements (i.e., for refugees) by comparing with other types of mobility (individual preference and cultural movement). Various design competitions were held for mobile spaces. The cases were selected for this study, considering the role of the user’s profile (unspecific users; nomads/immigrants; refugees) who live in mobile spaces. We analyzed awarded/selected projects for each type of mobility. As a result of examining the awarded outcomes of the competition the following parameters were detected: quantity of users; designer's choice for location; reaction to the environment; contextual attention; scope of modularity; mode of portability; type of portability; cost of materials and construction; proposal for belonging; sensitivity for sustainability. It seems that current events in the world have transformed the concept of mobility and led to the development of new definitions of mobility. This paper presents one of the new definitions of mobility, specifically for refugees. Many aspects of mobile architecture for refugees, as a new definition of mobility, has shown in this study. (shrink)

Bachelard üzerinden bir Pallasmaa okuması… Mimari imgelemin şiirsel inşası üzerinde duran iki düşünürün çalışmalarına çapraz bir bakış denemesi bu. İmgelemin psikososyal kuruluşunu değil, mutlak kişiselliğini eksen alan güzergahta konumlanıyor. Mimarlığın tırmanan ekonomize edilme serüvenine direnen bir şiirsel damar arayışının iki bağlantılı aktörünün düşüncelerine yaklaşmayı deniyor.

In parallel with the global landscape, the architecture profession is losing its appeal in Turkey, as evidenced by a decline in school occupancy rates to 79%. Accordingly, the Higher Education System (YÖK) has decreased architecture program quotas by an average of 20%. This study establishes a comprehensive model outlining the key factors influencing these orientations to better understand architecture students’ career paths. This paper investigates how architecture students’ perceptions of the construction industry influence their career choices, particularly their likelihood of (...) staying in the sector. The devised model is empirically validated via data collected from 419 online survey questionnaires. Utilizing SPSS 23 and LISREL 8.8 software, a range of analyses, including frequency, validity, reliability, exploratory and confirmatory factor analysis, and structural equation modeling, are conducted. The model posits “intention to stay in the sector (IS)” as a dependent latent variable, affected by independent latent variables like “nature of the profession (NP)”, “prestige (PR)”, “working conditions (WCs)”, “health and stress (HS)”, “salary and benefits (SB)”, “ethical and political processes (EPs)”, “authorities and responsibilities (AR)”, and “conformity to expectations (CE)”. The findings demonstrate that NP, PR, WCs, SB, HS, EPs, AR, and CE significantly influence IS. Particularly, NP and PR substantially impact the preference for the architectural profession and the determination to remain in the sector. In contrast, WCs, HS, SB, and EPs affect IS negatively. This research contributes significantly to the literature on the career intentions of architecture students by presenting a model that captures the factors influencing their career choices. The model is supported by substantial empirical evidence and is based on a comprehensive literature review. (shrink)

Bu kitabi olusturan yazilar 2007 ile 2017 yillari arasinda Texas eyaletinde yazildi. Degisik ag sayfalarinda yayinlandilar. Kaybolmalarinin onune gecmek icin bir araya getirilmelerinin ve okuyuculara sunulmalarinin uygun olabilecegini dusundum. Iyi okumalar!

Nhãn hiệu (NH) và tên thương mại (NH&TTM) là hai đối tượng quyền sở hữu trí tuệ (SHTT) phổ biến được các doanh nghiệp sử dụng trong hoạt động sản xuất, kinh doanh. Tuy nhiên, giữa hai đối tượng này lại thường xảy ra xung đột do một dấu hiệu có thể đồng thời được đăng ký/sử dụng với hai vai trò/chức năng khác nhau bởi hai chủ thể khác nhau. Trong những năm gần đây các vụ việc tranh chấp (...) giữa NH&TTM cũng trở nên thường xuyên hơn và có thể được giải quyết theo các cơ chế khác nhau (hành chính, dân sự hay hình sự). Bài viết giới thiệu một số tình huống tranh chấp giữa NH&TTM đã được giải quyết tại tòa án và đề xuất một số khuyến nghị về chính sách, pháp luật. (shrink)

Appears to give the first model-theoretic account of both "must" and "ought" (without conflating them with one another). Some key pre-theoretic semantic and pragmatic phenomena that support a negative answer to the main title question are identified and a conclusion of some significance is drawn: a pervasive bipartisan presupposition of twentieth century ethical theory and deontic logic is false. Next, an intuitive model-theoretic framework for "must" and "ought" is hypothesized. It is then shown how this hypothesis helps to explain and (...) predict all the pre-theoretic phenomena previously observed. Next, I show that the framework hypothesized possesses additional expressive and explanatory power (e.g. derivatively predicting the existence of supererogatory and permissibly suboptimal alternatives), thus adding further confirmation that it is on the right track. (shrink)

This article explores whether AI can be a human-like subject that can live together with humans. I argue that living together is conceptually different from being together or coexistence and symbiosis in an ecosystem. I propose three conditions for living together and consider as subjects only those beings that can live together in a cultural and inter-subjective way. And I try to define the subject as a being which can build its relationships with the world in three ways. Then the (...) conditions of living together will be combined with the concept of subject. The first condition is that the subject should be conscious of its relationship with others. The second condition is that the subject should form reciprocal relationships with others. The third condition is that the subjects should have the same representation of the relationship with others. This article attempts to examine whether AI can fulfill the three conditions of living together. Although AI seems to be able to think, express, act, feel, even be conscious and so on, it is very unlikely that AI can build the same world as the human world. Therefore, even if we cannot discern ourselves from AI, we humans can never enter its world and vice versa. The reason is very simple: humans are ontically different from AI. In society, humans and AI can be together, but they cannot live together. Even if AI could eventually have a consciousness, genuine social living together between humans and AI is impossible. We humans can recognize AI as a pseudo-subject. Nevertheless, such a subject is not one that can live together with humans. Even if AI were conscious and could pretend to be a human-like subject, it could not be a genuine subject unless it could live together with humans. Many people warn that AI could be dangerous to humans. These so-called threats might not come from AI itself, but from humans themselves. (shrink)

In this paper, I present the results of an experimental study on intuitions about moral obligation (ought) and ability (can). Many philosophers accept as an axiom the principle known as “Ought Implies Can” (OIC). If the truth of OIC is intuitive, such that it is accepted by many philosophers as an axiom, then we would expect people to judge that agents who are unable to perform an action are not morally obligated to perform that action. The results of my experimental (...) study show that participants were more inclined to judge that an agent ought to perform an action than that the agent can perform the action. Overall, participants said that an agent ought to perform an action even when they said that the agent cannot do it. I discuss the implications of these results for the debate over OIC. (shrink)

This paper examines whether a form of art can exist that entirely withholds judgement—that neither invites, permits, nor presupposes attribution. Drawing from the Judgemental Triad—Constructivity, Coherence, Resonance—we assess whether there is a philosophically viable concept of non-attributive aesthetics, wherein artistic phenomena resist structural meaning altogether. We argue that art, by definition, operates through resonance—even if fragmented or subverted. Thus, truly judgement-free art would be structurally indistinct from non-art or ontological noise. We conclude that all meaningful aesthetics require the potential for (...) judgement, even in its delay, refusal, or deconstruction. (shrink)

While the space in which we live operates via a number of physical and mathematical principles, this paper examines a mechanism that lies beyond these principles, called the Principle of Ideas. This mechanism is analyzed here as being the source of universe creation, and which can influence not only human history but also individual lifetimes. Building on work by thinkers such as Nozick, Penrose, and Aristotle, the Principle of Ideas consists of three sub-principles, called the 1st, 2nd, and 3rd Universal (...) Principles, which can be pooled to create the concept of maximal existence. In addition to guaranteeing the existence of the universe, maximal existence also influences the form of universe. Using the concept of maximal existence, we can also explain why the physical constant of the universe is precisely adjusted toward the birth of human existence and how the enantiomeric universe as a multiverse can exist. (shrink)

Most work on the semantic paradoxes within classical logic has centered around what this essay calls “linguistic” accounts of the paradoxes: they attribute to sentences or utterances of sentences some property that is supposed to explain their paradoxical or nonparadoxical status. “No proposition” views are paradigm examples of linguistic theories, although practically all accounts of the paradoxes subscribe to some kind of linguistic theory. This essay shows that linguistic accounts of the paradoxes endorsing classical logic are subject to a particularly (...) acute form of the revenge paradox: that there is no exhaustive classification of sentences into “good” and “bad” such that the T-schema holds when restricted to the “good” sentences unless it is also possible to prove some “bad” sentences. The foundations for an alternative classical nonlinguistic approach is outlined that is not subject to the same kinds of problems. Although revenge paradoxes of different strengths can be formulated, they are found to be indeterminate at higher orders and not inconsistent. (shrink)

Two goals - improving replicability and accountability of Machine Learning research respectively, have accrued much attention from the AI ethics and the Machine Learning community. Despite sharing the measures of improving transparency, the two goals are discussed in different registers - replicability registers with scientific reasoning whereas accountability registers with ethical reasoning. Given the existing challenge of the Responsibility Gap - holding Machine Learning scientists accountable for Machine Learning harms due to them being far from sites of application, this paper (...) posits that reconceptualizing replicability can help bridge the gap. Through a shift from model performance replicability to claim replicability, Machine Learning scientists can be held accountable for producing non-replicable claims that are prone to eliciting harm due to misuse and misinterpretation. In this paper, I make the following contributions. First, I define and distinguish two forms of replicability for ML research that can aid constructive conversations around replicability. Second, I formulate an argument for claim-replicability's advantage over model performance replicability in justifying assigning accountability to Machine Learning scientists for producing non-replicable claims and show how it enacts a sense of responsibility that is actionable. In addition, I characterize the implementation of claim replicability as more of a social project than a technical one by discussing its competing epistemological principles, practical implications on Circulating Reference, Interpretative Labor, and research communication. (shrink)

Can we transmit understanding via testimony in more or less the same way in which we transmit knowledge? The standard view in social epistemology has a straightforward answer: no, we cannot. Three arguments supporting the standard view have been formulated so far. The first appeals to the claim that gaining understanding requires a greater cognitive effort than acquiring testimonial knowledge does. The second appeals to a certain type of epistemic trust that is supposedly characteristic of knowledge transmission (and maybe of (...) the transmission of epistemic goods in general) and that is allegedly incompatible with understanding. The third aims to show that there is a certain aspect of understanding (what epistemologists these days like to call “grasping”) that cannot be passed on to another person via testimony alone. In this article, I show that all of these arguments can be resisted. Thus, there seem to be no compelling reasons to embrace the standard view. (shrink)

Can we gain understanding from testifiers who themselves fail to understand? At first glance, this looks counterintuitive. How could a hearer who has no understanding or very poor understanding of a certain subject matter non-accidentally extract items of information relevant to understanding from a speaker’s testimony if the speaker does not understand what she is talking about? This paper shows that, when there are theories or representational devices working as mediators, speakers can intentionally generate understanding in their hearers by engaging (...) in relevant speech acts without understanding the topic of these speech acts themselves. More specifically, I argue that testifiers can intentionally elicit understanding of empirical phenomena in their hearers even if they themselves lack such understanding – granted that they properly understood the epistemic mediators involved. (shrink)

Can perceptual experiences be states of uncertainty? We might expect them to be, if the perceptual processes from which they're generated, as well as the behaviors they help produce, take account of probabilistic information. Yet it has long been presumed that perceptual experiences purport to tell us about our environment, without hedging or qualifying. Against this long-standing view, I argue that perceptual experiences may well occasionally be states of uncertainty, but that they are never probabilistically structured. I criticize a powerful (...) line of reasoning that we should expect perceptual experience to be probabilistic, given their interfaces with unconscious probabilistic information, with behavior responsive to it, and with credences. (shrink)

A key assumption fuelling optimism about the progress of large language models (LLMs) in accurately and comprehensively modelling the world is that the truth is systematic: true statements about the world form a whole that is not just consistent, in that it contains no contradictions, but coherent, in that the truths are inferentially interlinked. This holds out the prospect that LLMs might in principle rely on that systematicity to fill in gaps and correct inaccuracies in the training data: consistency and (...) coherence promise to facilitate progress towards comprehensiveness in an LLM’s representation of the world. However, philosophers have identified compelling reasons to doubt that the truth is systematic across all domains of thought, arguing that in normative domains, in particular, the truth is largely asystematic. I argue that insofar as the truth in normative domains is asystematic, this renders it correspondingly harder for LLMs to make progress, because they cannot then leverage the systematicity of truth. And the less LLMs can rely on the systematicity of truth, the less we can rely on them to do our practical deliberation for us, because the very asystematicity of normative domains requires human agency to play a greater role in practical thought. (shrink)

This paper examines how radical realism, a form of ideology critique grounded in epistemic rather than moral normativity, can illuminate the relationship between ideology and political power. The paper argues that radical realism can has both an evaluative and a diagnostic function. Drawing on reliabilist epistemology, the evaluative function shows how beliefs shaped by power differentials are often epistemically unwarranted, e.g. due to the influence of motivated reasoning and the suppression of critical scrutiny. The paper clarifies those mechanisms in order (...) to address some recent critiques of radical realism. The paper then builds on those clarifications to explore the how tracing the genealogy of legitimation stories can diagnose the distribution of power in society, even if ideology does not play a direct stabilising role. This diagnostic function creates a third position in the debate on ideology between culturalists and classical Marxists, and it can help reconciling aspects of structural and relational theories of power. (shrink)