Results for 'Iconicity'

152 found
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  1. Is Iconic Memory Iconic?Jake Quilty-Dunn - 2019 - Philosophy and Phenomenological Research 101 (3):660-682.
    Short‐term memory in vision is typically thought to divide into at least two memory stores: a short, fragile, high‐capacity store known as iconic memory, and a longer, durable, capacity‐limited store known as visual working memory (VWM). This paper argues that iconic memory stores icons, i.e., image‐like perceptual representations. The iconicity of iconic memory has significant consequences for understanding consciousness, nonconceptual content, and the perception–cognition border. Steven Gross and Jonathan Flombaum have recently challenged the division between iconic memory and VWM (...)
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  2. Iconicity in the lab: a review of behavioral, developmental, and neuroimaging research into sound-symbolism.Gwilym Lockwood & Mark Dingemanse - 2015 - Frontiers in Psychology 6:1-14.
    This review covers experimental approaches to sound-symbolism—from infants to adults, and from Sapir’s foundational studies to twenty-first century product naming. It synthesizes recent behavioral, developmental, and neuroimaging work into a systematic overview of the cross-modal correspondences that underpin iconic links between form and meaning. It also identifies open questions and opportunities, showing how the future course of experimental iconicity research can benefit from an integrated interdisciplinary perspective. Combining insights from psychology and neuroscience with evidence from natural languages provides us (...)
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  3.  85
    The Iconic-Symbolic Spectrum.Gabriel Greenberg - 2023 - Philosophical Review 132 (4):579-627.
    It is common to distinguish two great families of representation. Symbolic representations include logical and mathematical symbols, words, and complex linguistic expressions. Iconic representations include dials, diagrams, maps, pictures, 3-dimensional models, and depictive gestures. This essay describes and motivates a new way of distinguishing iconic from symbolic representation. It locates the difference not in the signs themselves, nor in the contents they express, but in the semantic rules by which signs are associated with contents. The two kinds of rule have (...)
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  4. The Icon and the Idol: A Christian Perspective on Sociable Robots.Jordan Joseph Wales - 2023 - In Jens Zimmermann (ed.), Human Flourishing in a Technological World: A Theological Perspective. Oxford University Press. pp. 94-115.
    Consulting early and medieval Christian thinkers, I theologically analyze the question of how we are to construe and live well with the sociable robot under the ancient theological concept of “glory”—the manifestation of God’s nature and life outside of himself. First, the oft-noted Western wariness toward robots may in part be rooted in protecting a certain idea of the “person” as a relational subject capable of self-gift. Historically, this understanding of the person derived from Christian belief in God the Trinity, (...)
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  5. Mapping the Visual Icon.Sam Clarke - 2022 - Philosophical Quarterly 72 (3):552-577.
    It is often claimed that pre-attentive vision has an ‘iconic’ format. This is seen to explain pre-attentive vision's characteristically high processing capacity and to make sense of an overlap in the mechanisms of early vision and mental imagery. But what does the iconicity of pre-attentive vision amount to? This paper considers two prominent ways of characterising pre-attentive visual icons and argues that neither is adequate: one approach renders the claim ‘pre-attentive vision is iconic’ empirically false while the other obscures (...)
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  6. Iconic Memory and Attention in the Overflow Debate.Tony Cheng - 2017 - Cogent Psychology 4 (1):01-11.
    The overflow debate concerns this following question: does conscious iconic memory have a higher capacity than attention does? In recent years, Ned Block has been invoking empirical works to support the positive answer to this question. The view is called the “rich view” or the “Overflow view”. One central thread of this discussion concerns the nature of iconic memory: for example how rich they are and whether they are conscious. The first section discusses a potential misunderstanding of “visible persistence” in (...)
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  7. Iconic semiosis and representational efficiency in the London Underground Diagram.Pedro Atã, Breno Bitarello & Joao Queiroz - 2014 - Cognitive Semiotics 7:177-190.
    The icon is the type of sign connected to efficient representational features, and its manipulation reveals more information about its object. The London Underground Diagram (LUD) is an iconic artifact and a well-known example of representational efficiency, having been copied by urban transportation systems worldwide. This paper investigates the efficiency of the LUD in the light of different conceptions of iconicity. We stress that a specialized representation is an icon of the formal structure of the problem for which it (...)
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  8. Beyond the icon: Core cognition and the bounds of perception.Sam Clarke - 2022 - Mind and Language 37 (1):94-113.
    This paper refines a controversial proposal: that core systems belong to a perceptual kind, marked out by the format of its representational outputs. Following Susan Carey, this proposal has been understood in terms of core representations having an iconic format, like certain paradigmatically perceptual outputs. I argue that they don’t, but suggest that the proposal may be better formulated in terms of a broader analogue format type. Formulated in this way, the proposal accommodates the existence of genuine icons in perception, (...)
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  9. Iconic Ontology of St. Maximus the Confessor.Aleksandar Djakovac - 2017 - In Ars Liturgica, From the Image of Glory to the Imagess of the Idols of Modernity. Alba Iulia: Reinregirea. pp. 57-68.
    St. Maximus the Confessor claims that the logos of created beings represents their essence as an icon. This claim gives us the opportunity to understand the term essence as an dynamic reality and not as a static given. Essence is not something that the being is, but what it is supposed to be. The idea of icon is herein present as ultimately ontological. The icon is no mirror of reality, but rather its eschatological realization. That which will be uncovers the (...)
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  10. Visual Reference and Iconic Content.Santiago Echeverri - 2017 - Philosophy of Science 84 (4):761-781.
    Evidence from cognitive science supports the claim that humans and other animals see the world as divided into objects. Although this claim is widely accepted, it remains unclear whether the mechanisms of visual reference have representational content or are directly instantiated in the functional architecture. I put forward a version of the former approach that construes object files as icons for objects. This view is consistent with the evidence that motivates the architectural account, can respond to the key arguments against (...)
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  11. Icons without turn: Über Bilder und Worte.Andreas Dorschel - 2014 - In Wilhelm Vossenkuhl (ed.), Quo vadis Design? 4 Thesen. pp. 17-37.
    Images, or icons, have been made the subject of a ‘turn’. But no new epoch under its sign is looming. The image is just one medium among others. The best we can do is to face what it may and what it may not achieve. Its main competitor is the word – though there is a field of transition between both. Words and numbers surpass the image when one needs to refer to something that cannot be seen – this holds (...)
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  12. Iconic Propositions.Jesse J. Fitts - 2020 - Philosophia Scientiae 24:99-123.
    Je défends ici la nécessité, et ébauche une première version, d’une théorie iconique des propositions. Selon celle-ci, les propositions sont comme les objets de représentation, ou similaires à eux. Les propositions, suivant cette approche, sont des propriétés que l’esprit instancie lorsqu’il modélise le monde. Je connecte cette théorie aux récents développements de la littérature académique sur les propositions, ainsi qu’à une branche de recherches en sciences cognitives, qui explique certains types de représentations mentales en termes d’iconicité. I motivate the need (...)
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  13. Icon Index Symbol.Albert Atkin - 2010 - In Patrick Colm Hogan (ed.), The Cambridge Encyclopaedia of the Language Sciences. Cambridge: Cambridge University Press. pp. 367-8.
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  14. An iconic turn in philosophy.Babu Thaliath - 2009 - Journal of Dharma 34 (2):153-167.
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  15. The Poem as Icon: A Study in Aesthetic Cognition.Margaret H. Freeman - 2020 - Oxford: Oxford University Press.
    Poetry is the most complex and intricate of human language used across all languages and cultures. Its relation to the worlds of human experience has perplexed writers and readers for centuries, as has the question of evaluation and judgment: what makes a poem "work" and endure. The Poem as Icon focuses on the art of poetry to explore its nature and function: not interpretation but experience; not what poetry means but what it does. Using both historic and contemporary approaches of (...)
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  16.  28
    Tagging: semantics at the iconic/symbolic interface.Gabriel Greenberg - 2019 - In Julian J. Schlöder, Dean McHugh & Floris Roelofsen (eds.), Proceedings of the 22nd Amsterdam Colloquium. pp. 11-20.
    Tagging is the phenomenon in which regions of a picture, map, or diagram are annotated with words or other symbols, to provide descriptive information about a depicted object. The interpretive principles that govern tagged images are not well understood, due in part to the difficulty of integrating pictorial and linguistic semantic rules. Rather than directly combining these rules, I propose to use the framework of perspectival feature maps as an intermediary representation of content, in which the outputs of pictorial and (...)
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  17.  67
    Icone del dopoguerra (10th edition).Antonio Chiocchi - 2023 - Lavoro di Ricerca.
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  18. The hardness of the iconic must: can Peirce’s existential graphs assist modal epistemology.Catherine Legg - 2012 - Philosophia Mathematica 20 (1):1-24.
    Charles Peirce's diagrammatic logic — the Existential Graphs — is presented as a tool for illuminating how we know necessity, in answer to Benacerraf's famous challenge that most ‘semantics for mathematics’ do not ‘fit an acceptable epistemology’. It is suggested that necessary reasoning is in essence a recognition that a certain structure has the particular structure that it has. This means that, contra Hume and his contemporary heirs, necessity is observable. One just needs to pay attention, not merely to individual (...)
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  19.  95
    Myths, the iconic, and natural kinds: a literary perspective.Terence Rajivan Edward - manuscript
    What is the relationship between myths and the iconic? This paper analyzes a dialogue from an R.K. Narayan novel which suggests a criterion for belonging to a natural kind in the world of myth, a criterion which makes reference to the iconic.
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  20. Limits to the usability of iconic memory.Ronald A. Rensink - 2014 - Frontiers in Psychology 5.
    Human vision briefly retains a trace of a stimulus after it disappears. This trace—iconic memory—is often believed to be a surrogate for the original stimulus, a representational structure that can be used as if the original stimulus were still present. To investigate its nature, a flicker-search paradigm was developed that relied upon a full scan (rather than partial report) of its contents. Results show that for visual search it can indeed act as a surrogate, with little cost for alternating between (...)
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  21. Icone del dopoguerra.Antonio Chiocchi - 2010 - Società E Conflitto:1-15.
    I meccanismi di produzione della guerra durante la pace e il circolo chiuso vittima/carnefice gestito dal potere.
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  22. The Problem of the Essential Icon.Catherine Legg - 2008 - American Philosophical Quarterly 45 (3):207-232.
    Charles Peirce famously divided all signs into icons, indices and symbols. The past few decades have seen mainstream analytic philosophy broaden its traditional focus on symbols to recognise the so-called essential indexical. Can the moral now be extended to icons? Is there an “essential icon”? And if so, what exactly would be essential about it? It is argued that there is and it consists in logical form. Danielle Macbeth’s radical new “expressivist” interpretation of Frege’s logic and Charles Peirce’s existential graphs (...)
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  23. Diagrammatic Teaching: The Role of Iconic Signs in Meaningful Pedagogy.Catherine Legg - 2018 - In Inna Semetsky (ed.), Edusemiotics – a Handbook. Springer. pp. 29-45.
    Charles S. Peirce’s semiotics uniquely divides signs into: i) symbols, which pick out their objects by arbitrary convention or habit, ii) indices, which pick out their objects by unmediated ‘pointing’, and iii) icons, which pick out their objects by resembling them (as Peirce put it: an icon’s parts are related in the same way that the objects represented by those parts are themselves related). Thus representing structure is one of the icon’s greatest strengths. It is argued that the implications of (...)
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  24. Technological parables and iconic illustrations: American technocracy and the rhetoric of the technological fix.Sean F. Johnston - 2017 - History and Technology 33 (2):196-219.
    This paper traces the role of American technocrats in popularizing the notion later dubbed the “technological fix”. Channeled by their long-term “chief”, Howard Scott, their claim was that technology always provides the most effective solution to modern social, cultural and political problems. The account focuses on the expression of this technological faith, and how it was proselytized, from the era of high industrialism between the World Wars through, and beyond, the nuclear age. I argue that the packaging and promotion of (...)
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  25. Referring to the Qualitative Dimension of Consciousness: Iconicity instead of Indexicality.Marc Champagne - 2014 - Dialogue 53 (1):135-182.
    This paper suggests that reference to phenomenal qualities is best understood as involving iconicity, that is, a passage from sign-vehicle to object that exploits a similarity between the two. This contrasts with a version of the ‘phenomenal concept strategy’ that takes indexicality to be central. However, since it is doubtful that phenomenal qualities are capable of causally interacting with anything, indexical reference seems inappropriate. While a theorist like David Papineau is independently coming to something akin to iconicity, I (...)
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  26. Being as Iconic Concept: Aquinas on 'He Who Is' as Name for God.O. P. James Dominic Rooney - 2017 - International Journal of Systematic Theology 19 (2):163-174.
    Aquinas claims that ‘He Who Is’ is the most proper of the names we have for God. But this attempt to ‘describe’ God with a philosophical concept like ‘being’ can seem dangerously close to creating a false conception based on our limited understanding – an idol. A dominant criticism of Aquinas’ use of this term is that any attempt to use ‘being’ to describe God will inevitably make him merely some object in our ontology alongside other beings, unacceptably mitigating God's (...)
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  27. THE DARK GLORY OF CRIMINALS NOTES ON THE ICONIC IMAGINATION OF THE MULTITUDES.Sergio Tonkonoff - 2013 - Law and Critique (2): 153-167.
    This article explores the relationships between crime, collective responses to it, and the social production of so-called great criminals. It argues that crime, especially sexual and violent crime, produces significant imbalances in individuals habitually subject to instrumental actions, identitarian thinking and positive law. These imbalances are emotional as well as cognitive and, under certain conditions of communication, can generate states of multitude, that is, collective states linked to an intense affectivity and to the prevalence of mythic or symbolic thinking. These (...)
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  28. The Other as a Phenomenon of Icon in Jean-Luc Marion's Philosophy.Inga Bartkiene - 2016 - Dissertation, Vytautas Magnus University
    In the thesis a description of the other person as a phenomenon of icon in thinking of a contemporary French philosopher Jean-Luc Marion is researched. A question is raised how the icon (as Marion describes it) can be recognized in the face of the other. A notion of “iconic visibility” is accepted and employed to study how phenomenal “structure” of the first icon – Christ – repeats itself in the face of the other. Main features allowing to interpret the face (...)
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  29. Jean-Luc Marion’s Phenomenology of the Icon as an Apologia for Quiapo’s Black Nazarene Traslación.Jan Gresil Kahambing - 2019 - Prajñā Vihāra: Journal of Philosophy and Religion 20 (2):13-31.
    The Traslación of the Black Nazarene in Quiapo, Philippines conducts its rites and practices as a devotion outside the liturgy of the Catholic Church. As a popular religious practice widely known and attended by millions, it has become considered a religious phenomenon, attesting to the religiosity of Filipinos and their patient endurance for God. However, this religious practice is also condemned as idolatry, as one finds with reference to the golden calf in Exodus 32:4. In this paper, I create an (...)
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  30. The Brand Imaginarium, or on the iconic constitution of brand image.George Rossolatos - 2015 - In Handbook of Brand Semiotics. Kassel: Kassel University Press. pp. 390-457.
    Brand image constitutes one of the most salient, over-defined, heavily explored and multifariously operationalized conceptual constructs in marketing theory and practice. In this Chapter, definitions of brand image that have been offered by marketing scholars will be critically addressed in the context of a culturally oriented discussion, informed by the semiotic notion of iconicity. This cultural bend, in conjunction with the concept’s semiotic contextualization, are expected both to dispel terminological confusions in the either inter-changeable or fuzzily differentiated employment of (...)
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  31. Soul-Leading in Plato's Phaedrus and the Iconic Character of Being.Ryan M. Brown - 2021 - Dissertation, Boston College
    Since antiquity, scholars have observed a structural tension within Plato’s Phaedrus. The dialogue demands order in every linguistic composition, yet it presents itself as a disordered composition. Accordingly, one of the key problems of the Phaedrus is determining which—if any—aspect of the dialogue can supply a unifying thread for the dialogue’s major themes (love, rhetoric, writing, myth, philosophy, etc.). My dissertation argues that “soul-leading” (psuchagōgia)—a rare and ambiguous term used to define the innate power of words—resolves the dialogue’s structural tension. (...)
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  32. The Border Between Seeing and Thinking.Ned Block - 2023 - New York, US: OUP Usa.
    This book argues that there is a joint in nature between seeing and thinking, perception, and cognition. Perception is constitutively iconic, nonconceptual, and nonpropositional, whereas cognition does not have these properties constitutively. The book does not appeal to “intuitions,” as is common in philosophy, but to empirical evidence, including experiments in neuroscience and psychology. The book argues that cognition affects perception, i.e., that perception is cognitively penetrable, but that this does not impugn the joint in nature. A key part of (...)
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  33. Perceptual Pluralism.Jake Quilty-Dunn - 2019 - Noûs 54 (4):807-838.
    Perceptual systems respond to proximal stimuli by forming mental representations of distal stimuli. A central goal for the philosophy of perception is to characterize the representations delivered by perceptual systems. It may be that all perceptual representations are in some way proprietarily perceptual and differ from the representational format of thought (Dretske 1981; Carey 2009; Burge 2010; Block ms.). Or it may instead be that perception and cognition always trade in the same code (Prinz 2002; Pylyshyn 2003). This paper rejects (...)
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  34. Dynamic instances of interaction.Christina Ljungberg - 2010 - Sign Systems Studies 38 (1-4):270-296.
    According to C. S. Peirce, resemblance or similarity is the basis for the relationship of iconic signs to their dynamical objects. But what is the basis of resemblance or similarity itself and how is the phenomenon of iconicity generated? How does it function in cultural practices and processes by which various forms of signs are generated (say, for example, the cartographical procedures by which maps are drawn, more generally, the diagrammatic ones by which networks of relationships are iconically represented)? (...)
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  35. Colour Relations in Form.Will Davies - 2020 - Philosophy and Phenomenological Research 102 (3):574-594.
    The orthodox monadic determination thesis holds that we represent colour relations by virtue of representing colours. Against this orthodoxy, I argue that it is possible to represent colour relations without representing any colours. I present a model of iconic perceptual content that allows for such primitive relational colour representation, and provide four empirical arguments in its support. I close by surveying alternative views of the relationship between monadic and relational colour representation.
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  36. Remnants of Perception: Comments on Block and the Function of Visual Working Memory.Jake Quilty-Dunn - forthcoming - Philosophy and Phenomenological Research.
    This commentary critically examines the view of the relationship between perception and memory in Ned Block's *The Border Between Seeing and Thinking*. It argues that visual working memory often stores the outputs of perception without altering their formats, allowing online visual perception to access these memory representations in computations that unfold over longer timescales and across eye movements. Since Block concedes that visual working memory representations are not iconic, we should not think of perceptual representations as exclusively iconic either.
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  37. Contours of Vision: Towards a Compositional Semantics of Perception.Kevin J. Lande - forthcoming - British Journal for the Philosophy of Science.
    Mental capacities for perceiving, remembering, thinking, and planning involve the processing of structured mental representations. A compositional semantics of such representations would explain how the content of any given representation is determined by the contents of its constituents and their mode of combination. While many have argued that semantic theories of mental representations would have broad value for understanding the mind, there have been few attempts to develop such theories in a systematic and empirically constrained way. This paper contributes to (...)
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  38. Mental Structures.Kevin J. Lande - 2020 - Noûs (3):649-677.
    An ongoing philosophical discussion concerns how various types of mental states fall within broad representational genera—for example, whether perceptual states are “iconic” or “sentential,” “analog” or “digital,” and so on. Here, I examine the grounds for making much more specific claims about how mental states are structured from constituent parts. For example, the state I am in when I perceive the shape of a mountain ridge may have as constituent parts my representations of the shapes of each peak and saddle (...)
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  39. Sensory binding without sensory individuals.Jake Quilty-Dunn - 2023 - In Aleksandra Mroczko-Wrasowicz & Rick Grush (eds.), Sensory Individuals: Unimodal and Multimodal Perspectives. Oxford, UK: Oxford University Press.
    The capacity for feature binding is typically explained in terms of the attribution model: a perceptual state selects an individual and attributes properties to it (Kahneman & Treisman 1984; Clark 2004; Burge 2010). Thus features are bound together in virtue of being attributed to the same individual. While the attribution model successfully explains some cases of binding in perception, not all binding need be understood as property attribution. This chapter argues that some forms of binding—those involving holistic iconic representations, which (...)
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  40. What is a Logical Diagram?Catherine Legg - 2013 - In Sun-Joo Shin & Amirouche Moktefi (eds.), Visual Reasoning with Diagrams. Springer. pp. 1-18.
    Robert Brandom’s expressivism argues that not all semantic content may be made fully explicit. This view connects in interesting ways with recent movements in philosophy of mathematics and logic (e.g. Brown, Shin, Giaquinto) to take diagrams seriously - as more than a mere “heuristic aid” to proof, but either proofs themselves, or irreducible components of such. However what exactly is a diagram in logic? Does this constitute a semiotic natural kind? The paper will argue that such a natural kind does (...)
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  41. Dread Hermeneutics: Bob Marley, Paul Ricoeur and the Productive Imagination.Christopher Duncanson-Hales - 2017 - Black Theology 15 (2):157-175.
    This article presents Paul Ricœur’s hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno’s unpublished text, Rastafarian: The Earth’s Most Strangest Man, and the religious and biblical signification from the music of his most famous postulate, Bob Marley, this article applies Paul Ricœur’s schema of the religious productive imagination to conceptualize the metaphoric transfer from text (...)
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  42. Visualizando Signos.Priscila Farias & Joao Queiroz - 2017 - Sao Paulo: Blucher.
    Os signos e as classes dos signos estão entre os tópicos mais importantes do sistema filosófico de Charles S. Peirce. As 10, 28, e 66 classes de signos são classificações desenvolvidas especialmente a partir de 1903 e representam um grande refinamento da divisão fundamental de signos – ícone, índice, símbolo. Nossa abordagem aqui define uma estratégia de visualização das classificações dos signos, com especial atenção para as 10 e 66 classes de signos. O livro está dividido em duas partes: (i) (...)
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  43. What Achilles Did and the Tortoise Wouldn't.Catherine Legg - manuscript
    This paper offers an expressivist account of logical form, arguing that in order to fully understand it one must examine what valid arguments make us do (or: what Achilles does and the Tortoise doesn’t, in Carroll’s famed fable). It introduces Charles Peirce’s distinction between symbols, indices and icons as three different kinds of signification whereby the sign picks out its object by learned convention, by unmediated indication, and by resemblance respectively. It is then argued that logical form is represented by (...)
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  44.  77
    Translating Literariness: A Cognitive Poetic Account.Yanchun Zhao - 2017 - Journal of Human Cognition 2 (1):18-29.
    This paper inquires into literariness, a much neglected problem in translation, from a cognitive poetic perspective; it tries to show the nature of proxy as concerns translation through various illustrations, hence what is termed by Bausse-Beier the proxy principle, and in passing answer the philosophical problem of translatability or untranslatability. Literariness, not limited to literature, may exist in all texts. It can be defined as the form of a text that is suggestive of something, different from that of a text (...)
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  45. How To Do Things With Signs: Semiotics in Legal Theory, Practice, and Education.Harold Anthony Lloyd - forthcoming - University of Richmond Law Review.
    Note: This draft was updated on November 10, 2020. Discussing federal statutes, Justice Scalia tells us that “[t]he stark reality is that the only thing that one can say for sure was agreed to by both houses and the president (on signing the bill) is the text of the statute. The rest is legal fiction." How should we take this claim? If we take "text" to mean the printed text, that text without more is just a series of marks. If (...)
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  46. Applying Sebeok’s Typology of Signs to the Study of Flags.Steven A. Knowlton - 2012 - Raven 19:57-97.
    A leading semiotician, Thomas A. Sebeok (1920-2001), developed a useful typology which the author uses to analyze national and subnational flags, exploring them as signals, icons, indexes, and symbols and using extensively illustrations.
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  47. The body language: a semiotic reading of Szasz’ Anti-psychiatry.Valeria Lelli - 2011 - Dialogues in Philosophy, Mental and Neuro Sciences 4 (2):34-36.
    In “The myth of mental illness” Thomas Szasz challenges the idea that mental illnesses are diseases in the biomedical sense. In his view they are more similar to a foreign language and for this reason they cannot be treated by means of biomedical therapies. The present article explores the semiotic implications of Szasz’s view of the hysterical symptoms as an iconic language. Following Reichenbach, Szasz distinguishes three classes of signs: indexical, iconic and symbolic. The somatic language of the hysteric person (...)
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  48. Wachten op beeld - De tragische retorica van Iconische foto’s.Rob van Gerwen - 2013 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 105 (1):40-54.
    Iconic photographs are visual arguments depicting an, often dramatic, particular situation showing victims of disasters. Spectators watching the photo of the particular situation, empathise with it, and project the feelings evoked onto the events that form the context for the scene in the picture. This mobilises them into political action. In the process, however, the depicted personal misery is perused to exemplify the larger events. The tragedy of iconic photographs is analysed not as the misery experienced by the depicted persons, (...)
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  49. Non-Inferential Transitions: Imagery and Association.Eric Mandelbaum & Jake Quilty-Dunn - 2019 - In Anders Nes & Timothy Hoo Wai Chan (eds.), Inference and Consciousness. London: Routledge.
    Unconscious logical inference seems to rely on the syntactic structures of mental representations (Quilty-Dunn & Mandelbaum 2018). Other transitions, such as transitions using iconic representations and associative transitions, are harder to assimilate to syntax-based theories. Here we tackle these difficulties head on in the interest of a fuller taxonomy of mental transitions. Along the way we discuss how icons can be compositional without having constituent structure, and expand and defend the “symmetry condition” on Associationism (the idea that associative links and (...)
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  50. Compositionality and constituent structure in the analogue mind.Sam Clarke - 2023 - Philosophical Perspectives 37 (1):90-118.
    I argue that analogue mental representations possess a canonical decomposition into privileged constituents from which they compose. I motivate this suggestion, and rebut arguments to the contrary, through reflection on the approximate number system, whose representations are widely expected to have an analogue format. I then argue that arguments for the compositionality and constituent structure of these analogue representations generalize to other analogue mental representations posited in the human mind, such as those in early vision and visual imagery.
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