Results for 'Melody Royster'

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  1. “Book Review: Culture and Liberty: Writings of Isabel Paterson“. [REVIEW]Linda Royster Beito - unknown
    Stephen Cox writes of the complexities that guided this well-known columnist, literary critic, best-selling novelist, avid reader, and intellectual, Mary Isabel Bowler Patterson, better known as Isabel Paterson or “I.M.P.” This edited collection includes a well-chosen selection of her essays, reviews, and letters. Combining both formal and colloquial prose, Paterson’s writings incorporated quips about such people as Sinclair Lewis and Henry David Thoreau, as well as candid discussions of William F. Buckley, Jr., Buffalo Bill, and Cecil Rhodes. The more than (...)
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  2. Laws, melodies, and the paradox of predictability.Dorst Chris - 2022 - Synthese 200 (1):1-21.
    If the laws of nature are deterministic, then it seems possible that a Laplacean intelligence that knows the initial conditions and the laws would be able to accurately predict everything that will ever happen. However, it would be easy to construct a counterpredictive device that falsifies any revealed prediction about its future behavior. What would then occur if a Laplacean intelligence encountered a counterpredictive device? This is the paradox of predictability. A number of philosophers have proposed solutions to it, though (...)
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  3. The Meaning of Music in Hegel.Jeffrey Reid - 2024 - Journal of Philosophical Research 49.
    I begin by defending Heinrich Gustav Hotho’s foundational edition of the Lectures on Aesthetics (LA) contra Gethmann-Siebert and others who argue for a non-systematic view of Hegel’s aesthetics generally and music specifically. I defend Hegel against the common conceit that his comprehension of music was somehow deficient and introduce the Hegelian idea of absolute agency as performative in art and music. Reference to Kant’s transcendental aesthetics then allows us to grasp how, in Hegel, meaningful tones arise from the vibratory oscillation (...)
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  4. Gestalt.Kevin Mulligan - unknown
    The distinctive claim of the Gestalt psychologists (of Prague, Graz, Berlin, Leipzig, and Vienna) is that we are typically aware of wholes which have “Gestalt qualities”, such as being a melody, and that these qualities could not be properties of mere sums, for example of sums of tones. A common, stronger claim is that the wholes we are aware of are themselves “Gestalten”, the parts of which are inseparable from each other and from the wholes they belong to. The (...)
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  5. Mach and Ehrenfels: The foundations of Gestalt Theory.Kevin Mulligan & Barry Smith - 1988 - In Barry Smith (ed.), Foundations of Gestalt Theory. Philosophia. pp. 124-157.
    Ernst Mach's atomistic theory of sensation faces problems in doing justice to our ability to perceive and remember complex phenomena such as melodies and shapes. Christian von Ehrenfels attempted to solve these problems with his theory of "Gestalt qualities", which he sees as entities depending one-sidedly on the corresponding simple objects of sensation. We explore the theory of dependence relations advanced by Ehrenfels and show how it relates to the views on the objects of perception advanced by Husserl and by (...)
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  6. Harmonia, Melos and Rhytmos. Aristotle on Musical Education.Elena Cagnoli Fiecconi - 2016 - Ancient Philosophy 36 (2):409-424.
    In this paper, I reconstruct the reasons why Aristotle thinks that musical education is important for moral education. Musical education teaches us to enjoy appropriately and to recognize perceptually fine melodies and rhythms. Fine melodies and rhythms are similar to the kind of movements fine actions consist in and fine characters display. By teaching us to enjoy and recognise fine melodies and rhythms, musical education can train us to recognize and to take pleasure in fine actions and characters. Thus, musical (...)
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  7. Sonic Booms in Blanchot.David Appelbaum - 2018 - Angelaki 23 (3):144-157.
    Blanchot’s rejection of vision as the fundamental philosophical metaphor is well known: “Seeing is not speaking” (The Infinite Conversation (Minneapolis: U of Minnesota P, 1993) 25). Furthermore, his central idea of the limit-experience (borrowed from Bataille) is a “detour from everything visible and invisible” (210). As part of his Heideggerian heritage, the increased importance of hearing (and aurality in general) lacks the critical appraisal it deserves. Pari passu for voice. Blanchot’s investigation of voice, spoken, interior, literary, is extensive. Various works (...)
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  8. Sensory Force, Sublime Impact, and Beautiful Form.Eli I. Lichtenstein - 2019 - British Journal of Aesthetics 59 (4):449-464.
    Can a basic sensory property like a bare colour or tone be beautiful? Some, like Kant, say no. But Heidegger suggests, plausibly, that colours ‘glow’ and tones ‘sing’ in artworks. These claims can be productively synthesized: ‘glowing’ colours are not beautiful; but they are sensory forces—not mere ‘matter’, contra Kant—with real aesthetic impact. To the extent that it inheres in sensible properties, beauty is plausibly restricted to structures of sensory force. Kant correspondingly misrepresents the relation of beautiful wholes to their (...)
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  9. The Self-Swarm of Artemis: Emily Dickinson as Bee/Hive/Queen.Joshua M. Hall - 2022 - Transactions of the Charles S. Peirce Society 58 (2):167-187.
    Despite the ubiquity of bees in Dickinson’s work, most interpreters denigrate her nature poems. But following several recent scholars, I identify Nietzschean/Dionysian overtones in the bee poems and suggest the figure of bees/hive/queen illuminates as feminist key to her corpus. First, (a) the bee’s sting represents martyred death; (b) its gold, immortality; (c) its tongue, the “lesbian phallus”; (d) its wings, poetic power; (e) its buzz, poetic melody, and (f) its organism, a joyful Dionysian Susan (her sister-in-law and love (...)
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  10. Predictive Processing and the Phenomenology of Time Consciousness: A Hierarchical Extension of Rick Grush’s Trajectory Estimation Model.Wanja Wiese - 2017 - Philosophy and Predictive Processing.
    This chapter explores to what extent some core ideas of predictive processing can be applied to the phenomenology of time consciousness. The focus is on the experienced continuity of consciously perceived, temporally extended phenomena (such as enduring processes and successions of events). The main claim is that the hierarchy of representations posited by hierarchical predictive processing models can contribute to a deepened understanding of the continuity of consciousness. Computationally, such models show that sequences of events can be represented as states (...)
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  11. Mach und Ehrenfels: Über Gestaltqualitäten und das Problem der Abhängigkeit.Kevin Mulligan & Barry Smith - 1986 - In Reinhard Fabian (ed.), Christian von Ehrenfels: Leben und Werk. Amsterdam: Rodopi. pp. 85-111.
    Ernst Mach's atomistic theory of sensation faces problems in doing justice to our ability to perceive and remember complex phenomena such as melodies and shapes. Christian von Ehrenfels attempted to solve these problems with his theory of "Gestalt qualities", which he sees as entities depending one-sidedly on the corresponding simple objects of sensation. We explore the theory of dependence relations advanced by Ehrenfels and show how it relates to the views on the objects of perception advanced by Husserl and by (...)
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  12. The Organism and its Umwelt: a Counterpoint between the Theories of Uexküll, Goldstein and Canguilhem.Agustin Ostachuk - 2019 - In Francesca Michelini & Kristian Köchy (eds.), Jakob von Uexküll and Philosophy: Life, Environments, Anthropology. New York, NY: Routledge. pp. 158-171.
    The topic of the relationship between the organism and its environment runs through the theories of Uexküll, Goldstein and Canguilhem with equal importance. In this work a counterpoint will be established between their theories, in the attempt to assess at which points the melodies are concordant and at which points they are discordant. As fundamental basis to his theory, Uexküll relies on the concept of conformity to a plan, which allows him to account for the congruity and perfect adjustment between (...)
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  13. Epistemisk og epimonisk sansning.Carl Erik Kühl - 2007 - Filosofiske Studier 1:1-30.
    ”Hvad er musik?” lyder et gammelt og godt spørgsmål, og svaret udformes i reglen som en redegørelse for, hvordan musik lyder. Med modernismen (Ligeti, Stockhausen, etc.). har vi imidlertid gjort den erfaring, at musikken kan forblive musik, selv når den er uden melodi, uden metrisk puls etc. Men hvis der ingen grænser er for, hvordan musik- ken kan lyde, kan vi heller ikke afgrænse – definere – musikken ved at henvise til, hvordan den lyder. Vi må, mener jeg, snarere tage (...)
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  14. (Academia.edu) LITERATURE I DO- THE ROMANTICS AND SUBJECTIVITY : SAMUEL TAYLOR COLERIDGE.Rituparna Ray Chaudhuri - 2015
    [ https://plus.google.com/108060242686103906748/posts/cwvdB6mK3J6 ] The phenomenal description on own thoughts regard me to describe Coleridge, along with William Wordsworth, was instrumental in initiating a poetic revolution in the early nineteenth century which is known as the Romantic Movement. Coleridge invokes the Divine Spirit that blows upon the wild Harp of Time. Time is like the stringed musical instrument on which the Spirit produces sweet harmonious melodies. Coleridge is perhaps best known for his haunting ballad Rime of Ancient Mariner, the dream-like Kubla (...)
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  15. The Umwelt of Uexküll and Merleau-Ponty.Agustin Ostachuk - 2013 - Ludus Vitalis 21 (39):45-65.
    The organism against its environment. The organism against other organisms, competing and struggling for life. Antagonism and confrontment as the only possible relation in nature. The tendency to anthropomorphize nature and explain it using concepts and facts from the human sphere. A stroll through the worlds of Uexküll and Merleau-Ponty in the search of alternative knowledge that allow us to understand relation from another point of view. A counterpoint and identification of common tonalities between the research programs from both thinkers (...)
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  16. Brak czy wszechobecność artykulacji w Ingardenowskiej teorii budowy dzieła muzycznego?Andrzej Krawiec - 2020 - Przeglad Filozoficzny - Nowa Seria 29 (4):473-485.
    In 'The Work of Music and the Problem of Its Identity' by Roman Ingarden we are presented with a philosophical theory of the structure of the musical work. The author includes melody, rhythm and harmony among the primary elements of the musical work while dynamics, tempo and colouration (sonoristics) are classified as its secondary elements. The elements designated by the score constitute a schematic prescription for creating a particular work. Still, the scheme also includes numerous gaps and indeterminacies which (...)
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  17.  32
    O 'widzeniu aspektu' w estetyce współczesnej.Małgorzata A. Szyszkowska - 2007 - Sztuka I Filozofia (Art and Philosophy) 31:14-23.
    A Few Notes on Aspect Seein g in Contemporar y Aesthetics In this paper author examines the problem of aspect seeing in reference to works of Ludwig Wittgenstein and Virgil C. Aldrich posing the question of whether they are applicable to experience of musical works. Drawing on examples from Wittgenstein’s Philosophical Investigations, author maintains that hearing a melody as solemn, sad, et cetera is neither universal nor unequivocal. Musical work, author suggests, does not present itself spontaneously to the listener. (...)
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  18.  41
    Proc. Fourth Canadian Punjabi Conference (Celebrating 550th Birth Anniversary of Guru Nanak Dev Ji), 6th July 2019,.Board of Directors Phfc, Jagdish Kaur & Devinder Pal Singh (eds.) - 2019 - Ottawa, ON, Canada: Punjabi Heritage Foundation of Canada.
    The Punjabi Heritage Foundation of Canada proudly presents this trilingual publication to commemorate the 550 Birth Anniversary of Guru Nanak Dev Ji (1469-1539), the messenger of harmony and peace, an advocate of social justice and moral values, and promotor of women's rights as well as a preacher of Oneness of God and Oneness of Humankind. Set in the balance of transcendental melodious hymns of Gurbani and mystic music on the Rabab that had the profound power to touch the human soul, (...)
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  19. Review of POLITIS, V., The Structure of Enquiry in Plato's Early Dialogues (Cambridge University Press, 2015). [REVIEW]Keith Begley - 2021 - Classics Ireland 27:301–303.
    This book has been ably reviewed by others. I am taking a second look at it now on the occasion of the publication of its sequel, a review of which I also provide in this volume. I have had the distinct pleasure of being a student and colleague of Vasilis Politis (VP) since the initiation of the project that led to these monographs, and the great privilege of witnessing the development of the project for more than a decade. VP’s Plato (...)
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  20. El tiempo del ensueño. Memoria y duración en Rousseau.Pablo Pavesi - 2021 - Disputatio. Philosophical Research Bulletin 10 (16):47-75.
    The time of the Reverie. Memory and duration in Rousseau There are three modes adopted by the temporal succession to which we are subjected: succession of desires, succession of identities and succession of instants. But happiness is a permanent state; therefore, it is not a state that corresponds to man. We propose that succession is the horizon from which Rousseau thinks about the possibility of happiness that, being discontinuous and brief, can achieve a permanence that results from another experience of (...)
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  21. Ācārya Pūjyapāda’s Bhakti Saṃgraha – Collection of Devotions आचार्य पूज्यपाद विरचित भक्ति संग्रह.Vijay K. Jain (ed.) - 2022 - Dehradun, India: Vijay Kumar Jain.
    Bhakti Saṃgraha or ‘Collection of Devotions’ composed by Ācārya Pūjyapāda (alias Ācārya Devanandī; circa 5th century CE) comprises a set of devotions (bhakti) in form of chaste and melodious Sanskrit hymns. Incidentally, the Most Worshipful Ācārya Kundakunda (circa 1st century BCE) had earlier composed his ‘Daśa Bhakti’ in Prākrit. The reading of devotions (bhakti) is essential to tread the difficult path to liberation. This great work by Ācārya Pūjyapāda is an essential reading for the ascetic (sādhu, muni) as well as (...)
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  22. Intentionality and Referentiality. The problem of referentiality in Husserl's 'Zeitdenken'.Babu Thaliath - manuscript
    In the framework of Husserl's phenomenology, intentionality is regarded as the main feature of every act of consciousness. Our consciousness is directed towards objects immanent in it, however in a variety of epistemological functions and operations, such as sensory perception, judgment, cognition, volition, imagination, etc. Husserl uses the technical terms noesis and noema to designate the intentional acts of consciousness and their outcome in the constitution of objects in consciousness. At the same time, the persistence of a hyletic data is (...)
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  23. The Music Sound.Sfetcu Nicolae - 2006 - Nicolae Sfetcu.
    A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. -/- Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by (...)
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  24. Listening and voice.Carmela Stillitano - manuscript
    The present study originates from an ongoing research on the potential of human voice and on the possibilities of intervention afforded by the Tomatis method for the development of such potential. The discussion on vocal sonority is framed within the horizon of linguistic geography. In particular, the essay revisits Tomatis’ theory of languages in the light of more recent studies on the close relationship between linguistic background and melodic-intonation profile. The essay highlights the results of experimental research based on the (...)
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