Results for 'Visual History'

978 found
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  1. The Big Bang of History. Visualism in Technoscience.Fernando Flores Morador - 2012 - Lund University.
    The traditional presentation about historical time-passing consists in a linear succession of facts in which some aspects of the lifeworld evolve from others in anirreversible manner. The presentation of change is connected to the presentation of gradual or revolutionary linear changes that areirrevocable. I believe that this presentation could be considered correct for living organisms, but does not take account of some important aspects of demonstrative presentations about artefacts and technologies. For example, we can ontologically assume that “hammer-beating” evolved from (...)
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  2. Art History for Filmmakers. The Art of Visual Storytelling. [REVIEW]Maria Irene Aparicio - 2018 - Cinema Journal of Philosophy and the Moving Image (10):193-197.
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  3. Cognitive Abduction in the Study of Visual Culture.María G. Navarro & Noemi de Haro García - 2012 - Philosophy and Cognitive Science. Western and Eastern Studies 2:205-220.
    In this paper art history and visual studies, the disciplines that study visual culture, are presented as a field whose conjectural paradigm can be used to understand the epistemic problems associated with abduction. In order to do so, significant statements, concepts and arguments from the work of several specialists in this field have been highlighted. Their analysis shows the fruitfulness and potential for understanding the study of visual culture as a field that is interwoven with the (...)
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  4. Visualizations of Philosophical Cross-cultural Interaction and Influence in A Globalized World.Ferry Hidayat - 2024 - Prajna Vihara 25 (1):1-35.
    While the process of influence between various cultural and historical traditions in philosophy has been taking place for thousands of years, this inter-cultural interaction is occurring at a more accelerated pace in the information age. While philosophers throughout history have used visual representations to understand philosophical influence and historical origins and the distribution of philosophical ideas and sub-disciplines, this paper stresses the importance of philosophical visualizations to represent the global interactivity of philosophy. It provides various visualizations to represent (...)
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  5. Visual Perception as Patterning: Cavendish against Hobbes on Sensation.Marcus Adams - 2016 - History of Philosophy Quarterly 33 (3):193-214.
    Many of Margaret Cavendish’s criticisms of Thomas Hobbes in the Philosophical Letters (1664) relate to the disorder and damage that she holds would result if Hobbesian pressure were the cause of visual perception. In this paper, I argue that her “two men” thought experiment in Letter IV is aimed at a different goal: to show the explanatory potency of her account. First, I connect Cavendish’s view of visual perception as “patterning” to the “two men” thought experiment in Letter (...)
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  6. Visualism and Illustrations: Visual Philosophy beyond Language.Michalle Gal - 2024 - Analysis (XX 2024):1-13.
    Contemporary philosophy can be characterized along the lines of a profound and vigorous debate between the prevalent ideas of 20th century philosophy’s linguistic–conceptualist age, on the one hand, and the re-emergent field of what we might call ‘visualist’ philosophy on the other hand, which is experiencing a revival within the framework of the current visual turn in philosophy. Thoughtful Images: Illustrating Philosophy through Art by Thomas E. Wartenberg stands at the intersection of these two camps. The philosophical visual (...)
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  7. Successful visual epistemic representation.Agnes Bolinska - 2016 - Studies in History and Philosophy of Science Part A 56 (C):153-160.
    In this paper, I characterize visual epistemic representations as concrete two- or three-dimensional tools for conveying information about aspects of their target systems or phenomena of interest. I outline two features of successful visual epistemic representation: that the vehicle of representation contain sufficiently accurate information about the phenomenon of interest for the user’s purpose, and that it convey this information to the user in a manner that makes it readily available to her. I argue that actual epistemic representation (...)
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  8. Mapping Transformations: The Visual Language of Foucault’s Archaeological Method.Rebecca A. Longtin - 2018 - Epoché: A Journal for the History of Philosophy 23:219 - 238.
    Scholars have thoroughly discussed the visual aspects of Foucault’s archaeological and genealogical methods, as well as his own emphasis on how sight functions and what contexts and conditions shape how we see and what we can see. Yet while some of the images and visual devices he uses are frequently discussed, like Las Meninas and the panopticon, his diagrams in The Order of Things have received little attention. Why does Foucault diagram historical ways of thinking? What are we (...)
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  9. Affordance as a Method in Visual Cultural Studies. Based on Theory and Tools of Vitality Semiotics.Martina Sauer - 2021 - Art Style International 2 (7):11-37.
    In a historiographical and methodological comparison of Formal Aesthetics and Iconology with the method of Affordance, the latter is to be introduced as a new method in Visual Cultural Studies. In extension ofepistemologically relevant aspects relatedtostyle and history of the artefacts, communicative and furthermoreaction and decisionrelevant aspects of artefacts become important. In this respect, it is the share of artefacts in life that the new method aims to uncover. The basis for this concern is the theory and methodological (...)
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  10. The History of Vision.Bence Nanay - 2015 - Journal of Aesthetics and Art Criticism 73 (3):259-271.
    One of the most influential ideas of twentieth-century art history and aesthetics is that vision has a history and it is the task of art history to trace how vision has changed. This claim has recently been attacked for both empirical and conceptual reasons. My aim is to argue for a new version of the history of vision claim: if visual attention has a history, then vision also has a history. And we have (...)
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  11. Pictorial Space throughout Art History: Cezanne and Hofmann. How it models Winnicott's interior space and Jung's individuation.Maxson J. McDowell - manuscript
    Since the stone age humankind has created masterworks which possess a mysterious quality of solidity and grandeur or monumentality. A Paleolithic Venus and a still life by Cezanne both share this monumentality. Michelangelo likened monumentality to sculptural relief, Braque called monumentality 'space', and Hans Hoffman, himself one of the masters, called monumentality 'pictorial depth.' The masters agreed on the import of monumentality, but none of them left a clear explanation of it. In 1943 Earl Loran published his classic book on (...)
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  12. How to (and how not to) think about top-down influences on visual perception.Christoph Teufel & Bence Nanay - 2017 - Consciousness and Cognition 47:17-25.
    The question of whether cognition can influence perception has a long history in neuroscience and philosophy. Here, we outline a novel approach to this issue, arguing that it should be viewed within the framework of top-down information-processing. This approach leads to a reversal of the standard explanatory order of the cognitive penetration debate: we suggest studying top-down processing at various levels without preconceptions of perception or cognition. Once a clear picture has emerged about which processes have influences on those (...)
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  13. The Language of Asclepius: The Role and Diffusion of the Written Word in—and the Visual Language of—the Cult of Asclepius.Jan M. Van der Molen - Oct 28, 2019 - University of Groningen.
    In this first of two essays written on the topic of ancient greek inscriptions, I will briefly explore and discuss the role of the written word and of visual language within the cult of Asclepius at Epidauros, by both looking at the creation and function of the Epidaurian sanctuary's healing inscriptions—also called 'iamata'. Throughout the essay I have made use of J.L. Austin's Speech Act Theory to better contextualize the meaning of the inscriptions dealt with.
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  14. Electrifying the Future, 11th Budapest Visual Learning Conference.Kristof Nyiri (ed.) - 2024 - Budapest: Hungarian Academy of Science.
    The present online volume contains the papers prepared for the 11th Budapest Visual Learning Conference – ENVISIONING AN ELECTRIFYING FUTURE – held in a physical-online blended form on Nov. 13, 2024, organized by the University of Pécs (represented by Prof. Gábor Szécsi, Dean, Faculty of Cultural Sciences, Education and Regional Development), and the Hungarian Academy of Sciences (represented by Prof. Kristóf Nyíri, Member of the Hungarian Academy of Sciences). Nyíri and Szécsi were responsible for sending out the call for (...)
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  15. A Post-culturalist Aesthetics? A Commentary on Davis's 'Visuality and Vision'.Jakub Stejskal - 2017 - Estetika: The European Journal of Aesthetics 54 (2):267-276.
    A commentary on Whitney Davis's essay 'Visuality and Vision: Questions for a Post-culturalist Art History' published in the same issue of Estetika.
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  16. Art: A brief history of absence.Davor Dzalto - 2015 - Filozofija I Društvo 26 (3):652-676.
    This essay focuses on the logic of the aesthetic argument used in the eighteenth century as a conceptual tool for formulating the modern concept of “(fine) art(s).” The essay also examines the main developments in the history of the art of modernity which were initiated from the way the “nature” of art was conceived in early modern aesthetics. The author claims that the formulation of the “aesthetic nature” of art led to the process of the gradual disappearance of all (...)
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  17. Scepticism and animal rationality: the fortune of Chrysippus' dog in the history of western thought.Luciano Floridi - 1997 - Archiv für Geschichte der Philosophie 79 (1):27-57.
    This paper employs the metaphor of hunting to discuss intellectual investigation. Drawing on the example of Chrysippus’ dog, an animal whose behaviour supposedly reflects disjunctive syllogistic reasoning, the article traces the history of thought. It concludes by summarizing the contribution of Chrysippus’ dog to the fields of literature, philosophy and the visual arts. -/- .
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  18.  95
    "Stranded on the Shores of History"? Monuments and (Art-)Historical Awareness.Jakub Stejskal - forthcoming - History and Theory.
    Can past agents deliberately influence our historical awareness by designing objects’ appearances and sending them to us down the stream of time? We know they have certainly tried to do so by raising monuments. But according to an influential narrative, the efforts of these "monumentalists" are destined to fail: no monument can keep a legacy alive in perpetuity. In this article, I argue that this narrative misrepresents the nature of the monumentalists’ mission, and I set out to show that monumentality (...)
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  19. Fondamenti sonori del logos. Distribuzioni di senso all'interno dell'impero visuale.Elia Gonnella - 2020 - Illuminazioni. Rivista di Lingua, Letteratura E Comunicazione 54:48-74.
    The relationship between knowledge and vision seems really consolidated. It started in ancient Greece and we can found its basis in Plato. The history of logos as reason and as western foundation of culture gives us enormous examples in terms of metaphors and approaches in the knowledge-vision relationship. «I see it» is like «I know it». However if we look at the basis of logos we find the deep meaning of gathering, composition, bond and bind (lèghein), so as to (...)
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  20. The Psychedelic Gospels: The Secret History of Hallucinogens in Christianity.Jerry B. Brown & Julie M. Brown - 2016 - Rochester, Vermont: Park Street Press / Inner Traditions.
    hroughout medieval Christianity, religious works of art emerged to illustrate the teachings of the Bible for the largely illiterate population. What, then, is the significance of the psychoactive mushrooms hiding in plain sight in the artwork and icons of many European and Middle-Eastern churches? Does Christianity have a psychedelic history? -/- Providing stunning visual evidence from their anthropological journey throughout Europe and the Middle East, including visits to Roslyn Chapel and Chartres Cathedral, authors Julie and Jerry Brown document (...)
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  21. Whitney Davis's General Theory of Visual Culture. [REVIEW]James Elkins - 2012 - College Art Association Books Reviews.
    This is a brief essay on Whitney Davis's book. A shorter version, edited down by the College Art Association, is on their online book reviews site (protected by a paywall).
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  22. Respiratory Ethics, History and Foundations.Ian Goddard - manuscript
    The Covid-19 pandemic raises the need for an ethical framework addressing unique questions of airborne infectious disease. In particular, are you ethically obliged to wear a face mask? If so, why and when? The Respiratory Ethics Framework (REF) herein derives answers from ethical norms. Always covering coughs and sneezes just in case you might be infectious is an ethical norm. But if you are infectious with an airborne illness, you are probably spreading germs even with every breath and vocalization. Therefore, (...)
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  23. Danto and Wittgenstein: History and Essence.Sonia Sedivy - 2021 - In Lydia Goehr & Jonathan Gilmore (eds.), A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 281–291.
    This chapter reconstructs the neo‐Wittgensteinian proposals, and re‐examines the “family resemblances” passages from the Philosophical Investigations. Arthur Danto chooses to explain the historically contextual nature of art in some of the same terms as Wittgenstein sketches for language. The neo‐Wittgenstein view is typically reconstructed as a conjunction of two claims about the concept of art: the concept is not definable and it needs to be understood along the lines of Wittgenstein's discussion of “family resemblances.” The concept of art evolves historically (...)
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  24. Four Futures and a History.Ronald A. Rensink - 2011 - The Encyclopedia of Human-Computer Interaction, 2nd Ed.; 35. Data Visualization for Human Perception.
    Stephen Few provides a nice overview of the reasons why we should design data visualizations to be effective, and why it’s important to understand human perception when doing so. In fact, he’s done this so well that I can’t add much to his arguments. But I can, however, push the basic message a bit further, out into the times before and after those he discusses. Out into areas that are not as well known, or not really developed, where new opportunities (...)
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  25. Klaus Hentschel, Mapping the Spectrum: Techniques of Visual Representation in Research and Teaching. Oxford: Oxford university press, 2002. Pp. XIII+562. Isbn 0-19-850953-7. £75.00. [REVIEW]Sean F. Johnston - 2003 - British Journal for the History of Science 36 (1):87-127.
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  26. Ecological Psychology and Enactivism: Perceptually-Guided Action vs. Sensation-Based Enaction1.Catherine Read & Agnes Szokolszky - 2020 - Frontiers in Psychology 11:532803.
    Ecological Psychology and Enactivism both challenge representationist cognitive science, but the two approaches have only begun to engage in dialogue. Further conceptual clarification is required in which differences are as important as common ground. This paper enters the dialogue by focusing on important differences. After a brief account of the parallel histories of Ecological Psychology and Enactivism, we cover incompatibility between them regarding their theories of sensation and perception. First, we show how and why in ecological theory perception is, crucially, (...)
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  27. Philosophical Scepticism and the Photographic Event.Dawn M. Wilson - 2012 - In Jan-Erik Lundström & Liv Stoltz (eds.), Thinking Photography - Using Photography. Centrum för Fotografi. pp. 98-109.
    The puzzle that concerns me is whether it is possible to establish a substantive difference between photographic images and other kinds of visual image, which can explain the special epistemic and aesthetic qualities of photographs, without giving way to scepticism about photographic art. In this essay I offer a philosophical account of the photographic process which is able to resolve this tension. I use this account to argue that, while some photographs are mind independent, mind independence is not a (...)
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  28. Kant’s Crucial Contribution to Euler Diagrams.Jens Lemanski - 2024 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 55 (1):59–78.
    Logic diagrams have been increasingly studied and applied for a few decades, not only in logic, but also in many other fields of science. The history of logic diagrams is an important subject, as many current systems and applications of logic diagrams are based on historical predecessors. While traditional histories of logic diagrams cite pioneers such as Leibniz, Euler, Venn, and Peirce, it is not widely known that Kant and the early Kantians in Germany and England played a crucial (...)
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  29.  58
    Art-Historical Empiricism and Digital Visualization of Cultural Heritage.Jakub Stejskal - forthcoming - Synthese.
    Digital visualizations of cultural heritage (DVCs) are typically used to re-create or re-imagine artworks in their original state. Their apparent efficiency raises questions about their relation to the historical artefacts: What is the visualizations’ status vis à vis the originals? Can they replace them? And if so, in what capacity? This paper explores these questions from the point of view of the DVCs’ potential epistemic yield. It argues that the knowledge they are supposed to provide amounts to mediating past experiences (...)
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  30. Erotik und Zensur.Jutta Assel & Georg Jaeger - 2021 - Munich: Thomas Dreher.
    “Erotism and Censorship“ offers an introduction to the history of picture postcards and explores the German censorship until 1930. The specificity of the medium to react to the desires of the clients (mostly male) and to shape them simultaneously is explained in interpretations of examples. A documentary part presents a selection of texts about reproduction technologies. These texts were originally published in journals for collectors of postcards.
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  31. Switches of memory.Fernando Flores Morador (ed.) - 2014 - Lund: Lund University.
    This book studies the technognomies of memory in scripto as in texts, lists, dictionaries and databases and less the technognomies of memory in vivo (as in remembering). There are of course some relations between these two kinds of memories, being memory-in-scripto a development parallel to the development of written language. We notice that the historical presentation is built upon both forms of memory. We notice that the historical explanation is tied to the concrete experience of persons belonging to a culture. (...)
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  32. Signs of Morality in David Bowie's "Black Star" Video Clip.May Kokkidou & Elvina Paschali - 2017 - Philosophy Study 7 (12).
    “Black Star” music video was released two days before Bowie’s death. It bears various implications of dying and the notion of mortality is both literal and metaphorical. It is highly autobiographical and serves as a theatrical stage for Bowie to act both as a music performer and as a self-conscious human being. In this paper, we discuss the signs of mortality in Bowie’s “Black Star” music video-clip. We focus on video’s cinematic techniques and codes, on its motivic elements and on (...)
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  33. Lo sguardo a picco: Sul sublime in Filostrato.Filippo Fimiani - 2002 - Studi di Estetica 26:147-170.
    This paper is dedicated to the Εἰκόνες of the two Philostrati and to the Ἐκφράσεις of Callistratus, that is to say to three Greek works that bear important witness to the genre of art criticism in Antiquity and which concern both literary history and the history of art. The first series of Εἰκόνες is the work of Philostratus the Elder (2nd-3rd century AD) and comprises sixty-five descriptions of paintings with mythological subjects, which the author assures us he has (...)
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  34. Cognitive Science: Recent Advances and Recurring Problems.Fred Adams, Joao Kogler & Osvaldo Pessoa Junior (eds.) - 2017 - Wilmington, DE, USA: Vernon Press.
    This book consists of an edited collection of original essays of the highest academic quality by seasoned experts in their fields of cognitive science. The essays are interdisciplinary, drawing from many of the fields known collectively as “the cognitive sciences.” Topics discussed represent a significant cross-section of the most current and interesting issues in cognitive science. Specific topics include matters regarding machine learning and cognitive architecture, the nature of cognitive content, the relationship of information to cognition, the role of language (...)
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  35. Psychoneural Isomorphism: From Metaphysics to Robustness.Alfredo Vernazzani - 2020 - In Fabrizio Calzavarini & Marco Viola (eds.), Neural Mechanisms: New Challenges in the Philosophy of Neuroscience. Springer.
    At the beginning of the 20th century, Gestalt psychologists put forward the concept of psychoneural isomorphism, which was meant to replace Fechner’s obscure notion of psychophysical parallelism and provide a heuristics that may facilitate the search for the neural correlates of the mind. However, the concept has generated much confusion in the debate, and today its role is still unclear. In this contribution, I will attempt a little conceptual spadework in clarifying the concept of psychoneural isomorphism, focusing exclusively on conscious (...)
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  36. Where Images Make Their Wonder: An Introduction.Alessandro Cavazzana & Francesco Ragazzi - 2021 - JOLMA - The Journal for the Philosophy of Language, Mind, and the Arts 2 (1):7-20.
    The paper is an introduction to the third issue of the Journal for the Philosophy of Language, Mind and the Arts. The authors give an account of the theories that have most enriched the study of images since the second half of the twentieth century: analytical philosophy and visual culture studies. A distinction is made between the two philosophical traditions. On the one hand, in particular within the context of analytic philosophy, images have been studied as single entities in (...)
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  37. A Notion or a Measure: The Quantification of Light to 1939.Sean F. Johnston - 1994 - Dissertation, University of Leeds
    This study, presenting a history of the measurement of light intensity from its first hesitant emergence to its gradual definition as a scientific subject, explores two major themes. The first concerns the adoption by the evolving physics and engineering communities of quantitative measures of light intensity around the turn of the twentieth century. The mathematisation of light measurement was a contentious process that hinged on finding an acceptable relationship between the mutable response of the human eye and the more (...)
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  38. Initial Conditions as Exogenous Factors in Spatial Explanation.Clint Ballinger - 2008 - Dissertation, University of Cambridge
    This dissertation shows how initial conditions play a special role in the explanation of contingent and irregular outcomes, including, in the form of geographic context, the special case of uneven development in the social sciences. The dissertation develops a general theory of this role, recognizes its empirical limitations in the social sciences, and considers how it might be applied to the question of uneven development. The primary purpose of the dissertation is to identify and correct theoretical problems in the study (...)
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  39. Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation. V&R uni press. pp. 39-60.
    Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -/- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
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  40. Jakob Leupold’s Imaginary Automatic Anamorphic Devices of 1713.Bennett Gilbert - 2016 - Media History 25 (2):1-18.
    In 1713 the scientific instrument-maker Jakob Leupold published designs for three machines were the first attempt to design machinery with internal moving parts that replaced human agency in creating original images. This paper first analyzes his text and engravings in order to explain how he proposed to do this, given contemporary materials and command of physical forces. Next, it characterizes the devices as a transition from concepts of incision to concepts of mirroring, taken as models of the history of (...)
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  41. A Contradiction in Nature: The Attitude Toward Nature and Its Implications in James Thomson’s “The Seasons”.Cody Franchetti - 2014 - Literary Imagination, Oxford UP 16 (1):56-67.
    The attitude toward nature in James Thomson’s "The Seasons" has not been duly noted by literary commentators. Instead, the reception of "The Seasons" in modern literary criticism has focused on all sorts of aspects, ranging from visual imagery, to “dislocation, deformity and renewal.” However, when nature as a theme in the poem has been tackled, critics have favored its religious implications—specifically, those pertaining to the historical period in English literature, as well as a number of hypotheses about Thomson’s own (...)
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  42. Less is more, more or less.Michel-Antoine Xhignesse - forthcoming - Metascience.
    Review of Felice C. Frankel's "The visual elements—design: a handbook for communicating science and engineering.".
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  43. The anatomy of spinal nerves in the “Teşrihü’l-Ebdan Min e’t-Tıb” written in the fourteenth century.İlhan Bahşi, Mustafa Orhan & Murat Çetkin - 2018 - Mersin Üniversitesi Tıp Fakültesi Lokman Hekim Tıp Tarihi Ve Folklorik Tıp Dergisi 8 (2):133-137.
    Considering that the visual dimension of anatomy cannot be ignored and an anatomy education without the visual part will make a doctor imperfect in their profession, it may be seen that pictorial anatomy books written in previous periods are highly valuable. The purpose of this study is to investigate the spinal nerve anatomy included in the work titled Teşrihü’l-Ebdan min e’t-Tıb written in the XIVth century and compare the information at that period to the information of our time. (...)
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  44. Are We Free to Imagine What We Choose?Daniel Munro & Margot Strohminger - 2021 - Synthese (5-6):1-18.
    It has long been recognized that we have a great deal of freedom to imagine what we choose. This paper explores a thesis—what we call “intentionalism (about the imagination)”—that provides a way of making this evident (if vague) truism precise. According to intentionalism, the contents of your imaginings are simply determined by whatever contents you intend to imagine. Thus, for example, when you visualize a building and intend it to be of King’s College rather than a replica of the college (...)
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  45. Atmospheric Architectures: The Aesthetics of Felt Spaces.Gernot Böhme - 2017 - Bloomsbury.
    There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised by (...)
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  46. Historical Roots of Cognitive Science: The Rise of a Cognitive Theory of Perception from Antiquity to the Nineteenth Century. Theo C. Meyering. [REVIEW]Gary Hatfield - 1993 - Philosophy of Science 60 (4):662-666.
    Review of THEO C. MEYERING, Historical Roots of Cognitive Science : The Rise of a Cognitive Theory of Perception from Antiquity to the Nineteenth Century. Boston: Kluwer, xix + 250 pp. $69.00. Examines the author's interpretation of Aristotelian theories of perceptual cognition, early modern theories, and Helmholtz's theory.
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  47. Diagrams of the past: How timelines can aid the growth of historical knowledge.Marc Champagne - 2016 - Cognitive Semiotics 9 (1):11-44.
    Historians occasionally use timelines, but many seem to regard such signs merely as ways of visually summarizing results that are presumably better expressed in prose. Challenging this language-centered view, I suggest that timelines might assist the generation of novel historical insights. To show this, I begin by looking at studies confirming the cognitive benefits of diagrams like timelines. I then try to survey the remarkable diversity of timelines by analyzing actual examples. Finally, having conveyed this (mostly untapped) potential, I argue (...)
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  48. Panoramas as Projections of the Unconscious in Nineteenth-Century Fiction.Julie Boldt, James Elkins, Arthur Kolat & Daniel Weiskopf - 2024 - In Molly C. Briggs, Thorsten Logge & Nicholas C. Lowe (eds.), Panoramic and Immersive Media Studies Yearbook. Berlin/Boston: De Gruyter. pp. 105-119.
    This essay explores a theory of panoramas put forward by the experimental postwar German novelist and translator Arno Schmidt. Schmidt claims that panoramas were so pervasive in the visual culture of the nineteenth century that they unconsciously influenced writers of the period, so that when they wanted to describe vast landscapes they unthinkingly framed their descriptions by drawing on experience with specific panoramas. He primarily expounds the theory in his longest work of fiction, Zettel’s Traum (1970), translated as Bottom’s (...)
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  49. Analysis of the “Other” in Gadamer and Levinas’s Thought.Muhammad Asghari - 2024 - Journal of Philosophical Theological Research 26 (2):195-218.
    In the present article, we are faced with two phenomenological philosophers who, in two different intellectual traditions, namely philosophical hermeneutics and moral phenomenology, have referred to the concept of the Other as the fundamental possibility of the individual. The other, as an ontological and common concept in the thought of Gadamer and Levinas, is the turning point of the condition for the possibility of understanding and ethics. Focusing on the concept of the other, while addressing the points of difference and (...)
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  50. The Embedded Neuron, the Enactive Field?M. Chirimuuta & I. Gold - 2009 - In John Bickle (ed.), The Oxford handbook of philosophy and neuroscience. New York: Oxford University Press.
    The concept of the receptive field, first articulated by Hartline, is central to visual neuroscience. The receptive field of a neuron encompasses the spatial and temporal properties of stimuli that activate the neuron, and, as Hubel and Wiesel conceived of it, a neuron’s receptive field is static. This makes it possible to build models of neural circuits and to build up more complex receptive fields out of simpler ones. Recent work in visual neurophysiology is providing evidence that the (...)
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