Huey P. Newton, co-founder of the Black Panther Party for Self-Defense, taught himself to read, as a teenager, by spending hours with Plato’s Republic and a dictionary. Later, he describes reading the cave allegory in Republic 7 as “a seminal experience” in his life, “for it had started me thinking and reading and trying to find a way to liberate Black people.” Last year, I decided to teach his book Revolutionary Suicide in my ancient philosophy class alongside Plato. A few (...) key considerations guided my work: I wanted to make sure that Newton and the Panthers were not reduced to Plato cheerleaders. I also needed to introduce the Black Panther Party and its complex histories without overwhelming the students. In terms of Plato, one goal of the class was to offer examples of what might arise as we viewed Republic 7 through this lens. Finally, since the Black Panther Party established many schools—often with inspiring results—I worked to both incorporate key elements of Black Panther pedagogy into my class and design assignments that might allow the students to feel challenged by and connected to these stories. (shrink)

Near the middle of his first discussion with Lysis, Socrates asks an odd question—he asks if Lysis’ mother lets him play with her loom or touch her woolworking tools (208d1-e2). It is one of many odd questions, of course, but it is odd nonetheless. Odd, and also funny: it is the one of just two comments in the book that makes Lysis laugh. This question, I argue, reveals the profound depth of Socrates’ inquiry about Lysis’ views about himself and his (...) loved ones. Indeed, the challenge is so profound that at first the only response is laughter. One aspect is a challenge to certain ideals of masculinity, and so I briefly discuss Athenian conceptions of gender and masculinity, along with some Platonic questioning of these conceptions. Reading the Lysis through the lens of gender reveals not only the continued relevance of such a lens, but also the intensity of Socrates’ work, which calls into question basic social structures and markers of identity, like gender, in its pursuit of a liberatory turn to philosophy. We gain insight into his challenge to Athenian understanding of masculinity by observing the way that Socrates’ argumentation undermines much of it, and we more fully appreciate Socrates’ arguments if we see that they intend to subvert gendered expectations. The setting of the dialogue, the questions Socrates asks, and the responses from Lysis all reinforce that what is at stake in the text is Lysis’ character, including his masculinity. (shrink)

In this paper, I begin with an account of the initial distinction between likenesses and appearances, a distinction which may resemble the difference between sophists and philosophers. That distinction first arises immediately after the puzzling appearance of the noble sophist, who seems to occupy an odd space in between sophist and philosopher. In the second section, I look more closely at the noble sophist, and on what that figure might tell us about images and the use of images. I also (...) attempt to use the insights provided by the noble sophist in an investigation of the kind of images that Plato the author produces. This raises the question of the general notion of image as it appears in the Sophist, and especially of the dual nature of all images, which in turn invites reflection on certain features of the examination of being and non-being late in the dialogue. Finally, I return to the deception inherent in images, and I argue that this dialogue does not present the possibility of completely honest images. Nevertheless, I hope to show that some uses of deceptions and images are better than others. (shrink)