The aim of this paper is to provide a basic understanding of the phenomenon of embarrassment by connecting two general questions. Starting with two illustrative examples, it first examines how the phenomenon could be described and what different aspects can be identified. Apart from having an obvious affective or emotional aspect and being embodied in various forms of expression, embarrassment can be considered as having a social aspect because of its close connection to the social setting of a situation. Furthermore, (...) it seems to have an atmospheric quality in that it is experienced not only by the embarrassed person but also by all those present. Secondly the role that embarrassment plays in the context of a person’s life is addressed. Though it is experienced as unpleasant, it can be understood as a form of adequately responding to certain social situations structured by ambiguity. (shrink)

In the debates of value-theory, it is often assumed that the problem of relativism is to be addressed in a general way, taking moral values as archetype of values. The aim of this paper is to contribute to a differentiation of this debate by facing the problem of relativism in terms of a specific kind of values, namely that of cultural values ascribed to heritage. It shall be shown that by involving both cultural and value-dimensions, the case of cultural heritage (...) does require an approach more open to historical change and cultural differences. After elaborating the various aspects of cultural heritage, some features of cultural values and their experience are to be described. Discussing the problems of radical absolutist and relativist approaches, I will defend a ‘middle way’ that is able to articulate the historicity and cultural diversity of our reception of heritage and its values without giving up the idea of an irreducibility of value-phenomena: Such a view has to recognise the culturally produced character of objects of heritage, the culturally mediated nature of our experience of its values and finally the specific feature of cultural values, whose realisation is interwoven with cultural acts of recognition and collective identification. (shrink)

In this paper I intend to bring together three different, but somehow connected problems: First of all, I will discuss the possibilities and prospects of a philosophy of value (axiology). This philosophical discipline may rely on our experience of meaningfulness in our everyday life but nevertheless its usual theoretical framework is challenged by different fundamental objections. I shall argue that to be capable of articulating the tension between the historical character of our goods and valuations on one hand and the (...) conceptual relations between values on the other, a general philosophy of value requests a broad perspective including notions of history, society and culture. Secondly, I will discuss the idea of “religious values” and the objects we might have in mind when using this concept. Here I will argue that talking about religious or sacred values might bring about the special role which some artefacts, places, rituals etc. can have in religious practice. At last it is to be shown that a philosophical theory of values with a rich conceptual framework (including for example the difference between values themselves and valuable goods, virtues or sentiments) may also be suitable for the cooperation with social and cultural studies or other humanities. (shrink)