The current humanitarian use of drones is focused on two applications: disaster mapping and medical supply delivery. In response to the growing interest in drone deployment in the aid sector, we sought to develop a resource to support value sensitivity in humanitarian drone activities. Following a bottom-up approach encompassing a comprehensive literature review, two empirical studies, a review of guidance documents, and consultations with experts, this work illuminates the nature and scope of ethical challenges encountered by humanitarian organizations embarking upon (...) innovation programmes. The Framework for the Ethics Assessment of Humanitarian Drones (FEAHD) identifies five values and five key questions related to ethical considerations along the decision chain of humanitarian drone activities. It fills a gap between high-level, principle-based guidance related to humanitarian innovation, and detailed operation-oriented checklists for projects involving the use of drones. In this way, the FEAHD contributes to support value sensitivity in the humanitarian use of drones. (shrink)

The current humanitarian use of drones is focused on two applications: disaster mapping and medical supply delivery. In response to the growing interest in drone deployment in the aid sector, we sought to develop a resource to support value sensitivity in humanitarian drone activities. Following a bottom-up approach encompassing a comprehensive literature review, two empirical studies, a review of guidance documents, and consultations with experts, this work illuminates the nature and scope of ethical challenges encountered by humanitarian organizations embarking upon (...) innovation programmes. The Framework for the Ethics Assessment of Humanitarian Drones (FEAHD) identifies five values and five key questions related to ethical considerations along the decision chain of humanitarian drone activities. It fills a gap between high-level, principle-based guidance related to humanitarian innovation, and detailed operation-oriented checklists for projects involving the use of drones. In this way, the FEAHD contributes to support value sensitivity in the humanitarian use of drones. (shrink)

Using placebos in day-to-day practice is an ethical problem. This paper summarises the available epidemiological evidence to support this difficult decision. Based on these data we propose to differentiate between placebo and “knowledge framing”. While the use of placebo should be confined to experimental settings in clinical trials, knowledge framing — which is only conceptually different from placebo — is a desired, expected and necessary component of any doctor-patient encounter. Examples from daily practice demonstrate both, the need to investigate the (...) effects of knowledge framing and its impact on ethical, medical, economical and legal decisions. (shrink)

In Tulving’s initial characterization, episodic memory was one of multiple memory systems. It was postulated, in pursuit of explanatory depth, as displaying proprietary operations, representations, and substrates such as to explain a range of cognitive, behavioural, and experiential phenomena. Yet the subsequent development of this research program has, paradoxically, introduced surprising doubts about the nature, and indeed existence, of episodic memory. On dominant versions of the ‘common system’ view, on which a single simulation system underlies both remembering and imagining, there (...) are no processes unique to memory to support robust generalizations with inductive potential. Eliminativism about episodic memory seems to follow from the claim that it has no dedicated neurocognitive system of its own. After identifying this under-noticed threat, we push back against modern eliminativists by surveying recent evidence that still indicates specialized mechanisms, computations, and representations that are distinctly mnemic in character. We argue that contemporary realists about episodic memory can retain lessons of the common system approach while resisting the further move to eliminativism. (shrink)

In this paper, I argue that causal theories of memory are typically committed to two independent, non-mutually entailing theses. The first thesis pertains to the necessity of appropriate causation in memory, specifying a condition token memories need to satisfy. The second pertains to the explanation of memory reliability in causal terms and it concerns memory as a type of mental state. Post-causal theories of memory can reject only the first (weak post-causalism) or both (strong post-causalism) theses. Upon this backdrop, I (...) examine Werning’s (2020) causalist argument from probabilistic correlation. I argue that it doesn’t establish the necessity of appropriate causation and thus it can only target strong post-causalist theories. I end up by presenting some general considerations, suggesting that memories may not always be causally linked to past experiences. (shrink)

The Galilean explanatory style is characterized by the search for the underlying structure of phenomena, the positing of "deep" explanatory principles, and a view of the relation between theory and data, on which the search for "crucial data" is of primary importance. In this paper, I trace the dynamics of adopting the Galilean style, focusing on the science of episodic memory. I argue that memory systems, such as episodic and semantic memory, were posited as underlying competences producing the observable phenomena (...) of memory. Considered in idealized isolation from other systems, episodic memory was taken to underlay the ability of individuals to remember events from their personal past. Yet, in reality, memory systems regularly interact, standing in many-to-many relations to actual memory tasks and experiences. Upon this backdrop, I explore a puzzle about the increasing prominence of the notion of autonoetic consciousness in Tulving's theory of episodic memory. I argue that, contrary to widespread belief, the prominence is not best explained by the purported essential link between autonoetic consciousness and episodic memory. Rather, it is explained by the fact that autonoetic consciousness, hypothesized to uniquely accompany episodic retrieval, was considered a source of crucial data, predictable only from theories positing a functionally distinct episodic memory system. However, with the emergence of a new generation of theories, positing wider memory systems for remembering and imagination, the question of the relation between episodic memory and autonoetic consciousness has been reopened. This creates a pressing need for de-idealization, triggering a new search for crucial data. (shrink)

This essay investigates the notion of simulation and the role it plays in Kourken Michaelian's simulation theory of memory. I argue that the notion is importantly ambiguous and that this ambiguity may threaten some of the central commitments of the theory. To illustrate that, I examine two different conceptions of simulation: a narrow one (simulation as replication) and a broad one (simulation as computational modeling), arguing that the preferred narrow conception is incompatible with the claim that remembering involves the simulation (...) of past episodes. Investigating possible solutions, I suggest that, despite some relatively serious consequences, the theory may be better off subscribing to the broad notion of simulation. (shrink)

In a recent paper, Cheng and Werning (2016) argue that the class of episodic memories constitutes a natural kind. Endorsing the homeostatic property cluster view of natural kinds, they suggest that episodic memories can be characterized by a cluster of properties unified by an underlying neural mechanism for coding sequences of events. Here, I argue that Cheng & Werning’s proposal faces some significant, and potentially insurmountable, difficulties. Two are described as most prominent. First, the proposal fails to satisfy an important (...) normative constraint on natural kind theorizing, not providing the requisite theoretical resources for arbitration between rival taxonomies of memory. Second, the proposal is in a direct tension with a foundational principle of the HPC view: the rejection of essentialism. This has far-reaching consequences, threatening to undermine the coherence of the proposal. (shrink)

Slavná kniha Elementární formy náboženského života francouzského sociologa Émile Durkheima je jedním z nejdůležitějších příspěvků k sociologii náboženství. Po řadu let byla vychvalována a citována, stejně jako kritizována a zavrhována. Kniha se stala chartou celé řady sociálně vědních badatelů, zejména těch, kteří se zaměřovali na studium společnosti a náboženství. V roce 1966 však vyšel článek amerického antropologa Clifforda Geertze nazvaný „Nábo- ženství jako kulturní systém", v němž autor tvrdil, že Durkheimova teorie náboženství, stejně jako teorie náboženství Sigmunda Freuda, Bronislawa Malinowského (...) a Maxe Webera, by měla být překonána dokonalejší teorií náboženství. Touto dokonalejší teorií měla být Geertzova teorie. Porozuměl však Geertz Durkheimově teorii dostatečně, aby nás to opravňovalo k tvrzení, že Durkheim byl na poli teorie náboženství překonán? (shrink)

Since the global financial crisis in 2008, corporations have faced a crisis of trust, with growing sentiment against ‘elites and ‘big business’ and a feeling that ‘something ought to be done’ to re-establish public regard for corporations. Trust and trustworthiness are deeply moral significant. They provide the ‘glue or lubricant’ that begets reciprocity, decreases risk, secures dignity and respect, and safeguards against the subordination of the powerless to the powerful. However, in deciding how to restore trust, it is difficult to (...) determine precisely what should be done, by whom, and who will bear the cost, especially if any action involves a risk to overall market efficiency and corporate profitability. The paper explores whether corporations have a moral duty to be trustworthy, to bear the cost of being so and thus contribute to resolving the current crisis of trust. It also considers where the state and other social actors have strong reason to protect and enforce such moral rights, while acknowledging that other actors have similar obligations to be trustworthy. It outlines five ‘salient factors’ that trigger specific rights to trustworthiness and a concomitant duty on corporations to be trustworthy: market power, subordination (threat and intimidation), the absence of choice, the need to preserve systemic trust, and corporate political power which might undermine a state’s legitimacy. Absent these factors and corporations do not have a general duty to be trustworthy, since a responsible actor in fair market conditions should be able to choose between the costs and benefits of dealing with generally trustworthy corporations. (shrink)

This article explores the transition experience of Croatia from 1990 to the present, with emphasis on social attitudes towards the free-market system and how the legacy of communism has influenced people’s expectations of and views towards the economy. The anthropological position of man as homo economicus is of central importance, if one is to properly understand the forces at work in a transition society like Croatia. This position also has far-ranging implications for ethics and morality, as well as for the (...) general culture. Assisted by the insights of Catholic social teaching, in particular Pope Benedict XVI’s Caritas in Veritate, the article concludes with possible lessons from the failure of communism and the challenges of transition. (shrink)

Diskusní článek věnovaný knize Martin Paleček, Antropologové v pasti? Mezi přírodou a kulturou. Červený Kostelec: Pavel Mervart, 2017, 257 stran.

In this chapter, we examine the naturalist approach in the philosophy of memory through the lens of the simulation theory of memory. On the theory, episodic memory is a kind of constructive simulation performed by a functionally specialized neurocognitive system. Taking naturalism to be a kind of methodological stance characterized by a cluster of epistemic guidelines, we illustrate the roles these guidelines have played in the development of the theory. We show how scientific evidence has guided both the selection of (...) the research question and the initial elaboration of the theory. We demonstrate how such evidence has led the simulationist to reject a familiar, commonsense picture of memory. We also trace the recent radicalization of the theory, highlighting the simulationist's continual reflection on their concepts and assumptions. In the spirit of such reflection, we end by outlining some outstanding challenges for the theory. (shrink)

In the text it will be attempted to prove the existence of a tradition of expressivism in the form of normative social functionalism as the common denominator for the position or positions taken by the later Wittgenstein and Wilfrid Sellars in regards to questions of objectivity and normativity of lingustic meaning, presented as answers to the problem of rule following. Sellars formulates the problem of rule following at approximately the same time as does Wittgenstein. Also, Sellars’ answer to this problem, (...) as does Wittgenstein’s will call upon meaning as determined by the practices of use of lingustic expressions. It is claimed that the tradition that clusters the authors culminates in inferential pragmatism of Robert Brandom. Apart from the above, the paper also discusses the differences between the positions of the said authors, the most prominent of which is manifested in the different consequences of their contrary metaphilosophical attitudes. (shrink)

At a time when nationalism is rising and support for democratic values is declining, this paper considers the role that businesses and corporations play in building and undermining social trust. It was published as part of the Future of the Corporation programme led by the British Academy.

Evandra et Thiago: Dans l’article L’idéologie: citadelle ou espace para- doxal , Pêcheux ([1983b] 2015i, p. 115, souligné par l’auteur) théorise les objets paradoxaux comme « identiques à eux-mêmes et se compor- tant de manière antagoniste envers eux-mêmes ». À partir de cette ré- flexion, qui tenait des signifiants tels que « le peuple, le droit, la liberté, le travail, le genre, la vie, la science et la paix » (Pêcheux, [1983b] 2015i, p. 115), comment comprendre la notion d’objets paradoxaux? (...) Quels autres signifiants peuvent être pris comme objets paradoxaux? Y a-t- -il des déplacements possibles de la notion d’objets paradoxaux dans les conditions de production actuelles? (shrink)

Em Na dança das imbricações ou uma coreografia materialista: o discurso nas fronteiras, presto minha homenagem à Suzy Lagazzi a partir de um gesto que me fez retornar a diferentes textos da homenageada. Nesse retorno, chamo atenção para o batimento entre o direito e a análise de diferentes materialidades significantes que permeia a obra de Lagazzi, e se detém no modo como o significante “imbricação” marca o percurso teórico analisado, de maneira especial no que concerne à “imbricação do político junto (...) ao jurídico”. Duas perguntas sustentam o empreendimento neste texto: como o significante "imbricação" materializa relações entre dois momentos de uma teoria? Que relações parafrásticas são possíveis entre essas repetições? Referências: Suzy Lagazzi; Louis Althusser; Michel Pêcheux, Eni Orlandi e Guilherme Adorno. (shrink)

Essa pesquisa elege como material específico de análise uma sequência de cursos oferecidos pelo “YouTube Academy” para a criação, gerenciamento e divulgação de uma empresa associada à plataforma de vídeos do YouTube. O objetivo é investigar os modos de imbricação e/ou separação entre o sujeito e a empresa. Para construir os procedimentos analíticos, delimitamos as seguintes perguntas: Como as formas imaginárias do sujeito (o “eu”, a identidade e a individualidade) estão relacionadas com a criação e o funcionamento de uma empresa (...) no YouTube? Como o trabalho e as relações de trabalho são significados nessa discursividade? A pesquisa é filiada à Análise de Discurso Materialista, em diálogo com autores que analisam as relações de trabalho contemporâneas. O olhar discursivo chega a três regularidades: 1) homogeneização das diferentes condições de produção no trabalho dos youtubers; 2) o paralelismo discursivo entre sujeito, canal e empresa (negócio); 3) uma retórica do equilíbrio entre “vida profissional” e “vida pessoal”. O material se sustenta no funcionamento de uma busca pela saturação dos sentidos com soluções e cursos para cada uma das etapas da (re)produção desse trabalho, para a suposta totalidade do processo. The specific analysis material for this essay was chosen from a sequence of courses, offered by the “YouTube Academy”, with the aim of creating, managing and announcing a company associated with the YouTube video platform. Its goal is to examine the ways of imbrication and/or separation between the subject and the company. In order to build the analytical procedures, we delineated the following questions: How are the imaginary for ms of the subject (the “self” as identity and individuality) related to the creation and operation of a company on YouTube? How are work and work relations meant in this discursivity? The research is affiliated with Materialist Discourse Analysis, in dialogue with authors who analyze contemporary work relations. The discursive look reaches three regularities: 1) homogenization of the different production conditions in the work of “youtubers”; 2) the discursive parallelism between subject, channel and company (busi-ness); 3) a rhetoric of the balance between “professional life” and “personal life”. The material is based on the operation of a search for the saturation of the senses with solutions and courses for each of the stages of the (re)production of this work, for the supposed totality of the process. (shrink)

Autogestão, autoempreendedorismo, infotrabalho, trabalho intermitente, criptomoeda, uberização, proletariado de serviços e servidão digital delineiam uma série de designações indicativas das mudanças das condições de (re)produção do Capital nas suas formas contemporâneas. Grandes corporações como Google, Facebook e Amazon participam desse processo tanto no eixo da infraestrutura econômica, quanto na produção discursiva que sustenta ideologicamente as relações de trabalho determinadas pelo Aparelho Digital. Essa pesquisa elege como material específico de análise uma sequência de cursos oferecidos pelo “YouTube Academy” para a criação, (...) gerenciamento e divulgação de uma empresa associada à plataforma de vídeos do YouTube. O objetivo é investigar os modos de imbricação e/ou separação entre o sujeito e a empresa. Para construir os procedimentos analíticos, delimitamos as seguintes perguntas: Como as formas imaginárias do sujeito (o “eu”, a identidade e a individualidade) estão relacionadas com a criação e o funcionamento de uma empresa no YouTube? Como o trabalho e as relações de trabalho são significados nessa discursividade? O olhar discursivo é ainda guiado por compreensões de pesquisas anteriores: o modo como o “eu” é discursivizado em produto, o funcionamento da “empresa de si” como modelo de identificação e a empresarialidade. As referências passam por Michel Pêcheux, Eni Orlandi, Suzy Lagazzi, Luciana Nogueira, Guilherme Adorno, Joel Bombardelli, Pierre Dardot, Christian Laval e Ricardo Antunes. O conceito de político, compreendido discursivamente como conflito e disputa pelos sentidos - e seus efeitos de deslocamento, assim como o apagamento do político do lugar que lhe seria próprio - e o conceito de exterioridade discursiva são mais enfaticamente mobilizados na pesquisa, além das discussões em torno do discurso neoliberal e da psicologização do sujeito pelos efeitos discursivos de liberdade e autonomia. Um trabalho de análise da constituição da discursividade que tem o “sentido (já) lá” como resultado do efeito de exterioridade. Esperamos mostrar, assim, como, nas condições de produção sócio-históricas de um “Imperialismo Digital”, uma mudança da “economia política do poder-dizer” afeta os modos de circulação não só dos discursos, mas do próprio Capital. (shrink)

Upon the relation between significant, subject and history, Materialistic Discourse Analysis –theoretical and methodological framework of the present research –confronts itself perennially with the analytical material in order to understand language in the movement of the social. The theory only takes place when it is in front of the analytical procedures of a specific object, which, in this investigation, it may be identified as: the discourses about the self in the authorial composition of vlogs, YouTube videos characterized as a language (...) ritual in which the subject, as he texts (himself) in digital space, affects the stabled relations of privacy, the other and the meanings of authorship. Besides the exponent authors of discourse studies –namely Michel Pêcheux and Eni Orlandi –, the research also consulted specific works about the imbrication of different significant materialities (Suzy Lagazzi), about the contemporary functioning of the digital (Solange Gallo and Cristiane Dias), about the law from a critical-Marxist perspective (Bernard Edelman, Márcio Naves and Celso Kashiura), in addition to a materialistic background supported by Louis Althusser. Aiming to analyze the discourse(s) about the 'self' in the authorial composition of vlogs, the proceduresare driven by the question Which interpretation gestures about the 'self' are mobilized in the confluence between the significant formulation in the digital space of the vlog reading and the subject that publicizes what is represented as particular? The analytical framework is built on the support of comprehending vlogs as a place of saying that runs in digital space and is crossed by tenuous frontiers as creating equivocal ties with the social in the imbrication of symbolical and political. Mediante a relação entre significante, sujeito e história, a Análise de Discurso Materialista, aporte teórico e metodológico da pesquisa proposta, confronta-se constantemente com o material analítico para compreender a linguagem no movimento do social. A teoria somente se realiza perante os procedimentos de análise de um objeto específico, que nesta investigação é delimitado como: os discursos sobre o eu na composição autoral dos vlogs, vídeos do YouTube caracterizados como ritual de linguagem em que o sujeito, ao (se) textualizar no espaço digital, mexe com as relações estabilizadas de privacidade, com o outro e com os sentidos de autoria. Além de estudos sobre o discurso, tendo Michel Pêcheux e Eni Orlandi como expoentes da área, a pesquisa recorreu aos trabalhos específicos sobre a imbricação de diferentes materialidades significantes (Suzy Lagazzi), sobre o funcionamento contemporâneo do digital (Solange Gallo e Cristiane Dias), sobre o direito a partir de umas perspectiva crítico-marxista (Bernard Edelman, Márcio Naves e Celso Kashiura), além de um embasamento materialista ancorado em Louis Althusser. Com o objetivo de analisar o(s) discurso(s) sobre o „eu‟ na composição autoral dos vlogs, os procedimentos se guiam pela pergunta Que gestos de interpretação sobre o „eu‟ são suscitados no encontro entre a formulação significante no espaço digital de leitura do vlog e o sujeito que publiciza o que é representado como particular? O dispositivo analítico construído tem como suporte a compreensão dos vlogs como um lugar de dizer funcionando no espaço digital e atravessado por fronteiras tênues na criação de laços equívocos com o social na imbricação do simbólico com o político. (shrink)

The idea that episodic memory is distinguished from semantic memory by the fact that it involves autonoetic consciousness, initially introduced by Tulving, has been influential not only in psychology but also in philosophy, where a variety of approaches to autonoesis and to its relationship to episodicity have been developed. This article provides a critical review of the available philosophical approaches. Distinguishing among representational, metacognitive, and epistemic accounts of autonoesis, it considers these in relation to objective and subjective conceptions of episodicity (...) and assesses them against immediacy and source criteria that any philosophical account of autonoesis should arguably aim to satisfy. (shrink)

Evandra e Thiago: No artigo Ideologia–aprisionamento ou campo paradoxal?, Pêcheux ([1983b] 2015i, p. 115, grifos do autor) teoriza acercados objetos paradoxais como “idênticos consigo mesmo e se comportam antagonicamente consigo mesmos).” Com base nessa reflexão, que comportava significantes como “povo, direito, liberdade, trabalho, gênero, vida, ciência e paz” (Pêcheux, [1983b] 2015i, p. 115), como podemos entender a noção de objetos paradoxais? Que outros significantes podem ser tomados como objetos paradoxais? Há deslocamentos possíveis na noção de objetos paradoxais nas atuais condições (...) de produção? (shrink)

Nosso intuito, nesse trabalho, é compreender a maneira como as produções textuais próprias da internet colocam em jogo noções como as de autoria, legitimidade, circulação, formulação e arquivo. No procedimento de (des)montagem do corpus, recorremos aos trabalhos da Análise de Discurso Materialista, principalmente relacionados ao Discurso da Escritoralidade (GALLO,2011),ao efeito-rumor (SILVEIRA, 2015) e aos processos de legitimação no digital(ADORNOde OLIVEIRA, 2015). Assim,a descrição do conjunto heterogêneo do arquivo de referência para análise, assim como as primeiras entradas analíticas do vídeo “A (...) desinformação do whatsapp e facebook“, de Felipe Castanhari,começa a apontar para uma tomada de posição que se sustenta, contraditoriamente, pela recusa dos saberes legitimados advindos das instâncias midiáticas tradicionais, ao mesmo tempo em que parece se sustentar em um senso comum que permite retomar um discurso advindo dessas mesmas mídias, reforçando, desse modo, a noção de legitimidade como evidente de um campo institucional. Equívocos do político imbricados no funcionamento dissimétrico da memória discursiva. (shrink)

Resumo: Esse estudo exploratório do Dicionário Priberam de Língua Portuguesa (DPLP), na sua formulação digital, parte da questão: como tal dicionário afeta a divisão política da língua a partir de sua digitalização e circulação na Internet? Trata-se de um material propício para mostrar a atualização do processo de gramatização do português no início do século XXI e para observar as singularidades do trabalho lexicográfico no espaço digital e a produção de saberes sobre a língua nesse momento histórico. O corpus é (...) composto por recortes de formulações dos anos de 2012, 2013 e 2014, período de exploração do material de análise. Os procedimentos de descrição levaram ao trabalho intradiscursivo com os efeitos do visual, ou seja, a própria formulação visual como elemento importante para a compreensão do funcionamento da discursividade lexicográfica em Priberam. Abstract: This exploratory study of the Dicionário Priberam de Língua Portuguesa (DPLP), in its digital formulation, parts from the question: how does this dictionary affect the political division of the language considering its digitization and circulation on the Internet? It is an auspicious material to demonstrate the updating of the Portuguese grammatization process at the beginning of the 21st century and to observe the singularities of the lexicographic work over digital space and the production of knowledge about the language at this historical moment. The corpus consists of formulations cutouts from the years of 2012, 2013 and 2014, period over which the material of analysis was investigated. The description procedures led to the intradiscursive work with the effects of the visual, that is, the visual formulation itself as an important element for the understanding of the functioning of the lexicographic discursiveness in Priberam. (shrink)

Resumo: O objetivo deste trabalho é compreender o funcionamento das dificuldades e dos obstáculos decorrentes dos procedimentos automáticos no desenvolvimento da teoria discursiva. Para esta tarefa, o material de análise é composto pelos textos analíticos resultados do projeto da Análise Automática do Discurso (AAD). A pesquisa toma o prisma de investigação da História das Ideias Linguísticas na relação com os princípios da Análise de Discurso, buscando o funcionamento discursivo do material em sua relação com os processos político-ideológicos nas suas formas (...) institucionais, disciplinares e textuais. Na releitura do arquivo disciplinar, cotejando com algumas notas, relatos e contextualizações, são descritos aspectos menos conhecidos sobre a história da AAD, mostrando a força do que é designado neste artigo como um “materialismo discursivo” desenvolvido também pelo seu encontro com a automatização/informatização. Abstract: The objective of this paper is to understand the functioning of difficulties and obstacles from automatic procedures in the development of the discursive theory. For this task, the analysis material is composed by the analytical texts of the Automatic Analysis of Discourse (AAD) project. The research takes the investigative prism of the History of Linguistic Ideas in relation with the principles of Discourse Analysis, seeking the discursive functioning of the material in its relationship with the political-ideological processes in their institutional, disciplinary and textual forms. In the rereading of the disciplinary archive, collating with some notes, reports and contextualizations slight known aspects of the history of AAD are described, showing the strength of what is designated in this paper as a “discursive materialism” developed also by its encounter with automation / informatization. (shrink)

Resumo: Com o objetivo de compreender os processos de identificação do sujeito em alguns funcionamentos discursivos dos vlogs, no YouTube, este trabalho analisa o modo como o contraponto entre a eficácia imaginária e o jogo significante na história produz o reconhecimento de lugares e poderes do dizer no desconhecimento constitutivo de sua relação com o Interdiscurso, nas condições de produção específicas do digital. Os recortes delimitados são: as designações equívocas de vlogueiro, youtuber e criador; a produção da autoria na imbricação (...) de diferentes materialidades, a composição autoral que lhe é própria; e a discursividade que sustenta os enunciados “Eu sou eu mesmo” e “Broadcast yourself”. A análise do material aponta para compreensões que dizem respeito da relação da forma-sujeito do Capital com a discursividade dos objetos paradoxais em sua formulação e circulação digital. Abstract: Aiming to understand subject identification processes in some Youtube vlogs' discursive functioning, this work analyses how the counterpoint between the imaginary impact and the significant role in history produces the acknowledgement of places and powers of saying in the constitutive unawareness of its relation to the Interdiscourse, taking the particular production conditions of digitality. The cutout of this research is: the equivocal designations vlogueiro, youtuber and criador; the authorship production in the encounter of different materialities, the authorial composition which is proper to them; and the discursivity that supports the following utterances: "Eu sou eu mesmo" ["I am myself"] and "Broadcast yourself". The analysis indicates comprehensions that concern Capital subject-form's relation to the discursivity of paradoxical objects in digital formulation and circulation. (shrink)

L’objet théorique discours acquiert sa spécificité analytique dans la confrontation avec la matérialité du numérique dans ses propres conditions de production: cela ouvre à la recherche des formes textuelles des vlogs comme technologies de langage dans la composition de différentes matérialités signifiantes. Ce travail interroge le processus du mettre en circulation cette composition matériel du vlog, qui est investi du sens de la création et il est soutenu par le mode juridique d'administration, particulièrement par les droits d’auteur. Le procédé analytique (...) est fondé, à partir d’une position matérialiste dans l’Analyse de Discours, sur le recoupement de séquences discursives des traits socio-historiques décantés dans le langagier. Les gestes de description doivent, à cet effet, considérer le mode particulier d’inscription matérielle des vlogs dans le numérique pour montrer le travail entre la mémoire et l’actualisation. (shrink)

Uma entrada produtiva para explorar o funcionamento discursivo das textualidades digitais é o modo como a autoria se relaciona com a inscrição político-ideológica do sujeito, historizando o discurso em suas diferentes materialidades significantes2. Para este trabalho, trago compreensões sobre os vlogs (videologs) que circulam e são produzidos para a plataforma YouTube. Nos vlogs, a tomada de posição de um “eu”, no efeito de falar diretamente para a câmera e assumindo o “falar sobre” (a vida pessoal, fatos cotidianos, comentários sobre acontecimentos (...) midiáticos, ciência e política, e dicas de atividades específicas ligadas a jogos de videogames, beleza e gastronomia) se dá no encontro de uma formulação estruturada pela imbricação de diferentes materialidades significantes (a imagem, o corpo, a sonoridade, a língua) e os rituais de criação de um vlog regulamentados e determinados pelo e no YouTube. (shrink)

Na procura por aspectos representativos do popular no filme brasileiro A Máquina, a pesquisa teve como referência a teoria dos Estudos Culturais, se ocupando, ainda, de contribuições teóricas e metodológicas da Análise de Discurso de linha francesa. O percurso de análise fílmica foi traçado na busca por delinear como se deu o processo de identificação do popular por meio dos personagens e cenários do povo nordestino, questionando as suas formas de representação. Durante a observação, os sentidos produzidos pelo discurso imagético-verbal (...) apontaram para regularidades que marcaram a apresentação dos pontos centrais da análise: a religião; o contraponto local em meio ao global; as influências midiáticas e a afirmação do popular como popular. Este panorama possibilitou perceber que o popular encontra nas suas vivências, na sua cultura e na sua linguagem formas de resistência, ainda que inconscientes, ao que já está posto. (shrink)

Trotz anhaltender Debatten über Determinismus und Freiheit ist der Sinn von Freiheit weit davon entfernt, ein klar umrissenes philosophisches Problem darzustellen. Betrachtet man Versuche, menschliche Freiheit zu beweisen, und Diskussionen um die soziale Normierung von Freiheit, so ist selten klar, ob hier von einem einheitlichen Phänomen die Rede ist. Aufgrund der Komplexität der Debatten und der historischen Tiefe des Problems lässt sich die Freiheit nicht einer einzelnen Teildisziplin der Philosophie zuordnen. Wer sich auf einen Bestimmungsversuch des Begriffs einlässt, muss zugleich (...) das Verhältnis von Theorie und Praxis klären. Die Untersuchung der Freiheit führt daher nicht zuletzt zu einer immer wieder neu zu vollziehenden Selbstverortung der Philosophie. (shrink)

Technology offers unique sets of opportunities, from human flourishing to civilization survival, but also challenges, from partial misuse to global apocalypse. Yet technology is shaped by the social environment in which it is developed and used, prompting questions about its desirable governance format. In this context, we look at governance challenges of large technical systems, specifically the peaceful use of high-power lasers in space, in order to propose a conceptual framework for legitimate global governance. Specifically, we adopt a context-based approach (...) to legitimacy to address the trade-offs between effectiveness (output legitimacy) and inclusivity (input legitimacy) in the governance of large technical systems. We show that distinguishing two basic phases of space laser policy which call for different legitimacy criteria helps balance out the trade-offs without sacrificing either effectiveness or inclusivity. Finally, we construe LTSs’ governance as a tool for creating globally networked spaces which may enable coordinated global democratic governance. (shrink)

The core argument of this article is that Adorno adopts the distinction between an abstract and a concrete universal from Hegel and criticizes Hegel, on that basis, as abstract. The first two parts of the article outline that both thinkers take the abstract universal to be the form of a false type of knowledge and society, and the concrete universal to be a positive aim. However, as the third part argues, Adorno rejects how the concrete universal is understood (...) in Hegel’s philosophy and formulates a different conception of it. The fourth part questions if Adorno manages to overcome the problems he identifies in Hegel or whether they are inherent to the programme of dialectics both endorse. (shrink)

Theodor W. Adorno’s letter correspondence with Walter Benjamin throughout the decade of the 1930’s entertains the central question concerning the possibility of philosophy in their intellectual milieu. The fate of this possibility for Adorno hinges on Benjamin’s work-in-progress Das Passagen-Werk—a fate that is catastrophically blocked by an uncritical tendency convicted repeatedly by the former as “undialectical.” And yet Adorno obstinately persists in clinging to the canon of a philosophically overdetermined demand he endearingly calls “my Arcades orthodoxy.” The (...) threatening destruction of the aura of this orthodoxy reaches a crisis in Adorno’s ruthless metacritique of Benjamin’s alleged undialectical treatment of aesthetic autonomy in a draft of the Kunstwerk essay, marking a critical wound in the correspondence which the following exposition tracks in the enigmatic changeover in the philosophical exigency of the said orthodoxy from prima philosophia to ultima philosophia. The lingering wound is registered in Adorno’s late philosophical work. (shrink)

First, this article considers some similarities between Adorno and Heidegger concerning the role of art in the modern world. Next, the article outlines some crucial differences; for example, Adorno regards all thought (including that which gives rise to art) as intrinsically dominative, while Heidegger holds that even dominative, objectifying thought presupposes a kind of thought that is not dominative or objectifying. An articulation of these differences helps to illuminate the ways in which the ideas of both Adorno (...) and Heidegger are limited (though in different ways). Finally, the article suggests that these limitations are overcome in the thought of Hegel. (shrink)

In this paper I argue that Adorno's metacritique of freedom in Negative Dialectics and related texts remains fruitful today. I begin with some background on Adorno's conception of ‘metacritique’ and on Kant's conception of freedom, as I understand it. Next, I discuss Adorno's analysis of the experiential content of Kantian freedom, according to which Kant has reified the particular social experience of the early modern bourgeoisie in his conception of unconditioned freedom. Adorno argues against this conception (...) of freedom and suggests that freedom is always conditioned by our embodiment and by our social and historical situation. Finally, I turn to Adorno's criticism of Kant's discussion of freedom and determinism in the Critique of Pure Reason and argue that while his philosophical argument against Kant fails, his metacritical argument remains suggestive. Scepticism about freedom arises when the standpoint of theoretical reason encroaches upon the standpoint of practical reason and assimilates persons to things. (shrink)

Theodor Adorno's Aesthetic Theory is a vast labyrinth that anyone interested in modern aesthetic theory must at some time enter. Because of his immense difficulty of the same order as Derrida - Adorno's reception has been slowed by the lack of a comprehensive and comprehensible account of the intentions of his aesthetics. This is the first book to put Aesthetic Theory into context and outline the main ideas and relevant debates, offering readers a valuable guide through this huge, (...) difficult, but revelatory work. Its extended argument is that, despite Adorno's assumptions of autonomism, cognitivism, and aesthetic modernism, his idea of artistic truth content offers crucial insights for contemporary philosophical aesthetics.The eleven chapters are divided into three parts: Context, Content, and Critique. The first part offers a brief biography, describes Adorno's debates with Benjamin, Brecht, and Lukács, and outlines his philosophical program. The second part is an interpretation of Adorno's aesthetics, examining how he situates art in society, production, politics, and history and uncovering the social, political, and historical dimensions of his idea of artistic truth. The third part evaluates Adorno's contribution by confronting it with the critiques of Peter Bürger, Frederic Jameson, and Albrecht Wellmer.Lambert Zuidervaart is Professor of Philosophy at Calvin College. (shrink)

Theodor W. Adorno inspired much of Germany’s 1960s student movement, but he came increasingly into conflict with this movement about the practical implications of his critical theory. Others – including his friend and colleague Herbert Marcuse – also accused Adorno of a quietism that is politically objectionable and in contradiction with his own theory. In this article, I recon- struct, and partially defend, Adorno’s views on theory and (political) praxis in Germany’s 1960s in 11 theses. His often (...) attacked and maligned stance during the 1960s is based on his analysis of these historical circumstances. Put provocatively, his stance consists in the view that people in the 1960s have tried to change the world, in various ways; the point – at that time – was to interpret it. (shrink)

This article reconstructs and defends Theodor Adorno’s social theory by motivating the central role of abstract domination within it. Whereas critics such as Axel Honneth have charged Adorno with adhering to a reductive model of personal domination, I argue that the latter rather understands domination as a structural and de-individualized feature of capitalist society. If Adorno’s social theory is to be explanatory, however, it must account for the source of the abstractions that dominate modern individuals and, in (...) particular, that of value. While such an account remains undeveloped in Adorno, Marx provides resources for its development, in positing the constitution of value neither in production nor exchange alone, but in the social totality. This article argues that Marx’s account is compatible with Adorno’s, and that it may be used to render Adorno’s theory of domination more credible on explanatory grounds. (shrink)

This article explores critical theory's relations to German idealism by clarifying how Adorno's thought relates to Hegel's. Adorno's apparently mixed responses to Hegel centre on the dialectic and actually form a coherent whole. In his Logic, Hegel outlines the dialectical process by which categories – fundamental forms of thought and reality – necessarily follow one another in three stages: abstraction, dialectic proper, and the speculative . Adorno's allegiance to Hegel's dialectic emerges when he traces the dialectical process (...) whereby enlightenment reverts to myth and human domination over nature reverts into our domination by nature. However, Adorno criticizes Hegel's dialectic as the ultimate form of ‘identity thinking’, subsuming unique, material objects under universal concepts by using dialectical reason to expand those concepts to cover objects utterly. These two responses cohere because Adorno shares Hegel's view that dialectical contradict.. (shrink)

In this paper, I examine Adorno’s controversial claim that human rationality is inherently mimetic. To do so, I break this claim down into three puzzles (the natural historical puzzle, the metaphysical puzzle, and the epistemic puzzle) and consider each in turn. The first puzzle originates in Adorno’s assertion that in the course of human history the mimetic moment of human thought “is melted together with the rational moment”. So whereas, on his narrative, mimesis has become an intrinsic component (...) of human rationality, it appears that we are oblivious to this state of affair and unable to recognize the workings of mimesis in what we otherwise refer to as rationality. The second puzzle concerns the traditional metaphysical question regarding the possibility of knowledge. Adorno holds that the key to this question lies in the “mimetic moment of knowledge”, which he characterizes as the “moment of the elective affinity between the knower and the known.” The third puzzle concerns his views on how the mimetic moment of thought plays out in our epistemic practices. As he puts it, “consciousness knows of its other as much as it resembles that other,” which seems to entail that our very efforts to conceptualize objects somehow rely on imitative processes. I work out what I take to be the basics of Adorno’s understanding of mimesis and use them to make sense of each puzzle. I argue that Adorno’s insistence on the mimetic component of human rationality isn’t meant to promote more mimetic modes of comportment, but a reflexive awareness of the extent to which our rational activities already rely on imitative (or immersive) processes, even those we view as embodying the strongest claims to the contrary. (shrink)

This article discusses the theological implications of Adorno’s writings on Beckett by specifically examining their constellative motifs of death, reconciliation and redemption. It addresses not only their content but also their form, suggesting a mutually stimulating relationship between the two as based both on a negative-dialectical approach and an inverse-theological trajectory. Focusing on Adorno’s discussion of Beckett’s oeuvre as a “metaphysical entity,” I argue that Adorno’s reading of Beckett is peculiar because it is inextricably tied to his (...) own critical-theological venture. The essay claims that Adorno’s reflections on Beckett contour, at their most basic level, meditations on theology in the age of its impossibility. (shrink)

In this critical review I explore the anti-intentionalist stance Adorno offers in his aesthetics, specifically focusing on his Notes to Literature, and the internal limits to this stance. Adorno rejects the primacy of authorial intentionalism: The presuppositions of its aesthetic methodology, he claims, place the individual in a position of epistemic priority, without exploring the social totalities which constitute the conditions of the presentation of aesthetic knowledge by any such individual. The role of the creator for Adorno (...) is inherently mediated within the context of such totalities. -/- This is not to wholly discount the role of creative intentions, however. Rather, Adorno frames the artist as a ‘bearer’ and a ‘representative of the total social subject’. In this context he allows for a qualified form of subjectivity, construed as a mode of creativity produced by a particular kind of “achieved self-awareness” or disposition of consciousness towards an “estrangement of meaning”. Indeed, the loss of the stronger presupposition that the subject acts as an authentic expository force can lead to a realization that objectivity by this means constitutes a “loss”, Adorno claims, which creates the possibility for pursuing a critical stance to facilitate the capacity for creating autonomous works of art. Creators of autonomous works acknowledge “the paradoxical relationship of the autonomous work to its commodity character” (‘Valery’s Deviations’), namely an awareness of their inherent reification. The self-alienating yet autonomous work is described by Adorno as possessing and demonstrating tacit yet genuine ‘wants’, but this is framed by the demands of the human condition to recognize how ill-fitting the forces of social production are upon and towards securing them. Aesthetic intentions and the subjects which channel them can be critically valuable if they allude to or exposit the contradictions between these demands and those forces. (shrink)

This paper aims to demonstrate the contemporary relevance of Adorno’s thought for business ethicists working in the critical tradition by showing how his critique of modern social life anticipated, and ofers continuing illumination of, recent technological transformations of capitalism. It develops and extrapolates Adorno’s thought regarding three central spheres of modern society, which have seen radical changes in light of recent technological developments: work, in which employee monitoring has become ever more sophisticated and intrusive; leisure consumption, in which (...) the algorithmic developments of the culture industry have paved the way for entertainment products to dominate us; and political discourse, in which social media has exacerbated the anti-democratic tendencies Adorno warned of in the mid-twentieth century. We conclude by presenting, as a rejoinder to these developments, the contours of an Adornian ethics of resistance to the reifcation and dehumanisation of such developments. (shrink)

This paper attempts to show how Adorno’s thought can illuminate our reflections on the future of work. It does so by situating Adorno’s conception of genuine activity in relation to his negativist critical epistemology and his subtle account of the distinction between true and false needs. What emerges is an understanding of work that can guide our aspirations for the future of work, and one we illustrate via discussions of creative work and care work. These are types of (...) work which cater to persistent human needs, albeit ones that are distorted under present social conditions. Adorno’s thought helps us to understand why this is the case. (shrink)

As genealogy has gained greater disciplinary recognition over the last two decades, it has become increasingly common to call any historically oriented philosophy, such as Theodor W. Adorno’s, “genealogy.” In this article, I show that Adorno’s philosophy performs genealogy’s defining functions of “problematization” and “possibilization.” Moreover, it does so in unique ways that constitute a significant contribution to genealogical practice. Adorno’s method, here called “tragic genealogy,” is particularly well-suited to the genealogical analysis of traditional philosophical problems and (...) to the critical reanimation of declining, but ethically significant, values. Nevertheless, I also argue that Adorno’s philosophy cannot be assimilated into genealogical practice without rejecting or revising some of its Hegelian influences, particularly its philosophy of history and its modal metaphysics. (shrink)

This article aims to provide an elaboration of Theodor Adorno’s notion of exact fantasy and its function within his idea of genuine philosophical thought. It is divided into two main parts. In the first one, I explore the features of the notion of fantasy through a comparison of its understanding in Walter Benjamin’s and Adorno’s bodies of work. I further explicate what features Adorno takes over from Benjamin and where the authors’ ideas diverge. I present the role (...) of fantasy in Adorno’s thought as a non-transparent and emotional element of thinking that is responsible for the active arrangement of elements into constellations, which his individual essays are the embodiment of. In the second part, I follow Adorno’s criticism of the situation of late capitalist society in the light of the feature of lack of fantasy that is according to him caused by the influence of modern mass culture. I put this feature in connection to his examination of the phenomenon of boredom, depicting fantasy as an intellectual faculty which enhances intellectual freedom and resists the ”neurotic feelings” inherent in boredom. In the conclusion, I try to defend the possibility of the validity of Adorno’s insights despite their unconcealed intellectual elitism. (shrink)

This article aims to read feminist new materialisms (Barad), together with ‘postulated’ linguistic or cultural primacy of Queer Theory (Butler), to show how both are engaged in similar critical-ethical endeavours. The central argument is that the criticism of Barad and new materialisms misses Butler’s materialistic insights due to a narrow interpretation of Butler's alleged social-constructivist position. There is, therefore, a specific focus on where they both make similar ethical appeals. Moreover, the article relies on Adorno's negative dialectic to highlight (...) an interpretation of Barad and Butler as being part of the same dialectical movement, in which materialism and idealism fluctuate in their mutual criticisms, thus continuing the procession towards 'new knowledge' and emancipation, or freedom, through their motions back and forth. (shrink)

Adorno and Heidegger are frequently aligned because of apparent similarities in their critiques of modern epistemology. This alignment fails, however, to appreciate the substantial differences in the philosophical presuppositions that inform those very critiques. I distinguish Adorno's negative dialectic from Heidegger's fundamental ontology under the respective designations of critical versus phenomenological forms of transcendental philosophy. I argue that only by understanding Adorno's negative dialectic as a revised version of epistemology (namely a dialectical epistemology, committed to subject-object and (...) transcendental argument) can we make sense of, first, the profound differences between Adorno and Heidegger on the question of epistemology and, second, the philosophical motivations behind Adorno's trenchant rejection of Heidegger. Key Words: being-in-the-world • - dialectics • - empiricism • - epistemology • - idealism • - identity • - immediacy • - irrationalism • - mediation • - project • - subject • -object • - transcendental. (shrink)