Objective: Lung cancer is the most common cause of morbidity and mortality. Platinum-based chemotherapy, which is the primary line of treatment, offers limited benefit due to drug resistance and side effects. Berberine (BBR), which is characterised by its potent and safe anticancer activity, represents a promising combination option in chemotherapy. To overcome the limitations in lung cancer chemotherapy, we investigated whether BBR and cisplatin (CIS) exert synergistic effects on non-small cell lung cancer cell line (A549) based on cytotoxicity and apoptotic (...) response markers. -/- Methods: The potential cytotoxic effects of the combination treatment were evaluated using the MTT and Chou-Talalay methods. Elisa assays were also performed to measure the levels of the pro-apoptotic protein Bax and the effector protein caspase (Cas)-3. -/- Results: The results showed that BBR alone reduced A549 cell viability in a dose-dependent manner and synergized with CIS (CI =0.34±0.05 at IC50 concentrations). Elisa results showed that the combined treatment (both at IC50 concentrations) modulated apoptotic signalling pathways in A549 cells. Bax and Cas3 protein levels were dramatically enhanced in A549 cells treated with CIS +BBR compared to control (0.5% DMSO) (p < 0.001). -/- Conclusion: Our results suggest that BBR can synergistically enhance the therapeutic effect of CIS in A549 cells. The potential therapeutic efficacy of BBR as part of a combination in current chemotherapy should be supported by in-depth research and clinical studies on the molecular mechanisms associated with cancer. (shrink)

Applying the concepts of Kolmogorov-Chaitin complexity and Turing’s uncomputability from the computability and algorithmic information theories to the irreducible and incomputable randomness of quantum mechanics, a novel argument for the existence of God is presented. Concepts of ‘transintelligence’ and ‘transcausality’ are introduced, and from them, it is posited that our universe must be epistemologically and ontologically an open universe. The proposed idea also proffers a new perspective on the nonlocal nature and the infamous wave-function-collapse problem of quantum mechanics.

ENG: The advancement of artificial intelligence (AI) presents a duality of opportunity and risk. On the one hand, there are potential dangers inherent in the development of AI. However, on the other hand, the advent of AI also offers humanity a multitude of possibilities for improvement and advancement. The aesthetic values and cultural expressions that artists encounter in their environment serve to redefine the aesthetic judgments they form, thus determining the paths they subsequently follow. The objective of this research is (...) to examine the impact of AI on the field of aesthetics and culture to identify the changes and transformations occurring within the world of art and design. In the conventional domain of aesthetics, emphasis is placed upon the finished object as a singular entity that will be interpreted as a completed work. In contrast, the emerging field of ‘new aesthetics’ prioritizes the atmosphere, directing our focus to the physical object, which is perceived as a spatial extension. Accordingly, the object is not defined by its intrinsic content, but rather its capacity to expand and occupy space. Thus, the domain of aesthetics has evolved to encompass a spatial dimension. Despite the growing interest in the aesthetic dimensions of AI, there has been little discussion to date about the relationship between atmosphere and the field of AI. This study aims to highlight the lack of attention given to this topic in academic discourse and to introduce a new approach to it. Several implications (regarding general propositions and constituents AI aesthetics) has been placed and finalized with layers of hallucination. The application of AI enables the augmentation of the hallucinatory capabilities of the imagination. However, a current challenge is the tendency of AI-powered digital assistants, such as ChatGPT, to hallucinate and present unreal information as if it were real. In this sense, the relationship between AI and hallucination is evolving in a manner that is perceived to be negative. This is justified given the problematic nature of this issue in scientific studies. However, when considered from the perspective of artistic production, there may be potential for new avenues of creativity and imaginative expression. A reappraisal of the role of atmospheric factors in space design is required. The introduction of a novel aesthetic layer to the atmosphere through the use of AI is a possibility, given the hallucinatory tendencies of AI. - TR: Yapay zekanın gelişimi, insanlık için önemli fırsatlar sunarken, aynı zamanda yeni zorluklar ve riskler de ortaya çıkarmaktadır. Ancak, doğru bir şekilde yönetildiğinde ve kullanıldığında, yapay zeka teknolojisi insan hayatını önemli ölçüde iyileştirebileceği ve birçok alanda yenilikler getirebileceği ön görülmektedir. Estetik değerler ve kültürel ifadeler, sanatçıların estetik yargılarını yeniden tarif etmekte ve izledikleri yolları belirlemektedir. Bu araştırma sanat ve tasarım dünyasındaki değişim ve dönüşümleri incelemek adına yapay zekanın estetik ve kültür alanına tesirini irdelemektedir. Konvansiyonel estetikte nesneye tamamlanmış bir çalışma olarak yorumlanacak bitmiş bir varlık olarak odaklanılmıştır. Ancak atmosferi merkeze alan yeni estetik, odak noktamızı mekandaki fiziksel bir uzantı olan nesneye yöneltmektedir. Dolayısıyla nesne 'içerdiği' şeyle değil, mekana yayılma şekliyle karakterize edilmektedir. Böylelikle estetik teori mekânsal katmanlar edinmiştir. Yapay zeka bağlamında estetik tartışmalarında bir ivme kazanılmış olsa da aynı hareketlilik atmosfer ile yapay zekanın ilişkisinde henüz kurulmamıştır. Bu çalışma literatürdeki bu eksikliğe işaret etmeyi ve bir giriş yapmayı hedeflemektedir. Tartışma önermeler olarak şu başlıklar altında toplanmıştır: Teknik arkaplandaki atmosfer tecrübesinin önemi; Deneyimi fazla olan aktörlerin hiyerarşisi; Kısmi telif hakkına yönelik ‘kısmi’ tanımlamalarının gerekliliği; Çizim becerisiden atmosfer üretme becerisine bir yolculuk; Kültürel ve bedensel referansların yorumlanabilmesi. Yapay zekanın estetiğine dair yapı taşları ise şu başlıklar altında toplanmıştır: Estetik akıntı; Yarı-geçirgen bir estetik; Yapay zekanın ara-fenomen olarak incelenmesi; Metaforik istemler; Halüsinatif katmanlar ve alternatif değerlendirmeler. Çalışmanın sonunda odaklanılan konu yapay zekanın gücü ile imgelemin halüsinatif katmanları artırılabilme potansiye olmuştur. Halüsinasyona dair şuan gündemde olan yegane konu ChatGPT gibi yapay zeka asistanlarının halüsinasyon görmeleri ve gerçek olmayan bilgilerin gerçekmiş gibi sunulmasıdır. Bu haliyle yapay zekanın halüsinasyon ile ilişkisi negatif bir tandansta ilerlemektedir. Bu bilimsel çalışmalarda bir problem olması sebebiyle haklı bir negativiteye sahiptir. Ancak sanatsal üretim tabanında bakıldığında imgelemde yeni kapılar açılabilir. Bu konu özellikle mekanın tasarımına gelindiğinde atmosferik etmenler yeniden değerlendirilmelidir. Atmosferin yapay zeka ile yeni bir estetik katman açması yapay zekanın halüsinasyon yatkınlıklarıyla gerçekleşebilir. (shrink)

The relationship between space and human occurs through the actions performed with the body. The abstraction study as an exploration of the body is one of the significant practices for first-year design students. However, there are not enough investigations for design students regarding body, space and basic design principles. This paper aims to explore the potentiality and limitations of the body-abstraction process by comparing the impact of two different educational models on students' perception and improvement. The applied methodology includes comparing (...) two design processes of the basic design course depending on parameters: Given example, source of the video, type of movement, the number of the selected-used scenes, mode of sketching, the method for production, requested outcome, the scale of the study, the material of models and critique of the video. The results present that the activation of the body through mental practice, drawing and modelling stages is critical to understand its abstract and spatial capabilities. The realisation of the potentials in the relationship between body and abstraction in spatial perception would enable us to create an advanced design process addressing more original concepts. (shrink)

This dissertation examines the practice of categorizing works of art and its relationship to art criticism. How a work of art is categorized influences how it is appreciated and criticized. Being frightening is a merit for horror, but a demerit for lullabies. The brushstrokes in Monet's "Impression, Sunrise" (1874) look crude when seen as a Neoclassical painting, but graceful when seen as an Impressionist painting. Many of the judgments we make about artworks are category-dependent in this way, but previous research (...) has rarely examined in depth the ontological structure of art categories, how they are generated and maintained, and how they function. This dissertation fills this gap. The proposal of this dissertation can be summarized as follows. Categories (especially genres) should be analyzed as clusters of rules that regulate the responses and behaviors of agents in the artworld. The visual mundaneness is a critical reason to consider Duchamp's "Comb" (1916) provocative, given the existence of the readymade as a set of rules that justifies such reasoning. The critical and appreciative practice of which categorization is a part is a social practice of making, declaring, proposing, reforming, and developing rules of appreciation. How we appreciate artworks, and how criticism guides our appreciation, is sensitive to how we categorize artworks. How we categorize artworks is sensitive to what categories have been set up in our community and which categories are active regarding each artwork. (shrink)

Là một nhà nghiên cứu kinh tế có nhiều thành tựu, một trong các nhà khoa học có chỉ số các bài báo khoa học được công bố quốc tế cao nhất cả nước, TS Vương Quân Hoàng (Trường ĐH Phenikaa) đã chia sẻ cùng Nhân Dân hằng tháng những quan điểm cá nhân về một năm kinh tế nhiều dấu ấn của đất nước.

Architectural space has some triggers for unique experiences and one of them is its atmosphere. The atmosphere has an unstable structure, instead of static affectivity, and it feeds on uncertainties of spatial experience. Thus, instead of analyzing the dynamic atmospheres through reductionist definitions, it is necessary to address the existing ontological ambiguity of it. Theories of the atmosphere mostly correspond to physical spaces. However, COVID-19 brings about exponential enhance of digitalization. These digital interactions require a spatial dimension. The atmosphere, as (...) one of the fundamental elements of space, needs attention in digital experiences. This paper aims to explore the perception of the atmosphere in digital space. First, the character of the atmosphere and its role in the architectural space have been reviewed. Later, physical space and digital space were compared in order to build the atmosphere belonging to digital space. Digital space is able to diffuse itself with tensions. We are capable of immediate appreciations, e.g. being inside or outside. Thus, the threshold between bodily experiences and mental emergence becomes the blurred one. Atmospheric interaction can be part of the digital space and this interaction strengthens the spatial dimension of the digital medium. However, instead of producing a simulation of the atmosphere in the physical space, it is necessary to analyze the characteristics of digital space and build a unique atmosphere specifically for it. (shrink)

It is widely acknowledged that categories play significant roles in the appreciation of artworks. This paper argues that the correct categories of artworks are institutionally established through social processes. Section 1 examines the candidates for determining correct categories and proposes that this question should shift the focus from category membership to appreciative behaviour associated with categories. Section 2 draws on Francesco Guala’s theory of institutions to show that categories of artworks are established as rules-in-equilibrium. Section 3 reviews the explanatory benefits (...) of this institutional theory of the correct category. [Winner of the 2022 Debates in Aesthetics Essay Prize]. (shrink)

The first year of design education is essential for students as it is their initial interaction with the design process. Awareness of the body through dance has the potential to reveal bodily experience in space. Abstraction of embodied experience contributes to realising the significance of the body and its analytical dimension for spatial and structural design. This study investigates the impact of embodied experience and abstraction on the architectural design process and the outcome through correlation and regression analysis. We observed (...) that increasing awareness of the space through bodily movement and its drawn representation positively impacted students’ success in architectural design. Also, the measures related to space and structure mainly advanced students’ success in the final design. However, the association of the abstraction process with the final design remained limited. The study’s contribution is the systematic and statistical evaluation of the relationship between body, movement, abstraction and architectural design by constructing a set of measures from various stages of the design studio. We hope our research will provide a basis for the upcoming discourse. (shrink)

How could we go beyond the conventional categorization of the five senses and find out a sixth sense in the observation of a building? Let’s call such a sense atmospheric one. Humans are rooted in the atmosphere, generated by things and space, just as the roots of plants in the soil. To observe novel experiences, we aimed to prioritize the atmosphere and affective encounters in space. First, archive photographs and technical drawings were compiled and examined, parallel with the historical evaluation (...) of the building (Eskişehir Esnaf Sarayı) and its context. However, this reading was not only about the mere transfer of archive data but also their affective engagements of them. Further, the atmosphere and its affects were unveiled through the inherent (and personal) experiences of the space. (shrink)

Inspiration has an important role in design education. Searching existing design examples is a widely-used practice for inspiration. There are two different approaches regarding exposure of examples in design process. Some researchers claim that examples can inspire designers and increase the originality of outcomes, while other researchers highlight that examples cause fixedness to their features as a negative effect for creativity. The aim of the study is to analyse different modalities of examples, such as text, photograph, diagram, object as stimulation (...) and to examine the impact of quantity, abstraction, proximity and method on each modality in design education. The paper reviews empirical studies of idea exposure from the existing literature and summarizes results relevant to understanding the effects of the design examples. Overall, to avoid the potential negative effect of using examples in different modalities, designers could pay attention quantity, abstraction, and proximity of examples for each modality. (shrink)

During the idea generation phase of the design process, designers often search for inspirations in external sources of information, such as photographs, written descriptions and physical examples. These sources have potential to enhance creative performance. However, they sometimes become too attached to particular ideas of external precedents or various examples. It refers to fixation which is identified as inadequate adoption of features from existing examples. Influence of the existing examples on creativity and fixation, specifically textual examples, have been discussed in (...) this research. -/- For the nature of design, researchers highlighted the restructuring process of design problem by new sources because the capabilities and boundaries of design problems are not defined very well. Further, the design problem is not knowable at any specific point. Design knowledge identifies itself by its ambiguity. Many models have been developed for design process. The various numbers of divided phases of the models can be seen as having two main areas: (1) idea generation phase (or “ideation”); (2) later phase for details. Idea generation plays an important role in the design process. It is the area of new and creative configurations on design. -/- Creativity is an integral part of the design process. Designers purpose to achieve original ideas to demonstrate their ability and unique designs. External stimuli or inspirational inputs play important roles to increase creativity. They can support moments of stimulation. Associations between information from memory and external stimuli can contribute to the creation of new meanings. Designers are widely influenced by their surroundings in daily lives. However, each stimulus may not be the part of a more creative result Even if designers want to utilize stimulus as an inspirational source, somehow it may fixate their mind to its surface features and they may lose potential creative contributions of the source. It is called fixation. There is much research that shows significant evidence of conformity effects across the design problems. -/- The given examples to designers may cause higher-level fixation and lower-level creativity or vice versa. Fixation may occur when example solutions are introduced, on the other hand, the designers may create more original ideas as well. There is a need for research to find ways to avoid fixation traps or reduce their adverse impact. Thus, this research focuses on variables of the given example. -/- The following claims show some research areas remained unclear: (1) Some researchers investigated textual examples as - one of the modalities of representation - but did not focus on forms of textual examples. (2) Much research has been conducted with examples which are selected by the researcher. Nevertheless, designers can also choose or produce their own stimuli. There is not much research on this possibility. In this context, my research focuses on the following two variables through two studies (Study 1 and 2): (1) forms of textual examples; (2) self-construction of textual examples. First, most of the studies in the literature have focused on visual presentation and there is not enough research on the content and form of the text. The study of textual examples has still not been awarded enough attention especially as various forms of text. Some forms of text are as follows: keyword, paragraph, sentence, poem. These observations lead me to the following research question: Which forms of textual example increase creativity and reduce fixation more? (Study 1). -/- Second, most of the studies regarding textual examples have used prose or keywords. The poems have been ignored. However, poems imply more meaning with fewer words. The structure of the poems enables more creative narratives than structure of prose. Because unusual organization of words stimulates the readers and draws their attention. This activates the creative performance of the reader. The surrealist poem is the extreme form of this activation. It is random assemblies with headlines and sentences which is cut from newspapers. Thus, novel meaning networks are formed. The method of creating a surrealist poem offers a new way of getting inspiration. It is termed as self-construction practice by this research. Through this method, designers create their own example from the given one. Reconstruction of the text may increase the creative process and prevent fixations from the given text. This suggestion led me to the following research question: If the designers write their own poem instead of a given poem (as a self-construction practice), can they internalize the textual example? In addition, does it produce more creative and less fixated designs? (Study 2). Two experimental studies were planned to partially answer the research questions, in which novice students of architecture were asked to solve two different design problems, under different conditions. All of the experimental sessions were conducted in a design education studio. The participants produced sketches and added a written explanation relating to their designs. Fluency, flexibility and repetition of key attributes were calculated by the researcher. -/- Originality, practicality, understanding of the task and quality were ranked by judges. Study 1 shows us tendencies of using various textual forms. Distinctions of keywords and of poems have appeared among them. This emphasizes the role of keyword and poem in the design process as inspirational sources and provides many tips for their potential use. The keyword also leads to a high degree of fixation. However, a low degree of fixation is observed when poems are presented as inspirational examples. -/- In Study 2, the self-constructed poem seems to support develop more successful design ideas from many perspectives. In the context of the surrealist poem, writing and reading the surrealist poem trigger the designers’ imagination. At first, the words and lines of poems seem unrelated to each other and designers try to relate them and solve the puzzle of meaning. Hence, novel meaning networks are formed. It indicates that surrealist poems are able to activate the creative performance of the designers. Writing their own surrealist poems ,as a self-construction practice, motivated designers to begin to produce by having fun. Motivated designers have stimulated themselves to produce creative ideas. In other words, the self-construction process may be added to the design process models in the earlier part of the idea generation phase which is called as pre-design and warm-up phase. This earlier phase makes designers highly motivated and they internalized the given examples. -/- Following the conclusions, several implications and recommendations for the design process and education are discussed. (shrink)

Architectural space has some triggers for unique experiences and one of them is its atmosphere. The atmosphere has an unstable structure so that it is difficult to define clearly. We are capable of immediate appreciation, such as being inside or outside. Thus, the threshold between bodily experiences and mental emergence becomes a blurred one, like a haze. It is sensed in bodily presence by human beings. The boundaries, such as subject and object, are transgressed through the atmosphere. The subject appears (...) as a body and its movement in this discussion. Recognition of the existence of the body in space plays a significant role throughout the architectural design process. Theatrical dance or dance theatre (Tanztheater) practices provide new horizons for understanding the presence of the body in the space. Pina Bausch, as a choreographer, is one of the pioneers of this genre. The aim of the study is to point out the relations of body, space and atmosphere in Pina movie (2011). This study identifies choreographies with different aspects as follows: (1) In the atmospheric aspect; subject, object and their role in the atmosphere of choreographies by Pina Bausch were observed. (2) In the fictional space aspect; various spaces were examined in the sense of body-object-atmosphere interaction. (3) In the bodily aspect; space which is produced by the body and vice versa in dance theatre was investigated in the volumetric reflections of the body. This research contributes to bridging performative arts and architecture as understanding the space. It can be a guide for an architectural design studio to understand the role of the body through dance theatre. (shrink)

Decentralising Bengaluru Urban -The Regional Planning way -/- Author / Authors : Priyadarshini Sen Page no.139 -148 Discipline : Applied Economics/ Management/ Commerce/Geography Script/language : Roman/English Category : Research paper Keywords: Regional Planning, Metropolis, Social wellbeing, Settlement.

Post-truth has an impression that the facts have been only corrupted with it. Many examples support this impression. However, it should not be perceived as just a disruption of the truth considering only political events. In different fields, such as creative industries, it may have different implications. Despite studies regarding education, there has not been much discussion on the design process and education. The objective of this research is to develop an introductory examination of what the design process (with statements (...) in the book 'How Designers Think') can produce in post-truth cases and to seek the productive potentials of post-truth. Therefore, the claims were reviewed - as design problems, solutions and process itself - within the framework of the post-truth era. Some of the results are as follows: For design problems, designers need to find a way to oscillate among objectives without based on truth. Post-truth environments may trigger finding out unique spatial possibilities with designs of unique hierarchies. For design solutions, in post-truth era, the only optimal thing is to be apathetic about truth. There is no need to seek the optimal solutions. The ideal of wholeness is expired for the solutions. This situation fosters free circulations of tiny parts of solutions in the post-truth universe. For the design process, the correctness of the process is much more questionable anymore. Identifying problem is a crucial part of the design process. As the truth disappears, it becomes more difficult to discriminate the characteristics and value of the problems. (shrink)

Considering the propositions of the virtual universe with its short history, there are digital twins and various economic investments. While the Metaverse points out a novel universe, it is able to promise much more than producing a copy of the self and imitation of conventional economic interactions. To reveal these potentials, it is necessary to determine the areas that must be meticulously focused on. Although Metaverse has permeated daily life dialogues, studies in the academic field are limited. Likewise, research about (...) its architecture and space needs to be developed in this area. No matter how far the new universe propositions go, they still stick with the quantitative values of the physical world. This issue obstructs the creation of its own reality. However, the universe's own digitalized digitalised structure does not require that the imagination of the spaces stuck with a quantitative basis. To avoid quantitative and reductive attitudes, focusing on the atmosphere of this universe may be a solution. The study aims to collide the possibilities of the Metaverse and the architectural atmosphere discussions to make an alternative reading of the Metaverse. Developing theories about the atmosphere of spaces and conducting atmospheric studies about Metaverse allow us to develop meta-experiences of the Metaverse. Focusing on the architectural atmosphere, immediate appreciation, ecstatic being and hallucinatory image will deepen the definition of Metaverse and provide a multi-layered experience. The image of the atmosphere and ecstatic being is associated with a ‘hallucinatory image'. The hallucinatory image has a structure that does not narrow down its references to the physical world. With this aspect, it may provide forms of alternative perceptions specific to the Metaverse. The hallucinatory image, parallel with the sensation of an ecstatic being, stimulates us to sense the atmosphere produced by the Metaverse. (shrink)

Metaverse, başka olanakları olan bir evrenin inşa edilmesine yönelik bir girişimdir. Sanal evren önermelerinin çeşitli süreçlerden geçtikten sonra geldiği bu noktada dijital ikizler ve çeşitli ekonomik yatırımlar söz konusudur. Ne var ki, Metaverse yeni bir evrene işaret ederken benliğin bir kopyasını ve konvansiyonel ekonomik etkileşimlerin imitasyonunu üretmenin çok daha ötesini vaad edebilir. Ancak bu potansiyelleri açığa çıkarabilmek için yoğunlaşılması gereken alanları titizlikle tespit etmek gerekir. Metaverse, gündelik hayat diyaloglarına epey sızmış olsa da akademik alanda yapılan çalışmalar sınırlıdır. Keza mekana dair (...) araştırmaların da bu alana odaklanacak şekilde geliştirilmesine ihtiyaç vardır. Yeni evren önermeleri, ne kadar yol alırsa alsın bir noktada fiziksel dünyanın nicel değerlerine tutunması nedeniyle kendi gerçekliğini yaratmasını engellemektedir. Oysa evrenin kendi altyapısının sayısal sistemlere dayanması, ürettiği ve üreteceği mekanların tahayyülünün de nicel bir tabanda sıkışmasını gerektirmez. Nicel ve indirgemeci tavrı kırabilmek adına bu evrenin atmosferlerine yönelmekte fayda vardır. Çalışmanın amacı Metaverse’ün gündeme getirdiği olasılıkları mimari atmosfer tartışmalarıyla çarpıştırmak ve Metaverse’e dair alternatif bir okuma yapmaktır. Mekanların atmosferine dair teorilerin geliştirilmesi ve atmosferik çalışmaların yapılması, bu öte-deneyimlerin tarif edilmesine imkan verecektir. Mimari atmosfere, anidenliğe, esrik varoluşa ve halüsinatif imgeye odaklanılması Metaverse’ün açılımlarını artıracak ve çok katmanlı bir deneyimi mümkün kılacaktır. Atmosferin özne ve nesne gibi sınırları aşan bir fenomen olduğu öne sürülebilir. İnsanları, yerleri ve şeyleri birbirine bağlamasıyla atmosferler, bağlayıcı ve bütünleyici bir tavra sahiptir. Atmosferin kaynağı olan noktayı tam olarak belirlemek güçtür, mekanı bulutsu bir biçimde doldurur. Bulanık görüyü artıran başka bir özellik de atmosferin birden içine düşüldüğüne yönelik deneyimde yatar. Atmosferin tınıları kendini esrik varoluşta duyumsatır. Esriklik özün doğrudan tezahürü olarak da ele alınabilir. Atmosferin ve esrik varoluşun bağdaştığı imge, ‘halüsinatif imge’ olarak tarif edilebilir. Halüsinatif imgenin referanslarını fiziki dünya ile sınırlamayan bir yapısı vardır. Bu yönü ile Metaverse’e özgü alternatif algıların oluşmasına aracı olabilir. Nitekim halüsinatif imgelem, bulutsu dağılımın içine aniden sürükleniş veya dalma hali ile oluşan imgeleri tarif eder. Esrik varoluşun duyumsanmasına paralel bir şekilde oluşan bu imge, bizi Metaverse’ün ürettiği atmosfere içkin bir hale getirecektir. (shrink)

Bachelard üzerinden bir Pallasmaa okuması… Mimari imgelemin şiirsel inşası üzerinde duran iki düşünürün çalışmalarına çapraz bir bakış denemesi bu. İmgelemin psikososyal kuruluşunu değil, mutlak kişiselliğini eksen alan güzergahta konumlanıyor. Mimarlığın tırmanan ekonomize edilme serüvenine direnen bir şiirsel damar arayışının iki bağlantılı aktörünün düşüncelerine yaklaşmayı deniyor.

Interaction with the environment occurs in the perception of movement. Movement is the basic concept of mobility. Development and diversification (i.e., faster transportations, new technological access, etc.) of movement concepts may contribute modern people to become independent of any place. Nomadic cultures constitute the basic principles of mobile architecture with light, portable materials and flexible constructions. In the industrial age, futurist manifesto announced machine-housing concepts. The mechanized perception of the spaces prepared ground for mobilization. Mobility, as a source of independence (...) from places, is sometimes a preference but sometimes the result of urgency. “Individual preference”, “cultural movement” and “forced movement” are key reasons for movements which may differentiate modes of mobile space. The objective of this study to examine distinctive features of mobile spaces of forced movements (i.e., for refugees) by comparing with other types of mobility (individual preference and cultural movement). Various design competitions were held for mobile spaces. The cases were selected for this study, considering the role of the user’s profile (unspecific users; nomads/immigrants; refugees) who live in mobile spaces. We analyzed awarded/selected projects for each type of mobility. As a result of examining the awarded outcomes of the competition the following parameters were detected: quantity of users; designer's choice for location; reaction to the environment; contextual attention; scope of modularity; mode of portability; type of portability; cost of materials and construction; proposal for belonging; sensitivity for sustainability. It seems that current events in the world have transformed the concept of mobility and led to the development of new definitions of mobility. This paper presents one of the new definitions of mobility, specifically for refugees. Many aspects of mobile architecture for refugees, as a new definition of mobility, has shown in this study. (shrink)

Abstract— In parallel to developing technology, demand for more energy makes us seek new energy sources. Wind and solar energy are the most popular ones owing to their abundance, ease of availability and convertibility to electric energy. This work covers realization of a hybrid renewable energy system. The scheme involves conversion of solar power and wind power into usable electrical energy using solar panel and by designing a wind turbine with appropriate calculations and specifications. Battery in this system is charged (...) by both solar and wind power, the DC output is then converted to AC using an inverter and fed to the load. The idea of water conservation through rain water collection and storage with the use of solar panel is also implemented. The main aim of the design is to create a system suitable to provide continuous power by utilization of non-conventional energy resources and making use of the additional advantage of the solar panel in the conservation of water. Power resources and load in the system are monitored and controlled in real time. (shrink)

La cobertura universal de salud está en el centro de la acción actual para fortalecer los sistemas de salud y mejorar el nivel y la distribución de la salud y los servicios de salud. Este documento es el informe fi nal del Grupo Consultivo de la OMS sobre la Equidad y Cobertura Universal de Salud. Aquí se abordan los temas clave de la justicia (fairness) y la equidad que surgen en el camino hacia la cobertura universal de salud. Por lo (...) tanto, el informe es pertinente para cada agente que infl uye en ese camino y en particular para los gobiernos, ya que se encargan de supervisar y guiar el progreso hacia la cobertura universal de salud. (shrink)

This report from the WHO Consultative Group on Equity and Universal Health Coverage offers advice on how to make progress fairly towards universal health coverage.

Amartya Sen has made a major contribution to the theory of social justice, and of gender justice, by arguing that capabilities are the relevant space of comparison when justice-related issues are considered. This article supports Sen's idea, arguing that capabilities supply guidance superior to that of utility and resources (the view's familiar opponents), but also to that of the social contract tradition, and at least some accounts of human rights. But I argue that capabilities can help us to construct a (...) normative conception of social justice, with critical potential for gender issues, only if we specify a definite set of capabilities as the most important ones to protect. Sen's "perspective of freedom" is too vague. Some freedoms limit others; some freedoms are important, some trivial, some good, and some positively bad. Before the approach can offer a valuable normative gender perspective, we must make commitments about substance. (shrink)

Amartya Sen’s remarkable endeavour to realize the normative capability of welfare economics goes beyond the impecunious resultants of the neoclassical welfare economy. The neoclassical welfare economy decoratively bracketed values to speculate about factual observations. This was due to the influence of logical positivists and their convictions about experimental scientific statements (primarily mathematical) and their vicinity to empirical truths and analytic statements. Sen adequately inquires “whether morality can be expressed in the form of choice between preference patterns rather than between actions” (...) (Sen, 1997a, 78). “A new phase classical theory” in economics from the hands of Sen and some others put forth two pivotal issues in a unified manner: a. Mathematical models of an economy. b. Ethical reflection on the subject of welfare economy–a value-laden enterprise in Sen’s literature. -/- In general, welfarists and utilitarians affirm that moral values are anchored in individual agency and involve mental metric utilities (pleasure, happiness, pain etc.). This focus, first of all, results in a disadvantage, as it undermines freedom in terms of achievement. Secondly, it pays no heed to achievement reasonably giving more importance to those who are incapable of reflecting on any one of those mental metrics. Besides, Sen argues that equality of opportunity does not accord with the equality of freedom, and its reason is rooted in the scope of the incongruity of human beings and the diversified meanings of efficiency. Developing a general methodological approach to revisit the notion of inequality concerned by exploring a particular substantive stand that Sen aims to underscore involves examining how social arrangements work to define freedom, capabilities, and welfare to ensure comparisons and assessments of quality of life. (shrink)

Capability approach pioneers Amartya Sen and Martha Nussbaum both recognize empowerment as an important aspect of human development. They seem to disagree, however, about how empowerment should be represented within the capability approach (CA). This essay is concerned with the analysis of the foundational concepts at work within Sen and Nussbaum’s CAs. Part One concerns the key concepts of empowerment at work in Sen’s CA and has three goals. 1) Clarify Sen’s various empowerment concepts. 2) Argue that Sen’s concept of (...) Realize Agency Success is flawed. 3) Make clear that empowerment in Sen’s approach can be helpfully understood in terms of agency and capability set expansion. Part Two considers Nussbaum’s CA and the debate over whether it can account for empowerment. I conclude that not only can Nussbaum’s CA account for empowerment, but that the role of empowerment in both Sen’s and Nussbaum’s CAs can be understood in terms of agency and capability set expansion. In other words, Sen and Nussbaum actually agree about empowerment at the foundational level. (shrink)

In The Idea of Justice, Amartya Sen, among other things, discusses certain qualities any adequate theory of justice ought to incorporate. Two important qualities a theory of justice should account for are impartiality/objectivity and sensitivity to consequences. In order to motivate his discussion of sensitivity to consequences, Sen discusses the debate between Krishna and Arjuna from the religio-philosophical Hindu text the Bhagavad Gita. According to Sen, Arjuna represents a sensitivity to consequences while Krishna is an archetypal deontologist. In this paper (...) it will be argued that Sen's interpretation of the Gita is inaccurate. Further, a more adequate interpretation will be presented. What will be of significance is that the more adequate interpretation actually demonstrates the importance of an impartial spectator in moral reasoning. Finally, there will be a discussion of some lessons that can be taken from the Gita regarding justice generally. (shrink)

Amartya Sen has recently leveled a series of what he alleges to be quite serious very general objections against Rawls, Rawlsian fellow travelers, and other social contract accounts of justice. In The Idea of Justice, published in 2009, Sen specifically charges his target philosophical views with what calls transcendentalism, procedural parochialism, and with being mistakenly narrowly focused on institutions. He also thinks there is a basic incoherence—arising from a version of Derek Parfit’s Identity Problem—internal to the Rawslian theoretical apparatus. Sen (...) would have political philosophy pursue intersocietal comparisons of relative justice more directly and in the manner of social choice theory. Yet the positive argument he develops in support of this method is quite thin. That aside, Sen’s polemical strategy of inflicting death by a thousand cuts is ineffective against the Rawlsian paradigm. For, as I show herein, none of these criticisms have the force we might be led to expect. (shrink)

What is new about poverty? A question that anyone can answer and mostly can validate it through life experiences. Poverty is a concern for everyone, so it is hoped that everyone will work to interfere. However, with the number of research on poverty in a global context, it is practically difficult to track how each country addresses global poverty on its own. Hence, poverty is broad as its concept is concerned. Poverty is a difficult concept to describe, especially because it (...) is a complicated and contentious social reality. Despite the challenges in obtaining a consensus description of poverty, the understanding for such concept is a significant endeavor, not just theoretically or empirically, but also practically, because this definition may be used in the future to orient public policies aimed at combating poverty or improving the living conditions of the impoverished. In most cases, poverty is associated to lack of income and to address as such is just a matter of wealth distribution. Which happens in the Philippines through a poverty reduction program the Pantawid Pamilyang Pilipino Program that aims to end poverty and yet, poverty remains a main concern and continue to persist. Thus, the aim of this paper is to scrutinize the Pantawid Pamilyang Pilipino Program (4Ps) implemented by the government as human development measure to end the vicious cycle of poverty. It aims to look at the purpose if the 4Ps is really gird towards human development or it lacks the principle of a fully human development measure in addressing poverty. This critical analysis is brought for the reason that researches are limited only as to the effects of 4Ps to its beneficiaries if the 4Ps is helpful or not. However, the paper wants to dig deeper as the goal of the 4Ps is concerned. Also, to contribute in the strengthening of the human development program of the government in the lenses of philosophical undertaking. In doing so, it applies the capability approach of Amartya Sen in the analysis of the 4Ps. As this paper argued that the capability approach of Sen gives us a holistic perspective of poverty in which Sen envisions a fully human development for the poor. (shrink)

Le sens commun distingue le corps de l’esprit. Il considère par exemple que les désirs et les souvenirs sont des phénomènes mentaux alors que les sons et les courants d’air sont des phénomènes physiques. Au sein de l’esprit, il distingue diverses facultés mentales : il considère par exemple que l’imagination est distincte de la volonté, qui est elle-même distincte de la perception. Au sein de la faculté perceptive, il distingue cinq sens : l’odorat, le goût, la vue, le toucher et (...) l’ouïe. Cette distinction entre différentes modalités perceptives s’avère tout à fait opératoire : nous n’avons le plus souvent aucun mal à répondre à la question « comment avez- vous perçu X : l’avez-vous vu, entendu, touché, ... ? ». En outre, cette distinction semble robuste : elle résiste par exemple à la co-occurrence d’expériences de modalités distinctes. Ainsi pouvons-nous voir et entendre un planeur à la fois. Enfin, nous semblons convaincus, en ce qui concerne les humains, du caractère exhaustif de cette distinction : il nous arrive certes de parler de l’intuition comme d’un sixième sens, ou de parler du sens de l’humour ou des affaires, mais ces expressions sont entendues en un sens figuré. (shrink)

The 2004-5 essay competition set by the Federal Reserve Bank of Minneapolis asks, “Why are some countries rich and some countries poor?” It has information which strangely does not feature the name Amartya Sen. But I have conceived of a defence against the charge that this is bad practice, which resembles appealing to the descriptivist theory of names.

This paper analyzes areas of convergence in the works of Amartya Sen and Slavoj Žižek in their criticisms of the multiculturalist approach to non-violence. First, Žižek’s characterization of the liberal discourse of guilt and fear is presented. Then, Sen’s key ideas on multiculturalism, tolerance, and rational critique are explicated. Next, a synthesis of Sen and Žižek’s notions of universality, freedom, and rationality, as well as of their critical conceptions of globalization and anti-globalization are discussed. Subsequently, Sen and Žižek’s divergences on (...) overcoming violence are examined. Lastly, from integrating Sen and Žižek’s thoughts, key theses are provided on the paradoxical character of the multiculturalist approach to non-violence and on how despite their divergences, both Sen and Žižek propose radical systematic changes and an alternative approach to non-violence characterized by the universals of rationality and genuine freedom. (shrink)

Amartya Sen argues that sectarian discord and violence are fueled by confusion about the nature of identity, including the pervasive tendency to see ourselves as members of singular social groups standing in opposition to other groups (e.g. Democrat vs. Republican, Muslim vs. Christian, etc.). Sen defends an alternative model of identity, according to which we all inevitably belong to a plurality of discrete identity groups (including ethnicities, classes, genders, races, religions, careers, hobbies, etc.) and are obligated to choose, in any (...) given context, which among our multiple affiliations to prioritize. While Sen’s model of discrete identity prioritization is a clear advance over single-factor accounts, it overlooks significant lessons about identity from over 150 years of scholarship by feminists of color. In ignoring the experiences of women of color, Sen’s model falsely assumes that identities are in-principle separable for the purposes of practical deliberation; and, in obligating individuals to make such identity-based “reasoned choices,” Sen’s model forces those with multiply marginalized identities to choose from a set of externally defined identity options, none of which sufficiently captures their experiences. (shrink)

Filosofia limbajului are legătură cu studiul modului în care limbajul nostru se implică și interacționează cu gândirea noastră. Studierea logicii și relația dintre logică și vorbirea obișnuită poate ajuta o persoană să își structureze mai bine propriile argumente și să critice argumentele celorlalți. Înțelesul este modul în care pot fi considerate în mod corespunzător cuvinte, simboluri, idei și convingeri, definiția sa depinzând de teoria abordată, precum teoria corespondenței, teoria coerenței, teoria constructivistă, teoria consensului sau teoria pragmatică. Există mai multe explicații (...) distince despre ceea ce înseamnă un „sens” lingvistic, în funcție de diverse teorii (ideologice, adevăr-condiționale, de utilizare a limbajului, constructiviste, de referință, verificaționiste, pragmatice, etc.) Investigațiile privind modul în care limbajul interacționează cu lumea sunt numite teorii de referință. Sensul unei propoziții este gândul pe care îl exprimă. Un astfel de gând este abstract, universal și obiectiv. Sensurile determină referința și sunt, de asemenea, modurile de prezentare a obiectelor la care se referă expresiile. Referințele sunt obiectele din lume despre care vorbesc cuvintele. Filosofia limbajului explorează relația dintre limbă și realitate, în special filosofia problemelor de studiu lingvistic care nu pot fi abordate de alte domenii. Logica filozofică se ocupă de descrieri formale ale limbajului obișnuit, nespecializat („natural”). -/- CUPRINS: -/- 1. Filosofia limbajului - 1.1 Istorie - - Filosofia antică - - Filosofia medievală - - Filosofia modernă - - Filosofia contemporană - 1.2 Subiecte și sub-domenii majore - - Compoziție și părți - - Natura sensului - - Referinţă - - Mintea și limba - - - Înnăscut și învățat - - - Limba și gândul - - Interacțiunea socială și limba - 1.3 Limbajul și filozofia continentală - 1.4 Probleme în filosofia limbajului - - Imprecizia - - Problema universalului și a compoziției - - Natura limbajului - - Abordări formale versus informale - - Traducere și interpretare - 1.5 Nominalism - - Istorie - - - Filozofia greacă veche - - - Filozofia medievală - - - Filosofia modernă și contemporană - - Problema universalelor - - Tipuri - - - Filosofie analitică și matematică - - Critica originilor istorice ale termenului 2. Înțeles - 2.1 Adevăr și înțeles - - Teorii majore ale înțelesului - - - Teoria corespondenței - - - Teoria coerenței - - - Teoria constructivistă - - - Teoria consensului - - - Teoria pragmatică - - Teorii și comentarii asociate - - - Logica și limbajul - - - Gottlob Frege - - - Bertrand Russell - - - Alte teorii ale adevărului - - - Saul Kripke - - - Criticile teoriilor de adevăr ale înțelesului - 2.2 Bertrand Russell, Despre denotare - - "Fraza care denotă" - - - Concepția lui Russell despre o frază care denotă - - - Referința la ceva care nu există - - - Epistemologie - - Teoria descrierilor - - - Descrierea matematică - - - Ilustrare - - - Meinong - - Rezolvarea problemei existențialelor negative - - - Declarații despre concepte în care obiectul nu există - - - Ambiguitate - - - Nume fictive - - Critici - 2.3 Sens și referință - - Precursori - - - Antistene - - - John Stuart Mill - 2.3.1 Sens - - Sens și descriere - - Traducerea Bedeutung - - Natura sensului - 2.3.2 Referinţă - 2.4 Nume proprii - - Problema - 2.4.1 Teorii - - Teoria lui Mill - - Teoria bazată pe sensul numelor - - Teoria descriptivă - - Teoria cauzală a numelor - - Teorii de referință directă - - Filosofia continentală - 2.5 Gottlob Frege, Despre sens și referință - 2.6 Teorii cauzale ale referinței - - Motivaţie - - Variații - 2.6.1 Teoria cauzală a referinței a lui Saul Kripke - 2.6.2 Teoria cauzală a referinței a lui Gareth Evans - 2.6.3 Teoria cauzală a referinței a lui Michael Devitt - 2.6.4 Blockchain și arborele cauzal al referinței - 2.6.5 Perspective - 2.7 Saul Kripke, Numire și necesitate - 2.7.1 Prelegerea I - 2.7.2 Prelegerea II - 2.7.3 Prelegerea III - 2.7.4 Concluzii - 2.8 Kit Fine, Relaționismul semantic - - A. Antinomia variabilei - - B. Abordarea tarskiană - - C. Respingerea rolului semantic - - D. Abordarea instanțială - - E. Abordarea algebrică - - F. Abordarea relațională - - G. Semantica relațională pentru logica de primul ordin 3. Logica - Concepte - - Forma logică - - Semantică - - Inferență - - Sisteme logice - - Logică și raționalitate - - Concepte rivale - Tipuri - - Logica silogistică - - Logica propozițională - - Logica predicatelor - - Logica modală - - Raționament informal și dialectică - - Logica matematică - - Logica filozofică - - Logica computațională - - Logica non-clasică - Controverse - - "Este logica empirică?" - - Implicare: Strictă sau materială - - Tolerarea imposibilului - - Respingerea adevărului logic - 3.1 Filosofia logicii - - Adevăr - - - Purtătorii de adevăr - - - Adevăruri analitice, adevăr logic, valabilitate, consecință logică și implicare - 3.2 Logica propozițională - - Explicaţie - - Istorie - - Terminologie - - Noțiuni de bază - - - Închiderea sub operații - - - Argument - 3.3 Logica predicatelor - - Introducere - - Sintaxa - - - Alfabetul - - - - Simboluri logice - - - - Simboluri non-logice - - - Regulile formării - - - - Termeni - - - - Formule - - - - Convenții notaționale - - - Variabile libere și legate - - Semantica - - - Structuri de prim ordin - - - Evaluarea valorilor de adevăr - - - Valabilitate, satisfabilitate și consecință logică - - - Algebrizare - - - Teorii, modele și clase elementare de prim ordin - - - Domenii goale - 3.4 Logica modală - - Dezvoltarea logicii modale - - Semantica - - - Teoria modelului - - - Sisteme axiomatice - - - Teoria dovezilor structurale - - - Metode de decizie - - Tipuri de logici modale - - - Logica aletică - - - Logica epistemică - - - Logica temporală - - - Logica deontică - - - Logica doxastică - - - Alte logici modale - - Ontologia posibilității - - Controverse - 3.5 Declarații - - Declarația ca o entitate abstractă - 3.6 Dileme - - Utilizarea dilemei în logică - 3.7 Argumente - - Formal și informal - - Tipuri standard - - - Argumente deductive - - - Argumente inductive - 3.8 Actualism - - Exemplu - - Puncte de vedere filosofice - - Analiza indexicală a actualității - 3.9 Lumi posibile - - Posibilitate, necesitate și contingență - - Semantica formală a logicii modale - - De la logica modală la instrumentul filosofic - - Teoria lumii posibile în studiile literare - 3.9.1 Lumi reale, ne-reale dar posibile, și imposibile - - Lumi posibile logic - - Constituienții lumilor posibile - 3.10 Saul Kripke - - Wittgenstein - - Adevăr - 3.10.1 Logica modală - - Modele canonice - - Modele Carlson - 3.10.2 Logica intuiționistă - - Logica intuiționistă de ordinul întâi - 3.10.3 Nume și Necesitate - - "Un puzzle despre credință" Referințe Despre autor - Nicolae Sfetcu - - De același autor - - Contact Editura - MultiMedia Publishing . 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One can work for another person, probably for all the others in an ethical way, and not for money. This is the main idea pursued in this article. When it comes to labour, we are inclined to deal with Marx. But even Marx apparently did not notice this ethical side of labour, because his focus was mainly on the creation of value, which was common among thinkers at that time, such as Locke and Smith. In contrast, Hegel consistently tackled the (...) same issue from another angle: ethics. In terms of this, he went so far as to say the dignity of humans should be located in labour. We shed light on this very aspect of Hegel’s philosophy by reference to Alexandre Kojève’s famous commentary, Introduction à la lecture de Hegel. (shrink)

Le présent article a pour objectif de mettre en évidence un aspect de l’influence de Francis Hutcheson sur la troisième partie du Traité de la Nature Humaine de David Hume, consacrée à la morale : Hume écrit, en effet, que l’être humain est doté d’un sens moral. Cependant, la distinction qu’il opère entre la philosophie de l’anatomiste et celle du peintre, dans cette œuvre, montre qu’il se refuse à suivre totalement l’exemple de Hutcheson. Hume compte bien, au contraire, approfondir et (...) compléter une philosophie morale qu’il trouve encore superficielle chez son contemporain et même si cela implique de devoir toucher et réinterpréter les concepts clés de ce dernier. Pourtant, à y regarder de près, la notion de sympathie contribue, d’un certain point de vue, à rapprocher les deux philosophies. Le sens moral de Hume, dans le Traité, ne serait-il pas bien plus qu’une simple expression vide de contenu, comme on l’a trop souvent supposé ? Et que serait-il alors ? (shrink)

Based on a close reading of the debate between Rawls and Sen on primary goods versus capabilities, I argue that liberal theory cannot adequately respond to Sen’s critique within a conventionally neutralist framework. In support of the capability approach, I explain why and how it defends a more robust conception of opportunity and freedom, along with public debate on substantive questions about well-being and the good life. My aims are: to show that Sen’s capability approach is at odds with Rawls’s (...) political liberal version of neutrality; to carve out a third space in the neutrality debate; and to begin to develop, from Sen’s approach, the idea of public value liberalism as a position that falls within that third space.En me basant sur une lecture attentive du débat entre Rawls et Sen sur les biens premiers versus les capabilités, je soutiendrai que la théorie libérale est incapable, dans un cadre neutraliste conventionnel, de répondre adéquatement à des injustices dans le domaine de la santé. À partir de l’approche des capabilités, j’explique pourquoi et comment cette approche permet de défendre une conception plus robuste de l’opportunité et de la liberté, de même qu’un débat public sur des questions substantielles concernant le bien-être et la vie bonne. Mes objectifs sont : de clarifier le rapport entre le neutralisme de Rawls et sa défense des biens premiers,, de démontrer les implications de la critique des capabilités de Sen, et, d’esquisser une troisième position dans le débat sur la neutralité versus le perfectionnisme – à savoir, celle d’un perfectionnisme motivé par des considérations de légitimité. (shrink)

El artículo presenta un análisis de cuatro temas centrales de Sen: su visión sobre el ser humano, la libertad individual, la evaluación moral y los derechos, y la igualdad. Con esto quiero mostrar que estas ideas no sólo son consistentes, sino que explican muchas de las reflexiones sobre temas sociales y económicos que lo han convertido en un referente en estas áreas. En las conclusiones presentaré una síntesis e interpretación de estas ideas fundamentales, mostrando cómo constituyen un núcleo filosófico y (...) qué relaciones mantienen entre ellas. Mi objetivo no es encasillarlo en algunas de las corrientes de filosofía actuales, sino destacar la solidez y pertinencia de su aporte filosófico, algo sumamente útil en un tiempo como el nuestro, deseoso de ideas frescas para los acuciantes problemas de siempre. (shrink)

Viime vuosina ihmistieteiden kentässä on saanut osakseen paljon huomiota uusi lähestymistapa, jota kutsutaan ”evoluutiopsykologiaksi”. Sen piiristä on esimerkiksi väitetty, että evoluutio on muokannut meidän parinvalintamieltymyksiämme niin, että miehillä on taipumus tuntea vetoa lisääntymiskykyisiltä näyttäviin nuoriin naisiin, pyrkiä parittelemaan aina tilaisuuden tullen mahdollisimman monien naisten kanssa ja olla mustasukkaisia, kun taas naiset ovat taipuvaisia mieltymään iäkkäämpiin miehiin, joilla on valtaa ja resursseja. Luonnonvalinnalla on pyritty myös selittämään mm. raiskauksia.

In his recent bookThe Idea of Justice, Amartya Sen suggests that political philosophy should move beyond the dominant, Rawls-inspired, methodological paradigm – what Sen calls ‘transcendental institutionalism’ – towards a more practically oriented approach to justice: ‘realization-focused comparison’. In this article, I argue that Sen's call for a paradigm shift in thinking about justice is unwarranted. I show that his criticisms of the Rawlsian approach are either based on misunderstandings, or correct but of little consequence, and conclude that the Rawlsian (...) approach already delivers much of what Sen himself wants from a theory of justice. (shrink)

Harsanyi claimed that his Aggregation and Impartial Observer Theorems provide a justification for utilitarianism. This claim has been strongly resisted, notably by Sen and Weymark, who argue that while Harsanyi has perhaps shown that overall good is a linear sum of individuals’ von Neumann-Morgenstern utilities, he has done nothing to establish any con- nection between the notion of von Neumann-Morgenstern utility and that of well-being, and hence that utilitarianism does not follow. The present article defends Harsanyi against the Sen-Weymark cri- (...) tique. I argue that, far from being a term with precise and independent quantitative content whose relationship to von Neumann-Morgenstern utility is then a substantive question, terms such as ‘well-being’ suffer (or suffered) from indeterminacy regarding precisely which quantity they refer to. If so, then (on the issue that this article focuses on) Harsanyi has gone as far towards defending ‘utilitarianism in the original sense’ as could coherently be asked. (shrink)