Title - Gender in distributed cognitive systems: Possible conceptualizations. Abstract - There is a mismatch between social and biological approaches in the studies on sex and gender. Neurofeminist researchers critically examine gendered impacts of research in neuroscience and cognitive science, as well as develop more adequate and gender‑appropriate neuroscientific studies. However, they still seem to be focused on the brain and its relationship with the environment. Moreover, there are a little ‘science‑phobic’ feminist approaches based on actor‑network theory, and social science (...) and technology studies. In this context, I would like to suggest another account of gender. My account is not centered on individual selves, minds or brains, but it is based on concept of distributed cognitive system and cultural ecosystem developed in the cognitive science. The potential integrational role of the approach seems worthy of attention. On the one hand, there are no contradictions between more important assumptions of distributed cognition theory and social studies. On the other hand, it is not necessarily limited to human beings and their minds. I pay particular attention to distinction between the distributed cognition theory and the extended mind theory. Ones of the most important elements of the ‘gender‑sensitive’ distributed system are artifacts and their affordances, most of all — cultural and canonical ones. In this light, the gender relations seem not only distributed, but also able to be designed. (shrink)

In this paper, we argue that several recent ‘wide’ perspectives on cognition (embodied, embedded, extended, enactive, and distributed) are only partially relevant to the study of cognition. While these wide accounts override traditional methodological individualism, the study of cognition has already progressed beyond these proposed perspectives towards building integrated explanations of the mechanisms involved, including not only internal submechanisms but also interactions with others, groups, cognitive artifacts, and their environment. The claim is substantiated with reference to recent developments in the (...) study of “mindreading” and debates on emotions. We claim that the current practice in cognitive (neuro)science has undergone, in effect, a silent mechanistic revolution, and has turned from initial binary oppositions and abstract proposals towards the integration of wide perspectives with the rest of the cognitive (neuro)sciences. (shrink)

Replicability and reproducibility of computational models has been somewhat understudied by “the replication movement.” In this paper, we draw on methodological studies into the replicability of psychological experiments and on the mechanistic account of explanation to analyze the functions of model replications and model reproductions in computational neuroscience. We contend that model replicability, or independent researchers' ability to obtain the same output using original code and data, and model reproducibility, or independent researchers' ability to recreate a model without original code, (...) serve different functions and fail for different reasons. This means that measures designed to improve model replicability may not enhance (and, in some cases, may actually damage) model reproducibility. We claim that although both are undesirable, low model reproducibility poses more of a threat to long-term scientific progress than low model replicability. In our opinion, low model reproducibility stems mostly from authors' omitting to provide crucial information in scientific papers and we stress that sharing all computer code and data is not a solution. Reports of computational studies should remain selective and include all and only relevant bits of code. (shrink)

The paper presents two objections against Putnam’s Twin Earth argument, which was intended to secure semantic externalism. I first claim that Putnam’s reasoning rests on two assumptions and then try to show why these assumptions are contentious. The first objection is that, given what we know about science, it is unlikely that there are any natural-kind terms whose extension is codetermined by a small set of microstructures required by Putnam’s indexical account of extension determination. The second objection is that there (...) may not be a plausible concept of a speech community whose adoption would classify Oscar and Twin Oscar as members of different speech communities and, at the same time, render Oscar and Twin Oscar as being in the same psychological state. I contend that Putnam’s argument fails because both objections are justified. (shrink)

The article presents the newest English words in modern German language, which were taken into the “Duden” dictionary in the years 2000–2010. The author also shows the semantic groups of anglicisms described in the book “Anglizismen-Index” (2011). The most important thing was to show that 80% of English loan words can be seen as a danger for the German native equivalents.

W artykule przedstawiono proces i przyczyny przenikania słownictwa regionalnego z jednej części terytorium Niemiec do drugiej, a także ukazuje drogę wybranych leksemów do ich ponadregionalnego użycia.

W artykule opisano krystalizowanie się języka niemieckiego od początków indogermańskich, poprzez germański, staro-wysoko-niemiecki, średnio-wysoko-niemiecki aż do fazy wczesnowysoko- niemieckiej. Autor koncentruje się na ukazaniu zmian fonetyczno-morfologicznych, towarzyszących temu procesowi, uwypuklając szczególnie tzw. pierwszą i drugą przesuwkę.

Autor analizuje słownictwo niemieckie pod kątem jego regionalnego zróżnicowania, koncentrując się zwłaszcza na osi północ-południe. Zwraca uwagę na charakterystyczne cechy diatopicznych wariantów północnych (m. in. występowanie geminat b, d, g) oraz południowych (m. in. zauważalny brak przegłosu). Ważnym aspektem w analizie jest także występowanie bądź brak tzw. drugiej przesuwki, która w decydującej mierze zaważyła na wyodrębnieniu się w języku niemieckim podziału dialektalnego. Autor zwraca uwagę na aspekt socjolingwistyczny występowania w słownictwie dubletów regionalnych, co związane jest z coraz szerszą migracją ludności (...) na obszarze niemieckojęzycznym. Wskazano też na wyrazy, które - kiedyś typowo regionalne - dziś są w powszechnym użyciu. W dalszej części artykułu autor opisuje szereg wyrazów oraz ich regionalnych odpowiedników w aspekcie diachronicznym i synchronicznym, posiłkując się znaną pracą P. Kretschmera Wortgeographie der hochdeutschen Sprache. Na koniec pokazano w oparciu o fragmenty dzieł literackich znanych niemieckich pisarzy, jak np. A. Seghers czy Th. Mann, w jaki sposób wyrazy regionalne mogą przyczynić się do ukazania lokalnego kolorytu lub charakterystyki postaci. Autor konkluduje, iż wyrazy dialektalne mogą wychodzić poza swój regionalny charakter i spełniać wiele funkcji ponadregionalnych. (shrink)

Tytuły dzieł literackich są ważnym elementem makrotekstu, nie mówiąc już o ich znaczeniu marketingowym. W artykule poddano krytycznej analizie nie tylko izomorficzne tłumaczenia tytułów, ale także – a nawet w większości – te, gdzie widoczne są mniejsze czy większe rozbieżności. I tak np. za pozornie dosłownym tłumaczeniem tytułu powieści Jerzego Andrzejewskiego Apelacja jako Appelation kryje się trafny wybór między Appelation a Berufung. Również tłumaczenie powieści Stefana Żeromskiego Wierna rzeka jako Der getreue Strom nie jest łatwe w ocenie. Z jednej strony (...) tytułowa rzeka to w rzeczywistości raczej rzeczka, natomiast der Strom oznacza dużą rzekę z ujściem do morza. Czy jednak punktem odniesienia ma być rzeczywistość faktograficzna, czy raczej rzeczywistość literacka? Osobnym problemem jest tłumaczenie imion własnych – antroponimicznych i topograficznych. Dużo miejsca poświęcono też relacjom interkulturowym. Przykładem może być tłumaczenie Imienin pana dyrektora jako Der Geburtstag des Direktors – jest ono zasadne, gdyż w niemieckiej rzeczywistości kulturowej imieniny nie są tak zakorzenione jak urodziny. (shrink)

Mit dem Werk des österreichischen Dichters kam Witold Hulewicz ziemlich früh in Berührung. Fasziniert von dessen Dichtkunst, nahm er mit Rilke Briefkontakte auf. Die Korrespondenz belebte sich wesentlich, als Hulewicz an den ersten Üb ertragungen ins Polnische arbeitete. Im vorliegenden Artikel bemüht sich die Autorin nicht nur die freundschaftlichen Kontakte darzustellen, sondern auf die Rolle Hulewiczs als Übersetzer und Verbreiter des Rilkschen Werkes in Polen hinzu weisen.

the article presents Jean Paul Sartre’s idea of the human body and the bodiliness described in his book Being and nothingness (1943). In this book, Sartre argued that every human relation is based on the objecti cation of one human by another, and entering into empathic contact is basically impossible. the author of the article has con onted this thesis with contemporary psychological and neuropsychological thought (mirror neuron theory) and has investigated how the category of empathy functions in literary studies. (...) A very important part of this article is the re ection on the presence and topicality of Sartre’s beliefs in the literature. the author has conducted an interpretation of Witold gombrowicz’s story Tancerz mecenasa Kraykow‐ s ego (1926) om the collection Bakakaj (1957), and has shown that the ideas presented by Sartre are re ected there in a very interesting way. Sartre’s philosophy turns out to be abso‐ lutely up‐to‐date right now, more than many psychological theories — it not only supplies a philosophical base for the analysis of human relations (those also presented in literature), but also gives a certain tool for describing them in the form of speci c language and terminology. (shrink)

The current issue of Argument: Biannual Philosophical Journal (2015, vol. 5, no. 1) provides a platform for cross‑cultural studies of the human body, the embodied mind, agency, intentionality, and various axiological aspects of the human psychophysical identity. Out of the twenty articles that compose this issue, thirteen original papers address the leading theme, namely Psychophysical integrity of the human self. Comparative approach: philosophy, literature and art. The multidisciplinary and comparative perspectives include references to Western and eastern cultural traditions, as well (...) as juxtaposing a variety of views on human corporeality and the mind‑body relationship, discussed from the perspectives of philosophical theories (Venieri, Jakubczak, Kamińska, Kołdrzak, King, Wachowski), literary works (Kamińska, Milewska) and visual artefacts (King, Staniszewska, Wałek, Popczyk, Romanowicz, Lipowicz). (shrink)

The systems of arithmetic discussed in this work are non-elementary theories. In this paper, natural numbers are characterized axiomatically in two di erent ways. We begin by recalling the classical set P of axioms of Peano’s arithmetic of natural numbers proposed in 1889 (including such primitive notions as: set of natural numbers, zero, successor of natural number) and compare it with the set W of axioms of this arithmetic (including the primitive notions like: set of natural numbers and relation of (...) inequality) proposed by Witold Wilkosz, a Polish logician, philosopher and mathematician, in 1932. The axioms W are those of ordered sets without largest element, in which every non-empty set has a least element, and every set bounded from above has a greatest element. We show that P and W are equivalent and also that the systems of arithmetic based on W or on P, are categorical and consistent. There follows a set of intuitive axioms PI of integers arithmetic, modelled on P and proposed by B. Iwanuś, as well as a set of axioms WI of this arithmetic, modelled on the W axioms, PI and WI being also equivalent, categorical and consistent. We also discuss the problem of independence of sets of axioms, which were dealt with earlier. (shrink)

In his article untitled Messages in Art Jerrold Levinson discusses the idea of a message behind a work of art. He argues that despite certain disclaimers put forward by artists it is „hard to deny that artworks (...) very often do have messages, and far from inexpressible ones”. From given examples it would seem that Levinson assumes that musical work just as other artworks sometimes generate messages and that in order for a work of music to be successful in expression (...) this message should be comprehensible and certainly not incoherent. The author of this paper draws on Levinson's “Messages in Art” as well as his “Music as Narrative and Music as Drama” to explore further the issues mentioned above. In particular the author argues that seeing musical works through the message it may generate is somewhat reductive and that musical work as well as other artworks are prone to abiding by an aesthetic code and therefore even when they allow for interpretation in terms of messages or morals these messages are incoherent or vague at best. (shrink)