Results for 'expressiveness'

19 found
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  1.  55
    Expression And Expressiveness In Art.Jenefer Robinson - 2007 - Postgraduate Journal of Aesthetics 4 (2):19-41.
    The concept of expression in the arts is Janus-faced. On the one hand expression is an author-centered notion: many Romantic poets, painters, and musicians thought of themselves as pouring our or ex-pressing their own emotions in their artworks. And on the other hand, expression is an audience-centered notion, the communication of what is expressed by an author to members of an audience. Typically the word “expression” is used for the author-centered aspect of expression as a whole, and the word “ (...)” is used for the audience-centered aspect, and I shall keep to this usage. In this paper I shall argue that although expression is closely related to expressiveness, the two concepts are distinct and, in particular, expressiveness cannot be analyzed in terms of expression, as has been recently suggested by Stephen Davies and Jerrold Levinson. Nonetheless, the richest examples of expression in the arts involve both expression and expressiveness. (shrink)
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  2.  70
    On Evolutionary Explanations of Musical Expressiveness.Matteo Ravasio - 2018 - Evental Aesthetics 7 (1):6-29.
    In this paper, I will examine an evolutionary hypothesis about musical expressiveness first proposed by Peter Kivy. I will first present the hypothesis and explain why I take it to be different from ordinary evolutionary explanations of musical expressiveness. I will then argue that Kivy’s hypothesis is of crucial importance for most available resemblancebased accounts of musical expressiveness. For this reason, it is particularly important to assess its plausibility. After having reviewed the existing literature on the topic, (...)
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  3.  74
    Propositional Interval Neighborhood Logics: Expressiveness, Decidability, and Undecidable Extensions.Davide Bresolin, Valentin Goranko, Angelo Montanari & Guido Sciavicco - 2009 - Annals of Pure and Applied Logic 161 (3):289-304.
    In this paper, we investigate the expressiveness of the variety of propositional interval neighborhood logics , we establish their decidability on linearly ordered domains and some important subclasses, and we prove the undecidability of a number of extensions of PNL with additional modalities over interval relations. All together, we show that PNL form a quite expressive and nearly maximal decidable fragment of Halpern–Shoham’s interval logic HS.
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  4. Matravers on Musical Expressiveness.Justine Kingsbury - 2002 - British Journal of Aesthetics 42 (1):13-19.
    , Derek Matravers defends a new version of the arousal theory of musical expressiveness. In this paper it is argued that for various reasons, including especially what the theory implies about the inappropriateness of certain kinds of response to music, we should reject Matravers's theory in favour of some form of cognitivism.
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  5.  65
    Hierarchies of Modal and Temporal Logics with Reference Pointers.Valentin Goranko - 1996 - Journal of Logic, Language and Information 5 (1):1-24.
    We introduce and study hierarchies of extensions of the propositional modal and temporal languages with pairs of new syntactic devices: point of reference-reference pointer which enable semantic references to be made within a formula. We propose three different but equivalent semantics for the extended languages, discuss and compare their expressiveness. The languages with reference pointers are shown to have great expressive power (especially when their frugal syntax is taken into account), perspicuous semantics, and simple deductive systems. For instance, Kamp's (...)
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  6. A Road Map of Interval Temporal Logics and Duration Calculi.Valentin Goranko, Angelo Montanari & Guido Sciavicco - 2004 - Journal of Applied Non-Classical Logics 14 (1-2):9-54.
    We survey main developments, results, and open problems on interval temporal logics and duration calculi. We present various formal systems studied in the literature and discuss their distinctive features, emphasizing on expressiveness, axiomatic systems, and (un)decidability results.
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  7. Physical and Aesthetic Properties in Dance.Beauquel Julia - 2013 - In Bunker Jenny, Pakes Anna & Rowell Bonnie (eds.), Dance Books. pp. 165-184.
    Dance as art has been philosophically characterized as involving the natural expressiveness of human movements. But while some authors find the defense of expressiveness essential, others claim that it is not relevant to the understanding of dance and favour instead a focus on style, a supposedly more significant artistic feature. This paper is an attempt to provide an alternative account to both these positions, with the first (namely, that the dancers are supposed to convey emotions to us by (...)
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  8. Muzička Ekspresivnost.Sanja Sreckovic - 2015 - Theoria: Beograd 58 (3):19-39.
    The paper deals with the relationship between the art of music and human emotions, in particular, with the feature of musical works designated in aesthetic literature as „expressiveness“. After a short presentation of several main attempts at explaining the expressiveness of music in analytical aesthetics, the author offers a clarification of the conceptual confusion within presented theories, and points out their main difficulties and deficiencies.
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  9.  73
    Stephen Davies on the Issue of Literalism.Matteo Ravasio - 2017 - Debates in Aesthetics 13 (1).
    In this paper I discuss Stephen Davies’s defence of literalism about emotional descriptions of music. According to literalism, a piece of music literally possesses the expressive properties we attribute to it when we describe it as ‘sad’, ‘happy’, etc. Davies’s literalist strategy exploits the concept of polysemy: the meaning of emotion words in descriptions of expressive music is related to the meaning of those words when used in their primary psychological sense. The relation between the two meanings is identified by (...)
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  10.  37
    Диференційні Параметри Експресем Та Регулятем У Художньому Тексті.Svitlana Halaur - 2018 - Language: Classic – Modern – Postmodern 4:20-32.
    У статті з’ясовано проблему контекстної логіко-інтелектуальної експресивності та входження її до сфери категорії регулятивності. Із цією метою експресивність проаналізовано у двох її виявах – інгерентному та адгерентному. Доведено, що адгерентні експресивні засоби – стилістичні прийоми – беруть активну участь у регулюванні читацької діяльності. Продемонстровано інклюзивні відношення між експресемами та регулятемами, окреслено ядерно-периферійний ресурс регулятивних засобів.
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  11.  41
    Синтаксична репрезентація мовної особистості вченого-лінгвіста.Alla Romanchenko - 2017 - Language: Classic – Modern – Postmodern 3:111-121.
    Статтю присвячено синтаксичній репрезентації мовної особистості в лінгвістичному дискурсі. Об’єктом дослідження стали окличні та інтонаційно незакінчені речення. Їх розглянуто як синтаксичні засоби вираження експресивності в різножанрових працях українських учених – О. І. Бондаря, П. Ю. Гриценка, С. Я. Єрмоленко, Ю. О. Карпенка. Акцентовано увагу на типах, семантиці аналізованих висловлювань та їхньому прагматичному потенціалі.
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  12. A Type-Theoretical Approach for Ontologies: The Case of Roles.Patrick Barlatier & Richard Dapoigny - 2012 - Applied Ontology 7 (3):311-356.
    In the domain of ontology design as well as in Knowledge Representation, modeling universals is a challenging problem.Most approaches that have addressed this problem rely on Description Logics (DLs) but many difficulties remain, due to under-constrained representation which reduces the inferences that can be drawn and further causes problems in expressiveness. In mathematical logic and program checking, type theories have proved to be appealing but, so far they have not been applied in the formalization of ontologies. To bridge this (...)
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  13. The Living Body as the Origin of Culture: What the Shift in Husserl’s Notion of “Expression” Tells Us About Cultural Objects.Molly Brigid Flynn - 2009 - Husserl Studies 25 (1):57-79.
    Husserl’s philosophy of culture relies upon a person’s body being expressive of the person’s spirit, but Husserl’s analysis of expression in Logical Investigations is inadequate to explain this bodily expressiveness. This paper explains how Husserl’s use of “expression” shifts from LI to Ideas II and argues that this shift is explained by Husserl’s increased understanding of the pervasiveness of sense in subjective life and his increased appreciation for the unity of the person. I show how these two developments allow (...)
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  14. Music, Emotions and the Influence of the Cognitive Sciences.Tom Cochrane - 2010 - Philosophy Compass 5 (11):978-988.
    This article reviews some of the ways in which philosophical problems concerning music can be informed by approaches from the cognitive sciences (principally psychology and neuroscience). Focusing on the issues of musical expressiveness and the arousal of emotions by music, the key philosophical problems and their alternative solutions are outlined. There is room for optimism that while current experimental data does not always unambiguously satisfy philosophical scrutiny, it can potentially support one theory over another, and in some cases allow (...)
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  15.  66
    Optimal Decision Procedures for Satisfiability in Fragments of Alternating-Time Temporal Logics.Valentin Goranko & Steen Vester - 2014 - In Rajeev Goré, Barteld Kooi & Agi Kurucz (eds.), Advances in Modal Logic, Volume 10. College Publications. pp. 234-253.
    We consider several natural fragments of the alternating-time temporal logics ATL* and ATL with restrictions on the nesting between temporal operators and strategic quantifiers. We develop optimal decision procedures for satisfiability in these fragments, showing that they have much lower complexities than the full languages. In particular, we prove that the satisfiability problem for state formulae in the full `strategically flat' fragment of ATL* is PSPACE-complete, whereas the satisfiability problems in the flat fragments of ATL and ATL$^{+}$ are $\Sigma^P_3$-complete. We (...)
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  16.  33
    Henryk Elzenberg as a Forerunner of Anglo-American Concepts of Expression.Krzysztof Guczalski - 2012 - Estetika 49 (2):191-231.
    Classic expression theory identified the emotional content of works of art with the feelings of the artists and the recipients. This content thus appeared to be external to the work itself. Consequently, formalism declared it to be irrelevant to a work’s value. A way out of this predicament – one which the Polish aesthetician Henryk Elzenberg (1887–1967) was among the first to propose – was suggested by the idea that physical, sensory objects can themselves possess emotional qualities. Thanks to Bouwsma (...)
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  17.  75
    Estudo comparado do comprometimento ontológico das teorias de classes e conjuntos.Alfredo Roque Freire - 2019 - Dissertation, Universidade Estadual de Campinas
    Often ZF practice includes the use of the meta-theoretical notion of classes as shorthand expressions or in order to simplify the understanding of conceptual resources. NBG theory expresses formally the internalization of this feature in set theory; in this case, classes, before used metatheoretically, will also be captured by quantifiers of the first order theory. Never- theless there is a widespread opinion that this internalization of classes is harmless. In this context, it is common to refer to the conservativeness of (...)
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  18.  63
    Too Resilient for Anyone’s Good: ‘Infant Psychophysics’ Viewed Through Second-Order Cybernetics, Part 1 (Background and Problems).Lance Nizami - 2019 - Kybernetes 48.
    Purpose – This study aims to examine the observer’s role in “infant psychophysics”. Infant psychophysics was developed because the diagnosis of perceptual deficits should be done as early in a patient’s life as possible, to provide efficacious treatment and thereby reduce potential long-term costs. Infants, however, cannot report their perceptions. Hence, the intensity of a stimulus at which the infant can detect it, the “threshold”, must be inferred from the infant’s behavior, as judged by observers (watchers). But whose abilities are (...)
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  19. Provability with Minimal Type Theory.Pete Olcott - manuscript
    Minimal Type Theory (MTT) shows exactly how all of the constituent parts of an expression relate to each other (in 2D space) when this expression is formalized using a directed acyclic graph (DAG). This provides substantially greater expressiveness than the 1D space of FOPL syntax. -/- The increase in expressiveness over other formal systems of logic shows the Pathological Self-Reference Error of expressions previously considered to be sentences of formal systems. MTT shows that these expressions were never truth (...)
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