Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington really embodies the beauty of his meaning. For him, the Memorial’s “internal beauty” is felt and read because she is built as a text by the rhetoric of enthymeme, as a syllogism based on some tacit knowledges and highly probables communplaces. However, the relationship to the Kant’s pulchritudo adhaerens and philosophy of architecture is not an easy one : Danto rejects as unreadable the self-referent formalism of Greenberg’s Modernism and (...) the environmental non-monumentality of Richard Serra’s Minimalism, but the agency of the Memorial’s shared internal beauty is haunted by an unquestioned spectral logic. Actually, the image embodiment in this work can always exceed the rhetoric of reconnaissance supported by the syllogistic rhetoric and disturb the identity framework of the nord-american community. The beholders’ reflecting shape on the Memorial can become, finally, an unreadable and pathetic index, or be perceived as a figural imprint, ephemeral and troubling ; these disembodied pictures can achieve a medial incarnation – e.g. a Verkörperung – of the underworld. (shrink)

L’étude proposée ici se déroulera en trois moments. Il s’agit, dans un premier temps, de revenir sur la manière dont la question du rapport entre vérité et fiction est posée dans le Traité des sensations de Condillac. Il faut rappeler la justification du recours à la fiction d’une statue gagnant un sens à la fois dans le cadre d’une analyse portant sur l’origine des idées, c’est-à-dire du recours à l’imagination dans le contexte d’une enquête métaphysique ressortissant à la raison. Dans (...) un second temps, il faut se pencher sur ce qu’on peut appeler la fonction du romanesque dans le dispositif global de la fiction condillacienne, c’est-à-dire, non pas seulement ce qui revient au fictionnel, mais en propre à un art narratif visant des séquences événementielles singulières. Enfin, on terminera par quelques remarques sur ce qui est très souvent négligé dans les études portant sur ce texte – du moins en philosophie, et qui ne manque pourtant pas d’être curieux, à savoir, justement, son inscription dans le registre des Mémoires ou des pseudo-Mémoires. (shrink)

This essay seeks to finalize a personal conception of the method of philosophizing. It aims to argue that works of philosophy are to be considered as well-informed expressions of belief. It does this by first introducing the topic, considering the broad views of the analytic, continental, and pragmatic traditions, and then presenting an exposition of passages on the topic. Finally, a novel contribution is presented in consideration of those passages before ending in concluding remarks.

English Title “Living Philosophy: Beauvoir’s Memoirs as a philosophical ‘œuvre’”. This paper seeks to remedy the lack of philosophical analyses of the philosophical dimension of Beauvoir’s autobiographical work in using the existentialist link Beauvoir establishes between life and philosophy to make three points: first, her Memoirs constitute a crucial documentary resource to understand Beauvoir’s essays and the original philosophical stance she defends in them. Second, Memoirs show a two-way relationship between philosophy and life, on an epistemic and on a practical (...) level. Third, autobiography is a way to overcome the inherent flaws of philosophy when it’s written in 3rd person: only a literary account allows to make appear a singular universal that displays the tension between situation and freedom in an authentic way. (shrink)

Goodman draws together, in this memoir, his explorations of meaning and coincidence, and his lived experiences of chance, and his professional experiences teaching, writing, and consulting about risk. The book opens by describing the author's life-changing encounter with a Zen Buddhist monk in 1977, over a cup of tea. Returning to his beginnings, Goodman recounts his coming-of-age, from participating the 1960’s U.S. protests and Vietnam-War resistance, to finally settling down in Canada. He describes his role in a supporting, silent (...) vigil around Willard Straight Hall at Cornell University, the night after it had been occupied by protestors, and his later application for Conscientious Objector status, following the U.S. draft lottery in 1969. He reflects on the challenges and changes on his road taken, in his career and personal relationships, and in spiritual searches, to share some insights about the seamless nature of chance, and about seeing a Both/And perspective in life that encourages openness to possibilities. -/- . (shrink)

Some infamous memoirs have turned out to be chock-full of fibs. Should we care? Why not say—as many have—that all autobiography is fiction, that accurate memory is impossible, that we start lying as soon as we start narrating, and that it doesn’t matter anyway, since made-up stories are just as good as true ones? Because, well, every part of that is misleading. First, we don’t misremember absolutely everything; second, we have other sources to draw on; third, story form affects only (...) significance, not facts; fourth, fiction and nonfiction offer different affordances, benefits, and delights. And since we need both kinds of writing, we have to insist on honesty in memoir; we have to stop saying that everything is invention and that fibs don’t matter. If memoirs could never be trusted, who would still read them? In a world without truth, what exactly would we speak to power? (shrink)

The archive discovery, manuscript «Notes for the history of Malorossia» («Zapiski dla istorii Malorossii») composed by Ilia Fedorovich Timkovskii (Илья Федорович Тимковский, 1773–1853), was initiated by its author in 1849, yet it was never finished. Like the majority of Timkovskii’s compelling written heritage, the «Notes» were overpassed by the researchers, even though such prominent figures in social science as Ilia Fedovorich’s own nephew Mikhail Maksimovich, Nikolai Shugurov, and Vladimir Naumenko wrote about Timkovskii. Unlike his impressive intellectual and social activity that (...) surpassed the boundaries of his professional mandate (as lawyer, educator, literary scholar, etc.), his historiographical image remains fragmented and partial. Specifically, historiography is scarce as to the role Timkovskii played in facilitating the emergence of Ukrainian historical-cultural space, historical consciousness and knowledge, as well as in creating conditions for development of Ukrainian historic writing. Meanwhile, persisting documentary sources from Tikovskii’s archive, along with his egodocuments that were published in the 19th century, allow to fill this void. The structure of this publication is determined by aforementioned historiographical factors and the intent to introduce new historical sources into scholarly practice. This article includes only the first part of the publication. As such, it provides the introduction into the biographic context of the author of the «Notes», and focuses on his vision of the meaning of history and heritage. It follows the evolution of his idea to write a historical composition through the documents, as well as «external» reasons that caused him to stop working on the «Notes». The second part of the publication (in the next issue of Kyivan Academy), along with the original text of «The Notes for the history of Malorossia», will include the analysis of the sociocultural and source study context within which the «Notes» were created, as well as historical views of the author, and the relationship between his memoirs and historical writing. (shrink)

Théodule Ribot est l’un des premiers à penser les rapports entre mémoire et émotions. Au sein de ce qu’il appelle la « mémoire affective », il décèle une mémoire spécifique des émotions. Il s’ensuit un débat sur l’existence, la définition et le contenu de cette mémoire. Après les propositions initiales de Ribot, on observe l’émergence progressive d’un consensus : même s’il est possible de distinguer la mémoire affective de la mémoire intellectuelle, tout souvenir présente à des degrés variables des éléments (...) intellectuels et des éléments affectifs. Si, dans le cadre académique, ces débats sont tombés dans l’oubli, on peut établir une continuité conceptuelle avec la recherche scientifique actuelle, qui gagnerait à relire cette littérature centenaire. (shrink)

The perpetual secretary of the Berlin Academy Johann Heinrich Samuel Formey is best known as a populariser of Christian Wolff’s doctrines. As of Formey’s activity in the Berlin Academy, scholars have mostly emphasized his role in the controversy over monads with Leonhard Euler, while overlooking other interesting contributions Formey presented in the “speculative philosophy” class of the Academy. In this paper, I analyse two articles Formey published in 1747 on the Mémoires de l’Académie de Berlin, namely the Preuves de l’existence (...) de Dieu, ramenées aux notions communes and the Examen de la preuve qu’on tire des fins de la nature, pour établir l’existence de Dieu. In these texts, Formey presents some of Wolff’s methodological and metaphysical ideas, in an implicit dialogue with other members of the Academy – in particular, with the president Pierre-Louis Moreau de Maupertuis – who were also interested in metaphysics and the philosophical method. Formey reworks the Wolffian arguments as to make them more accessible, in order to promote an open confrontation over core philosophical questions. Far from adopting a controversial tone, Formey’s attitude is rather conciliatory: any disagreement, as he thinks, can be easily settled once the true method for philosophizing is made available to everybody. (shrink)

Le mémoire de Master 2. Soutenu en 2012 à Paris VIII sous la direction de Ch. Ramond. A study of Spinoza's account of "singular things" in the Ethics along with the classic French literature on the subject. -/- TABLE DES MATIÈRES: INTRODUCTION GENERALE (p. 3 – 4) PREMIERE PARTIE : DE LA NATURE DE DIEU AUX CHOSES SINGULIERES (p. 5 – 97) INTRODUCTION (p. 5 – 16) : DU RAPPORT DE L’INFINIMENT INFINI ET DU FINI. Pourquoi l’Éthique commence par l’infiniment (...) infini (Dieu). De l’immanentisme spinoziste. Abrégé de la réalité des choses singulières. Que celles-ci sont « en autre chose » et que cet autre est Dieu. Rôle important de la « cause de soi » dans l’ontologie spinoziste. Description de la démarche à suivre. PREMIER PAS (p. 17 – 39) : DE LA « CAUSE DE SOI ». Sur la définition de la « cause de soi ». De la méthode géométrique, et de la raison pour laquelle l’Éthique commence avec cette définition d’un Ens causa sui. Comment la notion de la « cause de soi » fonde l’idée de Dieu. Du monisme intégral chez Spinoza. De « l’esprit » du spinozisme et du déterminisme absolu. Du dédoublement de Dieu. INTERMEDE (p. 40– 60) : DE LA PROPOSITION 16 ET DES MODES INFINIS. Derechef, du dédoublement de Dieu, et en particulier, du renversement de la situation théorique du qualitatif et du quantitatif dans le système. Rôle de la Proposition 16 dans le système. Comment celle-ci scelle le passage de l’Ens causa sui à l’Ens effectus sui. Pourquoi I 16 est controversé. Comment I 16 nous apprend que Dieu ne produit nécessairement tout qu’à condition de produire de l’intelligible. De l’intellect de Dieu. Des modes, et des modes infinis en particulier. À propos du souci néoplatonicien. SECOND PAS (p. 61 – 91) : DE L’ESSENCE ET L’EXISTENCE DES CHOSES EN ÉI. Les Propositions 24 et 25. Comment Dieu scinde les essences des existences. Que toute chose finie est par essence dans un rapport intime avec sa cause infinie et verticale. Le Scolie de la Proposition 25. Sur la démonstration de la définition des « choses particulières ». Sur la controverse de l’attribut. Les Proposition 26 et 28. Comment les choses existent. De la causalité horizontale et de l’indéfini. Analyse de la notion de l’infini. De l’impossibilité de comprendre totalement l’existence d’une chose. Ce qui veut dire « Deus quatenus ». FIN DE LA PREMIERE PARTIE (p. 92 – 97) : DE LA NATURE NATURANTE ET LA NATURE NATUREE. Analyse du Scolie de la Proposition 29. De l’asymétrie du dédoublement de la Nature. Du salut spinoziste. DEUXIEME PARTIE : DE L’UNITE DES CHOSES SINGULIERES (p. 98 – 153) INTRODUCTION (p. 98 – 102) : DU RAPPORT DE L’ESSENCE A L’EXISTENCE. Ce qui se passe lorsqu’on quitte une Partie de l’Éthique. De ce qu’on a vu dans notre Première Partie. De la causalité verticale et de la causalité horizontale. Comment les essences peuvent-elles retrouver les existences, et vice versa. Description de la démarche à suivre. PREMIER PAS (p. 103 – 127) : DE L’ESSENCE Sur la définition d’une « essence ». De sa positivité. Que ce qu’un individu est par essence n’est que ce qu’il peut comprendre. De la Proposition 8, de son Corollaire et de son Scolie. Que l’existence de l’essence d’une chose ne se confond pas avec l’existence de la chose elle-même. Contre l’idée que les essences sont des choses « possibles ». Sur la notion des « grandeurs intensives » et sur la notion du « profondeur » chez Spinoza. SECOND PAS (p. 128 – 149) : DU CONATUS A LA PHYSIQUE Sur le concept du conatus. Du fait qu’il est l’essence actuelle d’une chose. Qu’on ne peut pas distinguer entre notre puissance ou effort pour persévérer dans l’être et l’être dans lequel nous nous persévérons. Du dynamisme introduit par le biais du conatus. Du rapport du quantitatif et du qualitatif, de l’idée des instants d’éternité, et du problème des essences qui sont instantanées. De la « petite physique » dans la Deuxième Partie de l’Éthique. Sur ses enjeux théoriques. Sur le matérialisme de Spinoza. De la définition de l’Individu comme rapport fixe de mouvement et de repos. Des corps simples, et que pour toute chose existante il n’est pas donné une essence. De la définition des choses singulières, et encore de la mutabilité ontologique de celles-ci. FIN DE LA DEUXIEME PARTIE (p. 150 – 153) : DE LA FINITUDE Sur l’Axiome de la Quatrième Partie de l’Éthique. Que certains rapports de mouvement et de repos en remplacent d’autres. Sur la raison pour laquelle tout rapport ne peut pas coexister. Que la destructibilité vient du biais de l’Étendue, et en particulier, du problème de l’espace. Que la chose singulière véhicule une tension entre la partie et le tout, et encore, du salut spinoziste. CONCLUSION GENERALE (p. 154 – 157) ENGLISH SUMMARY (p. 158 – 159) BIBLIOGRAPHIE (p. 160 – 165) TABLE DES MATIERES (p. 166 – 169). (shrink)

In A Confession, a memoir of his philosophical midlife crisis, Tolstoy recounts falling into despair after coming to believe that his life, and for that matter all human life, is meaningless and absurd. Although Tolstoy's account of the origin and phenomenology of his crisis is widely regarded as illuminating, his response to the crisis, namely, embracing a religious tradition that he had previously dismissed as “irrational,” “incomprehensible,” and “mingled with falsehood” seems unpromising, at best. Nevertheless, I argue, Tolstoy's account (...) of his response makes a valuable contribution to contemporary thought about the meaning and absurdity of life. I begin by drawing on classic discussions in the philosophical literature, and on Tolstoy's memoir, in order to characterize the problem of meaning and the problem of the absurd, and to clarify the relation between these problems. I then draw on Tolstoy's account of his response to his crisis in order to characterize a form of faith in our deepest values. I argue that such faith supplies one important part of the story concerning how we might respond to the problem of the absurd — a part that has been overlooked by more recent discussions of these issues. (shrink)

Ce mémoire est une étude à la jonction des études germaniques et de la phénoménologie, et s’efforce de reconstituer la problématique de l’interrogation et de la définition de l’homme à partir de l’oeuvre de Martin Heidegger (1889-1976). Prenant une perspective à la fois historiographique et philosophique, l’ambition de cette étude consiste à reconstruire un moment du corpus de Heidegger afin d’en exposer la pertinence et l’actualité philosophiques. Cette étude est divisée en trois chapitres. Le premier chapitre reprend et analyse le (...) « programme onto-phénoménologique » déployé dans Sein und Zeit, afin de comprendre comment l’« homme » était analysé de façon nouvelle par l’auteur. Le second formule l’hypothèse historiographique d’un « Heidegger III » (1959-1976), autrement dit d’un dernier Heidegger, avec l’ambition d’exposer comment la définition de l’« homme » entreprise par Heidegger s’est peu à peu modifiée afin de répondre à des difficultés d’ordre thématique et méthodologique, lesquelles furent rassemblées sous l’intitulé d’un « problème du corps » (Leibproblematik). Cette hypothèse doit en outre expliciter le statut fondamental du « corps » (Leib) dans la dernière période de l’oeuvre de Heidegger, en mettant en lumière l’importance d’un « Nietzsche matriciel » dans la réélaboration d’une interrogation et d’une définition de l’« homme » fondées sur la corporalité (Leiblichkeit). Enfin, le troisième chapitre s’attarde à comprendre et évaluer la portée et les conséquences philosophiques de cette définition heideggérienne de l’homme à partir du « corps » (Leib), notamment dans la distinction de l’homme du reste du vivant et dans la caractérisation de la « culture ». (shrink)

En los procesos de identificación social muchas veces la valoración del pasado resulta fundamental. La existencia objetiva de esa valoración ha propiciado que distintos actores sociales, en diferentes momentos históricos, hayan hecho uso del pasado en la estructuración de las ideologías que sustentan los procesos de identificación y, en consecuencia, sus propios proyectos políticos. Es decir, los mitos políticos están compuestos manifiestamente de dos componentes básicos. Por un lado, consisten en la así llamada política simbólica y por el otro lado, (...) son parte de la memoria colectiva. Es por esto que los mitos se enfrentan con las bases mismas del proyecto de modernidad, quizás la razón por la cual sea la politología la disciplina de las ciencias sociales que menos los ha estudiado. La utopía andina, el mahdi o el doceavo imán, el emperador alemán oculto y dormido y el bolivarianismo, constituyen algunos estos mitos políticos. (shrink)

Drawing on Merleau-Ponty’s “Eye and Mind” and Bergson’s Matière et mémoire and “La perception du changement,” I ask what resources are available in vision for interrupting objectifying habits of seeing. While both Bergson and Merleau-Ponty locate the possibility of seeing differently in the figure of the painter, I develop by means of their texts, and in dialogue with Iris Marion Young’s work, a more general phenomenology of hesitation that grounds what I am calling “critical-ethical vision.” Hesitation, I argue, stems from (...) affect and leads to critical memory. In hesitation, the seeming coincidence between my habits of seeing and the visible is decentered, revealing these habits and their social reference as the constitutive horizon of my field of vision. Hesitation, then, provides the phenomenological moment within which vision may become at once critically watchful, destabilizing its objectifying habits, and ethically responsive, recollecting its affective grounds. The critical and the ethical are here inseparable. Critically, this vision is an awareness of the structures of invisibility, diacritical and habitual, social and historical, to which my vision owes—dimensions which institute particular ways of seeing and being as norm while eliding others. Ethically, this is the recognition of how seeing is already seeing with others—others whose affective influence is operative within vision, even as their existence is reductively represented or denied. (shrink)

This paper explores how the diagnosis of mental disorder may affect the diagnosed subject’s self-concept by supplying an account that emphasizes the influence of autobiographical and social narratives on self-understanding. It focuses primarily on the diagnoses made according to the criteria provided by the Diagnostic Statistical Manual of Mental Disorders (DSM), and suggests that the DSM diagnosis may function as a source of narrative that affects the subject’s self-concept. Engaging in this analysis by appealing to autobiographies and memoirs written by (...) people diagnosed with mental disorder, the paper concludes that a DSM diagnosis is a double-edged sword for self- concept. On the one hand, it sets the subject’s experience in an established classificatory system which can facilitate self-understanding by providing insight into subject’s condition and guiding her personal growth, as well as treatment and recovery. In this sense, the DSM diagnosis may have positive repercussions on self-development. On the other hand, however, given the DSM’s symptom-based approach and its adoption of the Biomedical Disease model, a diagnosis may force the subject to make sense of her condition divorced from other elements in her life that may be affecting her mental- health. It may lead her frame her experience only as an irreversible imbalance. This form of self-understanding may set limits on the subject’s hopes of recovery and may create impediments to her flourishing. (shrink)

Individuals suffering from depression consistently report experiencing a lack of connectedness with others. David Karp (2017, 73), in his memoir and study of depression, has gone so far to describe depression as “an illness of isolation, a disease of disconnectedness”. It has become common, in phenomenological circles, to attribute this social impairment to the depressed individual experiencing their body as corporealized, acting as a barrier between them and the world around them (Fuchs 2005, 2016). In this paper, I offer (...) an alternative view of the experience of social disconnectedness in depression, suggesting that rather than necessarily experiencing their body as object-like, the depressed individual’s bodily is saturated with experiences of lethargy, tiredness, heaviness, sadness, hopelessness and so on, to the exclusion of being able to bodily connect to others. I suggest that depression does not involve a complete social impairment but a specific impairment of affective forms of interpersonal experience. (shrink)

In 2003, biophysicist and Nobel Laureate Maurice Wilkins published his autobiography entitled The Third Man. In the preface, he diffidently points out that the title was chosen by his publisher, as a reference to the famous 1949 movie no doubt, featuring Orson Welles in his classical role as penicillin racketeer Harry Lime. In this paper I intend to show that there is much more to this title than merely its familiar ring. If subjected to a comparative analysis, multiple correspondences between (...) movie and memoirs can be brought to the fore. Taken together, these documents shed an intriguing light on the vicissitudes of budding life sciences research during the post-war era. I will focus my comparative analysis on issues still relevant today, such as dual use, the handling of sensitive scientific information and, finally, on the interwovenness of science and warfare. Thus, I will explain how science autobiographies on the one hand and genres of the imagination on the other may deepen our comprehension of tensions and dilemmas of life sciences research then and now. For that reason, science autobiographies can provide valuable input for teaching philosophy and history of science to science students. (shrink)

Excerpts and paraphrases of this memoir appeared in 2008 and 2009. I posted it in full here in happy memory of Peter Hare and my joyful years with him. -/- 2008. Remembering Peter Hare 1935–2008. Philosophy Now. Co-authors: T. Madigan and A. Razin. Issue 66 March/April 2008. Pages 50–2. PDF -/- 2009. Remembering My Life with Peter Hare. Remembering Peter Hare 1935–2008. Ed. J. Campbell. Society for the Advancement of American Philosophy. pp. 9–16. http://american-philosophy.org/documents/RememberingPeterHare_final.pdf -/- Peter H. Hare, Distinguished (...) Professor Emeritus of Philosophy at the University of Buffalo (SUNY at Buffalo), died peacefully in his sleep on Thursday, January 3, 2008. I would like to share my memories of my life with him. Others have eulogized him, enumerated his virtues and accomplishments, and written his obituaries. I am revisiting my personal relationship with him. These memories are as much about me as about him. (shrink)

An examination of the specifically graphic-novelistic strategies employed in Art Spiegelman's graphic memoir, Maus, in leading the reader into a punctuated experience of time and memory, and in forcing complicity with the novel's problematic animal-as-ethnicity metaphor, in a wider attempt at putting together the critical vocabulary for discussing comic books as simultaneously textual and pictorial ‘texts’.

In a 2014 article in The Guardian, an Indigenous shaman of the Yanomami people of the Amazon rainforest named Davi Kopenawa offers a devastating critique of white society. It is formed of excerpts from multiple interviews, which form the basis of his memoir The Falling Sky, compiled and translated by his French anthropologist collaborator Bruce Albert. Here I bring the dual lenses of philosophy and dance studies to explore how Kopenawa’s lifelong interaction with white people facilitated his reworking of (...) Yanomami shamanic discourse into a parrhesia against the “epidemic fumes” of climate change, on behalf of the Yanomami of the Amazon, white people, and all the beings of the earth. (shrink)

In Naked, Krista K. Thomason offers a multi-faceted account of shame, covering its nature as an emotion, its positive and negative roles in moral life, its association with violence, and its provocation through invitations to shame, public shaming, and stigmatization. Along the way, she reflects on a range of examples drawn from literature, memoirs, journalism, and her own imagination. She also considers alternative views at length, draws a wealth of important distinctions, and articulates many of the most intuitive objections to (...) her own view in order to defend it more thoroughly. As such, the book’s subtitle, The Dark Side of Shame and Moral Life, undersells its scope and ambition. This is an exploration not just of shame’s dark side but a kaleidoscopic appreciation of both the nature and the (dis)value of shame and shaming. Somewhat undercutting this breadth, Thomason relies heavily on Kantian intuitions about equal respect and recognition for persons and their dignity; in several key arguments, she tells us to disregard predictable and systematic consequences of emotions, practices, and institutions so that we can better focus on their constitutive or internal aspects. Of course, every philosopher inevitably brings theoretical commitments to bear when writing about moral psychology, but non-Kantian readers should be forewarned that — despite the fact that Thomason says that she does “not assume any particular moral theory” — her ethical conclusions about shaming and stigmatizing are likely to be plausible only to those who are already snugly tied into a web of “Kantian commitments” (p. 9). (shrink)

In the first two chapters of his 1925 book Les cadres sociaux de la mémoire (The Social Frameworks of Memory), the French sociologist Maurice Halbwachs (1877-1945) develops a sustained comparison between remembering and dreaming. Engaging in detail with large bodies of contemporary research in psychology, physiology, philosophy, and linguistics, he aims to combat what he calls the ‘surprising’ tendency of ‘psychological treatises that deal with memory’ to treat each of us as ‘an isolated being’ (1925/ 1994, vi) 1. In the (...) course of making a case that memory is deeply situated and social, Halbwachs offers a subtle and challenging treatment of dreams. (shrink)

Thinking of the evils of homophobia and what is needed to survive them requires acknowledging a new category of evil besides the evils of individual deeds, social practices and social structures. That further category is evil social environments. Building on the work of Jeremy Waldron on the harm in hate speech, this chapter extends that account to certain hate crimes that, like the written word, send a lingering social message. The cases of four women survivors of homophobia are then examined (...) in relation to such harm. Two who wrote memoirs had been targeted for murder, one in an evil environment, the other in a more positively responsive environment. The remaining two survival stories are less dramatic. But they are important in how they illustrate ordinary challenges faced successfully by lesbians and gay men in emotionally toxic environments, and how, in this sense, those not directly threatened with murder might still be justly regarded as survivors. The chapter concludes with reflections on the meanings of survival and some of the costs of surviving an evil homophobic environment. (shrink)

In this article I rethink death and mortality on the basis of birth and natality, drawing on the work of the Italian feminist philosopher Adriana Cavarero. She understands birth to be the corporeal event whereby a unique person emerges from the mother’s body into the common world. On this basis Cavarero reconceives death as consisting in bodily dissolution and re-integration into cosmic life. This impersonal conception of death coheres badly with her view that birth is never exclusively material but always (...) has ontological significance as the appearance of someone new and singular in the world of relations with others. This view of birth calls for a relational conception of death, which I develop in this article. On this conception, death is always collective, affecting all those with whom the one who dies has maintained relations: As such, our different deaths shade into one another. Moreover, because each person is unique in virtue of consisting of a unique web of relations with others, death always happens to persons as webs of relations. Death is relational in this way as a corporeal, and specifically biological, phenomenon, to which we are subject as bodily beings and as interdependent living organisms. I explore this with reference to Simone de Beauvoir’s memoir of her mother’s death from cancer. Finally I argue that, on this relational conception, death is something to be feared. (shrink)

This essay discusses various representations of Eichmann's mind that were fashioned on the occasion of his trial in Jerusalem in 1961. Gideon Hausner the prosecutor presented the defendant as demonic. Hannah Arendt, the German-born American Jewish philosopher portrayed him as banal or thoughtless. Limiting themselves to the issue of mens rea in their judgment, the Israeli Supreme Court justices described Eichmann's mind as controlled by criminal intent. While these views have been widely discussed in the literature, much of this essay (...) focuses on a hitherto little noted perspective on Eichmann's mind that was formulated by the mental health experts who examined Eichmann for the prosecution. As compared to the inclusionist, confictual, and complex picture these experts presented of Eichmann's mind, Arendt's and Hausner's views appear similar in their reductionism, rather than diametrically opposed, while the approach of the Supreme Court justices to Eichmann's mind can be regarded as restrictive. Methodological problems involved in all these different perspectives are discussed, and it is argued that even though the psychological outlook declares itself to be non-judgmental, it does, in fact, entail a dimension of moral judgment. Finally, Eichmann 's recently declassified memoirs are adduced and interpreted as lending some support to the psychological, inclusionist perspective on Eichmann's mind. (shrink)

How does a coloured bird end up on a TUGboat? This is the story of an artist who studied philosophy and combined her skills in a PhD at the University of Amsterdam (NL). In order to write her dissertation, she had to learn the LaTeX typesetting programme. Many years later, she still makes art and still writes down her thoughts in LaTeX, with the Memoir class and XeLaTeX as first choice. Always trying to stretch the limits of the programme (...) to her convenience. -/- This essay is not a technical article written by a developer conjuring up ingenious innovations to the LaTeX programme. By contrast, it discusses the relationship between LaTeX, art (photography) and the concept of 'measurability' from the perspective of a philosophising artist. (shrink)

In Augustinus Niphus’ commentary on Aristotle’s Physics some marginal annotations can be considered an aide-mémoire for teachers commenting Aristotle’s text. In these annotations titles of questions concerning problems raised by Aristotle’s discussion on motion are recorded together with some medieval and renaissance comments. The analysis of these annotations is limited to the pages of the discussion on vacuum.

The advance of mechanism in science and philosophy in the 17th century created a great interest to machines or automata. Leibniz was no exception - in an early memoir Drôle de pensée he wrote admiringly about a machine that could walk on water, exhibited in Paris. The idea of automatic processing in general had a large role in his thought, as can be seen, for example, in his invention of the binary code and the so-called Calculemus!-model for solving controversies. (...) In metaphysics, the idea of an automata was expressed most clearly in the 1695 article New System of the Nature of Substances and their Communication, and the ensuing correspondence with, among others, Foucher, Bayle, Lamy, Jaquelot and Masham. In the article Leibniz discusses the soul as a spiritual machine in the context of pre-established harmony, arguing that God can "give to a substance at the outset a nature or internal force which could produce in it an orderly way (as in spiritual or formal automaton; but a free one, in the case of a substance which is endowed with a share of reason) everything that is going to happen to it, that is to say, all the appearances or expressions it is going to have, and all without the help of any created thing." The basic idea of Leibniz's spiritual machine is that the soul or entelechy is an autonomous and spontaneous unity, consisting of internal active force and producing its own perceptions (both confused and distinct). It is a self-moving machine, driven by its perceptions and appetites, but it follows (without being conscious of it) a lawful series or programme created by God. The entelechy remains the same despite undergoing an infinite number of changes. To Foucher he explained that each state of the individual substance is a consequence of its preceding one, "as if there were only God and the substance in the world". Despite this, the spiritual machine is related not only to God, but through the pre-established harmony to bodies or natural machines. However, as it is not dependent on them, the spiritual machine is superiot to natural machines. In this paper I concentrate on three moral themes related to the spiritual machine: moral deliberation, moral identity and the goal of moral action. All these themes are more or less implicit in the New System, but are discussed in more detail in the ensuing correspondence after the publication of the article. Finally, the themes are given an extended discussion especially in the second book of New Essays on Human Understanding (1704, published 1765), written partly at the same time as some of the correspondence and unpublished related material. I will first give an overview of Leibniz's position concerning the spiritual machine or automaton in the New System and then go on to explore the three moral themes one by one, as they feature in the subsequent correspondence and in the New Essays. I will show that the three topics are essential to the function of the spiritual machine – to Sophie Charlotte Leibniz wrote: "...let us say that everything in bodies happens mechanically, or in accordance with laws of motion, and that everything in the soul happens morally, or in accordance with perceived good or evil." There are many texts that anticipate the views in the New System (notably the unpublished memoir De Affectibus of 1679) and Leibniz continued to discuss its themes later on (in addition to correpondence, for example, in Theodicy of 1710 and Monadology and Principles of Nature and Grace of 1714). Here I focus on the short-term development of Leibniz's views on the topic (around 1695-1705), but I argue that his basic view of the spiritual machine did not change much after finishing the dialogue with Locke in 1704. (shrink)

It is often said that human rights are the rights that people possess simply in virtue of being human – that is, in virtue of their intrinsic, dignity-defining common humanity. Yet, on closer inspection the human rights landscape doesn’t look so even. Once we bring perpetrators of human rights abuse and their victims into the picture, attributions of humanity to persons become unstable. In this essay, I trace the ways in which rights discourse ascribes variable humanity to certain categories of (...) people. I set the stage for my discussion of the human in relation to human rights by examining John Locke’s account of the justification for punishment. For Locke, in committing a crime one abrogates one’s humanity and forfeits one’s rights. Likewise, I argue, human rights discourse takes a scalar view of humanity. I consider victims of genocide who are dehumanized as helpless and passive, victims of state persecution who are super-humanized as righteously agentic, and perpetrators of genocide who are dehumanized as out-of-control beasts. In each case I use relevant testimony to argue that the scalar view of humanity is factually incorrect and morally deplorable. For genocide victims, I discuss testimony that Selma Leydesdorff gathered from women who survived the Srebrenica massacre. For a victim of persecution, I discuss Liao Yiwu’s memoire of his detention and imprisonment in China because of his artwork protesting the Tiananmen Square massacre. For perpetrators of genocide, I discuss testimony Jean Hatzfeld gathered from Hutu men who systematically murdered Tutsis in the Rwandan genocide. Finally, I apply my critique of dehumanized and super-humanized victims and dehumanized perpetrators to the problem of transnational trafficking in persons and argue that the view I advocate necessitates reforming immigration policy with respect to persons trafficked into forced labor. (shrink)

La plupart des auteur-es ayant abordé le problème de l'extension du cognitif, tel qu'il a émergé des débats autour de la thèse de l'esprit étendu, ont supposé que cette extension devait prendre la forme d'un espace régulier, qui peut être ceint par des frontières. Cependant, la littérature en question ne traite pas explicitement de cette supposition, de sorte que, malgré son influence, il n'y a pas d'évaluation de sa véracité ou de sa légitimité. Dans ce mémoire, cette hypothèse est remise (...) en question, et nous prenons sa contrepartie pour hypothèse de recherche, à savoir que, malgré l'assurance des auteur-es qui l'épousent, il est tout à fait légitime d'explorer des propositions de caractérisation du cognitif qui aboutissent à d'autres formes d'extension. Pour démontrer notre hypothèse (H1), nous posons deux autres hypothèses : (H2) les auteur-es qui épousent la supposition selon laquelle l'esprit doit s'étendre sur un espace ceint par des frontières le font sur la base de l'intuition individualiste, et (H3) l'intuition individualiste, malgré certaines apparences, ne permet pas de justifier cette supposition. Nous démontrons H2 à l'aide d'une analyse de texte faite sur le corpus des auteur-es ayant abordé la question de l'extension du cognitif dans la foulée des débats sur l'esprit étendu, et nous montrons que la littérature en sciences cognitives et en philosophie de l'esprit nous donne des raisons de croire que H3 est vraie. Ensemble, H2 et H3 justifient H1. (shrink)

Spinoza, le spinozisme et les fondements de la sécularisation est un ouvrage dédié à la mémoire d’Emmanuel Levinas, dont l’auteur a été l’élève durant plusieurs années. Il vise, à travers une analyse d’ordre philosophique, historique, épistémologique et théologique, à mettre au jour les conditions d’émergence interrelatées du spinozisme et de la sécularisation. Pour ce faire, il souligne, entre autres, l’importance des polémiques anti-maimonidiennes, des débats sur les attributs divins, la substance, l’infini, du marranisme et de la Kabbale sur la formation (...) du spinozisme, ainsi que son rapport à la pensée contemporaine. Il mène une recherche interdisciplinaire devant permettre d’éclairer l’origine des difficultés théoriques que ce système philosophique présente. (shrink)

We lead off this issue of Childhood and Philosophy with a collection of testimonies, homages, and brief memoirs offered from around the world in response to the death of the founder of Philosophy for Children, Matthew Lipman on December 26, 2010, at the age of 87. To characterize Lipman as “founder” is completely accurate, but barely evokes the role he played in conceiving, giving birth to, and nurturing this curriculum cum pedagogy that became a movement, and which has taken root (...) in over 40 countries, from Iceland to Nigeria to Taiwan to Chile and everywhere in between. The movement itself is broader than the program, which has in fact experienced multiple transformations in multiple contexts over its half-century of life. In fact, as many of the testimonies below either state outright or imply, the movement is an emancipatory one and thus implicitly political, infused with all the long-suffering hope for our species inspired in us by the fact of natality, and by our own intuitive faith in the transformative power of reason—or as Lipman came to call it, “reasonableness.” For those seized by its educational possibilities, it presents a sudden influx of sunlight and fresh air into an institution long stultified by its own rigid habitus, and promises the reconstruction of schooling in the image of authentic democratic practice that recognizes and honors the unique capacities of children. As Philosophy in the Classroom—Lipman’s first and now classic statement of educational philosophy--puts it, the movement promises a re-orientation of the goal of education from information (or “learning”) to meaning, and inaugurates the dialogue with childhood and children that follows from that. Lipman was not just founder of this movement but creator, inventor, developer, convener, organizer, faithful soldier, ambassador, apologist, polemicist, propagandist, and, finally, undying optimist. (shrink)

The Harvard physiologists Alexander Forbes (1882-1965) and Walter Bradford Cannon (1871-1945) had an enormous impact on the physiology and neuroscience of the twentieth century. In addition to their voluminous scientific output, they also used literature to reflect on the nature of science itself and its social significance. Forbes wrote a novel, The Radio Gunner, a literary memoir, Quest for a Northern Air Route, and several short stories. Cannon, in addition to several books of popular science, wrote a literary (...) class='Hi'>memoir in the last year of his life, The Way of an Investigator. The following will provide a brief overview of the life and work of Forbes and Cannon. It will then discuss the way that Forbes used literature to express his views about the changing role of communications technology in the military, and his evolving view of the nervous system itself as a kind of information-processing device. It will go on to discuss the way that Cannon used literature to articulate the horrors he witnessed on the battlefield, as well as to contribute to the philosophy of science, and in particular, to the logic of scientific discovery. Finally, it will consider the historical and philosophical value of deeper investigation of the literary productions of scientists. (shrink)

In recent years, the notion of “tiger mother” has been popularized since Amy Chua’s publication of her memoir, Battle Hymn of the Tiger Mother (2011). This notion is allegedly representative of “Chinese” mothering that produces “stereotypically successful kids” (ibid., p.3). No wonder, the characteristics of the tiger mother revolve around strict disciplining and pressuring of children to excel academically based on her assumption that children “owe everything” to her and that she knows “what is best for [the] children” (ibid., (...) p.53). Chinese mothering is based roughly on Confucian mothering—a traditional mothering style originating from Confucian East Asia. Given the intense debate that has been generated by this popular book, it seems timely to theorize about what Confucian mothering involves, which has been largely neglected by Confucians themselves or contemporary feminists. This chapter attempts to start a conversation on this very important topic and explores the idea of Confucian mothering as follows: In sections II and III, I examine exemplary mothers in Confucian East Asia of the past in order to derive a preliminary idea of Confucian mothering. In order to consider whether Confucian mothering is conducive to promoting the Confucian ideal, I first identify the Confucian ideal in section IV by providing a plausible conception of Confucianism as a universal philosophical system. In section V, I elaborate on how Confucian mothering in its goal and style has been conducive to enabling male children to realize the Confucian ideal. Yet these historical instances of Confucian mothering cannot be incorporated into the universal Confucian philosophical system because Confucian mothers themselves were prevented from realizing the Confucian ideal. I therefore argue in section VI for a reconceptualization of Confucian mothering consistent with Confucianism as a universal philosophical system. Reconceptualized in this way, I show in section VII the ways in which Confucian mothering is distinct from tiger mothering and argue that tiger mothering is morally unjustifiable. Finally, I conclude by examining why Confucian mothering is relevant even for contemporary American parents in the 21st century. (shrink)

In a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thinly disguised memoirs—as not really novels at all. In this paper, I discuss this charge by drawing on an account by the philosopher Stephen Mulhall of the work of another (...) distinguished novelist—J.M. Coetzee (more specifically, that work which features the character Elizabeth Costello). In particular, I want to establish the pertinence to Chaudhuri’s lecture of Mulhall’s analogy between aspects of that work and the work of the influential art historian and critic Michael Fried on the history of modernist painting. In so doing, I aim to show that the commitment to the projects of literary modernism and realism which Mulhall sees in Coetzee (and Costello), can also be seen in Chaudhuri’s understanding of the sense in which his novels both are, and are not, autobiographical. (shrink)

Abstract: Reflecting on the practice of being a Spinoza scholar and Spinozist in Trump's Pandemic America, I argue that we can find consolation in Spinoza's insistent norm -- to understand rather than to blame, to banish free will as explanans so we can fully understand the explanandum. Just as Boethius reflected on human misunderstanding of luck, so Spinoza teaches that we need, in moments of despair, to look not to superstition, but to the recognition of the causal forces that yield (...) our triumphs and failures, and to understand them. While we are unmoored in the chaos of Trump's America, in the joyful expression of popular emancipatory power in the Black Lives Matters mass demonstrations and marches through American cities and suburbs, and the nightly horror of demonstrators murdered by police, I reach back to another moment of chaos with liberatory and nightmarish potential -- the years just after the U.S. Civil War described in Leaves of Grass. We can find Spinozist moments in Whitman's poem and philosophical memoir -- a kind of American Spinozism. As he travels among the horrors and the new possibilities of American life, Whitman insists on seeing and feeling the world as it is -- terrible, wonderful, in all its fleshy imperfection, while finding hope in these same flawed particulars. In 2020, Trump's America, Spinoza and Spinozism are not just relevant, are not just consolations in the Boethian sense, but they are essential epistemic survival tools for a world quite obviously in motion. (shrink)

Introduction / St.L. JAKI (pp. 9-19). Présentation / J.-Fr. STOFFEL (p. 21). – L'œuvre de Pierre Duhem (pp. 25-113). Publications post­humes (pp. 115-129). – IIe partie : Les travaux de ses doc­torands. Fernand Caubet (pp. 133-135). Henry Chevallier (pp. 137-141). Émile Lenoble (pp. 143-144). Lucien Marchis (pp. 145-154). Eugène Monnet (pp. 155-156). Henri Pélabon (pp. 157-168). Paul Saurel (pp. 169-172). Albert Turpain (pp. 173-197). – IIIe partie : La litté­rature secondaire. Thèses et mé­moires (pp. 201-202). Livres (pp. 203-205). Biographies et (...) étu­des générales (pp. 207-209). Duhem en perspective (pp. 211-212). Le philosophe de la physique (pp. 213-234). L'histo­rien des théories physiques (pp. 235-243). Le physicien (pp. 245-251). Le croyant (pp. 253-256). Notices nécrologiques (pp. 257-258). Notices de dictionnaires et d'encyclopédies (pp. 259-260). – IVe partie : Index. (shrink)

This paper explores the relation between victims’ stories and normativity. As a contribution to understanding how the stories of those who have been abused or oppressed can advance moral understanding, catalyze moral innovation, and guide social change, this paper focuses on narrative as a variegated form of representation and asks whether personal narratives of victimization play any distinctive role in human rights discourse. In view of the fact that a number of prominent students of narrative build normativity into their accounts, (...) it might seem obvious that there is a connection between victims’ stories and moral insight. However, the category of victims’ stories spans an enormous variety of texts – private diaries, memoirs written for publication, interviews with journalists or social scientists, depositions prepared by human rights workers, stories shared with like-minded activists or with support groups, stories told to medical professionals, and testimony in courts, truth commissions and asylum hearings, to mention just some of the possibilities. The different contexts of elicitation and the different rules governing expression in these sites should make us wary of ready generalizations about the nature of victims’ narratives. Moreover, I doubt that existing explications of the way in which norms figure in narratives yield satisfactory theories of the contribution victims’ stories can make to discovering and defending just policies and practices. I consider two of the most prominent accounts of the relation between narrative and normativity. For different reasons, the account Anthony Amsterdam and Jerome Bruner present in their work on narrative and law and the account Hayden White presents in his work on narrative and history fail to appreciate the capacity of victims’ stories of abuse to advance understanding of and increase respect for human rights. In defense of the value of victims’ stories, I propose an account of the relation between normativity and a salient type of victim’s narrative that seems especially resistant to integration into human rights discourse. -/- . (shrink)

Born to secular Jewish parents and raised in Camden, New Jersey, Andrea Dworkin became a radical second-wave feminist. By Dworkin’s own account, her work is informed by a series of negative personal experiences, including sexual assault at age nine, again by doctors at the Women's House of Detention in New York in 1965, work as a prostitute, and marriage to a battering husband whom she left in 1971. While Dworkin self-identified as a lesbian, since 1974 she lived with a gay (...) male partner, writer John Stoltenberg, whom she married in 1998. Understandably, the main theme of Dworkin's work is male violence against women. This violence is a defining feature of our male-supremacist culture, in which rape, prostitution, and pornography are inevitable expressions of gender norms. Dworkin's writings are primarily aimed at social change rather than intellectualizing. She describes her first book as "a political action where revolution is the goal". What one finds in her writings is not so much philosophical theorizing as calls to action. Thus it is difficult to summarize the abstract theory to which she is committed and from which she draws arguments against the sexism she finds in our culture. What is clear is her desire to eliminate binary concepts of gender and their oppressive effects. In particular, Dworkin urges the destruction of a female gender role that involves masochism, self-hatred, and passivity. She sees male supremacy constructed and reinforced in our culture through the sexist structuring of public institutions and private interactions, locating three crucial foci of male supremacy in action: pornography, sexual intercourse, and rape. These are her central concerns. Her work includes seven monographs, three collections of essays and speeches, a memoir, two novels, and a book of short stories, all of which explore these themes. (shrink)

In this paper I will discuss the doctrine of substance which emerges from Leibniz’s unpublished early memoir De affectibus of 1679. The memoir marks a new stage in Leibniz’s views of the mind. The motivation for this change can be found in Leibniz’s rejection of the Cartesian theory of passion and action in the 1670s. His early Aristotelianism and some features of Cartesianism persisted to which Leibniz added influences from Hobbes and Spinoza. His nascent dynamical concept of substance (...) is seemingly a combination of old and fresh influences, representing a characteristically eclectic approach, but I will argue that the influence of Hobbes is especially important in the memoir. To do that, I will examine Leibniz’s development in the 1670s up to the De affectibus and consider the nature of affects in the memoir, especially the first affect which starts the thought sequence. This first affect of pleasure or pain is the key to Leibniz’s theory of active substances and in this way to the whole of Leibniz’s moral psychology and ethical metaphysics. (shrink)

Tout le film est toujours une microphysique du pouvoir, en potence, d’être étudier. Aujourd’hui l'augmentation des productions d'horreur et son public ont fait le film d'horreur une «contreculture» dominante, mais toujours sous l'effet négatif du pouvoir et du savoir qui disqualifient les discours, matérialisée dans ces films, ce qui les rend illégitime et exiler en soi espace filmique, transformée en un lieu adapté pour interdite et marquée par certaines pratiques discursives avec certains dispositifs d'exclusion. Paradoxalement, les types marginaux qui apparaissent (...) dans l'ordre de ces productions occupent les positions de sujets à exercer le pouvoir dans l'horreur et dans le même temps le renforcement de leur marginalité et de son objectivation. Ces aspects et les spécificités qui caractérisent les productions d'une part, nous ont amenés à identifier les pratiques de l'objectivation qui transforment corps dans les sujets dans l'horreur; d'autre part, de démontrer que ces films constituent une nouvelle technologie de contrôle social des corps, mais l'objectif principal de cette étude est d'analyser les relations de pouvoir à travers l'antagonisme des stratégies dans ce discours, qui est, pour savoir ce que cela signifie d'avoir un corps libre, nous examinons ce qui se passe sur le corps subjugué dans les films d'horreur, prenant l'archeogenealogie de Foucault comme base théorique. Cette questionhypothèse aurait un autre groupe: d'où pourrait faire une telle histoire? Nous supposons que dans les moments de crise, les films d'horreur ont beaucoup à prouver, donc nous avons opté pour un très similaire à celui qui Foucault a été invité par les experts de la revue Cahiers du cinéma pour discuter des conditions pour les productions cinématographiques comme Le Chagrin et la Pitié (1969), Portier de nuit (1974) et Lacombe Lucien (1974), quand on a regardé le déclin du gaullisme et l’ascention de Valéry Giscard d'Estaing , le vainqueur de la présidentielle de 1974, avec le soutien de l'ancien droit Tardieu et petainistes, anciens alliés de l'occupation du Führer Hitler de la France, entre 1940 à 1943. Maintenant, les conditions de production sont ceux qui marquent la fin des gouvernements socialistes de Mitterrand et Chirac, et le retour au pouvoir de la droite, à l'ascension politique de Nicolas Sarkozy. Au milieu de la crise économique de l'Union Européenne, flotte dans l'air la peur terrifiante de risque que l'arrivée de l'extrême droite au pouvoir. La présence croissante d'immigrants est aussi dans l'ordre d'une nouvelle crise de l'identité française. Ce sont les conditions de production de À l'intérieur, Frontière (s),Martyrs, Ils, La Meute, Captifs et Derrière les murs et, des films qui font partie de notre corpus. À la methodologie, nous développons les trois concepts opérationnels: le dispositif filmique de la mémoire, de la vérité et de l'objectivité pour traiter la mémoire populaire, recodé dans ces films et soi-disant perçu par nous comme l'un des principaux modes de contrôle des corps d’horreur; la notion d’intericonicité est encore utilisée pour indiquer des images qui renvoient à d'autres, mais tout en réalisant que chaque image a dans sa juxtaposition afin de utopies des hétérotopies. Donc, nous avons décidé de donner une nouvelle forme à cette notion, y compris l'utopique juxtaposés à des espaces hétérotopiques, sous l'influence de la discussion faite par Foucault dans le Corps utopique et Les hétérotopies. Keyword:Mémoire. Corps. Pouvoir. Discours politique. Film français d’horreur. (shrink)

In this paper I attempt to both look beyond our general contempt for torture to investigate the processes and procedures that must be in place for torture to even occur and show how our contempt actually serves to support these processes and procedures. The idea that the torturer is not simply someone who performs a particular activity but rather someone who, through his activity, becomes something alien and nightmarish to us has become so ingrained in our understanding of torture that (...) it is rather difficult to remember that, regardless of how we might feel about it, the torturer is still a person performing an activity. Yet if we begin to take this simple fact more seriously and try to understand how particular people came to perform these particular activities then perhaps we can achieve a more realistic depiction of torture that is not just victim versus torturer, but instead something far more complicated. By looking at what torturers have said - in interviews, testimonies, and memoirs - rather than only what has been said about them, we can find that many of the concepts that have been applied to victims of torture can be usefully applied to the perpetrators as well, thus requiring that we pay more attention to the context in which torture takes place and less attention to merely our outrage over the fact that torture does take place. (shrink)

Descartes argued that the passions of the soul were immediately felt in the body, as the animal spirits, affected by the movement of the pineal gland, spread through the body. In Leibniz the effect of emotions in the body is a different question as he did not allow the direct interaction between the mind and the body, although maintaining a psychophysical parallelism between them. -/- In general, he avoids discussing emotions in bodily terms, saying that general inclinations, passions, pleasures and (...) pains belong only to the mind or to the soul (NE II, xxi, §72). He is also keen to point out that our passions derive mostly from our bodies. However, like Spinoza (Ethics III, prop. XI, Scholium) he thought that some emotions such as joy can produce pleasures which can be described also in bodily terms. For example, in a short memoir Felicity he says that music can be a pleasure for the ears and symmetry can be a pleasure for the eyes. These more intellectual emotions are actions in the sense that they represent perfection emanating from their source, the absolutely perfect being, that is, God. The feeling of perfection may produce a state of well-being which concerns both the soul and the body. -/- In my paper I will trace instances of Leibniz’s remarks on how these kind of emotions affect the body. I will also discuss the different ways the body gives rise to passions in the soul. My primary source is Nouveaux essais, book II, chapter xx and xxi, but I will also discuss various other writings by Leibniz. (shrink)

Patricia Williams in her book, The Alchemy of Race and Rights, describes being denied entrance in the middle of the afternoon by a “saleschild.” Utilizing the works of Maurice Merleau-Ponty, this article explores their interaction phenomenologically. This small interaction of seemingly simple misunderstanding represents a limit condition in Merleau-Ponty’s analysis. His phenomenological framework does not explain the chasm between the “saleschild” and Williams, that in a sense they do not participate in the same world. This interaction between the “saleschild” and (...) Williams represents a moment when the two contest exactly what is reason in our society. To the extent that society discerns one’s actions as reasonable and the other’s actions as unreasonable, our society participates in determining that which constitutes reason. Williams’s work speaks precisely to this chasm as evident in her text’s subtitle, Memoirs of a Mad Woman. This decision relegates one subject to “judiciousness” and relegates the other to “madness.”. (shrink)

L’objet théorique discours acquiert sa spécificité analytique dans la confrontation avec la matérialité du numérique dans ses propres conditions de production: cela ouvre à la recherche des formes textuelles des vlogs comme technologies de langage dans la composition de différentes matérialités signifiantes. Ce travail interroge le processus du mettre en circulation cette composition matériel du vlog, qui est investi du sens de la création et il est soutenu par le mode juridique d'administration, particulièrement par les droits d’auteur. Le procédé analytique (...) est fondé, à partir d’une position matérialiste dans l’Analyse de Discours, sur le recoupement de séquences discursives des traits socio-historiques décantés dans le langagier. Les gestes de description doivent, à cet effet, considérer le mode particulier d’inscription matérielle des vlogs dans le numérique pour montrer le travail entre la mémoire et l’actualisation. (shrink)

The article intends to present untold narratives from Filipino overseas migrant workers that the author personally encountered and interviewed. Literature that primarily focuses on their quotidian lives is rarely discussed and written. The author used travel memoir as a primary method to describe his journey reflections while not neglecting academic inquiry relying on existing works of literature (secondary sources) to validate his observations. The author gathered significant pathways from his travels to engage in a historical search on the distinct (...) and diversified cultures formed and transformed by Filipino overseas migrant workers. -/- The scope and limitations of this paper are centered on Filipinos dwelling in particular countries in the Southeast Asian region as follows: Malaysia (2014), Singapore (2014), Cambodia (2017), Brunei Darussalam (2016), and Europe - solely focused on Spain (2018). This paper intends to contribute to the flourishing discipline of Diaspora Studies. Furthermore, it strives to offer significant literature on a particular sectoral field, Women's Studies. The paper also produced testimonial narratives that describe the intersectionality of Filipino women as migrant workers, except for the case of workers in Brunei Darussalam. -/- The author has ascertained a multitude of insights, realizations, and overlying themes. For instance, Filipino overseas migrant workers in Malaysia experienced common themes of violence and struggles; determining Filipino spaces in Singapore; establishing Filipino identity and culture in Cambodia; realized opportunities and challenges from the phenomenon of transnationalism of some migrant workers in Spain; and coping mechanisms of some male migrant workers in Brunei. On the one hand, such writings may not be considered groundbreaking work on the creation of academic narratives. On the other hand, the author contends such themes of opportunities, struggles, and sacrifices of Filipino migrant workers narratives are diachronic - continuous through time. (shrink)