Results for 'techne'

37 found
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  1. Technê and Understanding.Cheng-Hung Tsai - 2014 - National Taiwan University Philosophical Review 47:39-60.
    How can we acquire understanding? Linda Zagzebski has long claimed that understanding is acquired through, or arises from, mastering a particular practical technê. In this paper, I explicate Zagzebski’s claim and argue that the claim is problematic. Based on a critical examination of Zagzebski’s claim, I propose, in conclusion and in brief, a new claim regarding the acquisition of understanding.
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  2. Dance Techne: Kinetic Bodily Logos and Thinking in Movement.Jaana Parviainen - 2003 - Nordic Journal of Aesthetics (27-28):159-175.
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  3.  77
    Methode oder Techne? Ethik und Realität in der "Phänomenologischen" Reduktion Max Schelers.Guido Cusinato - 1998 - In C. Bermes, Wolfhart Henckmann & H. Leonardy (eds.), Denken des Ursprungs - Ursprung des Denkens. K&N. pp. 83-97.
    Wie bekannt hat Scheler den Begriff der "phänomenologischen Reduktion" ausdrücklich von Husserl übernommen1, dennoch behauptet in der letzten Schaffensperiode ebenso deutlich, den Terminus "Phänomenologie" vermeiden zu wollen, und tatsächlich verwendet er entweder den Ausdruck "phänomenologische Reduktion" in Anführungszeichen oder den Begriff "Techne der Reduktion". Die These, die ich zu entwickeln versuchen werde, ist, daß es bei Scheler nicht nur eine einzige Theorie der Reduktion gibt und daß, ebenso wie verschiedene Realitätstheorien zu unterscheiden sind, ebenso viele Versuche zu erkennen sind, (...)
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  4. Back to the Rough Ground: “Phronesis” and “Techne” in Modern Philosophy and in Aristotle by Joseph Dunne.Albert R. Jonsen - 1993 - Common Knowledge 25 (1-3):422-422.
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  5.  62
    Harmonising Physis and Techne: The Mediating Role of Philosophy. [REVIEW]Luciano Floridi - 2011 - Philosophy and Technology 24 (1):1-3.
    The relationship between the physical world and technology is fraught with complications; and yet both physis and techne are necessary to create the environment in which humanity may flourish. Approaching the issue from a philosophical standpoint, this article introduces a series of papers that deal with the interface between philosophy and technology, the critical discussion of the challenges posed by technologies, and their impact or implications.
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  6.  56
    Informatics: Science or Téchne?Tito Palmeiro - 2016 - O Que Nos Faz Pensar 25:88-97.
    Informatics is generally understood as a “new technology” and is therewith discussed according to technological aspects such as speed, data retrieval, information control and so on. Its widespread use from home appliances to enterprises and universities is not the result of a clear-cut analysis of its inner possibilities but is rather dependent on all sorts of ideological promises of unlimited progress. We will discuss the theoretical definition of informatics proposed in 1936 by Alan Turing in order to show that it (...)
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  7.  83
    Sztuka a prawda. Problem sztuki w dyskusji między Gorgiaszem a Platonem (Techne and Truth. The problem of techne in the dispute between Gorgias and Plato).Zbigniew Nerczuk - 2002 - Wydawnictwo Uniwersytetu Wrocławskiego.
    Techne and Truth. The problem of techne in the dispute between Gorgias and Plato -/- The source of the problem matter of the book is the Plato’s dialogue „Gorgias”. One of the main subjects of the discussion carried out in this multi-aspect work is the issue of the art of rhetoric. In the dialogue the contemporary form of the art of rhetoric, represented by Gorgias, Polos and Callicles, is confronted with Plato’s proposal of rhetoric and concept of art (...)
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  8.  26
    Knowing in Aristotle Part 2: Technē_, _Phronēsis_, _Sophia and Divine Cognitive Activities.Caleb Cohoe - forthcoming - Philosophy Compass.
    In this second part of a 2-part survey of Aristotle's epistemology, I present an overview of Aristotle's views on technē (craft or excellent productive reason) and phronēsis (practical wisdom or excellent practical reason). For Aristotle, attaining the truth in practical matters involves actually doing the right action. While technē and phronēsis are rational excellences, for Aristotle they are not as excellent or true as epistēmē or nous because the kinds of truth that they grasp are imperfect and because they are (...)
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  9. Epistemologia a koncepcja sztuki w Pochwale Heleny i Obronie Palamedesa Gorgiasza z Leontinoi (Epistemology and the conception of techne in Gorgias' Helen and Palamedes).Zbigniew Nerczuk - 1999 - Acta Universitatis Nicolai Copernici, Historia XXXI 330:35-52.
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  10. An Internal Feud Novel That Lebanon Cıvıl War Determıned Its Narratıve Technıque: Kevâbısu Beyrût (Beyrut’s Nıghtmaırs).Adnan Arslan - 2018 - Tasavvur - Tekirdag Theology Journal 4 (1):283 - 303.
    One of the main features that distinguish modern novel from traditional one is the use of new narrative techniques such as monologue, flow of consciousness, leitmotiv and intertextuality. These techniques relate to new approaches that take shape in formal elements such as time, characters and event patterns that make up the modern novel. Which expression technique is used in the work is often related to the form and content of the novel. This research examines the Kevâbîsu Beyrût, which uses modern (...)
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  11. A Física de Aristóteles: a techné e o caso da Música.Carla Bromberg - 2013 - In Simpósio Nacional de Tecnologia e Sociedade. Curitiba, Brazil: Simpósio Nacional de Tecnologia e Sociedade. pp. 1141-1149.
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  12. Aristotle and Expertise: Ideas on the Skillfulness of Virtue.Noell Birondo - 2021 - Ethical Theory and Moral Practice 24 (2):599-609.
    Many philosophers working on virtue theory have resisted the idea that the virtues are practical skills, apparently following Aristotle’s resistance to that idea. Bucking the trend, Matt Stichter defends a strong version of this idea in The Skillfulness of Virtue by marshaling a wide range of conceptual and empirical arguments to argue that the moral virtues are robust skills involving the cognitive-conative unification of Aristotelian phronêsis (‘practical intelligence’). Here I argue that Aristotle overlooks a more delimited kind of practical intelligence, (...)
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  13. The Art, Poetics, and Grammar of Technological Innovation as Practice, Process, and Performance.Coeckelbergh Mark - 2018 - AI and Society 33 (4):501-510.
    Usually technological innovation and artistic work are seen as very distinctive practices, and innovation of technologies is understood in terms of design and human intention. Moreover, thinking about technological innovation is usually categorized as “technical” and disconnected from thinking about culture and the social. Drawing on work by Dewey, Heidegger, Latour, and Wittgenstein and responding to academic discourses about craft and design, ethics and responsible innovation, transdisciplinarity, and participation, this essay questions these assumptions and examines what kind of knowledge and (...)
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  14. Moving to a Posthuman Technosphere. [REVIEW]Steven Umbrello - 2019 - Techné: Research in Philosophy and Technology 23 (1):104-106.
    A new book by Roberto Marchesini, Tecnosfera, is reviewed. Technosfera serves as an in-depth exploration of the concept of techne and its relation to humanist and posthumanist thought for professionals. The book's core methodology is to explore the geneaological, linguistic and philosophical differences between the humanist and posthumanist concepts of techne and show how the latter is less contentious and favourable. The book is informationally dense, well-argued and academically current, providing seasoned scholars with a novel exploratory approach to (...)
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  15. Socrates' Refutation of Thrasymachus.Rachel Barney - 2006 - In Gerasimos Xenophon Santas (ed.), The Blackwell Guide to Plato's Republic. Blackwell.
    Socrates’ refutations of Thrasymachus in Republic I are unsatisfactory on a number of levels which need to be carefully distinguished. At the same time several of his arguments are more powerful than they initially appear. Of particular interest are those which turn on the idea of a craft, which represents a shared norm of practical rationality here contested by Socrates and Thrasymachus.
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  16. Ethics After the Information Revolution.Luciano Floridi - 2010 - In The Cambridge Handbook of Information and Computer Ethics. Cambridge: pp. 3-19.
    This chapter discusses some conceptual undercurrents, which flow beneath the surface of the literature on information and computer ethics (ICE). It focuses on the potential impact of Information and Communication Technologies (ICTs) on our lives. Because of their 'data superconductivity', ICTs are well known for being among the most influential factors that affect the ontological friction in the infosphere. As a full expression of techne, the information society has already posed fundamental ethical problems, whose complexity and global dimensions are (...)
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  17. Information Ethics: An Environmental Approach to the Digital Divide.Luciano Floridi - 2002 - Philosophy in the Contemporary World 9 (1):39–45.
    As a full expression of techne, the information society has already posed fundamental ethical problems, whose complexity and global dimensions are rapidlyevolving. What is the best strategy to construct an information society that is ethically sound? This is the question I discuss in this paper. The task is to formulate aninformation ethics that can treat the world of data, information, knowledge and communication as a new environment, the infosphere. This information ethics must be able to address and solve the (...)
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  18. Paideutyka Protagorasa i Platona.Marcin Wasilewski - 2007 - Poznań: Wydawnictwo Naukowe Polskiego Towarzystwa Pedagogicznego Oddział w Poznaniu.
    Paideutike techne (paideutyka) to teoretyczna i praktyczna wiedza o paidei. Platon łączy genezę tej techne z sofistyką Protagorasa. Celem pracy jest zbadanie genezy pojęcia paidei na podstawie zachowanych źródeł z V wieku p.n.e. (poezji lirycznej i dramatycznej, prozy sofistycznej i historycznej) oraz próba rekonstrukcji koncepcji paideutycznych Protagorasa z Abdery i ukazania ich jako źródła inspiracji dla Platona.
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  19.  23
    Non/Living Matter, Bioscientific Imaginaries and Feminist Techno-Ecologies of Bioart.Marietta Radomska - 2017 - Australian Feminist Studies 32 (94):377-394.
    Bioart is a form of hybrid artistico-scientific practices in contemporary art that involve the use of bio-materials (such as living cells, tissues, organisms) and scientific techniques, protocols, and tools. Bioart-works embody vulnerability (intrinsic to all beings) and depend on (bio)technologies that allow these creations to come into being, endure and flourish but also discipline them. This article focuses on ‘semi-living’ sculptures by The Tissue Culture and Art Project (TC&A). TC&A’s artworks consist of bioengineered mammal tissues grown over biopolymer scaffoldings of (...)
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  20. Failure and Expertise in the Ancient Conception of an Art.James Allen - 1994 - In Tami Tamar Horowitz & Allen Janis (eds.), Scientific Failure. Lanham, Maryland: Rowman & Littlefield. pp. 81-108.
    The articles examines how failure, especially in so-called 'stochastic' arts or sciences like medicine and navigation stimulated reflections about the nature of the knowledge required of a genuine art (techne) or science.
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  21. Thrasymachus’ Unerring Skill and the Arguments of Republic 1.Tamer Nawar - 2018 - Phronesis 63 (4):359-391.
    In defending the view that justice is the advantage of the stronger, Thrasymachus puzzlingly claims that rulers never err and that any practitioner of a skill or expertise (τέχνη) is infallible. In what follows, Socrates offers a number of arguments directed against Thrasymachus’ views concerning the nature of skill, ruling, and justice. Commentators typically take a dim view of both Thrasymachus’ claims about skill (which are dismissed as an ungrounded and purely ad hoc response to Socrates’ initial criticisms) and Socrates’ (...)
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  22. Routledge Philosophy Guidebook to Aristotle and the Poetics.Angela Curran - 2015 - Routledge.
    Aristotle’s Poetics is the first philosophical account of an art form and is the foundational text in the history of aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle’s life and the background to the Poetics the ideas and text of the Poetics , including mimēsis ; poetic technē; the definition of tragedy; the elements of poetic composition; the Poetics’ recommendations for tragic (...)
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  23. Material Vicissitudes and Technical Wonders: The Ambiguous Figure of Automaton in Aristotle’s Metaphysics of Sexual Difference.Emanuela Bianchi - 2006 - Epoché: A Journal for the History of Philosophy 11 (1):109-139.
    In Aristotle’s physics and biology, matter’s capacity for spontaneous, opaque, chance deviation is named by automaton and marked with a feminine sign, while at the same time these mysterious motions are articulated, rendered knowable and predictable via the figure of ta automata, the automatic puppets. This paper traces how automaton functions in the Aristotelian text as a symptomatic crossing-point, an uncanny and chiasmatic figure in which materiality and logos, phusis, and technē, death and life, masculine and feminine, are intertwined and (...)
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  24.  57
    Phenomenological reduction as a philosophical conversion (periagoge): Husserl and Scheler.Guido Cusinato - 2012 - In Person und Selbsttranszendenz.
    Phenomenological reduction as a philosophical conversion (periagoge) -/- Während Husserl in den Ideen I die Reduktion als eine neue „Methode“ des Denkens, d. h. als eine „epistemologische“ Reduktion versteht, schlägt Scheler eine Reduktion als eine „Tèchne“ der Umbildung vor, durch die der Mensch seiner exzentrischen Stellung in der Welt Gestalt zu geben sucht. Mich interessiert an diesem Zitat vor allem der Gebrauch des griechischen Terminus „Tèchne“. Was Scheler damit bezeichnet, hat offensichtlich nichts mit dem zu tun, was wir heute unter (...)
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  25. Contexts of Nature According to Aristotle and Descartes.Gregor Schiemann - 2007 - The Proceedings of the Twenty-First World Congress of Philosophy 5:65-71.
    From the point of view of the history and philosophy of science, the relationship of Descartes' to Aristotle's concept of nature has not been grasped in an entirely satisfactory way. In this article, the two concepts will be subjected to a comparative analysis, beginning with the outstanding feature that both concepts of nature are characterized by a contradistinction to the non-natural: Aristotle separates nature and technology; Descartes opposes nature to thinking. My thesis is that these meanings have found privileged application (...)
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  26. Inauthentic Dasein and Its Relation to a "Chinese-Like 'Constancy'".Irena Cronin - 2013 - Balkan Journal of Philosophy 5 (1):81-86.
    It has long been theorized that Heidegger’s idea for Dasein was highly influenced by the Chinese notion of the Dao. This is due to a misinterpretation on behalf of Heideggerian scholars and others of what the Dao represents. In fact, Heidegger, in explicating what he thought to be “the most extreme inversion of φύσης-ουσία [phusis-ousia],” made this equal to “Chinese-like ‘constancy,’” which is the basis of the Dao. Taking what Heidegger interpreted phusis to be (derived from Aristotelian metaphysics and an (...)
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  27.  33
    Nature's Relations: Ontology, Vulnerability, Agency.Didier Zúñiga - 2020 - Hypatia 35 (2):298-316.
    Political theory and philosophy need to widen their view of the space in which what matters politically takes place, and I suggest that integrating the conditions of sustainability of all affected—that is, all participants in nature's relations—is a necessary first step in this direction. New materialists and posthumanists have challenged how nature and politics have traditionally been construed. While acknowledging the significance of their contributions, I critically examine the ethical and political implications of their ontological project. I focus particularly on (...)
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  28.  25
    Language, Work and Hermeneutics.Nicholas H. Smith - 2011 - In Gadamer’s Hermeneutics and the Art of Conversation. LIT Verlag. pp. 201-220.
    The essay reflects on Gadamer’s ambiguous legacy for the philosophy of work. On the one hand, there are times when Gadamer reproduces the problematic distinction between language and labor which short-circuits the very idea of a hermeneutics of work. This is particularly evident in Gadamer’s reflections on technique and craftsmanship in the central sections of Truth and Method, as well as in his descriptions of the “art” of dialogue and the tasks of hermeneutics that separate them emphatically them from the (...)
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  29.  45
    The Artifact of Non-Humanity A Materialist Account of the Signifying Automaton and Its Physical Support in a Fantasized Unity.Katerina Kolozova - 2021 - Philosophy Today 65 (2):359-374.
    The scope of the paper is to present the concept of the radical dyad of the “non-human,” in an attempt to think radical humanity in terms of Marxian materialism, which is the product of approaching Marx’s writings on “the real” and “the physical” by way of François Laruelle’s non-philosophical method. Unlike posthumanism, inspired by critical theory and the method of poststructuralism, the theory of the non-human, as a radical dyad of technology in the generic sense of the word (ranging from (...)
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  30.  21
    Exploring Marginality Among Filipino Catholics in Japan: A Proposed Heuristic Device.Willard Enrique Macaraan - 2020 - Religions 11 (161):1-17.
    The Church seeks to be inclusive; one that opens her doors to everyone. For many Filipino Catholics (FCs) in Japan, their ecclesial existence is marked by a history of negotiation as “guests” hosted by the Japanese Catholics (JCs). Within this field of host–guest interplay, this paper explores the dynamics of sociospatial seclusion by employing the ideation of marginality pro ered by Loic Wacquant’s study on urban ghettos. The paper argues that the guest-identity of FCs must not be understood as a (...)
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  31. This Body of Art: The Singular Plural of the Feminine.Helen A. Fielding - 2005 - Journal of the British Society for Phenomenology 36 (3):277-292.
    I explore the possibility that the feminine, like art, can be thought in terms of Jean-Luc Nancy’s concept of the singular plural. In Les Muses, Nancy claims that art provides for the rethinking of a technë not ruled by instrumentality. Specifically, in rethinking aesthetics in terms of the debates laid out by Kant, Hegel and Heidegger, he resituates the ontological in terms of the specificity of the techniques of each particular artwork; each artwork establishes relations particular to its world or (...)
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  32. Hermeneutical Outlines in and of Dante’s Legal Theory.Cavinato Francesco - manuscript
    Based upon the concept of Law qualified in Monarchia, II.50, Dante was not only a general philosopher (a lover of knowledge) as well as a political disputant in his times, but also his primary contribution (not always obvious) in legal speculation could be demonstrated. In fact, if his thought reflected the platonic ordo sapientiae through a deep intersection between téchne and episteme (phronesis) toward a linguistic koiné, could we say the same thing on his concept of justice as a rational (...)
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  33. Filtration Failure: On Selection for Societal Sanity.Adrian Mróz - 2018 - Kultura I Historia 34 (2):72-89.
    This paper focuses on the question of filtration through the perspective of “too much information”. It concerns Western society within the context of new media and digital culture. The main aim of this paper is to apply a philosophical reading on the video game concept of Selection for Societal Sanity within the problematics of cultural filtration, control of behaviors and desire, and a problematization of trans-individuation that the selected narrative conveys. The idea of Selection for Societal Sanity, which derives from (...)
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  34. El método em Poética 1-6 de Aristóteles.Manuel Berrón - 2017 - Dissertatio 45:209-233.
    La premisa que guía nuestra investigación es que Poética es un tratado científico, i. e., que la investigación desarrollada en dicha obra se corresponde con el examen de una téchne. Defendemos que el método utilizado se corresponde con el método general de investigación denominado “salvar las apariencias”. Tal método es expuesto con más detalle en otras obras del corpus pero lo presuponemos utilizado en Poética. Si bien el método presupone la recolección de datos, no se limita a eso puesto que (...)
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  35.  97
    Un'arte inconfutabile. La difesa dell'astrologia nella "Tetrabiblos" di Tolomeo.Silvia Fazzo - 1991 - Rivista di Storia Della Filosofia 46 (2):213.
    This analysis of Ptolemy's Teatriblos deals with how the social and cultural role of astrology changed between lì and III century a D.: from a practice hard fought, although successful, to a generally accepted branch of knowledge. In Ptolemy's treatise astrology is shown to be not a science but an art: a techne" fallible but not controvertible. As the basis for such a project of reforming common opinion about astrol¬ogy, we find a quiet yielding attitude toward sceptical antidogmatism, and (...)
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  36.  94
    „Vom Kopf Auf Die Füße“: Zur Entwicklung des Verhältnisses von Magie Und Naturwissenschaft /“Back on its Feet”: On the Development of the Relationship Between Magic and Natural Science.Gregor Schiemann - 2008 - In Jahresbericht der Bergischen Universität Wuppertal.
    Eine weit verbreitete Auffassung über die wissenschaftlichen Naturverständnisse besagt, dass ihre historische Entwicklung von einer zunehmenden Abgrenzung gegenüber der Magie begleitet gewesen sei. Ursprünglich eng mit der Magie verbunden, hätten sich die wissenschaftlichen Naturverständnisse in einem langwierigen Prozess immer weiter von der Magie entfernt, bis sie ihre heutige amagische Gestalt erhalten hätten. Mein Beitrag diskutiert einige Argumente zur Stützung dieser, wie ich meine, plausiblen Auffassung. / A whitespread view of the natural sciences holds that their historical development was accompanied by (...)
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  37.  53
    The Ontology of Graphic Art.Roisin Lally - 2018
    In recent decades, the internet has become our predominant public space and yet the role of art in this space remains largely unthought. This paper argues that graphic art, and in particular digital graphic art, has great power to shape and transform our thinking and experience. But with that power comes an enormous political and ethical responsibility, a responsibility too often ignored by programmers and computer scientists. This paper uses the work of Denis Schmidt and Jacques Taminiaux as important resources (...)
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