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  1. Brentano on Consciousness, Intentionality, Value, Will, and Emotion: Reply to Symposiasts.Uriah Kriegel - forthcoming - European Journal of Philosophy.
    It is a regrettable feature of this book symposium that it appears only after the book itself. If I could solicit from three outstanding philosophers detailed analyses of substantial portions of the book before publishing it, the book would have been far better. Below, I indicate some of the ways the book would have been better.
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  2. Précis of Brentano’s Philosophical System.Uriah Kriegel - forthcoming - European Journal of Philosophy.
    Here is a rather difficult two-part question: How may we grasp (a) the nature of reality and (b) the nature of value? As I understand the man, answering this question was the principal, overarching aim of Franz Brentano’s philosophical work. More specifically, he wanted to provide an answer that respected a self-imposed theoretical constraint, namely, that our grasp of a thing’s status as real or as valuable be ultimately grounded in direct encounter with certain aspects of our conscious experience. The (...)
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  3. Brentano's Metaethics.Jonas Olson - forthcoming - In U. Kriegel (ed.), Routledge Handbook of Brentano and the Brentano School. Routledge.
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  4. Moore, Brentano, and Scanlon: A Defense of Indefinability.Miles Tucker - 2020 - Philosophical Studies 177 (8):2261-2276.
    Mooreans claim that intrinsic goodness is a conceptual primitive. Fitting-attitude theorists object: they say that goodness should be defined in terms of what it is fitting for us to value. The Moorean view is often considered a relic; the fitting-attitude view is increasingly popular. I think this unfortunate. Though the fitting-attitude analysis is powerful, the Moorean view is still attractive. I dedicate myself to the influential arguments marshaled against Moore’s program, including those advanced by Scanlon, Stratton-Lake and Hooker, and Jacobson; (...)
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  5. Wittgenstein and Heidegger Against a Science of Aesthetics.Andreas Vrahimis - 2020 - Estetika 57 (1):64-85.
    Wittgenstein’s and Heidegger’s objections against the possibility of a science of aesthetics were influential on different sides of the analytic/continental divide. Heidegger’s anti-scientism leads him to an alētheic view of artworks which precedes and exceeds any possible aesthetic reduction. Wittgenstein also rejects the relevance of causal explanations, psychological or physiological, to aesthetic questions. The main aim of this paper is to compare Heidegger with Wittgenstein, showing that: there are significant parallels to be drawn between Wittgenstein’s and Heidegger’s anti-scientism about aesthetics, (...)
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  6. Marty and Brentano.Laurent Cesalli & Kevin Mulligan - 2017 - In Uriah Kriegel (ed.), The Routledge Handbook of Franz Brentano and the Brentano School. London and New York: Routledge. pp. 251-263.
    The Swiss philosopher Anton Marty (Schwyz, 1847 - Prague, 1914) belongs, with Carl Stumpf, to the first circle of Brentano’s pupils. Within Brentano’s school (and, to some extent, in the secondary literature), Marty has often been considered (in particular by Meinong) a kind of would-be epigone of his master (Fisette & Fréchette 2007: 61-2). There is no doubt that Brentano’s doctrine often provides Marty with his philosophical starting points. But Marty often arrives at original conclusions which are diametrically opposed to (...)
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  7. Brentano's Philosophical Program.Uriah Kriegel - 2017 - In U. Kriegel (ed.), Routledge Handbook of Franz Brentano and the Brentano School. London and New York: Routledge. pp. 21-32.
    Franz Brentano was not a systematic writer, but he was very much a systematic thinker. Through his manuscripts, lecture notes, letters, dictations, and occasional published writings, one can discern a systematic, unified approach to the true, the good, and the beautiful. My goal here is to articulate explicitly this approach, and the philosophical program it reflects. The exercise requires going over big stretches of terrain with some efficiency; I will go just as deep into Brentano’s approaches to the true, the (...)
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  8. La ética de las emociones de Francisco Brentano.Ingrid Vendrell Ferran - 2012 - Anuario Filosófico 45 (1):145 - 173.
    En este artículo se analiza la teoría de las emociones de Brentano, según la cual éstas son actos intencionales basados en juicios y tienen un papel central en el reconocimiento del valor y en la motivación para la acción. Tras una exposición del panorama intelectual de las teorías de las emociones a finales del siglo XIX, sigue el análisis de la teoría de Brentano y de su proyecto ético, para terminar remarcando la influencia de su legado en los autores de (...)
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  9. Love and Hate: Brentano and Stumpf on Emotions and Sense Feelings.Denis Fisette - 2009 - Gestalt Theory 31 (2):115-128.
    Study of the controversy between Franz Brentano and his student Carl Stumpf on emotions and sense-feelings. The issue is whether the pleasure that provides an object such as a work of art is intentional, as it is the case in Brentano's theory in which it is closely related to the class of emotions (love and hate), or merely phenomenal as Stumpf wants it. The paper is divided into two parts : I first examine several aspects of the relationship between Stumpf (...)
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  10. The New Realism in Ethics.Christian Piller - 2003 - In Thomas Baldwin (ed.), The Cambridge History of Philosophy 1870-1945. pp. 377-388.
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  11. Der Subjektivismus bei Franz Brentano in den Grenzen von Psychologie und Logik.Wolfgang Cernoch - 1998 - In Michael Benedikt, Endre Kiss & Reinhold Knoll (eds.), Verdrängter Humanismus — Verzögerte Aufklärung. Bd. 4, Anspruch und Echo: Sezession und Aufbrüche in den Kronländern zum Fin-de-Siécle. Philosophie in Österreich (1880-1920). Edituria Triade.
    Diese Arbeit zeichnet die Schwierigkeit nach, die Franz Brentano zwischen der Begruendung der Sittlichkeit aus moralischem Gefuehl und der Begruendung aus Vernunftgruenden zeitlebens gehabt hat: Die Eroerterung eines Gefuehls verwandelt dieses unweigerlich in ein Konzept der Kommunikation, das nicht nur rationaler, vielmehr noch oeffentlicher Diskussion zugaenglich wird. Beschraenkt man aber die Quelle des moralischen Gefuehls UND den Verstand auf ein individuelles Subjekt, geraet man mit der Untersuchung der Evidenz der sittlichen Erkenntnis in die naemlichen Aporien wie Franz Brentano.
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  12. Brentano and Kafka.Barry Smith - 1997 - Axiomathes 8 (1):83-104.
    There is a narrow thread in the vast literature on Kafka which pertains to Kafka’s knowledge of philosophy, and more precisely to Kafka’s use in his fictional writings of some of the main ideas of Franz Brentano. Kafka attended courses in philosophy at the Charles University given by Brentano’s students Anton Marty and Christian von Ehrenfels, and was for several years a member of a discussion-group organized by orthodox adherents of the Brentanian philosophy in Prague. The present essay summarizes what (...)
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  13. Austrian Philosophy: The Legacy of Franz Brentano.Barry Smith - 1994 - Open Court.
    This book is a survey of the most important developments in Austrian philosophy in its classical period from the 1870s to the Anschluss in 1938. Thus it is intended as a contribution to the history of philosophy. But I hope that it will be seen also as a contribution to philosophy in its own right as an attempt to philosophize in the spirit of those, above all Roderick Chisholm, Rudolf Haller, Kevin Mulligan and Peter Simons, who have done so much (...)
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  14. Von T. G. Masaryk bis Jan Patočka: Eine philosophische Skizze.Barry Smith - 1993 - In J. Zumr & T. Binder (eds.), T. G. Masaryk und die Brentano-Schule. Prague: Czech Academy of Sciences. pp. 94-110.
    Thomas Garrigue Masaryk, later founder and President of the Republic of Czechoslovakia, studied philosophy in the University of Vienna from 1872 to 1876, where he came under the powerful influence of Franz Brentano. We survey the role of Brentano’s philosophy, and especially of his ethics, in Masaryk’s life and work.
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  15. Brentano and Aesthetic Intentions.Lynn Pasquerella - 1992 - Brentano Studien 4:235-249.
    Brentano's philosophy of art, contained primarily in his book, Grundzuge der Ästhetik, is the result of an original theory of intrinsic value that was derived from Brentano's philosophical psychology. In his aesthetics, Brentano endeavored to find an objective ground for the value of aesthetic contemplation through his theory of the intentional objects of emotions and desires. The lack of attention Brentano's aesthetics has received is surprising, given that two of the many students Brentano influenced, Husserl (through the development of the (...)
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  16. La verità trionfa: Da T. G. Masaryk a Jan Patočka.Barry Smith - 1991 - Discipline Filosofiche 2:207–227.
    Thomas Garrigue Masaryk, later founder and President of the Republic of Czechoslovakia, studied philosophy in the University of Vienna from 1872 to 1876, where he came under the powerful influence of Franz Brentano. We survey the role of Brentano’s philosophy, and especially of his ethics, in Masaryk’s life and work.
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  17. Austrian Economics and Austrian Philosophy.Barry Smith - 1986 - In Wolfgang Grassl & Barry Smith (eds.), Austrian Economics: Historical and Philosophical Background. London: Croom Helm, reprinted: Routledge Revivals, 2010. pp. 1-36.
    Austrian economics starts out from the thesis that the objects of economic science differ from those of the natural sciences because of the centrality of the economic agent. This allows a certain a priori or essentialistic aspect to economic science of a sort which parallels the a priori dimension of psychology defended by Brentano and his student Edmund Husserl. We outline these parallels, and show how the theory of a priori dependence relations outlined in Husserl’s Logical Investigations can throw light (...)
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  18. Das Gesetz, die Anklage und Ks Prozess.Robert Welsh Jordan - 1980 - In Jahrbuch der deutschen Schillergesellschaft. Alfred Kröner Verlag. pp. 332-356.
    DESCRIPTION—An essay showing Kafka's The Trial to be written as illustration of an important theory of natural that remains quite unknown all but a very few critics and commentators. CONTENTS 1. The charge against Joseph K. Ignorance of the natural sanction of law and custom a. Brentano's conception of natural law b. Natural law and human need in the Protagoras 2. Correct choice: Brentano's ethical theory a. The empirical origin of the concepts "good" and "better": analogous derivation of "true" b. (...)
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  19. The Function of Wertfűhlen in Scheler's Theory of Value.Lucinda Ann Vandervort Brettler - 1970 - Dissertation, McGill University
    This thesis (110 pages) was submitted in March 1970 in partial fulfillment of the requirements for the degree of Master of Arts. The work was supervised by Professor Raymond Klibansky, McGill University.
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  20. La genialidad.David Torrijos-Castrillejo & Franz Brentano - 1892/2016 - Encuentro.
    En este opúsculo dedicado a la estética, Brentano parte de sus puntos de vista sobre antropología y teoría del conocimiento para investigar el elemento distintivo de un ser humano genial. Aquello que convierte una obra de arte en una obra maestra, la genialidad, ¿está originado por una fuerza sobrehumana, una «inspiración», o bien es un rasgo de la psique del artista? Franz C. Brentano. 'La genialidad'. Introducción, traducción y notas de David Torrijos-Castrillejo. Serie opuscula philosophica 61. Madrid, Encuentro, 2016, ISBN: (...)
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  21. Acquired Innocence. Jordan - manuscript
    Acquired Innocence. The Law, the Charge, and K.’s Trial: Franz Kafka and Franz Brentano <This essay is a slightly revised English version of “Das Gesetz, die Anklage und K..s Prozess: Franz Kafka und Franz Brentano” in Jahrbuch der deutschen Schillergesellschaft 24 (1980) 333-356. The approximate pagination for the German publication is given in angle brackets within the text> CONTENTS 1. The charge against Joseph K. Ignorance of the natural sanction of law and custom a. Brentano’s conception of natural law b. (...)
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