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  1. Personal Identity and Self-Interpretation & Natural Right and Natural Emotions.Gabor Boros, Judit Szalai & Oliver Toth (eds.) - 2020 - Budapest: Eötvös University Press.
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  2. Diderot, L’Éclectisme Et L’Histoire de L’Esprit Humain.Mitia Rioux-Beaulne - 2018 - Dialogue 57 (4):719-743.
    Les interprétations habituelles de l’article «Éclectisme» de l’Encyclopédie mettent l’accent sur l’idée que Diderot y annonce le programme de la philosophie moderne, dont il se ferait par le fait même un illustre représentant et l’un des promoteurs. Dans cet article, j’essaie de compléter cette interprétation en montrant que l’article est également porteur d’une réflexion de premier plan sur l’histoire de la philosophie, sur les effets de continuité dans sa pratique et, conséquemment, sur ce qui est proprement constitutif du discours philosophique (...)
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  3. Review of Fumie Kawamura, Diderot Et la Chimie: Science, Pensée Et Écriture. [REVIEW]Charles T. Wolfe - 2016 - H-France Reviews 16.
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  4. DIDEROT AND MATERIALIST THEORIES OF THE SELF.Charles T. Wolfe - 2015 - Journal of Society and Politics 9 (1).
    The concept of self has preeminently been asserted (in its many versions) as a core component of anti-reductionist, antinaturalistic philosophical positions, from Descartes to Husserl and beyond, with the exception of some hybrid or intermediate positions which declare rather glibly that, since we are biological entities which fully belong to the natural world, and we are conscious of ourselves as 'selves', therefore the self belongs to the natural world (this is characteristic e.g. of embodied phenomenology and enactivism). Nevertheless, from Cudworth (...)
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  5. Some Neglected Aspects of the Rococo: Berkeley, Vico, and Rococo Style.Bennett Gilbert - 2012 - Dissertation, Portland State University
    The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. Naming the (...)
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  6. Wondering About Materialism: Diderot’s Egg.Isabelle Stengers - 2011 - In Levi R. Bryant, Nick Srnicek & Graham Harman (eds.), The Speculative Turn: Continental Materialism and Realism. re. press.
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  7. Geographie des Wissens Und der Wissenschaften: Von der Encyclopédie Zur Konstitutionstheorie.Thomas Mormann - 2005 - In Elisabeth Nemeth & Nicolas Roudet (eds.), Paris-Wien: Enzyklopädien im Vergleich. Springer.
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  8. 13 The Motto Vitam Impendere Vero and the Question of Lying.Jean Starobinski - 2001 - In Patrick Riley (ed.), The Cambridge Companion to Rousseau. Cambridge University Press. pp. 365.
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  9. Monstrer Diderot.May Peyron Spangler - 1996 - Dissertation, Emory University
    Mon projet de “monstrer” Diderot consiste à examiner le monstre comme étant une figure privilégiée de son texte, mais aussi comme un moyen d’éclairer certains aspects de sa pensée philosophique et poétique. Pour Diderot, les monstres en tant qu’êtres hybrides appartenant à différents règnes, permettent de montrer la continuité de la matière nécessaire à son matérialisme. La monstruosité est aussi l’action normale de la nature ainsi que le pouvoir évolutif et le principe créatif d’une matière toujours en action nécessaires à (...)
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  10. L'Écoute musicale chez Diderot.Béatrice Didier - 1988 - Diderot Studies 23:55 - 73.
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  11. Denis Diderot is No Sexist! Understanding His Pensées by Way of Le Rêve ...Juliette Christie - manuscript
    Denis Diderot’s thoroughly materialist metaphysics undergird prescient philosophical analyses; his forays into the field of ethics arguably tend toward what we today would class amongst the range of forward-looking alternative perspectives. It isn’t just that Diderot sketches or even defends the cutting-edge which motivates this paper, but also his use of female characters to reveal crucial insights. Anyone familiar with the prolific author’s body of work realizes that Diderot’s women are certainly not mere “pretty little things.” So it is that (...)
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