View topic on PhilPapers for more information
Related categories

19 found
Order:
More results on PhilPapers
  1. Volición conservadora en las acciones violentas de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Álabe 24 (24):1-24.
    Este artículo se adscribe a la percepción conservadora que trabaja Mario Vargas Llosa para la construcción discursiva de La ciudad y los perros. Esa ideología política caracterizada por su autonomía e imparcialidad permitirá reconocer el propósito del autor al abordar el talante de la violencia en el desempeño de los personajes. Para su fluctuación efectiva, este estudio comprenderá tres tratamientos neurálgicos y conexos en torno a esta obra literaria: la contextualización extratextual, la epistemología de la violencia y el análisis narratológico (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  2. Reading (with) Others.Wolfgang Huemer - 2021 - In Sonia Sedivy (ed.), Art, Representation, and Make-Believe Essays on the Philosophy of Kendall L. Walton. Routledge.
    Kendall Walton’s account of make-believe takes the social dimension of imagination into account. In this paper I aim to extend this suggestion and argue that works of fiction allow for encounters with concrete (yet fictitious) persons with a distinct point of view and a discernible perspective. These encounters allow us to contrast the perspective(s) that emerge from the work with one’s own. I will then discuss two moments of the social dimension: imagining fictional scenarios is a social practice, a game (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  3. Taxonomía e incorporación de la violencia en la novela policial peruana contemporánea.Jesús Miguel Delgado Del Aguila - 2020 - Cuadernos de Literatura Del Caribe E Hispanoamérica (32):92-118 (1-27).
    Este artículo periodiza y desarrolla los paradigmas concomitantes de la novela policial, para extrapolarlos en un contexto peruano incipiente con textos que cumplen con los requisitos indispensables denominarse de ese modo. La violencia resulta un elemento inexorable para la eficacia receptiva y su tratamiento creativo, además del conocimiento de tópicos afines, como Derecho, Política, Sociología, Fuerzas Policiales, etc. Para ello, se corroborará con la definición de este género (como lo fundamenta principalmente Tzvetan Todorov) y la taxonomía hegemónica de sus subgéneros: (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction. In A. Houen (Ed.), Affect and Literature (Cambridge Critical Concepts, Pp. 190-210). Cambridge: Cambridge University Press. Doi:10.1017/9781108339339.011.A. E. Denham, A. E. Denham & A. Denham - 2020 - In Denham, A. (2020). Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction. In A. Houen (Ed.), Affect and Literature (Cambridge Critical Concepts, pp. 190-210). Cambridge: Cambridge University Press. doi:10.1017/9781108339339.011. Cambridge, UK: pp. 190-210.
    The nature and consequences of readers’ affective engagement with literature has, in recent years, captured the attention of experimental psychologists and philosophers alike. Psychological studies have focused principally on the causal mechanisms explaining our affective interactions with fictions, prescinding from questions concerning their rational justifiability. Transportation Theory, for instance, has sought to map out the mechanisms the reader tracks the narrative experientially, mirroring its descriptions through first-personal perceptual imaginings, affective and motor responses and even evaluative beliefs. Analytical philosophers, by contrast, (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  5. Introduction: The Place of Beauty in Contemporary Aesthetics.Ingrid Vendrell Ferran & Wolfgang Huemer - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty. New Essays in Aesthetics and the Philosophy of Art. München, Deutschland:
    The notion of beauty has endured a troublesome history over the last few decades. While for centuries beauty has been considered one of the central values of art, there have also been times when it seemed old-fashioned to even mention the term. The present volume aims to explore the nature of beauty and to shed light its place in contemporary philosphy and art practice.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  6. Класики і романтики: спроба саморецензії.Borys Shalaginov - 2018 - NaUKMA Researh Papers. Literary Studies 1:126-134.
    У статті підсумовано основні результати багаторічного дослідження «веймарської класики» і раннього німецького романтизму, розкрито суть «модерністичного проекту», спрямованого на інтелектуально-культурне оновлення всього європейського суспільства. Розглянуто три світоглядні «кризи модерну». Перша – на зламі XVIII–ХІХ ст. Романтики тоді розділили мистецтво естетично і соціологічно на масове і високе, а історично – на сучасний і «класичний» мейнстріми. Простежено подальшу долю «проекту» в умовах другої кризи доби Модерн на зламі ХІХ–ХХ ст. (тут естафету романтиків підхопив Ф. Ніцше) і уже в наш час – останньої (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  7. MCGREGOR, RAFE. The Value of Literature. Rowman and Littlefield International, 2016, Xii + 161 Pp., $120.00 Cloth. [REVIEW]Robbie Kubala - 2017 - Journal of Aesthetics and Art Criticism 75 (3):311-314.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  8. Motherhood in Ferrante's The Lost Daughter: A Case Study of Irony as Extraordinary Reflection.Melissa Mcbay Merritt - 2017 - Philosophy and Literature 41 (1):185-200.
    In A Case for Irony, Jonathan Lear aims to advance “a distinguished philosophical tradition that conceives of humanity as a task” by returning this tradition to the ironic figure at its origin — Socrates. But he is hampered by his reliance on well-worn philosophical examples. I suggest that Elena Ferrante’s The Lost Daughter illustrates the mode of ironic experience that interests Lear, and helps us to think through his relation to Christine Korsgaard, arguably the greatest contemporary proponent of the philosophical (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  9. The Fear of Aesthetics in Art and Literary Theory.Sam Rose - 2017 - New Literary History 48 (2):223-244.
    Is aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  10. Diurno e Noturno no pensamento de Gaston Bachelard.Fernando Machado - 2016 - Cadernos Do Pet Filosofia 7 (13):11-23.
    O presente artigo tem por objetivo caracterizar as duas fases do pensamento bachelardiano intituladas diurna e noturna e o modo como determinadas noções que permeiam as duas etapas da filosofia do autor configuram uma comunicação recíproca entre elas, fazendo com que haja uma troca assídua de valores entre ambas as vertentes. Deste modo, tentar-se-á demonstrar o quanto o fluxo de uma fase a outra de seu pensamento denota um sentido de completude ao invés de desconexão, negação ou mesmo oposição. Conceitos (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  11. The Relationship Between Aesthetic Value and Cognitive Value.Antony Aumann - 2014 - Journal of Aesthetics and Art Criticism 72 (2):117-127.
    Recent attention to the relationship between aesthetic value and cognitive value has focused on whether the latter can affect the former. In this article, I approach the issue from the opposite direction. I investigate whether the aesthetic value of a work can influence its cognitive value. More narrowly, I consider whether a work's aesthetic value ever contributes to or detracts from its philosophical value, which I take to include the truth of its claims, the strength of its arguments, and its (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  12. Leo Tolstoy’s tragic death and his impacts on Max Weber and György Lukács: On autonomy of arts and science/ O tema da morte trágica de Liev Tolstói e set impacto em Max Weber e György Lukács: Sobre a autonomia nas ciências e na arte.Luis F. Roselino - 2014 - Revista História E Cultura 3 (1):150-171.
    The tragic death in Tolstoy's writings has helped both Max Weber and György Lukács in characterizing the modern pathos as a tragic contemplation of the emptiness of life. Through Tolstoy's readings, Weber and Lukács found an interesting source of denying arts and modern sciences autonomy, considering, from the aesthetics sphere, the meaningless of this new immanent reality. Both has assumed Tolstoy main theme from the same perspective, contrasting ancient and modern worldviews. Max Weber presented this theme in his disenchantment of (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  13. That Obscure Object of Desire: Pleasure in Painful Art.Jonathan Gilmore - 2013 - In Jerrold Levinson (ed.), Suffering Art Gladly: The Paradox of Negative Emotions in Art. Palgrave/Macmillan.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   2 citations  
  14. The Performative Limits of Poetry.Christopher Mole - 2013 - British Journal of Aesthetics 53 (1):55-70.
    J. L. Austin showed that performative speech acts can fail in various ways, and that the ways in which they fail can often be revealing, but he was not concerned with understanding performative failures that occur in the context of poetry. Geoffrey Hill suggests, in both his poetry and his prose writings, that these failures are more interesting than Austin realized. This article corrects Maximilian de Gaynesford’s misunderstanding of Hill’s treatment of this point. It then explains the way in which (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  15. The Puzzle of Historical Criticism.Christopher Bartel - 2012 - Journal of Aesthetics and Art Criticism 70 (2):213-222.
    Works of fiction are often criticized for their historical inaccuracies. But this practice poses a problem: why would we criticize a work of fiction for its historical inaccuracy given that it is a work of fiction? There is an intuition that historical inaccuracies in works of fiction diminish their value as works of fiction; and yet, given that they are works of fiction, there is also an intuition that such works should be free from the constraints of historical truth. The (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   3 citations  
  16. The Rhyme That Remains: Populist Poetics.Virgil W. Brower - 2012 - Everyday Genius 6 (21):61-81.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  17. Adam Bede’s Dutch Realism and the Novelist’s Point of View.Rebecca Gould - 2012 - Philosophy and Literature 36 (2):404-423.
    Hegel was ambivalent about Dutch genre painting’s uncanny ability to find beauty in daily life. The philosopher regarded the Dutch painterly aesthetic as Romanticism avant la lettre, and classifies it as such in his Lectures on Aesthetics, under the section entitled “Die romantischen Künste [The Romantic arts].”1 Dutch art, in Hegel’s reading, is marred by many shortcomings. The most prominent among these are the “subjective stubbornness [subjective Beschlossenheit]” that prevents this art from attaining to the “free and ideal forms of (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  18. Literature and Knowledge.John Gibson - 2009 - In Richard Eldridge (ed.), Oxford Handbook of Philosophy and Literature. Oxford University Press.
    What is the relation between works of fiction and the acquisition of knowledge?
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   6 citations  
  19. Art as Its Own Interpretation.Nicholas Maxwell - 2003 - In Andreea Ruvoi (ed.), Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz. Rodopi.
    In this article I argue that a work of art provides the best interpretation of itself - more faithful than any other scholarly interpretative work.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation