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  1. How Much Writing is Enough? - Delivered at Derrida Today Conference, 2014 Fordham University, New York.James Brusseau - manuscript
    The difference between Derrida and Deleuze has been debated in terms of their understandings and uses of the historical distinction between Being and beings. Daniel W. Smith intersects with the question when discussing transcendence and immanence. Clair Colebrook intersects when discussing materialism. Paul Patton intersects when distinguishing the unconditioned and conditioned. This essay moves along with their ideas, and contributes to the discussion by re-inscribing the debate in terms of nouns and verbs. The conclusion suggests that the noun/verb prism yields (...)
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  2. Erleben und Erkenntnis: Kognitive Funktionen der Literatur.Wolfgang Huemer - forthcoming - In Mathis Lessau & Nora Zügel (eds.), Die Rückkehr des Erlebnisses in den Geisteswissenschaften. Freiburg: Ergon Verlag.
    Literatur ist ein sehr vielschichtiges und lebendiges Phänomen, das beständig im Wandel ist. So wie sie im Laufe der Jahrhunderte und in den verschiedenen Kulturkreisen unter-schiedliche Formen angenommen und anderen Funktionen gedient hat, liegt es in ihrer Natur, immer wieder neue Ausdrucksformen zu entwickeln, die den sich ändernden Be-dürfnissen und Rahmenbedingungen gerecht werden können. Auch die theoretische Aus-einandersetzung mit der Literatur ist Veränderungen unterworfen, die manchmal wellen-förmige Bewegungen anzunehmen scheinen. Neue Fragestellungen geraten in den Mittel-punkt des Interesses, einzelne Aspekte werden (...)
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  3. Wittgenstein's Enigmatic Remarks on Shakespeare.Wolfgang Andreas Huemer - forthcoming - In Craig Bourne & Emily Caddick Bourne (eds.), The Routledge Companion to Shakespeare and Philosophy. London, New York: Routledge.
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  4. Literature and Readers' Empathy: A Qualitative Text Manipulation Study.Anezka Kuzmicova, Anne Mangen, Hildegunn Støle & Anne Charlotte Begnum - forthcoming - Language and Literature 26.
    Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of Katherine Mansfield's (...)
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  5. The Logic of Exemplarity.Jakub Mácha - forthcoming - Law and Literature (online first):1-15.
    The topic of exemplarity has attracted considerable interest in philosophy, legal theory, literary studies and art recently. There is broad consensus that exemplary cases mediate between singular instances and general concepts or norms. The aim of this article is to provide an additional perspective on the logic of exemplarity. First, inspired by Jacques Derrida’s discussion of exemplarity, I shall argue that there is a kind of différance between (singular) examples and (general) exemplars. What an example exemplifies, the exemplarity of the (...)
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  6. Learning From Fiction to Change Our Personal Narratives.Andrew J. Corsa - 2021 - Croatian Journal of Philosophy 21 (61):93-109.
    Can fictional literature help us lead better lives? This essay argues that some works of literature can help us both change our personal narratives and develop new narratives that will guide our actions, enabling us to better achieve our goals. Works of literature can lead us to consider the hypothesis that we might beneficially change our future-oriented, personal narratives. As a case study, this essay considers Ben Lerner’s novel, 10:04, which focuses on humans’ ability to develop new narratives, and which (...)
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  7. James O. Young, "Radically Rethinking Copyright in the Arts: A Philosophical Approach.".Michel-Antoine Xhignesse - 2021 - Philosophy in Review 41 (1):49-51.
    A review of James Young's "Radically Rethinking Copyright in the Arts: A Philosophical Approach" (Routledge 2020).
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  8. Exploding Stories and the Limits of Fiction.Michel-Antoine Xhignesse - 2021 - Philosophical Studies 178 (3):675-692.
    It is widely agreed that fiction is necessarily incomplete, but some recent work postulates the existence of universal fictions—stories according to which everything is true. Building such a story is supposedly straightforward: authors can either assert that everything is true in their story, define a complement function that does the assertoric work for them, or, most compellingly, write a story combining a contradiction with the principle of explosion. The case for universal fictions thus turns on the intuitive priority we assign (...)
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  9. Rawls' Ambiguous Utopia.Bernt Ivar Barkved - 2020 - Filosofisk Supplement 1 (2):26-35.
    Rawls’ realistic utopia has been subject to much criticism. The Realist claims Rawls’ realistic utopia to be too utopian. The Cosmopolitan, on the other hand, claims Rawls’ realistic utopia to be insufficiently utopian. In this essay, I argue that the criticism can be circumvented by means of clarifying an ambiguity in the concept of utopia. I argue that the Realist is not criticizing Rawls for being utopian, but unrealistic, impractical and idealistic (quixotic). The Cosmopolitan might be right in criticizing Rawls (...)
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  10. Review of Poetry and the Religious Imagination: The Power of the Word. [REVIEW]Subhasis Chattopadhyay - 2020 - Prabuddha Bharata or Awakened India 125 (7):571-2.
    This review shows how during COVID 19, poetry and theology both can soothe us. The collection of essays in this anthology is wide ranging engaging with Dante; right up to Wallace Stevens and Denise Levertov. The reviewer thanks the Ramakrishna Mission for providing him with a hard copy of this book. In passing; in the spirit of IndianLivesMatter, one notes that Prabuddha Bharata has never missed an issue from 1896 till date. In his long stint as reviewer for the Ramakrishna (...)
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  11. Non parlare e non tacere. Thomas Bernhard su Ludwig Wittgenstein.Wolfgang Huemer - 2020 - In Filosofia e letteratura in età moderna e contemporanea. Firenze, Italia: pp. 371-384.
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  12. La Estructura Lógica de la Filosofía Psicología, Sociología, Antropología Religión, Política, Economía, Literatura e Historia -- Artículos y reseñas 2006-2019 5ª Edicion.Michael Richard Starks - 2020 - Las Vegas, NV USA: Reality Press.
    Es mi afirmación que la tabla de intencionalidad (racionalidad, mente, pensamiento, lenguaje, personalidad, etc.) que presenta prominentemente aquí describe más o menos con precisión, o al menos sirve como heurística para, cómo pensamos y nos comportamos, y por lo tanto no abarca simplemente filosofía y psicología, sino todo lo demás (historia, literatura, matemáticas, política, etc.). Tenga en cuenta especialmente que la intencionalidad y racionalidad como yo (junto con Searle, Wittgenstein y otros) lo veo, incluye tanto el Sistema Linguístico deliberativo consciente (...)
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  13. Ist JK Rowling böser als Ich? (überarbeitet 2019).Michael Richard Starks - 2020 - In Willkommen in der Hölle auf Erden: Babys, Klimawandel, Bitcoin, Kartelle, China, Demokratie, Vielfalt, Dysgenie, Gleichheit, Hacker, Menschenrechte, Islam, Liberalismus, Wohlstand, Internet, Chaos, Hunger, Krankheit, Gewalt, Künstliche Intelligenz, Krieg. Las Vegas, NV, USA: Reality Press. pp. 248-252.
    Wie wäre es mit einer anderen Ausg. der Reichen und Berühmten? Zuerst das Offensichtliche – die Harry-Potter-Romane sind primitiver Aberglaube, der Kinder dazu ermutigt, an Fantasie zu glauben, anstatt Verantwortung für die Welt zu übernehmen – natürlich die Norm. JKR ist genauso ahnungslos über sich und die Welt wie die meisten Menschen,aber etwa 200 Mal so destruktiv wie der durchschnittliche Amerikaner und etwa 800 Mal mehr als der durchschnittliche Chinese. Sie war verantwortlich für die Zerstörung von vielleicht 30.000 Hektar Wald, (...)
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  14. JK罗琳比我更邪恶吗 (Is JK Rowling more evil than me?) (修订2019).Michael Richard Starks - 2020 - In 欢迎来到地球上的地狱: 婴儿,气候变化,比特币,卡特尔,中国,民主,多样性,养成基因,平等,黑客,人权,伊斯兰教,自由主义,繁荣,网络,混乱。饥饿,疾病,暴力,人工智能,战争. Las Vegas, NV USA: Reality Press. pp. 85-88.
    对富人和名人有不同的看法怎么样?首先显而易见的——哈利·波特小说是原始的迷信,鼓励孩子们相信幻想,而不是对世界负责——当然,这是常态。JKR和大多数人一样对自己和世界一无所知,但破坏力是普通美国人的2 00倍,比一般中国人高出800倍。她一直负责破坏大约3万公顷的森林,以产生这些垃圾小说和所有的侵蚀(不是微不足道的,因为它至少是6,也许12吨/年的土壤进入海洋,地球上的每个人或100吨每个美国人,所 以约5000吨/年罗琳的书和莫夫和她的3个孩子)。地球每年至少损失1%的表土,因此,当它接近2100年时,大部分粮食的生长能力将消失。然后是大量的燃料燃烧和废物,使书籍和电影,塑料娃娃等。她通过生孩子 ,而不是用她数百万的人来鼓励计划生育或购买雨林,以及通过宣扬正在毁灭英国、美国、破坏英国、美国、、世界和她的后代的未来。当然,她和其他7个也没有什么不同。8十亿无头 - 只是嘈杂和更破坏性的. 这是没有免费的午餐问题写大。暴徒们就是看不上没有伤害别人就能帮助一个人。给予新进入拥挤世界的人的权利或特权只能使其他人的权利或特权黯然失色。尽管每天都在他们面前发生大规模的生态灾难,但他们无法把它们与 "多样化"的无拘无束的母性相统一,因为"多样化"占上个世纪人口增长的大部分时间。一个。他们缺乏智力、教育、经验和理智,因此需要将每天对社会资源和运作的攻击推断为 工业文明的最终崩溃。每顿饭,每次坐汽车或公共汽车旅行,每双鞋都是地球棺材里的另一颗钉子。她可能从未想过,从伦敦飞往旧金山的飞机上的一个座位会产生大约一吨的碳,融化了大约3平方米的海冰,而作为特权阶层之 一,她可能飞过数百次这样的航班。 不仅富人和名人,而且几乎任何公众人物,包括几乎所有的教师,都被迫在政治上正确,这在西方民主政体中,现在意味着社会民主(新马克思主义者——即被稀释的共产主义者)第三位。世界至高无上主义者为毁灭自己的社会 和自己的后代而工作。因此,那些缺乏教育、经验、智力(和基本常识)的人,应该禁止他们发表任何公开声明,完全主宰着所有媒体,给人留下一种印象,即聪明和文明必须有利于民主、多样性和平等,而事实是,这些是问题 而不是解决办法,它们本身就是文明的主要敌人。看到我的自杀民主2nd(2019).
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  15. J K Rowling зла, чем я? (пересмотрено 2019 ).Michael Richard Starks - 2020 - In ДОБРО ПОЖАЛОВАТЬ В АД НА НАШЕМ МИРЕ : Дети, Изменение климата, Биткойн, Картели, Китай, Демократия, Разнообразие, Диссигеника, Равенство, Хакеры, Права человека, Ислам, Либерализм, Процветание, Сеть, Хаос, Голод, Болезнь, Насилие, Искусственный интелле. Las Vegas, NV USA: Reality Press. pp. 252-256.
    Как насчет другого взять на богатых и знаменитых? Во-первых, очевидное - романы о Гарри Поттере - это примитивные суеверия, которые побуждают детей верить в фантазию, а не брать на себя ответственность за мир - норма, конечно. JKR как раз как clueless о себе и мире как большинств люди,но около 200 времен как разрушительно как средний американец и около 800 времен больше чем средний китаец. Она несет ответственность за уничтожение, может быть, 30000 гектаров леса для производства этих романов мусора и все (...)
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  16. J.K Rowling 私より悪い?.Michael Richard Starks - 2020 - In 地獄へようこそ 赤ちゃん、気候変動、ビットコイン、カルテル、中国、民主主義、多様性、ディスジェニックス、平等、ハッカー、人権、イスラム教、自由主義、繁栄、ウェブ、カオス、飢餓、病気、暴力、人工知能、戦争. Las Vegas, NV , USA: Reality Press. pp. 232-235.
    金持ちと有名人に別のテイクはどうですか?まず、ハリー・ポッターの小説は、子供たちが世界に責任を持つのではなく、ファンタジーを信じることを奨励する原始的な迷信です。JKRは、ほとんどの人と同じくらい自分 自身と世界について手がかりはありませんが、平均的なアメリカ人の約200倍、平均的な中国人の約800倍の破壊的です。彼女は、これらのゴミ小説とそれに続くすべての侵食を生み出すために、おそらく30,000 ヘクタールの森林の破壊を担当してきました(地球上のすべての人のために海に少なくとも6トンとおそらく12トン/年の土壌、またはアメリカ人1人あたり100トンなので、ローリングの本やmov iesと彼女の3人の子供たちのために約5000トン/年ですies and her)。地球は毎年表土の少なくとも1%を失うので、2100に近づくにつれて、その食糧栽培能力のほとんどはなくなりました。その後、本や映画、プラスチック人形などを作り、配布するために作られた燃料や廃棄 物の膨大な量があります。彼女は、何百万人もの人々を使って家族計画や熱帯雨林の購入を奨励するのではなく、子供たちを生み出し、イギリス、アメリカ、世界、そして彼女の子孫の将来を破壊している第3世界至上主義 の従来のリベラルな愚かさを促進することによって、社会的責任の欠如を示しています。もちろん、彼女は他の7とそれほど変わりません。80億の手がかりのない - ちょうど騒がしい、より破壊的な. それは無料の昼食の問題は大きいです。暴徒は、他の人に危害を加えずに一人の人を助けることのようなものがないことを見ることができません。過密な世界への新規参入者に与えられた権利や特権は、他の人の権利や特権 を暗くすることしかできません。毎日どこでも目の前で起こっている大規模な生態学的災害にもかかわらず、彼らは前世紀の人口増加の大部分を占める「多様」の拘束されていない母性にそれらを固定することはできません 。彼らは、産業文明の最終的な崩壊に社会の資源と機能に対する日々の攻撃を推定するために必要な知性、教育、経験と正気のいくつかの組み合わせを欠いています。各食事、車やバスでの各旅行、靴の各ペアは、地球の棺 の中の別の釘です。ロンドンからサンフランシスコへの飛行機の1つの座席が、約3平方メートルの海氷を溶かす約1トンの炭素を生産し、過剰な特権の一つとして、彼女はおそらく何百ものフライトを飛ばしたことは、彼 女の心を横切ったことはありません。 金持ちや有名人だけでなく、事実上すべての教師を含むほぼすべての公人は政治的に正しいと圧力を受けており、西洋民主主義では、現在、社会民主主義(ネオマルクス主義者、すなわち希薄な共産主義者)第三世界至上主 義者が自分たちの社会と子孫の破壊のために働くことを意味しています。だから、教育、経験、知性(そして基本的な常識)が欠けている人々は、彼らが公の声明を出すのを全く禁止すべきであるが、すべてのメディアを完 全に支配し、知的で文明的な人々が民主主義、多様性、平等を支持しなければならないという印象を作り出す一方で、真実はこれらが問題であり、解決策ではなく、彼ら自身が文明の主要な敵であるという印象を作り出す。 民主主義第2nd ed(2019年)などによる私の自殺を参照してください .
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  17. JK Rowling est-il plus diabolique que Me? (révisé en 2019).Michael Richard Starks - 2020 - In Bienvenue en Enfer sur Terre : Bébés, Changement climatique, Bitcoin, Cartels, Chine, Démocratie, Diversité, Dysgénique, Égalité, Pirates informatiques, Droits de l'homme, Islam, Libéralisme, Prospérité, Le Web, Chaos, Famine, Maladie, Violence, Intellige. Las Vegas, NV USA: Reality Press. pp. 247-250.
    Que diriez-vous d’une autre prise sur les riches et célèbres? Tout d’abord l’évidence - les romans de Harry Potter sont la superstition primitive qui encourage les enfants à croire en la fantaisie plutôt que d’assumer la responsabilité du monde - la norme bien sûr. JKR est tout aussi désemparé sur elle-même et le monde que la plupart des gens, mais environ200 fois plus destructeur que l’Américain moyen et environ 800 fois plus que le Chinois moyen. Elle a été responsable de (...)
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  18. The Book That Touched Millions: The Immortal Fly.Rituparna Ray Chaudhuri (ed.) - 2019 - Bloomington,USA: Partridge International In Association with Penguin Random House.
    THE IMMORTAL FLY: ETERNAL WHISPERS. WHO IS SHE? Author: Rituparna Ray Chaudhuri. Hello, Recently my book named, ‘The Immortal Fly: Eternal Whispers : Based On True Events of a Family' been published from Partridge (USA) In Association with Penguin Random House (UK) and achieved a separate Google identity. -/- As being # the author of the book, I thought to define self in the book what is definition of 'Depression'. I wanted to explain self in many ways, but the best (...)
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  19. Стосунки з Богом у поезії Миколи Вінграновського.Svitlana Bohdan - 2018 - NaUKMA Researh Papers. Literary Studies 1:44-48.
    Статтю присвячено сакральним мотивам у поезії М. Вінграновського. Розглянуто правопис слова «Бог» у ранніх і пізніших поезіях автора, вказано на тексти з релігійною образністю і тематикою (зокрема проаналізовано неопубліковані рукописи). Наведено свідчення сучасників поета про його стосунки з Богом. Зроблено спробу показати, що засвідчена заангажованість М. Вінграновського в релігійний дискурс дає підстави розгортати інтерпретацію його поезій також і в межах цього дискурсу, зокрема – в аспекті поєднання однини і множини на мовному рівні, а також в аспекті відчуття загальної всеєдності як (...)
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  20. Vivre la philosophie : les Mémoires comme œuvre philosophique.Manon Garcia - 2018 - Littérature 191:53-67.
    English Title “Living Philosophy: Beauvoir’s Memoirs as a philosophical ‘œuvre’”. This paper seeks to remedy the lack of philosophical analyses of the philosophical dimension of Beauvoir’s autobiographical work in using the existentialist link Beauvoir establishes between life and philosophy to make three points: first, her Memoirs constitute a crucial documentary resource to understand Beauvoir’s essays and the original philosophical stance she defends in them. Second, Memoirs show a two-way relationship between philosophy and life, on an epistemic and on a practical (...)
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  21. The Value of Fidelity in Adaptation.James Harold - 2018 - British Journal of Aesthetics 58 (1):89-100.
    © British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comThe adaptation of literary works into films has been almost completely neglected as a philosophical topic. I discuss two questions about this phenomenon:What do we mean when we say that a film is faithful to its source?Is being faithful to its source a merit in a film adaptation?In response to, I set out two distinct (...)
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  22. Curating Interdisciplinarity in Literature-Art: A Review of Mukhaputa.Srajana Kaikini - 2018 - Rupkatha Journal On Interdisciplinary Studies in Humanities 10 (2):251 - 259.
    This is a philosophical review of the exhibition dedicated to Literature – Art titled Mukhaputa (Cover page) held on occasion of the Manipal International Literature and Arts Platform 2017 in Manipal, India. The curatorial strategy of the exhibition explores the intersectional relationships between literature and visual arts at large. The context of this critical review is the recent past of modern literature journals in print that encouraged artists and illustrators to converse with literature and in turn poets and authors to (...)
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  23. H.P. Lovecraft’s Philosophy of Science Fiction Horror.Greg Littmann - 2018 - Science Fictions Popular Cultures Academics Conference Proceedings:60-75.
    The paper is an examination and critique of the philosophy of science fiction horror of seminal American horror, science fiction and fantasy writer H.P. Lovecraft (1890-1937). Lovecraft never directly offers a philosophy of science fiction horror. However, at different points in his essays and letters, he addresses genres he labels “interplanetary fiction”, “horror”, “supernatural horror”, and “weird fiction”, the last being a broad heading covering both supernatural fiction and science fiction. Taken together, a philosophy of science fiction horror emerges. Central (...)
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  24. Тема віри у творчості Ф. Моріака.Aneliya Polshchak - 2018 - NaUKMA Researh Papers. Literary Studies 1:121-125.
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  25. Meaning, Experience, and the Modern Self: The Phenomenology of Spontaneous Sense in Woolf’s Mrs. Dalloway.Jacob Rump - 2018 - Metodo 6 (1):317-355.
    By portraying meaning as a phenomenon that eludes complete expression and arises spontaneously in our everyday embodied interactions with others and objects in the world, as well as in our own unconscious registering of those interactions, Woolf’s Mrs. Dalloway is uniquely insightful concerning both the presence of meaning in modern life and the modern conception of the self--phenomena marked by a certain ineradicable tension between that which is constituted by us and that which is given from outside us. This paper (...)
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  26. Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico.Fabio Vergine - 2018 - Elephant and Castle. Laboratorio Dell'immaginario 1 (18).
    During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing. But above all, he shows a stylistic impatience for the alphabetic use of the word and the language. By the intention of creating an inhuman language, which could be understood also by the illiterate people, Artaud wants to undermine the significant use of the word, so that he can achieve a non-representative (...)
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  27. Бароковий код у поезії Олега Лишеги.Daryna Voronovska - 2018 - NaUKMA Researh Papers. Literary Studies 1:58-61.
    У статті вперше здійснено інтерпретацію поетичних текстів Олега Лишеги шляхом звернення до концепції барокового коду. Проаналізовані таким чином, зокрема, «пісня 822», «Півень», «Шовковиця», «Ворон», «Пацюк» і «пісня 3». Саме крізь призму барокового коду варто розглядати ці поезії, оскільки головні світоглядні риси бароко здатні пояснити ті чи ті образи або ситуації, які читач знаходить у текстах. Варто також наголосити на непересічності образу Григорія Сковороди у творчості Олега Лишеги, адже у поезіях «Великого мосту» можна неодноразово знайти чи то сковородинські образи/символи, чи то (...)
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  28. The End of The Road.Sean Allen-Hermanson - 2017 - European Journal of American Studies 12 (2).
    -/- The closing paragraph of Cormac McCarthy’s The Road hums with mystery. Some find it suggestive of renewal, though only vaguely. Others contend that it does little to ameliorate the novel’s pessimism. Still others find it offers both lamentation and hopefulness, while some pass it over in silence. As an admirer with a taste for puzzle solving, here I offer a new interpretation revealing a surprisingly optimistic denouement.
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  29. “Antigone’s Stance Amongst Slovenia’s Undead.”.Rachel Aumiller - 2017 - Studia Ethnologica Croatica 29:19-42.
    Memorialization in the form of the architectural statue can suggest that our stance towards the past is concrete while memorials in the form of repeated social activity represent reconciliation with the past as a continual process. Enacted memorials suggest that reconciliation with the past is not itself a thing of the past. Each generation must grapple with its inherited memories, guilt, and grief and self-consciously take its own stance towards that which came before it. This article considers Dominik Smole’s post (...)
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  30. Vorbild, Beispiel und Ideal. Zur Bedeutung Goethes für Wilhelm Diltheys Philosophie des Lebens.Johannes Steizinger - 2017 - In Johannes Steizinger, Daniel Weidner & Claude Haas (eds.), Goethe um 1900. Berlin, Germany: Kulturverlag Kadmos. pp. 27‒49.
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  31. In the Neutral Zone, A Libertarian's Home Is Their Castle.M. Blake Wilson - 2017 - In Bruce Krajewski & Joshua Heter (eds.), The Man In The High Castle And Philosophy. Chicago: Open Court. pp. 47-58.
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  32. Ескізи фрагментів «Мертвих душ» у пробах мандрівного письма на сторінках закордонного листування М. В. Гоголя 1836 року.Dzhulai Yurii - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:42-51.
    У статті вперше проведено аналіз закордонного листування М. В. Гоголя 1836 року у площині праці письменника над фрагментами мандрівного письма, які з’являються у певному колі листів: до рідних, близьких друзів та знайомих. Саме у цьому адресному колі листів М. В. Гоголя і виник підпростір листів – ескізів майбутніх мандрівних фрагментів «Мертвих душ». У статті вказано на те, що в основі системних проб М. В. Гоголя у мандрівному письмі лежить перетин різних мотивів і причин. Ядром досить тривалого періоду напрацювання М. В. (...)
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  33. The Descent of Winter: William Carlos Williams Under the Influence of Paris.Phillip Barron - 2016 - Sophia and Philosophia 1 (2):91-97.
    The influence of surrealism and Philippe Soupault on William Carlos Williams' poetry.
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  34. Claiming the Domain of the Literary: Mourning the Death of Reading Fiction.Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (June (6)):505-11.
    This essay reviews the domain of the literary contrasting it with other intellectual discourses; especially philosophy. It establishes the superiority of literature over philosophy. And mentions the philosophies informing literature. The essay is written consciously with copious endnotes, contrary to current ways of writing. The essay proper is simple; the endnotes often mock jargon and mimic pedantry.
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  35. Vedanta and Cosmopolitanism in Contemporary Indian Poetry.Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (September):648-55.
    Bashabi Fraser is known the world over as a Scottish-Bengali aka diasporic writer. Further she has also been slotted as a feminist scholar with a huge corpus on Tagore. This essay proves the fallacy of such pigeon-holeing of Fraser and shows that she is as mainstream as Yeats and even before that, like unto Blake. The essay also makes a point for rejecting every other mode of poetry except the Romantic mode. It established the Vedantic nature of the poetic genius. (...)
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  36. Leonard Cohen and Philosophy: Various Positions. [REVIEW]Montgomery David - 2016 - CAML Review/Revue de L'ACBM 44 (2):57-61.
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  37. A Puzzle of Poetic Expression.John Gibson - 2016 - The Philosophers' Magazine 74 (3):56-62.
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  38. Nietzsche's and Pessoa's Psychological Fictionalism.Pietro Gori & Antonio Cardiello - 2016 - Pessoa Plural 10:578-605.
    In a note to G.R.S. Mead’s "Quests Old and New", where he found a section devoted to Hans Vaihinger’s main ideas, Fernando Pessoa reflects on the consequences of the fictionalist approach to both our perception of the I and the value of consciousness. These questions correspond to some statements that we find in Nietzsche’s writings, which in particular Vaihinger refers to in his Die Philosophie des Als-ob. Our aim is thus to compare Nietzsche’s and Pessoa’s view of the I and (...)
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  39. Love and Transience in Proust.Robbie Kubala - 2016 - Philosophy 91 (4):541-557.
    One strand of recent philosophical attention to Marcel Proust's novel À la Recherche du Temps Perdu, exemplified by Martha Nussbaum and Rae Langton, claims that romantic love is depicted in the text as self-regarding and solipsistic. I aim to challenge this reading. First, I demonstrate that the text contains a different view, overlooked by these recent interpreters, according to which love is directed at the partially knowable reality of another. Second, I argue that a better explanation for Proust's narrator's ultimate (...)
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  40. Audiobooks and Print Narrative: Similarities in Text Experience.Anezka Kuzmicova - 2016 - In Jarmila Mildorf & Till Kinzel (eds.), Audionarratology: Interfaces of Sound and Narrative. De Gruyter. pp. 217-237.
    Comparisons between audiobook listening and print reading often boil down to the fact that audiobooks impose limitations on the recipient’s continuous in-depth reflection. As a result, audiobook listening is considered a shallow alternative to reading. This chapter critically revisits the following three intuitions commonly associated with such comparisons: 1) Audiobooks elicit more mental imagery than print. 2) Audiobooks invite more inattentive processing than print. 3) Audiobook listening is more contingent on the environment than print reading. Instead of postulating the superiority (...)
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  41. Haeretici prohibiti: заборонені книги у бібліотеці єзуїтського колегіуму в Перемишлі (за матеріалами інвентаря 1774 р.).Nazariy Loshtyn - 2016 - Kyivan Academy 13:204-227.
    Статтю присвячено перелікові книг, заборонених для доступу у бібліотеці колегіуму Товариства Ісуса у Перемишлі. Ідентифікацію та аналіз цієї літератури здійснено на основі рукописного інвентаря бібліотеки, що його уклав у 1774 р., після ліквідації Товариства Ісуса, Станіслав Хмельовський. Загальна кількість книг Перемишльської бібліотеки охоплювала 6985 позицій, а до групи «haereteci prohibiti» було внесено 137 видань, з яких вдалося ідентифікувати 102. У статті ці праці умовно поділено на п’ять підгруп: 1) твори ренесансних гуманістів, 2) протестантські автори, 3) православні автори, 4) книги з (...)
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  42. Popular Fiction.Aaron Meskin - 2016 - In John Gibson & Noel Carroll (eds.), The Routledge Companion to Philosophy of Literature. Routledge.
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  43. Foucault and Kripke on the Proper Names of Authors.Christopher Mole - 2016 - Philosophy and Literature 40 (2):383-398.
    The semantic issues that Saul Kripke addressed in Naming and Necessity overlap substantially with those that were addressed by Michel Foucault in “What Is an Author?”. The present essay examines their area of overlap, with a view to showing that each of these works affords a perspective on the other, from which facets that are usually obscure can be brought into view. It shows that Foucault needs to take some assumptions from Kripke’s theory of naming in order to secure one (...)
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  44. Husserl, Bakhtin, and the Other I. Or: Mikhail M. Bakhtin – a Husserlian?Carina Pape - 2016 - HORIZON. Studies in Phenomenology 5 (2):271-289.
    Mikhail Bakhtin aimed to invent a phenomenology of the self-experience and of the experience of the other in his early work. In order to realize such a phenomenology he combined different approaches he called idealism and materialism / naturalism. The first one he linked to Edmund Husserl, but did hardly name him directly concerning his phenomenology. Does this intersubjective phenomenology give a hint that Bakhtin used Husserlian ideas more than considered yet? Or did they both invent similar ideas independently from (...)
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  45. Zwischen Jugendbewegung und literarischer Avantgarde. Das Leben von Christoph Friedrich Heinle 1894−1914.Johannes Steizinger - 2016 - In Christoph Friedrich Heinle: Lyrik und Prosa. Berlin, Germany: Kulturverlag Kadmos. pp. 149-183.
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  46. La follia della pagina bianca. Scrivere per divenire-folli. [REVIEW]Fabio Vergine - 2016 - Doppiozero 1.
    Recensione di "La grande straniera. A proposito di letteratura", di Michel Foucault.
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  47. The Divine Comedy’s Construction of its Audience in Paradiso 2.1-18.Jason Aleksander - 2015 - Essays in Medieval Studies 30:1-10.
    Paradiso 2’s sustained direct address warns readers unprepared for its complexities to “turn back to see your shores again…for perhaps losing me, you would be lost,” but then offers the “other few” who crave “the bread of angels” the promise of a marvel that would rival the deeds of the mythological hero Jason. I will argue that, by appearing to impose this choice on its readers, this direct address in fact activates the craving for the bread of angels (for who, (...)
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  48. Story Size.Ben Blumson - 2015 - Philosophical Papers 44 (2):121-137.
    The shortest stories are zero words long. There is no maximum length.
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  49. The Puzzle of Multiple Endings.Florian Cova & Amanda Garcia - 2015 - Journal of Aesthetics and Art Criticism 73 (2):105-114.
    Why is it that most fictions present one and only one ending, rather than multiple ones? Fictions presenting multiple endings are possible, because a few exist; but they are very rare, and this calls for an explanation. We argue that such an explanation is likely to shed light on our engagement with fictions, for fictions having one and only one ending seem to be ubiquitous. After dismissing the most obvious explanations for this phenomenon, we compare the scarcity of multiple endings (...)
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  50. The Practice of Poetry and the Psychology of Well-Being.Adam M. Croom - 2015 - Journal of Poetry Therapy 28:21-41.
    In “Flourish,” the psychologist Martin Seligman proposed that psychological well-being consists of “PERMA: positive emotion, engagement, relationships, meaning, and accomplishment.” Although the question of what constitutes flourishing or psychological well-being has been long debated among scholars, the recent literature has suggested that a paradigmatic or prototypical case of psychological well-being would manifest most or all of the aforementioned PERMA factors. The recent literature on poetry therapy has also suggested that poetry practice may be utilized as “an effective therapeutic tool” for (...)
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