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  1. added 2019-07-05
    Художня література, кіно і пісні в інтертексті роману С. Оксеника «Вбивство п’яної піонерки»: кодифікація ретрочасу.Ludmyla Danylenko - 2018 - NaUKMA Researh Papers. Literary Studies 1:66-69.
    У статті розглянуто інтертекстуальне тло в романі Сергія Оксеника «Вбивство п’яноï піонерки». Ідеться про використання художньоï літератури, кіно і пісень як джерела зображення ретрочасу. Виявлено, що система мікротекстів в основному тексті відображає атмосферу 1960-х років. Проаналізовано цитати, алюзіï, стилізацію як прийоми для художнього конструювання суспільних і моральних проблем того часу. Визначено, що цитування чужих текстів у романі забезпечує своєрідну поліфонічність основного тексту, увиразнює часовий пласт мистецьких пріоритетів і рівня культури персонажів. Використовуючи чужі тексти, автор розраховував на ерудицію і мистецькі уподобання (...)
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  2. added 2019-06-14
    Ескізи фрагментів «Мертвих душ» у пробах мандрівного письма на сторінках закордонного листування М. В. Гоголя 1836 року.Dzhulai Yurii - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:42-51.
    У статті вперше проведено аналіз закордонного листування М. В. Гоголя 1836 року у площині праці письменника над фрагментами мандрівного письма, які з’являються у певному колі листів: до рідних, близьких друзів та знайомих. Саме у цьому адресному колі листів М. В. Гоголя і виник підпростір листів – ескізів майбутніх мандрівних фрагментів «Мертвих душ». У статті вказано на те, що в основі системних проб М. В. Гоголя у мандрівному письмі лежить перетин різних мотивів і причин. Ядром досить тривалого періоду напрацювання М. В. (...)
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  3. added 2019-06-14
    До проблеми походження аттичної трагедії.Shahuri Mariia - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:68-71.
    Статтю присвячено проблемі, яка досі викликає неоднозначні оцінки науковців, – вивченню походження давньогрецької трагедії. Спочатку було розглянуто базову теорію Аристотеля, який у «Поетиці» згадує про походження трагедії від сатирівської драми. Далі увагу було приділено іншому підходу до проблеми – вивченню етимології слова τραγῳδία: ми проаналізували, як змінювалося тлумачення цього слова від «пісні цапів» до «пісні, яку співали під час жертвопринесення цапів». Насамкінець було розглянуто зв’язки між ритуальними дифірамбами та трагедією і зроблено припущення, чому вони не могли із часом трансформуватися у (...)
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  4. added 2019-06-11
    Сковородіана: труднощі читання, або що приховують і що повідомляють тексти.Iryna Bondarevska - 2017 - Kyivan Academy:94-114.
    У статті проаналізовано варіанти інтерпретації філософських творів Сковороди як певні моделі читання та доведено, що мінливість тлумачень залежить від припущень про латентне у творах, серед іншого, про ставлення до тексту, автора і предмета дослідження. Латентне (приховане умисно або неумисно) вимагає експлікації та подальшої репрезентації, але в кожному конкретному випадку воно визначається по-різному. Існують два альтернативні підходи до визначення латентного. Одні дослідники використовують здатність текстів передавати більше, ніж задумав автор, і шляхом зіставлення «деталей» здійснюють історико-філософську контекстуалізацію теорії (місце мислителя в історії (...)
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  5. added 2019-06-02
    Review of Ethics and Politics in Tagore, Coetzee and Certain Scenes of Teaching by Gayatri Chakravorty Spivak. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (6):523-6.
    This is a reading of Spivak as an heir to Sri Avinavagupta and Sri Ramakrishna. We ignore the fact that Spivak is a Shakta in her corpus. This review corrects/revises our understanding of Spivak and reinstates her as she really deserves to be read: she is within the traditions of Tantra. Spivak, in her own writings and interviews, has long spoken of her Tantric roots. This review in Prabuddha Bharata, which is the mouthpiece of the Ramakrishna Mission whose disciple Spivak (...)
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  6. added 2019-05-06
    Narrative in Law and Life: Some Frequently Asked Questions.Harold Anthony Lloyd - 2015 - Second Draft 28.
    This article briefly addresses the following questions: Why should we study narrative? Does narrative have a basic overarching form or forms? How does framing drive narrative? How do concepts drive narrative? What can we do when we lack the necessary concepts for the narrative we need to tell? Are there basic storylines that repeat? Are there basic character types that we reuse? Can narrative drive the results of a Supreme Court case? Can narrative drive transactional practice? How does narrative's importance (...)
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  7. added 2019-01-10
    Book Review: Paul Stern, Dante's Philosophical Life: Politics and Human Wisdom in Purgatorio. [REVIEW]Jason Aleksander - 2018 - The Medieval Review 12 (6).
    A review of Paul Stern's Dante's Philosophical Life: Politics and Human Wisdom in Purgatorio (University of Pennsylvania Press, 2018).
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  8. added 2019-01-10
    Teaching the Divine Comedy's Understanding of Philosophy.Jason Aleksander - 2012 - Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 13 (1):67-76.
    This essay discusses five main topoi in the Divine Comedy through which teachers might encourage students to explore the question of the Divine Comedy’s treatment of philosophy. These topoi are: (1) The Divine Comedy’s representations in Inferno of noble pagans who are allegorically or historically associated with philosophy or natural reason; (2) its treatment of the relationship between faith and reason and that relationship’s consequences for the text’s understanding of the respective authoritativeness of theology and philosophy; (3) representations in the (...)
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  9. added 2019-01-08
    The Divine Comedy’s Construction of its Audience in Paradiso 2.1-18.Jason Aleksander - 2015 - Essays in Medieval Studies 30:1-10.
    Paradiso 2’s sustained direct address warns readers unprepared for its complexities to “turn back to see your shores again…for perhaps losing me, you would be lost,” but then offers the “other few” who crave “the bread of angels” the promise of a marvel that would rival the deeds of the mythological hero Jason. I will argue that, by appearing to impose this choice on its readers, this direct address in fact activates the craving for the bread of angels (for who, (...)
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  10. added 2019-01-08
    The Problem of Theophany in Paradiso 33.Jason Aleksander - 2011 - Essays in Medieval Studies 27:61-78.
    One widely discussed feature of Paradiso 33 is Dante’s emphasis on his failure to represent in words and memory his pilgrim’s exalted vision of the Trinity. Against other interpretations of this canto, I will discuss why, despite the fact that the language of failure seeks to reinforce the poetic illusion that revelation’s authority is grounded in an unmediated access to divine truth, the theophantic moment “represented” in Paradiso 33 instead shows that revelatory experience is nothing but a product of the (...)
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  11. added 2018-08-11
    Literature and Revelation: Notes for PHL923.Paul Bali - manuscript
    marginal notes on Jung, Sartre, Valéry, Tolkien, Borges, and more; with woven-in autobiography.
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  12. added 2018-08-05
    Modernity, Madness, Disenchantment: Don Quixote's Hunger.Rebecca Gould - 2011 - Symploke 19 (1):35-53.
    This essay considers the relation between Don Quixote's hunger and the disenchantment (Entzauberung) that Max Weber understood as paradigmatic of the modern condition. Whereas hunger functions within a Hegelian dialectic of desire in Cervantes' novel, literary representations of hunger from later periods (in Kafka and post-Holocaust Polish poetry) acknowledge the cosmic insignificance of human need by substituting the desire for recognition with a desire for self-abdication. While Don Quixote's hunger drives him to seek recognition for his dream world, modern literature's (...)
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  13. added 2018-08-04
    Adam Bede’s Dutch Realism and the Novelist’s Point of View.Rebecca Gould - 2012 - Philosophy and Literature 36 (2):404-423.
    Hegel was ambivalent about Dutch genre painting’s uncanny ability to find beauty in daily life. The philosopher regarded the Dutch painterly aesthetic as Romanticism avant la lettre, and classifies it as such in his Lectures on Aesthetics, under the section entitled “Die romantischen Künste [The Romantic arts].”1 Dutch art, in Hegel’s reading, is marred by many shortcomings. The most prominent among these are the “subjective stubbornness [subjective Beschlossenheit]” that prevents this art from attaining to the “free and ideal forms of (...)
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  14. added 2018-06-23
    A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition.Martijn Boven - 2018 - In Eric Jozef Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, IL, USA: pp. 115-130.
    In this essay, I argue that Søren Kierkegaard’s oeuvre can be seen as a theater of ideas. This argument is developed in three steps. First, I will briefly introduce a theoretical framework for addressing the theatrical dimension of Kierkegaard’s works. This framework is based on a distinction between“performative writing strategies” and “categories of performativity.” As a second step, I will focus on Repetition: A Venture in Experimenting Psychology, by Constantin Constantius, one of the best examples of Kierkegaard’s innovative way of (...)
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  15. added 2018-05-17
    Review of Gregory Currie , Narratives and Narrators: A Philosophy of Stories. [REVIEW]Catharine Abell - 2011 - Philosophy in Review 31 (5):324-326.
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  16. added 2018-03-05
    Book Review of Revolution of the Ordinary by Toril Moi. [REVIEW]Robert Vinten - 2017 - Nordic Wittgenstein Review 6 (2):99-103.
    Book review of Moi, Toril, _Revolution of the Ordinary: Literary studies after Wittgenstein, Austin, and Cavell,_ Chicago : Chicago University Press, 2017. 290 pages.
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  17. added 2018-03-01
    Gewissen und Identität. Philosophisches zu Kleists Prinz von Homburg und Marquise von O.,.Giovanna Pinna - 2015 - In Simon Bunke (ed.), Gewissen zwischen Gefühl und Vernunft. Interdisziplinäre Perspektiven auf das 18. Jahrhundert, ed. by S. Bunke. Würzburg: Königshauesen und Neumann. pp. 373-386.
    In the article I discuss the philosophical premises of Kleist's literary work, focussing on the relationship between his conception of moral conscience and Kant's ethics.
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  18. added 2018-01-10
    Paul Gauguin y Mario Vargas Llosa, entre el arte y la literatura. Manao Tupapau-El espíritu del muerto la recuerda, 1892.Carlos Vanegas - 2015 - Poliantea:227-251.
    Entre el arte y la literatura se han generado múltiples reflexiones que han sido estudiadas por la historia del arte, la teoría literaria y la estética, entre otros. Igualmente, podemos considerar una larga tradición de artistas y escritores que se han empeñado, por medio de ensayos, críticas y manifiestos, en considerar los ámbitos y lugares de competencia de cada forma artística, así como sus lugares de similitud y diferencia en una larga tradición de préstamos interartísticos entre la palabra y la (...)
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  19. added 2018-01-10
    Del Ser Nacional y Otras Ficciones. A Propósito de Efrén Giraldo, Negroides, Simuladores, Melancólicos. El Ser Nacional En El Ensayo Literario Colombiano Del Siglo XX. [REVIEW]Carlos Vanegas - 2013 - Co-herencia:257-261.
    Autores como Lukács o Adorno, por solo mencionar algunos nombres del siglo XX, han visto en el ensayo uno de los géneros literarios fundamentales para la expresión y exposición de ideas, con el bemol de que el ensayo siempre está en conflicto con otras plataformas de conocimiento, como las del orden establecido por la institución y la academia. Desde una postura compartida, el ensayista y crítico Efrén Giraldo se ha preocupado por la reinvindicación del ensayo literario, como una fuente de (...)
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  20. added 2017-07-02
    Traditional Literary Interpretation Versus Subversive Interpretation.Terence Rajivan Edward - manuscript
    I present some objections to traditional literary interpretation and consider subversive interpretation as a solution to these problems. Subversive interpretation may seem more scientific and more democratic than traditional interpretation, but it is open to doubt that it is more democratic.
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  21. added 2017-01-20
    Leonard Cohen and Philosophy: Various Positions. [REVIEW]Montgomery David - 2016 - CAML Review/Revue de L'ACBM 44 (2):57-61.
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  22. added 2016-12-14
    The Descent of Winter: William Carlos Williams Under the Influence of Paris.Phillip Barron - 2016 - S.Ph. Essays and Explorations 1 (2).
    The influence of surrealism and Philippe Soupault on William Carlos Williams' poetry.
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  23. added 2016-12-12
    Plaisir and Jouissance. The Case of Potential and Textual Reading of Barthes’ Theory.Kołdrzak Elżbieta - 2015 - Argument: Biannual Philosophical Journal 5 (1):51-58.
    The article is an attempt of the analysis and the interpretation of the categories ‘pleasure’ (Fr. plaisir) and ‘delight’ (Fr. jouissance), in the context of philosophically oriented theoretical‑literary considerations of Roland Barthes, sacrificed to the mystery of experiencing of the love. The part first, referring mainly to Barthes’ works, Revognises the range of the semantic field plaisir and jouissance, as categories basic for the textual language of the outstanding theoretician. The second part introduces three examples of western cultural practices which (...)
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  24. added 2016-11-22
    Narrative and Essayistic Temporalities.E. Di Bona - 2015 - In Ch Wampole S. Ercolino (ed.), Narration and Reflection, Special Issue of Compar(a)ison: An International Journal of Comparative Literature. Peter Lang. pp. 49-62.
    The issues of this essay concern whether there are ways of experiencing time that are specific to narration and whether such ways can also be applied to the experience of time in reflection. In order to tackle these issues, we shall compare and contrast the experience of time in life with both the temporal experiences of narration and the temporal experiences of reflection. We shall begin, then, with a discussion on what the “experience of time” is, in the attempt of (...)
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  25. added 2016-10-09
    The Conceptualization of Time in Vladimir Nabokov’s Pale Fire.Sanja Lalic - manuscript
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  26. added 2016-09-01
    Vedanta and Cosmopolitanism in Contemporary Indian Poetry.Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (September):648-55.
    Bashabi Fraser is known the world over as a Scottish-Bengali aka diasporic writer. Further she has also been slotted as a feminist scholar with a huge corpus on Tagore. This essay proves the fallacy of such pigeon-holeing of Fraser and shows that she is as mainstream as Yeats and even before that, like unto Blake. The essay also makes a point for rejecting every other mode of poetry except the Romantic mode. It established the Vedantic nature of the poetic genius. (...)
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  27. added 2016-06-03
    Review of Terry Eagleton's On Evil. [REVIEW]Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (March (3)):383-385.
    Terry Eagleton has been reviewed in the light of theism; especially Christianity which he had earlier disowned.
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  28. added 2016-04-02
    Our Toil Respite Only: Woolf, Diamond and the Difficulty of Reality.Karen Zumhagen-Yekplé - 2015 - MLN 130 (5):1-28.
    In this essay, I read Woolf’s To the Lighthouse together with philosopher Cora Diamond’s writing on literature and moral life, writing marked by her inheritance from Wittgenstein. I first attend to Woolf’s commitment (one she shares with Wittgenstein) to grappling with what I take to be signature issues of modernism: question, quest, and a longing for vision or revised understanding as a way of confronting the difficulty of reality. I then probe Woolf’s engagement with these issues by reading her novel (...)
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  29. added 2015-09-14
    Nietzsche's Reading of Cervantes' "Cruel" Humor in Don Quijote.Rolando Pérez - 2015 - eHumanista 30:168-175.
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  30. added 2015-06-13
    Interpretation, Literature and Meaning Skepticism.John Gibson - 2016 - In Dirk-Martin Grube (ed.), Meaning and Interpretation. Brill.
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  31. added 2014-06-01
    Wat vastgelegd is, misleidt ons: de Cahiers van Paul Valéry.Martijn Boven - 2008 - Deus Ex Machina 127:5-6.
    Paul Valéry is de dichter die zwijgt; de denker die weigert filosoof te zijn; de schrijver die de taal in staat van beschuldiging stelt; de expert die volhoudt een amateur te zijn; de mysticus die zijn heil zoekt bij de wiskunde; de stamelaar die aan een kwaal van precisie lijdt; de Narcissus die misschien toch liever Orpheus had willen zijn. Hij is de chroniqueur van het denken en de meester van de tegenspraak. Ik probeer me hem voor te stellen. Het (...)
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  32. added 2014-01-19
    Outer Vs. Inner Reverberations: Verbal Auditory Imagery and Meaning-Making in Literary Narrative.Anezka Kuzmicova - 2013 - Journal of Literary Theory 7 (1-2):111-134.
    It is generally acknowledged that verbal auditory imagery, the reader's sense of hearing the words on a page, matters in the silent reading of poetry. Verbal auditory imagery (VAI) in the silent reading of narrative prose, on the other hand, is mostly neglected by literary and other theorists. This is a first attempt to provide a systematic theoretical account of the felt qualities and underlying cognitive mechanics of narrative VAI, drawing on convergent evidence from the experimental cognitive sciences, psycholinguistic theory, (...)
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  33. added 2013-12-19
    Three Ways of Getting It Wrong: Induction in Wonderland.Brendan Shea - 2010 - In Richard Brian Davis (ed.), Alice in Wonderland and Philosophy: Curiouser and Curiouser. Wiley-Blackwell. pp. 93-107.
    Alice encounters at least three distinct problems in her struggles to understand and navigate Wonderland. The first arises when she attempts to predict what will happen in Wonderland based on what she has experienced outside of Wonderland. In many cases, this proves difficult -- she fails to predict that babies might turn into pigs, that a grin could survive without a cat or that playing cards could hold criminal trials. Alice's second problem involves her efforts to figure out the basic (...)
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  34. added 2013-12-16
    To Bite or Not to Bite: Twilight, Immortality, and the Meaning of Life.Brendan Shea - 2009 - In Rebecca Housel & J. Jeremy Wisnewski (eds.), Twilight and Philosophy: Vampires, Vegetarians, and the Pursuit of Immortality. Wiley-Blackwell. pp. 79-93.
    Over the course of the Twilight series, Bella strives to and eventually succeeds in convincing Edward to turn her into a vampire. Her stated reason for this is that it will allow her to be with Edward forever. In this essay, I consider whether this type of immortality is something that would be good for Bella, or indeed for any of us. I begin by suggesting that Bella's own viewpoint is consonant with that of Leo Tolstoy, who contends that one (...)
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  35. added 2013-11-27
    Representation and the Novel.John Gibson - 2013 - The Henry James Review 34 (3):220-231.
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  36. added 2013-04-01
    Bakhtin on Poetry, Epic, and the Novel: Behind the Façade.Sergeiy Sandler - manuscript
    Mikhail Bakhtin has gained a reputation of a thinker and literary theorist somehow hostile to poetry, and more specifically to the epic. This view is based on texts, in which Bakhtin creates and develops a conceptual contrast between poetry and the novel (in "Discourse in the Novel") or between epic and the novel (in "Epic and Novel"). However, as I will show, such perceptions of Bakhtin's position are grounded in a misunderstanding of Bakhtin's writing strategy and philosophical approach. Bakhtin often (...)
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  37. added 2013-04-01
    Whose Words Are These Anyway?Sergeiy Sandler - 2012 - In Mykola Polyuha, Clive Thomson & Anthony Wall (eds.), Dialogues with Bakhtinian Theory: Proceedings of the Thirteenth International Mikhaïl Bakhtin Conference. Mestengo Press.
    Is there, according to Bakhtin, such a thing as nobody’s or neutral words? Going over Bakhtin’s writings we might encounter an intriguing variety of answers to this question, ranging from a clear negative – there is no such thing – to a radical positive – all words are neutral, are “nobody’s” – and with a few other variants in between. This paper examines this puzzle both in its own right and from the perspective of what it can teach us about (...)
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  38. added 2013-03-31
    Kierkegaard, Paraphrase, and the Unity of Form and Content.Antony Aumann - 2013 - Philosophy Today 57 (4):376-387.
    On one standard view, paraphrasing Kierkegaard requires no special literary talent. It demands no particular flair for the poetic. However, Kierkegaard himself rejects this view. He says we cannot paraphrase in a straightforward fashion some of the ideas he expresses in a literary format. To use the words of Johannes Climacus, these ideas defy direct communication. In this paper, I piece together and defend the justification Kierkegaard offers for this position. I trace its origins to concerns raised by Lessing and (...)
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  39. added 2012-11-15
    Review of Chris Danta's Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot. [REVIEW]Martijn Boven - 2012 - Radical Philosophy 174 (july/august):51-53.
    In 'Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot' Chris Danta takes Genesis 22 as the starting point for an investigation of the role of literary imagination. His aim is to read the Genesis story from a literary-theoretical perspective in order to show how it can 'illuminate the secular situation of the literary writer.' To do this, Danta stages a fruitful confrontation between Søren Kierkegaard as defender of religion and inwardness and Franz Kafka and Maurice Blanchot as (...)
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  40. added 2012-03-11
    Dante's Understanding of the Two Ends of Human Desire and the Relationship Between Philosophy and Theology.Jason Aleksander - 2011 - Journal of Religion 91 (2):158-187.
    I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he (...)
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  41. added 2012-03-11
    The Aporetic Ground of Revelation’s Authority in the Divine Comedy and Dante’s Demarcation and Defense of Philosophical Authority.Jason Aleksander - 2010 - Essays in Medieval Studies 26:1-14.
    I discuss Dante’s understanding that human existence is “ordered by two final goals” and how, for Dante, this understanding defines philosophy’s and revelation’s respective scopes of authority in guiding human conduct. Specifically, I show that, although Dante subordinates our earthly beatitude to spiritual beatitude in a way that seems to suggest the subordination of the authority of philosophy to that of revelation, he in fact limits philosophy’s scope to an arena in which its authority is not only legitimate but also (...)
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  42. added 2011-03-20
    Art as Its Own Interpretation.Nicholas Maxwell - 2003 - In Andreea Ruvoi (ed.), Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz. Rodopi.
    In this article I argue that a work of art provides the best interpretation of itself - more faithful than any other scholarly interpretative work.
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  43. added 2009-11-09
    Challenging Partial Intentionalism.Hans Maes - 2008 - Journal of Visual Arts Practice 7 (1):85-94.
    Paisley Livingston claims that an artist’s intentions are successfully realized and hence determinate of the meaning of a work if and only if they are compatible and “mesh” with the linguistic and conventional meanings of the text or artefact taken in its target or intended context. I argue that this specific standard of success is not without its difficulties. First, I show how an artist’s intention can sometimes be constitutive of a work’s meaning even if there is no significant meshing (...)
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  44. added 2009-08-10
    Interpreting Words, Interpreting Worlds.John Gibson - 2006 - Journal of Aesthetics and Art Criticism 64 (4):439–450.
    It is often assumed that literary meaning is essentially linguistic in nature and that literary interpretation is therefore a purely linguistic affair. This essay identifies a variety of literary meaning that cannot be reduced to linguistic meaning. Meaning of this sort is generated not by a communicative act so much as through a creative one: the construction of a fictional world. The way in which a fictional world can bear meaning turns out to be strikingly unlike the way a sentence (...)
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