Results for 'Expression'

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  1. The Express Knowledge Account of Assertion.John Turri - 2011 - Australasian Journal of Philosophy 89 (1):37-45.
    Many philosophers favour the simple knowledge account of assertion, which says you may assert something only if you know it. The simple account is true but importantly incomplete. I defend a more informative thesis, namely, that you may assert something only if your assertion expresses knowledge. I call this 'the express knowledge account of assertion', which I argue better handles a wider range of cases while at the same time explaining the simple knowledge account's appeal. §1 introduces some new data (...)
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  2. Really Expressive Presuppositions and How to Block Them.Teresa Marques & Manuel García-Carpintero - 2020 - Grazer Philosophische Studien 97 (1):138-158.
    Kaplan (1999) argued that a different dimension of expressive meaning (“use-conditional”, as opposed to truth-conditional) is required to characterize the meaning of pejoratives, including slurs and racial epithets. Elaborating on this, writers have argued that the expressive meaning of pejoratives and slurs is either a conventional implicature (Potts 2007) or a presupposition (Macià 2002 and 2014, Schlenker 2007, Cepollaro and Stojanovic 2016). We argue that an expressive presuppositional theory accounts well for the data, but that expressive presuppositions are not just (...)
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  3. Expressing Permission.William B. Starr - 2016 - Semantics and Linguistic Theory 26:325-349.
    This paper proposes a semantics for free choice permission that explains both the non-classical behavior of modals and disjunction in sentences used to grant permission, and their classical behavior under negation. It also explains why permissions can expire when new information comes in and why free choice arises even when modals scope under disjunction. On the proposed approach, deontic modals update preference orderings, and connectives operate on these updates rather than propositions. The success of this approach stems from its capacity (...)
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  4. Rethinking Expressive Theories of Punishment: Why Denunciation is a Better Bet Than Communication or Pure Expression.Bill Wringe - 2017 - Philosophical Studies 174 (3):681-708.
    Many philosophers hold that punishment has an expressive dimension. Advocates of expressive theories have different views about what makes punishment expressive, what kinds of mental states and what kinds of claims are, or legitimately can be expressed in punishment, and to what kind of audience or recipients, if any, punishment might express whatever it expresses. I shall argue that in order to assess the plausibility of an expressivist approach to justifying punishment we need to pay careful attention to whether the (...)
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  5. Expression And Expressiveness In Art.Jenefer Robinson - 2007 - Postgraduate Journal of Aesthetics 4 (2):19-41.
    The concept of expression in the arts is Janus-faced. On the one hand expression is an author-centered notion: many Romantic poets, painters, and musicians thought of themselves as pouring our or ex-pressing their own emotions in their artworks. And on the other hand, expression is an audience-centered notion, the communication of what is expressed by an author to members of an audience. Typically the word “expression” is used for the author-centered aspect of expression as a (...)
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  6. Expressing Aesthetic Judgments in Context.Isidora Stojanovic - 2016 - Inquiry: An Interdisciplinary Journal of Philosophy 59 (6):663-685.
    Aesthetic judgments are often expressed by means of predicates that, unlike ‘beautiful’ or ‘ugly’, are not primarily aesthetic, or even evaluative, such as ‘intense’ and ‘harrowing’. This paper aims to explain how such adjectives can convey a value-judgment, and one, moreover, whose positive or negative valence depends on the context.
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  7. Misleading Expressions: The Brentano-Ryle Connection.Arnaud Dewalque - forthcoming - In Arnaud Dewalque, Charlotte Gauvry & Richard Sébastien (eds.), Philosophy of Language in the Brentano School. Basingstoke, Royaume-Uni:
    This chapter argues that Gilbert Ryle’s account of misleading expressions, which is rightly considered a milestone in the history of analytic philosophy, is continuous with Brentano’s. Not only did they identify roughly the same classes of misleading expressions, but their analyses are driven by a form of ontological parsimony which sharply contrasts with rival views in the Brentano School, like those of Meinong and Husserl. Section 1 suggests that Ryle and Brentano share a similar notion of analysis. Section 2 spells (...)
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  8. Expression and Extended Cognition.Tom Cochrane - 2008 - Journal of Aesthetics and Art Criticism 66 (4):59-73.
    I argue for the possibility of an extremely intimate connection between the emotional content of the music and the emotional state of the person who produces that music. Under certain specified conditions, the music may not just influence, but also partially constitute the musician’s emotional state.
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  9.  47
    Expression-Style Exclusion.Eric Bayruns Garcia - 2019 - Social Epistemology 33 (3):245-261.
    I describe a phenomenon that has not yet been described in the epistemology literature. I label this phenomenon expression-style exclusion. Expression-style exclusion is an example of how s...
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  10. Expressing First-Person Authority.Matthew Parrott - 2015 - Philosophical Studies 172 (8):2215-2237.
    Ordinarily when someone tells us something about her beliefs, desires or intentions, we presume she is right. According to standard views, this deferential trust is justified on the basis of certain epistemic properties of her assertion. In this paper, I offer a non-epistemic account of deference. I first motivate the account by noting two asymmetries between the kind of deference we show psychological self-ascriptions and the kind we grant to epistemic experts more generally. I then propose a novel agency-based account (...)
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  11. The Expressive Case Against Plurality Rule.Daniel Wodak - 2019 - Journal of Political Philosophy 27 (3):363-387.
    The U.S. election in November 2016 raised and amplified doubts about first-past-the-post (“plurality rule”) electoral systems. Arguments against plurality rule and for alternatives like preferential voting tend to be consequentialist: it is argued that systems like preferential voting produce different, better outcomes. After briefly noting why the consequentialist case against plurality rule is more complex and contentious than it first appears, I offer an expressive alternative: plurality rule produces actual or apparent dilemmas for voters in ways that are morally objectionable, (...)
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  12. Directives, Expressives, and Motivation.Toru Suzuki - 2017 - Theoretical Economics 12:175–210.
    When an agent’s motivation is sensitive to how his supervisor thinks about the agent’s competence, the supervisor has to take into account both informational and expressive contents of her message to the agent. This paper shows that the supervisor can credibly express her trust in the agent’s ability only by being un- clear about what to do. Suggesting what to do, i.e., “directives,” could reveal the supervisor’s “distrust” and reduce the agent’s equilibrium effort level even though it provides useful information (...)
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  13. Expressive Objections to Markets: Normative, Not Symbolic.Daniel Layman - 2016 - Business Ethics Journal Review 4 (1):1-6.
    Jason Brennan and Peter Jaworski reject expressive objections to markets on the grounds that market symbolism is culturally contingent, and contingent cultural symbols are less important than the benefits markets offer. I grant and, but I deny that these points suffice as grounds to dismiss expressive critiques of markets. For many plausible expressive critiques of markets are not symbolic critiques at all. Rather, they are critiques grounded in the idea that some market transactions embody morally inappropriate normative stances toward the (...)
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  14. Expression and Guidance in Schroeder’s Expressivist Semantics.Derek Clayton Baker - 2018 - Erkenntnis 83 (4):829-852.
    Mark Schroeder’s expressivist program has made substantial progress in providing a compositional semantics for normative terms. This paper argues that it risks achieving this semantic progress at the cost of abandoning a key theoretical motivation for embracing expressivism in the first place. The problem can be summarized as a dilemma. Either Schroeder must allow that there are cases in which agents are in disagreement with one another, or can make valid inferences, but that these disagreements or inferences are not expressible (...)
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  15. Modality and Expressibility.Matthew Mandelkern - 2019 - Review of Symbolic Logic 12 (4):768-805.
    When embedding data are used to argue against semantic theory A and in favor of semantic theory B, it is important to ask whether A could make sense of those data. It is possible to ask that question on a case-by-case basis. But suppose we could show that A can make sense of all the embedding data which B can possibly make sense of. This would, on the one hand, undermine arguments in favor of B over A on the basis (...)
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  16. Expressions, Looks and Others' Minds.William E. S. McNeill - forthcoming - In Matthew Parrott & Anita Avramides (eds.), Other Minds. Oxford: Oxford University Press.
    We can know some things about each others' mental lives. The view that some of this knowledge is genuinely perceptual is getting traction. But the idea that we can see any of each others' mental states themselves - the Simple Perceptual Hypothesis - remains unpopular. Very often the view that we can perceptually know, for example, that James is angry, is thought to depend either on our awareness of James' expression or on the way James appears - versions of (...)
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  17.  17
    The Expressive Import of Degradation and Decay in Contemporary Art.Sherri Irvin - forthcoming - In Peter N. Miller & Soon Kai Poh (eds.), Conserving Active Matter. Bard Graduate Center. pp. 65-79.
    Many contemporary artworks include active matter along with rules for conservation that are designed to either facilitate or prevent that matter’s degradation or decay. I discuss the mechanisms through which actual or potential states of material decay contribute to the work’s expressive import. Nelson Goodman and Catherine Elgin introduce the concepts of literal and metaphorical exemplification, which are critical to expression: a work literally exemplifies a property when it both possesses and highlights that property, and it metaphorically exemplifies a (...)
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  18. Expression as Realization: Speakers' Interests in Freedom of Speech.Jonathan Gilmore - 2011 - Law and Philosophy 30 (5):517-539.
    I argue for the recognition of a particular kind of interest that one has in freedom of expression: an interest served by expressive activity in forming and discovering one’s own beliefs, desires, and commitments. In articulating that interest, I aim to contribute to a family of theories of freedom of expression that find its justification in the interests that speakers have in their own speech or thought, to be distinguished from whatever interests they may also have as audiences (...)
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  19. Group Agents Are Not Expressive, Pragmatic or Theoretical Fictions.Philip Pettit - 2014 - Erkenntnis 79 (S9):1641-1662.
    Group agents have been represented as expressive fictions by those who treat ascriptions of agency to groups as metaphorical; as pragmatic fictions by those who think that the agency ascribed to groups belongs in the first place to a distinct individual or set of individuals; and as theoretical fictions by those who think that postulating group agents serves no indispensable role in our theory of the social world. This paper identifies, criticizes and rejects each of these views, defending a strong (...)
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  20. On the Expressive Power of First-Order Modal Logic with Two-Dimensional Operators.Alexander Kocurek - 2018 - Synthese 195 (10):4373-4417.
    Many authors have noted that there are types of English modal sentences cannot be formalized in the language of basic first-order modal logic. Some widely discussed examples include “There could have been things other than there actually are” and “Everyone who is actually rich could have been poor.” In response to this lack of expressive power, many authors have discussed extensions of first-order modal logic with two-dimensional operators. But claims about the relative expressive power of these extensions are often justified (...)
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  21. Expression, Thought, and Language.Henry Jackman - 2003 - Philosophia 31 (1-2):33-54.
    This paper discusses an "expressive constraint" on accounts of thought and language which requires that when a speaker expresses a belief by sincerely uttering a sentence, the utterance and the belief have the same content. It will be argued that this constraint should be viewed as expressing a conceptual connection between thought and language rather than a mere empirical generalization about the two. However, the most obvious accounts of the relation between thought and language compatible with the constraint (giving an (...)
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  22. Artistic Expression as Interpretation.John Dilworth - 2004 - British Journal of Aesthetics 44 (1):162-174.
    According to R. G. Collingwood in The Principles of Art, art is the expression of emotion--a much-criticized view. I attempt to provide some groundwork for a defensible modern version of such a theory via some novel further criticisms of Collingwood, including the exposure of multiple ambiguities in his main concept of expression of emotion, and a demonstration that, surprisingly enough, his view is unable to account for genuinely creative artistic activities. A key factor in the reconstruction is a (...)
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  23.  33
    Expression, Animation, and Intelligibility: Concepts for a Decolonial Feminist Affect Theory.Lauren Guilmette - 2020 - Journal of Speculative Philosophy 34 (3):309-322.
    In this article, I link Lisa Feldman Barrett's theory of constructed emotion1 to decolonial perspectives that also challenge this universality of affect in cross-cultural facial expressions. After first outlining some of the present-day political stakes of these questions, I turn to Sylvia Wynter on the "ethnoclass of Man" in Western modernity, where she asks: how were concepts of not only being, truth, power, and freedom but also affect—the intelligibility of one's feelings toward others—framed by histories of colonial violence and refusals (...)
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  24.  17
    On the Expressive Power of Łukasiewicz Square Operator.Marcelo E. Coniglio, Francesc Esteva, Tommaso Flaminio & Lluis Godo - forthcoming - Journal of Logic and Computation.
    The aim of the paper is to analyze the expressive power of the square operator of Łukasiewicz logic: ∗x=x⊙x⁠, where ⊙ is the strong Łukasiewicz conjunction. In particular, we aim at understanding and characterizing those cases in which the square operator is enough to construct a finite MV-chain from a finite totally ordered set endowed with an involutive negation. The first of our main results shows that, indeed, the whole structure of MV-chain can be reconstructed from the involution and the (...)
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  25.  51
    Beyond Ostension: Introducing the Expressive Principle of Relevance.Constant Bonard - 2022 - Journal of Pragmatics 187:13-23.
    In this paper, I am going to cast doubt on an idea that is shared, explicitly or implicitly, by most contemporary pragmatic theories: that the inferential interpretation procedure described by Grice, neo-Griceans, or post-Griceans applies only to the interpretation of ostensive stimuli. For this special issue, I will concentrate on the relevance theory (RT) version of this idea. I will proceed by putting forward a dilemma for RT and argue that the best way out of it is to accept that (...)
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  26. Using the Persona to Express Complex Emotions in Music.Tom Cochrane - 2010 - Music Analysis 29 (1-3):264-275.
    This article defends a persona theory of musical expressivity. After briefly summarising the major arguments for this view, it applies persona theory to the issue of whether music can express complex emotions. The expression of jealousy is then discussed by analysis of two examples from Piazzolla and Janacek.
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  27. Mind the Gap: Expressing Affect with Hyperbole and Hyperbolic Compounds.Mihaela Popa-Wyatt - 2020 - John Benjamins.
    Hyperbole is traditionally understood as exaggeration. Instead, in this paper, we shall define it not just in terms of its form, but in terms of its effects and its purpose. Specifically, we characterize its form as a shift of magnitude along a scale of measurement. In terms of its effect, it uses this magnitude shift to make the target property more salient. The purpose of hyperbole is to express with colour and force that the target property is either greater or (...)
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  28.  51
    "Saying 'Thank You!' and Expressing Gratitude: A Response to Schwartz".Indrek Reiland - manuscript
    This is a short response piece to Jeremy Schwartz's "Saying 'Thank You' and Meaning It", published in Australasian Journal of Philosophy, 2020, 98, pp. 718-731. -/- Schwartz argues against the received view that 'Thank You! is for expressing gratitude, claiming instead that it is for expressing one's judgment that gratitude is appropriate or fitting. I argue against the judgment view while defending the received one. -/- I mainly consider the objection that the judgment view is implausible since it makes ‘Thank (...)
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  29.  74
    Modeling Expressing on Demonstrating.Maura Tumulty - 2011 - Journal of Philosophical Research 36:43-76.
    We can increase our understanding of expression by considering an analogy to demonstrative reference. The connections between a demonstrative phrase and its referent, in a case of fully successful communication with that phrase, are analogous to the connections between an expressible state and the behavior that expresses it. The connections in each case serve to maintain a certain status for the connected elements: as actions of persons; or as objects, events, or states significant to persons. The analogy to demonstrative (...)
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  30. Expressive (Rede-)Handlungen.Thorsten Sander - 2003 - Divinatio 18:7-34.
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  31. Kant's Expressive Theory of Music.Samantha Matherne - 2014 - Journal of Aesthetics and Art Criticism 72 (2):129-145.
    Several prominent philosophers of art have worried about whether Kant has a coherent theory of music on account of two perceived tensions in his view. First, there appears to be a conflict between his formalist and expressive commitments. Second (and even worse), Kant defends seemingly contradictory claims about music being beautiful and merely agreeable, that is, not beautiful. Against these critics, I show that Kant has a consistent view of music that reconciles these tensions. I argue that, for Kant, music (...)
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  32. The Meaning of Pain Expressions and Pain Communication.Emma Borg, Tim Salomons & Nat Hansen - 2019 - In Simon van Rysewyk (ed.), Meanings of Pain. Dordrecht: Springer. pp. 261-282.
    Both patients and clinicians frequently report problems around communicating and assessing pain. Patients express dissatisfaction with their doctors and doctors often find exchanges with chronic pain patients difficult and frustrating. This chapter thus asks how we could improve pain communication and thereby enhance outcomes for chronic pain patients. We argue that improving matters will require a better appreciation of the complex meaning of pain terms and of the variability and flexibility in how individuals think about pain. We start by examining (...)
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  33. Expression-Meaning and Vagueness.Stephen Schiffer - forthcoming - In Arthur Sullivan (ed.), Sensations, Thoughts, Language: Essays in Honor of Brian Loar. Routledge.
    Brian Loar attempted to provide the Gricean program of intention-based semantics with an account of expression-meaning. But the theory he presented, like virtually every other foundational semantic or meta-semantical theory, was an idealization that ignored vagueness. What would happen if we tried to devise theories that accommodated the vagueness of vague expressions? I offer arguments based on well-known features of vagueness that, if sound, show that neither Brian’s nor any other extant theory could successfully make that adjustment, and this (...)
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  34. Communication, Expression, and the Justification of Punishment.Andy Engen - 2014 - Athens Journal of Humanities and Arts 1 (4):299-307.
    Some philosophers (Duff, Hampton) conceive of punishment as a way of communicating a message to the punished and argue that this communicative function justifies the harm of punishment. I object to communicative theories because punishment seems intuitively justified in cases in which it fails as a method of communication. Punishment fails as communication when the punished ignores the intended message or fails to understand it. Among those most likely to ignore or fail to understand the message of punishment are the (...)
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  35. Transformative Expression.Nick Riggle - 2020 - In Enoch Lambert & John Schwenkler (eds.), Becoming Someone New: Essays on Transformative Experience, Choice, and Change. Oxford: Oxford University Press. pp. 162-181.
    The hope that art could be personally or socially transformational is an important part of art history and contemporary art practice. In the twentieth century, it shaped a movement away from traditional media in an effort to make social life a medium. Artists imagined and created participatory situations designed to facilitate potentially transformative expression in those who engaged with the works. This chapter develops the concept of “transformative expression,” and illustrates how it informs a diverse range of such (...)
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  36. Commentary and Illocutionary Expressions in Linear Calculi of Natural Deduction.Moritz Cordes & Friedrich Reinmuth - 2017 - Logic and Logical Philosophy 26 (2).
    We argue that the need for commentary in commonly used linear calculi of natural deduction is connected to the “deletion” of illocutionary expressions that express the role of propositions as reasons, assumptions, or inferred propositions. We first analyze the formalization of an informal proof in some common calculi which do not formalize natural language illocutionary expressions, and show that in these calculi the formalizations of the example proof rely on commentary devices that have no counterpart in the original proof. We (...)
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  37. Leibniz on the Expression of God.Stewart Duncan - 2015 - Ergo: An Open Access Journal of Philosophy 2:83-103.
    Leibniz frequently uses the notion of expression, but it is not easy to see just how he understood that relation. This paper focuses on the particular case of the expression of God, which is prominent in the 'Discourse on Metaphysics'. The treatment of expression there suggests several questions. Which substances did Leibniz believe expressed God? Why did Leibniz believe those substances expressed God? And did he believe that all substances expressed God in the same way and for (...)
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  38.  92
    Propositional Interval Neighborhood Logics: Expressiveness, Decidability, and Undecidable Extensions.Davide Bresolin, Valentin Goranko, Angelo Montanari & Guido Sciavicco - 2010 - Annals of Pure and Applied Logic 161 (3):289-304.
    In this paper, we investigate the expressiveness of the variety of propositional interval neighborhood logics , we establish their decidability on linearly ordered domains and some important subclasses, and we prove the undecidability of a number of extensions of PNL with additional modalities over interval relations. All together, we show that PNL form a quite expressive and nearly maximal decidable fragment of Halpern–Shoham’s interval logic HS.
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  39. Evidence-Seeking as an Expression of Faith.Katherine Dormandy - 2018 - American Catholic Philosophical Quarterly 92 (3):409-428.
    Faith is often regarded as having a fraught relationship with evidence. Lara Buchak even argues that it entails foregoing evidence, at least when this evidence would influence your decision to act on the proposition in which you have faith. I present a counterexample inspired by the book of Job, in which seeking evidence for the sake of deciding whether to worship God is not only compatible with faith, but is in fact an expression of great faith. One might still (...)
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  40. Expressing Propositions.Charles Sayward - 1980 - Proceedings of the 1979 Mid America Linguistics Conference 10:93-100.
    The paper’s purpose is to get clearer on what it is to express a proposition. A proposition is understood as anything that can be asserted, assumed, conjectured, stated, believed, and so on. It is not something that can be asked, ordered, requested, and so on. The paper tries to provide groundwork for a successful analysis by making distinctions and clarifying problems.
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  41. Re-Expressing Normative Pragmatism.Richard Evans - 2009 - In Collective Intentionality VI, Berkeley.
    The central claim of normative pragmatism is that intentional states can be explained in terms of participation in practices. My aim in this paper is not so much to defend this claim as to rearticulate it in a different medium: the medium of computation. I describe two computer programs in which this claim is re-expressed. The first is the latest version of THE SIMS, in which participation in practices enables the Sims to do and understand more. The second is a (...)
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  42. 3. The Expression of Historical Experience.Zoltán Boldizsár Simon - 2015 - History and Theory 54 (2):178-194.
    The theory and philosophy of history (just like philosophy in general) has established a dogmatic dilemma regarding the issue of language and experience: either you have an immediate experience separated from language, or you have language without any experiential basis. In other words, either you have an immediate experience that is and must remain mute and ineffable, or you have language and linguistic conceptualization that precedes experience, provides the condition of possibility of it, and thus, in a certain sense, produces (...)
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  43. Artistic Style as the Expression of Ideals.Robert Hopkins & Nick Riggle - 2021 - Philosophers' Imprint 21 (NO. 8):1-18.
    What is artistic style? In the literature one answer to this question has proved influential: the view that artistic style is the expression of personality. In what follows we elaborate upon and evaluatively compare the two most plausible versions of this view with a new proposal—that style is the expression of the artist’s ideals for her art. We proceed by comparing the views’ answers to certain questions we think a theory of individual artistic style should address: Are there (...)
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  44.  45
    Expressive Vulnerabilities: Language and the Non-Human.Joe Larios - 2020 - International Journal of Philosophical Studies 28 (5):662-676.
    Emmanuel Levinas’s work seemingly places a great emphasis on language leading some commentators towards a Kantian reading of him where moral consideration would be based on the moral patient’s capacity for reason with language functioning as a proxy for this. Although this reading is possible, a closer look at Levinas’s descriptions of language reveal that its defining characteristic is not reason but the capacity to express beyond any thematized contents we would give to the Other. This expressivity (which Levinas calls (...)
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  45. Hypocrisy is Vicious, Value-Expressing Inconsistency.Benjamin Rossi - 2020 - The Journal of Ethics 25 (1):57-80.
    Hypocrisy is a ubiquitous feature of moral and political life, and accusations of hypocrisy a ubiquitous feature of moral and political discourse. Yet it has been curiously under-theorized in analytic philosophy. Fortunately, the last decade has seen a boomlet of articles that address hypocrisy in order to explain and justify conditions on the so-called “standing” to blame (Wallace 2010; Friedman 2013; Bell 2013; Todd 2017; Herstein 2017; Roadevin 2018; Fritz and Miller 2018). Nevertheless, much of this more recent literature does (...)
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  46.  54
    Expression and Nudity: An Approach to the Notion of Justice in Emmanuel Levinas’ Thought.Sandra Pinardi - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:104-126.
    This paper attempts to demonstrate that in Emmanuel Levinas’ thinking, justice is the necessary opening – and dissolution- of the “I” which makes fecundity – procreation – possible, and that in that same measure makes possible that the Logos transforms into a “desire to say” and the world into a “among us”. At the same time it wants to demonstrate that this notion of justice is directly related to the ideas of expression and nudity. Due to which the “Other” (...)
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  47. Does the Expressive Role of ‘True’ Preclude Deflationary Davidsonian Semantics?Steven Gross - 2015 - In Steven Gross, Nicholas Tebben & Michael Williams (eds.), Meaning Without Representation: Essays on Truth, Expression, Normativity, and Naturalism. Oxford University Press. pp. 47-63.
    Can one combine Davidsonian semantics with a deflationary conception of truth? Williams argues, contra a common worry, that Davidsonian semantics does not require truth-talk to play an explanatory role. Horisk replies that, in any event, the expressive role of truth-talk that Williams emphasizes disqualifies deflationary accounts—at least extant varieties—from combination with Davidsonian semantics. She argues, in particular, that this is so for Quine's disquotationalism, Horwich's minimalism, and Brandom's prosententialism. I argue that Horisk fails to establish her claim in all three (...)
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  48.  34
    How to Contradict an Expression of Intention.John Schwenkler - forthcoming - In Christopher Frey & Jennifer Frey (eds.), Practical Truth. Oxford University Press.
    This chapter interprets G. E. M. Anscombe’s discussion in §31 of Intention of the relationship between expressions of intention and descriptions of matters of fact. For Anscombe, a statement like “I’m raising my arm” or “I’m going to get up at 7:00”, which expresses an intention by saying what is happening or is going to happen, is contradicted only by an opposing command or the expression of an opposing intention. I first challenge an interpretation of this passage as claiming (...)
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  49.  81
    From Signaling and Expression to Conversation and Fiction.Mitchell S. Green - 2019 - Grazer Philosophische Studien 96 (3):295-315.
    This essay ties together some main strands of the author’s research spanning the last quarter-century. Because of its broad scope and space limitations, he prescinds from detailed arguments and instead intuitively motivates the general points which are supported more fully in other publications to which he provides references. After an initial delineation of several distinct notions of meaning, the author considers such a notion deriving from the evolutionary biology of communication that he terms ‘organic meaning’, and places it in the (...)
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  50. Democratic Freedom of Expression.Ricardo Restrepo - 2013 - Open Journal of Philosophy 3 (3):380-390.
    This paper suggests the democratic direction in which the right of freedom of expression should be conceived and applied. In the first two sections it suggests some counter-examples to, and diagnoses of, the libertarian and liberal conceptions of freedom of expression, taking Scanlon (1972) and Scanlon (1979), respectively, to be their chief proponents. The paper suggests that these conceptions cannot take into account clear examples, like fraudulent propaganda, which should not be legal. The democratic conception takes it to (...)
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