El artículo aborda el problema del instante (Augenblick) a partir de la obra temprana de Martin Heidegger y su prolongación en Ser y tiempo. La persuasión de que solo el cristianismo primitivo ha vivido una temporalidad originaria, se prolonga en Ser y tiempo en una interpretación del instante como integración del pasado y del futuro. Aquello que en Aristóteles no alcanzaba a constituirse –la conexión entre kairós y výn– encuentra su pleno develamiento en la escatología paulina. Sin embargo, el ésjaton (...) de la parusía cristiana se convierte en Ser y tiempo en una escatología de la muerte. (shrink)

This paper presents an investigation about the instant in Heidegger, articulating the analytics of Dasein by Being and Time with the thought of Ereignis. Therefore, it seeks to think, as a presupposition, the existence in his character of temporality. The human being is conceived as Dasein, i. e, in its fundamental relationship to the Being as such. The essence of Dasein is existence. The existence is grounded on Sorge (concern, care), which, in turn, is grounded on temporality. The most own (...) temporality brings together future, past and present in the dynamics of an anticipatory decision on which the man, accepting himself as being-unto-death, it becomes free for their power-to-be authentic, in a response of dedication and self-donation to the call of Being. This gather together future, past and present in the authentic existence, i.e, in the most own temporality: the instant. Keywords: existence; resolution; temporality; instant; man; Being. (shrink)

El artículo comienza destacando cómo la filosofía y la religión han procurado desbordar la contingencia y la finitud de la vida individual tratando de engullir a la muerte en la noche una y universal de la nada mediante el pensamiento del Todo (Franz Rosenzweig). Hegel simboliza el relevo más sobresaliente en esta dilatada carrera de la filosofía como fuga mortis. Nuestra época se presenta, en cambio, como el período histórico que ha preferido vivir el miedo antes que evanescerse en nada. (...) La idea central que defiende este trabajo es la conexión, aparentemente inconciliable, entre muerte y metafísica. Analizar dicha unidad y sus implicaciones para la realidad sustantiva humana en el núcleo mismo de la filosofía de Zubiri constituye el objetivo principal de este artículo. PALABRAS CLAVE Zubiri, Heidegger, Scheler, Levinas, muerte, metafísica, fenomenología. ABSTRACT The article starts by emphasizing how philosophy and religion have tried to exceed the contingency and the finitud of the individual life trying to devour the death in the night one and universally of nothing ness by means of the thought completely (Franz Rosenzweig). Hegel symbolizes the most brilliant relief in this extensive race of the philosophy as fuga mortis. Our time appears, on the other hand, as the historical period that has preferred living through the fear before dissappearing in to nothing ness. The main idea that defends this work is the connection, seemingly irreconcilably, between death and metaphysics. To analyze this mentioned unit and its implications for the substantival human reality in the core itself of Zubiri's philosophy constitutes the principal aim of this article. KEY WORDS Zubiri, Heidegger, Scheler, Levinas, death, metaphysics, phenomenology. (shrink)

In Tanabe’s reading of time in the work of Heidegger and, through Shinran’s interpretation, of the seventh-century Chinese philosopher Shandao, one can see that both Heidegger’s and Zendō’s viewpoints do not go beyond the ethical standpoint of self-power. Tanabe distances himself from any view that strays from the eternal present as it is witnessed in the practice of metanoesis, in which one attempts to live the continuous practice, not as if one were dead, but by effectively being so, that is, (...) by practicing and witnessing the breaking through of the self, which in turn is the only thing that can foster the eternal present of naturalness. This is definitively Shinran’s viewpoint. (shrink)

The article critically develops Nietzsche's presence in Heidegger's second great work, Contributions to Philosophy. Heidegger considers Nietzsche the last metaphysicist. However, being Western Metaphysics' zenith is the greatest thing that can be said of a thinker, since being the one who brings to completion a school of thought makes one, at the same time, the precursor of the ‘other’ begining and thus his concept of God's dead, nihilism and truth really can open the door to a kind of post-metaphysical thought, (...) as Heidegger would say, the thought of the history od being. Therefore, between Nietzsche's "God is dead" and Heidegger's "last God" there exists continuity and parallelism that needs future development. (shrink)

Exemplified especially by Heidegger and Levinas, the phenomenology of death expresses first, the impossibility of the death experience, second, the authenticity of Dasein starting from the horizon opened by the possibility of death, and third, the relevance of the death of the other to the discovery of one’s own death. This article tries to take a step further, showing the link between the authenticity of Dasein and the desire for immortality manifested in this authenticity. By overturning Heidegger’s theses and by (...) affirming both the necessity of an authentication of death itself—in accord with Socrates’s death example—and the legitimacy of the meditation on death, this text links the need for immortality, which is phenomenologically visible, with the Christian faith in the resurrection, which is visible only for theology. (shrink)

The chapter argues that radical contextuality, a hallmark theme of “postmodern” thought, is also a key element of Heidegger’s thinking. Aristotelian metaphysics, as the question of being qua being, looks for a universal principle common to every particular instance of “to be.” By contrast, the postmetaphysical approach gradually developed by Heidegger basically addresses being as the irreducible context-sensitivity and singularity of a meaningful situation, understood as a unique focal point of a dynamic and complex meaning-context. The fundamental ontology of Being (...) and Time (1927) articulates the temporally contextual structure of the human being as Dasein, culminating in the concept of the multidimensional singular instant (Augenblick). After the failure of his attempt to articulate the temporally contextual singularity of being in terms of its correlation with Dasein, Heidegger attempts an inverted approach: Contributions to Philosophy (1936–38) considers Dasein as the spatiotemporally situated place of the singular event (Ereignis) of being. The chapter finally suggests an interpretation of the fourfold (Geviert) of sky, earth, gods, and mortals, allusively introduced in the 1949 Bremen lectures, as Heidegger’s most elaborate account of the multidimensional structure that makes possible the contextual singularization of meaningfulness. (shrink)

The paper discusses Heidegger's early notion of the “movedness of life” (Lebensbewegtheit) and its intimate connection with Aristotle's concept of movement (kinēsis). Heidegger's aim in the period of Being and Time was to “overcome” the Greek ideal of being as ousia – constant and complete presence and availability – by showing that the background for all meaningful presence is Dasein, the ecstatically temporal context of human being. Life as the event of finitude is characterized by an essential lack and incompleteness, (...) and the living present therefore gains meaning only in relation to a horizon of un-presence and un-availability. Whereas the “theological” culmination of Aristotle's Nicomachean Ethics finds the supreme fulfillment of human life in the semi-divine self-immanence and self-sufficiency of the bios theōrētikos, a radical Heideggerian interpretation of kinēsis may permit us to find in Aristotle the fundamental structures of mortal living as self-transcendent movement. (shrink)

In his book After Finitude, Quentin Meillassoux criticizes post-Kantian philosophy for its inability to explain how science is able to describe a world without human beings. This paper addresses that challenge through a consideration of Heidegger’s thought and his thinking about science. It is argued that the disagreement between Meillassoux and Heidegger comes down to a question of first philosophy and the priority of logic or ontology in philosophy. Ultimately, Heidegger’s emphasis on ontology in philosophy is superior in its ability (...) to give a more comprehensive account of science and thinking about things themselves. (shrink)

The chapter discusses Quentin Meillassoux's recent interpretation and critique of Heidegger's philosophical position, which he describes as "strong correlationism." It emphasizes the fact that Meillassoux situates Heidegger in the post-Kantian tradition of transcendental idealism that he defines in terms of a focus on the correlation between being and thinking. It is argued that Meillassoux's "speculative" attempt to overcome the Kantian philosophical framework in the name of absolute contingency should be understood as a further development and dialectical overcoming of its ultimate (...) contemporary form, the Heideggerian philosophy of finitude. (shrink)

The paper will study an unpublished 1930–31 seminar where Heidegger reads Plato’s Parmenides, showing that in spite of his much-criticized habit of dismissing Plato as the progenitor of “idealist” metaphysics, Heidegger was quite aware of the radical potential of his later dialogues. Through a temporal account of the notion of oneness (to hen), the Parmenides attempts to reconcile the plurality of beings with the unity of Being. In Heidegger’s reading, the dialogue culminates in the notion of the “instant” (to exaiphnēs, (...) Augenblick)—a high point in the entire metaphysical tradition—where the temporal plurality of presence and un-presence converges into a unified disclosure. (shrink)

El artículo explora la forma estética de las ruinas como una poética del tiempo donde se articulan fuerzas contrapuestas que configuran una singular vivencia de la historicidad humana. Orientándose por las indicaciones de Martin Heidegger y Georg Simmel, reflexiona acerca de valor estético-existencial de las ruinas y su réplica subjetiva en el sentimiento de nostalgia, así como su importancia para el reconocimiento de la unidad narrativa de la existencia humana.

In this article, I elucidate Martin Heidegger’s interpretation of Soph-ocles’ tragedy Antigone from a topological point of view by focusing on the place-character of Antigone’s poetic ethos. Antigone’s decision to defy Creon’s order and bury her brother Polynices is discussed as a movement that underpins her poetic disposition as a demigod. Antigone’s situatedness between gods and hu-mans is identified as the place of poetic dwelling, and the significance of Antig-one’s relation to the polis is explained. The main argument of the (...) article is two-fold: 1) When we read Antigone focusing on the notion of dwelling, we can better make sense how Heidegger’s engagement with the question of finitude closes the envisioned gap between ontology and ethics. 2) The idea of poetic dwelling is a confrontation with spatio-temporal limits of human existence, and requires a more holistic way of thinking about the place of humans in the world, thinking beyond being-action dichotomy. (shrink)

Gianni Vattimo's Non-religious Christianity. Weakening of being, secularization and divine kenosis.

The proposal that the earth has entered a new epoch called “the Anthropocene” has touched a nerve . One unsettling part of having our ecological finitude thrust upon us with the term “Anthropocene” is that, as Nietzsche said of the death of God, we ourselves are supposed to be the collective doer responsible here, yet this is a deed which no one individual meant to do and whose implications no one fully comprehends. For the pessimists about humanity, the implications seem (...) rather straightforward: humanity will die. Yet, as we will explore in this paper, the death that we may be facing cannot be assumed to be simply biological death or extinction. Indeed, even if we are not running headlong into a mass extinction and biological demise, we do seem to be facing an ontological death. Our ecological finitude is the harbinger of our ontological finitude. The vulnerability we confront in the Anthropocene is what Jonathan Lear, in a different context, called ontological vulnerability. Worlds die too; the ways of life they sustain can become impossible, ceasing to make sense and matter. The constitutive susceptibility of all human worlds to their eventual collapse is what we mean by ontological finitude. This is what we face as presumed denizens in a dawning Anthropocene. (shrink)

The main goal of this article is to examine the link between the idea of language, being and nothingness by comparing 16th century Turkish-Azeri poet Fuzûlî’s poetry and 20th century German philosopher Martin Heidegger’s philosophy departing from the latter’s thinking of being. There are similarities between Heidegger and Fuzûlî’s respective thoughts concerning the role of the human being’s relation to finitude which grounds the relationship between being and nothingness. The article consists of three sections. The first section makes sense of (...) Heidegger’s early and late thought in terms of its ontological unity, explaining the ways in which being and nothingness topologically co-determine one another in poetic language. The second section focuses on clarifying the sources that nourish Fuzûlî’s poetry, such as Sufism and the literary style of “Rind” as observed in classical Ottoman poetry, elucidating how these influences underpin the philosophical foundations of Fuzûlî’s poetry. The third section offers a philosophical interpretation of Fuzûlî’s lyric poems by illustrating how and why being and nothingness are not to be thought as mere opposites, pointing out their ontological belonging together. In the concluding section, it is argued that a poetic mode of existence necessitates an authentic experience of human finitude both for Heidegger and Fuzûlî. Although Fuzûlî’s poetry involves onto-theological influences from Sufism, Fuzûli manages to form an original idea of poetic existence, emphasizing that the poetic agent needs to take a step back from the mundane world of multitudes in order to unify with Being itself. As for Heidegger, it is doubtful whether there is such a mystical idea of being. Nonetheless, for both figures the more originary experience of finite human existence lies in the poetic interplay between being and nothingness. The poetic meaning of being comes to manifest itself in the process of one’s existential annihilation, which takes place in the movement of being-towards-death. Accordingly, exploring how the meaning of being requires the poetic experience of nothingness and how such an experience appears through language in Fuzûlî’s lyric poems provides a more comprehensive account of his thinking. (shrink)

In his postapocalyptic novel, Those Who Remain, G. Michael Hopf (2016) makes an important observation about the effect crises can have on human psychology by noting that "hard times create strong [humans]" (loc. 200). While the catastrophic effects of the recent COVID-19 outbreak are incontestable, there are arguments to be made that the situation itself could be materia prima of a more grounded, and authentic generation of humanity, at least in theory. In this article I draw on Heidegger's early, implicit (...) ethic of finitude as well as his later work surrounding the nature of technology, and place them into dialogue with a global milieu contextualized by worldwide pandemic. I approach this discussion from two different angles: in the first part, I explicate the ethic of finitude, and use it as a framework to describe the observable behavior of communities worldwide in order to better understand how global crises impact the psychical welfare of individual human beings. In the second part, I apply lessons given to us by the later Heidegger, specifically those oriented around the movement away from calculative thinking, in an effort to define a loose, albeit fundamentally ennobling prescriptive aimed at easing the existential strain of the situation we have found ourselves in. *This is a pre-print of an article published in Human Arenas. The final authenticated version is available at DOI: 10.1007/s42087-020-00142-6. (shrink)

A doutrina do renascimento transmite a ideia de uma perspectiva temporal mais extensa, que abarca múltiplas vidas. Mas a medida em que o buddhismo chega à modernidade, outras interpretações começam a aparecer. Um exemplo é a interpretação psicológica de Ajahn Buddhadāsa, segundo a qual o termo “renascimento" se refere ao surgimento sucessivo da ideia do “eu" a cada instante de consciência. Esta interpretação diminui consideravelmente a extensão da perspectiva temporal ligada ao renascimento. Contra esta interpretação, Thānissaro Bhikkhu argumentou que uma (...) perspectiva temporal mais extensa é necessária para a compreensão de conceitos centrais do buddhismo como kamma ou dukkha. O objetivo principal deste artigo será investigar o papel da temporalidade na compreensão desses conceitos. Aliviando as preocupações de Thānissaro Bhikkhu, irei argumentar que uma perspectiva temporal mais restrita parece ser igualmente capaz de prover os elementos necessários para a compreensão profunda e completa dos principais ensinamentos buddhistas. (shrink)

Although Heidegger’s explicit account of “poetic dwelling” belongs to his later philosophy, there are important indications that he was already engaging with the core matter of the notion in his early thought. Contrary to the idea that in Being and Time, “dwelling” amounts to mere practical coping with the environment, we would like to demonstrate that the notion is already a poetic issue in his early thought, as it requires the appropriation of our relation to the world via an authentic (...) experience of finitude. Following a topological mode of thinking, the paper thematizes the connections between Heidegger’s early and later thought, and elucidates the following three points: First, “freeing” and “letting” appears as the appropriate ethos of a poetic experience of finitude, one that maintains the “clearing” of meaningfulness. Second, a topological reading of Being and Time can explicate the notions of authenticity and inauthenticity as different disclosures of the clearing where human being-world correlation occurs. Third, the notion of “keeping-still” (Schweigen) can be interpreted as an authentic disposition that frees space for the disclosure of existence. The paper concludes that an authentic experience of finitude through “stillness” appears to reorient human ethos by releasing “discourse” from absorption in “idle-talk” and that such an act of existential re-orientation of one’s disposition towards the world is the essence of “authenticity,” and Heidegger’s early “poetic dwelling”. (shrink)

Nesse primeiro momento da análise do problema da liberdade em Espinosa, gostaria de mostrar que, embora Espinosa trate o conceito de contingência como relacionado à finitude do entendimento humano, o que sugere uma abordagem meramente negativa, ele, na verdade, desenvolve uma abordagem positiva, a saber : a contingência, assim como o tempo , é uma forma necessária do pensamento humano que tem um fundamento na realidade das coisa s às quais ele se aplica, embora não possa ser considerado uma propriedade (...) das coisas. Mostrar que a contingência , assim como o conceito de tempo, é uma forma necessária do pensamento humano significa mostrar não apenas que existem condições objetivas que autorizam a aplicação desse conceito, mas que a imperfeição na qual se funda o conceito de contingência é necessária e intransponível para o entendimento humano. -/- O primeiro passo será estabelecido a partir da prova de que a categorização temporal, da qual a contingência é uma das formas , tem por fundamento o estatuto ontológico peculiar das coisas sobre as quais ela incide, a saber, sobre o estatuto modal (não-substancial) das coisas singulares, unicamente no qual é possível distinguir entre a essência e a existência. O segundo passo consistirá em mostrar que a categorização temporal é uma forma necessária do conhecimento que o homem tem do mundo na medida em que ela é uma das atividades constitutiva s da unidade numérica da alma humana, ou seja, uma das atividades pelas quais a alma humana existe em ato na duração. (shrink)

En esta voz se considera el tiempo como una dimensión de la realidad física que se manifiesta en la percepción de las cosas en su devenir y cuya realidad ontológica se apoya en las transformaciones naturales. Primeramente se afronta la temática del tiempo físico y sus características en una perspectiva filosófica. Se tocan cuestiones fundamentales como el estatuto ontológico del presente/pasado/futuro, la realidad o irrealidad del instante, la simultaneidad, la unidad y pluralidad de tiempos, la dirección temporal (flecha irreversible del (...) tiempo) y la relación entre tiempo y causalidad. Se distingue entre tiempo natural, tiempo fenomenológico (percepción humana del tiempo) y tiempo métrico (medidas humanas temporales). En segundo término, se estudia la conceptualización científica de la temporalidad, con cuestiones ontológicas como, por ejemplo, la posibilidad o no de los viajes en el tiempo, la temática del tiempo absoluto o relativo, y la cuestión del inicio y final del tiempo cosmológico. En tercer lugar, se considera la temporalidad tal como se manifiesta en la vida humana en forma de historicidad, así como la trascendencia del espíritu humano sobre el tiempo, con un vínculo especial con la eternidad. En cuarto y último lugar, se estudia la temporalidad a la luz de la teología bíblica, donde el tiempo cósmico e histórico quedan transfigurados en el tiempo salvífico, estableciéndose así una relación especial con la vida eterna de Dios, de la que el hombre, en el Cristianismo, se hace partícipe a través de Cristo. (shrink)

Según una historia estándar, devenida habitual especialmente por influencia del pensamiento heideggeriano, la filosofía occidental se encuentra atrapada en la trampa de la metafísica. La trampa de la metafísica centra la crítica a la metafísica en torno a la tesis según la cual el esencialismo y una concepción de la verdad condicionada por él determinan qué significa “ser” o “existencia”. Detrás de la realidad se supone un fundamento que bajo la forma de un “trasmundo” (Hinterwelt) produce una manifestación cuasi-causal, a (...) saber: el “mundo” (Welt), el cual se deja con ello concebir como la aparición del ser que se ha retraído en sí mismo. La diferencia entre ser y apariencia mantiene al pensamiento metafísico atrapado, en la medida en que éste no es capaz de reconocer esa diferencia misma como una apariencia. En Siete ensayos sobre la muerte de la metafísica, Héctor Ferreiro ofrece frente a esta historia estándar una convincente contrahistoria. Esta contrahistoria tiene su punto de partida en Hegel, quien intenta, de modo opuesto a la lectura propuesta por Heidegger, superar a la metafísica con sus propios medios y sepultarla a partir de su propia dinámica interna. Precisamente a esta superación está dedicado el debate y discusión de Hegel con el argumento ontológico. Como Kant, Hegel ve en el argumento ontológico uno de los centros operacionales de la metafísica clásica. La cuestión es, pues, cómo abordar el argumento ontológico del modo correcto desde un punto de vista crítico a la metafísica. La estrategia que ofrece Hegel consiste, como lo expone Ferreiro, en desenmascarar la distinción misma entre el ser y la apariencia producida por él como una operación de tipo conceptual. Según Hegel, la metafísica ha sido desde siempre el intento por desarrollar una teoría de la totalidad. Pero una teoría de la totalidad que coloca al ser de un lado y a su aparición del otro lado de un límite no advierte su propia operación, dado que el trazado de un límite pertenece él mismo a la teoría de la totalidad. De lo que se trata, pues, es de examinar los trazados de límite constitutivos de la metafísica para reconocerlos como productos de la reflexión y no como hechos dados que el pensamiento tan sólo debe reflejar. El movimiento de autosuperación de la metafísica que culmina en la discusión de Kant y Hegel con el argumento ontológico pertenece ya, sin embargo, a la tradición de la metafísica. Como lo muestra Ferreiro, la metafísica está a más tardar a partir de la distinción medieval entre esencia y existencia en proceso de superarse a sí misma, pues ya Tomás de Aquino logra reconocer en dicha distinción la verdadera fuente de la producción del mundo. Tomás persiste aún, sin embargo, en una concepción sustancialista, en la medida en que considera a la distinción entre esencia y existencia como un hecho in-dependiente de la teoría y del sujeto. Sin embargo, esa distinción es una operación conceptual y no un objeto que se encuentra en el mundo. En esta medida, la tesis de la distinción de razón entre ambas categorías se presenta como un indicador de la reflexión de la metafísica sobre sí misma. Ferreiro demuestra que el célebre comienzo de la Cien-cia de la Lógica de Hegel significa precisamente una profundización y radicalización de esa autorreflexión. Ahora bien, a ojos de Hegel el ser del comienzo de la Lógica es en sí mismo como tal el resultado del argumento ontológico; en su formulación clásica, sin embargo, el argumento ontológico sólo aspira a probar que hay algo (Dios), pero el argumento mismo no es como tal capaz de determinar ulteriormente ese algo –esto constituye justamente la tarea de la ontología en el sentido de Hegel, es decir, la tarea de la Lógica. Así, lo que podría denominarse en Hegel una “metafísica” es expresamente una crítica a la metafísica tradicional. En efecto, la ontología que Hegel propone en modo alguno significa una recaída en la metafísica anterior a Kant; por el contrario, en la filosofía de Hegel metafísica y crítica a la metafísica se vinculan íntimamente y con ello se cierra un círculo que se había abierto en la metafísica teológica de la Edad Media: precisamente que este movimiento estaba contenido ya programáticamente en la ontología de la distinción entre esencia y existencia es algo que Ferreiro analiza en forma clara y meticulosa. En cuanto disciplina, la ontología está hoy nuevamente en el centro de la atención de la reflexión filosófica a nivel mundial. Siete ensayos sobre la muerte de la metafísica no sólo ofrece en este respecto un análisis de índole histórica; es también una importante contribución teórica al actual retorno a la ontología. (shrink)

This work is a revised version of my dissertation, originally presented in 2002. It explores questions of God and faith in the context of Martin Heidegger's phenomenological ontology, as developed in Being and Time. One problem with traditional philosophical approaches to the question of God is their tendency to regard God's existence as an objective datum, which might be proven or disproven through logical argumentation. Since Kant, such arguments have largely been dismissed as predicated on a priori assumptions whose legitimacy (...) cannot be substantiated. This dismissal has led to a widening divorce between 'faith' and 'reason,' as the rational grounds for faith have come under increasing, and radical, attack. Heidegger's phenomenological ontology provides us a new approach to the question of faith by showing that concernful relations lie at the heart of our apprehension of Being. This affords us a new way of approaching the question of God philosophically; one which pursues this question, not in terms of metaphysical categories, but in terms of the existential concerns central to human life. At the same time that Heidegger allows us this new approach, however, his existential analyses seem to deny any legitimacy to religious faith. For the Heidegger of Being and Time, the human being is 'Being-towards-death,' i.e., essentially enclosed in finitude, whereas for religion the human being has an essential relation to the infinitude of God. This work, then, has a twofold purpose: It seeks, first, to explore the meaning of God and faith as these may be understood in the terms provided by Heidegger's phenomenological ontology. It seeks, second, to examine the way in which that ontology might be challenged and revised through a religious conception of human Being. (shrink)

(Spanish) RESUMEN: La libertad absoluta postulada por Viktor Emil Frankl y Jean-Paul Sartre, la Shoah y la creencia en un dios omnipotente, bueno y justo parecen contradecirse. La pregunta por el sentido del sufrimiento de las víctimas del Holocausto (la verdadera catástrofe, el mayor crimen contra la humanidad), simbolizado por Auschwitz, y como punto de inflexión en la historia, es terriblemente dolorosa y parece no tener una respuesta filosófica ni teológica. A mi juicio, es importantísimo distinguir entre las víctimas inocentes (...) de la Shoah que perecieron y las víctimas inocentes que sufrieron un verdadero infierno y perdieron a sus seres queridos, pero que lograron sobrevivir. Ambas son víctimas, por supuesto, pero así como encontrarle un posible sentido al sufrimiento de las víctimas masacradas y gaseadas podría suponer un insulto a su sufrimiento y agonía –en especial, al horror que sufrieron los niños–, el horrible sufrimiento de los supervivientes pudo dar, tal vez, de alguna manera, un sentido a sus vidas después de la liberación de los campos de concentración y exterminio, ya fuera como voz, como protesta o como simple supervivencia. Frankl apuesta por un sentido último (que abraza el sentido del sufrimiento de las víctimas), y Sartre, aunque parezca no apostar por sentido alguno, volcó su vida al compromiso político después de la Segunda Guerra Mundial, y ello parece vislumbrar una minúscula pizca de sentido después de la barbarie. La filosofía de Frankl es un sí a la vida incluso en las situaciones más extremas, un grito casi nietzscheano que exalta el valor de la vida más allá de cualquier sufrimiento. Frankl, padre de la logoterapia y superviviente del Holocausto, abre una puerta a Dios al hablar de un dios inconsciente, una dimensión suprahumana y una fe incondicional, y define la religión como espiritualidad y como la búsqueda del hombre por el sentido último. Según Frankl, la libertad no se contradice con Dios, y la religión existe no a raíz de la barbarie, sino a pesar de la barbarie. El existencialismo sartreano es una filosofía de la libertad radical y de la responsabilidad. El hombre está condenado a ser libre. El ser humano es un ser en el que la existencia precede a la esencia. Somos totalmente responsables de lo que somos. Sartre afirma que la libertad humana es incompatible con Dios. En un mundo sin Dios, la moral la construyen los hombres, con sus propias decisiones y sus acciones, y la existencia y el sufrimiento de las víctimas no tienen sentido alguno. Sartre define al hombre como libertad, responsabilidad, angustia y contingencia. Frankl define al hombre como libertad, responsabilidad, espiritualidad y búsqueda de sentido. Con esta tesis me propongo entrar en la resbaladiza dimensión del dolor, la desesperación, el sentido y sinsentido del sufrimiento de las víctimas (teniendo presente los horrores de Auschwitz, que en teología y filosofía ha simbolizado desde la liberación de los campos la muerte de Dios y la muerte de la moral). Es verdad que no solo los hombres, mujeres y niños judíos fueron víctimas de la barbarie alemana, pero, como reza el mensaje de Elie Wiesel en la exposición permanente del Block 27 del Auschwitz-Birkeanu State Museum: "Not all victims were Jewish in this place, but all Jews were victims". La Shoah no es un episodio dentro de la Segunda Guerra Mundial, sino un punto de inflexión en la historia de la humanidad, y es una catástrofe que nos concierne a todos, hombres y mujeres judíos y no judíos, religiosos e irreligiosos, creyentes e increyentes, como seres libres, responsables y morales que somos –o que deberíamos ser. Muchas de las víctimas del Holocausto, en medio de la desesperación, entraron en las cámaras de gas orando, aferrándose a la esperanza de que ese final espeluznante no era un punto final. Con esta tesis no me propongo de ninguna manera responder a la eterna pregunta de si Dios existe o no, sino que propongo interpretar ese grito hacia Dios como un desesperado anhelo de esperanza. También me propongo encontrar una coherencia en las posturas de estos dos grandes pensadores para quienes la libertad y la responsabilidad definen al hombre: Frankl (quien apuesta por una dimensión suprahumana donde existe un sentido último en el que el sufrimiento de las víctimas tiene que tener algún sentido, aunque ese sentido sea completamente incomprensible en la dimensión humana) y Sartre (el existencialista ateo por excelencia, para quien el mundo, la existencia y el sufrimiento son absolutamente contingentes). En el primer capítulo expongo la logoterapia y el existencialismo sartreano: describo las tres dimensiones del hombre y las tres búsquedas de sentido propuestas por Frankl, y expongo las cinco consecuencias de "l'existence précède l'essence", centrándome en la libertad y la responsabilidad, y hablo del suicidio. El segundo capítulo está dedicado al dios inconsciente frankleano, la dimensión suprahumana, la búsqueda por el sentido último y la fe incondicional. En el tercer capítulo ilustro la libertad sin Dios sartreana, la ontología sartreana, el ateísmo sartreano y el humanismo sartreano, y hablo sobre la responsabilidad, la mauvaise foi, la contingencia, la situation y la angustia. El cuarto capítulo es necesariamente histórico (sin dejar de ser filosófico): me pregunto por la muerte de Dios después de Auschwitz, argumento y defiendo la unicidad del Holocausto (la Shoah es un punto de inflexión en la historia de la humanidad), describo las masacres antes de los campos de exterminio (Einsatzgruppen, Ordnungspolizei y Wehrmacht), el gigantesco complejo de Auschwitz (Stammlager, Auschwitz-Birkenau y Monowitz-Buna), reflexiono sobre Dios y el mal (centrándome en los niños de Auschwitz), describo los días de Frankl en Auschwitz, hablo de Dios como esperanza, de la inmortalidad y la escatología, de la crueldad de Dios, de la relación entre el cristianismo y el antisemitismo, del islam y el antisemitismo, critico el silencio de Dios, hablo de la muerte de Dios y del juicio contra Dios. En el quinto capítulo expongo la moral frankleana (una moral que atañe al hombre y no a Dios), basándome en su teoría del amor y en su única obra de teatro (Synchronisation in Binkerwald), y la moral sartreana (una moral que atañe a una humanidad sin Dios), recordando a Dostoyevsky, analizando la famosa cita de Garcin en Huis clos "L'enfer, c'est les Autres", criticando el marxismo de Sartre y cuestionando (con la mirada de Frankl y Sartre) el verso de Brecht "Erst kommt das Fressen, dann kommt die Moral"; al final del capítulo incluyo una reflexión propia y las críticas frankleana y sartreana sobre la impunidad de los verdugos y colaboradores después del Holocausto (con el permiso de Dios). Después de la Conclusión, añado un Apéndice sobre las vidas de Frankl y Sartre, para poder entender mejor su obra. PALABRAS CLAVE: logoterapia, existencialismo sartreano, búsqueda de sentido, libertad, responsabilidad, moral, angustia, sufrimiento, supervivientes, víctimas, contingencia, espiritualidad, religión, Dios, esperanza, antisemitismo, culpa, Auschwitz, Holocausto, Shoah. /// (English) ABSTRACT: The absolute freedom defended by Viktor Emil Frankl and Jean-Paul Sartre, the Shoah and the belief in an omnipotent, benevolent and just God seem to contradict each other. The question of the meaning of the victims' suffering of the Holocaust (the true catastrophe, the biggest crime against humanity), simbolised by Auschwitz and as a turning point in History, is terribly painful and doesn't seem to have an answer. In my opinion, it's crucial to distinguish between the innocent victims of the Shoah who perished and the innocent victims who sufferend a real hell and lost their loved ones, but managed to survive. Both are victims, of course, but just as finding a possible meaning to the suffering of the massacred and gassed victims could result in an insult to their suffering and agony –especially to the horror that the children suffered– the gigantic suffering of the survivors could, maybe, somehow, give a meaning to their lives after the liberation of the concentration and extermination camps, either as a voice, as a protest, or as a simple survival. Frankl believes in an ultimate meaning (that embraces the meaning of the victims' suffering), and Sartre, even if it appears not to embrace any meaning, turned his life to political engagement after War World II, and that attitude seems to give a tiny glimpse of meaning after the barbarity. Frankl's philosophy says yes to life even in the most extreme situations, and it's a Nietzschean-like scream that exalts the value of life beyond any monstrous suffering. Frankl, the father of logotherapy and a Holocaust survivor, opens a door to God when he talks about an unconscious God, a supra-human dimension and an unconditional faith; he defines religion as spirituality and as man's search for ultimate meaning. According to Frankl, freedom is not contradictory with God, and religion exists not because of the barbarity but in spite of the barbarity. Sartrean existentialism is a philosophy of radical freedom and responsibility. Men are condemned to be free. We are beings where the existence precedes the essence. We are completely responsible of what we are. Sartre argues that human freedom is incompatible with God. In a godless world, morality is constructed by people, with their own choices and actions, and human existence and the suffering of the victims don't have any meaning. Sartre defines man as freedom, responsibility, Angst and contingency. Frankl defines man as freedom, responsibility, spirituality and search for meaning. With this dissertation I attempt to enter in the slippery dimension of the pain, despair, meaning and meaninglessness of the victims' suffering (having in mind the horrors of Auschwitz, that in theology and in philosophy have simbolised, since the liberation of the camps, the death of God and the death of morality). It's true that not only Jewish men, women and children were victims of the German barbarity, but, as Elie Wiesel's message from the permanent exhibition from Block 27 of the Auschwitz-Birkeanu State Museum reads: "Not all victims were Jewish in this place, but all Jews were victims". The Shoah is not an episode inside War World II, but a turning point in the history of humankind, and a catastrophe that embraces us all, Jewish and not not Jewish men and women, religious and not religious, believers and not believers, as the free, responsible and moral beings that we all are –or that we should be. A lot of the victims, in the midst of their desperation, entered into the gas chambers praying, holding to the hope that their horrifying end was not the ultimate end. With this dissertation I do not attempt to answer the eternal question of the existence of God, rather, I will try to interpret that scream to God as a longing for hope. I also intend to find a coherence between the thought of these two great thinkers for whom freedom and responsibilty define man: Frankl (who argues that there is a suprahuman dimension where an ultimate meaning exists and where the victims' suffering has to have a meaning, even if this meaning is completely incomprehensible in the human dimension) and Sartre (the atheist existentialist par excellence, for whom the world, human existence and suffering are absolutely contingent). In the first chapter I expose logotherapy and Sartrean existentialism: I describe the three dimensions of man, the three searches for meaning, the five consequences of "l'existence précède l'essence" and I speak about suicide. The second chapter delves into the unconscious God, the supra-human dimension, the ultimate meaning and the unconditional faith. In the third chapter I expose the freedom without God defended by Sartre, Sartre's ontology, Sartre's atheism, Sartre's humanism, and his ideas about responsibility, mauvaise foi, contingency, situation, and Angst. The fourth chapter is necessarily historical (while being philosophical too): I wonder about the death of God after Auschwitz, I argue and defend the uniqueness of the Holocaust (the Shoah is a turning point in the history of humankind), I describe the massacres before the extermination camps (Einsatzgruppen, Ordnungspolizei y Wehrmacht), the gigantic Auschwitz camp complex (Stammlager, Auschwitz-Birkenau y Monowitz-Buna), I reflect on God and evil (focusing on the children of Auschwitz), I describe Frankl's days in Auschwitz, I talk about God as hope, about immortality and escathology, I discuss God's cruelty, the relationship between Christianity and antisemitism and Islam and antisemitism, I question the silence of God, and I talk about the death of God and about the trial against God. In the fifth chapter I talk about the Franklean morality (a morality that concerns man and not God), on the basis of his love theory and his only work of theater (Synchronisation in Binkerwald), and the Sartrean morality (a morality that concerns a humanity without God), remembering Dostoyevsky, analysing Garcin's famous quote in Huis clos "L'enfer, c'est les Autres", crticizing Sartre's marxism and questioning (with Frankl's and Sartre's eyes) Brecht's verse "Erst kommt das Fressen, dann kommt die Moral"; at the end of the chapter I include my own reflection (and Frankl and Sartre's critique) about the impunity of the executioners and collaborators after the Holocaust (with God's permission). After the Conclusion, I add an Appendix about the lives of Frankl and Sartre, which helps understanding better their work. KEYWORDS: logotherapy, existentialism, search for meaning, freedom, responsibility, morality, Angst, suffering, survivors, victims, contingency, spirituality, religion, God, hope, antisemitism, guilt, Auschwitz, Holocaust, Shoah. (shrink)

La mente es un cadáver que mata y da vida, un destello (churita) del poder de la conciencia (cit-śakti), creadora y destructora de universos, temporalidades y realidades. El Mokṣopāya (s. X), mejor conocido como Yogavāsiṣṭha, nos invita a cuestionar todas nuestras creencias ontológicas a través de historias extraordinarias, narradas por Vasiṣṭha a su discípulo Rāma. Leyendo este voluminoso texto sánscrito a la luz de una de las obras más célebres del teatro español del Siglo de oro, La vida es sueño (...) de Pedro Calderón de la Barca, este ensayo querría apaciguar la angustia existencial de Segismundo, que duda constantemente sobre si está dormido o despierto y padece el carácter efímero de los valores del mundo. Si se hiciese discípulo de Vasiṣṭha, este príncipe cristiano abandonaría enseguida sus preocupaciones y aprendería que la respuesta a todas sus inquietudes está únicamente en su conciencia (cit-mātra). (shrink)

Writers endorsing a general account of meaning as non-recuperable or non-coincidental from one instantiation to the next may nonetheless treat the heterogeneous contacts between instants of experience as transformations of fleeting forms, states, logics, structures, outlines, surfaces, presences, organizations, patterns, procedures, frames, standpoints. When thought as pattern, the structural- ranscendental moment of eventness upholds a certain logic of internal relation; the elements of the configuration mutually signify each other and the structure presents itself as a fleeting identity, a gathered field. (...) The particularity of eventness is not allowed to split the presumed (temporary) identity of the internal configuration that defines the structure as structure. History would be the endless reframing of a frame, the infinite shifting from paradigm to paradigm. Heidegger and Derrida argue instead that In their essence, Beings don’t HAVE structure or constitution. There is no such THING as a form, a structure, a state. There is no trans-formation but rather a trans-differentiation, (transformation without form, articulation as dislocation) What is being transcended is not form but difference. (shrink)

It has been said that we can't look the other in the eye in guilt. We don't have to be accused by another to feel we have failed her or him. The other need not be disappointed in us, nor even be aware of our failure at all. Guilt as self-blame would be the realization of our failure to behave in the way we expected of ourself, the hurt and disappointment we feel when we are not quite what we thought (...) we were. It would originate in a being-other-than what we expected, the sense of missed opportunity, of a mourning of a better fork in the road not taken. Guilt would register a sense of seeming self-regression or decadence in the momentum of one's experience. What, preliminarily, might we comment concerning the structure we've just sketched of a `twinge' of guilt, the feeling of ìetting oneself down? Let us at first locate the peculiar edge of guilt, as we have described it above, as its`I ought to have, should have, could have' way of thinking, our awareness that we failed to do what we were capable of, what we assumed we would. The proximity between that which one expected of oneself and one's apparent failure to live up to that standard would mark guilt as a gnawing, teasing puzzlement or surprise. Our falling away from another we care for could then be spoken of as an alienation of oneself from oneself. When we feel we have failed another, we mourn our mysterious dislocation from a competence or value which we associated ourselves with. It follows from this that any thinking of guilt as a `should have, could have' blamefulness deals in a notion of dislocation and distance, of a mysterious discrepancy within intended meaning, separating who we were from who we are in its teasing gnawing abyss. Guilt and sadness would seem to represent a plunge into the darkness of separation. As we have seen, for Derrida there would be guilt as an always implied within-trace effect determined by the origin of every event as other than itself in the instant of being itself. This within-trace sense of mourning would be an irreducible quasi-transcendental condition of experience. One disturbs and disappoints oneself in a certain sense at every moment. Then there would also be for Derrida the possibility of guilt, sadness and mourning as a momentum of between-trace relation marking our stumbling into experience marked by a sparse density of change. (shrink)

Philosophy, starting from Kant, tries to delimit the limits and thus to finitize human consciousness, but then it fails in the task of assuming finiteness itself as finite, with a certain beginning and an end. In my essay I present different conceptualizations of the end which resist the logic of means, opened up by ecological thought, starting from the problem – central to the continental philosophy of the 20th century – of human finitude. In the first part of the essay, (...) the relationship between finitude and truth is problematized through a critical reading of Michel Foucault, Martin Heidegger, and Alain Badiou. In the second part I present some hypotheses on how this relationship is transformed by the category of extinction, understood as a non-human transformational capacity of human thought, a radical capacity of alienation which can, however, become an access to a dimension of thought in which «ecology» designates a new thinking of togetherness and of cooperation which drives contemporary thought into reformulation of political possibilities for the future. If, however, current ecological thought sometimes promotes the post-political scenario of an organic return to the earth, an extinction understood in the sense of the end of human life and an abrupt termination of the world, in my essay I rather try to maintain human’s ability of detachment as a political dimension, the capacity of thought to make a difference. (shrink)

The author of the article framed the question of the possible relevance of the treatment of the Schelling's philosophy in the context of a phenomenological one. Thereby, he points its problematic character, referencing Husserl's treatment of German idealism after Kant (including the thought of Schelling) as the romantic idealism. At the same time, he also states the influence of Schelling on the few phenomenologists who made their careers after Husserl. The article's author reviews the concept of the «being outside-itself» or (...) «ecstasy» in Schelling and Heidegger (as one of the phenomenologists) for the further concretization of the theme. The ecstasy in Schelling is the new name for the idealistic intellectual intuition, by which a singular subject loses its own position as subject and thereby gets to the position of the absolute subject. The absolute subject is one which cannot be an object already. Schelling identifies the ecstasy understood in this way with the wondering as philosophical initiation in Ancient Greece. Such ecstasy leads to unknowing knowledge in Schelling's words. The concept of being outside-itself means the structural element of being of human Dasein, i.e. of temporality in Heidegger. This philosopher thinks that a human being is always already outside itself ontologically, before any intuition both sensual and intellectual. The human subject is not closed in on itself, for then it has to transcend from its immanence to the outside. It is always outside itself, it is ecstatic. In its ecstasies, it is always in the world, instead of being inside the world and other people. Heidegger bases his critique of the traditional metaphysics of the subject on such understanding of the ontological structure of Dasein, i.e. of the true «subject». In conclusion, the article's author states that the approaches to the problem of being outside-itself of both mentioned philosophers are in principle, quite different. Schelling tries to rehabilitate the subjectivity by the reduction of the singular subject to the absolute one. On the contrary, the finitude of human Dasein is the necessary condition of its being in Heidegger. The ecstasy is interiorization in Schelling, but it is exteriorization, which has been always already realized, in Heidegger. However, the author of the article also pinpoints a certain isomorphism of the treatments of ecstasy in both thinkers. In the different ways they attempt to overcome the crisis of the understanding of the subject as closed in itself, create the conditions of this isomorphism. (shrink)

SPANISH Nuestra época se caracteriza por la casi indiscutida vigencia del modelo de economía de mercado. Esto coincide con un esfuerzo notorio por ocultar la presencia de la muerte, movido por la aguda percepción de la contigencia que emerge en la Modernidad. La lógica subyacente a estos elementos es que la monetarización puede entenderse como una respuesta al acrecentamiento de la conciencia de la muerte. Esto tiene lugar en el contexto de una nueva comprensión de sí marcada por la importancia (...) de la memoria. Así, la lucha del hombre moderno contra la conciencia de la muerte se desarrolla en los frentes de la acumulación de riquezas, y de la memoria. -/- ENGLISH One of the main features of our time is the presence of a widespread market economy. At the same time, notororious efforts to conceal the presence of death can be easily identified in our society; they are likely driven by an acute perception of finitude originated in Modernity. The rationale behind both aspects is that monetarisation can be regarded as a reaction to the increasing awareness of death. All of this is framed by a new self-understanding, heavily characterized by the relevance of memory. Thus, the fight of the modern man against the awareness of death is led in both fronts of wealth accumulation and memory. (shrink)

Ce livre propose, à partir du constat de difficultés importantes et de paradoxes dans la conception heideggérienne de la vérité comme décèlement (aletheia), une nouvelle interprétation du fameux « tournant » qui sera compris comme la nécessité d’une structure d’inversion réciproque des rapports fondatifs. Contre tous les replis subjectifs ou les fixations sur des subsistances illusoires, cette structure « tournante » (à la racine du cercle herméneutique) montre comment aucune vérité ne s’établit sans sortie hors de soi, sans être provoquée (...) par ce qui la met en question et qu’ainsi, contrairement à ce que croyait Levinas, la pensée de Heidegger ne consacre pas un enfermement dans le même, mais constitue une invitation à la différence. Le philosophe de Messkirch élabore une « logique » du questionnement et l’exigence d’un étonnement impliquant une attention sans cesse renouvelée qui visent à réveiller la vocation du savoir ─ compris comme une des plus hautes formes de respect ─ bien plus qu’à s’étourdir de vaines mises en abîmes. Cet ouvrage, bien qu’il témoigne d’une attention scolaire, ne veut pas être un commentaire destiné aux seuls spécialistes, mais constitue l’effort, à partir d’une certaine autonomie philosophique, de présenter la pensée heideggérienne à ceux qu’elle devrait intéresser, de l’arracher aux préjugés dans lesquels elle est souvent emprisonnée et d’en défendre le meilleur. (shrink)

Whether under the auspices of ‘spirit,’ the ‘Overman,’ or ‘technology,’ the subject of late modernity came to understand itself as 'the willing animal to whom nature must conform.'.

In this article I develop Heidegger's phenomenology of poetry, showing that it may provide grounds for rejecting claims that he lapses into linguistic idealism. Proceeding via an analysis of the three concepts of language operative in the philosopher's work, I demonstrate how poetic language challenges language's designative and world-disclosive functions. The experience with poetic language, which disrupts Dasein's absorption by emerging out of equipmentality in the mode of the broken tool, brings Dasein to wonder at the world's existence in such (...) a way that doubt about its reality cannot enter the picture. (shrink)

This article re-examines the theoretical basis for environmental and heritage interpretation in tourist settings in the light of hermeneutic philosophy. It notes that the pioneering vision of heritage interpretation formulated by Freeman Tilden envisaged a broadly educational, ethically informed and transformative art. By contrast, current cognitive psychological attempts to reduce interpretation to the monological transmission of information, targeting universal but individuated cognitive structures, are found to be wanting. Despite growing signs of diversity, this information processing approach to interpretation remains dominant. (...) The article then presents the alternative paradigm of hermeneutics through the works of Schleiermacher, Dilthey, Heidegger and Gadamer, to provide a broader interpretation of interpretation. This not only captures the essence of Tilden’s definition but construes heritage interpretation as a more inclusive, culturally situated, critically reflexive and dialogical practice. (shrink)

This article takes Heidegger's design distinctions for human being [Dasein] including affectivity, understanding, and speech, and, using these distinctions, generates a Heideggerian definition of empathy [Einfuehlung]. This article distinguishes empathic receptivity, empathic understanding, empathic interpretation, and empathic speech (or responsiveness). It also looks at characteristic breakdowns.

Heidegger famously said that the best treatment of the emotions in western history was Book 2 of Aristotle's RHETORIC. Heidegger then did an analysis of this material prior to the publication of Being and TIme (1927). This engages engages with Heidegger's treatment of Aristotle's treatment of the emotions in relation to Heidegger's design distinction of affectivity (Befindlichkeit), understanding, and discourse (Rede).

Este artículo extrapola conceptos cinematográficos que desarrollan Gilles Deleuze y Alain Badiou, tales como movimiento, cuadro, plano y montaje. El propósito de corroborar estas categorías es para articularlas en el largometraje del director Melinton Eusebio, Jarjacha. El demonio del incesto (2000), y detectar la cosmovisión concomitante que prevalece en una localidad distanciada de la capital, caracterizada por la presencia andina de una tradición y una organización política basada en el sometimiento de una localidad hacia un alcalde, quien dictamina y castiga (...) a través de una personificación endemoniada. Este análisis será factible, una vez que se diferencien los instantes privilegiados y ordinarios, que abarcan las escenas de la película de acuerdo con su intencionalidad. De ese modo, se comprenderá el funcionamiento del filme desde una perspectiva más contundente y eximia para el espectador, además de que logrará reconocer los momentos fundados desde la realidad y lo real. (shrink)

José Hugo Burel Guerra nació el 23 de marzo de 1951 en Montevideo (Uruguay). Desde 2017 es miembro de número de la Academia Nacional de Letras del Uruguay (ANL), institución a la cual ingresó con su discurso titulado «Ismael». Es licenciado en Letras por el Instituto de Filosofía, Ciencias y Letras (que se conoce en la actualidad como UCUDAL) y la Pontificia Universidad Católica de Río Grande do Sul. Aparte de ser escritor, se ha desempeñado como músico, publicista, diseñador gráfico, (...) profesor y periodista. Dentro del ámbito literario, ha publicado cuentos, novelas y ensayos. Entre su producción, algunos títulos son los siguientes: Esperando a la pianista y otros cuentos (1983), Tampoco la pena dura (1989), Los dados de Dios (1997) El autor de mis días (1999), El guerrero del crepúsculo (2001), Tijeras de plata (2003), Los inmortales (2004), El corredor nocturno (2005), El desfile salvaje (2007), El caso Bonapelch (2014) y La misteriosa muerte de Eleanor Rigby (2019). Asimismo, ha sido merecedor de múltiples distinciones. Algunas de ellas fueron el segundo premio del concurso literario de Radio Carve (1975), el Premio Juan Rulfo de Radio Francia Internacional (1995), el Premio de Inéditos del MEC-Ministerio de Educación y Cultura (1995), el VII Premio Lengua de Trapo de Narrativa (2001), el Premio Bartolomé Hidalgo (2004), el Premio Alas (2008) y el Premio Libro de Oro (2014). (shrink)

La configuración del personaje Alberto Fernández (el Poeta) de La ciudad y los perros (1963) es camaleónica en función de la violencia, por el hecho de asumir que su comportamiento, en algunas ocasiones, era agresivo para adquirir un respeto determinado; por el contrario, el personaje tenderá a querer experimentar un poco más su agresividad al tratar de derrotar al Jaguar y al querer vengarse por la muerte de su compañero Ricardo Arana. Asimismo, su lado humano se destaca (con esa actitud, (...) se contrarresta esa violencia, la cual controla mayormente): es pacífico, sabe convivir en aquel espacio violento, no busca pleitos y llega también a convertirse en cobarde y delator (en el momento que es chantajeado por las autoridades del Leoncio Prado al no mencionar nada sobre la muerte del Esclavo, ya que de hacerlo se le expulsará por ser el autor de novelitas pornográficas que ha difundido en toda su sección). (shrink)

Tomando como referencia la novela periodística Noticia de un secuestro (1996) del Premio Nobel de Literatura de Colombia, Gabriel García Márquez, indago sobre el concepto de víctima, articulado por Olga Islas de González, con la intención de plantear la necesidad que requiere el texto sobre la búsqueda de un Estado nación, justificado en la práctica de la democracia, la libertad de expresión, el cumplimiento de las leyes y la Constitución: en oposición a lo expuesto en el período macrocriminal de los (...) últimos dos decenios del siglo XX en Colombia. Todo ello se muestra con el propósito de identificar el rol de los organismos encargados de contrarrestar las deficiencias de la sociedad colombiana, a través de la Policía (como el hecho de resguardar la seguridad ciudadana, que sería posible con una mayor investigación de su parte y una mejoría en el ámbito de la Criminalística). Asimismo, es de utilidad la extrapolación de las leyes (Decretos 2047/1990, 3030/1990 y 303/1991) que se establecen para aminorar el narcoterrorismo en ese país, sobre todo, para solicitar la extradición de los miembros del Cartel de Medellín a Estados Unidos, donde las sanciones para estos delitos relacionados era la pena de muerte. (shrink)

La ciudad y los perros ha sido expuesta para el análisis de la comunidad hermenéutica durante más de cincuenta años. En ese sentido, es insoslayable recurrir al criterio sistematizador que fundamenta Hans-Georg Gadamer en su texto Verdad y método, que es de utilidad para catalogar y criticar condicionalmente las propuestas que se han desarrollado en torno a la diversidad de representaciones literarias que han sido manifestadas en este libro. Para la efectividad de este trabajo, se asume que este objeto de (...) estudio está comprendido en función de los siguientes tratamientos: la percepción de la realidad real en la obra literaria, su clasificación autobiográfica, la articulación del lenguaje como estilo, la ironía como estrategia discursiva y canalizadora de la violencia y, para terminar, la técnica del final abierto con respecto a la muerte del personaje Ricardo Arana (el Esclavo). Con estos seis planteamientos enfocados desde lo hermenéutico, se pretende producir la confrontación y el diálogo intertextual con los aportes referenciados, con el propósito de que resulte utópica la configuración de un panorama exégeta de la primera novela de Mario Vargas Llosa. (shrink)

El personaje violento resulta ser un quebrantador de leyes sociales y órdenes establecidos, además de que intenta determinarse como un protagonista y un héroe con esa rebeldía. Estos planteamientos, aunque son erróneos, se deben a que la formación obtenida por este individuo es algo empobrecedora: tiene baja tolerancia a la frustración y las expresiones inadecuadas de rabia, posee cierta carencia o una deficitaria red de apoyo social; y, peor aún, al concebirse como vencedor, puede poner a prueba su dominio por (...) castigar al conquistado, hasta incluso lo hace llegar a su aniquilación (rasgo muy importante para explicar la muerte del Esclavo). Por medio de la tríada protagónica (el Jaguar, el Poeta y el Esclavo), los personajes atraviesan por una serie de transformaciones ontológicas que permite ver las actitudes y los comportamientos condicionados por el factor de la violencia. Para ello, se usará la semiótica empleada por Landowski, Desiderio Blanco y Fontanille. (shrink)

This relationship between human and Cosmos, is what Meillassoux refers as “correlationism”. Humans can only establish a correlation with the world through representational structures, but never can they access the in itself. But if one can only experience the world from their own perspective and understand it through synthetic categories via languages, then what is reality “as such”? This is part of what a speculative realist attempts to answer. It is also here, as what pertains to this “real”, where Meillassoux (...) intervenes the discourses of Descartes, Hume, Kant, and 20th century philosophers like Martin Heidegger, Jacques Derrida, and Emmanuel Levinas. (shrink)