Results for 'Popular culture'

966 found
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  1. (1 other version)The Great Gibberish - Mathematics in Western Popular Culture.Markus Pantsar - 2016 - In Brendan Larvor (ed.), Mathematical Cultures: The London Meetings 2012-2014. Springer International Publishing. pp. 409-437.
    In this paper, I study how mathematicians are presented in western popular culture. I identify five stereotypes that I test on the best-known modern movies and television shows containing a significant amount of mathematics or important mathematician characters: (1) Mathematics is highly valued as an intellectual pursuit. (2) Little attention is given to the mathematical content. (3) Mathematical practice is portrayed in an unrealistic way. (4) Mathematicians are asocial and unable to enjoy normal life. (5) Higher mathematics is (...)
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  2. The Fractured Jew: An Exploration of Jewish Ontology and Identities in Popular Culture.Joel West - 2022 - Leiden, Netherlands: Brill.
    Historically Judaism has been called both a nation and a religion, yet there are those Jews who eschew the religious and national definitions for a cultural one. For example, while TV’s Mrs. Maisel is ostensibly a Jew, the actor playing her is not, and Mrs. Maisel’s actions are not always Jewish. In The Fractured Jew Joel West separates Judaism into phenomenological and performative, starting with popular portrayals of Jews and Judaism, in today’s media, as a jumping-off point to understand (...)
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  3. Introduction: The Leftovers, Philosophy and Popular Culture.Susana Viegas - 2021 - Cinema: Journal of Philosophy and the Moving Image 13 (13):7-20.
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  4. Race and the Feminized Popular in Nietzsche and Beyond.Robin James - 2013 - Hypatia 28 (4):749-766.
    I distinguish between the nineteenth- to twentieth-century (modernist) tendency to rehabilitate (white) femininity from the abject popular, and the twentieth- to twenty-first-century (postmodernist) tendency to rehabilitate the popular from abject white femininity. Careful attention to the role of nineteenth-century racial politics in Nietzsche's Gay Science shows that his work uses racial nonwhiteness to counter the supposedly deleterious effects of (white) femininity (passivity, conformity, and so on). This move—using racial nonwhiteness to rescue pop culture from white femininity—is a (...)
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  5. Cultural Relativism.John J. Tilley - 2000 - Human Rights Quarterly 22 (2):501–547.
    In this paper I refute the chief arguments for cultural relativism, meaning the moral (not the descriptive) theory that goes by that name. In doing this I walk some oft-trodden paths, but I also break new ones. For instance, I take unusual pains to produce an adequate formulation of cultural relativism, and I distinguish that thesis from the relativism of present-day anthropologists, with which it is often conflated. In addition, I address not one or two, but eleven arguments for cultural (...)
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  6. Cultural Bias in Explainable AI Research.Uwe Peters & Mary Carman - forthcoming - Journal of Artificial Intelligence Research.
    For synergistic interactions between humans and artificial intelligence (AI) systems, AI outputs often need to be explainable to people. Explainable AI (XAI) systems are commonly tested in human user studies. However, whether XAI researchers consider potential cultural differences in human explanatory needs remains unexplored. We highlight psychological research that found significant differences in human explanations between many people from Western, commonly individualist countries and people from non-Western, often collectivist countries. We argue that XAI research currently overlooks these variations and that (...)
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  7. La critica di Adorno alla popular music.Luca Corchia - 2017 - The Lab's Quarterly 18 (4):31-56.
    For a long time, popular music has been presented as a field of loisir, devoid of artistic value, social expression of barbaric subcultures and product of a cultural industry aimed at mass distraction. In this perspective, the criticism of Theodor W. Adorno is crucial and, even today, his theses – on the aesthetic inferiority of popular music compared to the “cultivated” music and on the deplorable socio-cultural effects of its diffusion – are still a shared judgment. Even for (...)
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  8. From Culture 2.0 to a Network State of Mind: A Selective History of Web 2.0’s Axiologies and a Lesson from It.Pak-Hang Wong - 2013 - tripleC 11 (1):191-206.
    There is never a shortage of celebratory and condemnatory popular discourse on digital media even in its early days. This, of course, is also true of the advent of Web 2.0. In this article, I shall argue that normative analyses of digital media should not take lightly the popular discourse, as it can deepen our understanding of the normative and axiological foundation(s) of our judgements towards digital media. Looking at some of the most representative examples available, I examine (...)
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  9. Media Culture and the Triumph of the Spectacle.Douglas Kellner - unknown
    During the past decades, the culture industries have multiplied media spectacles in novel spaces and sites, and spectacle itself is becoming one of the organizing principles of the economy, polity, society, and everyday life. An Internet-based economy has been developing hi-tech spectacle as a means of promotion, reproduction, and the circulation and selling of commodities, using multimedia and increasingly sophisticated technology to dazzle consumers. M edia culture proliferates ever more technologically sophisticated spectacles to seize audiences and augment their (...)
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  10. Cultural Studies And Communication.David Morley, James Curran & Valerie Walkerdine - 1996 - Bloomsbury Academic.
    A companion volume to the best-selling Mass Media and Society. this collection provides a lively and authoritative introduction to cultural studies, written by some of the most influential scholars and researchers in the field. It offers a critical guided tour of the key debates raised by feminism, postmodernism, the politics of identity, and theories of ideology. It goes beyond a narrow definition of cultural studies in terms of the audience to consider the entire communication circuit from production to consumption within (...)
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  11. The cultural landscape of three-dimensional imaging.Sean F. Johnston - 2013 - In Martin Richardson (ed.), Techniques and Principles in Three-Dimensional Imaging: An Introductory Approach. Information Science Reference. pp. 212-232.
    This article explores the cultural contexts in which three-dimensional imaging has been developed, disseminated and used. It surveys the diverse technologies and intellectual domains that have contributed to spatial imaging, and argues that it is an important example of an interdisciplinary subject. Over the past century-and-a-half, specialists from distinct fields have devised explanations and systems for the experience of 3-D imagery. Successive audiences have found these visual experiences compelling, adapting quickly to new technical possibilities and seeking new ones. These complementary (...)
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  12. Storywrangler: A massive exploratorium for sociolinguistic, cultural, socioeconomic, and political timelines using Twitter.Thayer Alshaabi, Jane L. Adams, Michael V. Arnold, Joshua R. Minot, David R. Dewhurst, Andrew J. Reagan, Christopher M. Danforth & Peter Sheridan Dodds - manuscript
    In real-time, Twitter strongly imprints world events, popular culture, and the day-to-day; Twitter records an ever growing compendium of language use and change; and Twitter has been shown to enable certain kinds of prediction. Vitally, and absent from many standard corpora such as books and news archives, Twitter also encodes popularity and spreading through retweets. Here, we describe Storywrangler, an ongoing, day-scale curation of over 100 billion tweets containing around 1 trillion 1-grams from 2008 to 2020. For each (...)
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  13. 'Let the tournament for the Woke begin!': Euro 2020 and the Reproduction of Cultural Marxist Conspiracies in Online Criticisms of the 'Take the Knee' Protest.Jack Black, Thomas Fletcher, Mark Doidge, Colm Kearns, Daniel Kilvington, Katie Liston, Theo Lynn, Pierangelo Rosati & Gary Sinclair - 2024 - Ethnic and Racial Studies 47 (10):2036--2059.
    Exploring online criticisms of the ‘take the knee’ protest during ‘Euro 2020’, this article examines how alt- and far-right conspiracies were both constructed and communicated via the social media platform, Twitter. By providing a novel exploration of alt-right conspiracies during an international football tournament, a qualitative thematic analysis of 1,388 original tweets relating to Euro 2020 was undertaken. The findings reveal how, in criticisms levelled at both ‘wokeism’ and the Black Lives Matter movement, antiwhite criticisms of the ‘take the knee’ (...)
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  14. Death - Cultural, philosophical and religious aspects.Nicolae Sfetcu - 2016 - Drobeta Turnu Severin: MultiMedia Publishing.
    About death, grief, mourning, life after death and immortality. Why should we die like humans to survive as a species. -/- "No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears (...)
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  15. Science and comics: from popularization to the discipline of Comics Studies.O. Hudoshnyk & Oleksandr P. Krupskyi - 2022 - History of Science and Technology 12 (2):210-230.
    Modern scientific communication traditionally uses visual narratives, such as comics, for education, presentation of scientific achievements to a mass audience, and as an object of research. The article offers a three-level characterization of the interaction of comic culture and science in a diachronic aspect. Attention is focused not only on the chronological stages of these intersections, the expression of the specifics of the interaction is offered against the background of scientific and public discussions that accompany the comics–science dialogue to (...)
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  16. Modern Methods of Management Decision-Making and their Connection With Organizational Culture of the Tourism Enterprises in Ukraine.Oleksandr Krupskyi - 2014 - Economic Annals-XXI 1 (7-8):95-98.
    Management decision-making is a daily task that managers of various levels solve in every organization. Degree of difficulty of this process depends on the scope of authority, responsibility level, manager’s position in organizational hierarchy; on the changes in the environment, unpredictability of which causes emergence of significant amounts of alternatives. For this reason, managers do not rely only on intuition or personal experience (which limited with selective perception, cognitive ability, ability to withstand stress and/or the presence of bias), but use (...)
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  17. Mismeasuring Our Lives: The Case against Usefulness, Popularity, and the Desire to Influence Others.Steven James Bartlett - 2018 - Willamette University Faculty Research Website.
    This essay revisits the topic of how we should measure the things that matter, at a time when we continue to mismeasure our lives, as we hold fast to outworn myths of usefulness, popularity, and the desire to influence others. /// Three central, unquestioned presumptions have come to govern much of contemporary society, education, and the professions. They are: the high value placed on usefulness, on the passion to achieve popularity, and on the desire to influence others. In this essay, (...)
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  18. African Culture, Folklore and Myth in Toni Morrison’s Song of Solomon: Discovering Self Identity.Reena Sanasam - 2013 - Pratidhwani the Echo (I).
    The main focus of this paper is to explore the role of African myths, folklore and popular wisdom in discovering self-identity, which are arguably deployed in the novels of the Nobel Prize winning African-American writer and thinker, Toni Morrison, who is quite frequently labelled as a mythical symbolist. In Song of Solomon, Morrison stirs together folk and fairy tale, magic and root medicine, history and imagination, flight and naming for a distinctive fictional concoction. In this novel, she shows impact (...)
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  19. Reaching for my gun: why we shouldn't hear the word "culture" in normative political theory.Simon Cushing - 2007 - 1st Global Conference: Multiculturalism, Conflict and Belonging.
    Culture is a notoriously elusive concept. This fact has done nothing to hinder its popularity in contemporary analytic political philosophy among writers like John Rawls, Will Kymlicka, Michael Walzer, David Miller, Iris Marion Young, Joseph Raz, Avishai Margalit and Bikhu Parekh, among many others. However, this should stop, both for the metaphysical reason that the concept of culture, like that of race, is itself either incoherent or lacking a referent in reality, and for several normative reasons. I focus (...)
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  20. Safeguard the Cultural Heritage of Ladakh.Farhat Bano Beg & Furqan Aalam Beg - 2014 - SOCRATES 2 (1):1 - 5.
    Cultural and natural heritage is among the priceless and irreplaceable assets, not only of each nation, but of humanity as a whole. The loss, through deterioration or disappearance, of any of these most prized assets constitutes an impoverishment of heritage of all the people of the world. It tells us about the traditions, the beliefs and the achievements of a country and its people. Tourism is concentrated in the predominantly Buddhist settlements of the Indus Valley, of which the ancient capital (...)
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  21. Radical religious thought in Black popular music. Five Percenters and Bobo Shanti in Rap and Reggae.Martin Abdel Matin Gansinger - 2017 - Hamburg, Germany: Anchor.
    This book is discussing patterns of radical religious thought in popular forms of Black music. The consistent influence of the Five Percent Nation on Rap music as one of the most esoteric groups among the manifold Black Muslim movements has already gained scholarly attention. However, it shares more than a strong pattern of reversed racism with the Bobo Shanti Order, the most rigid branch of the Rastafarian faith, globally popularized by Dancehall-Reggae artists like Sizzla or Capleton. Authentic devotion or (...)
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  22. Musical “Covers” and the Culture Industry.Babette Babich - 2018 - Research in Phenomenology 48 (3):385-407.
    This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addition to Nietzsche’s interest in composition, together with his rhythmic analysis of Ancient Greek as the basis of what he called the “spirit of music” with respect to tragedy. The language of “sonic branding” allows a discussion of what Günther Anders described as the self-creation of mass consumer but also the ghostly time-space of music in the broadcast world. A brief allusion to Rilke (...)
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  23. Holograms: The story of a word and its cultural uses.Sean F. Johnston - 2017 - Leonardo 50 (5):493-499.
    Holograms reached popular consciousness during the 1960s and have since left audiences alternately fascinated, bemused or inspired. Their impact was conditioned by earlier cultural associations and successive reimaginings by wider publics. Attaining peak public visibility during the 1980s, holograms have been found more in our pockets (as identity documents) and in our minds (as video-gaming fantasies and “faux hologram” performers) than in front of our eyes. The most enduring, popular interpretations of the word “hologram” evoke the traditional allure (...)
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  24. Media Possibilities of Comics: Modern Tools for the Formation and Presentation of Organizational Culture.O. Hudoshnyk & Oleksandr P. Krupskyi - 2023 - European Journal of Management Issues 31 (1):40-49.
    Purpose: The modern development of mass culture is characterized by the growth of the market for graphic narratives, the rapid increase in the segment of digital comics, and the active use of comics as a communication tool in various industries and disciplinary areas. The purpose of the study: to determine the media capabilities of the comics in presenting educational, cross-cultural, problematic, and ethical content of modern organizational culture. Design / Method / Approach: The review nature of the article (...)
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  25. Individualism in African Moral Cultures.Motsamai Molefe - 2017 - Cultura 14 (2):49-68.
    This article repudiates the dichotomy that African ethics is communitarian (relational) and Western ethics is individualistic. ‘Communitarianism’ is the view that morality is ultimately grounded on some relational properties like love or friendship; and, ‘individualism’ is the view that morality is ultimately a function of some individual property like a soul or welfare. Generally, this article departs from the intuition that all morality including African ethics, philosophically interpreted, is best understood in terms of individualism. But, in this article, I limit (...)
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  26. Hymen 'restoration' in cultures of oppression: how can physicians promote individual patient welfare without becoming complicit in the perpetuation of unjust social norms?Brian D. Earp - 2014 - Journal of Medical Ethics 40 (6):431-431.
    In this issue, Ahmadi1 reports on the practice of hymenoplasty—a surgical intervention meant to restore a presumed physical marker of virginity prior to a woman's marriage. As Mehri and Sills2 have stated, these women ‘want to ensure that blood is spilled on their wedding night sheets.’ Although Ahmadi's research was carried out in Iran specifically, this surgery is becoming increasingly popular in a number of Western countries as well, especially among Muslim populations.3 What are the ethics of hymen restoration?Consider (...)
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  27. Da Vontade Geral como Poder de Fato e Poder de Direito: do exercício da soberania popular entre a unidade multíplice da sociedade (Unitas Ordinis) e a totalidade Político-Jurídica e Econômico-Social do Estado.Luiz Carlos Mariano da Rosa - 2020 - Cadernos de Direito 19 (36):3-25.
    Ancorada na teoria de Rousseau, uma pesquisa assinala que, consistindo na condição sine qua non para o exercício da soberania popular em uma construção que converge para as fronteiras que encerram a Constituição e o Estado, a Vontade Geral envolve uma possibili-dade de articulação da totalidade dos homens enquanto desejamos em sua concreticidade histórico-cultural e econômico-social, o que implica uma universalidade concreta, que advém do conjunto de vontades e fato econômico que caracterizam uma sociedade e dinâmica das relações intersubjetivas. (...)
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  28. (1 other version)Sailing the Seas of Cheese.Erik Anderson - 2010 - Contemporary Aesthetics 8.
    Memphis Elvis is cool; Vegas Elvis is cheesy. How come? To call something cheesy is, ostensibly, to disparage it, and yet cheesy acts are some of the most popular in popular culture today. How is this possible? The concepts of cheese, cheesy, and cheesiness play an important and increasingly ubiquitous role in popular culture today. I offer an analysis of these concepts, distinguishing them from nearby concepts like kitchy and campy. Along the way I draw (...)
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  29. The Propositional vs. Hermeneutic Models of Cross-Cultural Understanding.Xinli Wang & Ling Xu - 2009 - South African Journal of Philosophy 28 (3):312-331.
    What the authors attempt to address in this paper is a Kantian question: not whether, but how is cross -cultural understanding possible? And specifically, what is a more effective approach for cross -cultural understanding? The answer lies in an analysis of two different models of cross -cultural understanding, that is, propositional and hermeneutic understanding. To begin with, the author presents a linguistic interpretation of culture, i.e., a culture as a linguistically formulated and transmitted symbolic system with its conceptual (...)
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  30. Nostalgia, Morality, and Mass Entertainment: An Existential Exploration Through the Lens of Popular Science.M. E. Sancak - 2023 - Zenodo.
    This interdisciplinary exploration synthesizes the philosophical reflections of Adam Kaiser with empirical insights from popular science to unravel the intricate dynamics of nostalgia, morality, and mass entertainment in a modern world increasingly disconnected from traditional values. Examining the psychological, neurobiological, and cultural aspects, the essay investigates how nostalgia serves as a potent coping mechanism, offering temporary relief from the moral complexities and existential questions of contemporary life. Popular science contributes valuable perspectives from fields such as media psychology, cognitive (...)
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  31. Bits and Pieces of Hannibal: A Case Study for Masculine Nurturing.Ryan Wasser - manuscript
    There is a famous and important dictum reminiscent of the medieval age posited by Carl Jung in Alchemical Studies, the thirteenth volume of his collected works: in sterquiliniis invenitur—in filth it shall be found (35). Translated for modern society this might be better understood as “that which is most valuable will be found in the place you least want to look.” If there is one source in the corpus of popular culture that best typifies “the last place we (...)
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  32. Review of Illuminations by Walter Benjamin. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (7):576 & 582.
    This review highlights how fascism and populism qua, popular culture feeds each other. Hannah Arendt's introduction too is commented upon.
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  33. The Relevance of Cultural Heritage in Remaking a New Africa.Olaoluwa Andrew Oyedola & David Oyedola - 2015 - Journal of Pan African Studies 8 (6):85-106.
    Post-colonial African society is undeniably experiencing serious development problems. Analyses of the causes and the way out have been suggested by many African scholars. For instance, Kwame Nkrumah (1974) popularly attributes the causes to colonialism and suggests a cultural revivalist solution that will revive the African cultural values of the past. But, given that these problems seem endemic, a cultural anti-revivalist like Moses Oke (2006) rejected the revivalist analysis as an over-elaboration of the effects of colonialism and the appeal to (...)
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  34. 'American Pie’ and the Self-critique of Rock ‘n’ Roll.Michael Baur - 2006 - In William Irwin & Jorge J. E. Gracia (eds.), Philosophy and the Interpretation of Pop Culture. Rowman & Littlefield Publishers. pp. 255-273.
    More than thirty-five years after its first release in 1971, Don McLean’s “American Pie” still resonates deeply with music listeners and consumers of popular culture. In a 2001 public poll sponsored by the National Endowment for the Arts and the Recording Industry Association of America, McLean’s eight-and-a-half-minute masterpiece was ranked number 5 among the 365 “most memorable” songs of the twentieth century. In 2002, the song was voted into the Grammy Hall of Fame. In 1997, Garth brooks performed (...)
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  35. Torture Born: Representing Pregnancy and Abortion in Contemporary Survival-Horror.Steve Jones - 2015 - Sexuality and Culture 19 (3):426-443.
    In proportion to the increased emphasis placed on abortion in partisan political debate since the early 2000s, there has been a noticeable upsurge in cultural representations of abortion. This article charts ways in which that increase manifests in contemporary survival-horror. This article contends that numerous contemporary survival-horror films foreground pregnancy. These representations of pregnancy reify the pressures that moralistic, partisan political campaigning places on individuals who consider terminating a pregnancy. These films contribute to public discourse by engaging with abortion as (...)
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  36. Segregated specialists and nuclear culture.Sean F. Johnston - manuscript
    Communities of nuclear workers have evolved in distinctive contexts. During the Manhattan Project the UK, USA and Canada collectively developed the first reactors, isotope separation plants and atomic bombs and, in the process, nurtured distinct cadres of specialist workers. Their later workplaces were often inherited from wartime facilities, or built anew at isolated locations. For a decade, nuclear specialists were segregated and cossetted to gestate practical expertise. At Oak Ridge Tennessee, for example, the informal ‘Clinch College of Nuclear Knowledge’ aimed (...)
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  37. “Psychopathy, Moral Reasons, and Responsibility”.Erick Ramirez - 2013 - In Christopher D. Herrera & Alexandra Perry (eds.), Ethics and Neurodiversity. Cambridge Scholars University.
    In popular culture psychopaths are inaccurately portrayed as serial killers or homicidal maniacs. Most real-world psychopaths are neither killers nor maniacs. Psychologists currently understand psychopathy as an affective disorder that leads to repeated criminal and antisocial behavior. Counter to this prevailing view, I claim that psychopathy is not necessarily linked with criminal behavior. Successful psychopaths, an intriguing new category of psychopathic agent, support this conception of psychopathy. I then consider reactive attitude theories of moral responsibility. Within this tradition, (...)
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  38.  61
    Brief observations on the notion of saudade: cultural symbol and paradox.Vilmar Debona - 2016 - H-Ermes. Journal of Communication 8 (1):7-18.
    Brief observation on the notion of saudade: cultural symbol and paradox. This paper seeks to problematize certain aspects of the notion of saudade, a peculiar Lusophone word known for being a “cultural symbol” of the Brazilian-Portuguese subjectivity, yet intricate to translate. The main purpose is to shed light on aspects the theme unfolds and point out the hypothesis of a supposed contradiction, a paradox of the term saudade, a word that must be understood as a feeling containing in its core (...)
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  39. Utilising online eye-tracking to discern the impacts of cultural backgrounds on fake and real news decision-making.Amanda Brockinton, Sam Hirst, Ruijie Wang, John McAlaney & Shelley Thompson - 2022 - Frontiers in Psychology 13:999780.
    Introduction: Online eye-tracking has been used in this study to assess the impacts of different cultural backgrounds on information discernment. An online platform called RealEye allowed participants to engage in the eye-tracking study from their personal computer webcams, allowing for higher ecological validity and a closer replication of social media interaction. -/- Methods: The study consisted of two parts with a total of five visuals of social media posts mimicking news posts on Twitter, Instagram, and Facebook. Participants were asked to (...)
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  40. Improving green literacy and environmental culture associated with youth participation in circular economy: a case study of Vietnam.Mai Tran, Thuy Nguyen, Huu-Dung Nguyen, An-Thinh Nguyen, Duc-Lam Nguyen, Huyen Nguyen & Khuc Quy - manuscript
    Circular economy (CE), a sustainability concept that promotes resource efficiency and waste re-duction, has garnered significant popularity in recent years due to its potential to address pressing environmental and economic challenges. This study develops the Bayesian Mindsponge Mindspongeconomics (BMM) framework/analytic method based on Bayesian Mindsponge framework (BMF) to the factors influencing young adults' pro-environmental behavior and purchases of green products at different price levels. The findings indicate that young adults who are knowledgeable about CE and value environmental protection and energy (...)
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  41. Psychological Argumentation in Confucian Ethics as a Methodological Issue in Cross-Cultural Philosophy.Rafal Banka - 2016 - Dao: A Journal of Comparative Philosophy 15 (4):591-606.
    Graham Priest claims that Asian philosophy is going to constitute one of the most important aspects in 21st-century philosophical research. Assuming that this statement is true, it leads to a methodological question whether the dominant comparative and contrastive approaches will be supplanted by a more unifying methodology that works across different philosophical traditions. In this article, I concentrate on the use of empirical evidence from nonphilosophical disciplines, which enjoys popularity among many Western philosophers, and examine the application of this approach (...)
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  42. Tecno-especies: la humanidad que se hace a sí misma y los desechables.Mateja Kovacic & María G. Navarro - 2021 - Bajo Palabra. Revista de Filosofía 27 (II Epoca):45-62.
    Popular culture continues fuelling public imagination with things, human and non-human, that we might beco-me or confront. Besides robots, other significant tropes in popular fiction that generated images include non-human humans and cyborgs, wired into his-torically varying sociocultural realities. Robots and artificial intelligence are re-defining the natural order and its hierar-chical structure. This is not surprising, as natural order is always in flux, shaped by new scientific discoveries, especially the reading of the genetic code, that reveal and (...)
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  43. (1 other version)Evocation and Figurative Thought in Tennessee Flag Culture.Steven A. Knowlton - 2013 - Raven 20:23-54.
    The popularity of logos derived from the Tennessee flag can be explained by its obvious and relevant symbolism, but also by the phenomenon of pragmatic unity through which the Tennessee flag evokes the Confederate flag, as well as by the phenomenon of visual synecdoche, which allows observers to associate the three-star element with the entire flag and its associated meanings.
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  44. Emisiunea de televiziune – construirea unei tradiții populare (recuperare și revalorizare folclorică).Ileana Boldişor - 2022 - Craiova, România: Editura Mitropolia Olteniei.
    In a society that is constantly changing and transforming, in which new aspects of reality always tend to replace older forms, traditional communities are beginning to lose both their place and the role they have played in history for a long time. Traditional Romanian values acknowledgement and promotion through modern means of mass communication, present and used on a global scale in the modern world, must become both a necessity and priority in order to confirm and preserve the identity, form (...)
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  45. Evolution, Schmevolution: Jon Stewart and the culture wars.Massimo Pigliucci - 2007 - In Jason Holt (ed.), The Daily Show and Philosophy: Moments of Zen in the Art of Fake News. Blackwell.
    Jon Stewart, the famous comic of the Daily Show, takes on creationism, intelligent design and evolution.
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  46.  67
    Analyzing the narrative context of post-industrial audio-visual works in Northeast China from the absurdity in the documentary Tie Xi Qu: West of the Tracks (2002).Yu Yang, Yuxing Chen & Yarong Zeng - 2024 - In M. F. Mohd Sharif (ed.), SHS Web of Conferences, 2024 International Conference on Language Research and Communication (ICLRC 2024). Les Ulis: EDP Sciences.
    Since 2019, Northeastern post-industrial culture has been a popular topic of discussion; the general public refers to it as the Northeastern Renaissance. Crises of identity, honor, and faith have been recurring themes in several Northeastern films released in recent years. Furthermore, these cinematic narratives frequently generate somber humor by presenting an enormous contrast between ideals and actuality. The article examines how the post-industrial narrative context of Northeast China has influenced audio-visual cultural products and contemporary Chinese popular (...). To elucidate the fundamental aspect of the Northeast narrative, the article’s author employs the absurd theory of Albert Camus. The main structure and viewpoints of the article are as follows: The first is after presenting individuals’ contemplations on the Northeastern Renaissance-instigated post-industrial narrative of the Northeast. In the following sections, the article explores the narrative context of post-industrial audio-visual works in Northeast China, focusing on the absurdity depicted in the documentary Tie Xi Qu: West of the Tracks (2002). The authors’ analysis reveals how the documentary captures the socio-economic decline and the resulting human experiences of absurdity and dislocation. Key findings indicate that the narrative structure and visual style effectively convey the bleak realities of post-industrial life, offering critical insights into the region’s socio-cultural transformation. These findings suggest that future research should explore the intersection of visual media and social change in other post-industrial contexts. -/- . (shrink)
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  47. Traditional Kitsch and the Janus-Head of Comfort.C. E. Emmer - 2014 - In Justyna Stępień (ed.), Redefining Kitsch and Camp in Literature and Culture. Cambridge Scholars Publishing. pp. 23-38.
    "C.E. Emmer’s article addresses the ongoing debates over how to classify and understand kitsch, from the inception of postmodern culture onwards. It is suggested that the lack of clear distinction between fine art and popular culture generates 'approaches to kitsch – what we might call 'deflationary' approaches – that conspire to create the impression that, ultimately, either 'kitsch' should be abandoned as a concept altogether, or we should simply abandon ourselves to enjoying kitschy objects as kitsch.' The (...)
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  48. Conceptual and moral ambiguities of deepfakes: a decidedly old turn.Matthew Crippen - 2023 - Synthese 202 (1):1-18.
    Everyday (mis)uses of deepfakes define prevailing conceptualizations of what they are and the moral stakes in their deployment. But one complication in understanding deepfakes is that they are not photographic yet nonetheless manipulate lens-based recordings with the intent of mimicking photographs. The harmfulness of deepfakes, moreover, significantly depends on their potential to be mistaken for photographs and on the belief that photographs capture actual events, a tenet known as the transparency thesis, which scholars have somewhat ironically attacked by citing digital (...)
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  49. And the Time Will Come When You See We’re All One: The Beatles and Idealistic Monism.Michael Baur - 2006 - In Michael Baur & Steven Baur (eds.), The Beatles and Philosophy: Nothing You Can Think That Can’t Be Thunk. Chicago: Open Court Publishing Company. pp. 13-24.
    In spite of their lack of interest in traditional philosophy and their explicit disavowals about the deeper meaning of their songs, there are also good reasons to approach and interpret the Beatles and their work from a philosophical point of view. In his Playboy interview from September of 1980, John praised Paul for the philosophical significance of the song, “The End,” which appeared on the Abbey Road album: “That’s Paul again. . . . he had a line in it – (...)
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  50. Bridging East-West Differences in Ethics Guidance for AI and Robots.Nancy S. Jecker & Eisuke Nakazawa - 2022 - AI 3 (3):764-777.
    Societies of the East are often contrasted with those of the West in their stances toward technology. This paper explores these perceived differences in the context of international ethics guidance for artificial intelligence (AI) and robotics. Japan serves as an example of the East, while Europe and North America serve as examples of the West. The paper’s principal aim is to demonstrate that Western values predominate in international ethics guidance and that Japanese values serve as a much-needed corrective. We recommend (...)
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