Two principal questions are addressed: In De Finibus 3.54 what position does Cicero imagine the talus to fall and lie? How does this talus simile shed light on the problematic relationship between the Stoics’ doctrine of ‘preferred indifferents’ and their definition of the Good as virtue?

In Posterior Analytics II 19 Aristotle likens the way in which sense perception gives rise to knowledge of the universal to the way in which one soldier’s ceasing his flight from the enemy leads other soldiers to do the same ‘heôs epi archên êlthen.’ Although the remark seems intended to characterize knowledge as the end result of an accumulative process, the concluding reference to ‘a starting point’ or archê has no clear meaning. I argue that the phrase can be plausibly (...) understood in light of Aristotle’s explanation of how a single calm thought can spread calm to other thoughts (Problems 917a29-33) and a single cloud can serve as a starting point (archê) for a revival of stormy weather (Problems 941a9-13). In addition, Aristotle elsewhere (e.g. Generation of Animals 788a13-16) speaks of the archê as the person or thing which initiates a process. Thus, when one soldier’s stopping causes another soldier to stop, this process can continue ‘until they come to the one who initiated the process.’ . (shrink)

This article considers distinct ways of understanding the world, referred to in psychology as Functions of Consciousness or as Cognitive Modes, having as the scope of interest epistemology and natural sciences. Inspired by C.G. Jung's Simile of the Spectrum, we consider three basic cognitive modes associated to: (R) embodied instinct, experience, and action; (G) reality perception and learning; and (B) concept abstraction, rational thinking, and language. RGB stand for the primary colors: red, green, and blue. Accordingly, a conceptual map between (...) cognitive modes and primary and secondary colors is built based on the physics and physiology of color perception and epistemological characteristics of the aforementioned cognitive modes, leading to logical relations structured as an Hexagon of Opposition. Finally, this model of cognitive modes is applied to the analysis and interpretation of some important episodes in the historical development of physics and technology. (shrink)

The use of paradoxical similes is a common feature in both the philosophical works of Wittgenstein and the Buddhist scriptures. By using paradoxes, these thinkers seek to shake our preconceived notions of reality and challenge us to view things in a new way. For Wittgenstein, paradoxical similes were a means of conveying the limitations of language and the difficulty of expressing certain ideas and sensations. By presenting us with seemingly contradictory statements, he prompts us to rethink the meaning (...) of words and concepts. Similarly, in Buddhist scriptures, paradoxical similes are used to help practitioners understand complex concepts such as emptiness and non-self. While the use of paradoxical similes can be confusing at first, their power lies in their ability to deconstruct and challenge our assumptions about reality. By embracing contradictions and paradoxes, we can gain a deeper understanding of the world around us and ourselves. (shrink)

Not every metaphor can be literally paraphrased by a corresponding simile – the metaphorical meaning of ‘Juliet is the sun’, for example, is not the literal meaning of ‘Juliet is like the sun’. But every metaphor can be literally paraphrased, since if ‘metaphorically’ is prefixed to a metaphor, the result says literally what the metaphor says figuratively – the metaphorical meaning of ‘Juliet is the sun’, for example, is the literal meaning of ‘metaphorically, Juliet is the sun’.

Fac simile of documents [mostly letters & dedications] from & to FELIX SOMLÓ (1873–1918) (including by Leonidas Pitamic and Adolf Merkl, among others) & JULIUS MOÓR (1888–1950) (including by M. Stockhammer, Wilhelm Sauer, Karl Petraschek, among others), followed by HANS KELSEN’s Selbstbiographie [February 1927] (15–22 w/ letter, 23) & ILMAR TAMMELO’s only surviving copy of his PhD thesis in his own translation on Kritik zu Prof. Kliimann’s normativistischer Unterscheidung des Privat- und des öffentlichen Rechts [Dorpat, 1942] (63–145), both prepared to (...) the latter; w/ Bibl. & Preface [1995/e] x–xv, as well as documentation in Hungarian on how the Editor could save their rich personal professional library of several thounds volumes and making acquired them by the Library of Parliament in Budapest as its special collection in Anhang (147–156); Personenverzeichnis. (shrink)

This essay explores Wittgenstein’s encounter with Stumpf’s work in Tone Psychology during a rarely studied period in Wittgenstein’s early career when he worked as a researcher in Myers’s laboratory for experimental psychology in Cambridge. I argue that Stumpf’s emphasis on the notion of musicality as the ability to characterize what is ‘musical’ about music troubled Wittgenstein’s initial formulation of his career-long adherence to the comparison between language and music. In the Tractatus the importance of internal projective relations far exceeds that (...) of arbitrariness in language. This results in the curious elision of musicality in the Tractatus, as shown in his gramophone analogy. The acknowledgment of the enormous complexity pertaining to the facts of human life remained underdeveloped in Wittgenstein’s philosophy until the anthropological turn in his middle-period. Only then do we see the blooming of the language-as-music simile and its eventual impact on Wittgenstein’s later philosophy. (shrink)

The Parmenides is arguably the pivotal text for understanding the Platonic corpus as a whole. I offer a critical analysis that takes as its key the closely constructed dramatic context and mimetic irony of the dialogue. Read with these in view, the contradictory characterizations of the "one" in the hypotheses dissolve and reform as stages in a systematic response to the objections that Parmenides earlier posed to the young Socrates' notions of forms and participation, potentially liberating Socrates from his dependence (...) on sensible simile and yielding a distinctively conceptual articulation of the difference and relation of forms and their sensible participants. The dialogue as a whole thereby functions as the means for the "conversion" of the soul to eidetic being for which Plato has the elder Socrates call in Republic VII. (shrink)

Wittgenstein’s experiments on rhythm (1912-13) were based on Charles Myers’s 1911 written protocols for laboratory exercises. The experiments provided an early onset for Wittgenstein’s career-long exploration of the philosophically pervasive implications of aspects. Years before the Tractatus, Wittgenstein already got a glimpse of a philosophical angle, which was bound to become very important to him not only in aesthetics, but also for his overarching philosophical development. He became interested in the possibilities of aesthetic conversation, in what we actually do when (...) we re-phrase, compare, come up with good similes in order to illuminate something definite within the space of possibility. These initial insights were bound to recede into the background for a while by the mounting demands of the Tractatus framework, only to fully bloom in Wittgenstein’s later work. (shrink)

Nel 1956, in piena guerra fredda, una conferenza di scienziati al Dartmouth College negli Stati Uniti annunciò il lancio di un audace progetto scientifico, l’Intelligenza Artificiale (I.A.). Dopo l’iniziale fallimento degli sforzi della “Hard AI” di produrre un’intelligenza simile a quella umana, alla fine del XX secolo è emerso il movimento della “Soft AI”. Invece di essere orientato a imitare il comportamento umano in relazione a compiti specifici, ha preferito cercare modi alternativi di eseguire i compiti basati sulle particolari funzioni (...) e strutture della macchina. Il fattore decisivo è stata la combinazione della tecnologia di apprendimento automatico con le comunicazioni digitali online, l’incontro tra l’IA e Internet. Le applicazioni dell’IA “soft” sono quelle che vediamo nel mondo dei dispositivi automatici “intelligenti” che informano la nostra vita sociale digitale. Nel seguente articolo mi concentrerò su una particolare applicazione dell’IA per le discussioni online con utenti umani, ChatGPT, per mostrare le implicazioni della tecnologia digitale online nelle modalità storico-sociali dell’esistenza umana. ChatGPT è un’applicazione che combina l’IA con Internet, le possibilità della corrispondenza tra macchine e le potenzialità della tele-comunicazione umana. Il mio approccio si concentra sulle implicazioni fenomenologiche e storico-sociali della proliferazione della tecnologia AI per quanto riguarda la coscienza e la socialità umana. -/- Abstract (english) -/- In 1956, amidst the Cold War, a conference of scientists at Dartmouth College in the United States announced the launch of a bold, scientific project, Artificial Intelligence (A.I.). After the initial failure of “Hard AI” efforts to produce a human-like intelligence, the “Soft AI” movement emerged in the late 20th century. Instead of being oriented towards imitating human behaviour concerning specific tasks, it preferred to seek alternative ways of performing tasks based on the particular functions and structures of the machine. The decisive factor was the combination of Machine Learning technology with Digital Online Communications, the meeting between AI and the Internet. The applications of “Soft” AI are those we see in the world of “smart”, “intelligent” automatic devices that inform our digital social life. In the following article, I will focus on a particular application of AI for online discussions with human users, ChatGPT, in order to show the implications of online digital technology in the social-historical modalities of human existence. ChatGPT is an application that combines AI with the Internet, the possibilities of Machine correspondence with the potentialities of human telecommunications. My approach focuses on the phenomenological and social-historical implications of the proliferation of AI technology as regards human consciousness and sociality. (shrink)

We think and speak in figures. This is key to our creativity. We re-imagine one thing as another, pretend ourself to be another, do one thing in order to achieve another, or say one thing to mean another. This comes easily because of our abilities both to work out meaning in context and re-purpose words. Figures of speech are tools for this re-purposing. Whether we use metaphor, simile, irony, hyperbole, and litotes individually, or as compound figures, the uses are all (...) rooted in literal meanings. These uses invite us to explore the context to find new meanings, new purposes, beyond the literal. -/- This special issue of Philosophical Studies brings together eight papers on various aspects and applications of figurative speech including: David Hills, Mitch Green, Liz Camp, Ofra Magidor, Larry Horn, Ken Walton, Stephen Barker, and Mihaela Popa-Wyatt. (shrink)

Reflections on the linkage between and the provocative force of problems in the analogy of city and soul, in the simile-bound characterization of the Good, and in the performative tension between what Plato has Socrates say about the philosopher's disinclination to descend into the city and what he has Socrates do in descending into the Piraeus to teach, with a closing recognition of the analogy between Socratic teaching and Platonic writing.

Wittgenstein’s experiments on rhythm, conducted in Charles Myers’s laboratory in Cambridge during the years 1912–13, are his earliest recorded engagement in thinking about music, not just appreciating it, and philosophizing by means of musical thinking. In this essay, I set these experiments within their appropriate intellectual, scientific, and philosophical context in order to show that, its minor scientific importance notwithstanding, this onetime excursion into empirical research provided an early onset for Wittgenstein’s career-long exploration of the philosophically pervasive implications of aspects. (...) Dramatically moving beyond the conceptual limitations, which were inscribed by Charles Myers’s scientific program, Wittgenstein got a glimpse of a philosophical angle, which was bound to become very important to him not only in aesthetics, but also for his overarching philosophical development. He became interested in what we actually do when we re-phrase, compare, come up with good similes in order to illuminate something definite within the space of possibility, so a new aspect may come to life. (shrink)

Per la prima volta in duemila anni di pedagogia stiamo parlando di didattica digitale. L’evento epocale che ha determinato questo suo improvviso irrompere nelle vite delle famiglie è stata, com’è noto, l’emergenza Covid19. Una nuova sfida che gli insegnanti italiani hanno retto bene, pur non essendo mai stati preparati ad hoc e neppure avendo per contratto un simile impegno. Fin dai primi giorni dell’emergenza Coronavirus, prima ancora che il Miur istituzionalizzasse questo tipo di didattica, i docenti si sono attivati con (...) tanta buona volontà, predisponendo materiali e lezioni online, attraverso canali di comunicazione diversi, che vanno dalla email alle class room, in modo da far sentire vicinanza e interesse ai loro studenti. (shrink)

Nella storia della metafisica è stato un grande problema come chiarire l’idea della coincidentia oppositorum (la coincidenza degli opposti) di Cusano, il quale è riconosciuto comunque da Cassirer come il primo epistemologo del pensiero moderno, in particolare come colui che ha saputo conquistare l’infinito alla mente umana. Dopo alcuni secoli, ha avuto una grande importanza una idea simile a quella di Cusano, la dialettica di Hegel, la quale aggiunge una negazione ad una prima frase negata per ottenere una sintesi in (...) termini generali. Ma poi queste idee sono state sempre meno seguite, eccetto che nel XX secolo da un filosofo non accademico, Lanza del Vasto che ha criticato Hegel e si è ricondotto a Cusano. Nello scritto esamino questa tematica mediante gli strumenti recentemente forniti dalla logica matematica, già verificati sugli scritti di altri scienziati; essi sono capaci di distinguere con precisione che cosa, negli scritti di uno studioso, è un passaggio logico formale e che cosa è una semplice illazione, derivata dalla conoscenza comune o dalla sua creatività; e se è un passaggio logico, decidere di che tipo di logica è. Per mezzo di questo metodo formale, i) presento alcune caratteristiche del ragionare di Cusano; ii) critico il metodo di Hegel; il risultato si accorda con la analisi critica di Hegel che Lanza del Vasto ha compiuto in maniera intuitva; iii) dimostro che la relazione tra Cusano e Lanza del Vasto è più forte di quanto dichiara quest’ultimo; iv) suggerisco una spiegazione della coincidentia oppositorum, chiarendo che la novità di ragionare in logica non classica è stata così innovativa che il tentativo di Cusano di precisarne il metodo è risultato in una scorciatoia, non errata ma valida solo in alcune situazioni; mentre è stato deviante il tentativo di Hegel; Lanza del Vasto, che ha portato un contributo al metodo di Cusano, si è comunque reso conto che occorreva arrivare a formalizzare un nuovo tipo di logica, che oggi risulta essere quella non classica. In definitiva, occorre attribuire a Cusano il merito di aver suggerito una nuova maniera di razionalità logica, quella capace di ragionare in logica non classica e di averne dato, sia pure in maniera imprecisa ed oscura, una prima formalizzazione. (shrink)

A study of the significance of Plato's resumption of the simile of model and likeness in the Timaeus, with attention to the place of the Timaeus in the "longer way" that Plato has Socrates announce in the Republic. The reader embarked on the "longer way," I argue, will find in the accounts of the elements and of the kinds of animals unannounced but detailed exhibitions of the "god-given" method of dialectic that Plato has Socrates announce in the Philebus.

In Republic VI, Plato’s Socrates attempts to explain the nature of human understanding by means of a simile of a line divided into four unequal segments. Socrates directs Glaucon to accept as names for the four states ‘rational knowledge’ for the highest, ‘understanding’ for the second, ‘belief’ for the third, and for the last, ‘perception of images.’ He then directs Glaucon to arrange the four states in a proportion, ‘considering that they participate in saphēneia in the same degree to which (...) their objects participate in reality.’ Although saphêneia here is usually translated as ‘clarity, ’I argue that neither ‘clarity’ nor ‘truth’ nor ‘knowledge’ provides an entirely satisfactory translation. Rather, in this context saphêneia is best understood as ‘a full, accurate, and sure awareness.’ Plato’s simile, properly understood, provides not only an explanation of his rationalist theory of knowledge but also a coherent line of argument in support of that theory. (shrink)

Metaphor has often been seen as tightly associated with both aesthetics and cognition, as well as with other aesthetic and cognitive phenomena such as imagination, symbol, allegory, analogy and simile. This article offers a theory of metaphor that accounts for such aesthetic and cognitive associations. The theory is based on a suitably interpreted version of a tool originally developed in an epistemic context, viz. Floridi and Sanders’ method of abstraction.

Dâwûd al-Qarisî (Dâvûd al-Karsî) was a versatile and prolific 18th century Ottoman scholar who studied in İstanbul and Egypt and then taught for long years in various centers of learning like Egypt, Cyprus, Karaman, and İstanbul. He held high esteem for Mehmed Efendi of Birgi (Imâm Birgivî/Birgili, d.1573), out of respect for whom, towards the end of his life, Karsî, like Birgivî, occupied himself with teaching in the town of Birgi, where he died in 1756 and was buried next to (...) Birgivî. Better known for his following works on Arabic language and rhetoric and on the prophetic traditions (hadith): Sharḥu uṣûli’l-ḥadîth li’l-Birgivî; Sharḥu’l-Ḳaṣîdati’n-nûniyya (two commentaries, in Arabic and Turkish); Şarḥu’l-Emsileti’l-mukhtalifa fi’ṣ-ṣarf (two commentaries, in Arabic and Turkish); Sharḥu’l-Binâʾ; Sharḥu’l-ʿAvâmil; and Sharḥu İzhâri’l-asrâr, Karsî has actually composed textbooks in quite different fields. Hence the hundreds of manuscript copies of his works in world libraries. Many of his works were also recurrently printed in the Ottoman period. One of the neglected aspects of Karsî is his identity as a logician. Although he authored ambitious and potent works in the field of logic, this aspect of him has not been subject to modern studies. Even his bibliography has not been established so far (with scattered manuscript copies of his works and incomplete catalogue entries). This article primarily and in a long research based on manuscript copies and bibliographic sources, identifies twelve works on logic that Karsî has authored. We have clarified the works that are frequently mistaken for each other, and, especially, have definitively established his authorship of a voluminous commentary on al-Kâtibî’s al-Shamsiyya, of which commentary a second manuscript copy has been identified and described together with the other copy. Next is handled his most famous work of logic, the Sharhu Îsâghûcî, which constitutes an important and assertive ring in the tradition of commentaries on Îsâghûcî. We describe in detail the nine manuscript copies of this work that have been identified in various libraries. The critical text of Karsî’s Sharhu Îsâghûcî, whose composition was finished on 5 March 1745, has been prepared based on the following four manuscripts: (1) MS Kayseri Raşid Efendi Kütüphanesi, No. 857, ff.1v-3v, dated 1746, that is, only one year after the composition of the work; (2) MS Bursa İnebey Yazma Eser Kütüphanesi, Genel, No.794B, ff.96v-114v, dated 1755; (3) MS Millet Kütüphanesi, Ali Emiri Efendi Arapça, No. 1752, ff.48v-58r, dated 1760; (4) MS Beyazıt Yazma Eser Kütüphanesi, Beyazıt, No. 3129, ff.41v-55v, dated 8 March 1772. While preparing the critical text, we have applied the Center for Islamic Studies (İslam Araştırmaları Merkezi, İSAM)’s method of optional text choice. The critical text is preceded by a content analysis. Karsî is well aware of the preceding tradition of commentary on Îsâghûcî, and has composed his own commentary as a ‘simile’ or alternative to the commentary by Mollâ Fanârî which was famous and current in his own day. Karsî’s statement “the commentary in one day and one night” is a reference to Mollâ Fanârî who had stated that he started writing his commentary in the morning and finished it by the evening. Karsî, who spent long years in the Egyptian scholarly and cultural basin, adopted the religious-sciences-centered ‘instrumentalist’ understanding of logic that was dominant in the Egypt-Maghrib region. Therefore, no matter how famous they were, he criticized those theoretical, long, and detailed works of logic which mingled with philosophy; and defended and favored authoring functional and cogent logic texts that were beneficial, in terms of religious sciences, to the seekers of knowledge and the scholars. Therefore, in a manner not frequently encountered in other texts of its kind, he refers to the writings and views of Muhammad b. Yûsuf al-Sanûsî (d.1490), the great representative of this logical school in the Egyptian-Maghrib region. Where there is divergence between the views of the ‘earlier scholars’ (mutaqaddimûn) like Ibn Sînâ and his followers and the ‘later scholars’ (muta’akhkhirûn), i.e., post-Fakhr al-dîn al-Râzî logicians, Karsî is careful to distance himself from partisanship, preferring sometimes the views of the earliers, other times those of the laters. For instance, on the eight conditions proposed for the realization of contradiction, he finds truth to be with al-Fârâbî, who proposed “unity in the predicative attribution” as the single condition for the realization of contradiction. Similarly, on the subject matter of Logic, he tried to reconcile the mutaqaddimûn’s notion of ‘second intelligibles’ with the muta’akhkhirûn’s notion of ‘apprehensional and declarational knowledge,’ suggesting that not much difference exists between the two, on the grounds that both notions are limited to the aspect of ‘known things that lead to the knowledge of unknown things.’ Karsî asserts that established and commonly used metaphors have, according to the verifying scholars, signification by correspondence (dalâlat al-mutâbaqah), adding also that it should not be ignored that such metaphors may change from society to society and from time to time. Karsî also endorses the earlier scholars’ position concerning the impossibility of quiddity (mâhiyya) being composed of two co-extensive parts, and emphasizes that credit should not be given to later scholars’ position who see it possible. According to the verifying scholars (muhaqqîqûn), it is possible to make definition (hadd) by mentioning only difference (fasl), in which case it becomes an imperfect definition (hadd nâqis). He is of the opinion that the definition of the proposition (qadiyya) in al-Taftâzânî’s Tahdhîb is clearer and more complete: “a proposition is an expression that bears the possibility of being true or false”. He states that in the division of proposition according to quantity what is taken into consideration is the subject (mawdû‘) in categorical propositions, and the temporal aspect of the antecedent (muqaddam) in hypothetical propositions. As for the unquantified, indefinite proposition (qadiyya muhmalah), Karsî assumes that if it is not about the problems of the sciences, then it is virtually/potentially a particular proposition (qadiyya juz’iyyah); but if it is about the problems of the sciences, then it is virtually/potentially a universal proposition (qadiyya kulliyyah). This being the general rule about the ambiguous (muhmal) propositions, he nevertheless contends that, because its subject (mawdû‘) is negated, it is preferable to consider a negative ambiguous (sâliba muhmalah) proposition like “human (insân) is not standing” to be a virtually/potentially universal negative (sâliba kulliyyâh) proposition. He states that a disjunctive hypothetical proposition (shartiyya al-munfasila) that is composed of more than two parts/units is only seemingly so, and that in reality it cannot be composed of more than two units. Syllogism (qiyâs), according to Karsî, is the ultimate purpose (al-maqsad al-aqsâ) and the most valuable subject-matter of the science of Logic. For him, the entire range of topics that are handled before this one are only prolegomena to it. This approach of Karsî clearly reveals how much the ‘demonstration (burhân)-centered’ approach of the founding figures of the Muslim tradition of logic like al-Fârâbî and Ibn Sînâ has changed. al-Abharî, in his Îsâghûjî makes no mention of ‘conversion by contradiction’ (‘aks al-naqîd). Therefore, Karsî, too, in his commentary, does not touch upon the issue. However, in his Îsâghûjî al-jadîd Karsî does handle the conversion by contradiction and its rules. Following the method of Îsâghûjî, in his commentary Karsî shortly touches on the four figures (shakl) of conjuctive syllogism (qiyâs iqtirânî) and their conditions, after which he passes to the first figure (shakl), which is considered ‘the balance of the sciences’ (mi‘yâr al-‘ulûm), explaining the four moods (darb) of it. In his Îsâghûjî al-jadîd, however, Karsî handles all the four figures (shakl) with all their related moods (darb), where he speaks of fife moods (darb) of the fourth figure (shakl). The topic of ‘modal propositions’ (al-muwajjahât) and of ‘modal syllogism’ (al-mukhtalitât), both of which do not take place in the Îsâghûjî, are not mentioned by Karsî as well, either in his commentary on Îsâghûjî or in his Îsâghûjî al-jadîd. Karsî proposes that the certainties (yaqîniyyât), of which demonstration (burhân) is made, have seven, not six, divisions. After mentioning (1) axioms/first principles (awwaliyyât), (2) observata/sensuals (mushâhadât), (3) experta/empiricals (mujarrabât), (4) acumenalia (hadthiyyât), (5) testata (mutawâtirât), and (6) instictives (fitriyyât), that is, all the ‘propositions accompanied by their demonstrations,’ Karsî states that these six divisions, which do not need research and reflection (nazar), are called badîhiyyât (self-evidents), and constitute the foundations (usûl) of certainties (yaqîniyyât). As the seventh division he mentions (7) the nazariyyât (theoreticals), which are known via the badîhiyyât, end up in them, and therefore convey certainty (yaqîn). For Karsî, the nazariyyât/theoreticals, which constitute the seventh division of yaqîniyyât/certainties, are too numerous, and constitute the branches (far‘) of yaqîniyyât. Every time the concept of ‘Mughâlata’ (sophistry) comes forth in the traditional sections on the five arts usually appended to logic works, Karsî often gives examples from what he sees as extreme sûfî sayings, lamenting that these expressions are so widespread and held in esteem. He sometimes criticizes these expressions. However, it is observed that he does not reject tasawwuf in toto, but excludes from his criticism the mystical views and approaches of the truth-abiding (ahl al-haqq), shârî‘â-observant (mutasharri‘) leading sufis who have reached to the highest level of karâmah. (shrink)

Zusammenfassung: Gegenstand der Arbeit ist das Konzept der metaphorischen Be-deutung, soweit dessen Ursprung in der analytischen Philosophie zu finden ist. In der Ein-leitung der Untersuchung werden jedoch auch ältere Theorien der Metapher vorgestellt, die aus der Perspektive der metaphorischen Bedeutung relevant sind oder als relevant be-trachtet werden können. Allen diesen Theorien liegt die Definition zugrunde, dass in der Metapher etwas als etwas anderes gesehen wird. Daher kann von einer Wahrnehmungs-metaphorik die Rede sein. Das erste Kapitel meiner Arbeit behandelt die Frage, (...) wie Metaphern in der Sprache zu erkennen sind. Es wird die Schlussfolgerung gezogen, dass eine Metapher, anstatt erkannt zu werden, vielmehr als solche akzeptiert werden muss. Im zweiten Kapitel werden zwei der bedeutsamsten zeitgenössischen Theorien der Metapher, nämlich von Max Black und Donald Davidson, erörtert und kritisch ausgewertet. Der Argumentation Davidsons zufolge muss die metaphorische Bedeutung als etwas All-gemeines verstanden werden, das nicht einer bestimmten Metapher, sondern der Metapher überhaupt zukommt. Dabei bleibt Davidson aber der Wahrnehmungs-metaphorik verhaftet, die bei ihm wie bei Black keine Erläuterung findet. Gegen Ende des zweiten Kapitels und hauptsächlich im dritten Kapitel werden drei Arten des Herangehens an die Wahrnehmungsmetaphorik vorgeschlagen: Sie kann entweder verworfen oder interpretiert oder aufgehoben werden. Die zwei letztgenannten Zugänge werden anhand der Schriften von Ludwig Wittgenstein, José Ortega y Gasset und Wallace Stevens weiter ausgearbeitet. -/- Abstract: This thesis investigates the concept of the metaphorical meaning originating in analytical philosophy. Also, in the Introduction are considered older theories of the meta-phor, which can be seen from the perspective of the metaphorical meaning. All these ac-counts are based on a definition that in the metaphor is something seen as something else. Therefore, all our understanding of the metaphor issues from a visual perception. But that’s a metaphor, too. Chapter I. examines the question, how to detect metaphors in lan-guage. It is concluded that metaphors must be accepted instead of detected. The chapter II. aims at introducing and criticizing the two nowadays prominent analytical theories of metaphor given by Max Black and Donald Davidson. The consequence of the argumenta-tion by Davidson is that the concept of the metaphorical meaning has to be applied to the metaphor as such, not to any particular one. In their theories, Davidson and Black are still likening the metaphor to the visual perception but this simile or rather metaphor remains unexplained. The final chapter III. presents three approaches how to deal with the visual perception metaphor in explanations of the metaphor: it can be rejected, interpreted or sublated. The last approaches are elaborated on the basis of writings by Ludwig Wittgen-stein, José Ortega y Gasset and Wallace Stevens. (shrink)

But the modelling of the Confucian gentleman or junzi type of human being under the music simile and the rules of propriety (li) 禮 needs to be brought within the perspective of the Confucian use of language and the ultimately harmonising role of this philosophy. Such considerations lead us back to a concept that Pound was always keen to produce in his expositions, and refers directly to the importance of precise language usage. Pound's first concern for 'le mot juste' and (...) later for zheng ming 正名 is consistent throughout his career. (shrink)

It is well known that Socrates sketches, through his similes of the sun, line, and cave, an account of the form of the good in the middle books of the Republic and that this conception of the good relies heavily on his theory of forms. What is less well-noted is that Socrates presents a distinct account of goodness - a functional account - in Republic I. In numerous influential articles, Gerasimos Santas has presented an interpretation of Plato's two theories (...) of goodness and their relationship to one another. In this discussion, I argue that Santas's account cannot be correct. My critique has implications with regard to the issue of the relationship between form and function in Plato's metaphysics of value. (shrink)

In the Dunhuang manuscript IOL Tib J 709, which is a collection of writings concerning meditation, we come across a short text attributed to a Tibetan master called Byaṅ-cub-klu-dbaṅ (allegedly eighth-ninth centuries CE). In his work, Byaṅ-cub-klu-dbaṅ exposes a method of meditation that seems to be strongly indebted to Indian Mahāyāna scriptural sources. Besides, also a Chinese Chan influence is here detectable. Therefore, the method of meditation taught by Byaṅ-cub-klu-dbaṅ seems to represent a commingling of different elements from different contexts. (...) After a general introduction to the manuscript IOL Tib J 709, this study focuses on Byaṅ-cub-klu-dbaṅ’s text, discussing and analysing the following topics: its author and date, the Indian Mahāyāna possible sources, Chinese Chan elements, the meditational path described. An annotated translation of the text, along with its transliteration and the reproduction of the fac-simile of the corresponding portion of the manuscript, concludes the study. (shrink)

Relying on evidence from fifteen epigraphic collections and sixty-odd ancient sources as well as discussing a literature of over five hundred titles, the essay’s highly unorthodox conclusions are a case in point of the micrological ideal of achieving novelty on any given subject by way of transcribing and studying first-hand all relevant materials – edited and unedited alike. The paper’s ambition was to shed new light on one of the most intriguing analogies of the whole Aristotelian corpus, namely the comparison (...) between words and pebbles. A review of all material evidence and virtually all extant sources made short work of two related, albeit mutually exclusive, misconception about ancient reckoning boards and their workings: (1) the idea that – for all practical purposes – the abacus’ arrangement mirrored the decimal system, its columns and rows conveniently matching units, tens, hundreds, thousands, etc. (2) the idea that the inscriptions on several surviving counting boards were a nuisance to the extent that, being inconsistent to a fault with the decimal system itself, they made actual calculations harder than they already were (as opposed to making them easier, as one would expect). The paper demonstrated that the first assumption – the « decimal » bias – is simply mistaken and betrays little or no awareness of the epigraphic and archaeological evidence. The paper also demonstrated that the second assumption – the « abacus riddled with complications » bias – simply defeats the purpose of resorting to the abacus in the first place and betrays a poor understanding of its practical vocation which, most assuredly, was not to add to the very problem it was meant to solve. After bulldozing its way through both misunderstandings, the essay focused on the abacus most distinctive features, that is positionality (i.e. the abacus being a positional system through and through) and hybridity (i.e. the abacus’ place value system being monetary in nature and purpose, as opposed to it being abstract and homogeneous). The final result is an interpretation that moves away from the received views by showing that the prologue of the Sophistici elenchi offers no support to the notion that, when Aristotle referred to counters, he was leaning on a kinship of sorts – or any kinship, for that matter – between abstract calculation and speech. Once we turns the pebble’s simile on its head and set it back upon its feet (Aristotle’s pebble analogy is about pebbles, what else?), it becomes clear that it presupposed numeracy all right, but it was not about numeracy itself. Moreover its goal was not to explain why computational and linguistic symbolisms succeed, but to explain how they fail – failure being the whole point; in this particular instance, failure to detect and prevent abusive value shifts affecting words and counters alike. (shrink)

Este artigo investiga alguns usos da metáfora da linguagem como cálculo em Wittgenstein. A metáfora do cálculo emerge, nos anos 30, numa interlocução com o referencialista, e é ali instrumental na recondução do olhar filosófico para os usos efetivos do simbolismo linguístico. Contudo, foi levada longe demais, ao sugerir uma imagem da linguagem composta apenas de inferências à maneira dos sistemas de regras fechados. Isto embargaria certa expansão pragmática do contexto criterial da análise conceitual. Mas a aplicabilidade do símile do (...) cálculo não é invalidada. A metáfora será reativada em manuscritos posteriores, sempre e quando puder servir aos mesmos propósitos do período intermediário, à medida que o ambiente dialógico convoque novas vozes dogmaticamente referencialistas. Ainda assim, é nos manuscritos intermediários que melhor se esclarece o seu funcionamento. Tal movimento exemplifica, por fim, um método filosófico que não procede por meio da superação de problemas à maneira científica. (shrink)

In ‘Hoi Rheontes’ (‘The Flowing Ones’), Alfred Lord Tennyson adopted the Heraclitean simile of the flowing river in support of philosophical relativism: (1) all things are changing all the time; therefore (2) nothing is, but is only in the process of appearing to be in some way; therefore (3) all beliefs are true. But the relativist doctrine refutes itself: it can only be true relatively to those who assert it. In his ‘In May’ the American poet Michael Collier rejected what (...) he regarded as Tennyson’s endorsement of skepticism concerning the senses. According to Collier, Heraclitus sought to show how there is pleasure to be found in sense experience. In his ‘Gift of Heraclitus’ the prize-winning Mexican poet José Emilio Pacheco drew on a dozen or so Heraclitean ideas to fashion an existential reflection on the human condition. Unlike natural substances, human reality is characterized by reflection, change, and unfulfilled desire. (shrink)

‘Cataracts’ in Stevens’ poems are falling waters—here a river flowing near a mountain. The ‘apostrophe that was not spoken’ may be an address that was not made, perhaps an unspoken affirmation of nature’s beauty. And the river that ‘is never the same twice’ can only be the flowing river Plato claimed Heraclitus used as a simile for all existing things: ‘Heraclitus says somewhere that everything gives way and nothing remains, and likening existing things to the flow of a river, he (...) says that you cannot step twice into the same river’ (Cratylus, 402a). There are five respects in which ‘This Solitude of Cataracts’ displays affinities with Heraclitean ideas: its use of a river as a simile for human experience, the poet’s desire to express the real nature of things, rivers and mountains as polar opposites, the exploitation of ambiguities, and the use of particulars as emblematic of general truths. (shrink)

Nel corso del Novecento l’uso dei modelli matematici, che si era già rivelato così utile in fisica e ingegneria, è stato introdotto, talvolta con difficoltà non trascurabili, anche in discipline tradizionalmente considerate poco adatte ad un simile approccio, quali l’economia, la sociologia, la biologia. Un percorso che inizia prendendo a prestito molte delle idee e dei modelli della fisica, tanto che nel discorso inaugurale dell’anno accademico 1901-1902 all’Università di Roma il grande fisico matematico Vito Volterra (1860- 1940) pronunciava le seguenti (...) parole: «è intorno a quelle scienze nelle quali le matematiche solo da poco tempo hanno tentato d’introdursi, le scienze biologiche e sociali, che è più intensa la curiosità, giacché è forte il desiderio di assicurarsi se i metodi classici, i quali hanno dato così grandi risultati nelle scienze meccanico-fisiche, sono suscettibili di essere trasportati con pari successo nei nuovi ed inesplorati campi che si dischiudono loro dinanzi». In effetti l’economia arriverà, nel corso della prima metà del secolo, a un’elegante formulazione assiomatico-deduttiva della teoria dell’equilibrio economico, con l’utilizzo di metodi matematici eleganti e sofisticati. Ma le ipotesi di base, che coinvolgono concetti legati alle scelte degli individui influenzate dal loro livello di razionalità, influenzate da componenti psicologiche e interazioni sociali, condizionano fortemente i risultati ottenuti, e tuttora molti ritengono che il fatto che i metodi matematici si siano rivelati così utili in fisica non implica che lo siano anche per l’economia e le scienze sociali. La formalizzazione sempre più astratta di tali modelli, insieme alla loro difficoltà a spiegare e prevedere alcuni fenomeni economici e sociali osservati, ha portato a frequenti polemiche sulla reale opportunità di trasformare le discipline sociali in teorie matematiche, con strumenti che talvolta sembrano impiegati come fine a se stessi. In questo articolo, dopo aver brevemente delineato la storia della progressiva matematizzazione dell’economia, ci si concentrerà soprattutto sull’utilizzo in economia dei modelli dinamici non lineari, anche questi sviluppati inizialmente in fisica. Si tratta di modelli deterministici utilizzati per prevedere, ed eventualmente controllare, l’evoluzione temporale di sistemi reali. Basati su equazioni di evoluzione, espresse mediante equazioni differenziali o alle differenze a seconda che si consideri il tempo continuo o discreto, il loro studio qualitativo permette di ottenere informazioni sul tipo di comportamento che emergerà nel lungo periodo, e di come questo è influenzato dai principali parametri. La scoperta che modelli dinamici non lineari (che sono la regola nei sistemi sociali, caratterizzati da interazioni e meccanismi di feed-back) possono esibire comportamenti denotati col termine di caos deterministico per la proprietà di amplificare in modo difficilmente prevedibile perturbazioni arbitrariamente piccole (la cosiddetta sensitività rispetto alle condizioni iniziali, o “effetto farfalla”) ha suscitato un certo imbarazzo e nel contempo creato nuove possibilità. L’imbarazzo è dovuto al fatto che, come descriveremo meglio in seguito, la presenza di caos deterministico rende insostenibile l’ipotesi di agente economico razionale, ovvero capace di prevedere correttamente. Le nuove possibilità sono legate al fatto che quei sistemi economici e sociali caratterizzati da fluttuazioni in apparenza casuali potrebbero essere governati da leggi del moto deterministiche (anche se non lineari). In ogni caso, gli studi sui sistemi dinamici non lineari hanno portato a distinguere fra la rappresentazione matematica deterministica e la prevedibilità. L’attuale crisi economica ha senz’altro contribuito a riaccendere il dibattito sul modo di studiare i sistemi economici e sociali e la capacità di spiegare e prevedere. Le scienze sociali, e in particolare l’economia, sono davvero una scienza? Come può una scienza non prevedere e non accorgersi di quello che sta succedendo? Si tratta, come vedremo nel seguito, di domande ricorrenti, e anche in questa occasione qualcuno ha detto che, inseguendo i formalismi matematici, si sta perdendo di vista la realtà, mentre altri sostengono che il problema sta negli specifici formalismi adottati, che quelli usati sono superati, legati ad una matematica “vecchia”, magari mutuata in modo acritico da altre discipline. La speranza è allora che la crisi economica comporti un cambio di paradigma anche nella modellizzazione matematica. (shrink)

Wittgenstein's lack of sympathy for Shakespeare's works has been well noted by George Steiner and Harold Bloom among others. Wittgenstein writes in 1950, for instance: "It seems to me as though his pieces are, as it were, enormous sketches, not paintings; as though they were dashed off by someone who could permit himself anything, so to speak. And I understand how someone may admire this & call it supreme art, but I don't like it." Of course, the animosity of one (...) great mind for another has its own interest. But the interest here is increased by two factors: (1) Wittgenstein's brief but specific critique of Shakespeare's similes, of interest particularly since he identifies his own philosophical strength half-deprecatingly but still seriously as one of crafting beautiful similes; and (2) Wittgenstein's and Shakespeare's shared concern, as revealed in Stanley Cavell's writings, with the human impulse to skepticism. The present paper considers the importance of these two factors in weighing Wittgenstein's judgment. It suggests that Wittgenstein's frequent charge that Shakespeare is "completely unrealistic" is not a misunderstanding of the Bard (Wittgenstein distinguishes his "failure to understand" from others' willingness to misunderstand Shakespeare) but rather an expression of Wittgenstein's anxiety over Shakespeare's wholly original use of language to represent the sound of the raw motives to skepticism. (shrink)

La ricerca medica è afflitta da un problema di comunicazione. Comunità distinte di ricercatori si servono di terminologie diverse e spesso incompatibili per esprimere i risultati del loro lavoro, generando in questo modo problemi di integrazione tra database ogniqualvolta si presenti la necessità di inserire i dati medici nei computer. In un primo momento i problemi di integrazione tra database venivano risolti caso per caso, in seguito si è fatta strada l’idea di realizzare un’unica tassonomia di riferimento in cui tradurre, (...) una volta soltanto, tutti i vari sistemi di classificazione. Funzionando come una sorta di lingua franca, questa tassonomia di riferimento avrebbe automaticamente garantito ad ogni database calibrato su di essa la compatibilità con tutti gli altri. È curioso come gli informatici abbiano chiamato il sistema centrale di classificazione che stavano proponendo un’ontologia, riconoscendo così l’esistenza di più di un’affinità tra il lavoro di costruzione che un simile sistema comportava e la vecchia metafisica. Il presente articolo descrive un tentativo di sfruttare le risorse della filosofia per risolvere problemi che sorgono, in particolar modo, nel campo dell’integrazione delle terminologie mediche. Vengono delineati in particolare i contorni di un’iniziativa che è il frutto della collaborazione tra l’Istituto di Ontologia Formale e Informatica Medica e la società di software belga Language and Computing, iniziativa che prevede la messa alla prova di un’ontologia fondata su solidi principi filosofici nel contesto di potenti strumenti software per l’elaborazione di testo medico. (shrink)

I processi di transizione post-conflitto pongono questioni prominenti per l’agenda politica globale. Si pensi, per esempio, alla transizione democratica in Sud Africa dopo la fine dell’Apartheid o alla ricostruzione politica dei paesi facenti parte dell’ex-Jugoslavia all’indomani delle guerre dei Balcani. Quali principi normativi dovrebbero informare tali processi? Questa domanda è al cuore del crescente dibattito sulla “giustizia transizionale”. Questo dibattito si è concentrato principalmente sulla rettificazione delle ingiustizie occorse a causa dei torti perpetrati e subiti dalle parti coinvolte. Di conseguenza, (...) la giustizia è stata tipicamente concepita come una proprietà di esiti distributivi di diritti e opportunità. I processi di transizione post-conflitto sono giusti nella misura in cui sono in grado di condurre a tali esiti. Un simile approccio orientato agli esiti è capace di rendere conto di dimensioni morali, animate da preoccupazioni di giustizia e/o pacificazione, che dovrebbero certamente figurare nella caratterizzazione e valutazione normativa dei processi di transizione. Tuttavia, esso rischia di perdere di vista un’altra dimensione egualmente rilevante che riguarda le qualità inerenti ai processi di transizione stessi. Per illuminare questa dimensione, vorrei portare l’attenzione su di una diversa idea di giustizia che riguarda le proprietà inerenti alle interazioni tra persone; la giustizia nelle interazioni. La tesi che sosterrò è che le procedure costitutive dei processi di transizione post-conflitto non dovrebbero essere disegnate con la sola o prioritaria preoccupazione di condurre le parti a un consenso o compromesso su di un accordo capace di rettificare le ingiustizie perpetrate e subite. È anche necessario che questi processi siano strutturati in modo da consentire alle parti di reinterpretare il loro conflitto come un problema condiviso, che richiede l’instaurazione di dinamiche d’interazione cooperative capaci di realizzare forme di trattamento inerentemente giuste delle loro pretese reciproche. (shrink)

Lo scopo di questo saggio consiste nell’individuare un punto di partenza adeguato per lo sviluppo di una teoria filosofica delle etiche applicate, cioè di un discorso che si assuma il compito di comprendere che cosa siano le etiche applicate, quali siano le loro strutture principali, in che cosa consista la loro novità e quale significato esse rivestano nei confronti del pensiero morale. Un approccio organico e unitario a questi temi, tuttavia, non è ancora stato impostato. Per questo motivo si rende (...) innanzitutto necessaria una analisi preliminare volta sia a chiarire la possibilità di una simile indagine, sia ad individuare un punto di partenza da cui muovere. Si propone così per prima cosa una discussione critica dei diversi termini a cui si ricorre per nominare il fenomeno sotto esame (§2, problema terminologico). In seguito si affronta la questione dei rapporti reciproci delle diverse etiche applicate e della relazione che esse intrattengono con la filosofia morale e i saperi in cui si inscrivono (§3, problema architettonico). Infine, si riconducono le controversie ad un problema fondamentale (§4), relativo al tema dell’applicazione e del rapporto di teoria e prassi nell’esperienza morale. L’esperienza di tale problema rappresenta il contenuto unificante delle etiche applicate e, allo stesso tempo, ne rende evidente il carattere propriamente filosofico. Da una sua discussione non solo l'etica applicata può trarre preziose informazioni su di sé, ma la stessa filosofia morale può guadagnare un nuovo accesso ad alcuni dei suoi temi principali. (shrink)

In this Element, the author set out to answer a twofold question concerning the importance of music to Wittgenstein's philosophical progression and the otherness of this sort of philosophical importance vis-à-vis philosophy of music as practiced today in the analytic tradition. The author starts with the idea of making music together and with Wittgenstein's master simile of language-as-music. The author traces these themes as they play out in Wittgenstein early, middle, and later periods. The author argues that Wittgenstein's overarching reorientation (...) of the concept of depth pertaining to music in the aftermath of his anthropological turn, and against the backdrop of the outlook of German Romanticism, culminates in his unique view of musical profundity 'knowledge of people'. This sets Wittgenstein's view in sharp contrast with certain convictions and debates that typify current analytically bent philosophy of music. (shrink)

This paper reconstructs the ways in which metaphors are used in the text of “The Wealth of Nations”. Its claims are: a) metaphor statements are basically similar to those in the “Theory of the Moral Sentiments”; b) the metaphors’ ‘primary subjects’ refer to mechanics, hydraulics, blood circulation, agriculture, medicine; c) metaphors may be lumped together into a couple of families, the family of mechanical analogies, and that of iatro-political analogies. Further claims are: a basic physico-moral analogy is the framework for (...) Smith’s psychological theory as well as for his overall social theory and for his theory of market mechanisms; a iatro-mechanical analogy is as pervasive as the physico-moral analogy and provides the framework for his overall evolutionary theory of society; the invisible-hand simile relies on the physico-moral analogy, and elaborates on the role of vis attractiva and vis a tergo in mechanics. (shrink)

Situating psychoanalysis as the foundation of the therapeutic community and as a spiritual exercise, the author argues that contemporary approaches articulate a form of akēdia – a desire to be elsewhere – both in its focus on expectation and its misunderstanding of the nature ‘place’. This amounts to an avoidance of being-with the subject of psychosis. This leads to a discussion of the formation necessary for therapeutic community practitioners which is in opposition to the notion of training. Such a formation (...) amounts to an inscription into the discourse of the therapeutic community with specific reference to the Law (Oedipus). -/- L’autore intende la psicoanalisi come esercizio spirituale e la colloca come base fondante della Comunità Terapeutica. Egli critica gli approcci contemporanei al trattamento della psicosi, poiché mettono in atto qualcosa di simile al desiderio di essere altrove -akēdia- sia per quanto riguarda le aspettative che l’incomprensione del ‘luogo’ della natura. Questo atteggiamento porta a un evitamento dell’essere-con la psicosi. Tali premesse aprono di fatto la discussione sulla necessaria formazione degli operatori di una comunità terapeutica che non può essere racchiusa nella parola training. La formazione degli operatori è nell’essere, nell’appartenere alla stessa comunità terapeutica e non può che far preciso riferimento ai concetti edipici di confine e di Legge. (shrink)

Nel contributo, partendo da una prospettiva teoretica, ci si prefigge di analizzare i rapporti fra la filosofia indiana di Śaṃkara (il massimo filosofo del Vedānta, vissuto nell’VIII sec. d. C.) e il pensiero di Bergson. Da un simile punto di vista diviene infatti possibile una riflessione critica e interpretativa sui testi dei due autori, utile a chiarire alcuni problemi ermeneutici del pensiero śaṃkariano. Reciprocamente, la conoscenza del pensiero di Śaṃkara permette di illuminare e chiarire aspetti problematici della filosofia bergsoniana, in (...) particolare il rapporto fra materia e memoria e l’autentico significato di élan vital. Il saggio utilizza il concetto di advaita (non-dualità) - uno degli elementi chiave della filosofia vedantica – verso un superamento del dualismo materia/spirito, così come è stato affrontato anche dal filosofo francese nel xx secolo. Per svolgere questa interpretazione si approfondiscono poi i concetti di coscienza nei due filosofi, e la nozione di brahman-ātman intesa come trascendentale “non kantiano”, nella logica di smarcamento dalla prospettiva kantiana che era l’obiettivo dichiarato fin dai primi sviluppi della filosofia bergsoniana, contenuti nell’opera del 1889, Saggio sui dati immediati della coscienza. (shrink)

Connections between Pañcaviṃśatisāhasrikā-prajñāpāramitā-sūtra and Aṣṭasāhasrikā-prajñāpāramitā-sūtra suggest a new interpretation of an important passage in the Prajñāpāramitā-hṛdaya or Heart Sutra. I am able to show that the four phrases exemplified by “form is emptiness” were once a reference to the well-known simile, “Form is like an illusion” (rūpam māyopamam). As the Prajñāpāramitā corpus expanded, the simile became a metaphor, “form is illusion”. It was then deliberately altered by exchanging “illusion” for “emptiness”, leading to the familiar phrases. This connection opens the door (...) to reading the Heart Sutra, and the early Prajñāpāramitā sutras more generally, along the lines of Sue Hamilton’s (2000) epistemological approach to the Pāḷi suttas; i.e. as focussed on experience and particularly the meditative experience known in the Pāḷi suttas as dwelling in emptiness (suññatā-vihāra). In this view, the Heart Sutra makes sense on its own terms without having to invoke paradox or mysticism. (shrink)

In this аrtiсlе, thе аuthоr fосusеs оn еluсidаting sоmе philоsоphiсаl аspесts оf intеrсulturаl соmmuniсаtiоn in thе соntеxt оf glоbаlizаtiоn оn thе bаsis оf rесоgnizing thе соntributiоns аnd limitаtiоns оf Wittgеnstеin tо thе birth оf philоsоphy. сulturе study. Thоsе philоsоphiсаl issuеs аrе: thе similаrity in thinking аnd асting оf pеоplе асrоss сulturеs; divеrsity оf сulturеs, wоrldviеws аnd wаys оf lifе. Frоm thе Mаrxist pоint оf viеw, thе аuthоr pоintеd оut аnd сritiсizеd thе limitаtiоns оf Wittgеnstеin's philоsоphiсаl соnсеptiоn; аnd аt thе sаmе (...) timе оffеr аnd еxplаin sоlutiоns tо implеmеnt intеrсulturаl соmmuniсаtiоn in thе соntеxt оf сurrеnt glоbаlizаtiоn. (shrink)

“Anima naturaliter christiana” (Anima naturalmente cristiana) così si esprimeva per Tertulliano, e per Jung questo vale in senso psicologico, per noi occidentali: “Per lui (l’occidentale) l’uomo interiormente è infimo… cerca di propiziarsi quella grande potenza (Dio), mediante il timore, la penitenza, le promesse, la sottomissione, l’autoumiliazione… la grande potenza non è egli stesso, bensì… l’interamente altro, assolutamente perfetto ed esterno, l’unica realtà… (per l’orientale) La psiche è perciò la cosa più importante, è il respiro che tutto penetra… Tutta la vita (...) fluisce da lui e tutte le diverse forme apparenti si ridissolvono in lui… Anziché mandare a mente le tecniche spirituali dell’Oriente, sarebbe molto più importante scoprire se esiste nell’inconscio una tendenza introversa, simile al principio spirituale che domina in Oriente… Saremmo allora in condizione di edificare sul nostro suolo e con i nostri metodi. (shrink)

Che cosa vuol dire per le espressioni del nostro linguaggio avere un significato? Secondo un approccio oggi sostanzialmente standard in semantica, avere significato vuol dire prima di tutto avere un contenuto rappresentazionale, cioè poter rappresentare qualcosa. Secondo un inferenzialista come Robert Brandom, invece, le espressioni del nostro linguaggio hanno contenuto perché sono inserite in una rete di relazioni inferenziali, rispetto alla quale possono essere utilizzate per dare e richiedere ragioni. Il libro di Pietro Salis, Pratiche discorsive razionali, presenta e discute (...) alcuni degli aspetti più interessanti dell'inferenzialismo normativo di Brandom. Si tratta della seconda monografia in lingua italiana dedicata alla filosofia del linguaggio brandomiana dopo quella di Giovagnoli (2004). Per trovare elementi di paragone con il lavoro di Salis occorre allora guardare alle pubblicazioni in lingua inglese. Tra queste ci sono le raccolte di saggi curate da Stekeler-Weithofer (2008), Prien e Schweikard (2008), e Weiss e Wanderer (2010). Ma anche le introduzioni monografiche di Wanderer (2008) e Turbanti (2017). La prima di queste introduzioni, in particolare, è quella più simile al libro di Salis, soprattutto dal punto di vista tematico. (shrink)

Let mathematical justification be the kind of justification obtained when a mathematician provides a proof of a theorem. Are Gettier cases possible for this kind of justification? At first sight we might think not: The standard for mathematical justification is proof and, since proof is bound at the hip with truth, there is no possibility of having an epistemically lucky justification of a true mathematical proposition. In this paper, I argue that Gettier cases are possible (and indeed actual) in mathematical (...) reasoning. By analysing these cases, I suggest that the Gettier phenomenon indicates some upshots for actual mathematical practice. (shrink)