Results for 'VISIBLY SOUND'

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  1. Philosophy of Logic. Willard Van Orman Quine. [REVIEW]John Corcoran - 1972 - Philosophy of Science 39 (1):97-99.
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  2. On White Shame and Vulnerabiltiy.Alison Bailey - 2011 - South African Journal of Philosophy 30 (3):472-483.
    In this paper I address a tension in Samantha Vice’s claim that humility and silence offer effective moral responses to white shame in the wake of South African apartheid. Vice describes these twin virtues using inward-turning language of moral self-repair, but she also acknowledges that this ‘personal, inward directed project’ has relational dimensions. Her failure to explore the relational strand, however, leaves her description of white shame sounding solitary and penitent. -/- My response develops the missing relational dimensions of white (...)
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  3. What Studios Do.Eliot Bates - 2012 - Journal on the Art of Record Production 7 (1).
    Studios resist reductive analyses. Although isolated, they have their own frontstages and backstages, and like the laboratories studied by Knorr-Cetina, function as more than simply “internal environments.” The placeness of studios leaves both audible traces (the early reflections of sounds) and visible ones, if we think of those studios that become shrines or pilgrimage sites, or photo or video documentation of studios that provide the outside world a brief glimpse into the interior isolation of recording studio life. It would seem (...)
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  4. Appearance and Representation.Maarten Steenhagen - 2015 - Dissertation, University College London
    At the intersection of aesthetics and the philosophy of perception lies a problem about representational images. When you look at Vermeer's View of Delft, do you in fact get to see Delft? It would be nice if we could answer in the affirmative, as it would so neatly explain many of our practices in engaging with images. Be it in churches, advertising, or psychology labs, we typically use images as substitutes for the immediate perception of things. Here is what I (...)
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  5. Plato’s Metaphysical Development before Middle Period Dialogues.Mohammad Bagher Ghomi - manuscript
    Regarding the relation of Plato’s early and middle period dialogues, scholars have been divided to two opposing groups: unitarists and developmentalists. While developmentalists try to prove that there are some noticeable and even fundamental differences between Plato’s early and middle period dialogues, the unitarists assert that there is no essential difference in there. The main goal of this article is to suggest that some of Plato’s ontological as well as epistemological principles change, both radically and fundamentally, between the early and (...)
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  6. Sensory Systems as Cybernetic Systems that Require Awareness of Alternatives to Interact with the World: Analysis of the Brain-Receptor Loop in Norwich's Entropy Theory of Perception.Lance Nizami - 2009 - Proceedings of the 2009 IEEE International Conference on Systems, Man, and Cybernetics. San Antonio, TX.
    Introduction & Objectives: Norwich’s Entropy Theory of Perception (1975 [1] -present) stands alone. It explains many firing-rate behaviors and psychophysical laws from bare theory. To do so, it demands a unique sort of interaction between receptor and brain, one that Norwich never substantiated. Can it now be confirmed, given the accumulation of empirical sensory neuroscience? Background: Norwich conjoined sensation and a mathematical model of communication, Shannon’s Information Theory, as follows: “In the entropic view of sensation, magnitude of sensation is regarded (...)
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  7. The concepts of modern astrology: A Critique.I. W. Kelly - manuscript
    Abstract -- Most research reviews are concerned with empirical findings. This one takes astrological concepts and principles, the ideas on which astrology is based, and submits them to critical evaluation. It covers recent shifts in astrological ideas, how astrologers avoid dealing with criticism, and the problems associated with (in turn) the fundamental assumptions of astrology, the origins of astrological ideas, modern psychological astrology, astrological world views, astrological symbolism, non-falsifiability, and magical influences. To be plausible astrology needs sound ideas with (...)
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  8. Cura del sé e dell'altro: emozioni e sfera socio-politica tra filosofia ellenistica, Dewey e Nussbaum.Andrea Fiore - 2020 - Per la Filosofia 37 (2-3):160-164.
    Starting from Hellenistic philosophy, this paper highlights the importance of the emotions for treatment of social evils on a path that links John Dewey to Martha Nussbaum. The main issue is how to treat those evils without excluding the individual from the society. Following the medical analogy as central idea, it is made visible that effective therapy must include, both theoretically and practically, the Deweyan notion of integration between individual and environment. Starting with this idea, both Nussbaum and Dewey claim (...)
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  9.  85
    Ignorance, Soundness, and Norms of Inquiry.Christopher Willard-Kyle - forthcoming - Philosophical Studies.
    The current literature on norms of inquiry features two families of norms: norms that focus on an inquirer’s ignorance and norms that focus on the question’s soundness. I argue that, given a factive conception of ignorance, it’s possible to derive a soundness-style norm from a version of the ignorance norm. A crucial lemma in the argument is that just as one can only be ignorant of a proposition if the proposition is true, so one can only be ignorant with respect (...)
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  10. The Sound of Slurs: Bad Sounds for Bad Words.Eric Mandelbaum & Steven Young - forthcoming - Oxford Studies in Experimental Philosophy.
    An analysis of a valenced corpus of English words revealed that words that rhyme with slurs are rated more poorly than their synonyms. What at first might seem like a bizarre coincidence turns out to be a robust feature of slurs, one arising from their phonetic structure. We report novel data on phonaesthetic preferences, showing that a particular class of phonemes are both particularly disliked, and overrepresented in slurs. We argue that phonaesthetic associations have been an overlooked source of some (...)
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  11. Are Sounds Events? Materiality in Auditory Perception.Elia Gonnella - 2023 - Phenomenology and Mind 25 (25):226-240.
    Whilst arguing for sounds as repeatable objects does not seem suitable to our auditory experience, considering them as events can then help us understand some of their main features. In this sense, sounds are events happening to material objects; they have a beginning and an end; they are ephemeral entities that we cannot grasp as ordinary objects. Nevertheless, supporters of event theory usually focus on the autonomous status that sounds manifest from the things in the world. Conversely, when we hear (...)
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  12. Pseudo-visibility: A Game Mechanic Involving Willful Ignorance.Samuel Allen Alexander & Arthur Paul Pedersen - 2022 - FLAIRS-35.
    We present a game mechanic called pseudo-visibility for games inhabited by non-player characters (NPCs) driven by reinforcement learning (RL). NPCs are incentivized to pretend they cannot see pseudo-visible players: the training environment simulates an NPC to determine how the NPC would act if the pseudo-visible player were invisible, and penalizes the NPC for acting differently. NPCs are thereby trained to selectively ignore pseudo-visible players, except when they judge that the reaction penalty is an acceptable tradeoff (e.g., a guard might accept (...)
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  13. Organized Sound, Sounds Heard, and Silence.Douglas C. Wadle - 2023 - Ergo: An Open Access Journal of Philosophy 10.
    In this paper I argue that composer John Cage’s so-called ‘silent piece’, 4’33”, is music. I first defend it against the charge that it does not involve the organization of sound, which has been taken to be a necessary feature of music. I then argue that 4’33” satisfies the only other condition that must be met for it to be music: it bears the right socio-historical connections to its predecessors within its tradition (Western art music). I argue further that (...)
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  14. The Visible and the Invisible 16 v1.Rudolph Bauer - 2011 - Transmission 1.
    This paper describes the non dual relationship between the visible and the invisible.
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  15. Sound Ontology and the Brentano-Husserl Analysis of the Consciousness of Time.Jorge Luis Méndez-martínez - 2020 - HORIZON. Studies in Phenomenology 9 (1):184-215.
    Both Franz Brentano and Edmund Husserl addressed sound while trying to explain the inner consciousness of time and gave to it the status of a supporting example. Although their inquiries were not aimed at clarifying in detail the nature of the auditory experience or sounds themselves, they made some interesting observations that can contribute to the current philosophical discussion on sounds. On the other hand, in analytic philosophy, while inquiring the nature of sounds, their location, auditory experience or the (...)
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  16.  86
    Sound Hyletic. Themes for an Aesthesiology of Hyle.Elia Gonnella - 2023 - Studi di Estetica 27:221-245.
    The notion of hyle seems problematic for a phenomenological foundation of experience. For this very reason, its completed invalidity was generally postulated. At the same time, there are many reflections in Husserlian writings that help us understand it better. This paper attempts to show how hyletic experience, by existing in the lived body, triggers in parallel rhythmic, vibrating, and sonorous experiences as bodily experiences. Sounds are experienced by the body before any reflections or conscious experiences of them. In this way, (...)
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  17. Deductively Sound Formal Proofs.P. Olcott - manuscript
    Could the intersection of [formal proofs of mathematical logic] and [sound deductive inference] specify formal systems having [deductively sound formal proofs of mathematical logic]? All that we have to do to provide [deductively sound formal proofs of mathematical logic] is select the subset of conventional [formal proofs of mathematical logic] having true premises and now we have [deductively sound formal proofs of mathematical logic].
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  18. Sound Trust and the Ethics of Telecare.Sander A. Voerman & Philip J. Nickel - 2017 - Journal of Medicine and Philosophy 42 (1):33-49.
    The adoption of web-based telecare services has raised multifarious ethical concerns, but a traditional principle-based approach provides limited insight into how these concerns might be addressed and what, if anything, makes them problematic. We take an alternative approach, diagnosing some of the main concerns as arising from a core phenomenon of shifting trust relations that come about when the physician plays a less central role in the delivery of care, and new actors and entities are introduced. Correspondingly, we propose an (...)
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  19. Sound Reasoning : Prospects and Challenges of Current Acoustic Logics.Marc Champagne - 2015 - Logica Universalis 9 (3):331-343.
    Building on the notational principles of C. S. Peirce’s graphical logic, Pietarinen has tried to develop a propositional logic unfolding in the medium of sound. Apart from its intrinsic interest, this project serves as a concrete test of logic’s range. However, I argue that Pietarinen’s inaugural proposal, while promising, has an important shortcoming, since it cannot portray double-negation without thereby portraying a contradiction.
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  20. Soundness does not come for free (if at all).Kaave Lajevardi & Saeed Salehi - manuscript
    We respond to some of the points made by Bennet and Blanck (2022) concerning a previous publication of ours (2021).
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  21. If Sounds were Dispositions, a framework proposal for an undeveloped theory.Jorge Luis Mendez-Martinez - 2020 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 27 (4):446-479.
    In the realm of the philosophy of sounds and auditory experience there is an ongoing discussion concerned with the nature of sounds. One of the contestant views within this ontology of sound is that of the Property View, which holds that sounds are properties of the sounding objects. A way of developing this view is through the idea of dispositionalism, namely, by sustaining the theory according to which sounds are dispositional properties (Pasnau 1999; Kulvicki 2008; Roberts 2017). That portrayal, (...)
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  22. Sound and Image.Mark Eli Kalderon - forthcoming - In Christoph Limbeck & Friedrich Stadler (eds.), Publications of the Austrian Ludwig Wittgenstein Society. De Gruyter.
    We hear sounds, and their sources, and their audible qualities. Sounds and their sources are essentially dynamic entities, not wholly present at any given moment, but unfolding through their temporal interval. Sounds and their sources, essentially dynamic entities, are the bearers or susbtrata of audible qualities. Audible qualities are qualities essentially sustained by activity. The only bearers of audible qualities present in auditory experience are essentially dynamic entities. Bodies are not, in this sense, essentially dynamic entities and so are not (...)
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  23. Visibility as the originating presence.Jan Halák - 2012 - Filosoficky Casopis 60 (5):667-684.
    [In Czech] In his writings at the end of the fifties, Merleau-Ponty introduced a new semantic and expressional circuit with the concept of “visibility”, a variation on the concept of “flesh” (chair). The aim of this article is to show that a consistent interpretation of this circuit necessarily leads us to a consideration of the concept of visibility as a systematically privileged viewpoint for the interpretation of all Merleau-Ponty’s more particular discussions. The concept of visibility, or flesh, summarises Merleau-Ponty’s thesis (...)
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  24. From cymatics to sound therapy: their role in spirituality and consciousness research.Victor Christianto, Kasan Susilo & Florentin Smarandache - manuscript
    Sound is one of the types of waves that can be felt by the sense of hearing (ears). In physics, the definition of sound is something that is produced from objects that vibrate. Objects that produce sound are called sound sources. The sound source that vibrates will vibrate the molecules into the air around it. Sound is mechanical compression or longitudinal waves that propagate through the medium. This medium or intermediate agent can be liquid, (...)
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  25. The Sound of Silence: Merleau‐Ponty on Conscious Thought.Philip J. Walsh - 2017 - European Journal of Philosophy 25 (2):312-335.
    We take ourselves to have an inner life of thought, and we take ourselves to be capable of linguistically expressing our thoughts to others. But what is the nature of this “inner life” of thought? Is conscious thought necessarily carried out in language? This paper takes up these questions by examining Merleau-Ponty’s theory of expression. For Merleau-Ponty, language expresses thought. Thus it would seem that thought must be independent of, and in some sense prior to, the speech that expresses it. (...)
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  26. Speech Sounds and the Direct Meeting of Minds.Barry C. Smith - 2010 - In Matthew Nudds & Casey O'Callaghan (eds.), New Essays on Sound and Perception. Oxford University Press.
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  27. The Sound of Music: Externalist Style.Luke Kersten & Robert A. Wilson - 2016 - American Philosophical Quarterly 53 (2):139-154.
    Philosophical exploration of individualism and externalism in the cognitive sciences most recently has been focused on general evaluations of these two views (Adams & Aizawa 2008, Rupert 2008, Wilson 2004, Clark 2008). Here we return to broaden an earlier phase of the debate between individualists and externalists about cognition, one that considered in detail particular theories, such as those in developmental psychology (Patterson 1991) and the computational theory of vision (Burge 1986, Segal 1989). Music cognition is an area in the (...)
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  28. Σ01 soundness isn’t enough: Number theoretic indeterminacy’s unsavory physical commitments.Sharon Berry - 2023 - British Journal for the Philosophy of Science 74 (2):469-484.
    It’s sometimes suggested that we can (in a sense) settle the truth-value of some statements in the language of number theory by stipulation, adopting either φ or ¬φ as an additional axiom. For example, in Clarke-Doane (2020b) and a series of recent APA presentations, Clarke-Doane suggests that any Σ01 sound expansion of our current arithmetical practice would express a truth. In this paper, I’ll argue that (given a certain popular assumption about the model-theoretic representability of languages like ours) we (...)
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  29. Sounding Depth with the North Atlantic Right Whale and Merleau-Ponty: An Exercise in Comparative Phenomenology.Jennifer McWeeny - 2011 - Journal for Critical Animal Studies 9 (1-2):144-166.
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  30. Interstitial Soundings: Philosophical Reflections on Improvisation, Practice, and Self-Making.Cynthia R. Nielsen - 2015 - Eugene, Oregon: Wipf and Stock Publishers.
    In Interstitial Soundings, Cynthia R. Nielsen brings music and philosophy into a fruitful and mutually illuminating dialogue. Topics discussed include the following: music's dynamic ontology, performers and improvisers as co-composers, the communal character of music, jazz as hybrid and socially constructed, the sociopolitical import of bebop, Afro-modernism and its strategic deployments, jazz and racialized practices, continuities between Michel Foucault's discussion of self-making and creating one's musical voice, Alasdair MacIntyre on practice, and how one might harmonize MacIntyre's notion of virtue development (...)
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  31. Visibility and History: Giorgio Agamben and the Exemplary.Steven D. DeCaroli - 2001 - Philosophy Today 45 (5):9-17.
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  32. Sound’s Matter: ‘Deleuzian Sound Studies’ and the Problems of Sonic Materialism.Iain Campbell - 2020 - Contemporary Music Review 39 (5):618-637.
    This article evaluates the theoretical and practical grounds of recent debates around Christoph Cox’s realist project of a ‘sonic materialism’ by returning to Gilles Deleuze, a key theoretical resource for Cox. It argues that a close engagement with Deleuze’s work in fact challenges many of the precepts of Cox’s sonic materialism, and suggests a rethinking of materialism in the context of music. Turning to some aspects of Deleuze’s work neglected by Cox, the ‘realist’ ontological inquiry Cox affirms is challenged through (...)
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  33. Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism.Iain Campbell - 2021 - In Paulo de Assis & Paolo Giudici (eds.), Machinic Assemblages of Desire: Deleuze and Artistic Research 3. Leuven, Belgium: pp. 107-114.
    When beginning to think about the relation between experimental music and the thought of Gilles Deleuze, this quotation seems to be a natural starting point. In Deleuze and Guattari’s affirmation of this phrase from John Cage they suggest a resonance between music and philosophy: in both fields the experimental approach entails a dismantling of predetermining codes and hierarchies, and with this arises the opportunity for an open-endedness that accommodates singular events and encounters. This understanding of experimentation, however, is not as (...)
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  34. Sound Advice and Internal Reasons.Ariela Tubert - 2016 - Pacific Philosophical Quarterly 97 (2):181-199.
    Reasons internalism holds that reasons for action contain an essential connection with motivation. I defend an account of reasons internalism based on the advisor model. The advisor model provides an account of reasons for action in terms of the advice of a more rational version of the agent. Contrary to Pettit and Smith's proposal and responding to Sobel's and Johnson's objections, I argue that the advisor model can provide an account of internal reasons and that it is too caught up (...)
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  35. “Sounding out idols”: Knowledge, History and Metaphysics in Human, All Too Human and Twilight of the Idols.Pietro Gori - 2009 - In Volker Gerhard & Renate Reschke (eds.), Nietzscheforschung, vol. 16. pp. 239-247.
    "Twilight of the Idols" plays an important role in Nietzsche’s work, since it represents the opening writing of the philosophical project called "Transvaluation of all values". In that text, Nietzsche aims to sound out the "eternal idols", which means to disclose the inconsistency of the principles of traditional metaphysics. The way Nietzsche addresses the "old truths" in Twilight of the Idols leads back to his early writings, when his theory of knowledge is first outlined, inspired by Schopenhauer as much (...)
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  36. Against the Primary Sound Account of Echoes.Gregory Fowler - 2013 - Analysis 73 (3):466-473.
    I argue against the Primary Sound Account of Echoes (PSAE) – the view that an echo of a sound just is that sound. I then argue that if my case against PSAE is successful, distal theories of sound are false. The upshot of my arguments, if they succeed, is that distal theories are false. Towards the end, I show how some distal theories can be modified to avoid this conclusion and note some open questions to which (...)
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  37. Aristotle on Sounds.Mark A. Johnstone - 2013 - British Journal for the History of Philosophy 21 (5):631-48.
    In this paper I consider two related issues raised by Aristotle 's treatment of hearing and sounds. The first concerns the kinds of changes Aristotle takes to occur, in both perceptual medium and sense organs, when a perceiver hears a sounding object. The second issue concerns Aristotle 's views on the nature and location of the proper objects of auditory perception. I argue that Aristotle 's views on these topics are not what they have sometimes been taken to be, and (...)
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  38. What counts as "a" sound and how "to count" a sound, the problems of individuating and identifying sounds.Jorge Luis Méndez-Martínez - 2019 - Synthesis Philosophica 1 (67):173-190.
    This paper addresses the problem of sound individuation (SI) and its connection to sound ontology (SO). It is argued that the problems of SI, such as aspatiality, extreme individuation, indexical perplexity and duration puzzles are due to SO’s uncertainties. Besides, I describe the views in SO, including the wave view (WV), the property view (PV), and the event view (EV), as Casey O’Callaghan defends it. According to O’Callaghan, EV offers clear standards to individuate sounds. However, this claim is (...)
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  39. Sounds like Psychology to Me: Transgressing the Boundaries Between Science and Philosophy.Adam Andreotta - 2016 - Limina 22 (1):34-50.
    In recent years, some eminent scientists have argued that free will, as commonly understood, is an illusion. Given that questions such as ‘do we have free will?’ were once pursued solely by philosophers, how should science and philosophy coalesce here? Do philosophy and science simply represent different phases of a particular investigation—the philosopher concerned with formulating a specific question and the scientist with empirically testing it? Or should the interactions between the two be more involved? Contemporary responses to such questions (...)
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  40. Overhearing uninterpreted sound: challenges in Davidsonian interpretation.Vladimir Lazurca - 2023 - In Ana Maria Haddad Baptista, Ciprian Vălcan & Márcia Fusaro (eds.), Education and Research Topics. Tesseractum. pp. 312-326.
    This paper develops a counterexample to Davidson’s elaborate model of conventionless communication, first articulated in his (1986) and defended in his (1994a). The first part contains an analysis of the model and its assumptions. Then, in a second part, I present a case focused around the concept of overhearing. It subtracts active interaction from the model and reveals that, under these novel conditions, communication makes further demands on it, namely conformity of the prior interpretive theory of all but one of (...)
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  41. Phenomenology and the visibility of the mental.Joel Krueger - 2013 - Annual Review of the Phenomenological Association of Japan 29:13-25.
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  42. Melting musics, fusing sounds. Stumpf, Hornbostel and Comparative Musicology in Berlin.R. Martinelli - 2014 - In R. Bod, J. Maat & T. Weststeijn (eds.), The Making of the Humanities. Vol. III: The Modern Humanities. Amsterdam University Press. pp. 391-401.
    The ancient Greeks already used to give ethnic names to their different scales, and observations on differences in music of the various nations always raised the interest of musicians and philosophers. Yet, it was only in the late nineteenth century that “comparative musicology” became an institutional science. An important role in this process was played by Carl Stumpf, a former pupil of Brentano’s who pioneered these researches in Berlin. Stumpf founded the Phonogrammarchiv to collect recordings of folk and extra-European music (...)
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  43. The Meaning of Visible Differences of the Body.Emily S. Lee - 2002 - Apa Newsletters 2 (2):34--37.
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  44. The beauty of sound: Timbre as grounds for aesthetic and artistic value in music.Ben Mc Hugh - 2022 - Dissertation, Uppsala University
    This thesis explores the concept of timbre through the lens of analytic philosophical aesthetics and philosophy of music. I argue that timbre should be thought of as providing the grounds for artistic and aesthetic values in music. To this end and firstly, I critique the physical sense of timbre in favour of two anti-realist senses of timbre. These two are the qualitative and the semantic senses which are developed from two of Siedenburg and McAdams’ four senses of timbre. I argue (...)
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  45. The Growing Visibility of Creationism in Northern Ireland: Are New Science Teachers Equipped to Deal with the Issues?Conor McCrory & Colette Murphy - 2009 - Evolution: Education and Outreach 2 (3).
    The growing visibility of various forms of creationism in Northern Ireland raises issues for science education. Attempts have been made at political levels to have such “alternatives” to evolution taught in the science classroom, and the issue has received coverage in local press and media. A sample of 112 pre-service science teachers answered a survey on attitudes toward evolution. Preliminary analysis revealed many of these new teachers held views contrary to scientific consensus—over one fifth doubt the evidence for human evolution, (...)
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  46. "Ear" And "Sound" Expressıons Representatıons in the Qur'an.Ayşe Betül Oruç - 2018 - Tasavvur - Tekirdag Theology Journal 4 (1):305 - 328.
    The ear is one of our sensory organs that allow us to perceive our surroundings. We perceive with it the voices that the objects possess by means of the waves within the mass of air surrounding us. In this sense, the ear has an important value for being. In the Qur'an, besides being an ear or a sensory organ, it reveals a person who reflects his level of consciousness and perception, revealing his awareness. It is not just the voices heard; (...)
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  47. Making Mathematics Visible: Mathematical Knowledge and How it Differs from Mathematical Understanding.Anne Newstead - manuscript
    This is a grant proposal for a research project conceived and written as a Research Associate at UNSW in 2011. I have plans to spin it into an article.
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  48. Does Loudness Represent Sound Intensity? (Preprint).Kim Soland - 2022 - Synthese 200 (2):1-27.
    In this paper I challenge the widely held assumption that loudness is the perceptual correlate of sound intensity. Drawing on psychological and neuroscientific evidence, I argue that loudness is best understood not as a representation of any feature of a sound wave, but rather as a reflection of the salience of a sound wave representation; loudness is determined by how much attention a sound receives. Loudness is what I call a quantitative character, a species of phenomenal (...)
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  49. Highlighting the Sound Shift in Punjabi Language: A Corpus-Based Descriptive Study.Muhammad Farukh Arslan, Prof Dr Muhammad Asim Mahmood & Hira Haroon - 2021 - Linguistic Forum - A Journal of Linguistics 3 (1):1-5.
    Punjabi language is most widely spoken language of Pakistan (Abbas, Chohan, Ahmed, & Kaleem, 2016). Punjabi is under developed language because of which, upcoming generations are shifting to other technically and digitally developed languages such as Urdu and English. In result of which, the sound shift is being observed in Punjabi language. Sounds which used to be present in the past in Punjabi language are found missing now. This leads to a problematic situation that this sound shift may (...)
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  50. Más allá de lo visible. Las nanotecnologías y la nanomedicina. Definiciones y problemática bioética.Antonio Spagnolo & Viviana Daloiso - 2009 - Medicina y Ética 20:133-160.
    El presente articuLo pretende encuadrar y definir las implicaciones éticas reLativas a La aplicación biomédica de las nanotecnologías, a través de La vaLoración deL estado del arte.Las nanotecnologías, expresiÓn de La habilidad humana de manipuLar la materia a escala atómico/molecular se presentan como un instrumento capaz de modificar la investigaciÓn científica y la medicina de manera radicaL.Debates a todo nivel han subrayado las dificultades de darles una definición clara y unívoca, a causa de la convergencia de diversos ámbitos del saber (...)
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