Results for 'imagining feeling'

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  1. Reply to Abell’s and Currie’s comments on Gilmore’s Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind.Jonathan Gilmore - 2022 - British Journal of Aesthetics 62 (2):205-214.
    I am grateful to Catharine Abell and Gregory Currie for their incisive and productive commentaries on Apt Imaginings. In what follows, I will try to respond to.
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  2. (1 other version)Imagine what it feels like.Íngrid Vendrell-Ferran - 2022 - In Anja Berninger & Íngrid Vendrell Ferran (eds.), Philosophical Perspectives on Memory and Imagination. New York, NY: Routledge.
    Often in our everyday lives, for instance, in decision-taking, empathizing with others, and engaging with fictions, we are able to imagine what a particular emotion feels like. This chapter analyzes the structure of these imaginings as a kind of experiential imagining. After introducing the topic (section 1), I argue that these imaginings cannot be explained exclusively by their content and that a focus on the mode of imagining is required. We not only imagine having emotions, but we also (...)
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  3. Imagination, Aesthetic Feelings, and Scientific Reasoning.Cain Todd - 2020 - In Milena Ivanova & Stephen French (eds.), Aesthetics and Science. Routledge.
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  4. Imaginative Transportation.Samuel Kampa - 2018 - Australasian Journal of Philosophy 96 (4):683-696.
    Actors, undercover investigators, and readers of fiction sometimes report “losing themselves” in the characters they imitate or read about. They speak of “taking on” or “assuming” the beliefs, thoughts, and feelings of someone else. I offer an account of this strange but familiar phenomenon—what I call imaginative transportation.
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  5. Emotional imagining and our responses to fiction.Fabian Dorsch - 2011 - Enrahonar: Quaderns de Filosofía 46:153-176.
    The aim of this article is to present the disagreement between Moran and Walton on the nature of our affective responses to fiction and to defend a view on the issue which is opposed to Moran’s account and improves on Walton’s. Moran takes imagination-based affective responses to be instances of genuine emotion and treats them as episodes with an emotional attitude towards their contents. I argue against the existence of such attitudes, and that the affective element of such responses should (...)
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  6. Irving Singer, Feeling and Imagination: The Vibrant Flux of Our Existence. [REVIEW]J. Friedland - 2003 - Philosophy in Review 23 (1):69-71.
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  7. Imagination, Desire, and Rationality.Shannon Spaulding - 2015 - Journal of Philosophy 112 (9):457-476.
    We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational desires. I argue that (...)
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  8. The Feeling of Familiarity.Amy Kind - 2022 - Acta Scientiarum 43 (3):1-10.
    The relationship between the phenomenology of imagination and the phenomenology of memory is an interestingly complicated one. On the one hand, there seem to be important similarities between the two, and there are even occasions in which we mistake an imagining for a memory or vice versa. On the other hand, there seem to be important differences between the two, and we can typically tell them apart. This paper explores various attempts to delineate a phenomenological marker differentiating imagination and (...)
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  9. Imagining the Past of the Present.Mark Windsor - 2025 - Philosophical Quarterly 75 (1):268-287.
    Some objects we value because they afford a felt connection with people, events, or places connected with their past. Visiting Canterbury cathedral, you encounter the place where, in 1170, Archbishop Thomas Becket was murdered by four knights of Henry II. Knowing that you are standing in the very place where Becket’s blood was spilled gives the past event a sense of tangible reality. One feels ‘in touch with’ the past; history seems to ‘come alive’. In this paper, I propose an (...)
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  10. Imagination in Early Phenomenological Accounts of Empathy.Íngrid Vendrell-Ferran - 2023 - In Christiana Werner (ed.), Empathy's Role in Understanding Persons, Literature, and Art. New York, NY: Routledge.
    This paper argues that early phenomenologists used the concept of empathy not only to refer to the direct perception of the other’s experiences – as underscored by contemporary proponents of the Direct Perception Theory – but also to describe – in a sense close to Lipps’s theory and contemporary Simulation Theory – how, by virtue of imagining, we “feel into” animate and inanimate objects. Focusing on this second usage of the term, two kinds of imagination-based accounts of empathy in (...)
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  11. Imagination and affective response.Robert Hopkins - 2010 - In Jonathan Webber (ed.), Reading Sartre: On Phenomenology and Existentialism. New York: Routledge. pp. 100-117.
    What is the relation between affective states, such as emotions and pleasure, and imagining? Do the latter cause the former, just as perceptual states do? Or are the former merely imagined, along with suitable objects? I consider this issue against the backdrop of Sartre’s theory of imagination, and drawing on his highly illuminating discussion of it. I suggest that, while it is commonly assumed that imaginative states cause affective responses much as do perceptions, the alternatives merit more careful consideration (...)
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  12. Vendler’s puzzle about imagination.Justin D’Ambrosio & Daniel Stoljar - 2021 - Synthese 199 (5-6):12923-12944.
    Vendler’s :161–173, 1979) puzzle about imagination is that the sentences ‘Imagine swimming in that water’ and ‘Imagine yourself swimming in that water’ seem at once semantically different and semantically the same. They seem semantically different, since the first requires you to imagine ’from the inside’, while the second allows you to imagine ’from the outside.’ They seem semantically the same, since despite superficial dissimilarity, there is good reason to think that they are syntactically and lexically identical. This paper sets out (...)
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  13. (1 other version)Imagining others.Heidi L. Maibom - 2010 - Les ateliers de l'éthique/The Ethics Forum 5 (1):34-49.
    It is often argued that the ability to imagine what others think and feel is central to moral functioning. In this paper, I consider to what extent this is true. I argue that neither the ability to think of others as having representational mental states, nor the ability to imagine being in their position, is necessary for moral understanding or moral motivation. I go on to argue that the area in which thinking about others’ thoughts and feelings appears to play (...)
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  14. Imagination and Film.Jonathan Gilmore - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 845-863.
    This chapter addresses the application of contemporary theories of the imagination—largely drawn from cognitive psychology—to our understanding of film. Topics include the role of the imagination in our learning what facts hold within a fictional film, including what characters’ motivations, beliefs, and feelings are; how our perceptual experience of a film explains our imaginative visualizing of its contents; how fictional scenarios in films generate certain affective and evaluative responses; and how such responses compare to those we have toward analogous circumstances (...)
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  15. Real Feeling and Fictional Time in Human-AI Interactions.Krueger Joel & Tom Roberts - 2024 - Topoi 43 (3).
    As technology improves, artificial systems are increasingly able to behave in human-like ways: holding a conversation; providing information, advice, and support; or taking on the role of therapist, teacher, or counsellor. This enhanced behavioural complexity, we argue, encourages deeper forms of affective engagement on the part of the human user, with the artificial agent helping to stabilise, subdue, prolong, or intensify a person’s emotional condition. Here, we defend a fictionalist account of human/AI interaction, according to which these encounters involve an (...)
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  16. What makes a mental state feel like a memory: feelings of pastness and presence.Melanie Rosen & Michael Barkasi - 2021 - Estudios de Filosofía (Universidad de Antioquia) 64:95-122.
    The intuitive view that memories are characterized by a feeling of pastness, perceptions by a feeling of presence, while imagination lacks either faces challenges from two sides. Some researchers complain that the “feeling of pastness” is either unclear, irrelevant or isn’t a real feature. Others point out that there are cases of memory without the feeling of pastness, perception without presence, and other cross-cutting cases. Here we argue that the feeling of pastness is indeed a (...)
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  17. How I Really Feel About JFK.Stacie Friend - 2003 - In Matthew Kieran & Dominic McIver Lopes (eds.), Imagination, Philosophy and the Arts. New York: Routledge. pp. 35-53.
    The most well-known and controversial solution to the paradox of fiction is Kendall Walton’s, according to whom pity of (say) Anna Karenina is not genuine pity. Walton’s opponents argue that we can resolve the paradox of fiction while preserving the intuition that our response to Anna is ordinary, run-of-the-mill pity; and they claim that retaining this intuition explains more than Walton’s approach. In my view, the arguments of Walton’s opponents depend on idiosyncratic features of examples involving purely fictional characters like (...)
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  18. ‘Reason’s Sympathy’ and its Foundations in Productive Imagination.Benjamin Vilhauer - 2021 - Kantian Review 26 (3):455–474..
    This paper argues that Kant endorses a distinction between rational and natural sympathy, and it presents an interpretation of rational sympathy as a power of voluntarya posterioriproductive imagination. In rational sympathy we draw on the imagination’s voluntary powers (a) to subjectively unify the contents of intuition, in order to imaginatively put ourselves in others’ places, and (b) to associate imagined intuitional contents with the concepts others use to convey their feelings, in such a way that those contents prompt feelings in (...)
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  19. Arguments from the Priority of Feeling in Contemporary Emotion Theory and Max Scheler’s Phenomenology.Joel M. Potter - 2012 - Quaestiones Disputatae 3 (1):215-225.
    Many so-called “cognitivist” theories of the emotions account for the meaningfulness of emotions in terms of beliefs or judgments that are associated or identified with these emotions. In recent years, a number of analytic philosophers have argued against these theories by pointing out that the objects of emotions are sometimes meaningfully experienced before one can take a reflective stance toward them. Peter Goldie defends this point of view in his book The Emotions: A Philosophical Exploration. Goldie argues that emotions are (...)
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  20. Hume's Theory of Moral Imagination.Mark Collier - 2010 - History of Philosophy Quarterly 27 (3):255-273.
    David Hume endorses three claims that are difficult to reconcile: (1) sympathy with those in distress is sufficient to produce compassion towards their plight, (2) adopting the general point of view often requires us to sympathize with the pain and suffering of distant strangers, but (3) our care and concern is limited to those in our close circle. Hume manages to resolve this tension, however, by distinguishing two types of sympathy. We feel compassion towards those around us because associative sympathy (...)
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  21. Sham Emotions, Quasi-Emotions or Non-Genuine Emotions? Fictional Emotions and Their Qualitative Feel.Ingrid Vendrell Ferran - 2022 - In Thiemo Breyer, Marco Cavallaro & Rodrigo Sandoval (eds.), Phenomenology of Phantasy and Emotion. Darmstadt: WBG.
    Contemporary accounts on fictional emotions, i.e., emotions experienced towards objects we know to be fictional, are mainly concerned with explaining their rationality or lack thereof. In this context dominated by an interest in the role of belief, questions regarding their phenomenal quality have received far less attention: it is often assumed that they feel “similar” to emotions that target real objects. Against this background, this paper focuses on the possible specificities of fictional emotions’ qualitative feel. It starts by presenting what (...)
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  22. 'People are strange when you're a stranger'1: shame, the self and some pathologies of social imagination.C. Kostopoulos - 2012 - South African Journal of Philosophy 31 (2):301-313.
    In this paper I respond to Samantha Vice’s prescriptions for living morally as a white person in South Africa today. I allow that her ‘How do I live in this strange place?’ (2010) is convincing when read – probably against intent – as a descriptive account. It fails, though, in its attempt to provide an attractive set of moral prescriptions. I set out an argument against both shame and silence, focussing primarily on shame as I contend that the need to (...)
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  23. Are dream emotions fitting?Melanie Rosen & Marina Trakas - 2024 - Philosophical Psychology:1-31.
    When we dream, we feel emotions in response to objects and events that exist only in the dream. One key question is whether these emotions can be said to be “essentially unfitting”, that is, always inappropriate to the evoking scenario. However, how we evaluate dream emotions for fittingness may depend on the model of dreams we adopt: the imagination or the hallucination model. If fittingness requires a match between emotion and evaluative properties of objects or events, it is prima facie (...)
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  24. The Iranian Architects in Exile: Hossein Amanat.Asma Mehan - 2023 - In Sofia Celli (ed.), Architects in Exile: Stories of New Spatial Experience. Thymos Book. pp. 24-26.
    Collective imagination has traditionally associated architecture with political and economic power. As a result, when quoting Edward Said: «Modern Western culture is, in large part, the work of exiles, émigrés, refugees», the last people we typically consider are exiled architects. But is the heritage left by exiled architects truly insignificant? Can we find expressions of their spiritual quest, new life experiences, nostalgic feelings, and aesthetic shocks in their works? When does Modernism cease to be a universal language and instead becomes (...)
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  25. Grief and Recovery.Ryan Preston-Roedder & Erica Preston-Roedder - 2017 - In Anna Gotlib (ed.), The Moral Psychology of Sadness. Rowman & Littlefield International.
    Imagine that someone recovers relatively quickly, say, within two or three months, from grief over the death of her spouse, whom she loved and who loved her; and suppose that, after some brief interval, she remarries. Does the fact that she feels better and moves on relatively quickly somehow diminish the quality of her earlier relationship? Does it constitute a failure to do well by the person who died? Our aim is to respond to two arguments that give affirmative answers (...)
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  26. Immersing oneself into one’s past: Subjective presence can be part of the experience of episodic remembering.Denis Perrin & Michael Barkasi - 2024 - Philosophy and the Mind Sciences 5.
    A common view about the phenomenology of episodic remembering has it that when we remember a perceptual experience, we can relive or re-experience many of its features, but not its characteristic presence. In this paper, we challenge this common view. We first say that presence in perception divides into temporal and locative presence, with locative having two sides, an objective and a subjective one. While we agree with the common view that temporal and objective locative presence cannot be relived in (...)
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  27. Subversive Humor as Art and the Art of Subversive Humor.Chris A. Kramer - 2020 - The Philosophy of Humor Yearbook 1 (1):153–179.
    This article investigates the relationships between forms of humor that conjure up possible worlds and real-world social critiques. The first part of the article will argue that subversive humor, which is from or on behalf of historically and continually marginalized communities, constitutes a kind of aesthetic experience that can elicit enjoyment even in adversarial audiences. The second part will be a connecting piece, arguing that subversive humor can be constructed as brief narrative thought experiments that employ the use of fictionalized (...)
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  28. Phenomenal Grounds of Epistemic Value.Uriah Kriegel - 2022 - Philosophy Compass 17 (12):e12888.
    Imagine a zombie world that looks “from the outside” just like ours, but where there is no phenomenal consciousness. Creatures that look like us move about just as we do and make the same noises we do, but nobody experiences or feels anything. How much of the epistemic value that’s exemplified in our world survives in that one? The short answer is: any kind of epistemic value that requires the occurrence of consciousness for its exemplification cannot exist in that world, (...)
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  29. Can We Empathize With Emotions That We Have Never Felt?Íngrid Vendrell-Ferran - 2024 - In Íngrid Vendrell-Ferran & Christiana Werner (eds.), Imagination and Experience: Philosophical Explorations. New York, NY: Routledge.
    If, as argued in some simulationist accounts, empathy aims at grasping the phenomenal richness of the other’s experience and resonating with it, it is difficult to explain our empathy with emotions that we have never experienced ourselves. According to a long philosophical tradition, imagination is constrained by experience. We have to be acquainted with the qualitative feel of the other’s experience in order to imagine it. A critical view of simulationist accounts would claim that if we cannot imagine how the (...)
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  30. Musical Contagion.Federico Lauria - 2023 - Encyclopedia.
    Music can contaminate us. Sometimes, listeners perceive music as expressing some emotion (say, sadness), and this elicits the same emotion in them (they feel sad). What is musical contagion? This entry presents the main theories of musical contagion that crystallize around the challenge to the leading theory of emotions as experiences of values. How and why does music contaminate us? Does musical contagion elicit garden variety emotions, such as sadness, joy, and anxiety? Does music contaminate us by simply moving us? (...)
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  31. Hostile Affective States and Their Self-Deceptive Styles: Envy and Hate.Íngrid Vendrell-Ferran - 2023 - In Alba Montes Sánchez & Alessandro Salice (eds.), Emotional Self-Knowledge. New York, NY: Routledge.
    This paper explores how individuals experiencing hostile affective states such as envy, jealousy, hate, contempt, and Ressentiment tend to deceive themselves about their own mental states. More precisely, it examines how the feeling of being diminished in worth experienced by the subject of these hostile affective states motivates a series of self-deceptive maneuvers that generate a fictitious upliftment of the subject’s sense of self. After introducing the topic (section 1), the paper explores the main arguments that explain why several (...)
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  32. Call Vietnam mouse-deer “cheo cheo” and let the humanities save them from extinction.Quan-Hoang Vuong & Minh-Hoang Nguyen - 2023 - Aisdl Working Papers.
    The rediscovery of the silver-backed chevrotain, an endemic species to Vietnam, in 2019, after almost 30 years of being lost to science, is a remarkable outcome for the global conservation agenda. However, along with the happiness, there is a tremendous concern for the conservation of the species as eating wildmeat, including chevrotain, is deeply rooted in the socio-cultural values of Vietnamese. Meanwhile, conservation plans face multiple obstacles since the species has not been listed in the list of endangered, precious, and (...)
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  33. Why be Moral in a Virtual World.John McMillan & Mike King - 2017 - Journal of Practical Ethics 5 (2):30-48.
    This article considers two related and fundamental issues about morality in a virtual world. The first is whether the anonymity that is a feature of virtual worlds can shed light upon whether people are moral when they can act with impunity. The second issue is whether there are any moral obligations in a virtual world and if so what they might be. -/- Our reasons for being good are fundamental to understanding what it is that makes us moral or indeed (...)
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  34. Psikologi Kebangsaan Sebagai Payung Studi Baru di Indonesia.Juneman Abraham (ed.) - 2015 - Jakarta: ReneBook.
    Title in English: Psychology of Nationality as A New Studies Umbrella in Indonesia. Abstract: The role of psychology in dealing with issues of and improving the welfare of the nation has often been raised into topics of psychology seminars and conferences, both in subdisciplines of social psychology, clinical-macro psychology, and other subdisciplines. Psychology, as a science that deals with human dimensions, tries to contribute from formulating the definition of "nation" to doing research and social intervention on the nation's problems. This (...)
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  35. A Hedonic Theory of Desire.Declan Smithies - forthcoming - Australasian Journal of Philosophy.
    What is the relationship between pleasure and desire? While some philosophers reduce pleasure to desire, this paper explores the prospects for a hedonic theory of desire, which reduces desire to pleasure instead. I argue that desiring that p is best analyzed not as a disposition to feel pleased that p when you believe that p, but rather as a disposition to feel pleasure in what you imagine when you imagine that p. I give three arguments for this hedonic theory of (...)
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  36. Truly, Madly, Deeply: Moral Beauty & the Self.Ryan P. Doran - forthcoming - Ergo: An Open Access Journal of Philosophy.
    When are morally good actions beautiful, when indeed they are? In this paper, it is argued that morally good actions are beautiful when they appear to express the deep or true self, and in turn tend to give rise to an emotion which is characterised by feelings of being moved, unity, inspiration, and meaningfulness, inter alia. In advancing the case for this claim, it is revealed that there are additional sources of well-formedness in play in the context of moral beauty (...)
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  37. "It Would Have Been Worse under Saddam:" Implications of Counterfactual Thinking for Beliefs Regarding the Ethical Treatment of Prisoners of War.Keith Markman & Matthew McMullen - 2008 - Journal of Experimental Social Psychology 44:650-654.
    In response to criticism following news of the mistreatment of Iraqis at the US prison in Abu Ghraib, some media personalities and politicians suggested that the treatment of these prisoners ‘‘would have been even worse’’ had former Iraqi President Saddam Hussein still been in power. It was hypothesized that the contemplation of this argument has undesirable consequences because counterfactual thinking can elicit both contrastive and assimilative effects. In the reported study, participants considered how the prisoners at Abu Ghraib would have (...)
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  38. The Compassion of Zarathustra: Nietzsche on Sympathy and Strength.Michael L. Frazer - 2006 - The Review of Politics 68 (1):49-78.
    Contemporary theorists critical of the current vogue for compassion might like to turn to Friedrich Nietzsche as an obvious ally in their opposition to the sentiment. Yet this essay argues that Nietzsche’s critique of compassion is not entirely critical, and that the endorsement of one’s sympathetic feelings is actually a natural outgrowth of Nietzsche’s immoralist ethics. Nietzsche understands the tendency to share in the suffering of their inferiors as a distinctive vulnerability of the spiritually strong and healthy. Their compassion, however, (...)
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  39. Teleologies and the Methodology of Epistemology.Georgi Gardiner - 2015 - In David K. Henderson & John Greco (eds.), Epistemic Evaluation: Purposeful Epistemology. Oxford: Oxford University Press UK. pp. 31-45.
    The teleological approach to an epistemic concept investigates it by asking questions such as ‘what is the purpose of the concept?’, ‘What role has it played in the past?’, or ‘If we imagine a society without the concept, why would they feel the need to invent it?’ The idea behind the teleological approach is that examining the function of the concept illuminates the contours of the concept itself. This approach is a relatively new development in epistemology, and as yet there (...)
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  40. Fiction and emotion.Stacie Friend - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. New York: Routledge. pp. 217-229.
    Engagement with fiction often inspires emotional responses. We may pity Sethe while feeling ambivalent about her actions (in Beloved), fear for Ellen Ripley as she battles monstrous creatures (in Alien), get angry at Okonkwo for killing Ikemefuna (in Things Fall Apart), and hope that Kiyoaki and Satoko find love (in Spring Snow). Familiar as they are, these reactions are puzzling. Why do I respond emotionally if I do not believe that these individuals exist or that the events occurred? If (...)
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  41. A Note on Cogito.Les Jones - manuscript
    Abstract A Note to Cogito Les Jones Blackburn College Previous submissions include -Intention, interpretation and literary theory, a first lookWittgenstein and St Augustine A DiscussionAreas of Interest – History of Western Philosophy, Miscellaneous Philosophy, European A Note on Cogito Descartes' brilliance in driving out doubt, and proving the existence of himself as a thinking entity, is well documented. Sartre's critique (or maybe extension) is both apposite and grounded and takes these enquiries on to another level. Let's take a look. 'I (...)
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  42. Conceptualizing Generation and Transformation in Women’s Writing.Urszula Chowaniec & Marzenna Jakubczak - 2012 - Argument: Biannual Philosophical Journal 2 (1):5-16.
    The main objective of this collection of papers is to explore ideas of generation and transformation in the context of postdependency discourse as it may be traced in women’s writing published in Bengali, Polish, Czech, Russian and English. As we believe, literature does not have merely a descriptive function or a purely visionary quality but serves also as a discursive medium, which is rhetorically sophisticated, imaginatively influential and stimulates cultural dynamics. It is an essential carrier of collective memory and a (...)
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  43. The Ethics of Narrative Art: philosophy in schools, compassion and learning from stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing us (...)
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  44. Forgetting ourselves: epistemic costs and ethical concerns in mindfulness exercises.Sahanika Ratnayake & David Merry - 2018 - Journal of Medical Ethics 44 (8):567-574.
    Mindfulness exercises are presented as being compatible with almost any spiritual, religious or philosophical beliefs. In this paper, we argue that they in fact involve imagining and conceptualising rather striking and controversial claims about the self, and the self’s relationship to thoughts and feelings. For this reason, practising mindfulness exercises is likely to be in tension with many people’s core beliefs and values, a tension that should be treated as a downside of therapeutic interventions involving mindfulness exercises, not unlike (...)
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  45. Cognitive Ecology as a Framework for Shakespearean Studies.Evelyn Tribble & John Sutton - 2011 - Shakespeare Studies 39:94-103.
    ‘‘COGNITIVE ECOLOGY’’ is a fruitful model for Shakespearian studies, early modern literary and cultural history, and theatrical history more widely. Cognitive ecologies are the multidimensional contexts in which we remember, feel, think, sense, communicate, imagine, and act, often collaboratively, on the fly, and in rich ongoing interaction with our environments. Along with the anthropologist Edwin Hutchins,1 we use the term ‘‘cognitive ecology’’ to integrate a number of recent approaches to cultural cognition: we believe these approaches offer productive lines of engagement (...)
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  46. Remembering as a mental action.Santiago Arango-Munoz & Juan Pablo Bermúdez - 2018 - In Kourken Michaelian, Dorothea Debus & Denis Perrin (eds.), New Directions in the Philosophy of Memory. New York: Routledge. pp. 75-96.
    Many philosophers consider that memory is just a passive information retention and retrieval capacity. Some information and experiences are encoded, stored, and subsequently retrieved in a passive way, without any control or intervention on the subject’s part. In this paper, we will defend an active account of memory according to which remembering is a mental action and not merely a passive mental event. According to the reconstructive account, memory is an imaginative reconstruction of past experience. A key feature of the (...)
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  47. Why is there female under-representation among philosophy majors? Evidence of a pre-university effect.Tom Doherty, Samuel Baron & Kristie Miller - 2015 - Ergo: An Open Access Journal of Philosophy 2.
    Why does female under- representation emerge during undergraduate education? At the University of Sydney, we surveyed students before and after their first philosophy course. We failed to find any evidence that this course disproportionately discouraged female students from continuing in philosophy relative to male students. Instead, we found evidence of an interaction effect between gender and existing attitudes about philosophy coming into tertiary education that appears at least partially responsible for this poor retention. At the first lecture, disproportionately few female (...)
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  48. Will I die (decease)? – I immortal (deathless) (how to realize immortality (deathlessness) in first person perspective) (Скончаюсь? – я бессмертен (как осознать бессмертие «от первого лица»)).Aleksandr Zhikharev - manuscript
    Will I die? As a hypothesis, in my natural scientific understanding, the psyche, is nothing more than, and exclusively just some states of my living brain – I will die as a result of his death. -/- In presented answer, psyche – itself own immediate reality itself, that is – undoubted. -/- This work was performed in reality “in the first person” (“subjective reality”, “phenomenal consciousness”). To realize, how, what it is the reality of the “in the first person” let’s (...)
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  49. The human spirit and its appropriation: ethics, psyche and religious symbology in the context of evolution.Patrick Giddy - 2018 - Religion and Theology 25:88-110.
    The reductionist conclusions of some evolutionary theorists are countered by appealing to the transformation of feeling-traces from our evolutionary origins. Presupposed to the science of evolutionary biology is the capacity to get at the truth of things, and to live by values, which Rahner terms “spirit”; its appropriation comes about through the process of moral and intellectual “conversion” (Lonergan), extended into the realm of feelings and the psyche (Doran). This allows a non-supernaturalistic way of understanding the saving interpersonal transaction (...)
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  50. “Reason's sympathy” and others' ends in Kant.Benjamin Vilhauer - 2021 - European Journal of Philosophy 30 (1):96-112.
    Kant’s notion of (what I will call) rational sympathy solves a problem about how we can voluntarily fulfill our imperfect duty to adopt those ends of others which have value only because they have been set by rational agents, ends which I will refer to as merely permissible ends (MPEs). Others’ MPEs are individuated in terms of their own concepts of their MPEs, and we can only adopt their MPEs in terms of their concepts, since to adopt them in terms (...)
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