Results for 'literary analysis'

953 found
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  1. Unlocking Literary Insights: Predicting Book Ratings with Neural Networks.Mahmoud Harara & Samy S. Abu-Naser - 2023 - International Journal of Engineering and Information Systems (IJEAIS) 7 (10):22-27.
    Abstract: This research delves into the utilization of Artificial Neural Networks (ANNs) as a powerful tool for predicting the overall ratings of books by leveraging a diverse set of attributes. To achieve this, we employ a comprehensive dataset sourced from Goodreads, enabling us to thoroughly examine the intricate connections between the different attributes of books and the ratings they receive from readers. In our investigation, we meticulously scrutinize how attributes such as genre, author, page count, publication year, and reader reviews (...)
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  2. Why literary devices matter.Lorraine K. C. Yeung - 2021 - Polish Journal of Aesthetics 60 (1):19-37.
    This paper investigates the emotional import of literary devices deployed in fiction. Reflecting on the often-favored approach in the analytic tradition that locates fictional characters, events, and narratives as sources of readers’ emotions, I attempt to broaden the scope of analysis by accounting for how literary devices trigger non-cognitive emotions. I argue that giving more expansive consideration to literary devices by which authors present content facilitates a better understanding of how fiction engages emotion. In doing so, (...)
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  3. Philosophical Criticism and Literary Criticism.Abduljaleel Kadhim Alwali - 1997 - .Abhaath Journal 1 (1):51-69.
    Writer, book and reader. Without writer and writings wouldn’t have been a reader. Hence, there wouldn’t have been criticism. The basis of human intellectual criticism depends on three basic elements: The writer, the book, and the reader. Criticism was essentially linked with the discovery of writing. Criticism as an idea is basically linked with human consciousness. Maturity, writing has merely added a new dimension to it namely criticism and synthesis, in which literature and philosophy has contributed greatly, despite the differences (...)
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  4. Analysis of Textual Reality in Mist (1914) of Miguel de Unamuno.Jesús Miguel Delgado Del Aguila - 2021 - Sincronía. Revista Electrónica de Filosofía, Letras y Humanidades (80):293-312.
    Considering the war context and the emergence of the avant-garde in the early twentieth century, I base on this work the reasons why the presence of the concept of nivola, attributed by Miguel de Unamuno to refer to the literary technique used in his novel Mist (1914), provokes a possible confrontation between universes composed of elements of reality and the virtual. In that sense, it will be appropriate to explain the procedure that originates that collision of established plans. For (...)
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  5.  75
    Through the Lens of Poetry and Intersectionality. Uncovering Early Traces of Multiple Oppression in the Literary Works of Labouring-Class Women in the 18th Century.Eirini Mastori - 2024 - Dissertation, Umeå University, Faculty of Social Sciences, Umeå Centre for Gender Studies (Ucgs)
    This study explores the oppression faced by 18th-century labouring-class women through poetry and intersectionality. By employing Kimberlé Crenshaw's concept of intersectionality and Beverly Skeggs' theory of respectability, it examines how gender and class intertwine to create unique challenges. Analysing the lives and works of non-canonized women poets, the research unveils enduring patterns of overlapping oppressions, highlighting the significance of intersectionality in understanding women's experiences. This study offers fresh insights into their struggles, contributing to both literary analysis and women's (...)
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  6. An analysis of Kafka’s Penal Colony and Duchamp’s The Large Glass Through the Concepts of Abstract- Machines and Energeia.Atilla Akalın - 2017 - Medeniyet Art, IMU Art, Design and Architecture Faculty Journal, 3 (1):29-44.
    This study aims to grasp the two distinct artworks one is from the literary field: Penal Colony, written by F. Kafka and the other one is from painting: The Large Glass, designed by M. Duchamp. This text tries to unravel the similarities betwe- en these artworks in terms of two main significations around “The Officer” from Penal Colony and “The Bachelors” from The Large Glass. Because of their vital role on the re-production of status-quo, this text asserts that there (...)
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  7. Mental Imagery in the Experience of Literary Narrative: Views from Embodied Cognition.Anezka Kuzmicova - 2013 - Dissertation, Stockholm University
    Defined as vicarious sensorimotor experiencing, mental imagery is a powerful source of aesthetic enjoyment in everyday life and, reportedly, one of the commonest things readers remember about literary narratives in the long term. Furthermore, it is positively correlated with other dimensions of reader response, most notably with emotion. Until recent decades, however, the phenomenon of mental imagery has been largely overlooked by modern literary scholarship. As an attempt to strengthen the status of mental imagery within the literary (...)
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  8. Beyond micro analysis of pastiche: Max Beerbohm’s imitation of Joseph Conrad.Terence Rajivan Edward - manuscript
    It is tempting to always try to distinguish convincing from poor literary imitation by micro-analysis. The analysis observes various patterns of word and punctuation use in the original and compares those with the imitation. I argue that no such sophistication is needed when faced with Max Beerbohm’s imitation of Joseph Conrad.
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  9. The Times of Deleuze: An Analysis of Deleuze's Concept of Temporality Through Reference to Ontology, Aesthetics, and Political Philosophy.Robert Luzecky - 2021 - Dissertation, Purdue University
    I analyze Deleuze’s concept of temporality in terms of its ontology and axiological (political and aesthetic) aspects. For Deleuze, the concept of temporality is non-monolithic, in the senses that it is modified throughout his works — the monographs, lectures, and those works that were co-authored with Félix Guattari — and that it is developed through reference to a dizzying array of concepts, thinkers, artistic works, and social phenomena. -/- I observe that Deleuze’s concept of temporality involves a complex ontology of (...)
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  10. A Corpus-based Cognitive Linguistic Analysis of Pre-existing Knowledge of Scientific Terminology: The Case of English Energy and Arabic طَاقَة (ṭāqa).Hicham Lahlou - 2020 - Arab World English Journal for Translation and Literary Studies 4 (1):3-13.
    The present paper aims to broaden the current understanding of students’ misconception of scientific terminology by identifying the gaps between Arabic and English scientific terminologies and between everyday language and scientific language. The paper compares the polysemy, prototypes, and motivating factors of English energy with those of Arabic طَاقَة (ṭāqa), with more focus on students’ prior knowledge. The study employs Lakoff’s (1987) idealized cognitive models and Rosch’s (1975) prototype theory to reveal the radial members of both categories, i.e., energy and (...)
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  11. Greimas embodied: How kinesthetic opposition grounds the semiotic square.Jamin Pelkey - 2017 - Semiotica 2017 (214):277-305.
    According to Greimas, the semiotic square is far more than a heuristic for semantic and literary analysis. It represents the generative “deep structure” of human culture and cognition which “define the fundamental mode of existence of an individual or of a society, and subsequently the conditions of existence of semiotic objects” (Greimas & Rastier 1968: 48). The potential truth of this hypothesis, much less the conditions and implications of taking it seriously (as a truth claim), have received little (...)
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  12. A Novel Solution to Academic Publishing.E. Garrett Ennis - manuscript
    Scientists have complained about the inconsistency and politics of academic publishing for hundreds of years. Among the explanations offered are that evaluators lack time and use shortcuts, that they lack the expertise to judge things properly, that they can't put aside personal biases and we must hide the names of authors, and that they are conscientious instead of creative and cannot judge new ideas. All of these are actually wrong. As a literary analyst, I spent the last ten years (...)
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  13. Bits and Pieces of Hannibal: A Case Study for Masculine Nurturing.Ryan Wasser - manuscript
    There is a famous and important dictum reminiscent of the medieval age posited by Carl Jung in Alchemical Studies, the thirteenth volume of his collected works: in sterquiliniis invenitur—in filth it shall be found (35). Translated for modern society this might be better understood as “that which is most valuable will be found in the place you least want to look.” If there is one source in the corpus of popular culture that best typifies “the last place we would want (...)
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  14. Filosofía de la diferencia y crítica post colonial: acerca del devenir y la identidad [Philosophy of Difference and Post-colonial Criticism: About the Becoming and the Identity].Matheus Thiago Carvalho Mendonça - 2019 - Critical Hermeneutics 3 (1):69-84.
    Focusing on Deleuze´s concept of becoming and on the way it embraces difference in the genesis of literary writing, we intend to put in dialogue the concept and the philosopher with the post-colonial criticism and its re-articulation of the subaltern´s issue, to make a reinterpretation of the becoming and its variations – becoming-woman, becoming-minor – for cultural and literary analysis.
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  15. CULTURAL SIGNIFICANCE OF THE EPISTOLARY NARRATIVE IN THE NIGERIAN SHORT STORY.Mamudu Adekunle - manuscript
    This paper illustrates the significance of the epistolary short story within the cultural backgrounds of the various settings in the stories selected for the study. The short stories deployed in this essay are Karen King-Aribisala’s ‘Dear Okonkwo,’ Dul Johnson’s ‘Cinders of the Volcano,’ Kasimma Chinelo Okani’s ‘A Letter to the Dead,’ and Chuma Nwokolo’s ‘The Ransom Letters of Sisi Eko.’ The methodology adopted in this study is textual and qualitative deployed through an in-depth study of the selected stories and a (...)
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  16. Rahmen-Geschichten. Ansichten eines kulturellen Dispositivs.Martina Wagner Egelhaaf - 2008 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 82 (1):112-148.
    Modern Cultural Studies do not only look at meanings but focus on the processes of their construction. Propositions and interpretations seem to be valid only with regard to their cognitive frames. This draws some critical attention to the acts of framing. Accordingly, the ›frame‹ has become a central category in anthropological, sociological and literary theories. This article investigates the motif of the frame in selected literary texts and in selected films by depicting its figurative aesthetics from the 18 (...)
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  17. The Creation of Space: narrative strategies, group agency, and skill in Lloyd Jones’s The Book of Fame.John Sutton & Evelyn Tribble - 2014 - In Chris Danta & Helen Groth (eds.), Mindful Aesthetics. Bloomsbury/ Continuum. pp. 141-160.
    Lloyd Jones’s *The Book of Fame*, a novel about the stunningly successful 1905 British tour of the New Zealand rugby team, represents both skilled group action and the difficulty of capturing it in words. The novel’s form is as fluid and deceptive, as adaptable and integrated, as the sweetly shaped play of the team that became known during this tour for the first time as the All Blacks. It treats sport on its own terms as a rich world, a set (...)
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  18. Einbahnstraße: la filosofía como obra de arte.Alejandro Emilio Wills - 2012 - Logos: Revista de la Facultad de Filosofia y Humanidades 22:123-147.
    The literary genesis of Einbahnstraße by Walter Benjamin represents a very special case of the use of the procedures of surrealism in the philosophical-literary production of the author. The process of evolution of thinking that ended up in the writing of this piece is unveiled throughout the present analysis. This is a sign of both waiver and restart; the opening for a new productive dimension in the career of one of the most important —and misunderstood— philosophers of (...)
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  19. Language as literature: Characters in everyday spoken discourse.Sergeiy Sandler - manuscript
    There are several linguistic phenomena that, when examined closely, give evidence that people speak through characters, much like authors of literary works do, in everyday discourse. However, most approaches in linguistics and in the philosophy of language leave little theoretical room for the appearance of characters in discourse. In particular, there is no linguistic criterion found to date, which can mark precisely what stretch of discourse within an utterance belongs to a character, and to which character. And yet, without (...)
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  20. Genre and Metaphors of Embodiment: Voice, View, Setting and Event.Victoria Reeve - 2011 - Dissertation, Culture and Communication, University of Melbourne
    This thesis is concerned with the ways in which meaning is generically mediated in the novel. In particular it addresses the productive diversity of meanings generated by critical interpretation and asks how, given this diversity, comprehension and consensus might be possible. I argue that the construction of subject, object, space and time is achieved in the novel through different manifestations of four key metaphors: voice, view, setting and event. These metaphors supply meanings that rely on a common experience of embodiment. (...)
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  21. The Aesthetics of Trademarks.Peter H. Karlen - 2008 - Contemporary Aesthetics 6.
    Trademarks are not just property; they are aesthetic creations that pervade everyday experience. As pervasive aesthetic creations having literary, pictorial, graphic, sculptural, and musical content, trademarks deserve aesthetic analysis. So this paper discusses the origins, strength, appeal, and effectiveness of trademarks within the context of aesthetic considerations such as meaning, intention, authorship, and mode of creation. Also reviewed are morphemic and phonemic analysis of trademarks, semantic positioning, the dichotomy between creation and discovery of trademarks, and the differences (...)
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  22. La leggerezza. Nietzsche e Calvino.Marta De Grandi - 2010 - Comunicazione Filosofica 24.
    An analysis on the topic of lightness according to a philosophical perspective, which, on the trace of Parmenides, questions what is positive: the lightness or heaviness? The main point is that of Nietzsche and Calvin, but references ranging from Ovid to Kundera to the world of science. That of light, literary, scientific, philosophy, appears to be the preferred way forward in the eternal man's attempt to bring order to chaos. -/- .
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  23. Twice-Two: Hegel’s Comic Redoubling of Being and Nothing.Rachel Aumiller - 2018 - Problemi International 2:253-278.
    Following Freud’s analysis of the fragile line between the uncanny double and its comic redoubling, I identify the doubling of the double found in critical moments of Hegelian dialectic as producing a kind of comic effect. It almost goes without saying that two provides greater pleasure than one, the loneliest number. Many also find two to be preferable to three, the tired trope of dialectic as a teleological waltz. Two seems to offer lightness, relieving one from her loneliness and (...)
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  24. L’erma di Galileo di Vincenzo Vela.Federico Tognoni - 2019 - Noctua 6 (1–2):444-450.
    This article presents an analysis of the bust of Galileo that Vincenzo Vela created for his house and studio at Ligornetto. The work carries symbolic significance in that it was conceived by the Ticinese artist for the pilaster on the right hand side of the principal entrance to the villa, as a counterpart to the bust of Christopher Columbus on the left. It thus served to perpetuate a long-standing literary topos which started at the beginning of the 17th (...)
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  25. The Epistemic Role of Fiction in Scientific Models.Ana Katić - 2020 - Theoria: Beograd 63 (3):5-16.
    Giere’s analysis of the epistemic role of fiction in science and literature is the representative of antifictionists. Our research finds the three inconsistencies in his main paper regarding the comparison of fiction in scientific models and literary works. We analyze his argument and offer our solution to the issue favoring the perspective of fictionalism. Further, we support a typological differentiation of false representation in science into fictional and fictitious. The value of this differentiation we demonstrate by giving the (...)
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  26. Ensayando el blog - Qué aporta tu post (Essaying the blog - Your post's contribution).José Angel García Landa - manuscript
    A discussion, in Spanish, on blogs as a discursive and literary genre. The first section of this paper explores an analogy between the generic characteristics of essay-writing and those of blogging, as modes of tentative, processual textual practice. Blogs open up a new age for essay-writing, in a medium well suited to develop some characteristics of the genre. The second section of the paper puts forward some parameters to gauge a number of dimensions of originality and relevance in blog (...)
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  27. On Hamlet and the Politics of Incest.Paul Warden Prescott - manuscript
    An early work in literary interpretation and analysis.
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  28. Camus’ Feeling of the Absurd.Thomas Pölzler - 2018 - Journal of Value Inquiry 52 (4):477-490.
    Albert Camus is most famous for his engagement with the absurd. Both in his philosophical and literary works his main focus was on the nature and normative consequences of this idea. However, Camus was also concerned with what he referred to as the “feeling of the absurd”. Philosophers have so far paid little attention to Camus’ thoughts about the feeling of the absurd. In this paper I provide a detailed analysis of this feeling. It turns out that the (...)
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  29. Gesturing in Language: Merleau-Ponty and Mukařovský at the Phenomenological Limits of Structuralism.Jan Halák - 2022 - Journal of the British Society for Phenomenology 53 (4):415-439.
    This study aims to corroborate Merleau-Ponty’s interpretations of fundamental ideas from Saussure’s linguistics by linking them to works that were independently elaborated by Jan Mukařovský, Czech structuralist aesthetician and literary theorist. I provide a comparative analysis of the two authors’ theories of language and their interpretations of thought as fundamentally determined by language. On this basis, I investigate how they conceive linguistic innovation and its translation into changes in the constituted language and other social codes and institutions. I (...)
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  30. Guilt: The Debt and the Stain.Samuel Reis-Dennis - manuscript
    Abstract: Contemporary analytic philosophers of the “reactive attitudes” tend to share a simple conception of guilt as “self-directed blame”—roughly, an “unpleasant affect” felt in combination with, or in response to, the thought that one has violated a moral requirement, evinced substandard “quality of will,” or is blameworthy. I believe that this simple conception is inadequate. As an alternative, I offer my own theory of guilt’s logic and its connection to morality. In doing so, I attempt to articulate guilt’s defining thought (...)
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  31. Lectures plurielles du «De ira» de Sénèque: Interprétations, contextes, enjeux.Valéry Laurand, Ermanno Malaspina & François Prost (eds.) - 2021 - Berlin: De Gruyter.
    The aim of the book is to encourage discussion among experts on De ira, a text of philosophical nature, by reading it page by page, from a philosophical, philological, and literary perspective (a multidisciplinary choice which is the conditio sine qua non of all judicious research on Seneca). Moreover, the way in which each of these close readings is conducted adds an additional value: they each deal with a section of the text, presenting all the data necessary for its (...)
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  32. Of Dreams, Demons, and Whirlpools: Doubt, Skepticism, and Suspension of Judgment in Descartes's Meditations.Jan Forsman - 2021 - Dissertation, Tampere University
    I offer a novel reading in this dissertation of René Descartes’s (1596–1650) skepticism in his work Meditations on First Philosophy (1641–1642). I specifically aim to answer the following problem: How is Descartes’s skepticism to be read in accordance with the rest of his philosophy? This problem can be divided into two more general questions in Descartes scholarship: How is skepticism utilized in the Meditations, and what are its intentions and relation to the preceding philosophical tradition? -/- I approach the topic (...)
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  33. Logic.Sebastian Sunday Grève - 2017 - In Anat Matar (ed.), Understanding Wittgenstein, Understanding Modernism. New York: Bloomsbury. pp. 205-216.
    Logic played an important role in Wittgenstein’s work over the entire period of his philosophizing, from both the point of view of the philosopher of logic and that of the logician. Besides logical analysis, there is another kind of logical activity that characterizes Wittgenstein’s philosophical work after a certain point during his experience as a soldier and, later, as an officer in the First World War – if not earlier. This other kind of logical activity has to do with (...)
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  34. Mad Speculation and Absolute Inhumanism: Lovecraft, Ligotti, and the Weirding of Philosophy.Ben Woodard - 2011 - Continent 1 (1):3-13.
    continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...)
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  35. Zur Rolle von Krankheit und Verwundung in den militärischen Fachschriften der griechisch-römischen Antike.Magnus Frisch - 2021 - Göttinger Forum Für Altertumswissenschaft 24:31-50.
    Krankheit und Verwundung gehörten in der Antike zum Alltag der Soldaten. Die militärische Fachschriftstellerei der Antike hat sich aus verschiedenen Blickwinkeln und mit unterschiedlichen Zielstellungen mit zahlreichen Aspekten des Militärwesens ihrer Zeit befasst. Der vorliegende Beitrag untersucht deshalb die Behandlung von Krankheit und Verwundung in den griechischen und römischen militärischen Fachschriften vom 4. Jh. v. Chr. bis ins 6. Jh. n. Chr. Aufgrund der spärlichen Forschungsliteratur zu diesem Thema steht die vergleichende Quellenanalyse der erhaltenen militärischen Fachschriften dieses Zeitraums im Vordergrund. (...)
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  36. Contingency, Irony and Morality: A Critical Review of Rorty's. Notion of the Liberal Utopia.Wehan Murray Coombs - 2013 - Humanities 2 (2):313-327.
    This paper introduces Richard Rorty’s notion of the liberal ironist and his vision of a liberal utopia and explores the implications of these for philosophical questions concerning morality, as well as morality in general. Rorty’s assertions of the contingency of language, society and self are explored. Under the contingency of language, the figure of the ironist is defined, and Rorty’s conception of vocabularies is discussed. Under the contingency of society, Rorty’s definition of liberalism, his opposition of literary culture to (...)
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  37. La comunicazione del bene in Platone.Fausto Moriani - 2013 - Egeria:pp. 83-90. Translated by Fausto Moriani.
    The interpretation of the idea of the good in Plato takes advantage of the analysis of the literary representation of communication of good in the Platonic dialogues, in particular in the Symposium and Republic.
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  38. Theophanis the Monk and Monoimus the Arab in a Phenomenological-Cognitive Perspective.Olga Louchakova-Schwartz - 2016 - Open Theology 2 (1):53-78.
    Two brief Late Antique religious texts, respectively by the monk Theophanis and by Monoimus the Arab, present an interesting problem of whether they embody the authors’ experience, or whether they are merely literary constructs. Rather than approaching this issue through the lens of theory, the article shows how phenomenological analysis and studies of living subjectivity can be engaged with the text in order to clarify the contents of introspective experience and the genesis of its religious connotations. The (...) uncovers a previously unnoticed form of embodied introspective religious experience which is structured as a ladder with a distinct internal structure with the high degree of synchronic and diachronic stability. This approach also helps one identify the specific introspective techniques in the canonical and non-canonical literature of early Christian tradition, as related to the concepts of “ theosis ” and “ kenosys ”, as well as to suggest some neurological correspondents of religious cognition. (shrink)
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  39. Literature and readers' empathy: A qualitative text manipulation study.Anezka Kuzmicova, Anne Mangen, Hildegunn Støle & Anne Charlotte Begnum - forthcoming - Language and Literature 26.
    Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of (...)
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  40. Metaphor in Eco Architecture (8th edition).Klodjan Xhexhi - 2020 - IJournals: International Journal of Software and Hardware Research in Engineering 8 (8):23-30.
    Metaphor plays a central role in changing the architectural process. In order to better appreciate the nature of architectural creativity, generating more positive forms and volumes is required. Exists many conclusions which demonstrate that metaphors plays an important role shaping the design creativity. The aim of this paper is about understanding the exact role of the metaphor in architecture design from the concept of Aristotle to nowadays. Essentially it is the process by which most of the ideas come into being. (...)
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  41. Of Fish, Butterflies and Birds: Relativism and Nonrelative Valuation in the Zhuangzi.Robert Elliott Allinson - 2015 - Asian Philosophy 25 (3):238-252.
    I argue that the main theme of the Zhuangzi is that of spiritual transformation. If there is no such theme in the Zhuangzi, it becomes an obscure text with relativistic viewpoints contradicting statements and stories designed to lead the reader to a state of spiritual transformation. I propose to reveal the coherence of the deep structure of the text by clearly dividing relativistic statements designed to break down fixed viewpoints from statements, anecdotes, paradoxes and metaphors designed to lead the reader (...)
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  42. Hegel's reading of Hafez as part of his Berlin aesthetics lectures. The jargon of the prosaic world.Yahya Kouroshi - 2022 - In EOTHEN, Band VIII.
    Hegel's reading of Hafez as part of his Berlin aesthetics lectures. The jargon of the prosaic world -/- This essay deals with Hegel's reading (Georg Wilhelm Friedrich Hegel, 1770 - 1831) of Hafez' poetry (Moḥammad Schams ad-Din Hafez Schirazi, around 1315 - 1390) during his lectures on the Aesthetics or Philosophy of Art at the University of Berlin (1820/21; 1823; 1826; 1828/29). Hegel's writings, Lectures on Aesthetics, were published from his remains by Heinrich Gustav Hotho (1802 - 1873) in three (...)
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  43. Suspending New Testament: Do the Two Talmuds Belong to Hermeneutics of Texts?Dolgopolski Sergey - 2017 - Studia Humana 6 (2):46-64.
    The paper explores the role of competing notions of what does it mean to have a testament of the law of the past in Christian and Rabbinic corpora of text and thought. The argument probes and renegotiates the complex relationships of the Christian suspension of Old Testament by the New Testament and the Rabbinic suspension of new testament in the two Talmudim. It consequently draws implications of that analysis for understanding the relationships of the two Talmudim to the tradition (...)
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  44. Plato’s Aesthetic Adventure: The Symposium in the Broad Light of Comedy.Lantz Fleming Miller - 2022 - Journal of Aesthetics and Art Criticism 45 (Number 2):15-26.
    Two Socratic dialogues often considered “comic”—Ion and Hippias Major—have also been contested as to their Platonic authenticity. Plato’s dialogues; while certainly engaging, can also seem grim in their philosophical intensity: At least one author has contended that the dialogue more firmly established as genuinely by Plato, Symposium; has some comic elements: This article goes a step further in suggesting that this dialogue does not merely have comic elements but is in fact a comedy. It draws on several texts in the (...)
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  45. Interdisciplinary Metatheorizing for News of a Kidnapping (1996): Literature and Criminology.Jesús Miguel Delgado Del Aguila - 2021 - Sincronía. Revista Electrónica de Filosofía, Letras y Humanidades (79):370-388.
    For the theoretical construction that will allow the analysis to News of a Kidnapping (1996), I rely on the establishment of the sociological character of the disciplines of Literature and Criminology (the way of organizing society, through certain laws and regulations), besides having other similarities (artistic, interpretative and written dimensions), as pointed out by Perez (2006). The way of articulating these proposals is somewhat problematic, because there is no interdisciplinary link that is fully and intellectually elaborated, according to Nelson, (...)
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  46. Desire, Love, Emotions: A Philosophical Reading of M. Karagatsis Kitrinos Fakelos.Eleni Leontsini - 2014 - Modern Greek Studies (Australia and New Zealand) 16:74-109.
    My aim in this paper is to attempt a philosophical reading of M. Karagatsis’ novel Kitrinos Fakelos (1956), focusing my analysis on the passions and the emotions of its fictional characters, aiming at demonstrating their independence as well as the presentation of their psychography in Karagatsis’ novel where the description of the emotions caused by love is a dominant feature. In particular, I will examine the expression of desire, love (erôs) and sympathy in this novel – passions and emotions (...)
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  47. Culture, Value and Contradiction: Wittgenstein and Empson.Andrew English - 2019 - In Anne Siegetsleitner, Andreas Oberprantacher & Marie-Luisa Frick (eds.), Contributions: 42nd International Wittgenstein Symposium, Kirchberg am Wechsel, 4-10 August 2019. Austrian Ludwig Wittgenstein Society. pp. 59-61.
    Wittgenstein's farcical clash with literary critic F. R. Leavis over the analysis of Empson's poem "Legal Fiction" is well known to devotees of Wittgenstein's life (Ludwig Wittgenstein: Personal Recollections (1981), edited by Rush Rhees, Oxford: Basil Blackwell, 80). Less well known is the value of studying Empson's artistic and intellectual achievement as part of the wider cultural background for the appreciation of Wittgenstein's views and influence, early and late. This talk sketches some diverting byways awaiting further exploration. A (...)
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  48.  79
    Tragedy as an Independent Real-World Phenomenon.Troy Polidori - 2023 - Interdisciplinary Journal of Human and Social Studies 2 (3):15-25.
    Tragedies, as real-world phenomena, are independent of their literary genre and are suitable for philosophical analysis. My analysis focuses on a type of tragedy that emerges in the practical lives of individuals in a broad sense. Tragedies often manifest in mundane, everyday situations. However, the fact that a situation is tragic does not mean that any unfortunate event that happens to an individual qualifies as a tragedy, nor does it imply that any practical pursuit is a tragic (...)
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  49. Český Greenberg? Mukařovský a estetický formalismus.Tomas Hribek - 2015 - Sešit Pro Umění, Teorii a Příbuzné Zóny 19:6-26.
    [A Czech Greenberg? Mukařovský and Aesthetic Formalism] This article revisits Tomáš Pospiszyl’s discussion of the split between the North American and the Czechoslovak postwar modernism as a difference between the views of two critics who dominated the American and the Czechoslovak art scene, respectively--Clement Greenberg and Jindřich Chalupecký. Pospiszyl convincingly traces the evolution of American art to what has been called Greenberg’s “formalism,” and the developments on the Czechoslovak scene to Chalupecký’s ideas about art as part of social social interactions. (...)
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  50. Affordances: An Ecological Approach to First Philosophy.John T. Sanders - 1999 - In Gail Weiss & Honi Fern Haber (eds.), Perspectives on Embodiment: The Intersections of Nature and Culture. Routledge. pp. 121--42.
    Interest in "embodiment", and over how one may best express the implications of embodiment, is no parochial question, of interest only to a small number of effete philosophers. It confronts perceptual psychologists, developmental psychologists, and psychotherapists, of course. It may not be surprising, either, that it has become an important issue to some students of history and sociology, and to linguists, literary theorists and aestheticians. But that's not all. As physicists -- working within the very bastion of "objective" (...) -- have tried to find expression for what seems to be going on in the domain of sub-atomic nature, they have begun to suggest that physical description itself is inevitably situated. And within the study of artificial intelligence, support is growing for the contention that intelligence cannot be understood entirely formalistically. Intelligence must at least be embodied -- it must somehow display "engaged agency" -- if it is to be recognizable as intelligence. It is within this context that the contribution offered by this essay must be understood. I shall contend that a particular conception -- that of "affordances" -- can, when suitably qualified, offer a conceptual tool of quite exceptional value in the construction of a positive theory of embodied agency, and of its philosophical consequences. (shrink)
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