19th Century Philosophy, Miscellaneous

La exterioridad de una cosa o de un estado de cosas configurados por el ser humano no implica para Hegel que esa cosa o ese estado de cosas deban ya por ello ser considerados como formas del espíritu objetivo, mientras que en contrapartida las formas del espíritu absoluto estarían entonces conformadas por contenidos ideales del pensamiento. La diferencia entre espíritu objetivo y espíritu absoluto no radica en la diferencia entre lo que el espíritu humano “hace” y lo que “conoce”. En (...) efecto, las obras de arte, es decir, configuraciones exteriores hechas por el ser humano utilizando, por ejemplo, piedras, metales, colores o sonidos, son para Hegel instancias del espíritu absoluto, mientras que, por su parte, realidades que en cuanto tales no son intuibles, como, por ejemplo, los contratos o la organización estatal, son instancias del espíritu objetivo. Que Hegel considere al arte como una forma del espíritu absoluto pone de manifiesto que, a sus ojos, las cosas que intuimos en el universo son, en rigor, productos del propio sujeto que las conoce. Espontáneamente el sujeto cognoscente piensa que lo que intuye es algo que recibe desde un mundo externo; sostener que el arte es una forma de conocimiento es justamente el modo como Hegel está expresando que lo intuido es en todos los casos un contenido producido por el propio espíritu, que es, por así decirlo, una obra de arte humano. En el arte mismo, sin embargo, la producción de la cosa intuible es insuficiente, dado que el material que el espíritu utiliza para sus configuraciones conserva en mayor o menor medida, según el caso, una determinidad propia que resiste a la determinidad que el espíritu busca conferirle. Por esta razón, las obras de arte se presentan inicialmente como productos arbitrarios. Recién cuando integra sus intuiciones en la actividad de comprensión -actividad cognitiva con la que opera la filosofía- y media con ello completamente la determinidad de los contenidos intuidos, el espíritu configura finalmente un universo que le es propio y específico. El objetivo de mi ponencia es reconstruir desde el marco teórico recién expuesto el sentido y función que Hegel le atribuye al arte en su teoría del conocimiento. (shrink)

This chapter explores Nietzsche’s and Wittgenstein’s views on language and knowledge, establishing a philosophical dialogue between two different positions, which are based on a similar anti-essentialist and instrumentalist concern. The chapter will first focus on Nietzsche’s conception of language as the expression of valuational perspectives developing through the natural and cultural history of mankind. It will then consider Wittgenstein’s account of language as the inherited background of our practical engagement with the world. Finally, by bringing Nietzsche’s and Wittgenstein’s views together, (...) the last section reflects on the crucial strategic move they make in their respective battle against the bewitchment of our intelligence by means of language. -/- . (shrink)

The chapter explores comparatively the attention to the practical dimension that—each in his own way—Michel Foucault, Friedrich Nietzsche, and the classic pragmatist thinker William James pay when confronted with the challenge of providing a non-skeptical response to the relativist stance on truth that arose in the post-Kantian age. Particular focus will be given to the extent to which these three authors conceived of the practical framework as the only one that allows us to meaningfully address and determine truth.

In 1859–1860, Johan Jacob Borelius published two diatribes against Christopher Jacob Boström, the then dominating philosopher in Sweden. Boström was accused of inconsistency, because he asserted the principle of esse est percipi while at the same time maintaining that different agents can perceive one and the same thing differently. It is suggested that Borelius misunderstood Boström’s intention. In his printed defence, in 1860, Boström clarifies his use of a dual conception of meaning, resembling Frege’s distinction between Sinn (sense) and Bedeutung (...) (reference) some thirty years later. Boström appears to equate the reference of esse with that of percipi, whereas Borelius argued as if the principle concerned the senses of the two expressions. According to Borelius, two observers cannot possibly have different perceptions of the same object, if “to be” means “to be perceived”. In Boström’s view, as reconstructed here, two different phenomenal perceptions may well refer to one and the same true object, of which the phenomena are aspects. The true object exists in virtue of its being determined by God’s perfect ideas. (shrink)

A brief overview of the main Croatian philosophers of the 19th century is given (regardless of whether they worked in or outside of Croatia). Special attention is paid to Šimun Čučić (logic, metaphysics, ethics) and Franjo pl. Marković (logic, aesthetics). The philosophy of other authors is briefly summarized on the ground of the existing research results.

Brentano’s position in the history of philosophy is often illustrated by the long list of important philosophers who have studied with him. Yet, the relations between Brentano and his students were not always without friction. In the present article I argue that Brentano’s students were most attracted by his conception of a scientific philosophy, which promised to leave the received tradition (German Idealism) behind and to mark the beginning of a new period in the history of philosophy – a project (...) they were happy to be part of. Brentano’s work remained in an important sense fragmentary, however, and could, thus, not provide the inner unity that would have been essential for forming a compact school or a unified philosophical movement. (shrink)

This paper is a history of philosophy in Australia in the first decade of the twenty-first century. It considers, among other things: (1) the state of the higher education sector; (2) the state of the humanities; (3) the state of philosophy in the academy; (4) support for philosophy in the academy; (5) the role of philosophy beyond the academy; (6) changes in philosophical practice in this decade,; (7) changes in the teaching of philosophy in this decade; and (8) the domains (...) of inquiry in which philosophers worked in this decade. (shrink)

J. H. Newman is known as a convert, an educator and a theologian, however, the twenty thousand letters he wrote testify to another aspect of his personality: A good friend. Friendship was not an abstract ideal for him, it was love given and received. Throughout his life he cultivated committed and generous relationships, sharing his heart, time, wisdom and financial resources with his friends. In today’s world where intimacy, friendship, commitment and generosity are often seen with suspicion, the way Newman (...) lived friendship, while cultivating a deep intellectual life in the celibate state of a clergyman, can be very enlightening. (shrink)

A comprehensive bibliography of truth from 1873 to 1939. (I do not intend to publish this manuscript; rather, I post it as a resource for others with an interest in theories of truth during the early analytic period.).

This essay examines the analysis of language in The Concept of Anxiety and argues that language ultimately reveals itself as both dangerous and salvific. The pseudonymous author, Vigilius Haufniensis, is suspicious of language, for it divides the individual from herself and thereby makes possible the self-forgetfulness of objective chatter. Indeed, this warning (which commenters have tended to follow uncritically) is a legitimate one – yet it fails to grasp that by rendering the self other than itself, language constitutes the self. (...) In other words, the individual’s very existence depends on language. Moreover, the attempt to establish oneself as absolutely self-identical is precisely sin. Language opens us to alterity, and for this reason the demonic cannot endure it and seeks to control it. Language is uncontrollable, however, to the point that no sign permits us to be certain that we have rightly distinguished good from evil, the salvific from the demonic – and salvation can come only if we renounce the attempt to establish distinctions that are beyond our power. By employing a pseudonymous figure who views language with suspicion, Kierkegaard shows that language is dangerous, even deadly, but also allows us to realize that language is the condition of possibility for salvation. (shrink)

In this paper, I analyze the disruptive impact of Darwinian selectionism for the century-long tradition in which the environment had a direct causative role in shaping an organism’s traits. In the case of humans, the surrounding environment often determined not only the physical, but also the mental and moral features of individuals and whole populations. With its apparatus of indirect effects, random variations, and a much less harmonious view of nature and adaptation, Darwinian selectionism severed the deep imbrication of organism (...) and milieu posited by these traditional environmentalist models. This move had radical implications well beyond strictly biological debates. In my essay, I discuss the problematization of the moral idiom of environmentalism by William James and August Weismann who adopted a selectionist view of the development of mental faculties. These debates show the complex moral discourse associated with the environmentalist-selectionist dilemma. They also well illustrate how the moral reverberations of selectionism went well beyond the stereotyped associations with biological fatalism or passivity of the organism. Rereading them today may be helpful as a genealogical guide to the complex ethical quandaries unfolding in the current postgenomic scenario in which a revival of new environmentalist themes is taking place. (shrink)

A ‘late developer’ argument, common to Psychology and Economic History, can be used to explain cultural innovation. It argues that the 19th century theory of natural selection arose in England and not Germany because of – and not in spite of – England’s scientific backwardness. Measured in terms of institutions, communities, and ideas, the relative retardation of English science was precisely what enabled it to adopt German advances in novel ways.

Emil du Bois-Reymond (1818-1896) complicates the historiography of the reception of Darwinism. His presentation of the theory was anti-teleological, a fact that refutes the claim that German Darwinists were Romantic.

Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose (...) a different motif for his commission, it is nonetheless significant that he found it appropriate to portrait the Norwegian dramatist in the company of key European philosophers, indeed the whole span of the European philosophical tradition from its early beginnings to its most controversial spokesman in the late 1800s. In my article, I seek to take seriously Munch’s bold and original positioning of Ibsen in the company of philosophers. Focusing on Hedda Gabler—a play about love lost and lives unlived—I explore the aesthetic-philosophical ramifications of Ibsen’s peculiar position between realism and modernism. This position, I suggest, is also reflected in Munch’s sketches for the set design for Hermann Bahr’s 1906 production of the play. (shrink)

The theory of proper names proposed by J.S. Mill in A system of logic (1843), and discussed in S. Kripke’s Naming and necessity (1980), is shown to be predated by A. Rosmini’s Nuovo saggio sull’origine delle idee (1830) and T. Reid’s Essays on the intellectual powers of man (1785). For philological reasons, Rosmini probably did not obtain his view of proper names from Reid. For philosophical reasons, it is unlikely that he got it from Hobbes, Locke, Smith, or Stewart. Although (...) not explicitly indicated by Rosmini himself, he may have been influenced by St. Thomas, who in Summa theologica discusses suppositum and natura in relation to the equivocal functions of the terms ”God” and ”sun” as common and proper names. As previously observed, forerunners of the idea can be found in Antiquity, in Plato’s Theaetetus and Aristotle’s Metaphysics. From a historical point of view, the fully developed ”Millian” opinion that connotation is not a fundamental aspect of proper names, and that their referents are not fixed by description, could more accurately be termed the Reid-Rosmini-Mill theory. (shrink)

In a note to G.R.S. Mead’s "Quests Old and New", where he found a section devoted to Hans Vaihinger’s main ideas, Fernando Pessoa reflects on the consequences of the fictionalist approach to both our perception of the I and the value of consciousness. These questions correspond to some statements that we find in Nietzsche’s writings, which in particular Vaihinger refers to in his Die Philosophie des Als-ob. Our aim is thus to compare Nietzsche’s and Pessoa’s view of the I and (...) consciousness, and to deal with their psychology by making reference to Vaihinger’s fictionalism. (shrink)

This essay addresses the attitude of some leading Neo-Kantian philosophers toward scientific psychology and psychophysics. Early influential figures like Friedrich A. Lange counted Gustav T. Fechner’s psychophysical law among their allies in the rehabilitation of the Kantian standpoint. Later on, however, Neo-Kantian philosophers firmly rejected psychological measurement as a whole and harshly criticized the methods adopted by several psychologists of their time. For example, the Marburg mathematician and philosopher August Stadler reduced the validity of Fechner’s law to the mere physiological (...) sphere, and Hermann Cohen conceived the application of mathematical integration to human sensations as an inane enterprise. (shrink)

I propose to treat the books under review here as exemplifying three types of approach to Kierkegaard, three heuristic prisms. At the level of abstraction at which I shall distinguish them, each ty...

The polemic was an important cultural event in 19th-century Cuba. From 1838 to 1840, issues of metaphysics, epistemology, ethics, pedagogy, and the influence of Victor Cousin’s eclecticism were discussed in the island’s leading newspapers. A brief historical account preceding the polemic is offered. It is argued that the predominant view of the polemic as motivated by a widespread desire for Cuba’s independence from Spain is misleading — promoting an emancipatory myth. Lastly, it is argued that José de la Luz y (...) Caballero’s appeal to patriotism during the polemic unwittingly established a dangerous precedent for self-appointed guardians of patriotism to condition public debates. (shrink)

Kosch attempts to show that post-Kantian German idealism duplicates and exacerbates a kind of intelligible determinism that is incompatible with a muscular conception of human freedom. Schelling, in his Freedom essay of 1809, finally recognized this; and his attempt to reconfigure idealism from within was motivated by his recognition of the need to provide a place for human freedom. The attempt failed (even if interestingly) but is taken up again and more successfully by Kierkegaard. While the account of Kant draws (...) on a quite familiar interpretive matrix, the application of this matrix to Schelling and Kierkegaard is novel, fruitful, compelling and extremely rigorously laid out. (shrink)

This thesis presents a Bolzano whose genius resulted not from his freedom from powerful philosophical influences, but precisely from his response to the powerful philosophical influences of his day. Chief amongst these were the voices engaged in debate about the nature of science. It was precisely Bolzano's commanding synthesis of the views of those advocating progress through mathematical physics with the views of those advocating a classical model of a science as the study of causes that set the stage for (...) the development of Austrian and analytic philosophy in subsequent centuries. (shrink)

Kierkegaard, like Plato, though using different methods and conclusions, sought to ground knowledge in the ineffability of subjectivity. For Plato, knowledge comes subjectively (internally); for Kierkegaard, it comes by God's grace through faith. Socrates becomes the facilitator for the slave in the /Meno/, as does God for the man of faith. Again, Kierkegaard is also concerned with passion. "...the paradox is the passion of thought, and the thinker without the paradox is like the lover without passion; a mediocre fellow" (p. (...) 37). The paradox is necessitated by the metaphysical nature of the inquiry. Only knowledge through faith can approach the paradox since it is by definition beyond our knowledge. Passion must accompany the leap of faith, since knowledge acquisition for the man of faith is guided by God. (shrink)

Brentanians defend the view that there are distinct types of object, but that this does not entail the admission of different modes of being. The most general distinction among objects is the one between realia, which are causally efficacious, and irrealia, which are causally inert. As for being, which is equated with existence, it is understood in terms of “correct acknowledgeability.” This view was defended for some time by Brentano himself and then by his student Anton Marty. Their position is (...) opposed to Bolzanian, Husserlian, and Meinongian ontologies, in which a distinction in the (higher) types of object implies a distinction in their mode of being. These Austro-German discussions anticipate much of the contemporary debate between Quineans, who accept only differences in objects, and neo-Meinongians or other ontological pluralists, who accept different modes of being. My paper first presents the Brentanian view in detail and then evaluates its philosophical significance. (shrink)

The Prosecutor in Camus’ novel claims to have peered into Meursault’s soul but found nothing human in there. But the nothingness attests to Meursault embodying something like a musical instrument through which the world plays its music. Meursault does not initiate anything that in the presence of standing conditions causes a change in environment—aside from physical needs which are also immensely flexible and dependent on existing circumstances. He himself constitute the standing conditions awaiting external factors to cause any change. Meursault’s (...) radical indifference and acceptance towards the world and authenticity (his speech and his deed are perfectly coordinated) (his thought and his speech are the same except situation where out of consideration for others he keeps silent) indicates that he has no sickness unto death undergoing life or in anticipation of his death. What the prosecutor announces amounts to Meursault’s existence preceding his essence (given his openness to the world despite his acute rationality and understanding of his environment). But if existence precedes essence, the method precedes existence. He roams the world already equipped with a method. ------------ Abstract II: ---------- What is something that it is not a being? The question implicates there be something that it is not a being but that into which beings as a whole in one's existence slipped into in sickness unto death. Meursault brings to consciousness (of the chaplain) the sickness unto death separated from absurdity by a transparent sheet. Something to which he himself was not susceptible out of his own life-affirmative reasoning. (shrink)

In 1848, the Danish philosopher Søren Kierkegaard wrote a short yet highly significant theater review, titled “Mr. Phister as Captain Scipio.” This review deals with a seemingly prosaic problem: how can an actor convincingly play the role of a drunk police captain while simultaneously disclosing that this captain is deliberately concealing his intoxicated condition? This article argues that this ‘disclosure of concealment’ underlies Kierkegaard’s oeuvre. It elucidates this argument by illustrating that the three levels of theatrical performance highlighted in “Mr. (...) Phister as Captain Scipio” correspond to three parallel levels of authorial performance. Drawing inspiration from the actor, Kierkegaard adopts the persona of a pseudonym who conceals his true identity behind an incognito while simultaneously disclosing that this pseudonym is hiding something. Emulating the dramatic performativity of the actor, Kierkegaard developed a method of indirect communication that constantly works against itself and thus relies on a form of linguistic performativity. (shrink)

The question that "how one should live?" constitutes the ultimate question of philosophy according to Aristotle. According to Camus "there is only one really serious philosophical problem, and that is suicide." The riddle and our predicament is that these two questions are exactly one and the same question. [Why?] ------ [Because for example] Nietzsche, in claiming that "the beggars should be entirely abolished ... truly it is annoying to give to them and it is annoying one not to give to (...) them", has spectacularly failed to notice that there is another logical option: simply to abolish the observer. (Especially that nowadays we witness live-stream misery of other human beings comfortably numb.) The option also resolves the problematic that "if I must love my fellow man, he had better hide himself, for no sooner do I see his face than there is an end to my love for him". (shrink)

The character of Charlie Chaplin in his movies is the personification of forgetfulness but not forgiveness ------ Someone who is not susceptible to bad conscience: (Nietzsche: the sting of conscience teaches one to sting). He carries no guilt, no regret, and is a mechanism of historical forgetfulness (like a happy beast which grazes free from past and future) ------ He undergoes misfortunes and occasional fortunes and comes out the same mechanism of historical forgetfulness he used to be ------ He is (...) virtuoso in terms of accepting the external reality and its misfortunes and is delighted alright as long as a minimally descent condition of life obtains but is vigilant and agile otherwise in the face of danger and unjust irregularities. Agility means he is always on the verge of trusting and mistrusting the external environmental factors. He is suffering from borderline personality disorder. (shrink)

If there is no God everything is permitted. The phenomenology of decision tells us that permissibility and utility are intimately coordinated (Reason Internalism is effectively a thesis that erases the line between the two). Because of the difference in utility one does not find every choice equally permitted. That the instant of decision is madness means one finds facing every real decision frightening. it is not the case that there is no God. One's God is that which matters most crucially (...) for one's decision. (shrink)

The courage to use one's own reason is an invitation to take more actions---implicating excessive use of agency, even under rampant false consciousness manufactured by mass media and technological priorities. If one does nothing and gains nothing by doing nothing, one is not subject to any evaluation or interpretation. Modernity is an ongoing incessant festival of cruel hermeneutic sacrificial.

In 1842, Danish philosopher Søren Kierkegaard published Repetition: A Venture in Experimenting Psychology under the pseudonym Constantin Constantius. In this complex and distinctive work, he introduced a novel approach to philosophical inquiry. In Gilles Deleuze’s apt summary, Kierkegaard invents “an incredible equivalent of theater within philosophy” and establishes repetition as “the fundamental category of the philosophy of the future.” -/- [In Dutch: In 1842 publiceert de Deense filosoof Søren Kierkegaard De herhaling: een proeve van experimenterende psychologie onder het pseudoniem Constantin (...) Constantius. In dit curieuze en eigenzinnige boek introduceert hij een nieuwe manier van filosofie bedrijven. Kierkegaard, zo vat Gilles Deleuze het treffend samen, verzint “een verbluffend equivalent van het theater in de filosofie” en maakt de herhaling tot “de fundamentele categorie van de filosofie van de toekomst”.]. (shrink)

"Faithful to the original Danish text and eminently readable, Jech's translation of Fear and Trembling admirably communicates the literary qualities of Kierkegaard's text, as well as his occasional fits of inspiration. Jech displays an unusual sensitivity not only to the literary/linguistic qualities of Kierkegaard’s prose, but also to his (often realized) aspirations to philosophical precision. As presented by Jech, Kierkegaard is not simply a gifted writer and speculative theologian dabbling in philosophy, but a philosopher concerned to limn the optimal role (...) of philosophical reflection, and to do so experimentally, especially with respect to matters of morality and faith. The translation is furthermore supplemented by very helpful explanatory notes that convey Kierkegaard’s own erudition and the multiple influences upon his thinking. The Historical Glossary will become a valuable reference tool for students and scholars of Kierkegaard’s writings. It is likely to play a welcome role in encouraging an improved understanding of what Kierkegaard means when he employs his idiosyncratic categories, allusions, and vocabulary." —Daniel Conway, Professor of Philosophy and Humanities, Texas A&M University. (shrink)

Although doubt (Tvivl) and despair (Fortvivlelse) are widely recognized as two central and closely associated concepts in Kierkegaard’s authorship, their precise relationship remains opaque in the extant interpretive literature. To shed light on their relationship, this paper develops a novel interpretation of Kierkegaard’s understanding of the connection between despair and our agency over our beliefs, and its significance for Kierkegaard’s ethics of belief. First, I show that an important yet largely overlooked form of Kierkegaardian despair involves either failing to take (...) ethico-religious responsibility for one’s practical agency over one’s beliefs, or misusing one’s practical agency over one’s beliefs by refusing to recognize or comply with externally given ethico-religious norms governing belief. Second, I argue that Kierkegaard takes properly exercising one’s agency over one’s beliefs to matter because beliefs are partly constitutive of the theological virtues (faith, hope, and love) that Kierkegaard regards as the cure for despair. (shrink)

This essay describes and analyzes the four versions of the biblical story of Abraham proposed by Johannes de Silentio (a pseudonym used by Kierkegaard) in Fear and Tremblingto understand, from the movement of faith, how in none of these versions is the absurdity that claims the leap of the religious realized. Next, we explain Kierkegaard’s views on ethics and selfhood to then delve into the inextricable paradox that faith signifies and the radical movement that it demands for the existent.

In “Story of Your Life” and “Anxiety Is the Dizziness of Freedom,” Ted Chiang explores questions that would be at home in contemporary scholarship on free will, agency, and moral responsibility. In “Story of Your Life,” Chiang asks whether knowledge of the future is compatible with free will. And the prism technology in “Anxiety Is the Dizziness of Freedom” prompts questions of whether we are responsible for out-of-character actions. If such actions were genuine anomalies, would we be less responsible for (...) them? In these stories, however, these questions are entangled with questions more at home in the existentialist tradition. Put in conversation with Friedrich Nietzsche and Soren Kierkegaard, Chiang’s stories present a compelling picture of existential responsibility and what it means to live a rich human existence, in particular, what it means to affirm our lives (Nietzsche) and to become selves (Kierkegaard). (shrink)

According to a traditional interpretation of Kierkegaard, he endorses a strong form of direct doxastic voluntarism on which we can, by brute force of will, make a “leap of faith” to believe propositions that we ourselves take to be improbable and absurd. Yet most leading Kierkegaard scholars now wholly reject this reading, instead interpreting Kierkegaard as holding that the will can affect what we believe only indirectly. This paper argues that Kierkegaard does in fact endorse a restricted, sophisticated, and plausible (...) version of direct doxastic voluntarism. On Kierkegaard’s view, when we take ourselves to be in an epistemically permissive situation, we have the ability to form outright beliefs (but not credences) at will in virtue of our ability to voluntarily 1) open or close inquiry and 2) determine our attitude towards epistemic risk. (shrink)

De Cruz and Levy, in their commentaries on Religion as make‐believe, present distinct questions that can be addressed by clarifying one core idea. De Cruz asks whether one can rationally assess the mental state of religious credence that I theorize. Levy asks why we should not explain the data on religious “belief” merely by positing factual beliefs with religious contents, which happen to be rationally acquired through testimony. To both, I say that having religious credences is p‐irrational: a purposeful departure (...) from rational thought and behavior, where the purpose in question is maintaining a group identity. (shrink)

Kierkegaard's pseudonym Johannes Climacus famously defines faith as a risky “venture” that requires “holding fast” to “objective uncertainty.” Yet puzzlingly, he emphasizes that faith requires resolute conviction and certainty. Moreover, Climacus claims that all beliefs about contingent propositions about the external world “exclude doubt” and “nullify uncertainty,” but also that uncertainty is “continually present” in these very same beliefs. This paper argues that these apparent contradictions can be resolved by interpreting Climacus as a belief‐credence dualist. That is, Climacus holds that (...) beliefs and credences (i.e., degrees of belief) are two irreducibly distinct types of mental states. Beliefs are resolutions that close inquiry, thereby excluding doubt and reflecting subjective certainty by disregarding the possibility of error. Credences, by contrast, reflect assessments of evidential probabilities, thereby encoding a recognition of “objective uncertainty” by acknowledging the possibility of error. In addition to solving a vexing interpretive puzzle and showing how Kierkegaard anticipates contemporary views about the nature of belief and credence, this paper demonstrates that Kierkegaard developed a sophisticated account of the nature of belief, doubt, and certainty that merits serious philosophical consideration. (shrink)

On the dominant contemporary accounts of how practical considerations affect what we ought to believe, practical considerations either encroach on epistemic rationality by affecting whether a belief is epistemically justified, or constitute distinctively practical reasons for belief which can only affect what we ought to believe by conflicting with epistemic rationality. This paper argues that Søren Kierkegaard offers a promising alternative view on which practical considerations can affect what we ought to believe without either encroaching on or (necessarily) conflicting with (...) epistemic rationality by determining which among the epistemically permitted outright doxastic attitudes one should all‐things‐considered adopt. (shrink)

This book reconstructs Heidegger’s philosophy of time by reading his work with and against a series of key interlocutors that he nominates as being central to his own critical history of time. In doing so, it explains what makes time of such significance for Heidegger and argues that Heidegger can contribute to contemporary debates in the philosophy of time. Time is a central concern for Heidegger, yet his thinking on the subject is fragmented, making it difficult to grasp its depth, (...) complexity, and promise. Heidegger traces out a history that focuses on the conceptualisations of time put forward by Aristotle, Plotinus, Augustine, Kant, Hegel, Bergson, and Husserl—an “alternative history of time” that challenges how time has been defined and studied within both philosophy and the sciences. This book explores what happens when we take seriously Heidegger’s claim that these seven figures are essential to any understanding of time, setting out what this can tell us about existence, possibility, and philosophy as a historical discipline. Heidegger’s Alternative History of Time will appeal to scholars and advanced students working on Heidegger, phenomenology, the philosophy of time, and the history of philosophy. (shrink)

In this chapter, we argue that a distinct concept of “aesthetic hope” emerges from the way Kierkegaard’s Aesthete treats hope [Haab] and its relationship to recollection [Erindring] in “The Unhappiest One” and “Rotation of Crops.” We first show that aesthetic hope is distinct from the two other kinds of hope discussed by Kierkegaard: temporal hope and eternal hope. We then consider the suggestion that aesthetic hope is also an expression of despair – an inverse hope against hope, which seeks to (...) avoid disappointment by hoping for things that are in some sense certain. The aesthete’s recommendation that we hope in such a way illuminates Kierkegaard’s view of the “dialectic” of temporal hope and eternal hope. Finally, we explore the treatment of hope in Either/Or as essentially involving a controlled, attentional element that anticipates some contemporary trends in the philosophy of hope. (shrink)

This article develops the philosophical work of Joanna Macy. It argues that ecological grief is a fitting response to our ecological predicament and that much of the ‘mental ill health’ that we are now seeing is, in fact, a perfectly sane response to our ecological reality. This paper claims that all ecological emotions are grounded in love/compassion. Acceptance of these emotions reveals that everything is fine in the world as it is, providing that we accept our ecological emotions as part (...) of what is ‘in the world’. This is non-dualistic acceptance or ‘fierce’ acceptance. This paper focuses primarily on the revolutionary qualities of ecological grief: a paradoxical revolution, coming as it does from a profound process of acceptance. (shrink)

In The Second Sex, Simone de Beauvoir diagnoses “woman” as the “lost sex,” torn between her individual autonomy and her “feminine destiny.” Becoming a “real woman” in patriarchal societies demands that women lose their authentic, autonomous selves to become the “inessential Other” for Man. To better understand this diagnosis and how women might refind themselves, I rehabilitate the influence of Søren Kierkegaard and his concept of repetition as what must be lost to be found again in Beauvoir’s account of freedom (...) and, specifically, the liberation of women. Beauvoir offers a dual account of repetition, that of mundane repetition and sacrificial repetition, bringing them to bear both on her diagnosis of women’s oppression and her theorization of our liberation. Sacrificial repetition becomes a temporality for freedom—one must be able to repeat or retake their autonomy continuously toward an open future. For this to happen concretely, Beauvoir insists that we must sacrifice the (racist, classist) patriarchal ideals of the “real woman” and “real man” as we retake our autonomy and reconfigure the meaning of sex difference anew. (shrink)

TRABAJO DE FIN DE GRADO -/- Søren Kierkegaard (Copenhague, 1813-1855) figura como una de las grandes figuras del pensamiento filosófico de Europa en pleno siglo XIX. Su filosofía se articula como una tensión constante entre el pesimismo existencial, la fe protestante y la impotencia de la razón, motivo por el cual se ha debatido acerca de lo adecuado del calificativo de filósofo o teólogo. Los años 1844 y 1849, por otra parte, son uno de los más prolijos de su carrera (...) como escritor, publicando textos como "Migajas filosóficas", "El concepto de angustia" o "La enfermedad mortal". Se trata de las obras seleccionadas para el presente trabajo, cuyo primer objetivo no es sino la investigación del papel de la fe en la filosofía de Kierkegaard. Esto responde a varios motivos: el primero de ellos, por la inextricabilidad que comporta la religión con las concepciones de la existencia en su obra. Como hemos mencionado, el análisis vital que hace en sus escritos siempre tienen presente las aportaciones del cristianismo, sobre todo en su vertiente protestante. De esta manera, saber cuál es la significación esencial de fe en el autor danés permitirá una más profunda dilucidación de su vinculación con el resto de los condicionantes existenciales que plantea, como lo son la angustia o el terror. -/- El segundo motivo se marcaría por la cercanía temática que guarda con un aclamado personaje de nuestras letras: Miguel de Unamuno. En efecto, el bilbaíno escritor de "nivolas" ha sido y es conocido por una finísima —y, desde luego, también agónica— sensibilidad existencial. Los temas centrales de sus escritos principales son, mediata o inmediatamente, la expresión y canalización literaria de los análisis de Kierkegaard. Así, "San Manuel Bueno, mártir" rezuma una incertidumbre nauseabunda —en el sentido sartreano del término— que recuerda a "El concepto de angustia"; mientras que "Del sentimiento trágico de la vida" expone, a caballo entre la poesía y la filosofía —a las cuales, como veremos, considera idénticas—, las características esenciales de la fe y su naturaleza de «salto» aducidas en las "Migajas filosóficas". De hecho, es bien conocida la fascinación de don Miguel por el autor de Copenhague, llegando incluso a estudiar danés para acceder a los textos originales. -/- De esta manera, el breve ensayo que se sigue pretende investigar uno de los conceptos angulares de la filosofía de Søren Kierkegaard con el objetivo último de aproximarlo al contexto peninsular, donde los desasosiegos existenciales del norte europeo encuentran en la figura de Miguel de Unamuno un digno interlocutor. Para ello, se hará una lectura comparativa, si bien no tratando de detectar influencias intelectuales o biográficas reales, sí planteando el núcleo de investigación como perteneciente a una misma preocupación fundamental: lo que Unamuno bautizó como el sentimiento trágico de la vida. (shrink)

This study intends to show that the question whether faith can be justified without proofs can be resolved by importing ideas from Kierkegaard’s and Plantinga’s affirmative take on the matter. There is a deep similarity between the way they understand belief in God and belief in Christianity: for both the first is considered universal human knowledge and the second seen as a gift from God. Against the charge that such an understanding is irrational Plantinga offers an externalist epistemological model which (...) allows those beliefs to be warranted. The authors also share the modern idea that there is an objective truth, combining it with the postmodern stance that no method exists which would guarantee access to it. A specific contribution on Kierkegaard’s part to the understanding of the rationality of transitions toward a Christian stage of existence is to show in detail the way in which such transitions are mediated through inwardnes - a perspective akin to Michael Polanyi’s scientific epistemology. One can see in both authors not only a deep commonality of ideas, but also a remarkable way in which their understandings augment each other. Whereas Plantinga’s inquiry contributes to the rational plausibility of a “Justified Faith without Reasons” project, Kierkegaard’s venture balances such a logical-analytic effort with a deep existential inquiry. (shrink)

In light of Jacques Derrida’s writings on death and mourning, it may seem that the Christian teaching that the dead will be raised is a betrayal of others, a failure to take up one’s responsibility to testify to those who have died. In conversation with Emmanuel Falque’s work on finitude, Martin Heidegger’s reading of 1 Thessalonians, and Søren Kierkegaard’s reading of Abraham, I respond in two movements to this objection to faith that God will raise the dead. First, I propose (...) that even for the Christian, the death of the other remains a loss, since the Christian must surrender the other to God. It is, however, this very surrender of the other to God that seems to be an abdication of responsibility. Second, therefore, I argue that faith in the resurrection decenters the self and challenges our understanding of responsibility even more than does Derrida’s own analysis. Faith, I conclude, means giving up the desire to cling to one’s own responsibility. (shrink)

This chapter contains sections titled: Kierkegaard's Socratic Stance: “I am Not a Christian” Socratic Ignorance Kierkegaard as Writer and Thinker.

This chapter deals with Kierkegaard's contributions to ethics by focusing on his relation to virtue ethics and deontology, his views of moral agency, and the source of moral obligations. It argues that Kierkegaard presents a critique of Kantian autonomy that favors moral realism and theological voluntarism, and that he gives an account of human agency and selfhood in which morality is inescapable.