Hermeneutics

La compilación de trabajos que aquí se recensiona reúne importantes contribuciones de los más destacados estudiosos de la obra de Martin Heidegger en el panorama internacional. Cada uno de los diez ensayos que integran este volumen aporta una perspectiva inédita y actualizada para iluminar desde diversos ángulos la importancia decisiva del curso que el joven Heidegger impartió en el semestre de verano de 1923 en Friburgo, bajo el título “Ontología (hermenéutica de la facticidad)”.

This short article is an introduction to Blumenberg's philosophical metaphorology. Metaphorology is presented as an idiosyncratic variant of a conceptual history that draws attention to the fact that what intellectual historians examine as historically influential “concepts” are less clearly defined ideas than a kind of - pragmatically effective - images. Blumenberg calls these background images “metaphors.”.

The courage to use one's own reason is an invitation to take more actions---implicating excessive use of agency, even under rampant false consciousness manufactured by mass media and technological priorities. If one does nothing and gains nothing by doing nothing, one is not subject to any evaluation or interpretation. Modernity is an ongoing incessant festival of cruel hermeneutic sacrificial.

Psychological and social-psychological critique of the characters in a plot is a strand of literary criticism. How a depicted character does actually think even in spite of appearances or not. How a depicted character would act or think under the siege of counterfactual scenarios. Perhaps contra Derrida, one reason there is genre distinction between philosophy and literature is that a philosophical (or even literary-critical) text is not essentially subject to character psychology to which literary texts are contrastingly essentially subject.

How is it possible to perform more than is required? And yet, isn’t that precisely what is required, in order for an interlocking society of human beings to function, develop and evolve? If human beings only did what we were told to do, we would live in complete monotony and enslavement. If human beings did only what we were permitted to do, nothing interesting would ever happen. Although performance has often been limited to the study of isolated artistic forms of (...) expressions (music, visual arts, etc.), it is equally possible to analyze culture, on the whole, as a behaviour-encoding system of rules and regulations, wherein the individual actor’s performative appropriation and reinterpretation of these said (cultural, political, artistic) rules makes possible the culture’s very survival, against all odds and obstacles, over long periods of time, as a “tradition” upheld by a community of rule-followers / rule-breakers. Rules, in a very real sense, are meant to be broken. Rule-breaking, by the same token, is, as it were, legislated within the very law code itself, as its own guarantee of immortality. After all, what law could function for any period of time without undergoing reinterpretation? This is good news both for culture and for the avant garde (the creative individual or collective), because even the strictest of rules creates its own conditions of transgression, and vice versa. The performance of culture through the creative freedom of the transgressive individual – i.e. any individual qua his or her individuality – is the sine qua non for a democratic society of peers. Creativity depends upon structure, and structure depends upon that which breaks its shackles of normativity, by rebirthing structure transgressively. The whole point of interpreters is to make things alright for the reappearance of the “father” (the law code) again. Ironically, then, anarchy is the only guarantee of the rule of law. (shrink)

In philosophical discourse, the notion of freedom demands rigorous examination. Traditionally, a distinction has been made between negative freedom (freedom from external constraints that impede one's self-realization) and positive freedom (freedom to utilize one's own capabilities). In the essay "A Strange Freedom: New Meanings of Liberalism and Humanism in the 21st Century [De vreemde vrijheid. Nieuwe betekenissen van vrijzinnigheid en humanisme in de 21ste eeuw]," philosopher and theologian Laurens ten Kate proposes a conceptualization of freedom that transcends this traditional dichotomy. (...) This is a creative freedom that is no longer bound to self-realization, but manifests itself precisely at the moment when the self is called into question. -/- The approximately seventy-page essay was published by Sjibbolet Publishers, a small, independent publishing house that emphasizes hermeneutics and is mostly known for publishing several translations of Giorgio Agamben's works into Dutch. In addition to these translations, Sjibbolet also publishes original Dutch-language philosophical works that merit inclusion in this category. The name Sjibbolet is derived from the work of Jacques Derrida and denotes the boundary between the self and the other. As the title "The Strange Freedom" suggests, this essay also explores this boundary. It is an expanded version of Ten Kate's inaugural address, delivered upon accepting the chair of Liberal Religiosity and Humanism [Vrijzinnige religiositeit en humanism]. Two closely intertwined themes are central to the work: the liberal condition and alien freedom. -/- In the Dutch word "vrijzinnigheid [liberal]” the root word "vrijheid [freedom]" is already present, accompanied by the root word "zin [sense]." In the first part of his essay, Ten Kate focuses primarily on sense in relation to what he terms the liberal condition. He states, "Freedom is not primarily a choice of a particular philosophy of life, but a situation to which everyone participates to some extent and to which one must relate (...)." According to Ten Kate, this is the situation in which the meaning of human life is no longer given nor received from above, but must be constructed. (shrink)

In his new book ‘When the Grain of Wheat Doesn't Die. A Philosophical Archaeology of Revelation, Ruud Welten examines the concept of revelation from a philosophical, rather than a religious perspective. The focus is not on a higher power revealing itself to humanity, but on the revelation of human nature itself. Central to this examination is the phenomenological question regarding the nature of appearance. The primary concern is not what appears, but rather how the appearance itself occurs. Welten posits that (...) the notion of revelation and religious discourse surrounding it elucidate fundamental aspects of this phenomenological inquiry. -/- Interestingly, the seemingly peculiar title ‘When the Grain of Wheat Doesn't Die’ remains unexplained within the text. Those familiar with the New Testament will recognize a reference to the parable of the grain of wheat described in John 12:24: " Most assuredly, I say to you, unless a grain of wheat falls into the ground and dies, it remains alone; but if it dies, it produces much grain. He who loves his life will lose it, and he who hates his life in this world will keep it for eternal life." The core principle underlying this parable is that new possibilities emerge only through risking or relinquishing the old. The title thus alludes to a structure reminiscent of Christian concepts of rebirth or conversion, wherein a rupture with existing frameworks creates an opening for a new mode of existence. The question arises as to how this structure relates to the research described in the subtitle as "A Philosophical Archaeology of Revelation." -/- The subtitle first specifies a particular method ("a philosophical archaeology") and subsequently indicates the subject under investigation using this method ("revelation"). Archaeology as a philosophical method has gained prominence following Foucault's work. However, Welten employs the term archaeology not primarily in the Foucauldian sense, but rather views phenomenology and psychoanalysis as forms of archaeology that aim to uncover elements previously obscured from view. Upon initial examination, the metaphor of the grain of wheat and that of archaeology appear somewhat incongruous. Archaeology suggests the unearthing of the hidden, the revelation of an origin that has been obscured. The sowing of a grain, conversely, appears more indicative of something buried and concealed, deposited in the ground to facilitate the genesis of something new. For Welten, however, the point is that in both cases something must first be taken away before a new opening can occur that disrupts the existing order. This is exemplified in one case by the dying of the grain, and in the other, by the removal of the barren leaves. (shrink)

In this article, I elucidate the significance of Heidegger’s ‘question of being’ from a topological point of view by explaining the relationship between his thought of place and language. After exploring various hermeneutic strategies of reading Heidegger’s oeuvre, I turn to Richard Capobianco’s interpretation of Heidegger and critically engage with his idea of the experience of being itself as the ‘luminous self-showing of logos’. In doing so, I explain the later turn from ‘truth’ to ‘place’ and articulate why logos needs (...) to be conceived as the gathering site of the presencing of being. In arguing against the primacy of passive receptivity and active projection, I put forward the primacy of language as the topos and logos of being. In returning to the Capobianco-Sheehan debate, I conclude by explaining why Heidegger’s place-related notions cannot be thought metaphorically. (shrink)

The question that "how one should live?" constitutes the ultimate question of philosophy according to Aristotle. According to Camus "there is only one really serious philosophical problem, and that is suicide." The riddle and our predicament is that these two questions are exactly one and the same question. [Why?] ------ [Because for example] Nietzsche, in claiming that "the beggars should be entirely abolished ... truly it is annoying to give to them and it is annoying one not to give to (...) them", has spectacularly failed to notice that there is another logical option: simply to abolish the observer. (Especially that nowadays we witness live-stream misery of other human beings comfortably numb.) The option also resolves the problematic that "if I must love my fellow man, he had better hide himself, for no sooner do I see his face than there is an end to my love for him". (shrink)

The character of Charlie Chaplin in his movies is the personification of forgetfulness but not forgiveness ------ Someone who is not susceptible to bad conscience: (Nietzsche: the sting of conscience teaches one to sting). He carries no guilt, no regret, and is a mechanism of historical forgetfulness (like a happy beast which grazes free from past and future) ------ He undergoes misfortunes and occasional fortunes and comes out the same mechanism of historical forgetfulness he used to be ------ He is (...) virtuoso in terms of accepting the external reality and its misfortunes and is delighted alright as long as a minimally descent condition of life obtains but is vigilant and agile otherwise in the face of danger and unjust irregularities. Agility means he is always on the verge of trusting and mistrusting the external environmental factors. He is suffering from borderline personality disorder. (shrink)

The author of a text originally produced as a literary work has the comprehensive authority, upon its being situated in certain context of evaluation or interpretation or deployment to declare one's text as philosophical. There would have to be extraordinary or even absurd contexts of evaluation in which one's originally-intended philosophical text is so situated for one to declare it as literary.

__1__ If form is present content is bound to get eclipsed. The eclipse means there is an unfulfillable task of overcoming obstacles to decipher the ultimate content. By utilizing forms they depict vastly different strands of reality tailored to circumstances, neither lying nor imitating a single strand of reality, poets obscure content and dodge criticisms of the referential aspect of work. -/- __2__A text unavoidably reflects the context under which it is produced. The direct emissaries of the underlying object of (...) desire underlying the text are disseminated in content. That is what content is. Form is there only supplementarilyto make the content inherently communicative (evocative poetic function). The text is proximally recontextualized to its original context of production if the content is deciphered in the process of reading in a such a way to signify the same object of desire. If there is nothing outside the text, the original context is free from commitment to contextual proximity and paves the road to the signification of slightly or strikingly different object by re-assigning significance to the constituents of the textual whole. (shrink)

(I) According to J.L Austin all speech and all utterance is the doing of something with words and signs, challenging a metaphysics of language that would posit denotative, propositional assertion as the essence of language and meaning. -/- (II) Since doing things with words implicates authorial intention and rationalization, writing a text implies a psychogenetical origin. -/- (III) The text in the process of charitable interpretation, as a sociolinguistic outcome and practice, acquires new meaning or significance by its claims being (...) rendered true or utilizable. The original psychogenesis is incriminated into sociogenesis through the merger of horizons between the author and the interpreter by effectively bridging a historical abyss (sociogenesis of claims to truth or agreed-upon utility). In writing primarily-psychogenetical context causes and precedes its text. In reading the text causes and precedes its primarily-sociogenetical context. (shrink)

El tema de este artículo es la interpretación que hace Gadamer del concepto de phronesis de Aristóteles, tal como se presenta en el Libro VI de la Ética a Nicómaco. Gadamer defiende que este primado aristotélico del ser ético puede extenderse a la reflexión sobre la cuestión del ser, en especial, el ser de la vida histórica. Al igual que Heidegger, Gadamer concibe la ontología como una filosofía de la finitud orientada por la ética de Aristóteles, pero a diferencia de (...) Heidegger, y de una manera más consecuente, no vacía la discusión de su significado ético. Se trata igualmente de una retomada del problema hermenéutico de cómo es posible la comprensión, si esta ocurre a partir de una situación histórica concreta, así como de una extensión de este problema a la reflexión filosófica en su totalidad. Para exponer esta problemática, partiremos del fenómeno histórico de la rehabilitación de la filosofía práctica en Alemania y de cómo el neoaristotelismo de Gadamer forma parte de este movimiento. Luego investigaremos el origen y desarrollo de la actualización que hace Gadamer del concepto aristotélico de phronesis, cuya culminación puede observarse en Verdad y Metodo como conciencia de la Wirkungsgeschichte. (shrink)

This dissertation raises the question of the political world, and pursues it as central theme in the political thought of Hannah Arendt and the philosophical hermeneutics of Hans-Georg Gadamer. Within the phenomenological tradition, world refers to a referential context of relations between beings, within which those beings appear as meaningful. Since Heidegger, the concept of world has been inextricably linked with that of understanding, the disclosedness that guides any interpretation of beings and allows them to appear as what they are. (...) In what sense is the world political? In what sense does the political constitute a world? -/- For Arendt, the political concerns human beings in their plurality. It concerns the relations between members of a polis, who are related to each other by the world that they share in common in action and speech. The polis is not simply a city or a political entity, but a space within which both things and human beings appear according to a distinctively political mode of disclosedness, a plural understanding. In this, Arendt operates within a hermeneutical ontology, though it is often unthematized or underdeveloped within her work. Gadamer’s hermeneutical philosophy makes it possible to explicate and develop this ontology, illuminating the complex reciprocal relationship Arendt develops between the worldliness of human beings and the space of appearance that arises out of the exchange of interpretive judgments: the political world. The central theme of the political world serves to uncover the hermeneutical underpinnings of Arendt’s political thought, as well as the political implications of Gadamer’s philosophy. -/- Part I shows how an embryonic and unthematized concept of the political world arises from the analysis of being-with [Mitsein] in Heidegger’s Being and Time. Part II proposes a novel systematic interpretation of The Human Condition, situating the conceptual distinctions of the vita activa within a hermeneutical ontology, with particular emphasis on Arendt’s appropriation and development of the concept of world. Part III turns to Gadamer’s treatment of tradition and historically-effected consciousness [wirkungsgeschichtliches Bewußtsein] in Truth and Method, arguing that the handing-down of tradition describes an historical activity of plural understanding, from which the political world emerges. Part IV traces the development of Arendt’s theory of judgment in tandem with her account of δόξα, the discursive mode proper to plural understanding, and proposes a revisionist interpretation of her mature theory of judgment. Gadamer’s fusion of horizons, rather than a Kantian extended mentality, emerges as an apt description of the space of appearance that emerges within plural interpretive discourse. (shrink)

Hannah Arendt’s politics is aesthetic rather than practical, motivated by enjoyment rather than well-being, and so it should be rejected. I begin with an account of aestheticism as the doctrine according to which seemingly non-aesthetic things are actually aesthetic, parts of a whole dimension of reality that we might simply call “the aesthetic.” We access it by taking a disinterested attitude, one that affirms things for their own sakes, and there are four ways of doing this: disinterested appreciating (e.g., of (...) beautiful art), fun playing, fantasizing, and putting on shows or spectacles. While Arendt’s politics takes a classical republican form that is like a competitive game, an analysis of her conceptions of acting and judging reveals that the modes of disinterested showing and appreciating are also present. Her philosophy has another motivation, however, alongside enjoying the aesthetic: the need to escape the reality of evil. (shrink)

Resumen: Este texto introduce la primera traducción al español de los textos Schönheit [Belleza] de Hans-Georg Gadamer (trabajo escrito en los años ’70 y que vio la luz en alemán póstumamente en 2007) y Schönheit und Bürgerlichkeit [Belleza y burguesía] de Odo Marquard, publicado también en 2007 como respuesta demorada al trabajo del filósofo de Marburgo. Gadamer explora el desarrollo histórico del concepto de belleza en los siglos XIX y XX, poniendo énfasis en que la belleza siguió y seguirá siendo (...) no sólo un concepto estético sino un concepto normativo. Por su lado, Marquard contextualiza las ideas de Gadamer en su marco de producción original y realiza un análisis crítico de las mismas a partir de sus propias tempranas contribuciones a una teoría de las “ya no bellas artes”.// Abstract: This text introduces the first Spanish translation of Hans-Georg Gadamer’s Schönheit [Beauty] (work written in the 1970s and posthumously published in German in 2007) and Odo Marquard’s Schönheit und Bürgerlichkeit [Beauty and Bourgeoisie], published also in 2007 as a delayed response to Gadamer’s views. Gadamer explores the historical development of the concept of beauty in the 19th and 20th centuries, emphasizing that beauty continued and will continue to be not only an aesthetic concept but also a normative concept. For his part, Marquard contextualizes Gadamer’s ideas in their original production framework and performs a critical analysis of them based on his own early contributions to a theory of the “no longer beautiful arts”. (shrink)

El 27 de septiembre de 1943, Hans-Georg Gadamer publicó un breve pero significativo ensayo en el periódico conservador Leipziger Neueste Nachrichten und Handels-Zeitung, titulado “Wissenschaft als Beruf. Über den Ruf und Beruf der Wissenschaft in unserer Zeit”. El artículo, que recuperaba en medio de la Segunda Guerra Mundial el problema del valor y posición de la ciencia y la filosofía, nunca fue reimpreso en su obra completa, ni en los diez tomos editados por la editorial Mohr Siebeck ni tampoco por (...) separado en libros o revistas. Debido a su relevancia filosófica, política e histórica, se ofrece aquí, en primer lugar, una introducción crítica al contexto y principales contenidos de este texto, especialmente por medio del análisis de su confrontación con la actualidad a través de referencias explícitas e implícitas a la conferencia Wissenschaft als Beruf de Max Weber de 1917. En segundo lugar, se ofrece aquí su primera traducción del alemán al castellano.// This article introduces the first Spanish translation of Hans-Georg Gadamer’s overlooked 1943 essay Wissenschaft als Beruf. Über den Ruf und Beruf der Wissenschaft in unserer Zeit. Engaging Max Weber’s seminal 1917 lecture Wissenschaft als Beruf, Gadamer criticizes the bureaucratization and instrumentalization of modern science, recovering the question of research’s value amidst World War II’s catastrophes and National Socialism’s totalitarian rule. Never reprinted in Gadamer’s complete works, the text articulates an early critique of technocratic rationalization, affirming science’s need to reclaim its originary mission. By analyzing Gadamer’s confrontation with the present through overt and covert references to Weber, the introduction situates the essay’s historical and intellectual backdrop, develops its core arguments and traces echoes in Gadamer’s later works addressing contemporary challenges. This first Spanish translation unveils a forgotten text where Gadamer confronts modern science’s distortion, calling for the recovery of its existential and cultural meaning. (shrink)

In a recent article, ―The Lacuna of Hermeneutics: Notes on the Freedom of Thought, Marcia Sá Cavalcante Schuback raises an important question regarding the limitations of philosophical hermeneutics to be critical and attentive to the reality of current, concrete socio-political issues. In response, I claim that Gadamerian hermeneutics is well positioned to address current and controversial instances of epistemic injustice. In this article, I focus on the contemporary and controversial example of testimony of those who have been injured by the (...) COVID-19 vaccines. In turning to selections from Gadamer‘s Truth and Method, as well his lectures and essays on health and medicine, I argue that Gadamer‘s emphasis on hermeneutic openness and readiness, as well as an attunement to the linguistic and embodied experience of pain, allow us to consider a responsible approach to testimonies of the vaccine injured. Instead of providing a set of criteria or a particular method for distinguishing true from false testimony, Gadamerian hermeneutics calls for an examination and transformation of one‘s prejudices, especially prejudices which may impede one‘s ability to interpret and understand the subject matter in the first place. (shrink)

For Hans-Georg Gadamer and philosophical hermeneutics, Paul Celan’s poetry and prose have always been decisive in thinking through the possibilities and limitations of language and interpretation. Recently, important hermeneutic research has begun to point to an unavoidable liminal encounter between the body and language in Celan’s texts, which approaches an often-neglected theme in hermeneutic thought: the body and embodied experience. Yet in order for hermeneutics to engage Celan on matters concerning the body, language, and interpretation, it is necessary to understand (...) the profound role that the body and embodied experience plays in Celan’s works. In this essay, I offer three prominent instances of embodiment in Celan’s texts that contribute to such an account. I turn first to his preliminary notes from his 1960 Meridian speech in which he discusses the poem as ‘pneumatic.’ Second, I read Celan’s letter to Hans Bender in 1960 in which poetry is both a tactile Handwerk and a handshake. Third, I engage Celan’s reading notes from two physiology textbooks from 1967 and his poem, “Seelenblind.” While the first two instances affirm the possibility of an embodied encounter with the singularity of the poet, the third instance considers the body as a site of interpretive breakdown. (shrink)

In this essay, I focus on Lugones’s relatively lesser explored notion of playfulness. I weigh in on the debate about whether playfulness is necessary for what Lugones calls “world-traveling,” which enables one to recognize another person as a full subject. I argue that although the attribute of playfulness may not be necessary for world-traveling, it is necessary for collaborative world-making––creating a new, shared world that is opened through the activity of play.

This chapter presents a conception of understanding where understanding emerges out of the joint experience of conversation. On this conception, understanding requires more than the pre-reflective acquisition of shared social meanings – a conception of understanding historically highlighted by existential phenomenologists. Beyond this, it requires what occurs in genuine conversation, namely, that one put one’s pre-reflective social meanings at risk in the process of critical self-reflection. Drawing from the hermeneutic phenomenology of Hans-Georg Gadamer, I argue that conversation is that joint (...) experience that gives rise to such critical self-reflection and that it is conversation’s play-structure in particular that makes it a source of understanding in this sense. (shrink)

There are two attitudes regarding the historical situation of understanding commonly held today. On the one hand, we believe that we only achieve a real, worthwhile understanding of a topic when our thinking manages to break free from the dogmas of the past. We believe that this transcendence of the historical situation of thought is both possible and desirable. We applaud those whose thought appears to us to proceed unhinged by traditional dogmas, whether those dogmas be old habits of scientific (...) thought or traditional ideas about social life. We celebrate as epistemic heroes those who discover their own way of thinking. On the other hand, many are quick to accept as a general rule that one’s understanding is inevitably bound to one’s particular historical and cultural situation. Nobody understands things in a historical vacuum. Accordingly, we believe that there is no transcending the historicity of the understanding and thus no epistemic heroes to applaud. This chapter examines Gadamer's argument in “The Elevation of the Historicity of Understanding" (a central section in "Truth and Method") as a critique of both of these alternatives -- alternatives that can be traced back to the historical epochs of the Enlightenment and Romanticism. I argue that, for Gadamer, both of these historical models of understanding misconstrue the way that understanding is grounded in historical consciousness. (shrink)

This chapter presents Gadamer’s conception of language and of its role in the process of understanding. The chapter begins by explaining what Gadamer means when he says that language is characterized by an essential “self-forgetfulness” [Selbstvergessenheit] and how this relates to his account of the fore-structure of the understanding. Next, it explains what it means to conceive of a linguistic presentation (e.g., a poem or a lecture) as a hermeneutic event and how this conceptualization is essential to Gadamer’s account of (...) understanding and of the dialectical unity between language and being. The chapter ends by considering how Gadamer’s analysis of conversation further clarifies what it means to be open to the event of language. (shrink)

С тех пор как был сформулирован новый способ прочтения Платона, осно- ванный на «неписаном учении», он стал предметом споров. Однако свидетель- ства его существования неоспоримы. Выражение Платона «неписаное учение» было использовано Аристотелем в «Физике», а описание этого учения можно найти как у Аристотеля, так и у других классических мыслителей. Есть три ключевых момента, имеющих решающее значение для «неписаного учения» Платона, т. е. его устных лекций, прочитанных в Академии, — это, во-первых, учение о принципах, т. е. о Едином и неопределенной Двоице, (...) во-вторых, тезис о геометрическом построении мира и, в-третьих, учение об идеальных числах. Эти числа упоминаются как в прямой, так и в косвенной традиции. Полемика по вопросу о «неписаном учении» возникла в немецких академических кругах, где интенсивное изучение Платона имеет давнюю и хорошо развитую тради- цию. В англосаксонском мире эта дискуссия, по-видимому, не была хорошо принята и иногда даже вызывала отвержение (особенно в кругу Г. Черниса и его последователей). Однако из этого, конечно, нельзя сделать вывод о том, что исследования, опирающиеся на «неписаное учение» Платона, не появи- лись в англоязычном мире, в котором также искали новые пути понимания смысла его философии. Сначала мы оценим различные прочтения, а также их аргументы относительно важности «неписаного учения» для реконструкции философии Платона, а затем аргументируем свою позицию в этих дискуссиях. (shrink)

Resumen: En La actualidad de lo bello, Gadamer hace una referencia reveladora a la improvisación musical y a la importancia de la escucha musical, además de poner en primer plano la necesidad de justificación del arte. Situando este debate a través de Goethe y Platón, junto con las Lecciones de Estética de Adorno de finales de la década de 1950 y una discusión sobre Nietzsche y la Antigüedad, es posible establecer que lo que está en juego es la afinación, así (...) como una tensión que invita a un debate ulterior tanto sobre la detención del amante en Carson como el demorarse en Heidegger. Al revisar la hermenéutica gadameriana de la programación y la interpretación musical, incluida la improvisación y el desafío de la nueva música, las reflexiones de Gadamer sobre la cultura musical en el contexto de la cultura social y su reflexión no solo pueden ser leídas a través de Platón y Goethe, sino también a partir de las concepciones de "lo bello" en Hölderlin y Rilke. Se trata de una "conversación" cultural en la que la contribución del público puede estar en tensión con la programación musical progresiva, además de la dinámica de respuesta que surge en la energeia de la improvisación tanto para el intérprete como para el oyente.// Abstract: Gadamer’s On the Relevance of the Beautiful makes telling reference to musi-cal improvisation and the importance of musical listening in addition to fore-grounding the need for justification. Situating this discussion via Goethe and Plato along with Adorno’s late 1950s lectures on Aesthetics together with a discussion of Nietzsche and antiquity, what is at stake is attunement and a tension which invites a discussion of Carson on the lover’s arrest and Heidegger on tarrying. By reviewing Gadamer’s hermeneutic of musical pro-gramming and performance, including improvisation and the challenge of new music, Gadamer may be read on music culture in the context of social culture and his reflection not only via Plato and Goethe but Hölderlin and Rilke on ‘the beautiful.’ At work is a cultural ‘conversation’ where audience input can be in tension with progressive musical programing along with the dynamic of response emergent in the energeia of improvisation for performer and listener. (shrink)

This article examines the meaningful intervention that Gert-Jan Van der Heiden’s recent book, The Voice of Misery: A Continental Philosophy of Testimony, makes in the developing field of the philosophy of testimony. I argue that this intervention is accomplished through a phenomenological investigation into the nature of the testimonial object and of the demand that it makes upon one who bears witness. In taking such an approach, I argue, Van der Heiden initiates an ontological turn in the field of testimonial (...) theory, shifting the conversation away from a debate about the conditions in which belief in testimony is justified – a debate that has in many ways defined the field for philosophers in the Anglo-American tradition. I suggest that Van der Heiden’s account is helpful in demonstrating that, in many cases, doing justice to a testimonial object requires an epistemic-ethical attitude other than belief. The article concludes by developing a few questions for Van der Heiden based on my interpretation of his project, including to what extent his phenomenology of testimony can account for how often our receptivity to testimony depends on the default trust that we have in others by virtue of our fundamental immersion in social life. (shrink)

In this paper, I aim to defend Gadamer’s philosophical hermeneutics against what I call the radical hermeneutic critique, specifically the critique developed in Robert Bernasconi’s article “’You Don’t Know What I’m Talking About’: Alterity and the Hermeneutic Ideal” (1995). Key to this critique is the claim that Gadamer’s account does not rise to the ethical task of embracing the alterity of the Other, but instead reduces it to a projection of one’s self. The implication is therefore that Gadamer’s philosophical hermeneutics (...) has to be rejected on ethical grounds, as it does not appreciate but assimilates the alterity of the Other. In contrast to this radical hermeneutic critique, I argue that Gadamer’s philosophical hermeneutics can accommodate an Other that is not assimilated but appreciated, on the condition that the unique status of a dialogue with the Other as a person is no longer neglected, as Gadamer does, but instead truly distinguished from a dialogue with the Other as a text. (shrink)

This essay focuses on the attention paid to Prometheus by Goethe and Schlegel. Prometheus serves as an archetypal figure for Goethe, in particular, and as such the Titan can be viewed as a figure whose various appearances represent genuine metamorphoses or transformations of the archetype in much the same manner that Goethe takes the archetypes of leaf or vertebrae to function in the plant and animal kingdoms. Schlegel’s treatment of Prometheus takes the organic analogy even further. In his fragmentary work (...) Lucinde Schlegel exploits the metaphorical possibilities provided by plant life when thinking about not only the sessile structure of the text as a whole but indeed the internal literary devices capable of simulating the environmental impacts required for the flowering of the plot. The fact that Goethe and Schlegel deliberately leave their discussions in a fragmentary form is discussed in the final section of the essay in a manner that ties the open-ended quality of such productions to Gadamer’s discussion of the Vollzug or performative character of poetry and other works of art. (shrink)

Indagando las reflexiones de Wittgenstein sobre la estética intentamos destacar sus posibles implicaciones dentro de lo epistemológico, entendido como una visión general del mundo. El alcance de la reflexión invade gran parte de la manifestación de la vida humana, ya que en sentido psicológico el ámbito o esfera donde se ubica la estética ciertamente no dice pero sí muestra el sentido de la vida. Por otra parte, se hace una aproximación con la hermenéutica gadameriana que ofrece elementos respecto a las (...) implicaciones comprensivas del mundo, que posibilitan un diálogo con el significado de la visión wittgensteineana de la estética. (shrink)

In this reflection I draw out Richard J. Bernstein’s claim that he was a ‘scavenger’ and put it to use in revisiting main themes of his engagements with pragmatism, hermeneutics, Hegel, and critical theory. This piece is included in a memorial issue of Dewey Studies on Bernstein.

Beginning with the second decade of the last century, after a fierce critique of W. Dilthey and the Historical School’s epistemological approach, philosophical hermeneutics has assumed the position of “official” philosophy of history of our times. However, in our previous work we have shown that philosophical hermeneutics is not actually able to give a better answer to “What is history?” than that already offered by the Historical School. Now we would like to show that its answer to the other fundamental (...) question of the philosophy of history - “How is history to be known?” - is even more problematic, making historical science impossible. For if the being of history really is tradition as philosophical hermeneutics argues, and if the essence of tradition is language then, on the one hand, the very stability of historical meaning presupposed by any epistemological process will always be displaced by the play of what Derrida calls “différance,” the ceaseless differentiation of the signifiers and signifieds. And, on the other hand, even if historical meaning were stable enough so as to be known, it could not be grasped because, we will try to argue, the process of understanding as philosophical hermeneutics describes it is always permeated by misunderstanding. (shrink)

As rational animals, human beings not only have the ability to think but also the capacity to understand. Human rationality, so to speak, is constituted by thinking and understanding. The immediate connotation of rationality, however, is almost always thinking. Hence to speak of man as an animal rationale is to speak of man as a thinking being. But following his mentor Martin Heidegger, Hans-Georg Gadamer insists that man does not only think, but most importantly understands. To understand is an essential (...) part of being human, of being rational. But what is understanding? What does it mean to understand? The issue of human understanding is not something simply epistemological; rather, it is something hermeneutical. That is to say, understanding always relates to the act of interpretation. In his monumental work Truth and Method, Gadamer diligently considers the matter of human understanding from a purely hermeneutical perspective. This paper, then, aims to synthesize Gadamer's hermeneutical theory and argues that for Gadamer, human understanding is essentially characterized by a kind of textual intercourse, that is, a dialogic interaction or an intimate exchange of horizons between an interpreting subject and a text which, in very broad terms, can refer to any object of interpretation. (shrink)

The Zhuangzi to this day continues to be a hermeneutical challenge in that it always calls for new and fresh interpretations. In the past thirty years, however, various scholars have argued in their studies that the Zhuangzi does not only pose a hermeneutical challenge, but also carries an implicit hermeneutics. My aim in this paper is to show that underneath its parables and rhetoric, fictional and imaginary characters, as well as its inclination towards relativism and skepticism, a Zhuangzian hermeneutics comparable (...) to the hermeneutical theories of Paul Ricoeur and Hans-Georg Gadamer in the West subtly permeates the Zhuangzi. To attain this aim, I will first present and examine the three types of words in the Zhuangzi and do a Ricoeurian reading of these words. I will consequently identify the hermeneutics of skepticism implied in the Zhuangzi and argue that it is a hermeneutical approach that is dominant in the text. I will then contend that in addition to the hermeneutics of skepticism, the Zhuangzi also contains what I call a perspectival hermeneutics with a number of elements that echo Gadamer’s hermeneutical theory. (shrink)

PHILOSOPHICAL HERMENEUTICS AND HUMANITIES -/- In this article the author makes observations about the relation between the expressions “human science” and “humanities”. Furthermore, the author discusses the relation between humanities and social sciences and humanities and philosophy. The author also argues against the conception of strict boundary between humanities and literature and presents the relation of Gadamer’s philosophical hermeneutics towards humanities. He does this through the analysis of Gadamer’s connection with Dilthey. The author argues that their relationship was complex and (...) extremely nuanced. (shrink)

This paper is concerned with the problem of speaking past one another due to an asymmetry of the interlocutors' backgrounds. When individuals with different levels of relative privilege interact, the party with relative privilege may fail to engage with what is being communicated. I take up critical Gadamerian hermeneutics to ask how we, as individuals with relative privilege, can 'unstop' our ears so that the burden of explanation does not (unfairly) remain on those we hurt by our mishearing/non-hearing. I offer (...) two methods to achieve this 'unstopping': 'critical self-knowledge' through Quassim Cassam's 'Vice Epistemology' framework and 'critical world-knowledge' through the Frankfurt School of Critical Theory (Max Horkheimer and Jürgen Habermas, specifically). I then take up contemporary critical hermeneutics (Lorenzo Simpson) to show how, through the application of the critical methods, one might be able to achieve a useful, cross-cultural dialogue. This is imperative given our inexorably multi-cultural world today. (shrink)

The determination of philosophy is the work of those who cooperate in the construction of knowledge, in its disparate fields, and at the same time preserve the very sense of indeterminacy. There are no areas of knowledge that cannot be also philosophical, nor can the themes, lines of research and styles of thought be limited a priori. The philosophy, it is said, is the search for truth. This is the most common definition, and therefore also the more covering than a (...) possible new point of view, which could have its roots in the ancient tradition. Philosophy is that search for truth which gave rise to our science and that critical attitude which it brings in doubt, limits and determines this same spirit of research. (shrink)

Hans-Georg Gadamer argues that consciousness not only historically constrains experience but also allows strangeness to intelligibly speak to it. This historically effected and effective consciousness features in Gadamer’s idea that a common language is unearthed for the interpretive horizons of those involved in dialogue with each other through a logic of question and answer. I argue, however, that this reveals a conceptual uncertainty about evaluating progress in interpretive understanding. Gadamer’s failure to escape from this uncertainty risks the possibility of a (...) problematic relativism. Effectively, even if sufficient interpretation occurs when horizons are infinitely structured, this does not preclude incoherence between a horizon’s elements. (shrink)

1 Introduction1 In the 1980s, hermeneutics was often incorporated into deconstructionism and literary theory. Rather than focus on authorial intentions, the nature of writing itself including codes used to construct meaning, socio-economic contexts and inequalities of power,2 Gadamer introduced a different perspective; the interplay between effects of history on a reader’s understanding and the tradition(s) handed down in writing. This interplay in which a reader’s prejudices are called into question and modified by the text in a fusion of understanding and (...) topic revitalized the study of the printed word. Gadamer’s turn to language for understanding the meaning of Being also appealed to the post-modern antipathy toward modernity and metaphysics.3 If the truth and validity of interpretations are limited to communities of language, then our mode of being in history cannot but be historical. This point of view rendered Gadamer’s phenomenological hermeneutics vulnerable to the critique of moral and epistemological relativism. However, Gadamer’s theory of interpretation also stems from re-examination of the beginning of knowledge in the Pre-Socratics and Plato, and on this basis, is receptive to another dimension of inquiry than that which was trending in North America. -/- At the East-West Center, University of Hawai’i at Manoa in 1982, Chung-ying Cheng for the first time introduced onto-hermeneutics to an audience of esteemed philosophers including Li Zehou, Ren Jiyu, Feng Youlan, and Zhang Liwen.4 In contrast to schools of deconstruction and literary theory that had disengaged the interpreter from trans-historical sources of meaning and truth, Cheng explained that interpreters exist within a cosmological order inextricable from responsibility to harmonize Heaven and Earth in creative acts of interpretation. By integrating Chinese cosmology into hermeneutics through ontology, he tacitly challenged philosophers in the West to re-examine assumptions about humanity’s place in nature and by implication, Gadamer’s recovery of the beginnings of knowledge in Western philosophy. -/- Cheng’s Neo-Confucianism is inspired by the method and goals of Thomé H. Fang. The following words by Fang seem to prefigure, although in an indistinct and bundled way, aspects of Cheng’s philosophy including a Mencian theory of human nature, comprehensive observation, and creativity: “In the very process of living in concord with creative Nature, Man is charged with an ideal to be fully realized in the light of the principle of comprehensive harmony.”5 Like Fang, Cheng reinvigorates Chinese culture and language, but not solely in order to vindicate the insights of Neo-Confucianism. He has studied Western thought, from pragmatism and the analytic school to German idealism and phenomenology, to unlock and clarify philosophical concepts within the Yijing tradition and thereby render them intelligible to Anglophones. The result has been an awakening of Western scholars to the moral and cultural consequences of decoupling their thought from metaphysical foundations that are neither dogmatic nor doctrinal. -/- Not unlike the dialectic of Gadamer’s dialogue form, onto-generative hermeneutics integrates contrary positions on the same topic in order to blend both sides into a world philosophy, or as Cheng says, a “totalizing or integrative theory,”6 not to be confused with a theoretical rewording of a theory. On the contrary, the universal scope and relevance of hermeneutics stems from personal experience. Just as Gadamer, in response to faction and strife, immersed himself in Plato during the war years, and developed a method with which to harmonize opposites, so too, according to On-cho Ng, was Cheng moved by faction, strife and political persecution to develop a path toward unity.7 Gadamer taught at McMaster University in Hamilton, Ontario, and Cheng at the University of Hawai’i at Manoa among other institutions in North America. They facilitated trans-continental educational and cultural ties. Similar experiences yield similar insights irrespective of differences of time and place. Hence, authors in this issue who reside in Europe, China and North America, delineate the differences between Gadamer and Cheng, yet also, in light of Cheng’s onto-generative method and cosmology, develop integrative theories. Due to the page-budget restriction of the publisher, certain articles of this special theme will be subsequently published in the next issue. -/- 2 Integrative Theory This special issue of The Journal of Chinese Philosophy confirms a dimension of hermeneutics that Cheng has both motivated and inspired. The contributors do not abide by the conviction that since thought is mediated by language, interpretations cannot transcend culture. On the contrary, their research exemplifies the fruits of trans-historical onto-dialogical hermeneutics within limits defined by their field inquiry, organized into Parts I and II, around three themes: language, the philosophy of history and ethics. -/- Andrew Fuyarchuk introduces the theme of ontology in relation to Gadamer’s turn to language. Fuyarchuk argues that Chung-ying Cheng’s criticism of Gadamer’s hermeneutics is informed by Heidegger’s concept of Dasein and thereby overlooks how Gadamer’s Platonic-Pythagorean problem of the division between the One and Many is harmonized in the event of language, which in turn positions Gadamer in proximity to the presupposed grounds of receptivity in Cheng’s onto-generative hermeneutics. Lauren Pfister’s contributing article addresses the year 2000 meeting between Cheng and Gadamer in Heidelberg and expands the transhistorical grounds of meaning in Gadamer to matters of theology. Pfister’s summary of the written Chinese record of their conversation indicates that Cheng does not address the role of Christian philosophy and hence, the role of the inner word in Gadamer’s hermeneutics. This is important not only for detecting changes in Cheng’s philosophical development, but also for modifying his hermeneutics along the lines of a living conversation, possibilities explored by Pfister in a sequel to the article submitted to this issue. Nevertheless, by raising the issue of how Gadamer’s turn to language for understanding the meaning of Being extends possibilities in Cheng’s thought, Pfister anticipates the article by Katarina Gajdosova. She returns to the roots of Chinese thought during the Warring States period and broadens the meaning of names in recently excavated texts. Contrary to the conventions about how to understand terms, she appeals to both Heidegger’s ontology and Cheng’s notion of receptivity and creativity to reinterpret naming in relation to cosmology. Along the same lines, insofar as the event of Being is lingual, Jay Goulding captures its emergent structure in an evolving community of scholars and scholarship. He recalls his philosophical journey toward Cheng’s philosophy that begins in conversations with Gadamer at McMaster University in Hamilton, leads to Heidegger and Asian thought, expands into turning points with teachers and colleagues from various backgrounds that by increments contributed to Goulding’s formulation of “Daoist phenomenology.” -/- Although differing traditions guide their inquiries and research, Cheng and Gadamer recall the wisdom of the past to ameliorate the fragmentation in contemporary life. This leads them to re-examine the origins of philosophy; historical roots and thus sources of creative re-interpretations East and West whose affinities are developed in contributions by Hyun Höchsmann and Friederike Assandri. Höchsmann assesses convergences and divergences in the origins of Chinese and Western philosophy (Confucius and Socrates, the Yijing and Pre-Socratics) that culminates in pairing Gadamer’s understanding of paideia in the context of Plato’s political cosmology in the Timaeus with moral and social cultivation in The Western Inscription. She delineates the limits of this comparison which in turn justifies introducing Vattimo’s notion of locality. Assandri’s comparative analysis moves between India and China, Buddhism and Tang Daoism. Based on Gadamer’s argument that writing detaches concepts from their cultural moorings, she defines and applies three levels of understanding in onto-generative hermeneutics to Buddhist terms that were assimilated into the Benji Jing and in so doing clarifies essential dimensions of Daoism. -/- Contributions by Stephen Palmquist and Nicholas Brasovan position Cheng in relation to Kant and Gadamer by way of Aristotle’s ethics respectively. On the one hand, Palmquist plots Cheng’s evolving criticism of Kant’s moral philosophy and draws on crucial dimensions of Gadamer’s hermeneutics to reposition that criticism in a constructive relation to Kant’s emphasis on the philosophical conditions of morality while also indicating how religious dimensions of his thought answer Cheng’s concerns for lived moral action. For Palmquist, Gadamer enables a constructive criticism of Cheng. On the other hand, Brasovan compares Cheng’s Yijing-based account of moral deliberation with Gadamer’s Aristotelian-based ethics and reasons that in contrast to Cheng, Gadamer’s hermeneutical consciousness is disengaged from practical knowledge. For Brasovan, Cheng is a constructive critic of Gadamer. Palmquist and Brasovan’s divergent angles on Gadamer and Cheng map onto a dialectic of contrast and complementarity that constitutes the inner logic of Cheng’s philosophy. In other words, Gadamer and Cheng ought to be read alongside one another for the sake of removing discrepancies and contradictions, which constitutes the organic structure of their thinking. -/- 3 Our Mode of Being in History Is Not Historical The conversations between Cheng and Gadamer in this issue of The Journal of Chinese Philosophy pivot on language, philosophy of history and ethics within a comparative framework of analysis, but also explore the grounds that make the comparisons possible. Those grounds are informed by Chinese cosmology, and function to wrest Gadamer from the shadow of Heideggerian facticity and reposition him within the range of Cheng’s ideas about our place in nature that is embedded in his question about how mind emerges from inorganic matter.8 -/- For Gadamer scholars of Heidegger, human finitude, our ownmost individuating death ensures that hermeneutics is always open to the other as other, always on the way toward understanding the meaning of Being. To arrest the process in a concept of “the Absolute” cannot but represent someone’s point of view, and thereby render hermeneutics indistinguishable from ideology. However, insofar as finitude is defined by them in terms of an onto-theological concept of immorality, finitude is a metaphysical concept consistent with epistemologies and confuse beings with the meaning of Being. As a result, the celebrated political value of hermeneutics to always be on the way toward an understanding of the meaning of Being admits subtle variations on the same worldview that are insufficiently self-critical. -/- Gadamer scholars of Heidegger are right. A transformation in ethos and opening to the meaning of Being depends on awareness of finitude. Yet this awareness does not yield openness to more of the same, i.e., discourse structurally incapable of coming to unity but instead, for both Gadamer and Cheng, openness to a distinctly different ontological dimension of reality. As Sandra Wawrytko and So-Seong Park indicate,9 this ontological dimension is prefigured in the experience of being-as-a-whole or the totality of all possible relations in both Chinese totemic shamanistic rituals,10 and Greek Dionysian festivals.11 Through these religious experiences human ethos and therefore consciousness is expanded and elevated from being centered on one’s ownmost concerns toward an affinity with all sentient beings from insects and plants to animals. The channel for this affinity is an auditory disposition and hence, the emotions, compassion, and feeling response. -/- The capacity for an auditory disposition, or as Gadamer calls it, listening consciousness to respond to the inter-relationality and therefore inherent balance of nature is developed through music, song and dance of the religious rituals and festivals. They facilitate the unity of mind with nature. This use of music, that transforms ordinary consciousness, explains Cheng’s emphasis on the receptivity of feeling response in comprehensive observation, and Gadamer’s emphasis on openness to the other in attunement. However, an auditory disposition characteristic of pre-literate oral cultures that reveals the “All” need not rely on religion. As theorists about the evolution of language have explained,12 modern languages preserve their pre-historical past in music or prosody. That is to say, the song and dance that revealed the totality of inter-related beings to an ethos of comprehensive observation and attunement toward beings in classical civilizations is retained in the back-and-forth movement or rhythm of the dialogue form. Our mode of being in history is a mode of being in nature – through the music of language. -/- While alerting the reader to the limits of a nominalist interpretation, Gadamer expresses the inner law of the nature as follows: “in perishing there is always becoming, and in becoming there is always perishing.”13 Considered in process, opposites generate and blend into each other. This law of nature applies to everything.14 Hence, in a manner comparable to Pfister’s concluding insights, onto-dialogical hermeneutics is not only open to discrete events of otherness but moreover, to the moving structure of reality expressed, as Gajdosova suggests, in the existential moment of naming. Considered as interplay of tension and resolution with a life of its own, the dialectic of a dialogue is self-similar to the way in which an organism grows (by instinct). There is, therefore, a sense in which the art of interpretation extends the human mind into the eternal cycles of nature such that we participate in the articulation of the inner telos/homeostasis toward which all beings strive and importantly for Gadamer scholars of Heidegger, within the material limits of energy to which our embodied minds are self-evidently subject. In mortality there is always immortality. (shrink)