Kant: Time

In this essay I explore some of the basic elements of consciousness from a substance dualist point of view, incorporating some elements of Kant's Transcendental Analytic into an overall account of the constitution of consciousness.

Transandantal Estetik, her ne kadar Kant’ın eleştirel felsefesi için oldukça önemli görünse de Cassirer ve Guyer gibi bazı yorumcular tarafından başarısız görülmüştür. Cassirer’e göre Transandantal Estetikteki argümanlar savunulamaz ve Kant’ın eleştiri öncesi dönemine ait bir kalıntı olarak görülmelidir, öyle ki bu bölümdeki argümanlar Kant’ın esas ve olgun öğretisiyle uyumsuzdur. Guyer’e göre de Metafiziksel Açımlama başarısızdır; bu kısımdaki argümanların hiçbiri Kant’ın savunmak istediği sonucu türetmek bakımından işe yaramaz. Kant’ın savunmak istediği sonuç şudur: zaman ve mekânın kaynağı insan zihnidir, dolayısıyla kendinde şeyler (...) zaman ve mekândan münezzehtir; gene de zaman ve mekân empirik olarak gerçektir, yani bütün empirik var olanlar veya görünüşler açısından gerçek veya geçerlidir. Bu makalede ise Transandantal Estetiğin başarılı bir pozisyonu savunduğu iddia edilmektedir. Buna göre Kant Metafiziksel Açımlamada zaman ve mekânın a priori görüler ve duyarlığın saf formları olduğunu tanıtlamıştır; öyleyse bunlar insan zihni tarafından kaynaklanmaktadır. Ayrıca Kant zamanın ve mekânın transandantal olarak gerçek olduğunu savunan Newton’un görüşü ile bunların empirik olarak ideal olduğunu savunan Leibniz’in görüşünü başarıyla çürütmüştür; dolayısıyla elimizde kalan tek savunulabilir görüş bunların transandantal olarak ideal empirik olarak gerçek olduğudur. Ayrıca bu makalede Guyer’in Metafizik Açımlama yerine Transandantal Açımlamaya yatırım yapıp onu yeniden inşa eden “geometriden hareketle argüman”ının stratejisi eleştirilmiştir. Guyer’a göre Kant Öklidyen geometrinin de re zorunluluğunu savunmuş, buradan ise kendinde şeylerin zamansız ve mekânsız olduğu önermesini türetmiştir. Bu makalede Guyer’in bu alternatif stratejisinin çalışmadığı gösterilmektedir. Guyer’in iddia ettiğinin aksine, Kant geometrinin apodeiktikliğinden bahsederken, göz önünde bulundurduğu şey geometrik nesneler değil önermelerdir. (shrink)

Kant felsefesine karşı yapılan en yaygın eleştirilerden biri onun öznelci olduğudur. Bu eleştiriyle birlikte ayrıca Berkeleycilik suçlaması ve fenomenalist okuma karşımıza çıkmaktadır. Öznelcilik ithamına göre Kant empirik nesneleri sağlam/zihinden bağımsız bir şekilde düşün(e)mez, bu ise bilincimizin içine sıkışıp kaldığımız bir felsefeye yol açar. Berkeleycilik suçlaması ve fenomenalist okumaya göre de Kant felsefesi sadece görünüşleri bilebileceğimizi söyleyerek, bütün gerçekliği “kafanın-içinde-duran” zihinsel içeriklere indirgemiştir. Bu makalede öncelikle Kant’ın Berkeleycilik ithamına karşı kendi argümanlarını inceleyeceğiz; daha sonra fenomenalist okumanın temel varsayımlarını Van Cleve’in Kant (...) yorumunu mercek altına alarak bulacak ve eleştireceğiz. Bizim görüşümüze göre Van Cleve Kant’ı ele alırken ona iki varsayım isnat eder. Birincisine göre, Kant Kartezyen-Lockeçu temsiliyetçiliği savunur; ikincisine göre, Kantçı özne temelcidir. Bizce bu iki varsayımın Kant’a yüklenmesi haksızdır ve dolayısıyla Berkeleyci fenomenalist okuma ikna edici görünmemektedir. Kant’ın görünüş kavramı “kafanın-içinde-duran” zihinsel içerikler anlamına gelmemektedir; özne ise Kant’ın felsefesinde temelci bir pozisyon işgal etmez, dolayısıyla özne nesneyi salt bir zihinsel içerikmiş gibi taşımaz zira hem özne hem nesne Kant’ta fenomenal alana düşerler. (shrink)

Bu tez, Kant'ın şematizm olarak adlandırdığı, düşünsel kavramların duyusal görünümlere nasıl uygulanabileceğini açıklamaya çalıştığı edimi konu edinmektedir. Şematizm, düşünürler tarafından genellikle eleştirilmiş veya anlaşılmaz bulunmuştur ancak eleştirel felsefenin oldukça önemli bir yönünü oluşturur. Söz konusu çalışmada, şematizmin temsiller arasındaki geçişlerle nasıl anlaşılabileceği; duyusallık ile anlama yetisi ve anlama yetisi ile akıl arasındaki ilişkiyi nasıl oluşturduğu gösterilecektir. Bu ilişki, anlama yetisinin duyusallıktan gelen malzemeyi nasıl kurduğu, aklın ise anlama yetisinden gelen bilgileri nasıl düzenlediğiyle ilgilidir. Bununla birlikte, temsiller arasındaki olası geçişlerin farklı (...) (gidimli, belirleyici, düşünümsel, benzetimli) şematizm türlerine nasıl olanak sağladığı gösterilmeye çalışılacaktır. Göreceğiz ki şematizm, matematiği ve fizyolojiyi (fizik ve metafizik) zamansallığa dayanarak temellendirir. -/- This thesis deals with the act that Kant calls schematism, the way of applying intellectual concepts to sensible appearances. Schematism has been generally criticized or deemed incomprehensible by thinkers, but it constitutes a vitally important aspect of the critical philosophy. In this study, I will attempt to show how schematism provides transitions between representations and establishes the relation between sensibility and understanding, also between understanding and reason. The relation is about how the understanding constructs the material of sensibility, and how the reason regulates the cognitions of the understanding. In this respect, I will also show that possible transitions between representations (discursive, determinative, reflexive and analogical) enable different ways of schematism. It will be shown that schematism grounds mathematics, and physiology (physics and metaphysics) based on temporality. (shrink)

Famously, Kant describes space and time as infinite “given” magnitudes. An influential interpretative tradition reads this as a claim about phenomenological presence to the mind: in claiming that space and time are given, this reading holds, Kant means to claim that we have phenomenological access to space and time in our original intuitions of them. In this paper, I argue that we should instead understand givenness as a metaphysical notion. For Kant, space and time are ‘given’ in virtue of three (...) related facts: (i) they are necessary grounds of the existence of all other spatial and temporal possibilities; (ii) in virtue of being such grounds, they are metaphysically linked to all other represented spatiotemporal things; and (iii) as representations, space and time issue from the nature of our faculty of sensibility rather than from an arbitrary act of choice. Understanding givenness in this non-epistemological way helps us recover what is plausible in both ‘intellectualist’ and ‘anti-intellectualist’ readings of the Transcendental Aesthetic. Anti-intellectualists are correct that space and time are given in mere sensibility, but intellectualists are correct that we depend on the understanding for consciousness of space and time. (shrink)

This paper draws attention to two problems with Kant's claim that transcendental freedom is timeless. The problems are that this causes conceptual difficulties and fails to vindicate important parts of our moral practices. I then put forward three ways in which we can respond to these charges on Kant's behalf. The first is to defend Kant's claim that transcendental freedom occurs outside of time. The second is to reject this claim, but try to maintain transcendental idealism. And the third is (...) to reject both Kant's claim about the timelessness of freedom and also transcendental idealism itself. (shrink)

The aim of the Schematism chapter of the Critique of Pure Reason is to solve the problem posed by the “inhomogeneity” of intuitions and categories: the sensible properties of objects represented in intuition are of a different kind than the properties represented by categories. Kant's solution is to introduce what he calls “transcendental schemata,” which mediate the subsumption of objects under categories. I reconstruct Kant's solution in terms of two substantive premises, which I call Subsumption Sufficiency (i.e., that subsuming an (...) object under a transcendental schema is sufficient to subsume it under the corresponding category) and Real Possibility (i.e., that it is really possible to subsume objects under each of the transcendental schemata). These two principles, together with a trivial modal one (the Subsumption-Possibility Link), entail that it is possible to subsume objects under categories; in other words, the argument of the Schematism is valid. The main work of the paper consists in reconstructing Kant's arguments for, and explanations of, these premises. I argue that they hinge on Kant's claim that transcendental schemata are “time-determinations,” which I interpret to mean: rules for reflexively representing the temporal relations among our own representational states. On the basis of this reading, I reconstruct Kant's argument for Subsumption Sufficiency, category by category. I also explain why Real Possibility follows almost immediately. Granting Kant the argument up to this point in the Critique, the argument of the Schematism is sound. (shrink)

John Harfouch’s new book, Another Mind-Body Problem: A History of Racial Non-Being, argues that Immanuel Kant, widely considered the most influential philosopher of the modern period, is the first to claim the lives of non-white people are redundant and worthless. He articulates this through a metaphysics of minds and bodies that ultimately transforms the meaning of philosophy’s mind-body problem. A mind-body problem in the Kantian tradition is not a problem of how minds and bodies interact or brain states give rise (...) to consciousness. Rather, the problem is one of how a union of minds and bodies regenerates without reason, or of how a oneness repeats its own nothingness. Born without reason, the non-white world is a kind of human waste that can be eliminated without consequence. Accordingly, a properly understood history of the mind-body problem reckons with the problem of genocidal violence. Following this transformation of the mind-body problem from the late sixteenth century through Descartes’s writings and into the eighteenth century, Harfouch argues in Another Mind-Body Problem that philosophy has not understood its most canonical and long-standing problem and must now change who is hired and funded to solve it. (shrink)

Scholars working on Kant’s Anticipations of Perception generally attribute to him an argument that invalidly infers that objects have degrees of intensive magnitude from the premise that sensations do. I argue that this rests on an incorrect disambiguation of Kant’s use of Empfindung as referring to the mental states that are our sensings, rather than the objects that are thereby sensed. Kant’s real argument runs as follows. The difference between a representation of an empty region of space and/or time and (...) a representation of that same region as occupied by an object entails that, in addition to their extensive magnitude, objects must be represented as having a matter variable in intensive magnitude. Since it is the presence of sensation in a cognition that marks the difference between representing only the extensive magnitude of the object and the object as a whole, it is sensation that represents its intensive magnitude. (shrink)

Il principale obiettivo teoretico di questo lavoro consiste nel tentativo di verificare, attraverso un’indagine storico-genealogica e concettuale, come nella filosofia di Gilles Deleuze si assista ad un radicale mutamento del paradigma relativo alla nozione di trascendentale. Si tratta, in altre parole, di ripercorrere alcune delle tappe fondamentali che conducono il filosofo parigino a “purificare” il trascendentale da ogni riferimento ad una coscienza soggettiva egologica che si fondi in quanto principio genetico del mondo. Si riterrà utile procedere analizzando, in primo luogo, (...) il rapporto che Deleuze intrattiene con le istanze originarie del soggettivismo trascendentale kantiano, ove il trascendentale stesso, nel pensiero del filosofo tedesco, è strettamente connesso all’Io penso in quanto facoltà appercettiva dell’intelletto che incarnerebbe le condizioni di possibilità dell’esperienza. In secondo luogo, si tratterà di orientarsi nel dibattito critico che Deleuze intrattiene con la fenomenologia di Edmund Husserl, ed in particolar modo con la lettura husserliana della Critica della Ragion Pura di Kant, ove il padre fondatore dell’indirizzo fenomenologico novecentesco è colui che fa leva sullo stretto rapporto che sussiste tra il trascendentale e la coscienza. Nonostante il percorso storico, tracciato dal concetto di trascendentale, abbia inizio con l’opera di Kant, ritengo non sia possibile evitare un pur breve confronto con il ruolo che l’ego ha avuto nella formulazione cartesiana del cogito; si dovrà, per ciò stesso, considerare la particolare lettura deleuziana che riconosce nel cogito cartesiano il “luogo” in cui confluiscono tutte le facoltà del soggetto, permettendo di identificare il cogito stesso con una forma embrionale di piano di immanenza, seppur non adeguatamente radicalizzata nella misura in cui il cogito cartesiano resta saldamente ancorato al soggetto. Ritengo, tuttavia, che il più considerevole obiettivo di questa proposta d’indagine non si risolva in una ricostruzione meramente storico-genealogica. Si tratterà, al contrario, di verificare come l’importanza degli esiti raggiunti da Deleuze mediante l’opera di purificazione della nozione di trascendentale sia da individuare su due fronti: 1. La teorizzazione del concetto di campo trascendentale permette a Deleuze di disegnare una forma di temporalità non psicologica e non cronologica fondata sul paradosso secondo cui il tempo costituirebbe un’interiorità non psicologica, o per meglio dire, una dimensione autenticamente trascendentale nella quale il soggetto vive e diviene. 2. In antitesi ai proponimenti della fenomenologia husserliana, l’esito autentico del progetto di purificazione del trascendentale da ogni istanza egologica consiste nell’interruzione della correlazione a priori tra il soggetto e il mondo, nella destituzione della filosofia da ogni pregiudizio antropocentrico, e nella rideterminazione dell’umano niente più che come un effetto, o un caso, del mondo. (shrink)

In this paper I consider Tetens' reaction to Kant's Inaugural Dissertation in his two most important philosophical works, the essay “Über die allgemeine speculativische Philosophie” of 1775 and the two-volume Philosophische Versuche of 1777. In particular, I focus on Tetens’ critical discussion of Kant's account of the acquisition of concepts of space and time.

In this paper I consider Tetens' reaction to Kant's Inaugural Dissertation in his two most important philosophical works, the essay “Über die allgemeine speculativische Philosophie” of 1775 and the two-volume Philosophische Versuche of 1777. In particular, I focus on Tetens’ critical discussion of Kant's account of the acquisition of concepts of space and time.

In the Refutation of Idealism, Kant aims to defeat the Cartesian radical skeptical hypothesis that empirical reality might not exist and we cannot have knowledge of it. Kant intends to demonstrate that conscious experience presupposes direct experience of empirical reality. This paper presents new challenges to the conclusions Kant reaches in the Refutation. Kant’s argument turns on the claim that the past must exist, and my challenges concern the possibility that there is no past.

This is a defense of Kant against the allegedly neglected alternative in his formulation of transcendental idealism. What sets it apart from the contributions of others who have spoken for Kant in this regard is the construction of a general interpretive framework — a reconstruction of the one Kant provides for transcendental idealism — as opposed to the development of an ad hoc defensive strategy for refuting the charges. Hence, comprehensive clarification instead of pointed rebuttal. The difference is between focusing (...) on the text and focusing on the problem. No doubt, doing both is not only possible but also required, as the problem is supposed to be in the text, but the point is that it is not there, and further, that we need not go anywhere else to show that it is not there. Thus, the approach is constructive rather than defensive, or more accurately, constructive as well as defensive. And the construction rests on what Kant actually said rather than on what he might have meant or on what he should have said instead. (shrink)

In this paper, I argue that there are multiple principles of apperception which jointly constitute the foundation of Kant's argument in the transcendental deduction.

When interpreters orient Kant in relation to contemporary philosophy of time, they claim that the B series is dependent on the A series. However, I claim that the opposite direction of dependence is also supported, due to Kant’s position that change is both intelligible and involves incompatibility. This paper extends the contemporary description of Kant’s philosophy of time to show that Kant endorses the interdependence of A series and B series views on time.

Time is one of the most enigmatic notions philosophers have ever dealt with. Once subjected to close examination, almost any feature usually ascribed to time, leads to a plethora of fundamental and hard to resolve questions. Just as philosophers of the eighteenth-century attempted to take account of revolutionary developments in the physical sciences in understanding space, life, and a host of other fundamental aspects of nature (see Jones, Gaukroger, and Smith in this volume) they also engaged in fundamental and fruitful (...) controversies about the nature of time spurred by Newton and others (see Schliesser and Schabas in this volume). In this article, I will attempt to trace the general outlines of these controversies. Special attention will be given to a question that was central for many eighteenth century philosophers and is somewhat less prominent in contemporary, twenty-first century, debates on the nature of time, i.e., whether time can be reduced to, grounded by, or explained through other more basic elements. The concept of time is commonly discussed – both in eighteenth and twenty first century philosophy – in analogy to space. Here I will attempt to focus on time and address the analogies to space only when relevant. This attitude is motivated both by the need to provide as detailed an account as possible of time in the allocated textual space, and by the various dissimilarities between space and time. While space and time can be fruitfully compared and contrasted, the use of metaphors taken from one domain to clarify features belonging to the other domain has the real potential of leading us astray by unconsciously and seamlessly taking metaphorical language in a literal sense. In the first part of this essay, I will discuss the famous debate between Newton, Leibniz and Clarke on the nature of space and time. The second part will address Hume’s understanding of time and the relation between time and causation. In the third and final part, I will discuss Kant’s views on the relation between time and causality, place them in the context of his predecessors, and then examine Salomon Maimon’s attempt to revive the Leibnizian program of reducing time to concepts, within the framework of Kantian philosophy, broadly conceived. (shrink)

Kant's claim that time is a subjective form of intuition was first proposed in his Inaugural Dissertation. This view was immediately criticised by Schultz, Lambert and Mendelssohn. Their criticisms are based on the claim that representations change which implies that change is real. From the reality of change they then argue to the reality of time, which undermines its supposed status as a subjective form of intuition that only applies to appearances. Kant took these criticisms very seriously and attempted to (...) reply to them in § 7 of the Transcendental Aesthetic. This paper provides a critical assessment of the objections raised by Schultz, Lambert and Mendelssohn as well as of Kant's diagnosis and response. In particular, it shows how Kant can consistently hold that knowledge of our mental states is restricted to knowledge of appearances. (shrink)

Schon am Anfang seiner Lehrtätigkeit war Kant kritisch gegenüber den gängigen Definitionen der Philosophie, weil er bereits eine eigene Reform der Metaphysik entworfen hatte. Um diese These zu zu stützen, beschäftigt sich der Beitrag mit Kants Behandlung von Martin Knutzens Definition der Philosophie und dem dritten Teil von Kants Schrift Principiorum primorum cognitionis metaphysicae nova dilucidatio (1755), die zwei neue metaphysische Grundsätze enthält. Mit ihrer innovativen Theorie von Zeit und Raum liefern «der Satz der Aufeinanderfolge» und «der Satz des Zugleichseins» (...) eine neue Begründung der Psychologie und Kosmologie, die eine Alternative zur Theorie des physischen Einflusses sowie zu Leibniz’ vorherbestimmter Harmonie darstellen. Kants Theorie einer allgemein begründeten Harmonie wird somit als ein Versuch vorgestellt, die Grundsätze der Metaphysik zu erneuern, um die Bestimmung der Philosophie als Wissenschaft von den Gründen der Dinge im Vergleich zum zeitgenössischen Rationalismus besser zu rechtfertigen. (shrink)

Schon am Anfang seiner Lehrtätigkeit war Kant kritisch gegenüber den gängigen Definitionen der Philosophie, weil er bereits eine eigene Reform der Metaphysik entworfen hatte. Um diese These zu zu stützen, beschäftigt sich der Beitrag mit Kants Behandlung von Martin Knutzens Definition der Philosophie und dem dritten Teil von Kants Schrift Principiorum primorum cognitionis metaphysicae nova dilucidatio (1755), die zwei neue metaphysische Grundsätze enthält. Mit ihrer innovativen Theorie von Zeit und Raum liefern «der Satz der Aufeinanderfolge» und «der Satz des Zugleichseins» (...) eine neue Begründung der Psychologie und Kosmologie, die eine Alternative zur Theorie des physischen Einflusses sowie zu Leibniz’ vorherbestimmter Harmonie darstellen. Kants Theorie einer allgemein begründeten Harmonie wird somit als ein Versuch vorgestellt, die Grundsätze der Metaphysik zu erneuern, um die Bestimmung der Philosophie als Wissenschaft von den Gründen der Dinge im Vergleich zum zeitgenössischen Rationalismus besser zu rechtfertigen. (shrink)

Kant’s three Analogies of Experience, in his Critique of Pure Reason, represent a highly condensed attempt to establish the metaphysical foundations of Newtonian physics. His strategy is to show that the organization of experience in terms of a world of enduring substances undergoing mutual causal interaction is a necessary condition of the temporal ordering even of one’s own subjective states, and thus of coherent experience itself. In his Third Analogy—an examination of the necessary conditions of judgments of simultaneous existence—he argues (...) that certain conceptual presuppositions consistent with Newtonian physics are necessary to time-awareness. His argument, however, appears to be undermined by conventionalism in natural science generally, and by the conventionality of simultaneity in particular. In this paper I discuss Kant’s claims in light of contemporary relativity theory. I suggest that, while his project is obsolete in major respects, there may still be useful insights into time-awareness to be drawn from his work. (shrink)

The theorist who denies the objective reality of non-relational temporal properties, or ‘A-series’ determinations, must explain our experience of the passage of time. D.H. Mellor, a prominent denier of the objective reality of temporal passage, draws, in part, on Kant in offering a theory according to which the experience of temporal passage is the result of the projection of change in belief. But Mellor has missed some important points Kant has to make about time-awareness. It turns out that Kant's theory (...) of time-awareness also involves projection – but for him, the projection of temporal passage is necessary to any coherent experience at all, and for this reason events in the world cannot be represented except as exhibiting real tensed change. Consequently we cannot intelligibly suppose the world we know to be without the passage of time. This fact would permit a modest transcendental argument the conclusion of which is that we are entitled to describe the world in terms of temporal passage. (shrink)

I take up Kant's remarks about a " transcendental deduction" of the "concepts of space and time". I argue for the need to make a clearer assessment of the philosophical resources of the Aesthetic in order to account for this transcendental deduction. Special attention needs to be given to the fact that the central task of the Aesthetic is simply the "exposition" of these concepts. The Metaphysical Exposition reflects upon facts about our usage to reveal our commitment to the idea (...) that these concepts refer to pure intuitions. But the legitimacy of these concepts still hangs in the balance: these concepts may turn out to refer to nothing real at all. The subsequent Transcendental Exposition addresses this issue. The objective validity of the concepts of space and time, and hence their transcendental deduction, hinges on careful treatment of this last point. (shrink)

In Van Cleve's "Problems from Kant," it is suggested that his interpretation of Kant's metaphysics resolves the problem of "The Neglected Alternative"--the worry that Kant failed to consider that space and time, while perhaps necessary for sensible intuition, could also be objectively real in-themselves. However, it is far from clear how Van Cleve is supposed to have solved this objection. This paper examines why Van Cleve might have thought the problem resolved on his view, and argues that there is no (...) reason to think the problem has in fact been resolved. (shrink)

By transcendental aesthetic, Kant means “the science of all principles of a priori sensibility” (A 21/B 35). These, he argues, are the laws that properly direct our judgments of taste (B 35 – 36 fn.), i.e. our aesthetic judgments as we ordinarily understand that notion in the context of contemporary art. Thus the first part of the Critique of Pure Reason, entitled the Transcendental Aesthetic, enumerates the necessary presuppositions of, among other things, our ability to make empirical judgments about particular (...) works of art. These presuppositions are sensible rather than intellectual because on Kant's view, all intellection that considers objects of any kind, whether abstract or concrete, must at base connect to actual, material objects with which we come into direct contact; and this we can do only through sensibility (A 19/B 33). Thus the following discussion explores what Kant claims must be true of us in order to make the sorts of aesthetic judgments we make, rather than any particular class or quality of aesthetic judgments itself. On Kant's view, what must be true of us in order to make aesthetic judgments is not different from what must be true of us in order to make any other kind of judgment about empirical objects. This last point is worth emphasizing, in order to correct an interpretation of Kant's account of aesthetic judgment in the Critique of Judgment that wrongly reads Kant as claiming that aesthetic judgments do not have to satisfy the same basic requirements of judgment that any other kind of judgment also must satisfy, such as the synthetic subsumption of such objects under certain necessary and hard-wired concepts of understanding, the internal coherence of such judgments with other, non-aesthetic ones of a more abstract and comprehensive character, the unified consciousness within which such judgments are intelligibly made, and the like. Of course Kant recognizes the special character of aesthetic judgments and unpacks it in the... (shrink)

By transcendental aesthetic, Kant means “the science of all principles of a priori sensibility” (A 21/B 35). These, he argues, are the laws that properly direct our judgments of taste (B 35 – 36 fn.), i.e. our aesthetic judgments as we ordinarily understand that notion in the context of contemporary art. Thus the first part of the Critique of Pure Reason, entitled the Transcendental Aesthetic, enumerates the necessary presuppositions of, among other things, our ability to make empirical judgments about particular (...) works of art. These presuppositions are sensible rather than intellectual because on Kant’s view, all intellection that considers objects of any kind, whether abstract or concrete, must at base connect to actual, material objects with which we come into direct contact; and this we can do only through sensibility (A 19/B 33). Thus the following discussion explores what Kant claims must be true of us in order to make the sorts of aesthetic judgments we make, rather than any particular class or quality of aesthetic judgments itself. On Kant’s view, what must be true of us in order to make aesthetic judgments is not different from what must be true of us in order to make any other kind of judgment about empirical objects. (shrink)

By transcendental aesthetic, Kant means “the science of all principles of a priori sensibility” (A 21/B 35). These, he argues, are the laws that properly direct our judgments of taste (B 35 – 36 fn.), i.e. our aesthetic judgments as we ordinarily understand that notion in the context of contemporary art. Thus the first part of the Critique of Pure Reason, entitled the Transcendental Aesthetic, enumerates the necessary presuppositions of, among other things, our ability to make empirical judgments about particular (...) works of art. These presuppositions are sensible rather than intellectual because on Kant's view, all intellection that considers objects of any kind, whether abstract or concrete, must at base connect to actual, material objects with which we come into direct contact; and this we can do only through sensibility (A 19/B 33). Thus the following discussion explores what Kant claims must be true of us in order to make the sorts of aesthetic judgments we make, rather than any particular class or quality of aesthetic judgments itself. On Kant's view, what must be true of us in order to make aesthetic judgments is not different from what must be true of us in order to make any other kind of judgment about empirical objects. This last point is worth emphasizing, in order to correct an interpretation of Kant's account of aesthetic judgment in the Critique of Judgment that wrongly reads Kant as claiming that aesthetic judgments do not have to satisfy the same basic requirements of judgment that any other kind of judgment also must satisfy, such as the synthetic subsumption of such objects under certain necessary and hard-wired concepts of understanding, the internal coherence of such judgments with other, non-aesthetic ones of a more abstract and comprehensive character, the unified consciousness within which such judgments are intelligibly made, and the like. Of course Kant recognizes the special character of aesthetic judgments and unpacks it in the... (shrink)

In this article we provide a mathematical model of Kant?s temporal continuum that satisfies the (not obviously consistent) synthetic a priori principles for time that Kant lists in the Critique of pure Reason (CPR), the Metaphysical Foundations of Natural Science (MFNS), the Opus Postumum and the notes and frag- ments published after his death. The continuum so obtained has some affinities with the Brouwerian continuum, but it also has ‘infinitesimal intervals’ consisting of nilpotent infinitesimals, which capture Kant’s theory of rest (...) and motion in MFNS. While constructing the model, we establish a concordance between the informal notions of Kant?s theory of the temporal continuum, and formal correlates to these notions in the mathematical theory. Our mathematical reconstruction of Kant?s theory of time allows us to understand what ?faculties and functions? must be in place for time to satisfy all the synthetic a priori principles for time mentioned. We have presented here a mathematically precise account of Kant?s transcendental argument for time in the CPR and of the rela- tion between the categories, the synthetic a priori principles for time, and the unity of apperception; the most precise account of this relation to date. We focus our exposition on a mathematical analysis of Kant’s informal terminology, but for reasons of space, most theorems are explained but not formally proven; formal proofs are available in (Pinosio, 2017). The analysis presented in this paper is related to the more general project of developing a formalization of Kant’s critical philosophy (Achourioti & van Lambalgen, 2011). A formal approach can shed light on the most controversial concepts of Kant’s theoretical philosophy, and is a valuable exegetical tool in its own right. However, we wish to make clear that mathematical formalization cannot displace traditional exegetical methods, but that it is rather an exegetical tool in its own right, which works best when it is coupled with a keen awareness of the subtleties involved in understanding the philosophical issues at hand. In this case, a virtuous ?hermeneutic circle? between mathematical formalization and philosophical discourse arises. (shrink)