This paper provides a taxonomy of cosmological arguments and givesgeneral reasons for thinking that arguments that belong to a given category do not succeed.

This chapter is a critical discussion of the third chapter of Tim O'Connor's *Theism and Ultimate Explanation*. In this chapter, O'Connor advances the 'existence stage' of his cosmological argument from contingency. I argue that naturalists have good reason to think that on each of the live hypotheses -- infinite regress, brute contingency, brute necessity -- naturalism is preferable to theism.

Robert Koons has recently defended what he claims is a successful argument for the existence of a necessary first cause, and which he develops by taking “a new look” at traditional arguments from contingency. I argue that Koons’ argument is less than successful; in particular, I claim that his attempt to “shift the burden of proof” to non-theists amounts to nothing more than an ill-disguised begging of one of the central questions upon which theists and non-theists disagree. (...) I also argue that his interesting attempt to bridge (part of) the familiar gap between the claim that there is a necessary first cause and the claim that God exists is beset with numerous difficulties. (shrink)

We draw out significant consequences of a relatively popular theory of metaphysical modality—branching actualism—for cosmological arguments for God’s existence. According to branching actualism, every possible world shares an initial history with the actual world and diverges only because causal powers (or dispositions, or some such) are differentially exercised. We argue that branching actualism undergirds successful responses to two recent cosmological arguments: the Grim Reaper Kalam argument and a modal argument from contingency. We also argue (...) that branching actualism affords a response to one popular defense of the classic contingency argument. What results are new difficulties for several cosmological arguments arising from the metaphysics of modality. (shrink)

Robert Koons claims that my previous critique of his “new” cosmological argument is vitiated by confusion about the nature of defeasible argumentation.In response, I claim that Koons misrepresents—and perhaps misunderstands—the nature of my objections to his “new” cosmological argument. The main claims which I defend are: (1) that the move from a non-defeasible to a defeasible causal principle makes absolutely no difference to the success of the cosmological argument in which it is contained; and (2) that, (...) since it is perfectly well understood that non-theists have many reasons for rejecting the defeasible causal principle, it is pointless to claim that the move to a defeasible principle brings about a shift in the “burden of proof”. (Since some people may have forgotten—or may choose to ignore—the fact that non-theists do have reasons for rejecting the defeasible causal principle, I also provide a discussion of a modest sample of these reasons.). (shrink)

This article argues that not all arguments from parts to wholes commit the informal logical fallacy of composition,and especially not the cosmological argument for God which moves from the contingent existence of all the parts of the cosmos to the contingent existence of the whole.

This chapter provides an overview and critical discussion of cosmological arguments for theism, with special focus on the Kalam argument and arguments from contingency.

This paper is a review of the cosmological argument that Tim O'Connor defends in "Theism and Ultimate Explanation".

Schelling’s middle period works have always been a source of fascination: they mark a break with the idealism (in both senses of the word) of his early works and the Fichtean and then Hegelian tradition; while they are not weighed down by the reactionary burden of his late lectures on theology and mythology. But they have been equally a source of perplexity. The central work of this period, the Essay on Human Freedom (1809) takes as its topic the moral problem (...) of freedom, but spends much of its time telling a mystical-metaphysical story about the creation of the world that attempts to paint a picture of a kind of irreducible metaphysical contingency in nature. What is the relation between the moral and the metaphysical elements of the Freedom essay? It has never been obvious. But some recent Anglophone scholarship suggests an answer. In her Freedom and Reason in Kant, Schelling and Kierkegaard (2006) Michelle Kosch presents a strong case for the view that Schelling’s Freedom essay is motivated by a critique of Kant’s conception of autonomy in ethics. The idea is that Kant’s problems start not if he fails to show that it is rational to be moral, but if he succeeds. For if he does, then it is irrational to be immoral, and hence it is impossible for a rational agent to act immorally: an act not in conformity with duty is evidence of irrationality (perhaps one’s rational agency has been thwarted by pathological inclinations). This is broadly the Socratic position: evil, as a knowing immoral act, is not possible. Officially Kant rejects the classical view, most explicitly in his 1793 Religion with the Bounds of Mere Reason, for a Christian position in which freedom is understood as the freedom to choose between good and evil without thereby abandoning one’s agency. But he has no obvious means for doing so. Kosch attempts to show that Schelling comes, by 1809, to identify his early work with something like this Kantian dilemma: we are as badly off when it comes to our freedom if we are pushed around by reasons as if we are pushed around by causes: the Hegelian ruse of reason is as inimical to our agency as phenomenal determinism. The Freedom essay is the result of Schelling’s attempt to defend a muscular, Christian conception of the possibility of evil. Nevertheless, for Kosch, Schelling’s move to the metaphysical level is still problematic: just where one would expect an account of norms that does not infer them from our rational autonomy, we get, puzzlingly, a cosmology. I will argue that Kosch’s matrix for interpreting Schelling in fact does give us a way of understanding Schelling’s metaphysics of contingency. In broad outline, Schelling’s argument is that our choice of metaphysical schema is constrained by a correct understanding of agency: the world cannot be causally determined because that is inconsistent with our understanding of ourselves as agents; but equally the world cannot be rationally determined, and for the same reason. Schelling’s metaphysics of contingency is an unpacking of the consequences of this inference, and not a botched attempt to ground values outside of rational autonomy. (shrink)

The interest for versions of cosmological argument formulated in non-causal terms had increased in the last years. In this paper I shall argue that the cosmological argument of contingency is better understood in noncausal terms and I shall explore how the ontological dependence of the universe on God presupposed by this cosmological argument can be understood in terms of the identityessential account for ontological dependence championed by Kit Fine. First, I discuss the reasons for considering that (...) the cosmological argument of contingency is about constant or constitutive ontological (noncausal) dependence. Second, I present the essentialist account of ontological dependence by Kit Fine. Third, I examine the perplexities involving the ontological argument of contingency in the framework of identity-essential dependence. My conclusion is that, under the cosmological argument of contingency plus an identity-essential account of ontological dependence, all contingent things depend on God in a collective way, not an individual one. The collective essence of the totality of contingent things requires God, even although none of these things individually need to have God in their individual essences. (shrink)

Review of Kremer's book on Barry Miller's approach to God. (I have discussed Miller's argument from contingency in other publications.).

Richard Gale and Alexander Pruss contend that their ‘new cosmological argument’ is an improvement over familiar cosmological arguments because it relies upon a weaker version of the Principle of Sufficient Reason than that used in those more familiar arguments. However, I note that their ‘weaker’ version of the Principle of Sufficient Reason entails the ‘stronger’ version of that principle which is used in more familiar arguments, so that the alleged advantage of their proof turns out (...) to be illusory. Moreover, I contend that, even if their argument did rely on a weaker version of the Principle of Sufficient reason, nontheists would still be perfectly within their rights to refuse to accept the conclusion of the argument. (shrink)

The book discusses the structure, content, and evaluation of cosmological arguments. The introductory chapter investigates features essential to cosmological arguments. Traditionally, cosmological arguments are distinguished by their appeal to change, causation, contingency or objective becoming in the world. But none of these is in fact essential to the formulation of cosmological arguments. Chapters 1-3 present a critical discussion of traditional Thomistic, Kalam, and Leibnizian cosmological arguments, noting various advantages and (...) disadvantages of these approaches. Chapter 4 offers an entirely new approach to the cosmological argument - the approach of theistic modal realism. The proper explananda of cosmological arguments on this approach is not change, causation, contingency or objective becoming in the world. The proper explananda is the totality of metaphysical reality - all actualia and all possibilia. The result is the most compelling and least objectionable version of the cosmological argument. (shrink)

This is a review of *Necessary Existence* (by Alex Pruss and Josh Rasmussen). The review outlines a response to the main line of argument that is developed in the book.

Most of the historically salient versions of the Cosmological Argument rest on two assumptions. The first assumption is that some contingeney (i.e., contingent fact) is such that a necessity is required to explain it. Against that assumption we will argue that necessities alone cannot explain any contingency and, furthermore, that it is impossible to explain the totality of contingencies at all.The second assumption is the Principle of Sufficient Reason. Against the Principle of Sufficient Reason we will argue that (...) it is unreasonable to require, as the Principle of Sufficient Reason does, that any given whole of contingent facts has an explanation. Instead, it depends on the results of empirical investigation whether or not one should ask for an explanation of the given whole.We argue that if a cosmological argument invokes either of the two assumptions, then it fails to prove that a necessity is needed to explain the universe of contingent facts. (shrink)

We formulate a sort of "generic" cosmological argument, i.e., a cosmological argument that shares premises (e.g., "contingent, concretely existing entities have a cause") with numerous versions of the argument. We then defend each of the premises by offering pragmatic arguments for them. We show that an endorsement of each premise will lead to an increase in expected utility; so in the absence of strong evidence that the premises are false, it is rational to endorse them. Therefore, it (...) is rational to endorse the cosmological argument, and so rational to endorse theism. We then consider possible objections. (shrink)

In a recent Analysis article, Quentin Smith argues that classical theism is inconsistent with certain consequences of Stephen Hawking's quantum cosmology.1 Although I am not a theist, it seems to me that Smith's argument fails to establish its conclusion. The purpose of this paper is to show what is wrong with Smith's argument. According to Smith, Hawking's cosmological theory includes what Smith calls "Hawking's wave function law." Hawking's wave function law (hereafter, "HL") apparently has, among its consequences, the following (...) claim. (1) The unconditional probability that a universe like this one - i.e., a universe with the metric hij and matter field Φ - should begin to exist is 95%.2 Smith then argues that the theist who accepts HL must also accept that the following sentence was once true.3.. (shrink)

This chapter discusses methodology in feminist history of philosophy and shows that women philosophers made interesting and original contributions to the debates concerning the cosmological argument. I set forth and examine the arguments of Mary Astell, Damaris Masham, Catherine Trotter Cockburn, Emilie Du Châtelet, and Mary Shepherd, and discuss their involvement with philosophical issues and debates surrounding the cosmological argument. I argue that their contributions are original, philosophically interesting, and result from participation in the ongoing debates (...) and controversies about the cosmological argument, causal principles, and necessary existence. (shrink)

In the second chapter of her <i>Institutions de Physique</i> Emilie Du Chatelet gives two cosmological arguments for the existence of God. In this chapter I focus on the first of these arguments. I argue that, while it bears some significant similarities to arguments given by John Locke and Christian Wolff, it improves on these arguments in at least two ways. First, it avoids a potential equivocation in Locke's argument; and second, it avoids Wolff's mere stipulation (...) that whoever claims that there cannot be an infinite regress of contingent beings does not understand what a sufficient reason is. I finally argue that her argument avoids a related objection, considered by David Hume, on which to explain a causal chain is merely to explain each link in the chain. (shrink)

Dombrowski and Murdoch offer versions of the ontological argument which aim to avoid two types of objection – those concerned with the nature of the divine, and those concerned with the move from an abstract concept to a mind-independent reality. For both, the nature of the concept of God/Good entails its instantiation, and both supply a supporting argument from experience. It is only Murdoch who successfully negotiates the transition from an abstract concept to the instantiation of that (...) concept, however, and this is achieved by means of an ontological argument from moral experience which, in a reversal of the Kantian doctrine, depends ultimately on a form of the cosmological argument. (shrink)

In this paper I pursue an avenue of argument implicit in Patristic thinkers — such as Tertullian and Athanasius — and explicit in the thomistic and scholastic tradition. I argue that there is an ontological unity to the world, and that this unity calls for an explanation in terms of a transcendent cause, traditionally identified with God.

This paper is a companion to an article that I published in *Oxford Studies in Philosophy of Religion*. The OSPR discusses the third chapter of Tim O'Connor's *Theism and Ultimate Explanation. This paper discusses a range of other issues that are not picked up in the OSPR discussion.

In his so-called argument from consciousness (AC), J. P. Moreland argues that the phenomenon of consciousness furnishes us with evidence for the existence of God. In defending AC, however, Moreland makes claims that generate an undesirable tension. This tension can be posed as a dilemma based on the contingency of the correlation between mental and physical states. The correlation of mental and physical states is either contingent or necessary. If the correlation is contingent then epiphenomenalism is true. If (...) the correlation is necessary then a theistic explanation for the correlation is forfeit. Both are unwelcome results for AC. (shrink)

The paper argues that given the defining features of the God of “perfect being” theology, God would not create any contingently existing things. To do so would introduce a kind of gratuitous metaphysical imperfection in an otherwise metaphysically perfect universe. Given that in fact there are contingent things, it follows that the God of perfect being theism does not exist.

A simple solution to the problem of time is proposed by postulating that if the Universe is time-like, stationary, and bounded then it could be divided into static temporal gradations or contours. Hence, an energy diffusion flux (EDF) equation was established from which the Planck and the Hubble times have been derived. It is then found that time is unimportant after applying Gauss's Law on EDF when looking for a characteristic length of the Universe א. An uncertainty rule was (...) also found that may limit our simultaneous information between the scope of looking into space and the masses that it comprises. The paper concludes that if the Universe was in a stationary state and bounded, then, it did not begin to exist when compared to a vast and, probably, timeless Background. It appears to begin to exist because the information is largely mediated by optics. Thus, time is more epistemological in nature rather than ontological because of the limit that light imposes against instantaneous access to information. For this reason, the beginninglessness of the Universe should not preclude one from saying that the Universe does have a cause. (shrink)

Where did we come from? Why are we here? Where are we going? How should we live? I am sure that whoever is reading my words now has probably, at least once, asked these existential questions [1]. Among them, which one resonates the most? Probably the first question. You are not the only one since it has occupied minds of mankind since the dawn of history. But, why does it have such significance? Simply because its answer impacts everything else (...) including the other three questions. Our lives would become profoundly different based on our answer. There are only two possible answers, each of which has proponents. Theists give the affirmative answer while atheists give the negative one. This controversy involves both philosophical and scientific arguments. The scope of this paper will revolve more around philosophical argumentation than empirical scientific dialogue, into which it shall not dive deeply. The paper gathers different types of arguments, cosmological, moral, and fine-tuning arguments. This way, it introduces a reader new to the controversy to the types of arguments used, and, to readers familiar with the controversy, it gives insight about each type of argument through criticism. Each argument type has a lot of details. However, I care more about presenting the core of each type. My aim in this paper is equipping the reader with a firm foundation for their future search in pursuit of the truth. The main focus shall be on the existence of a first cause. Nonetheless, there shall be also a brief discussion about its attributes. The paper’s methodology for each type of argument is showing evidence for both theistic and atheistic views. Then a collective critical evaluation of each side’s arguments to show which side argues more soundly. (shrink)

James Sterba describes the egoist as thinking only egoist reasons decide the rationality of choices of action, the altruist, only altruistic reasons, that each in effect begs the question of what reasons there are against the other, and that the only non-question-begging and therefore rationally defensible position in this controversy is the middle-ground position that high-ranking egoistic reasons should trump low ranking-altruistic considerations and vice versa, this position being co-extensive with morality. Therefore it is rationally obligatory choose morally. I object (...) that the mere fact that a position is intermediate between two extremes does not mean it isn’t question-begging; that Sterba’s style of argument could be used to prove anything and therefore proves nothing; that it can be used to prove obvious falsehoods and therefore doesn’t necessarily track the truth; that it can be used to prove the truth of contingent, empirically obvious falsehoods when, since it is necessary a prior that one ought to be moral, something can be a good argument for the rationality of morality only if the argument’s style would entail only truths necessary a priori; that Sterba’s argument cannot inherit plausibility from what Sterba describes as the decision theoretic idea that when choosing among options where we have no evidence that one is more appropriate than the other, we must treat them as equally choice-worthy, since there is no such idea in decision theory, and shouldn’t be (for when, for example, there is no evidence that x exists and no evidence that x does not exist, one should believe that x does not exist; one should not chose as if x’s existence and non-existence were equally likely); that Sterba’s argument style is not analogous to the compromise strategies recommended in bargaining theory, nor in negotiating situations (although it would profit Sterba to consider David Gauthier’s approach in seeking to demonstrate that morality is both a middle ground between egoism and altruism, and is rationally obligatory); that it is problematic to see egoistic and altruistic reasons as commensurable and therefore admitting of a middle ground, especially a unique middle ground; that in any case, egoistic and altruistic reasons are not exhaustive of the reasons there could be; that the only sense in which moving to middle ground results in the parties not begging the question against each other is that it means they would be agreeing with each other and therefore not holding positions against each other, whether question-beggingly or otherwise, a fact which offers neither any rationally compelling reason to move her position closer to that of the other (for how can the mere fact that if we agreed we wouldn’t be begging the question against each other be a reason to agree?); and that even if morality is both rationally obligatory and a middle ground between egoism and altruism, it won’t be in any interesting sense true that this holds because the alternative would be question-begging, which means that analyzing the basis of the rationality of morality as being found in this principle of argumentation theory misconceives the nature of morality. (shrink)

Church and Fitch have argued that from the verificationationist thesis “for every proposition, if this proposition is true, then it is possible to know it” we can derive that for every truth there is someone who knows that truth. Moreover, Humberstone has shown that from the latter proposition we can derive that someone knows every truth, hence that there is an omniscient being. In his article “Omnificence”, John Bigelow adapted these arguments in order to argue that (...) class='Hi'>from the assumption "every contingent proposition is such that if it is true something brought it about that it is true" we can derive that there is an omnificent being: a being that brings it about that every true contingent proposition is true. In my reply to his article, I show that Bigelow’s argument is flawed because there is some formal property that the knowledge operator has but that the bringing about operator lacks. This is the property of distributing over conjunctions. I explain why what brings it about that some conjunctive proposition is true need not bring it about that its conjuncts are true. (shrink)

This paper proposes the feasibility of a second-order approach in cosmology. It is intended to encourage cosmologists to rethink standard ideas in their field, leading to a broader concept of self-organization and of science itself. It is argued, from a cognitive epistemology perspective, that a first-order approach is inadequate for cosmology; study of the universe as a whole must include study of the scientific observer and the process of theorizing. Otherwise, concepts of self-organization at the cosmological scale remain (...) constrained by unacknowledged assumptions and biases. Examples of limiting notions are discussed in the context of alternatives. To include the role of the theorist does not mean reducing science to subjective or sociological terms. On the contrary, second-order science would provide a more complete portrait of nature. The work of cosmologist Lee Smolin is discussed as a candidate example of second-order cosmology. (shrink)

The present work explores various ways in which contingent evidence can impact metaphysics, while advocating that, just as a scientific realist allows for ampliative inferences to the unobservable, ampliative inferences from possible evidence can warrant possibility claims that lie beyond the reach of sensorial imagination. In slogan form: possible evidence is a guide to possibility. Drawing on Shoemaker’s (1969) argument for the possibility of time without change, I advocate the following principle: If there is a possible world at which (...) the observable facts make it objectively reasonable to conclude that p, then we should conclude that p is possibly true. This provides a route to contingentism in metaphysics, for, if one considers that there are worlds in which the observable facts make it objectively reasonable to conclude that p, and worlds in which the observable facts make it objectively reasonable to conclude that not-p, then my principle tells us that we should conclude that possibly-p and possibly not-p, i.e. that p is contingent. This contingency in what is reasonable to conclude, I suggest, occurs most saliently in debates where evidence of phenomenal experience and empirical science are marshalled to support one theory over another. I also explore some consequences of taking possible evidence to be a guide to possibility in this way, among them being an interesting modal analogue of the lottery paradox. (shrink)

Essays on Aristotle's Sea-Battle, Lazy Argument, Argument Reaper, Diodorus' Master Argument -/- The book is devoted to the ancient logical theories, reconstruction of their semantic proprieties and possibilities of their interpretation by modern logical tools. The Ancient arguments are frequently misunderstood in modern interpretations since authors usually have tendency to ignore their historical proprieties and theoretical background what usually leads to a quite inappropriate picture of the argument’s original form and mission. Author’s primary intention was to draw attention to (...) the complexity of some historical arguments and to the theoretical context in which arguments were created, circulated, developed, and finally tuned. Four well-known ancient arguments – with a common central subject related to the future contingencies problem – are reconstructed from available historical sources: “The Sea Battle”, which is drawn from Aristotle’s treatise De Interpretatione; two arguments, usually ascribed to the Stoics, “The Lazy Argument” and “The Reaper”; “The Master Argument” of the Megarian philosopher Diodorus. Arguments are linguistically and semantically detaily analyzed, formally presented by reflecting some relevant corresponding hypotheses based on physical or logical theories of their ancient authors, and finally covered by appropriate logical tools familiar to a modern reader. Two appendices are added at the closing part of the book. One covering some assumptions relevant for understanding of rival streams in ancient theories of meaning related to the nature of names and naming; the other is devoted to the ancient understanding of logical proposition and attempts to find an adequate Latin translation of the Greek delicate philosophical term “ἀξίωμα”. (shrink)

This article makes three claims concerning the concept of contingency. First, we argue that the word contingency is used in far too many ways to be useful. Its many meanings are detrimental to clarity of discussion and thought in history and the social sciences. We show how there are eight distinct uses of the word and illustrate this with numerous examples from the social sciences and history, highlighting the scope for confusion caused by the many, often contradictory (...) uses of the term. Second, we impose some order on these uses through developing a threefold classification of contingency based on assumptions about possible worlds and determinism. Finally, we discuss why we believe that one of the classes is a special use of the word without relevance to the social sciences, while the two remaining classes are nothing more than a variety of the “no hidden factors” argument in the debate on indeterminism and determinism. (shrink)

I discuss the formal implementation, interpretation, and justification of likelihood attributions in cosmology. I show that likelihood arguments in cosmology suffer from significant conceptual and formal problems that undermine their applicability in this context.

In this paper, I hope to solve a problem that’s as old as the hills: the problem of contingency for religious belief. Paradigmatic examples of this argument begin with a counterfactual premise: had we been born at a different time or in a difference place, we easily could have held different beliefs on religious topics. Ultimately, and perhaps by additional steps, we’re meant to reach the skeptical conclusion that very many of our religious beliefs do not amount to knowledge. (...) I survey some historical examples of this argument, and I try to fill the gap between the counterfactual premise and the skeptical conclusion as forcefully as possible. I consider the following possibilities: there are no additional steps in the argument; or there are and they concern the alleged safety condition on knowledge, or the alleged non-accidentality condition on knowledge, or the unclarity produced by disagreement. On every possibility, the argument from the counterfactual premise to the conclusion of widespread skepticism is invalid. It seems, then, that there is no serious problem of contingency for religious belief. (shrink)

The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. (...) Naming the Rococo raises profound issues for understanding the relations between conception and production in historical terms. Against the many difficulties that the term has involved in accounting for an immense but elusive cultural movement, this thesis argues that some of the chief philosophical conceptions of the period clarify the particular character and significance of Rococo production. Rococo production is here studied chiefly in decor, architecture, and the plastic arts. This thesis also makes an extended general argument for the value of intellectual history. Rococo style is a group of visual effects of which the central character is atectonicity. This is established by a synthesizing overview of Rococo ornamental motifs. Principal theorists of post-Cartesian thought have failed to see how these distinguish Rococo style from both Baroque and Enlightenment culture. The analysis addresses the historical narratives of Benjamin, Adorno, Foucault, Deleuze, and others about Baroque and Enlightenment culture. The core historical claim of this thesis is that Rococo atectonic effects are visual forms of the anti-materialist, idealist ontology of George Berkeley and of the metaphysics and ontology in the early work of Giambattista Vico. Close readings of important passages from works of both philosophers published in 1710 develop the relationship between atectonics and idealist ontology. Both men rejected the Baroque hierarchical cosmology in favor of finitude as the key to human understanding. The readings center on the issue of causality, including Berkeley’s views of the perfect contingency of the world and on Vico’s theories of truth and ingenium. A reading of Diderot’s critique of the Rococo, which led the reaction to it, shows that he recognized the power of idealist ontology in the Rococo cultural production. The larger force in the rejection of Rococo is the emergence of the sublime as a morally fearful feature of physical nature. Montesquieu’s aesthetic work also shows the transition to a more rigidly determined view of existence, which was expressed but constrained in the little-recognized lattice motif in Rococo arts. The result of these readings is the influence during and after the Rococo period of the concept of continuous creation, in which the memory and imagination of the human subject relays God-given powers of creation into the production of culture. Continuous creation also suggested a human capability to animate material nature. Rococo style displays this as pre-cinematic effects that represent the non-material, non-causal deep structure of reality. (shrink)

Cosmological arguments for God typically have two stages. The first stage argues for a first cause or a necessary being, and the second stage argues from there to God. T. Ryan Byerly offers a simple, abductive argument for the second stage where the best explanation for why the being is found to have necessary existence is that it is a perfect being. The reasoning behind this argument is that universal generalizations explain observations of their instances; for example, (...) the universal generalization that all ravens are black explains why some particular raven is observed to be black. Similarly, the fact that a being has all perfections explains why we find the being to have necessary existence. I distinguish between two readings of Byerly’s proposed theistic explanation, and conclude that his explanation does not offer an advantage to the theist in either case. (shrink)

Hypotheses about the shape of causal reality admit of both theistic and non-theistic interpretations. I argue that, on the simplest hypotheses about the causal shape of reality—infinite regress, contingent initial boundary, necessary initial boundary—there is good reason to suppose that non-theism is always either preferable to, or at least the equal of, theism, at least insofar as we restrict our attention merely to the domain of explanation of existence. Moreover, I suggest that it is perfectly proper for naturalists to be (...) undecided between these simple hypotheses about the causal shape of reality: contrary to the proponents of cosmological arguments, there are no decisive objections to any of these simple hypotheses. (I argue this case in detail in connection with objections offered by William Lane Craig; however, I believe that the case holds quite generally.). (shrink)

This paper first argues that we can bring out a tension between the following three popular doctrines: (i) the canonical reduction of metaphysical modality to essence, due to Fine, (ii) contingentism, which says that possibly something could have failed to be something, and (iii) the doctrine that metaphysical modality obeys the modal logic S5. After presenting two such arguments (one from the theorems of S4 and another from the theorems of B), I turn to exploring various conclusions (...) we might draw in light of these results, and argue that none comes cost free. In the course of laying out possible responses to my arguments, we'll have a chance to evaluate various doctrines about the interplay between contingency and essence, as well as develop some alternative reductions of metaphysical modality to essence. I don't decisively come down in favor of one response over the others, though I say some things that point towards the conclusion that essence has no role to play in reducing metaphysical modality. (shrink)

This paper is a discussion of an ontological argument defended by E. J. Lowe in the *Routledge Companion to Philosophy of Religion* (edited by C. Meister and P. Copan, at pp.332-40). The volume to which this paper belongs contains an article by Lowe which defends a different ontological argument from the one that I discuss.

De re or singular thoughts are, intuitively, those essentially or constitutively about a particular object or objects; any thought about different objects would be a different thought. How should a philosophical articulation or thematization of their nature look like? In spite of extended discussion of the issue since it was brought to the attention of the philosophical community in the late fifties by Quine (1956), we are far from having a plausible response. Discussing the matter in connection with the (...) status of the Kripkean category of the contingent a priori, Donnellan (1979) argued that what can be properly classified as knowable a priori about utterances like those involving ‘one meter’ or ‘Neptune’ famously proposed by Kripke (1980) cannot be the very same singular content that is contingent he distinguished to that end between knowing a true proposition expressed by an utterance, and knowing that an utterance expresses a true proposition. Evans (1979) replied that, for a very specific sort of cases involving “descriptive names”, a related proto-two-dimensionalist account should be preferred, on which it is not the singular contingent content, but rather a general descriptive one which is knowable a priori. In a series of papers, Robin Jeshion (2000, 2001) has recently attacked Donnellan's proposal, arguing in favour of the most straightforward interpretation of Kripke's claim: in the relevant cases, the very same singular content can be both contingent and knowable a priori. This paper appeals to a generalized version of two-dimensional semantics to advance an account of the Kripkean cases along the lines of Evans's, and argues that Jeshion's compelling arguments against Donnellan's view do not apply to this version. (shrink)

This book is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...) philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the book is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh’s Starry Night in an excursus. (shrink)

Consider an infinite series whose items are each explained by their immediate successor. Does such an infinite explanation explain the whole series or does it leave something to be explained? Hume arguably claimed that it does fully explain the whole series. Leibniz, however, designed a very telling objection against this claim, an objection involving an infinite series of book copies. In this paper, I argue that the Humean claim can, in certain cases, be saved from the Leibnizian “infinite book (...) copies” objection, and that this provides an interesting way to defuse some cosmological arguments for the existence of God and to give a non-theistic but complete explanation of the Universe. In the course of my argumentation, I also show that circular explanations can be “self-explanatory” as well: explaining two items by each other can explain the couple of items tout court. (shrink)

Causal finitism, the view that the causal history of any event must be finite, has garnered much philosophical interest recently—especially because of its applicability to the Kalām cosmological argument. The most prominent argument for causal finitism is the Grim Reaper argument, which attempts to show that, if infinite causal histories are possible, then other paradoxical states of affairs must also be possible. However, this style of argument has been criticized on the grounds of (i) relying on controversial modal principles, (...) and (ii) providing a false diagnosis of the paradoxes involved. In this paper, I develop a new kind of Grim Reaper argument immune to these criticisms. I show that, by using insights from the literature on time travel, causal finitists should instead argue that infinite causal histories are problematically inexplicable, as they entail the possibility of unexplained foiling mechanisms. The fruits of this paper are that (i) a novel supporting argument for the Kalām is developed, and (ii) along the way of building this argument, it is shown that the literatures on time travel and causal finitism are deeply and intimately connected. (shrink)

This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...) philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the paper is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. (shrink)

The ambition of this paper is extensive: to bring about a new paradigm and firm mathematical foundations to Metaphysics, to aid its progress from the realm of mystical speculation to the realm of scientific scrutiny. -/- More precisely, this paper aims to introduce the field of Metaphysical Cosmology. The Metaphysical Cosmos here refers to the complete structure containing all entities, both existent and non-existent, with the physical universe as a subset. Through this paradigm, future endeavours in Metaphysical Science could (...) thus analyse non-physical parts of the Metaphysical Cosmos. New logical notions are displayed as tools for Metaphysical Cosmology, such as a Metric-Space-based predicate system, as well as a revised version of the Existential Quantifier. -/- A type system is presented to derive a construction of the Metaphysical Cosmos. The system is structured through semantic and syntactic definitions in a coherent way and holds only one proper axiom: the existence of (at least) one entity. This paper itself serves as an empirical proof for this axiom. Formulae and equations that depict a clear logical and mathematical structure of the Metaphysical Cosmos are derived from the definitions of the system and this axiom. -/- This culminates in the "Sixth Theorem", whose proof displays logically that there must be something rather than nothing. A computational simulation of the Sixth Theorem is also provided, alongside with methods for a future Metaphysical Science. Thus, this paper does not aim to provide a traditional philosophical argument but rather a mathematical foundation and new paradigm for the science of Metaphysics. (shrink)

The clash between Galileo and the Catholic Inquisition has been discussed, studied, and written about for many decades. The scientific, theological, political, and social implications have all been carefully analysed and appreciated in all their interpretative fruitfulness. The relatively recent trend in this kind of scholarship however seems to have underestimated the fact that Galileo in this debate, as in his earlier debates, showed a particular style marked by overconfidence. If we keep in mind the Lakatosian account of scientific development, (...) it is of course perfectly understandable that scientists at times stick to their convictions by producing auxiliary hypotheses as buffers against contrary evidence. And elements of this are detectable in the arguments of both Galileo and his opponents. But one still needs to ask: To what extent did Galileo depend on auxiliary hypotheses? How insecure did they render his position? And how ad hoc were they? These are important questions because Galileo’s particular way of dealing with auxiliary hypotheses can throw light on the broader question of when and how auxiliary hypotheses are needed within scientific practice in general. It can even indicate some way of conceiving degrees of ad hocness. In this paper, I explore this issue by comparing two important debates in which Galileo was involved: one about the nature of water and buoyancy, the other about cosmology. I revisit not only the scientific content of these debates but also the cultural context in which they took place, especially their dependence on patronage and their theological repercussions. The results indicate that scholarship on Galileo can still be useful in clarifying currently relevant aspects of scientific practice, and is thus still far from its expiry date. (shrink)

Abstract (German) Dieses Buch faßt meine Forschungen zur Semiotik Giordano Brunos und zu deren Grundlagen in der Kosmologie und in der Gedächtnistheorie zusammen, wobei sowohl die Heterogenität als auch der Universalität des Denkers den Charakter dieses Buches geprägt haben. Es wird kein glattes Bild seiner Person oder seines Werkes angeboten, kein bejahender Jubel über eine epochale Leistung; wichtiger war mir die bis ins Detail gehende, manchmal mühselige Interpretation seiner Systementwürfe, wobei ich versucht habe, auch deren formales und technisches Niveau deutlich (...) zu machen. Nicht seine Weltanschauung soll dargestellt werden, sondern sein Versuch, eine Vielfalt von Detaillösungen in eine wohlproportionierte, wenn auch ins Unendliche reichende Wissensarchitektur zu integrieren. Als Startsignal mag folgende Frage dienen: Inwiefern ist Giordano Bruno Semiotiker? Der Philosoph Bruno wird von Jacobi als Beispiel spinozistischer Tendenzen wieder ins Gespräch gebracht; später wird er für die spekulative Naturphilosophie, die aus Kants Schatten heraustritt, z.B. für Schelling und Hegel, interessant, und schließlich wird er als Märtyrer der Freiheit von den Antiklerikalen im Risorgimento hochgehoben. Der Heroenkult um die „Kopernikanische Wende" weiß mit Bruno nichts anzufangen, er ist kein Naturwissenschaftler, wie man ihn sich im 20 . Jh . wünscht. Von Yates ( 1964 ) wird er als Hermetiker und Ahnherr der Rosenkreuzer entdeckt, und plötzlich soll er auch noch ein Semiotiker sein ? Die Etikette „Semiotiker" ist allerdings weniger riskant als jene früher an Bruno herangetragenen. Bruno ist Philosoph, in einem allgemeinen Sinn , insofern er alle wesentlichen Aspekte: metaphysische, natur philosophische, ethische, semiotische, poetologische zum Entwurf eines möglichst kohärenten Bildes vereint, und er ist ein Renaissance-Philosoph, d .h. das antike Erbe, besonders jenes in den orientalischen Tiefen der Kulturgeschichte (Ägypten und Chaldäer) ist sein Ausgangspunkt. Selbst den Entwurf des Copernicus versteht Bruno in erster Linie als eine Wiederentdeckung antiker Einsichten. Es gibt jedoch in Brunos Schaffen einen roten Faden: die Architektur unseres Wissens, das Gedächtnis der Kultur- und Wissensgemeinschaft und natürlich desjenigen, der wie Bruno dieses Wissen zu einer Synthese vereinigen will . Seine Philosophie versucht, wie jede große Philosophie, alles, was wir wissen und was wir daraus an weiterem impliziten Wissen erschließen können, in einer Einheit zu denken, und diese Einheit ist notwendigerweise nur als Zeichensystem (begrifflich, argumentativ, bildhaft, als imaginierte Welt) zu realisieren. -/- Abstract (English) This book summarizes my research on Giordano Bruno's semiotics and its foundations in cosmology and memory theory, whereby both the heterogeneity and the universality of the thinker have shaped the character of this book. No smooth picture of his person or his work is offered, no affirmative jubilation over an epochal achievement; What was more important to me was the sometimes laborious interpretation of his system designs, which went down to the last detail, and I also tried to make their formal and technical level clear. It is not his worldview that should be presented but his attempt to integrate various detailed solutions into a well-proportioned, albeit infinitely reaching, architecture of knowledge. The following question may serve as a starting signal: To what extent is Giordano Bruno a semiotician? Jacobi brings up the philosopher Bruno again as an example of Spinozist tendencies; later, he becomes important for the speculative natural philosophy emerging from Kant's shadow, e.g., for Schelling and Hegel. He is finally extolled as a martyr of freedom by the anticlericals in the Risorgimento. The hero cult around the "Copernican turn" does not know what to do with Bruno; he is not a natural scientist as one would wish in the 20th century. Yates (1964) discovered him as a hermetic, even an ancestor of the Rosicrucians. The etiquette "semiotic" is certainly less risky than the associations that Bruno used to have. Bruno is a philosopher, in a general sense, in that he combines all the essential aspects: metaphysical, natural philosophical, ethical, semiotic, poetological to project a picture that is as coherent as possible, and he is a Renaissance philosopher, i .e . the ancient heritage, especially that in the oriental depths of cultural history (Egypt and Chaldeans) is his starting point. Bruno sees even the draft of Copernicus primarily as a rediscovery of ancient insights. However, there is a common thread in Bruno's work: the architecture of our knowledge, the memory of the cultural and knowledge community and, of course, of those who, like Bruno, want to unite this knowledge into a synthesis. His philosophy, like every great philosophy, tries to think of everything that we know and what we can deduce from it as further implicit knowledge as a unit, and this unit is necessarily only available as a system of signs (conceptual, argumentative, pictorial, as an imagined world). to realize. 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Two different versions of the ending of the first additament to C. S. Peirce's 1908 article, "A Neglected Argument for the Reality of God," appear in the Collected Papers but were omitted from The Essential Peirce. In one, he linked the hypothesis of God's Reality to his entire theory of logic as semeiotic, claiming that proving the latter would also prove the former. In the other, he offered a final outline of his cosmology, in which the Reality of God (...) as Ens necessarium is indispensable to both the origin and order of our existing universe of Signs. Exploring these passages, as well as the unpublished manuscript drafts of the article, provides important insights into the key concepts of instinct and continuity within Peirce's comprehensive system of thought. (shrink)

Byerly has proposed a novel solution to the gap problem for cosmological arguments. I contend that his strategy can be used to strengthen a wide range of other theistic arguments as well, and also to stitch them together into a cumulative case for theism. I illustrate these points by applying Byerly’s idea about cosmological arguments to teleological arguments.

Graham Oppy has argued that possible explanation entails explanation in order to object to Richard Gale and Alexander Pruss’s new cosmological argument that it does not improve upon familiar cosmological arguments. Gale and Pruss as well as Pruss individually have granted Oppy’s inference from possible explanation to explanation and argue that this inference provides a reason to believe that the strong principle of sufficient reason is true. In this article, I shall undermine Oppy’s objection to the (...) new cosmological argument by arguing that it is logically possible that some truths are merely possibly explained. (shrink)