Ciência Política: Introdução à Sófocles*1 -/- Science Politics: Introduction to Sophocles -/- Emanuel Isaque Cordeiro da Silva*2 -/- Sófocles (496/4-406 a.C.) -/- 1 CONTEXTO HISTÓRICO: TEATRO E POLÍTICA -/- Na Grécia antiga, o teatro fazia parte das celebrações religiosas, especialmente nos rituais e representações dos festivais em homenagem ao deus Dionísio. A tragédia nasceu de tais circunstâncias, culminando seu apogeu no século V a.C., com as peças de Ésquilo*3 (525-456a.C.), SÓFOCLES*4 (496/4-406 a.C.) e Eurípedes*5 (480-406 a.C.). Pode-se dizer que, (...) contrário ao que ocorre normalmente, a arte não se deixou preceder pela filosofia, pois os poetas eram filósofos, pensando com sua própria mente e constituindo-se na vanguarda intelectual do seu tempo. -/- SÓFOCLES, em 468 a.C., ganhou do já consagrado Ésquilo, seu primeiro prêmio de tragédia, quando tinha vinte e sete anos. Ele nasceu em Colono, nas imediações de Atenas, filho de fabricante de espadas, que, com as guerras da Pérsia e do Peloponeso, aumentou seus serviços consideravelmente, enriquecendo a família. Não obstante, os demais atenienses empobreceram miseravelmente. SÓFOCLES era considerado bonito, inclusive sua estátua, que o representa na velhice, indica-lhe como um vigoroso homem. Era muito habilidoso em tudo o que fazia, tanto nas tragédias, como nas guerras e nos esportes. -/- Foi contemporâneo e amigo de Péricles*6 (495-429 a.C.), grande líder de Atenas, que lhe 6 ajudou a ocupar altos cargos, como o de tesoureiro e general, em 443 a.C. Em 440 a.C., encontrava-se entre os generais e comandantes das forças atenienses contra Pomos. Foi, ainda, membro do Comitê de Segurança Pública, votando a favor da Constituição oligárquica, em 411 a.C. Exerceu, também, funções de sacerdote. Era um homem alegre e amante dos prazeres, emanando encanto e simpatia, que lhes faziam perdoar os erros, envolvido com rapazes e cortesãs, inclusive teve um filho da célebre hetera Têoris.*7 Foi também contemporâneo de Eurípedes, ainda que nascido bem antes deste, mas ambos morreram no mesmo ano, em 406 a.C. -/- SÓFOCLES escreveu cento e treze peças, das quais só nos chegaram sete, nesta ordem de procedência, Ajax (c. 445 a.C.) As Traquínias (c. 445 a.C.), Antígona (c. 442), Édipo Rei (c. 425), Electra (c. 415), Filoteuto (409) e Édipo em Colono (401). Ganhou o primeiro prêmio de teatro, por dezenove vezes, tendo vinte e sete anos na primeira, e oitenta e cinco, na última. Governou o teatro ateniense por mais de trinta anos, da mesma maneira que seu amigo Péricles governava Atenas. -/- Escreveu uma trilogia não intencional, com as tragédias Édipo Rei (425 a.C.), Édipo em Colono (401 a.C.) e Antígona (442 a.C.). A primeira foi o mais famoso dos dramas gregos, tendo uma abertura impressionante, com a população diante do palácio real de Tebas. Havia uma peste que assolava a cidade, e isso os oráculos identificaram como decorrência de um grande crime. A clássica narrativa tratava de um filho, Édipo, que inadvertidamente matara o pai, Laio, e se casara com a mãe, Jocasta, com a qual teve quatro filhos: Antígona, Polinice, Etéocles e Ismênia. Quando tudo fora descoberto, Jocasta se enforcara e Édipo, enlouquecido, arrancara os próprios olhos e abandonara Tebas, partindo para o exílio em companhia apenas de Antígona. Já em Édipo em Colonos, este estava envelhecido a mendigar em Colono, perto de Atenas, apoiado apenas pela filha. -/- Antígona foi a última peça da trilogia, ainda que tenha sido a primeira a ser escrita. Ao tomar conhecimento de que seus irmãos Polinice e Etéocles estavam em guerra pelo trono de Tebas, regressou apressada para tentar apaziguá-los. Não obstante, eles lutaram até a morte. Creonte aliado de Etéocles, tomou o reino e puniu a rebeldia de Polinice, proibindo que fosse sepultado. Antígona, evocando a crença de que o espírito de um morto só se livrava das torturas da morte depois do corpo ser enterrado, violou o decreto de Creonte e sepultou seu irmão Polinice. Houve, então, o conflito entre as leis dos homens com as leis dos deuses, optando ela por esta, como esperavam as pessoas dignas de se comportarem. Antígona foi condenada pelo tio a ser enterrada viva, colocada em uma catacumba. Seu noivo, Hêmam, filho de Creonte, que desaparecera quando ela desobedecera o decreto real, voltou e encontrou sua prometida morta, suicidando-se em seguida.*8 O drama era denso em todos os seus elementos, mas se elevava quando discutia o comportamento que o cidadão devia ter frente às leis opressivas. -/- 2 DESOBEDIÊNCIA CIVIL: RECUSA DE ANTÍGONA -/- Antígona e sua irmã Ismênia representavam, respectivamente, os símbolos de resistência à tirania e de obediência à razão, colocando a lei de Creonte frente à lei da justiça. Diante do édito que impedia Antígona de sepultar Polinice, considerava a existência do direito natural de enterrá-lo, sendo este o seu drama político. Devia obedecer às leis da polis ou da consciência e dos princípios religiosos? Este drama é representado pelo magnífico texto de SÓFOCLES, quando Creonte perguntou se Antígona tripudiava sobre suas leis. Antígona lhe respondeu que: -/- “Essas leis não foram promulgadas por Zeus, nem mesmo a Justiça, que convive com os deuses do inferno, foi a que estabeleceu tais princípios para os homens. Ele ainda afirmou que os anúncios das leis de Creonte não tinham o poder que eles imaginavam que o tinha, e que um simples mortal pudesse suplantar os preceitos, não escritos e imutáveis dos deuses. Antígona ainda afirma que tais preceitos não foram de hora, como também não fora de ontem, mas que sempre vigoraram no mundo sensível, e que ninguém sabia ao certo de sua existência. Antígona afronta Creonte dizendo que por causa das leis do mesmo, não queria ser ela castigada perante os deuses por ter, de alguma forma, medo da ira e afronta de um reles mortal. Ainda diz que sua morte é algo inevitável, uma vez que é a única certeza dos homens, e que ela há de vir em um tempo, pois isso não se pode ignorar, todavia se sua morte não a tivesse sido anunciada antes, e que com isso morrera antes do tempo, o tomaria como vantagem, uma vez que, submetido as mais variadas intempéries da vida, como não iria considerar sua morte um benefício? E com isso, essa dor de nada vale no tocante de seu destino. Antígona continua dizendo que em nada o afeta ao ver o cadáver do filho morto de sua mãe na condição de insepulto, uma vez que isso não lhe causa dor . O mesmo conclui dizendo que se achara que ele cometera um ato de loucura após a proclamação de sua resposta, talvez o achasse louco aquele que viera a condená-lo.”*9 -/- O conflito entre a lei positiva, enunciava o drama grego, e a lei natural, significava que esta identificava-se com a Justiça dos deuses, que era superior à lei da terra.*10 Para Antígona, aquela deveria sempre prevalecer, mas a sua morte representou o triunfo, mesmo que trágico, da lei da polis.*11 SÓFOCLES foi quem primeiro falou do direito de resistência, inclusive com a possibilidade de se sofrer uma grave sanção, como ocorreu com Antígona, e ainda assim sabendo suportar a dor.*12 A teoria não logrou desenvolvimento na Grécia antiga, nem na teoria política antiga. Deixou, porém, uma indagação que só no século XVIII começou a ser respondida, pela forma clássica do direito de resistência. -/- NOTAS: *1: In. COSTA, N. N. Ciência Política. 3. ed. Rio de Janeiro: Forense, 2012. p. 61-67. *2: Tecnólogo em agropecuária pelo Instituto Federal de Pernambuco campus Belo Jardim. Normalista pela Escola Frei Cassiano Comacchio. Pesquisador assíduo de assuntos de cunho filosófico, com ênfase em política. *3: “Ésquilo, poeta grego (Elêusis, c. 525 – Gela, Sicília, 456 a.C.). Suas obras, As Suplicantes (c. 490), Os Persas (472), Os Sete contra Tebas (467), Prometeu Acorrentado (depois de 467) e a trilogia da Oréstia(Agamênom, Os Coéforos, As Eumênides) (458), fazem dele o verdadeiro criador da tragédia grega” (KOOGAN/HOUAISS. Enciclopédia e Dicionário Ilustrado, op. cit., p. 622). *4: “Sofócles, o poeta trágico grego (Colono, perto de Atenas, entre 496 e 494 a.C., Atenas 406 a.C.). Amigo de Péricles e Heródoto, cidadão completo, obteve, durante sua carreira excepcional, mais de 20 vitórias em concursos dramáticos. De sua obra, apenas sete tragédias, entre as mais de uma centena, e um drama satírico, do qual só restam longos fragmentos, Os Cães de Caça, chegaram até nós: Ajax (c. 445 a.C.), Trachiniani (c. 445?), Antígona(442), Édipo rei (c. 425), Electra (c. 415), Filotecto (409), Édipo em Colono (401). Deu à tragédia sua configuração definitiva: elevando de 12 para 15 o número de integrantes do coro,acrescentou um terceiro ator e substituiu atrilogia unida pela trilogia livre, onde cada drama forma um todo. Em Sófocles, a ação da tragédia é levada a termo pela vontade e pelas paixões do herói, indivíduo excepcional que, em luta contra um destino que o oprime, continua livre” (Grande Enciclopédia Larousse Cultural, op. cit., vol. 22, p. 5.441). *5: “Eurípedes, poeta trágico grego (Salamina, 480 – Macedônia, 406,a.C.), cujas obras mais célebres são: Alcestes (438), Medeia (431), Hipólito (428), Andrômaca (c. 426), Hécuba (c. 424), Íon (c. 418), Ifigênia em Áulida, As Bacantes. Eurípedes introduziu várias inovações na tragédia: ênfase na análise psicológica, preocupações científica e filosóficas, coros independentes da ação, introdução de personagens do povo” (KOOGAN/HOUAISS. Enciclopédia e Dicionário Ilustrado, op. cit., p. 642). *6: Vide nota 7 do capítulo II, Herôdotos. *7: “Más-línguas afirmam que Sófocles consumou sua velhice com a hetera Têoris, tendo um filho. Seu filho legítimo Iófas, talvez temendo que o poeta legasse ao filho de Têoris, levantou contra ele uma ação judicial,acusando-o de servil e incapaz da administração dos bens, Sófocles, para provar sua lucidez, fez perante os juízes a leitura de certos trechos da peça que na ocasião estava escrevendo, e que se julgou ser Édipo em Colono, ao término da leitura, os juízes não só o absolveram como o acompanharam até sua casa” (DURANT, Will. História da Civilização Mundial: nossa herança clássica, op. cit., vol. II, p. 314). *8: SÓFOCLES. Antígona. Brasília: Universidade de Brasília, 1997, p. 45. *9: Idem, op. cit., pp. 41-2. *10: “Aquela (Antígona), porém, prefere ficar com as ordens mais altas dos deuses, inacessíveis à maldade humana” (MACHADO PAUPÉRIO, A. O Direito Político de Resistência. 2ª ed. Rio de Janeiro: Forense, 1978, p. 38). *11: “Antígona, entretanto, rebelou-se contra o edital de Creonte, considerando o sepultamento um dever mais forte que as leis dos homens, principalmente em se tratando de parentes, e cumpriu, embora sumariamente, os ritos fúnebres de Polinice” (KURY, Mário da Gama. Dicionário de Mitologia Grega e Romana. Rio de Janeiro: Jorge Sales, 1990, p. 35). *12: “No século V a.C., os grandes trágicos gregos, Ésquilo, Sófocles e Eurípedes, empregavam os mitos antigos para explorar os mais profundos temas da condição humana” (TARNAS, Richard. A Epopeia do Pensamento Ocidental: para compreender as ideias que molduram nossa visão de mundo. 2ª ed. Rio de Janeiro: Bertrand Brasil, 2000, p. 33). -/- . (shrink)

It is widely held that all lies are assertions: the traditional definition of lying entails that, in order to lie, speakers have to assert something they believe to be false. It is also widely held that assertion contrasts with presupposition and, in particular, that one cannot assert something by presupposing it. Together, these views imply that speakers cannot lie with presuppositions—a view that Andreas Stokke has recently explicitly defended. The aim of this paper is to argue that speakers can lie (...) with presuppositions, and to discuss some of the implications this outcome has for current research on lying, assertion and presupposition. (shrink)

Intentionalism is the view that demonstratives, gradable adjectives, quantifiers, modals and other context‐sensitive expressions are intention‐sensitive: their semantic value on a given use is fixed by speaker intentions. The first aim of this paper is to defend Intentionalism against three recent objections, according to which speakers at least sometimes do not have suitable intentions when using supposedly intention‐sensitive expressions. Its second aim is to thereby shed light on the so far little‐explored question of which kinds of intentions can be semantically (...) relevant. (shrink)

According to Perdurantism, persons are identical to maximal aggregates of appropriately interrelated temporal parts. Within the Perdurantist framework, an epistemic concern arises, targeting the perduring persons’ belief that they are persons, suggesting that, ultimately, they are not in a position to know that they are persons as opposed to temporal parts. Despite the consideration it has received over the years, this concern has not yet been converted into a full-fledged objection. This paper aims to address this gap by exploring the (...) possibility of formulating a coherent Epistemic Objection against Perdurantism. We shall examine several epistemological principles around which such an objection might be built, arguing that none of them, in the end, allows a plausible formulation of the objection. As a result, we shall conclude that the burden of proving that in a Perdurantist setting persons are not in a position to know that they are persons rests with the objectors. (shrink)

This chapter describes the process of institutionalization of natural law at the University of Pisa, essential to interpreting the conditions in which the first public law chair of Italy was founded. The study of legal education in the late seventeenth and early eighteenth century will allow a more in-depth understanding of both the development of natural law in teaching practice throughout the long eighteenth century, and the features of the two processes of reception, respectively for educational and political purposes. In (...) fact, although both processes were founded on appreciation of the centrality of Roman law and philosophy in the construction of doctrines by the so-called ‘modern natural law school’, and developed through mediation of traditional Roman legal culture of the Pisan ‘historical-critical school’, there were some differences. In this initial phase, the didactic reception was indirect, although not entirely implicit, whereas the political reception was direct and explicit. (shrink)

The distinction between lying and mere misleading is commonly tied to the distinction between saying and conversationally implicating. Many definitions of lying are based on the idea that liars say something they believe to be false, while misleaders put forward a believed-false conversational implicature. The aim of this paper is to motivate, spell out, and defend an alternative approach, on which lying and misleading differ in terms of commitment: liars, but not misleaders, commit themselves to something they believe to be (...) false. This approach entails that lying and misleading involve speech-acts of different force. While lying requires the committal speech-act of asserting, misleading involves the non-committal speech-act of suggesting. The approach leads to a broader definition of lying that can account for lies that are told while speaking non-literally or with the help of presuppositions, and it allows for a parallel definition of misleading, which so far is lacking in the debate. (shrink)

By a `denoting phrase' I mean a phrase such as any one of the following: a man, some man, any man, every man, all men, the present King of England, the present King of France, the center of mass of the solar system at the first instant of the twentieth century, the revolution of the earth round the sun, the revolution of the sun round the earth. Thus a phrase is denoting solely in virtue of its form. We may distinguish (...) three cases: (1) A phrase may be denoting, and yet not denote anything; e.g., `the present King of France'. (2) A phrase may denote one definite object; e.g., `the present King of England' denotes a certain man. (3) A phrase may denote ambiguously; e.g. `a man' denotes not many men, but an ambiguous man. The interpretation of such phrases is a matter of considerably difficulty; indeed, it is very hard to frame any theory not susceptible of formal refutation. All the difficulties with which I am acquainted are met, so far as I can discover, by the theory which I am about to explain. (shrink)

Sam Berstler defends a general moral advantage for misleading over lying by arguing that liars, but not misleaders, act unfairly toward the other members of their linguistic community. This article spells out three difficulties for Berstler’s account. First, though Berstler aims to avoid an error theory, it is dubitable that her account fits with intuitions on the matter. Second, there are some lies that do not exhibit the unfairness Berstler identifies. Third, fairness is not the only morally relevant difference between (...) lying and misleading. (shrink)

Glucagon-like peptide-1 (GLP-1) receptor agonists, such as semaglutide, and dual GLP-1 and glucose-dependent insulinotropic polypeptide (GIP) receptor agonists, such as tirzepatide, have been found to be effective for treating obesity and diabetes, significantly reducing weight and the risk or predicted risk of adverse cardiovascular events. There is a global shortage of these medications that could last several years and raises questions about how limited supplies should be allocated. We propose a fair-allocation framework that enables evaluation of the ethics of current (...) practices and could guide governments, professional societies, and physicians in allocation decisions. (shrink)

In this article, we propose the Fair Priority Model for COVID-19 vaccine distribution, and emphasize three fundamental values we believe should be considered when distributing a COVID-19 vaccine among countries: Benefiting people and limiting harm, prioritizing the disadvantaged, and equal moral concern for all individuals. The Priority Model addresses these values by focusing on mitigating three types of harms caused by COVID-19: death and permanent organ damage, indirect health consequences, such as health care system strain and stress, as well as (...) economic destruction. It proposes proceeding in three phases: the first addresses premature death, the second long-term health issues and economic harms, and the third aims to contain viral transmission fully and restore pre-pandemic activity. -/- To those who may deem an ethical framework irrelevant because of the belief that many countries will pursue "vaccine nationalism," we argue such a framework still has broad relevance. Reasonable national partiality would permit countries to focus on vaccine distribution within their borders up until the rate of transmission is below 1, at which point there would not be sufficient vaccine-preventable harm to justify retaining a vaccine. When a government reaches the limit of national partiality, it should release vaccines for other countries. -/- We also argue against two other recent proposals. Distributing a vaccine proportional to a country's population mistakenly assumes that equality requires treating differently situated countries identically. Prioritizing countries according to the number of front-line health care workers, the proportion of the population over 65, and the number of people with comorbidities within each country may exacerbate disadvantage and end up giving the vaccine in large part to wealthy nations. (shrink)

We argue that charging people to participate in research is likely to undermine the fundamental ethical bases of clinical research, especially the principles of social value, scientific validity, and fair subject selection.

In Glauben und Wissen as well as in the Wissenschaft der Logik Hegel states that the kantian question: «How are synthetical judgements a priori possible?» is speculative in its own. Despite this statement Hegel argues that the results of Kant’s theory of judgement in the Kritik der reinen Vernunft contradicts its speculative sense. So in Hegel’s opinion the question is still waiting for an answer. Aim of this contribution is to make clear how Hegel solves this issue in a speculative (...) way without going back to a precritical philosophy. Focusing on Hegel’s theory of ‘Subjective Spirit’ in the Enzyklopädie this contribution wants to clarify the Hegel’s solution to a pivotal problem of criticism through the sublation of a phenomenological approach to the idea of ‘Reason’ and his theory of intelligence as a part of the ‘Theoretical Spirit’. (shrink)

All parties involved in researching, developing, manufacturing, and distributing COVID-19 vaccines need guidance on their ethical obligations. We focus on pharmaceutical companies' obligations because their capacities to research, develop, manufacture, and distribute vaccines make them uniquely placed for stemming the pandemic. We argue that an ethical approach to COVID-19 vaccine production and distribution should satisfy four uncontroversial principles: optimising vaccine production, including development, testing, and manufacturing; fair distribution; sustainability; and accountability. All parties' obligations should be coordinated and mutually consistent. For (...) instance, companies should not be obligated to provide host countries with additional booster shots at the expense of fulfilling bilateral contracts with countries in which there are surges. Finally, any satisfactory approach should include mechanisms for assurance that all parties are honouring their obligations. This assurance enables countries, pharmaceutical companies, global organisations, and others to verify compliance with the chosen approach and protect ethically compliant stakeholders from being unfairly exploited by unethical behaviour of others. (shrink)

Il Corso su L’ermeneutica del soggetto problematizza un tema che attraversa sottotraccia l’intera riflessione di Foucault, quello della tecnica. L’articolo, proponendo un dialogo fra Foucault, Heidegger e Simondon, prova a rintracciare lo sviluppo di questo tema, chiedendosi inoltre in che modo la tecnica entri in relazione con i processi di assoggettamento e di soggettivazione.

In this article, I present a new argument for God’s existence, which I term the argument from non-bruteness. The argument is premised on the idea that the fundamental structure of reality cannot be a brute fact and must have an ultimate reason. By focusing on the concept of self-evidence, I first examine the relationship between possible worlds and what I refer to as cognitive perspectives. I then argue that an ultimate explanation for reality's fundamental structure necessitates an absolute perspective—one that (...) fully grasps this explanation— thereby affirming the existence of God as the absolute subject who possesses it. I summarize the core ideas of the argument, provide a formal exposition, and address potential objections. (shrink)

Today, a consistent part of our everyday interaction with art and aesthetic artefacts occurs through digital media, and our preferences and choices are systematically tracked and analyzed by algorithms in ways that are far from transparent. Our consumption is constantly documented, and then, we are fed back through tailored information. We are therefore witnessing the emergence of a complex interrelation between our aesthetic choices, their digital elaboration, and also the production of content and the dynamics of creative processes. All are (...) involved in a process of mutual influences, and are partially determined by the invisible guiding hand of algorithms. -/- With regard to this topic, this paper will introduce some key issues concerning the role of algorithms in aesthetic domains, such as taste detection and formation, cultural consumption and production, and showing how aesthetics can contribute to the ongoing debate about the impact of today’s “algorithmic culture”. (shrink)

This paper is concerned with fictive utterances, the authorial utterances that make up works of fiction. It is widely held that fictive utterances cannot be constative speech acts, such as assertions. Instead, fictive utterances are construed as pretended speech acts, as invitations to make-believe or as declarations. My aim is to challenge the non-constative consensus and to defend a view on which fictive utterances are constative speech acts after all, namely constatives that have a story as their target. I motivate (...) the constative view by discussing works of fiction that feature plot twists. Some of these plot twists indicate that fictive utterances can carry assertoric commitment and can be lies, contrary to what is commonly assumed. And I spell out a version of the constative view that takes cues from Stalnaker’s common ground account of assertion and the debate on commitment and responsibility in constatives. (shrink)

Allocation of very scarce medical interventions such as organs and vaccines is a persistent ethical challenge. We evaluate eight simple allocation principles that can be classified into four categories: treating people equally, favouring the worst-off, maximising total benefits, and promoting and rewarding social usefulness. No single principle is sufficient to incorporate all morally relevant considerations and therefore individual principles must be combined into multiprinciple allocation systems. We evaluate three systems: the United Network for Organ Sharing points systems, quality-adjusted life-years, and (...) disability-adjusted life-years. We recommend an alternative system—the complete lives system—which prioritises younger people who have not yet lived a complete life, and also incorporates prognosis, save the most lives, lottery, and instrumental value principles. (shrink)

Chapter 8, "From Tools to Authors" of "Artificial Aesthetics" discusses the evolving role of AI in artistic creation, moving from a tool to a potential creative agent. It explores the concept of "extended aesthetics," where technology enhances both human creativity and perception. The chapter outlines different levels of AI autonomy and examines how this shift challenges traditional ideas of authorship, comparing AI collaborations to historical artistic practices. It raises questions about the value of effort in art, contrasting human struggle with (...) AI's apparent ease, and suggests that AI might ultimately reshape how we perceive creative intentionality and authorship. (shrink)

In this paper I will discuss some issues related to a recent trend in experimental philosophy (or x-phi), and try to show the reasons of its late (and scarce) involvement with aesthetics, compared to other areas of philosophical investigation. In order to do this, it is first necessary to ask how an autonomous experimental philosophy of aesthetics could be related to the long-standing tradition of psychological experimental aesthetics. After distinguishing between a “narrow” and a “broad” approach of experimental philosophy, I (...) will then make a distinction between topics in aesthetics pertaining to perceptual and cognitive processes, and traditional issues involved in the analysis of general and culturally-laden concepts. The narrow program of experimental philosophy, focused on the investigation of folk intuitions, is particularly effective only when two general conditions are met: the use of hypothetical scenarios (testing of thought experiments) and the heuristic role of folk intuitions in drawing philosophically relevant conclusions. I will argue that, when aesthetics is concerned, these requirements are not easily met. These difficulties notwithstanding, I will support a pluralistic view where aesthetics is revealed as an instructive example of how experimental approaches and traditional “armchair” philosophy integrate, and enrich each other. (shrink)

For many contemporary artists, failure has been an instrument of experimentation and self-expression, of investigation into existential questions and manifestation of utopian tensions. In this paper, I will discuss how some of the well-known strategies of experimental and avant-garde artistic practices with failure involve risky actions, challenging or impossible attempts, loss of control, and compulsive repetition of inconclusive acts. In those experimentations, the ideal model of an effective and successful action performance (in which a goal is defined through a clear (...) intention, a plan and a well-controlled execution) is willfully sabotaged in its stages. In this regard, a distinction between failure and mistake will be highlighted: if failure could be traced back to the tradition of heroic or tragic defeat in front of adverse odds, mistake on the contrary means doing something wrong that one is expected to control. While failure negatively reflects our tension toward autonomy, the focus on mistakes is the expression of rigidity and heightened risk aversion in contexts where maximal efficiency and self-optimization are expected. This paper will argue that equating the category of failure with that of mistake is not faithful to the motives underlying those artistic traditions. In this respect, artistic experimentations in the “aesthetic of failure” can also be viewed as a critical response toward a general mindset defined by the anxiety of control and obsessive mistake avoidance that seems typical of our current times. (shrink)

Krisen, heißt es manchmal, erfordern klare Ansagen: Bei Behauptungen wissen wir, woran wir sind. Vermutungen hingegen sind unklar und stehen der Übernahme von Ver­ant­wor­tung entgegen. In diesem Essay wird mit den Mitteln der Sprachphilosophie ge­zeigt, dass vermutende Sprechakte für die Krisenkommunikation in der Corona-Pandemie richtig und wichtig sind. Weder sind Vermutungen anfälliger für Unklarheit als andere Sprechakte noch sind sie besser dazu geeignet, Verantwortung abzuweisen. Im Gegen­teil: In einer Situation, die durch Unsicherheit geprägt ist, sind Vermutungen besonders wertvoll für das (...) Kommunizieren ungesicherter Hypothesen. (shrink)

It is often thought that metaphysical grounding underwrites a distinctive sort of metaphysical explanation. However, it would be a mistake to think that all metaphysical explanations are underwritten by metaphysical grounding. In service of this claim, I offer a novel kind of metaphysical explanation called metaphysical explanation by constraint, examples of which have been neglected in the literature. I argue that metaphysical explanations by constraint are not well understood as grounding explanations.

Hegel’s dispute with Schleiermacher in Berlin concerned two disciplines: dogmatics and philosophy. My contribution reconstructs the proper historical circumstances for each of Hegel’s disputes, defining the theoretical unity that underlies both. That unit strictly depends on a theory of ‘objective mind’ that is fulfilled between Heidelberg and Berlin. My contribution uses as a starting point to explain what is new in the Berlin disputes, and what is a repetition of Hegel’s lecture of Schleiermacher’s Dialogues about Religion, which he had criticized (...) at least since the Frankfurt times. Showing the relevance of the theory of ‘objective mind’ for the interpretation of the Hegelian concept of religion as a sphere of absolute mind, my contribution corrects two main mistakes of twentieth-century interpretations of Hegel: 1. Hegel doesn’t consider religion as a cultural phenomenon simply cancelled by philosophy; 2. his philosophy is not a speculative translation of Christian dogmas. The clarification of the reasons why Hegel was against Schleiermacher are therefore an attempt to remove reasons to be against Hegel's concept of religion. (shrink)

Die 1755 verfasste Schrift Principiorum primorum cognitionis metaphysicae nova dilucidatio enthält eine Bestimmung der Willensfreiheit, die ein konsequentes Ergebnis der relevanten Erneuerung im Rahmen der Ontologie der ersten Philosophie Kants darstellt. Mein Beitrag betrifft insbesondere die in der Schrift geführte Auseinandersetzung mit Crusius, dessen Wertschätzung im Vergleich mit der Wolff’schen Schule Kant nicht daran hindert, zwei Hauptlehren seines Ansatzes zu kritisieren. Erstens sieht Kant eine Beziehung zwischen dem Freiheitsbegriff und dem Satz des zureichenden Grundes vor, die wichtige Elemente der Ethik (...) von Crusius in Frage stellt. Zweitens wendet er sich gegen Crusius’ Theorie der Spontaneität, indem er dessen Verteidigung der Willkürfreiheit als Gleichgültigkeit wie beim Gleichgewicht kritisiert. (shrink)

Schon am Anfang seiner Lehrtätigkeit war Kant kritisch gegenüber den gängigen Definitionen der Philosophie, weil er bereits eine eigene Reform der Metaphysik entworfen hatte. Um diese These zu zu stützen, beschäftigt sich der Beitrag mit Kants Behandlung von Martin Knutzens Definition der Philosophie und dem dritten Teil von Kants Schrift Principiorum primorum cognitionis metaphysicae nova dilucidatio (1755), die zwei neue metaphysische Grundsätze enthält. Mit ihrer innovativen Theorie von Zeit und Raum liefern «der Satz der Aufeinanderfolge» und «der Satz des Zugleichseins» (...) eine neue Begründung der Psychologie und Kosmologie, die eine Alternative zur Theorie des physischen Einflusses sowie zu Leibniz’ vorherbestimmter Harmonie darstellen. Kants Theorie einer allgemein begründeten Harmonie wird somit als ein Versuch vorgestellt, die Grundsätze der Metaphysik zu erneuern, um die Bestimmung der Philosophie als Wissenschaft von den Gründen der Dinge im Vergleich zum zeitgenössischen Rationalismus besser zu rechtfertigen. (shrink)

In a recent paper, Stefan Wintein criticizes my responses to the objections he raised to my modal-epistemic argument (MEA) for the existence of God. In this paper, I continue our debate and respond to Wintein’s criticisms of my previous responses. I argue that Wintein’s criticisms are unsuccessful. As a result, the MEA still stands.

Lying requires asserting a disbelieved proposition, that much is widely accepted in the debate on how to define lying. But what else is required? Does lying require a particular linguistic manner of expression, such as saying? Does the proposition asserted have to be false (and not merely disbelieved)? And does lying require an intention to deceive? The aim of this chapter is to provide an opinionated introduction to the debates on these questions that takes into account both theoretical considerations and (...) empirical data. (shrink)

The concept of adaptation is employed in many fields such as biology, psychology, cognitive sciences, robotics, social sciences, even literacy and art,1 and its meaning varies quite evidently according to the particular research context in which it is applied. We expect to find a particularly rich catalogue of meanings within evolutionary biology, where adaptation has held a particularly central role since Darwin’s The Origin of Species (1859) throughout important epistemological shifts and scientific findings that enriched and diversified the concept. Accordingly, (...) a conceptual taxonomy of adaptation in evolutionary biology may help to disambiguate it. Interdisciplinary researches focused on adaptation would benefit from such a result. In the present work we recognize and define seven different meanings of adaptation: (1) individual fitness; (2) adaptation of a population; (3) adaptation as the process of natural selection; (4) adaptive traits; (5) molecular adaptation; (6) adaptation as structural tinkering; (7) plasticity. For convenience here, we refer to them as W-, P-, NS-, T-, M-, S- and PL-ADAPTATION. We present the seven meanings in some detail, hinting at their respective origins and conceptual developments in the history of evolutionary thought (references are offered for further deepening). However, it is important to point out that evolution researchers seldom if ever refer to a single meaning purified from the others. This applies also to the authors we cite as representatives of one of the seven meanings. In Discussion and Conclusion draw from our work some future perspectives for adaptation within evolutionary biology. (shrink)

Hegel’s definition of ‘free will’ and ‘person’ gets over a phenomenological or psychological definition of these concepts. My essay explains how Hegel justifies the placing of his theory of free will in a philosophy of Mind analyzing the concept of ‘recognition’ in the Phenomenology as a section of the Encyclopedia of Philosophical Sciences as well as the main steps of The practical Spirit, the second part of the section Psychology. With regard to this last science my essay clarifies the essential (...) differences between freedom of the will and freedom of choice. These differences only explain how the free will could develop as objective Spirit in the third science involved by Hegel towards a proper definition of freedom, i.e. the philosophy of Right. In the philosophy of Right as a part of Hegel’s System of philosophical sciences the free will finds its own adequate reality and the concept of a person can be explained without the mistakes caused by a phenomenological or psychological approach to it. Against some interpretations which identify Hegel’s definition of free will with communitarian practices, the final part of my essay focuses on the importance of the concept of a person to explain the general structure of the philosophy of Right. (shrink)

Nei Pensieri sulla vera valutazione delle forze vive Kant stabilisce il concetto di “mondo” per mezzo di una definizione wolffiana. Nonostante questa recezione, Kant non condivide con Wolff e i wolffiani principi fondanti della cosmologia in quanto sapere metafisico. Il contributo chiarisce come Kant metta in evidenza l'inadeguatezza della definizione wolffiana rispetto a problemi basilari della cosmologia, come la possibilità di dimostrare l'unicità del mondo e l'unità dell'universo. A differenza di precedenti interpretazioni, il contributo sostiene che Kant prova a ovviare (...) a questa inadeguatezza proponendo un riesame del concetto di luogo e una nuova concezione delle relazioni esterne della sostanza. In riferimento a questo tema il contributo offre una nuova interpretazione delle riflessioni di Kant sulla dimensionalità dell'estensione mostrandone la rilevanza per comprendere la sua prima concezione dello spazio. (shrink)

Suppose that A explains B. Do A and B need to be true? Provided that we have metaphysical explanation in mind, orthodoxy answers “yes:” metaphysical explanation is factive. This article introduces and defends a non-factive notion of metaphysical explanation. I argue that we need a non-factive notion of explanation in order to make sense of explanationist arguments where we motivate a view by claiming that it offers better explanations than its competitors. After presenting and rejecting some initially plausible rivals, I (...) account for non-factive metaphysical explanation by drawing on existing applications of structural equation models to metaphysical grounding. (shrink)

First, we will address the unnecessary link between symbio-studies and Gaia, asking for the historical and epistemological reasons why they become associated. In particular, we contend that the association is mediated by the common interest in large-scale physico-chemical and biochemical patterns, rather than by an emphasis on harmony, equilibrium, and cooperation (Visvader 1992). Second, we will ask what Gaia is in a metatheoretical sense: is it a scientific hypothesis, a theory, a metaphor, an inspired invention, or a resurgence of antiscientific (...) attitude? After examining some alternatives that show the importance of metatheorizing, we will define Gaia a ‘scientific narrative’, this being a technical term in a sketchy metatheory. Let us just say, for now, that by narrative we don’t mean fairytale or artistic fiction, but rather a way of telling the history of our planet. We are not going to answer the question whether or not we should ban Gaia from any scientific discourse, nor the question how symbio-students should deal with the traditional association of their field with Gaia. But we hope to frame the dilemma in which symbio-students and the scientific community at large are held in a better way than simply insisting on classic demarcations between science and non-science. (shrink)

The chapter explains why evolutionary genetics – a mathematical body of theory developed since the 1910s – eventually got to deal with culture: the frequency dynamics of genes like “the lactase gene” in populations cannot be correctly modeled without including social transmission. While the body of theory requires specific justifications, for example meticulous legitimations of describing culture in terms of traits, the body of theory is an immensely valuable scientific instrument, not only for its modeling power but also for the (...) amount of work that has been necessary to build, maintain, and expand it. A brief history of evolutionary genetics is told to demonstrate such patrimony, and to emphasize the importance and accumulation of statistical knowledge therein. The probabilistic nature of genotypes, phenogenotypes and population phenomena is also touched upon. Although evolutionary genetics is actually composed by distinct and partially independent traditions, the most important mathematical object of evolutionary genetics is the Mendelian space, and evolutionary genetics is mostly the daring study of trajectories of alleles in a population that explores that space. The ‘body’ is scientific wealth that can be invested in studying every situation that happens to turn out suitable to be modeled as a Mendelian population, or as a modified Mendelian population, or as a population of continuously varying individuals with an underlying Mendelian basis. Mathematical tinkering and justification are two halves of the mutual adjustment between the body of theory and the new domain of culture. Some works in current literature overstate justification, misrepresenting the relationship between body of theory and domain, and hindering interdisciplinary dialogue. (shrink)

To approach the issue of the recent proposal of an Extended Evolutionary Synthesis (EES) put forth by Massimo Pigliucci and Gerd Müller, I suggest to consider the EES as a metascientific view: a description of what’s new in how evolutionary biology is carried out, not only a description of recently learned aspects of evolution. Knowing ‘what is it to do research’ in evolutionary biology, today versus yesterday, can aid training, research and career choices, establishment of relationships and collaborations, decision of (...) funding and research policies, in order to make the field advance for the better. After reviewing the concepts associated to the EES proposal (categorized for convenience as mechanisms, measures, fields, perspectives and applications), I show their transience, and sketch out ongoing disagreements about the EES. Then I examine the deep difficulties, i.e., the enormity and complexity of the covered field, affecting the achievement of trusted metascientific views; the insufficiency of conceptual analysis to capture the substance of scientific research; the entanglement between empirical and metascientific concepts, between multiple chronologies, and between descriptive and normative intentions; and the ineliminable stakeholding of any reviewer involved in the reviewed field. I propose that disciplines such as scientometrics, ethnography, sociology, economics and history, combined with conceptual analysis, inspire a more rigorous approach to the evolutionary biology scientific community, more grounded and shared, confirming or transforming claims for ‘synthesis’ while preserving their maintenance goals. (shrink)

Social media platforms allow users to perform different speech acts: status updates could be assertives, a like is an expressive, a friendship request is a directive, and so on. But sharing (or "retweeting") seems to lack a fixed illocutive status: this explains why present controversies concerning the sharing of misinformation have been debated in legal procedure and discussed from the point of view of personal responsibility without reaching a general consensus. The premise of this paper is that the diffusion of (...) false or unwarranted information could be better analyzed if we consider sharing a precisely definable speech act. I will describe some dominant interpretations of the act of sharing that are not, however, sufficient to fully explain it. As an alternative, it will be shown that there is a specific illocutive structure of the act of sharing, which not only consists in asserting the "shareworthiness" or the relevance of a content, but is primarily comparable to an "attention-orienting" directive. (shrink)

This paper is about evolutionary explanations. They come in different kinds but mostly need traits and functions. Evolutionary theory requires traits to be inheritable although not in a strong genetic sense: ideas of “inheritance pattern” and “inheritable pattern” are explored. Function is also a necessary concept, but complex and diverse, and it lacks causal power on traits. The debate on the evolution of morality is cautious and already far from naive “just-­‐so story” explanations, but theoretical analysis fleshed into morality-­‐related examples (...) can aid towards the development of critically conscious and up-­‐to-­‐date explanatory hypotheses in this field. (shrink)

Der letzte Teil der ‚Moralität‘ in der Enyzklopädie der philosophischen Wissenschaften behandelt das ‚Gewissen‘ als eine dialektische Instanz. Die Bestimmung dieser Dialektik als Äußerung des ‚Objektiven Geistes‘ stellt eine Neuheit in Hegels Denken dar. Mein Beitrag will die Relevanz der Heidelberger Schriften Hegels für die Genese dieser Theorie verdeutlichen. Zu diesem Zweck wird die Rezension zum dritten Band der jacobischen Werke zusammen mit der ersten Ausgabe der Enzyklopädie in Betracht gezogen. Die entsprechende Analyse soll zeigen, dass die Auseinandersetzung mit Jacobi (...) für Hegel wichtig war, um den Begriff einer Dialektik des Gewissens überhaupt zu bestimmen. Gleichzeitig wird sich daraus die Eigenheit der hegelschen Lösung dieser Dialektik erweisen. (shrink)

In this paper I take evolutionary biology as an example to reflect on the role of philosophy and on the transformations that philosophy is constantly stimulated to do in its own approach when dealing with science. I consider that some intellectual movements within evolutionary biology (more specifically, the various calls for 'synthesis') express metascientific views, i.e., claims about 'what it is to do research' in evolutionary biology at different times. In the construction of metascientific views I see a fundamental role (...) to be played by philosophy, and, at the same time, a need to complement the philosophical methods with many more methods coming from other sciences. What leads philosophy out of itself is its own attention to scientific practice. My humble methodological suggestions are, at this stage, only meant to help us imagine metascientific views that are built with a more scientific, interdisciplinary approach, in order to attenuate partiality, subjectivity and impressionism in describing the scientific community. And yet, we should not be naïve and imbued with the myth of 'datadriven' research, especially in this field: other complex issues about metascientific views call for a serious, constant philosophical reflection on scientific practice. (shrink)

This paper explores some features of the epistemic environment in social media and online communication. We argue that digital environments differ from offline ones in at least two ways: (a) online environments are thoroughly structured and programmed. Every action is defined and limited by the underlying code created by the system’s developers, providing the tools users need to navigate the online space. In contrast, offline environments are open to chance and unpredictability, allowing for events and actions that the system has (...) not predetermined; (b) every action is traced and used to evaluate levels of engagement with content and posts, with significant epistemic consequences. This creates a “dense” environment in which users are deeply entangled. In this regard, the concept of purely passive engagement is challenged, since activities such as just watching a video or reading a post can alter the epistemic landscape and promote specific content with which a person interacts. As a result, online social environments facilitate a variety of indirect communicative and epistemic activities across the network. Given this, the paper suggests that in such settings, attentional disengagement and avoidance should be considered a potential proactive way to modulate self-exposure. This strategy is aimed not only at protecting individuals from harmful content but also at actively shaping the information flow and knowledge structure within the environment. Managing one’s own attention can thus significantly influence how information is perceived and disseminated, essentially controlling the personal and collective epistemic environment. (shrink)

This essay explores enunciation phenomena that cannot be classified either as veritative assertions, attempts at deception, or purely fictional stagings. It addresses situations where an individual declares facts while adopting the role of a sincere speaker, even though it seems evident to both the speaker and the audience that what is being said is unwarranted. In the attempt to define what do we do when we “perform believing”, the discussion will include cases from contemporary arts, and roles such as lawyers, (...) sports fans, superstitious individuals, and religious believers. This leads to define the features of belief performing as connected with epistemological notions such as acceptance and commitment. In conclusion, a particular case of contemporary artistic practice, i.e., parafictions, will be examined as a specific approach of critical and self-reflective exploration of staged-truth mechanisms, where creators engage with truth and deception to challenge viewers’ perceptions and the categorization of belief. The paper argues that such engagements reveal societal mechanisms about how we construct and accept truths within our communities. By analyzing instances like conspiracy theories and cultural narratives, the essay underscores the performative nature of truth-asserting, calling for a reevaluation of how beliefs are negotiated in public discourse. (shrink)

A core presumption of object oriented ontology and other speculative realisms is that there is a world independent of the mind that can be successfully inquired and should take center stage in our reflections again. A profound case for this realist presumption is found in Meillassoux’s After Finitude. He aims to secure our access to reality as it is in itself by refuting correlationism according to which we cannot escape reality as it is thought by us. He presents three arguments: (...) ancestrality, facticity and mathematization. On the first argument correlationism fails because it cannot render scientific statements about an universe anterior to us meaningful. I address the worry that he might not take this to be a real argument against correlationism and argue that it in any case fails. On the second argument correlationism is flawed since it remains committed to absolute possibilities. I argue that this argument is untenable as well. On his third argument correlationism fails because science reveals a mathematically describable reality indifferent to our existence. I argue that the almost perfect mathematization of nature can actually be cashed out as an argument for correlationism. I conclude by proposing an alternative way of showing that mathematics is the language of the absolute understood as a radical contingent hyperchaos. (shrink)

Since the beginning of the 21st century, technologies like neural networks, deep learning and “artificial intelligence” (AI) have gradually entered the artistic realm. We witness the development of systems that aim to assess, evaluate and appreciate artifacts according to artistic and aesthetic criteria or by observing people’s preferences. In addition to that, AI is now used to generate new synthetic artifacts. When a machine paints a Rembrandt, composes a Bach sonata, or completes a Beethoven symphony, we say that this is (...) neither original nor real art, but simply the complex imitation and reproduction of existing products of human culture. We face the old question concerning the nature of creativity: what kind of recombination of ideas, unusual analogies, and conceptual connections are considered the mark of originality? Can AI produce artworks? Could machines reach a point at which we consider them genuinely creative? We also need to investigate the challenges posed by AI-art to the notion of authoriality: Who is the author of an artificially generated artifact? An artificial system could be considered just an artist’s and a programmer’s tool. However, we are also fascinated by the idea of autonomous artificial creativity in the aesthetic domain, as a manifestation of highly intelligent behavior. This paper will try to define some key questions around what could it mean to consider a machine creative or even equipped with artistic intentionality. (shrink)

In this paper, I seek to examine Deleuze’s fascination with “spiritual automata” as a counterpoint to his more famous notion, the “body without organs”. I shall argue that both are grounded in a deep reflection, on Deleuze’s part, on the problems and issues generated by Spinoza’s notion of parallel attributes. Ultimately, I argue, the development of the two notions is motivated by identical metaphysical worries regarding the tenability of transformation, persistence, and affective interrelations between individuals. The answer, for both thinkers, (...) is the insertion of a “third” relational term, which virtually interfaces with each without violation of their parallel development. For Spinoza, such term is the absolutely infinite substance; for Deleuze, it is instead the notion of sense and the faculty of sense-making. (shrink)

Hegel’s concern for determinism induced some scholars to interpret his practical philosophy as a form of determinism or as a form of compatibilism. Against both interpretations I will show some historical features of determinism at the edge of XVIII Century aiming to explain Hegel’s concept of determinism. I will pay a special attention to the debate between Ulrich and Kant’s criticism as well as to the peculiar development of kantian presuppositions in Fries’ philosophy. I will illustrate how this debate influenced (...) Hegel’s definition of arbitrariness (Willkür) and how important it could be to understand his distinction between freedom of choice and free will. (shrink)

In this paper we offer an interpretation of the inner relationship between nihilism and the tragic. With reference to the work of Heinz von Foester and to the sciences of complexity, we will argue that the essential feature of the tragic is “autoreferentiality”. Furthermore, arguing in favor of the use of the theological notion of kenōsis as the most precise description of the “history of nihilism”, we will show that the latter is to be understood in terms of the “weakening”, (...) or lowering of all the reference points generated by autotranscendent, etheronomous, social phenomena. The consequence of nihilism is therefore autoreferentiality. This result will offer the opportunity to see both to what extent we are now, at the end of modernity, living a tragic situation and, eventually, to claim – by recalling that autoreferentiality is also the inner logic of freedom – that the tragic is the outcome of modernity, but not a necessary one. (shrink)

The aim of the present article is to discuss several consequences of the Open Science from a perspective of science communication and philosophy of communication. Apart from the purely communicative and philosophical issues, the paper deals with the questions that concern the science popularization process through social media. The article consists of three sections: the first one suggests a definition of science communication and social media, the second examines the transformation of science in the Age of the Internet and considers (...) the influence of social media on science communication, the third and final one presents some case studies and philosophical observations. The most important conclusion to be reached here is that the social media have changed science and science communication. Twitter and blogs as novelty tools of science communication can be useful and meaningful for both science and society. Furthermore, social media can be used to facilitate broader involvement of citizens in the discussion about science. (shrink)