Just war theory is currently dominated by two positions. According to the orthodox view, provided that jus in bello principles are respected, combatants have an equal right to fight, regardless of the justice of the cause pursued by their state. According to “revisionists” whenever combatants lack reasons to believe that the war they are ordered to fight is just, their duty is to disobey. I argue that when members of a legitimate state acting in good faith are ordered to fight, (...) they acquire a pro-tanto obligation to obey which does not depend for its validity on the justice of the cause being pursued. However, when the war is unjust, this obligation may be overridden, under certain conditions, by the obligation not to contribute to the unjustified killing of innocents. This is because the pro-tanto force of the duty to obey the law is best understood in terms of “presumptive”, rather than “exclusionary” reasons for action. This approach captures the insights of both the orthodox and the revisionist view, while avoiding the problems that afflict each of them. (shrink)

In this paper I outline a theory of legitimacy that grounds the state’s right to rule on a natural duty not to harm others. I argue that by refusing to enter the state, anarchists expose those living next to them to the dangers of the state of nature, thereby posing an unjust threat. Since we have a duty not to pose unjust threats to others, anarchists have a duty to leave the state of nature and enter the state. This duty (...) correlates to a claim-right possessed by those living next to them, who also have a right to act in self-defence to enforce this obligation. This argument, if successful, would be particularly attractive, as it provides an account of state legitimacy without importing any normative premises that libertarians would reject. (shrink)

Between the end of the nineteenth century and the first twenty years of the twentieth century, stimulated by the impetuous development of logical studies and taking inspiration from Leibniz's idea of a characteristica universalis, the three founding fathers of the analytic tradition in philosophy, i.e., Frege, Russell, and Wittgenstein, started to talk of a logically perfect language, as opposed to natural languages, all feeling that the latter were inadequate to their (different) philosophical purposes. In the second half of the twentieth (...) century, however, the very idea of a logically perfect language ceased for various reasons to seem attractive to analytic philosophers. Thus, it might appear that this idea could be classified together with the many other bizarre ideas that from time to time surface in the history of philosophy-an idea that perhaps had a beneficial impact on the development of twentieth century logic, but which can now be put to rest. In this brief note, I contend that this conclusion may be too hasty. Indeed, if a well-known empirical hypothesis advanced in 1975 by Jerry Fodor turns out to be true, then there is a logically perfect language, after all. More precisely, I argue that, if it exists, Fodor's language of thought possesses the main characteristics a logically perfect language is required to have. (shrink)

In this paper, I focus on the alleged distinction between speaker’s reference and semantic reference. I begin by discussing Saul Kripke’s notion of speaker’s reference and the theoretical roles it is supposed to play, arguing that they do not justify the claim that reference comes in two different sorts and highlighting that Kripke’s own definition makes the notion incompatible with the nowadays widely endorsed Gricean project, which aims at explaining semantic reference in terms of speaker’s reference. I then examine an (...) alternative account of speaker’s reference offered by Michael Devitt within his causal theory and express some doubts about its suitability for explaining proper name semantic reference. From all this, I conclude that there is at least some tension between Kripke’s chain of communication picture and the attempt to explain (Griceanly, so to say) semantic properties in terms of speakers’ mental states. (shrink)

Famously, both Saul Kripke and Keith Donnellan opposed description theories and insisted on the role of history in determining the reference of a proper name token. No wonder, then, that their views on proper names have often been assimilated. By focusing on reference borrowing—an alleged phenomenon that Kripke takes to be fundamental—we argue that they should not be. In particular, we claim that according to Donnellan a proper name token never borrows its reference from preceding tokens which it is historically (...) connected to. On the contrary, its reference is always fixed anew on who or what the speaker has in mind when he or she produces it. In fact, what is important to realize is that Donnellan and Kripke took two different histories to be relevant: that of the proper name token produced by the speaker , and that of the cognitive status of the speaker when he or she produces it . We end by suggesting that this difference between Kripke’s and Donnellan’s accounts of proper names rests on a more general difference in their approach to language. (shrink)

This essay undertakes a reexamination of the notion of the receptacle/chōra in Plato's Timaeus, asking what its value may be to feminists seeking to understand the topology of the feminine in Western philosophy. As the source of cosmic motion as well as a restless figurality, labile and polyvocal, the receptacle/chōra offers a fecund zone of destabilization that allows for an immanent critique of ancient metaphysics. Engaging with Derridean, Irigarayan, and Kristevan analyses, Bianchi explores whether receptacle/chōra can exceed its reduction (...) to the maternal-feminine, and remain answerable to contemporary theoretical concerns. (shrink)

Considérez les énoncés suivants : « La bombe a causé la destruction du pont » ; « L’explosion de la bombe a causé la destruction du pont » ; « Booth a causé la mort de Lincoln » ; et « Le tir de Booth a causé la mort de Lincoln ». Ces énoncés suggèrent que les objets, tels que les bombes ou les personnes, font partie de la catégorie ontologique des causes, au même titre que les évènements, comme le (...) tir de Booth et l’explosion de la bombe. À première vue, le fait que les objets et les personnes puissent être des causes n’a rien de particulièrement surprenant. Cependant, les philosophes du XXe siècle ont fait preuve d’une extrême méfiance à l’égard de cette idée. Une majorité de philosophes ont trouvé l’idée même de causalité par des objets ou des agents inintelligible, à tel point que les théories standards de la causalité présupposent que les entités reliées comme causes à effets sont des évènements, ou encore des faits, des propriétés ou des états. Pourtant, cette hostilité à l’égard de la causalité des objets est relativement récente ; la causalité agentive semble, au moins jusqu’à Thomas Reid (1710-1796), avoir été la norme, et non le mystère. La mise à l’écart des objets et des agents de la catégorie de cause est-elle justifiée ? Un nombre grandissant de philosophes, les agentialistes (agent-causalists), soutiennent que non et cherchent à réhabiliter l’idée de causalité agentive (par des agents) et/ou substantielle (par des substances), tandis que d’autres, les évènementialistes (event-causalists), défendent que celle-ci est au mieux réductible à la causalité entre évènements, ou au pire que l’idée est incohérente. L’importance de cette question n’est pas négligeable, car elle revient à demander quels sont les moteurs du changement. En effet, nous voulons savoir si certains objets tels que les couteaux, les bombes, les animaux et les personnes sont parfois à l’origine du changement, ou si tout effet procède uniquement de changements antérieurs, d’évènements. Existe-t-il une relation causale, la causalité agentive ou substantielle, reliant objets et changements, différente des relations causales habituellement traitées par les philosophes de la causalité ? Quelle est sa relation avec la causalité évènementielle ? Et comment fonctionne-t-elle ? (shrink)

After briefly introducing the topic of reference, which has a long tradition but did not become a major issue until the last century, when language started to occupy center-stage in philosophy, and after mentioning some of the open problems that the semantic revolution promoted by Saul Kripke and others in the late 1960s and early 1970s left us, which are dealt with in the volume, I offer a preview of the papers collected in the latter, explaining how the volume is (...) organized and how the papers relate to one another. (shrink)

Implicating, as it is conceived in recent pragmatics, amounts to conveying a (propositional) content without saying it – a content providing no contribution to the truth-conditions of the proposition expressed by the sentence uttered. In this sense, implicating is a notion closely related to the work of Paul Grice (1913-1988) and of his precursors, followers and critics. Hence, the task of this article is to introduce and critically examine the explicit/implicit distinction, the Gricean notion of implicature (conventional and conversational) and (...) its recent developments and connections with the speaker's intentions, communicative responsibility and rationality. (shrink)

The paper emphasizes the inadequacy of formal semantics, the classical paradigm in semantics, in treating contextual dependence. Some phenomena of contextual dependence threaten one central assumption of the classical paradigm, namely the idea that linguistic expressions have a fixed meaning, and utterances have truth conditions well defined. It is possible to individuate three forms of contextual dependence: the one affecting pure indexicals, the one affecting demonstratives and "contextual expressions", and the one affecting all linguistic expressions. The third type of dependence (...) is top-down: context, and not only linguistic material, shows which variables must be instantiated, relying on context itself. The generalization of underdetermination to all linguistic expressions is in fact a kind of metadependence: the mode of dependence itself depends on context. (shrink)

El origen platónico de la mirada es una investigación sobre el orígenes de la Teoría de las Ideas, a partir del análisis de los términos εdoς e ἰδέα a partir de la búsqueda de la definición. Esta investigación tienen como objetivo el análisis de aquellos principales pasajes en los cuales Platón emplea εdoς e ἰδέα para referirse a la forma o carácter común a una multiplicidad, siendo este carácter el requisito fundamental para lograr la definición de un término moral: ¿cómo (...) Platón va desarrollando una especificación del sentido y aplicación de estos términos, caracterizando la búsqueda de una definición, es decir, la búsqueda de un discurso unitario en oposición a la enumeración de ejemplos típica de una multiplicidad de casos? Para tal propósito este estudio se centró en tres diálogos: Eutifrón (5d1-4), Menón (72c) y Crátilo (389b)- siendo estos tres textos en su conjunto la columna vertebral de la tesis. El origen platónico de la mirada, es el estudio del alcance de estos términos a partir de los diálogos mencionados; indaga cómo la búsqueda de la definición de la piedad en el Eutifrón marca el inicio de una problemática que Platón desarrolla en el Menón y que, a nuestro parecer, llega a un punto determinante en el Crátilo. Estamos hablando de la tematización de εdoς e ἰδέα como un camino que nos conduce, a través de la oposición entre el carácter común y la multiplicidad, a la distinción entre doxa y episteme. Esta investigación está dirigida, a partir de los tres pasajes mencionados anteriormente, al estudio de la reflexión platónica sobre el carácter común, es decir, cómo y por qué es que se va desarrollando en el pensamiento platónico una preocupación por profundizar la distinción, y cómo es que se va elaborando ésta, entre dirigir nuestra atención al carácter común a una multiplicidad de acciones (como en el caso del Eutifrón y Menón) y la determinación de este mismo carácter en el Crátilo, como la lanzadera en sí en oposición a las lanzaderas particulares. En otras palabras, es el estudio de cómo el pensamiento platónico va especificando la distinción entre la búsqueda de la definición (del carácter común) y la realidad sensible (como el ámbito sujeto al movimiento y al cambio y, por tal razón, imposible de conocer). (shrink)

Contextualism is a view about meaning, semantic content and truth-conditions, bearing significant consequences for the characterisation of explicit and implicit content, the decoding/inferring distinction and the semantics/pragmatics interface. According to the traditional perspective in semantics (called "literalism" or "semantic minimalism"), it is possible to attribute truth-conditions to a sentence independently of any context of utterance, i.e. in virtue of its meaning alone. We must then distinguish between the proposition literally expressed by a sentence ("what is said" by the sentence, its (...) literal truth-conditions) and the implicit meaning of the sentence ("what is implicated" by a speaker uttering the sentence). Over the past forty years, however, an increasing number of linguists and philosophers have begun to underline the phenomenon of semantic underdetermination: the encoded meaning of the sentence employed by a speaker underdetermines the proposition explicitly expressed by an utterance of that sentence. According to the extreme version of this perspective – labelled "radical contextualism" - no sentence of a natural language expresses a complete proposition, or has fixed truth-conditions, even when unambiguous and devoid of indexicals. A sentence expresses a proposition only when completed and enriched with pragmatic constituents that do not correspond to any syntactic element of the sentence and yet are part of its semantic interpretation. More broadly, "contextualism" may be used to refer to a family of views which includes moderate contextualism (also called "indexicalism"), radical contextualism and non-indexical contextualism – and which contrasts with semantic minimalism. (shrink)

Is a naturalistic account of reference possible? Here is a simple argument to the effect that it is not: Let R be the relation that allegedly naturalizes reference, and consider the predicate "being an object that does not stand in the relation R to this expression". Call this predicate "P". On the face of it, P is a counterexample to the alleged naturalization, since it appears to refer to all and only those objects that do not stand in the relation (...) R to it. Actually, an argument like this was advanced more than twenty years ago by the late Paolo Casalegno. Although for various reasons it has not been given due attention by the philosophical community, the argument is interesting in its structure and remarkable in its conclusion. In this paper I shall reconstruct it in detail and discuss it. Then, I shall show that the argument fails, since, contrary to what Casalegno claimed, under certain conditions P is paradoxical, hence not a referring expression. My rejection builds on the fundamental distinction between simple and compound expressions, namely on the compositional structure of natural languages. If I am right, whether any attempt at naturalizing reference that takes care of this distinction will succeed remains an open empirical question. (shrink)

En Electromecánicas IV, – Despliegue y activación de un espacio-tiempo barroco, Mónica Salinero socióloga y Renzo Filinich artista, se sumergen en el trabajo de análisis de la obra de Raúl Díaz, “Electromecánicas IV, poniendo en valor la diferencia conceptual y la diversidad del universo latinoamericano como espacio de creación situado. Inspirados en las teorías de Bolivar Echevarria, discuten la complejidad simbólica que rodea a esta experiencia estética, deteniéndose en los valores y funciones que se encuentran dentro del espectro cultural (...) andino que la contiene. El relato persigue desentrañar el armazón de pensamiento que alumbra el proceso de creación, cuando la puesta en marcha de dispositivos obsoletos, se vuelve metáfora de intervención local, sobre una reciclada y reconvertida tradición occidental, que representa la idea de Modernidad barroca. (shrink)

This article investigates how different philosophical traditions and schools of thought have understood the practice and the discipline of archery. Whereas the scholarly literature on the history, the techniques and the uses of bows and arrows is diverse and extensive, my aim is to contribute to the less developed research on the relationship between philosophy and archery. Specifically, I will explore in what terms philosophers have employed the bow as a metaphor for both their standpoints and, more generally, significant aspects (...) of everyday life. (shrink)

Keyword essay for "Matter" providing a genealogical account of the concept, its meaning and function in Western philosophy from a feminist perspective.

In his Bibliographia politica Naudé reviews in about one hundred pages authors and works that have dealt with politics, from the Antiquity to the first decades of the Seventeenth Century. In few enlightened pages on the ordinary and extraordinary administration of the State, Naudé elaborates his own idea of Reason of State, including the use of an extraordinary administration in the name of the public benefit. We can find a continuity between his Bibliographia politica and his Considérations politiques sur les (...) coups d’Estat. In both his political works Naudé gives to the category of wisdom, derived from Aristotle, a new practical and political value, which goes back to authors such as Machiavelli or Cardano, Lipsius or Charron. Naudé’s political wisdom uses dissimulation and any form of justice, also against common law, to act in extraordinary administration of the State or to carry out “coups d’État.”. (shrink)

This essay unfolds on the fundamental question that invariably dominates today's discussions, about new technology and its ability to have a transformative effect in all areas of contemporary life and in human beings themselves. Obviously, the true qualitative novelty of the technological advances that occur before our eyes lies not only in the emergence of new artistic practices related to one or another scientific research. Its essence consists in the fact that these practices, when interacting with each other, begin to (...) generate a complicated systemic integrity, a new space of human existence. The effect of this symbiosis can be seen in the full use of knowledge about the foundations of living and non-living matter, as well as in the knowledge of the physical nature of the human being. On the other hand, those powerful technologies that have so far changed, for the most part, the world around us, now turn to human and non-human beings. With all that said, the question arises: How does the technologization and computerization of cultural techniques change the nature of knowledge and the affection of being with others (people, things, animals)? (shrink)

This paper explores the concept of "inorganic sexuality" in the work of Italian writer and philosopher Mario Perniola. The main objective is to develop the controversial and original aspects of Perniola's thought within his aesthetic theory of feeling. Perniola elaborates the so-called "thing that feels", namely a feeling in which the neutral and impersonal dimensions of the things flow into organic life and vice versa. This perspective, as will be clarified, by dissolving the vitalist and spiritualist drives of the subject, (...) enlarges the horizon of aesthetic feeling by welcoming what is commonly left outside of it: the inorganic and material world, in its surprising aspects, but also in its uncanny and disturbing ones. Therefore, the main goal of this paper is to show the significance and the value of neutral sexuality, which opens up a space of experiences beyond the traditional metaphysical oppositions such as masculine/feminine, organic/inorganic, alive/dead, real/virtual, gender/sex. (shrink)

Around 1970, both Keith Donnellan and Saul Kripke produced powerful arguments against description theories of proper names. They also offered sketches of positive accounts of proper name reference, highlighting the crucial role played by historical facts that might be unknown to the speaker. Building on these sketches, in the following years Michael Devitt elaborated his well-known causal theory of proper names. As I have argued elsewhere, however, contrary to what is commonly assumed, Donnellan’s and Kripke’s sketches point in two rather (...) different directions, by appealing to historical or causal facts of different sorts. In this paper, I shall discuss and criticize Devitt’s causal theory, which confuses things, I shall argue, by mixing, so to speak, Donnellan’s and Kripke’s sketches. (shrink)

Everyone knows what David Lewis' possible worlds are, what role they play in his account of possibility and necessity, and Saul Kripke's criticisms. But what, instead, are Kripke's possible worlds, and what role do they play in his account of possibility and necessity? The answers are not so obvious. Recently, it has even been claimed that, contrary to what is standardly assumed, Kripke's approach to modality has not always been consistently metaphysical. In particular, an interpretation of the famous passage in (...) the preface to Naming and Necessity with Kripke's discussion of the dice example has been put forward, according to which he purports there to clarify the modal notions in terms of that of possible world, model-theoretically construed, in a way which is reminiscent of Carnap's. In this paper, I shall point out some internal difficulties of this interpretation, and offer a different one, according to which in the dice passage Kripke is trying, consistently with his metaphysical approach, to legitimize the technically useful notion of possible world starting from modal notions, to be accounted for in another way (arguably, in an essentialistic framework). My final goal, however, will be philosophical elucidation rather than mere exegesis. Indeed, I am interested in shedding some light on what possible worlds might possibly be, if something like Kripke's metaphysical approach is on the right track. (shrink)

Several scholars (Bartoloni 2019, Bukdahl 2017, Vogt 2019) focused on Mario Perniola's perspective on art, post-human sexuality and political theory. Yet little has been written on the philosophical and literary sources - specifically Stoicism, the Baroque and the Avant-Gardes - which influenced his standpoint. The objective of this paper is to develop Perniola's conception of a strategically oriented beauty, which implies a connection between the aesthetic element and the political-effectual one.

The aim of this paper is to show in what terms reality can be considered as a stratification of surfaces by developing Mario Perniola's philosophy of transit. The first part will deal with the etymology of the word transit, in order to explain its meanings and uses. As it will be clarified, the development of the notion of transit goes together with the conception of reality as deep in the sense of full, available, rich, as the realm of "difference" and (...) "enigmas". The second part will explain the particular conception of temporality implied in the transit. Together with Perniola's analysis, Nietzschean and Deleuzian reflections about "amor fati" and "eternal return" will be further explored. This concept is crucial to understand not only Perniola's overall philosophy by clarifying his position against postmodern thinkers; it also provides a theoretical framework from which the task and the challenge of the philosopher in the contemporary world emerge. (shrink)

In "Demonstratives" Kaplan claims that the occurrence of a demonstrative must be supplemented by an act of demonstration, like a pointing (a feature of the objective context). Conversely in "After-thoughts" Kaplan argues that the occurrence of a demonstrative must be supplemented by a directing intention (a feature of the intentional con-text). I present the two theories in competition and try to identify the constraints an intention must satisfy in order to have semantic rele-vance. My claim is that the analysis of (...) demonstrative reference pro-vides a reliable test for our intuitions on the relation between objective and intentional context. I argue that the speaker's intentions can play a semantic role only if they satisfy an Availability Constraint: an inten-tion must be made available or communicated to the addressee, and for that purpose the speaker can exploit any feature of the objective con-text. This thesis implies the reconciliation between "Demonstratives" and "Afterthoughts". (shrink)

Irigaray’s engagement with Aristotelian physics provides a specific diagnosis of women’s ontological and ethical situation under Western metaphysics: Women provide place and containership to men, but have no place of their own, rendering them uncontained and abyssal. She calls for a reconfiguration of this topological imaginary as a precondition for an ethics of sexual difference. This paper returns to Aristotelian cosmological texts to further investigate the topologies of sexual difference suggested there. In an analysis both psychoanalytic and phenomenological, the paper (...) rigorously traces a teleological and oedipal narrative implicit in the structure of the Aristotelian cosmos, in which desire for the mother is superseded by love for the father. Further, the paper argues that this narrative is complicated by certain other elements in the Aristotelian text—aporias involving the notion of boundary and the relationship between space and time, the fallenness of the feminine, and the ineliminably aleatory qualities of matter. The paper concludes that such elements may provide material for disrupting this teleology of gender, opening onto not merely an ethics of sexual difference, but providing space and place for a proliferation of non-normative, queer, transgender and intersex modes of sexed and gendered subjectivity. (shrink)

Il 2021 segna gli ottant’anni dalla nascita di Mario Perniola, uno dei massimi filosofi italiani del secondo dopoguerra. Questo volume raccoglie interventi che esplorano la sua opera mostrandone la fertilità e sottolineando al tempo stesso la prossimità delle sue idee con le principali sfide del nostro tempo. Dall’Italia al Brasile, passando per gli Stati Uniti, l’Irlanda, la Francia, il Belgio, il Messico e la Cina, gli autori si soffermano su temi che comprendono l’estetica, la politica, la teoria della comunicazione, i (...) queer studies, il pensiero rituale e religioso, la sessualità e la letteratura, restituendo la plurivocità e l’originalità di un filosofo di respiro internazionale e più che mai attuale. (shrink)

In the second lecture of "Naming and Necessity," Saul Kripke presented a new and quite convincing picture of the reference of proper names. At the same time, however, he expressed some skepticism towards the possibility of developing it into a full-blown theory by offering “more exact conditions for reference to take place.” In this paper, after discussing the reasons for his skepticism, I hint at how I think Kripke’s picture could be developed and offer an outline of a theory of (...) reference based on it. One of the key notions my ‘theory’ makes use of is that of repetition, which I take from Kaplan’s “Words.”. (shrink)

Since Saul Kripke’s and Hilary Putnam’s groundbreaking work in the Seventies, the idea has emerged that natural kind terms are semantically special among common nouns. Stephen P. Schwartz, for example, has argued that an artifactual kind term like “pencil” functions very differently from a natural kind term like “tiger.” This, however, blatantly violates a principle that I call Semantic Uniformity. In this paper, I defend the principle. In particular, I outline a picture of how natural kind terms function based on (...) Kripke’s and Putnam’s considerations, and I use it to rebut Schwartz’s arguments, showing that if it works for natural kind terms, it can work for artifactual kind terms too, or at least that Schwartz did not provide good enough reasons to the contrary. (shrink)

Giving money to others feels good. It is now standard to use the label ‘warm glow feelings’ to refer to the pleasure people take from giving. But what exactly are warm glow feelings? And why do people experience them? To answer these questions, we ran two studies: a recall task in which participants were asked to remember a donation they made, and a donation task in which participants were given the opportunity to make a donation before reporting their affective states. (...) Correlational and experimental results converge towards the conclusion that, if the nature of the warm glow is straightforward, its source is multifaceted. Regarding the nature of the ‘warm glow’, the pleasure people took in giving was mainly predicted by one particular type of positive emotion and was indeed described by participants as ‘warm’. Regarding the underlying psychological mechanisms, warm glow feelings were elicited by positive appraisals regarding the donor’s moral character, positive appraisals regarding the actual impact of the donor’s donation on the welfare of others and a feeling of communion with others. We discuss the theoretical implications of our findings. (shrink)

In this paper, I try to outline what I take to be Naming and Necessity’s fundamental legacy to my generation and those that follow, and the new perspectives it has opened up for twenty-first century philosophy. The discussion is subdivided into three sections, concerning respectively philosophy of language, metaphysics, and metaphilosophy. The general unifying theme is that Naming and Necessity is helping philosophy to recover a Golden Age, by freeing it from the strictures coming from the empiricist and Kantian traditions (...) and reconnecting it to the world and the objects that populate it. Because of this, in the concluding paragraph I tentatively suggest that Kripke’s philosophy may be seen as a sui generis form of naturalism. (shrink)

In Aristotle’s physics and biology, matter’s capacity for spontaneous, opaque, chance deviation is named by automaton and marked with a feminine sign, while at the same time these mysterious motions are articulated, rendered knowable and predictable via the figure of ta automata, the automatic puppets. This paper traces how automaton functions in the Aristotelian text as a symptomatic crossing-point, an uncanny and chiasmatic figure in which materiality and logos, phusis, and technē, death and life, masculine and feminine, are intertwined and (...) articulated. Automaton permits a mastery of generative materiality for teleological metaphysics, but also works to unsettle teleology’s systematic and unifying aspirations. (shrink)

Since 1976 Hilary Putnam has on many occasions proposed an argument, founded on some model-theoretic results, to the effect that any philosophical programme whose purpose is to naturalize semantics would fail to account for an important feature of every natural language, the determinacy of reference. Here, after having presented the argument, I will suggest that it does not work, because it simply assumes what it should prove, that is that we cannot extend the metatheory: Putnam appears to think that all (...) we may determinately say about the relations between words and entities in the world is what the model theory tells us, but he has never offered justifications for that. At the end of the article, I will discuss the apparently reliable intuition that seems to me to be at the root of the argument, that is that, given a formal theory, there is an infinite number of ways of connecting it to, or of projecting it onto, the world. I will suggest that we should resist this intuition, because it rests on a very doubtful notion of world, which assumes that for any class of objects there is a corresponding property. (shrink)

Against the Artists. Jun'ichirō Tanizaki and the Man of Art. -/- This essay explores the concepts of "art" (gei) and "man of art" (geinin) in Tanizaki's works. These two notions belong to an ancient Japanese aesthetic tradition. The concept of 'gei' means "realization", "skill", but also "technique" and "ability". Traditional stage performances such as 'nō', 'kyōgen', 'bunraku', 'kabuki', are typical examples of 'gei'. On the other hand the concept of 'geinin' implies three pivotal aspects: 1) a strict and harsh aesthetic (...) education; 2) an environment suitable to develop the man of art's sensitivity; 3) a long process of emotional maturation. This perspective, according to this paper, sheds light on the peculiar Japanese aesthetic "difference" in relation to the concepts of art and artist developed - on the contrary - in Western tradition. (shrink)