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  1. Why art is never representation - even when it represents.Derek Allan - manuscript
    The question of whether or not art is essentially a representation of reality has long been a bone of contention among philosophers of art – especially in the major branch of that discipline called the analytic philosophy of art, or analytic aesthetics. This paper argues that art - visual art, literature or music - is never essentially representation. The argument is based on the thinking of André Malraux in "The Voices of Silence".
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  2. Protestic Becoming : how knowledge silences.Victor Adelino Ausina Mota - manuscript
    Between medieval sapienza and the duty of silence...because it can be harmfull for other, takes care to transmit and inform in a cultural way.
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  3. Modifications to Aristotle's Poetics.E. Garrett Ennis - manuscript
    Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...)
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  4. A Tenaz (Tena-city).Mota Victor - manuscript
    actor progressing social life and scale on screen.
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  5. Linguistic Turn.Mota Victor - manuscript
    semiology of social and global transformations on public relations and, by consequence, of human intimacy.
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  6. Por uma Literatura Fatal e Complacente.Mota Victor - manuscript
    for a better literature, to understand literary tradition in Portugal.
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  7. The Source.Mota Victor - manuscript
    from sensation to imposition of media tought.
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  8. Almost Methodical Doubt.Mota Victor - manuscript
    Methodical Doubt is more kierkegaardian than cartesian.
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  9. Anemia.Mota Victor - manuscript
    Anemia, the syntoms of a great disease in the heart of society.
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  10. Music and the Evolution of Embodied Cognition.Stephen Asma - forthcoming - In M. Clasen J. Carroll (ed.), Evolutionary Perspectives on Imaginative Culture. pp. pp 163-181.
    Music is a universal human activity. Its evolution and its value as a cognitive resource are starting to come into focus. This chapter endeavors to give readers a clearer sense of the adaptive aspects of music, as well as the underlying cognitive and neural structures. Special attention is given to the important emotional dimensions of music, and an evolutionary argument is made for thinking of music as a prelinguistic embodied form of cognition—a form that is still available to us as (...)
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  11. Righteous Radicals on Heavy Rotation. A cross-case study of the Bobo Shanti Rasta Mansion and its representation in Jamaican Dancehall/Reggae in regard to Five Percenter ideology in US-Hip Hop.Martin A. M. Gansinger - forthcoming
    While US-Hip Hop has been attested considerable influence of the controversial Black supremacy movement Five Percent Nation, a similar pattern can be observed with the rigid Rastafarian doctrine of the Bobo Shanti Order and Jamaican Dancehall-Reggae. Considering the commercial relevance and global popularity of both musical styles, this study attempted to shed light on the question if either artists are using controversy for promotional agendas or it is them being used for missionary purposes in turn. A multi-layerd cross-case study based (...)
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  12. Music and multimodal mental imagery.Bence Nanay - forthcoming - In Music and Mental Imagery. Routledge.
    Mental imagery is early perceptual processing that is not triggered by corresponding sensory stimulation in the relevant sense modality. Multimodal mental imagery is early perceptual processing that is triggered by sensory stimulation in a different sense modality. For example, when early visual or tactile processing is triggered by auditory sensory stimulation, this amounts to multimodal mental imagery. Pulling together philosophy, psychology and neuroscience, I will argue in this paper that multimodal mental imagery plays a crucial role in our engagement with (...)
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  13. Dylan at 80.C. Sandis & G. Browning (eds.) - forthcoming - Imprint Academic.
    2021 marks Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? (...)
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  14. Entrevista a Luis de Lille, vocalista latino del opening “La fantástica aventura” de Dragon Ball. “Que la gente pueda sentir lo que se canta, que puedas ‘contagiar’ ese sentimiento”.Jesús Miguel Delgado Del Aguila - 2023 - Aularia. Revista Digital de Educomunicación 12:63-68.
    Luis de Lille es conocido por ser uno de los primeros vocalistas e intérpretes de un anime japonés de éxito mundial llamado Dragon Ball. En la entrevista que le realicé, le planteé unas preguntas que estaban relacionadas con el universo musical de esta serie animada. Sus respuestas consolidan un panorama sobre los requisitos indispensables para obtener un buen resultado en las adaptaciones y las interpretaciones que se hacen de las canciones que están en otros idiomas distintos del español. La experiencia (...)
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  15. A Differential Play of Forces. Transcendental Empiricism and Music.Torbjørn Eftestøl - 2023 - Dissertation, Norwegian Academy of Music
    'A Differential Play of Forces' is a study of transcendental empiricism in musical contexts. It presents a reading of Gilles Deleuze and Félix Guattari’s philosophical apparatus and explores how music can be thought of as functioning in the operation Deleuze terms transcendental empiricism. Central to transcendental empiricism is the idea of an encounter with intensive difference and the consequent experience of intensive and virtual forces. The thesis sets out to explore this idea in three interwoven steps. First, it develops transcendental (...)
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  16. Supreme Mathematics: The Five Percenter Model of Divine Self-Realization and Its Commonalities to Interpretations of the Pythagorean Tetractys in Western Esotericism.Martin A. M. Gansinger - 2023 - Interdisciplinary Journal for Religion and Transformation in Contemporary Society 1 (1):1-22.
    This contribution aims to explore the historical predecessors of the Five Percenter model of self-realization, as popularized by Hip Hop artists such as Supreme Team, Rakim Allah, Brand Nubian, Wu-Tang Clan, or Sunz of Man. As compared to frequent considerations of the phenomenon as a creative mythological background for a socio-political struggle, Five Percenter teachings shall be discussed as contemporary interpretations of historical models of self-realization in various philosophical, religious, and esoteric systems. By putting the coded system of the tenfold (...)
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  17. Wittgenstein in the Laboratory: Pre-Tractatus Seeds of Wittgenstein’s Post-Tractatus Aesthetics.Eran Guter - 2023 - International Wittgenstein Symposium 2023: 100 Years of Tractatus Logico-Philosophicus — 70 Years After Wittgenstein’s Death. A Critical Assessment.
    Wittgenstein’s experiments on rhythm (1912-13) were based on Charles Myers’s 1911 written protocols for laboratory exercises. The experiments provided an early onset for Wittgenstein’s career-long exploration of the philosophically pervasive implications of aspects. Years before the Tractatus, Wittgenstein already got a glimpse of a philosophical angle, which was bound to become very important to him not only in aesthetics, but also for his overarching philosophical development. He became interested in the possibilities of aesthetic conversation, in what we actually do when (...)
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  18. Seeing One Another Anew with Godfrey Reggio's Visitors.Eran Guter & Inbal Guter - 2023 - In Craig Fox & Britt Harrison (eds.), Philosophy of Film Without Theory. Palgrave Macmillan.
    Visitors is a hybrid art film fusing photography and music into a complex abstract texture for the attention of the viewer. It is also a requiem for our ‘New Order for the Ages’ in which humanity grows more and more technologically interconnected and communality means being alone together. We argue that Visitors can be experienced as a seeing aid designed to situate the viewer bewilderingly as needing to reacquire the capacity to see human beings as human beings. This is achieved (...)
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  19. Thinking Through Music: Wittgenstein’s Use of Musical Notation.Eran Guter & Inbal Guter - 2023 - Journal of Aesthetics and Art Criticism 81 (3):348-362.
    Wittgenstein composed five original musical fragments during his transitional middle period, in which he employs musical notation as a means by which to convey his philosophical thoughts. This is an overlooked aspect of the importance of aesthetics, and musical thinking in particular, in the development of Wittgenstein’s philosophy. We explain and evaluate the way the music interlinks with Wittgenstein’s philosophical thoughts. We show the direct relation of these musical examples as precursors to some of Wittgenstein’s most celebrated ideas (the push (...)
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  20. Musical Contagion.Federico Lauria - 2023 - Encyclopedia.
    Music can contaminate us. Sometimes, listeners perceive music as expressing some emotion (say, sadness), and this elicits the same emotion in them (they feel sad). What is musical contagion? This entry presents the main theories of musical contagion that crystallize around the challenge to the leading theory of emotions as experiences of values. How and why does music contaminate us? Does musical contagion elicit garden variety emotions, such as sadness, joy, and anxiety? Does music contaminate us by simply moving us? (...)
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  21. Marxism and the philosophy of music. The Case of Georg Lukacs.Panos Ntouvos - 2023 - Düren: Shaker Verlag.
    The present book is an in-depth study of Lukács’ musical aesthetics and, more specifically, of his essay on music from The Specificity of the Aesthetic (Die Eigenart des Ästhetischen, 1963). Lukács’ problematic in this essay revolves around a central issue in the history of Aesthetics: the problem of mimesis in music. Since the time of Plato and Aristotle music has been regarded as a mimesis (an imitation) of reality. However, this theory of music as mimesis presents major difficulties which have (...)
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  22. A unidade da obra musical a partir da Metafísica de Aristóteles.Paul Franz Wegmann Peña - 2023 - Dissertation, Federal University of Paraná
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  23. Descartes: Diálogos musicais.Tiago de Lima Castro - 2022 - Dissertation, Unesp
    The philosopher René Descartes wrote the Compendium musicæ in 1618. Even though he was not known for his music production, he maintained a long correspondence around the subject in dialogue with Marin Mersenne, Constantjin Huygens, Isaac Beeckman and Joan-Albert Ban. However, his musical propositions appear as a marginal subject in his intellectual journey. To understand whether the musical theme relates to the development of his ideas, first, the organization of his correspondence about music and the citations to it in his (...)
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  24. Den blendende musikken.Torbjørn Eftestøl - 2022 - In Oivind Varkøy & Henrik Holm (eds.), Musikk og religion: Tekster om musikk i religion og religion i musikk. Cappelen Damm Akademisk. pp. 281–298.
    In this essay I explore the encounter between religion and music via ideas taken from Olivier Messiaen. I first present his categorization of music and the concepts of sound-colour and dazzlement as the 'directional meaning' of music. I then show how Messiaen relates this to the phenomena of natural resonance and afterimages, and based on this, I present-via Goethe and Rudolf Steiner-the notion of an etheric, evanescent or incorporeal matter. This understanding and experience of matter is then brought to bear (...)
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  25. Paintings of Music.Michelle Liu - 2022 - Journal of Aesthetics and Art Criticism 80 (2):151-163.
    Paintings of music are a significant presence in modern art. They are cross-modal representations, aimed at representing music, say, musical works or forms, using colors, lines, and shapes in the visual modality. This article aims to provide a conceptual framework for understanding paintings of music. Using examples from modern art, the article addresses the question of what a painting of music is. Implications for the aesthetic appreciation of paintings of music are also drawn.
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  26. Out of Step with the World.Getty L. Lustila & J. C. A. Olsthoorn - 2022 - In Joshua Heter & Richard Greene (eds.), Punk Rock and Philosophy: Research and Destroy. Carus Books. pp. 309-317.
    What are we to make of the cultural nonconformity of hardcore/punks? Is there any ethical value in the pursuit of cultural nonconformity? Distinct moral justifications can be teased from the lyrics of the hardcore/punk bands that we have grown up with and still love. The best explanation of what makes cultural nonconformity morally valuable, we believe, comes from John Stuart Mill: that it opens up new cultural space to oneself and to others, permitting "new and original experiments of living.".
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  27. The beauty of sound: Timbre as grounds for aesthetic and artistic value in music.Ben Mc Hugh - 2022 - Dissertation, Uppsala University
    This thesis explores the concept of timbre through the lens of analytic philosophical aesthetics and philosophy of music. I argue that timbre should be thought of as providing the grounds for artistic and aesthetic values in music. To this end and firstly, I critique the physical sense of timbre in favour of two anti-realist senses of timbre. These two are the qualitative and the semantic senses which are developed from two of Siedenburg and McAdams’ four senses of timbre. I argue (...)
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  28. Where Does Music End and Nonmusic Begin? Fine-tuning the “Naturalist Response” Problem for Nontonal Music’s Naturalistic Critics.Lantz Fleming Miller - 2022 - Journal of Comparative Literature and Aesthetics 45 (1):354-368.
    As to what distinguishes music from other sound, some investigators in both philosophy and cognitive scientists have answered “tonality.” It seems subservient even to rhythm. Tonality is considered to be the central factor around which the piece is oriented; it gives a sense of home, expectation, and completeness. Most important, much of this inquiry builds on naturalistic, evolutionary explanation to account for human nature and behavior. The conclusion of such line of thought is that sounds missing tonality or tonal focus (...)
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  29. Juventud y hardcore punk: El orden del capital frente a la alteridad destructiva.Ignacio Moreno Fluxà - 2022 - Revista Pensamiento Político (9):59-69.
    El presente artículo presenta una breve discusión en torno al vínculo entre juventud y capitalismo a partir del análisis de un caso particular: la escena hardcore punk estadounidense. Las peculiaridades de esta escena musical-su rebeldía rabiosa, su ímpetu (auto)destructivo, su desborde permanente-así como su contrapunto con los movimientos que la precedieron, nos permiten vislumbrar los mecanismos mediante los cuales el capitalismo ejerce su poder coercitivo, en lo que, con Althusser, denominaríamos los aparatos ideológicos de Estado y el aparato represivo de (...)
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  30. A Unidade da obra musical a partir da Metafísica de Aristóteles.Paul Wegmann & Indioney Rodrigues - 2022 - Vórtex 10 (2):1-33.
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  31. Life Writing and Cognition.Lisa Zunshine - 2022 - Substance 51 (3):3-14.
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  32. Machine-Believers Learning Faiths & Knowledges: The Gospel According to GPT.Virgil W. Brower - 2021 - Internationales Jahrbuch Für Medienphilosophie 7 (1):97-121.
    One is occasionally reminded of Foucault's proclamation in a 1970 interview that "perhaps, one day this century will be known as Deleuzian." Less often is one compelled to update and restart with a supplementary counter-proclamation of the mathematician, David Lindley: "the twenty-first century would be a Bayesian era..." The verb tenses of both are conspicuous. // To critically attend to what is today often feared and demonized, but also revered, deployed, and commonly referred to as algorithm(s), one cannot avoid the (...)
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  33. The Influence of Islam on Black Musical Expression and its Re-Contextualization as Hybrid Gnosticism in Hip Hop Culture.Martin A. M. Gansinger - 2021 - Freiburg, New York: Waxmann.
    This chapter aims at pointing out the consistency of Islam as a source for empowerment strategies of the Black population in the United States and the religion’s effective reinterpretation as a sort of contemporary gnostic self-realization in Hip Hop culture. Moreover, the link between hybrid identity constructions of Hip Hop artists that borrow from religious and cultural sources of Islam and corresponding traditions of spiritual realization in mystical Islam and Sufism is demonstrated in the course of the discussion.
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  34. New Publication as Book in Focus at Cambridge Scholars.Martin A. M. Gansinger - 2021 - Newcastle upon Tyne, Newcastle-upon-Tyne, Royaume-Uni: Cambridge Scholars.
    This book can be seen as both, a celebration of past and present achievements of creative expression, artistic articulation, cultural contributions, and mediated movements for the sake of liberalization and democracy, and a warning against a “cultural revolution” defined by censorship, suppression of pluralist opinions, unnatural conformity in science and journalism, and the distinction between “fake news” and “fact” handled by artificial intelligence or part-time fact checkers.
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  35. International Aspects of Recent Phenomena in Media and Culture.Martin A. M. Gansinger - 2021 - Newcastle: Cambridge Scholars Publishing.
    The volume provides an updated perspective on international aspects of various developments in media and culture. It includes discussions on how the digital environment contributes to the transformation and re-interpretation of existing phenomena, such as violence-on-demand in online movies, the internet appeal of virtual gangsta rappers, or the revived battle rap tradition, which operates outside the commercial limitations of the music industry and generates more views on social media than most recording artists. -/- The book offers a new consideration of (...)
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  36. International Aspects of Recent Phenomena in Media and Culture sample pages.Martin A. M. Gansinger & Ayman Kole - 2021 - Newcastle upon Tyne, Newcastle-upon-Tyne, Royaume-Uni: Cambridge Scholars Publishing.
    This book was compiled in order to connect the dots between past and present expressions of significant phenomena in media and culture. It attempts to provide a “big picture” perspective on how contemporary relevant manifestations of the entertainment industry, artistic expression, mediated civic engagement, technological infrastructure, or automated information control evolved from subversive surroundings, niche markets, and underestimated potentials to shaping forces in today's society. This book can be seen as both, a celebration of past and present achievements of creative (...)
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  37. Susanne Langer on Music and Time.Eran Guter & Inbal Guter - 2021 - Estetika: The European Journal of Aesthetics 58 (1):35-56.
    Susanne Langer’s idea of the primary apparition of music involves a dichotomy between two kinds of temporality: ‘felt time’ and ‘clock time’. For Langer, musical time is exclusively felt time, and in this sense, music is ‘time made audible’. However, Langer also postulates a ‘strong suspension thesis’: the swallowing up of clock time in the illusion of felt time. In this essay, we take issue with the ‘strong suspension thesis’, its philosophic foundation and its implications. We argue that this thesis (...)
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  38. Fold over fold: Musikk og filosofi som transformativ praksis.Torbjørn Eftestøl - 2020 - In Oivind Varkøy & Henrik Holm (eds.), Musikkfilosofiske tekster, Tanker om musikk -og språk, tolkning, erfaring, tid, klang, stillhet m.m. Cappelen Damm Akademisk. pp. 313–328.
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  39. Sufferers in Babylon: A Rastafarian Perspective on Class and Race in Reggae.Martin A. M. Gansinger - 2020 - In Ian Peddie (ed.), The Bloomsbury Handbook of Popular Music and Social Class. New York: Bloomsbury Academic. pp. 443-464.
    The chapter deals with the contrast between defining aspects of religious rigidity, a socio-historically derived counter-narrative, and anti-consumerism in Rastafarian philosophy and culture on one hand and the universal message and commercial success of the music on the other. After discussing the status of the genre as part of Jamaican national culture, the inherent socio-political claim of Reggae and Rastafarian culture are put in context with the conflicting claims of superiority and non-partiality that can frequently be found in the music. (...)
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  40. Феномен взаємопроникнення (задіяння) української та вірменської культур на теренах України.Kateryna Dannyk - 2019 - Наукові Записки НАУКМА: Andquot;ІСТОРІЯ І ТЕОРІЯ КУЛЬТУРИ" 2 (5):35-40.
    У статті розглянуто актуальне явище сучасної культури – взаємопроникнення кількох різних культур (в історико-типологічному сенсі) в Україні. Увагу акцентовано на вірменській меншині як культуротворчій діаспорі України. Досліджено роль вірменських музикантів у поліетнічній культурі України та їх самоідентифікацію у творчості. Увагу сконцентровано на проявах задіяння зразків класичного різножанрового мистецтва в сучасних творах та взаємодії українського й вірменського мистецтва в цьому ракурсі. Проаналізовано творчість вірменських музикантів, які спочатку як імпровізацію, а згодом і в більшості своїх проектів використовують прийом міксування етнічних елементів українського (...)
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  41. Measure for Measure: Wittgenstein's Critique of the Augustinian Picture of Music.Eran Guter - 2019 - In Hanne Appelqvist (ed.), Wittgenstein and the Limits of Language. New York: Routledge. pp. 245-269.
    This article concerns the distinction between memory-time and information-time, which appeared in Wittgenstein’s middle-period lectures and writings, and its relation to Wittgenstein’s career-long reflection about musical understanding. While the idea of “information-time” entails a public frame of reference typically pertaining to objects which persist in physical time, the idea of pure “memory-time” involves the totality of one’s present memories and expectations that do now provide any way of measuring time-spans. I argue that Wittgenstein’s critique of Augustine notion of pure memory-time (...)
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  42. Співочі книги у василіянських монастирях Руської провінції другої половини XVIII — початку ХІХ ст. (цивілізаційнi зміни в церковно-музичнiй сфері).Valentyna Los - 2019 - Kyivan Academy 16 (5):160-175.
    Статтю присвячено аналізові церковно-музичних книг василіянських монастирів Руської провінції другої половини XVIII — початку ХІХ ст. На підставі монастирських інвентарів висвітлюється діяльність друкарні Почаївського василіянського монастиря, яка, серед іншого, спеціалізувалася на виданні музичних книг, зокрема Ірмолоїв— поліжанрових збірників, що властиві українському типові церковно-співочої книги. У статті наголошено також на ролі Василіянського Чину в поширенні західно-християнських культурних впливів упродовж другої половини XVIII cт.
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  43. Considerações Sobre a Forma Musical na Poética Composicional Contemporânea.Jorge Luiz de Lima Santos - 2019 - Dissertation, University of Campinas, Brazil
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  44. Music Policies İn Turkish Single-Party Era: Religious Music Example.Uğur Alkan - 2018 - Tasavvur - Tekirdag Theology Journal 4 (2):452 - 469.
    Upon abolition of the sultanate, proclamation of the Republic, and termination of the seemingly existing caliphate position, the 1921 Constitution was replaced with the 1924 Constitution, which would remain in full force until 1961. It is observed that as a result of all such consecutive developments, the no. 677 Law on Preclusion and Abolition of Lodges, Zawiyahs, Tomb Keepers and Some Titles, which had been presented to the assembly with a bill prepared by Refik Koraltan, a member of the parliament (...)
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  45. Birds of a feather flock together: The Nigerian cyber fraudsters (yahoo boys) and hip hop artists.Suleman Lazarus - 2018 - Criminology, Criminal Justice, Law and Society 19 (2):63-80.
    This study sets out to examine the ways Nigerian cyber-fraudsters (Yahoo-Boys) are represented in hip-hop music. The empirical basis of this article is lyrics from 18 hip-hop artists, which were subjected to a directed approach to qualitative content analysis and coded based on the moral disengagement mechanisms proposed by Bandura (1999). While results revealed that the ethics of Yahoo-Boys, as expressed by musicians, embody a range of moral disengagement mechanisms, they also shed light on the motives for the Nigerian cybercriminals' (...)
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  46. La disparition de la politique : le rap entre Israël et la Palestine, entre Juifs et Arabes.Anna C. Zielinska - 2018 - Mouvements 96 (2018/4):102-110.
    Politics, and in particular the question of the Palestinian-Israeli conflict, is currently dealt with rather through fiction and art, and much less through genuine political actions, is a strong sign of the failure of politics as a positive, voluntaristic political project. Rap /hip hop music, the most naturally political art, does not have the political agenda anymore. The particular history or Israeli rap illustrates this process in a striking way, embodying the recent evolution of the Israeli society. The country was (...)
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  47. Aspekte von interkultureller Kommunikation in der Musik.Martin A. M. Gansinger - 2017 - Immediate. Currents in Communication, Culture and Philosophy 1 (2).
    Im institutionalisierten Bereich interkultureller Beziehungen kommt es permanent zu Bemühungen, über gemeinsame musikalische Projekte Brücken zum Austausch von Lebensrealitäten und Erfahrungen zu erzielen. In vielen Fällen besteht jedoch nicht die Gelegenheit des gegenseitigen Austausches, weil die beteiligten Akteure entweder nebeneinander agieren, ohne aufeinander einzugehen und die Impulse ihres Gegenübers in den eigenen Beiträgen zu reflektieren, oder aber eine der beiden Bestandteile den anderen dominiert, und keine entsprechende Gelegenheit zur gleichberechtigten Artikulation einräumt. Der Grund dafür liegt häufig in der Starrheit der (...)
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  48. Interdisziplinäre Aspekte zur Improvisation als kommunikatives Beziehungsgeschehen.Martin A. M. Gansinger - 2017 - Immediate. Currents in Communication, Culture and Philosophy 1 (2).
    Im Rahmen der folgenden Seiten sollen die Kommunikationsbedingungen im Kontext der Kollektiv-Improvisation genauer analysiert und einem Vergleich mit den Voraussetzungen der idealen Sprechsituation von Habermas unterzogen werden. Hinleitend dazu erfolgt zum Einstieg eine Darstellung jener Ausgangsbedingungen, welche die Methode der kollektiven Improvisation von herkömmlichen musikalischen Verfahren unterscheidet. Zu diesem Zweck werden neben einer kurzen Erläuterung der bereits im vorangegangenen Kapitel ausführlich diskutierten Ausgangsbedingungen u.a. Ansätze aus der Musiktherapie herangezogen, die sowohl soziale als auch politische Faktoren mit einbeziehen. Im Anschluss daran (...)
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  49. Radical religious thought in Black popular music. Five Percenters and Bobo Shanti in Rap and Reggae.Martin Abdel Matin Gansinger - 2017 - Hamburg, Germany: Anchor.
    This book is discussing patterns of radical religious thought in popular forms of Black music. The consistent influence of the Five Percent Nation on Rap music as one of the most esoteric groups among the manifold Black Muslim movements has already gained scholarly attention. However, it shares more than a strong pattern of reversed racism with the Bobo Shanti Order, the most rigid branch of the Rastafarian faith, globally popularized by Dancehall-Reggae artists like Sizzla or Capleton. Authentic devotion or calculated (...)
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  50. Wittgenstein, Modern Music, and the Myth of Progress.Eran Guter - 2017 - In Niiniluoto Ilkka & Wallgren Thomas (eds.), On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica vol. 93. Societas Philosophica Fennica. pp. 181-199.
    Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to his times makes him unique among the great philosophers, that the philosophical problems which Wittgenstein was struggling, indeed his view of the nature of philosophy, were somehow connected with features of our culture or civilization. -/- In this paper I draw inspiration (...)
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