View topic on PhilPapers for more information
Related categories

22 found
Order:
More results on PhilPapers
  1. added 2020-07-01
    Ἐγώ εἰμι.Andrej Poleev - 2020 - Enzymes 18.
    Появление человека, говорящего о себе Ἐγώ εἰμι, люди воспринимают в той же логике абсурда, к которой они привыкли. То, что кто-то может не играть и не носить маску, а реально быть, жить настоящей, а не выдуманной жизнью, для них немыслимо, невозможно, невыносимо и недопустимо. Но такой человек был, есть, и будет, и именно он преображает всё остальное человечество своим Ἐγώ εἰμι.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  2. added 2020-06-22
    Challenges Kenyan Television Journalists Face in Spotting Fake News.Kabucua John Mutugi - 2020 - Journal of Development and Communication Studies 7 (1).
    A fake news story can travel half way across the world as the truth puts on its socks. There are myriads of challenges facing journalists in spotting fake news hence its wide proliferation. Fake news has become a prominent subject of enquiry especially following its alleged influence of the 2016 general elections in US. Unfortunately, research on fake news has focused on social media, politics, elections, and economies. Few studies have focused on the challenges that TV journalists face in spotting (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  3. added 2020-06-05
    Multiculturalism in Nigeria as a Factor in Promoting National Integration Through Cross-Cultural Communication.Barigbon Gbara Nsereka - 2019 - INTERNATIONAL JOURNAL OF INNOVATIVE RESEARCH and DEVELOPMENT 8 (1).
    It is widely believed that Nigeria consists of a minimum of 250 ethnic groups with Hausa, Yoruba and Igbo as the three dominant ones. Each group has its own language and custom and accepts one or more of the main religions of Christianity, Islam and African traditional religion. This multi-ethnic, multi-cultural, multi-lingual and multi-religious nature of the country makes the pursuit of national unity, unity in diversity, a difficult task. And this is the background for the disruption and violence that (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. added 2020-01-19
    Perception, Action and Identification in the Theatre.Bence Nanay - 2006 - In Daniel Krasner (ed.), Staging Philosophy. Ann Arbor: Michigan University Press.
    My endeavor in this paper is to examine the ways in which exactly the general structure of perception is modified in the case of the reception of theatre performances. First, perception in general is examined and it is argued that a basic characteristic of perception is that it is sometimes interdependent with action. After the analysis of perception in general, I turn to the special case of the perception of a theatre performance (or, theatre-perception, for short) and examine the role (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  5. added 2019-09-01
    Review of Siddhartha Biswas's Theatre Theory and Performance: A Critical Interrogation. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (9):672-4.
    Biswas's book is a panoramic treatment of contemporary world theatre. The book under review will help both the neophyte, as also a scholar to negotiate ancient dramaturgy and more recent theatre. Biswas's eye for details is also remarked in this review. The review shows how Biswas, as it were, has written a manifesto of protest in this book.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  6. added 2019-05-17
    Material und Begriff. Arbeitsverfahren und theoretische Beziehungen Walter Benjamins.Frank Voigt, Nicos Tzanakis Papadakis, Jan Loheit & Konstantin Baehrens - 2019 - Hamburg, Deutschland: Argument.
    Die Rezeption von Walter Benjamins Arbeiten ist von einer Paradoxie durchzogen: Obwohl Konsens darüber besteht, dass er seine Begriffe in ›enger Fühlung‹ mit dem jeweiligen Material entwickelt, werden seine Schriften häufig ohne ein eigenständiges Studium seiner Quellen gelesen, losgelöst vom jeweiligen Problem- und Debattenzusammenhang. Das verstärkt den Eindruck einer Esoterik seiner Texte und kann zu der Annahme verleiten, Benjamin entnehme Motive willkürlich aus seinem Material- und Quellenstudium und nutze sie als Vehikel eines an sich schwer in eine Tradition einzuordnenden Denkens. (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  7. added 2019-04-05
    Идея метода: философия Декарта и доктрина литературного классицизма.Arsenii Khitrov - 2005 - In А.А Сыродеева (ed.), Коллаж – 5. Социально-философский и философскоантропологический альманах. pp. 91–111.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  8. added 2019-02-28
    Modifications to Aristotle's Poetics.E. Garrett Ennis - manuscript
    Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  9. added 2018-10-08
    Un manifesto dell'inumano. Carmelo Bene a quindici anni dalla morte.Fabio Vergine - 2017 - Kasparhauser 1.
    Articolo in occasione del quindicesimo anniversario della morte di Carmelo Bene.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  10. added 2018-06-23
    A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition.Martijn Boven - 2018 - In Eric Jozef Ziolkowski (ed.), Kierkegaard, Literature, and the Arts. Evanston, IL, USA: pp. 115-130.
    In this essay, I argue that Søren Kierkegaard’s oeuvre can be seen as a theater of ideas. This argument is developed in three steps. First, I will briefly introduce a theoretical framework for addressing the theatrical dimension of Kierkegaard’s works. This framework is based on a distinction between“performative writing strategies” and “categories of performativity.” As a second step, I will focus on Repetition: A Venture in Experimenting Psychology, by Constantin Constantius, one of the best examples of Kierkegaard’s innovative way of (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  11. added 2018-01-30
    Performance como uma Prática de si: mapeando noções de treinamento performativo.Ronaldo Francisco dos Santos - 2017 - Dissertation, Unicamp, Brazil
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  12. added 2018-01-30
    Introdução ao Estudo Histórico-Filosófico da Técnica e da Ação Cômica do ator.Douglas Rodrigues Novais - 2012 - Dissertation, University of Campinas, Brazil
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  13. added 2018-01-03
    Yeats Considered as the Archetypal Fool.Margot Wilson - 2017 - Dissertation, Sheffield University
    I argue a case for interpreting Yeats through the metaphysics of The Order of the Golden Dawn and the human/cosmic life cycle of their Rider-Waite tarot deck. In doing so, I will explain how the metaphysics of Indian and Egyptian sacred geometry inform his poetry, and his plays, in particular, ‘A Vision’ (1925) and ‘The Herne’s Egg’ (1938).
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  14. added 2017-11-20
    A Dramaturgia Negativa: Dialética Trágica e Formação do Teatro Brasileiro.Ivan Delmanto Franklin de Matos - 2016 - Dissertation, USP, Brazil
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  15. added 2017-07-01
    Glossing the Title of Bernard Shaw's Arms and the Man.Subhasis Chattopadhyay - manuscript
    I believe that as a teacher I must provide high quality content for my students. And all these should be available for free online so that bright students globally can choose which editions of a seminal text they can study. In every UG, PG examination, one is asked about the importance of the title of Shaw's play. In this paper I have illustrated by my own reading how one should and can approach the play. For scholars, my annotations referring to (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  16. added 2016-11-30
    Roots Reloaded. Culture, Identity and Social Development in the Digital Age.Ayman Kole & Martin A. M. Gansinger (eds.) - 2016 - Anchor.
    This edited volume is designed to explore different perspectives of culture, identity and social development using the impact of the digital age as a common thread, aiming at interdisciplinary audiences. Cases of communities and individuals using new technology as a tool to preserve and explore their cultural heritage alongside new media as a source for social orientation ranging from language acquisition to health-related issues will be covered. Therefore, aspects such as Art and Cultural Studies, Media and Communication, Behavioral Science, Psychology, (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  17. added 2016-11-17
    THE CONTRADICTORY NATURE OF THE GHOST IN HAMLET.Ali Salami - 2011 - Sarjana 26 (1).
    This article explores the contradictory nature of the ghost in Hamlet and shows how Shakespeare seeks to manipulate the reader’s response in Hamlet by using contradictions and ambiguities. The article also explores the ways in which the reader responds to these contradictions and reconstructs a palpable world in the impalpable world of the text. These contradictions compel the reader to participate in the composition of the text and make him keep changing his own approach to the work with the result (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  18. added 2016-10-11
    Christopher Marlowe's Edward The Second-A Critical Evaluation, The Way I Do.Rituparna Ray Chaudhuri - 2016 - @Article{Chaudhuri2016christopher, Title={Christopher Marlowe's Edward The Second-A Critical Evaluation, The Way I Do.}, Author={Chaudhuri, Rituparna Ray}, Year={2016}.
    “Marlowe wrote Edward The Second in 1590. He found a suitable tragic theme in the Holinshed’s account of Edward II’s reign though it was not a promising dramatic material from the chronological point of view as the events were disjointed and uninspiring disastrous. Improper coordinates of the sources has left its mark on Marlowe’s play, nevertheless, this is his most finished and satisfactory of plays…Edward The Second can surely be regarded as Marlowe’s finest technical achievement.” (Edited, Dr. S. Sen…)[http://philpapers.org/profile/112741].
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  19. added 2016-09-17
    Here is Harold Pinter.Subhasis Chattopadhyay - 2005 - THE BULLETIN OF THE RAMAKRISHNA MISSION INSTITUTE OF CULTURE (December):561-66.
    This essay interrogates the philosophy of Pinter through analyses of his language, religious understanding of life and through passing references to Buddhism.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  20. added 2016-05-12
    Performance Art Nach 1945 Aktionstheater und Intermedia.Thomas Dreher - 2001 - Munich, Germany: Wilhelm Fink.
    The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly based on Intertextuality (Mikhail Mikhailovich Bakhtin) and Systems Theory (Niklas Luhmann).
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  21. added 2015-08-15
    Wagner und Hanslick. Kurze Geschichte einer Feindschaft.Christian Jung - 2012 - Österreichische Musikzeitschrift 67 (6):14-21.
    The controversy between Richard Wagner and his critic Eduard Hanslick is well known, but rarely looked at in detail. It is mostly believed that Hanslick was unable to see Wagner's genius, stuck deeply in an antiquated aesthetical world. By reassessing Wagner's and Hanslick's letters and publications it can be seen, however, that Hanslick's detailed criticism (and also appreciation) was much more objective and less spiteful than is often assumed.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  22. added 2014-08-06
    Feyerabend, Ionesco, and the Philosophy of the Drama.S. G. Couvalis - 1988 - Critical Philosophy 4:51-66.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations