Results for 'Ingarden'

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  1.  63
    Law, Philosophy and Responsibility: The Roman Ingarden Contribution.Michal Peno - manuscript
    The aim of this article is to carry out a critical and reflexive analysis of Roman Ingarden's philosophy of responsibility. Being a member of the phenomenological current, Ingarden mainly studied the ontological bases or conditions of responsibility by identifying different situations of responsibility. In this paper situations of responsibility have been analysed in the semantic contexts in which the word "responsibility" appears. Legally, the prescriptive contexts of using the word "responsibility" are particularly important since they are usually either (...)
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  2. Ingarden Vs. Meinong on the Logic of Fiction.Barry Smith - 1980 - Philosophy and Phenomenological Research 41 (1/2):93-105.
    For Meinong, familiarly, fictional entities are not created, but rather merely discovered (or picked out) from the inexhaustible realm of Aussersein (beyond being and non-being). The phenomenologist Roman Ingarden, in contrast, offers in his Literary Work of Art of 1931 a constructive ontology of fiction, which views fictional objects as entities which are created by the acts of an author (as laws, for example, are created by acts of parliament). We outline the logic of fiction which is implied by (...)
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  3.  52
    Ingarden versus Meinong o logice fikcji.Barry Smith - 1998 - In Z. Muszyński (ed.), Z badań nad prawdą i poznaniem. Lublin: Wydawnictwo UMC-S. pp. 283–296.
    : For Meinong, familiarly, fictional entities are not created, but rather merely discovered (or picked out) from the inexhaustible realm of Aussersein (beyond being and non-being). The phenomenologist Roman Ingarden, in contrast, offers in his Literary Work of Art of 1931 a constructive ontology of fiction, which views fictional objects as entities which are created by the acts of an author (as laws, for example, are created by acts of parliament). We outline the logic of fiction which is implied (...)
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  4.  59
    Roman Ingarden: Ontological Foundations for Literary Theory.Barry Smith - 1979 - In John Odmark (ed.), Language, Literature and Meaning I: Problems of Literary Theory. Amsterdam: Benjamins. pp. 373-390.
    The paper seeks to apply the work of the Polish phenomenologist Roman Ingarden to certain problems in literary theory; contrasts the notions of ontological and epistemological incompleteness of the represented objects of a literary work and considers the question of the nature of such objects. The paper concludes by analyzing some of the degrees of freedom possessed by the readings of literary work in relation to the work itself.
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  5.  12
    Ingarden’s Combinatorial Analysis of The Realism-Idealism Controversy.Raphael Milliere - 2016 - In Sébastian Richard & Olivier Malherbe (eds.), Form(s) and Modes of Being. The Ontology of Roman Ingarden. Bern and New York: pp. 67-98.
    The Controversy over the Existence of the World (henceforth Controversy) is the magnum opus of Polish philosopher Roman Ingarden. Despite the renewed interest for Ingarden’s pioneering ontological work whithin analytic philosophy, little attention has been dedicated to Controversy's main goal, clearly indicated by the very title of the book: finding a solution to the centuries-old philosophical controversy about the ontological status of the external world. -/- There are at least three reasons for this relative indifference. First, even at (...)
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  6.  37
    On Making Sense of Ingarden.Barry Smith - 1979 - In Crisis of Aesthetics. Cracow: Jagiellonian University Press. pp. 283-289.
    An account of Roman Ingarden's ontology of literature.
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  7.  81
    The Truth About Fiction.Josef Seifert & Barry Smith - 1994 - In Kunst Und Ontologie: Für Roman Ingarden zum 100. Geburtstag. Amsterdam: Rodopi. pp. 97-118.
    Ingarden distinguishes four strata making up the structure of the literary work of art: the stratum of word sounds and sound-complexes; the stratum of meaning units; the stratum of represented objectivities (characters, actions, settings, and so forth); and the stratum of schematized aspects (perspectives under which the represented objectivities are given to the reader). It is not only works of literature which manifest this four-fold structure but also certain borderline cases such as newspaper articles, scientific works, biographies, and so (...)
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  8. Formal Ontology as an Operative Tool in the Theories of the Objects of the Life-World.Horacio Banega - 2012 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 16 (2):64-88.
    Formal ontology as it is presented in Husserl`s Third Logical Investigation can be interpreted as a fundamental tool to describe objects in a formal sense. It is presented one of the main sources: chapter five of Carl Stumpf`s Ûber den psycholoogischen Ursprung der Raumovorstellung (1873), and then it is described how Husserlian Formal Ontology is applied in Fifth Logical Investigation. Finally, it is applied to dramatic structures, in the spirit of Roman Ingarden.
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  9. Pojęcie idealnej granicy w estetyce dzieła muzycznego Romana Ingardena.Małgorzata A. Szyszkowska - 2011 - Aspekty Muzyki 1:203-225.
    Summary: In this paper author maintains that the term “ideal border” used by Roman Ingarden several times in his writing on music perception has more to offer than its face value suggests. The term is ambiguous and in its first reading seems to imply that Ingarden's take on musical work is all but coherent. Yet author tries to show that the term itself if taken seriously in its various possible interpretations makes Ingarden's aesthetics of music more interesting (...)
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  10.  71
    The Ontogenesis of Mathematical Objects.Barry Smith - 1975 - Journal of the British Society for Phenomenology 6 (2):91-101.
    Mathematical objects are divided into (1) those which are autonomous, i.e., not dependent for their existence upon mathematicians’ conscious acts, and (2) intentional objects, which are so dependent. Platonist philosophy of mathematics argues that all objects belong to group (1), Brouwer’s intuitionism argues that all belong to group (2). Here we attempt to develop a dualist ontology of mathematics (implicit in the work of, e.g., Hilbert), exploiting the theories of Meinong, Husserl and Ingarden on the relations between autonomous and (...)
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  11. The Ontology of Epistemology.Barry Smith - 1987 - Reports in Philosophy 11:57-66.
    Ingarden’s puzzle is: how can we come to know what is essentially involved in an act of knowing? As starting point he takes what he holds to be a particular good candidate example of such an act, namely an act of perceiving an apple. Here we have act and object standing in a certain first-level relation to each other. We now in a second level act of reflection, make this first-level relation into an object, and strive to apprehend this (...)
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  12.  51
    Practices of Art.Barry Smith - 1988 - In J. C. Nyíri & Barry Smith (eds.), Practical Knowledge: Outlines of a Theory of Traditions and Skills. London: Croom Helm. pp. 172-209.
    Starting out from the ontology of human work set out by Marx in Das Kapital, the paper seeks to analyse the relations between the artist and his actions and aims, the work of art he produces, and the audience for this work. The paper concludes with a discussion of the problem of creativity in the arts, drawing on ideas of Roman Ingarden and other phenomenologists.
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  13.  79
    Zur Metaphysik der Kunst. Eine logisch-ontologische Untersuchung des Werkbegriffs.Maria E. Reicher - 1998 - dbv-Verlag für die Technische Universität Graz.
    Thema der Arbeit ist der ontologische Status von Werken sowie die Beziehung zwischen Werken einerseits und Aufführungen, Manuskripten, Partituren, Schallplatten, Gemälden, Gebäuden, Drucken etc. andererseits. Es wird angeknüpft an den phänomenologischen Ansatz von Roman Ingarden (aber auch an den von Alexius Meinung). Diese Ansätze werden unter Verwendung moderner logischer Hilfsmittel weiterentwickelt und, wo notwendig, revidiert. Im ersten Kapitel wird ausführlich begründet, warum Werke (und zwar Werke aller Gattungen) abstrakte, typenartige Gegenstände sein müssen, die in konkreten Einzeldingen (z. B. Aufführungen) (...)
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  14.  11
    Ontologia epistemologii.Barry Smith - 1995 - In W Kregu Filozofii Romana Ingardena. Warsaw: PWN. pp. 111-119.
    Ingarden’s puzzle is: how can we come to know what is essentially involved in an act of knowing? As starting point he takes what he holds to be a particular good candidate example of such an act, namely an act of perceiving an apple. Here we have act and object standing in a certain first-level relation to each other. We now in a second level act of reflection, make this first-level relation into an object, and strive to apprehend this (...)
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  15.  27
    Historicity, Value and Mathematics.Barry Smith - 1975 - In A. T. Tymieniecka (ed.), Analecta Husserliana, vol. 4. Dordrecht: Reidel. pp. 219-239.
    At the beginning of the present century, a series of paradoxes were discovered within mathematics which suggested a fundamental unclarity in traditional mathemati­cal methods. These methods rested on the assumption of a realm of mathematical idealities existing independently of our thinking activity, and in order to arrive at a firmly grounded mathematics different attempts were made to formulate a conception of mathematical objects as purely human constructions. It was, however, realised that such formulations necessarily result in a mathematics which lacks (...)
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  16.  74
    A Phenomenological “Aesthetics of Isolation” as Environmental Aesthetics for an Era of Ubiquitous Art.Matthew E. Gladden - 2018 - Polish Journal of Aesthetics (49):11-25.
    Here the concept of the human being as a “relatively isolated system” developed in Ingarden’s later phenomenology is adapted into an “aesthetics of isolation” that complements conventional environmental aesthetics. Such an aesthetics of isolation is especially relevant, given the growing “aesthetic overload” brought about by ubiquitous computing and new forms of art and aesthetic experience such as those involving virtual reality, interactive online performance art, and artificial creativity.
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  17. 'Tygrys' contra 'Mefisto'. O ataku Krońskiego na Ingardena po 60. latach.Filip Kobiela - 2011 - Kwartalnik Filozoficzny (4):85-100.
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  18. Two Kinds of Games.Filip Kobiela - 2011 - Acta Universitatis Carolinae Kinanthropologica 47 (1):61-67.
    The article presents an ontological analysis of games. In every game one could distinct four constitutive elements: players, game rules, material substratum of the game and intentional world of the game. The last element correspond with make-believe quality of games. These are two kinds of acts of playing (creating the world of the game): performative and kinetic. The article presents an analysis of these two kinds of acts of playing and present the division of games (performative-based/kinetic-based) which is ontologically fundamental (...)
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  19. Problem szczelinowości w fenomenologii Romana Ingardena.Filip Kobiela - 2011 - In Adam Węgrzecki (ed.), W kręgu myśli Romana Ingardena.
    W filozofii czasu Ingardena szczególną rolę odgrywa charakterystyka ontologiczna teraźniejszości. Należy do niej m.in. szczelinowość. Okazuje się, że pojęcie to można powiązać z koncepcją tzw. teraźniejszości pozornej (specious present). Opierając się ponadto na pewnych rozważaniach S. Lema oraz B. Ogrodnika wiążę różne wartości szczelinowości (trwania kwantu teraźniejszości), ze złożonością formalną budowy przedmiotów. Uogólnienie tych wyników umożliwia dopełnienie rozważań Ingardena nad szczelinowością – sformułowanie zarysu ontologicznej teorii względności trwania teraźniejszości.
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  20.  49
    The Ontology of Reference: Studies in Logic and Phenomenology.Barry Smith - 1976 - Dissertation, Manchester
    Abstract: We propose a dichotomy between object-entities and meaning-entities. The former are entities such as molecules, cells, organisms, organizations, numbers, shapes, and so forth. The latter are entities such as concepts, propositions, and theories belonging to the realm of logic. Frege distinguished analogously between a ‘realm of reference’ and a ‘realm of sense’, which he presented in some passages as mutually exclusive. This however contradicts his assumption elsewhere that every entity is a referent (even Fregean senses can be referred to (...)
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  21.  18
    Czesław GŁOMBIK, Husserl und die Polen. Frühgeschichte einer Rezeption. Aus dem Polnischen übersetzt von Christoph Schatte. [REVIEW]Wojciech Hanuszkiewicz - 2011 - Argument: Biannual Philosophical Journal 1 (2):390-392.
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  22. An Essay in Formal Ontology.Barry Smith - 1978 - Grazer Philosophische Studien 6:39-62.
    As conceived by analytic philosophers ontology consists in the application of the methods of mathematical logic to the analysis of ontological discourse. As conceived by realist philosophers such as Meinong and the early Husserl, Reinach and Ingarden, it consists in the investigation of the forms of entities of various types. The suggestion is that formal methods be employed by phenomenological ontologists, and that phenomenological insights may contribute to the construction of adequate formal-ontological languages. The paper sketches an account of (...)
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  23. Realistic Phenomenology.Barry Smith - 1997 - In Lester Embree (ed.), Encyclopedia of Phenomenology. Springer Science & Business Media. pp. 586-590.
    The tradition of realist phenomenology was founded in around 1902 by a group of students in Munich interested in the newly published Logical Investigations of Edmund Husserl. Initial members of the group included Johannes Daubert, Alexander Pfänder, Adolf Reinach and Max Scheler. With Reinach’s move to Göttingen the group acquired two new prominent members – Edith Stein and Roman Ingarden. The group’s method turned on Husserl’s idea that we are in possession a priori (which is to say: non-inductive) knowledge (...)
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  24.  34
    Barry Smith and His Influence On (Not Only, But Mainly My) Philosophy.Peter Simons - 2017 - Cosmos + Taxis 4 (4):38-41.
    Autobiographical survey of interactions between the author and Barry Smith, especially as concerns the background and influence of the Seminar for Austro-German Philosophy and work on the relevance of Adolf Reinach, Roman Ingarden and other Central-European thinkers to contemporary analytic philosophy.
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  25.  75
    Introduction: Polish Philosophical Revisionists in Marxism.Barbara Tuchanska - 2017 - Hybris. Revista de Filosofía 37:I-XV.
    Who and how revised Marxism in Poland? The simple answer is that it was done by young intellectuals seeing themselves as obligated to social and political activity, eager to participate in the process of the constitution of a new postwar Communist society. Marxism was for them a philosophical world-view and a political program rising hopes for a better socio-economic reality. Revisionists were committed Communists and their attitude toward Marxism was almost religious. Marxism, Promethean and scientific at the same time, was (...)
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  26.  83
    Why Polish Philosophy Does Not Exist.Barry Smith - 2006 - In J. Jadacki & J. Pasniczek (eds.), Poznan Studies in the Philosophy of the Sciences and the Humanities, vol. 89. Reidel. pp. 19-39.
    Why have Polish philosophers fared so badly as concerns their admission into the pantheon of Continental Philosophers? Why, for example, should Heidegger and Derrida be included in this pantheon, but not Ingarden or Tarski? Why, to put the question from another side, should there be so close an association in Poland between philosophy and logic, and between philosophy and science? We distinguish a series of answers to this question, which are dealt with under the following headings: (a) the role (...)
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  27.  27
    Vedrørende Husserls lære om helheter og deler.Petter Sandstad - 2018 - Norsk Filosofisk Tidsskrift 53 (2-03):150-164.
    A Norwegian translation is here offered of Eugenie Ginsberg’s paper «Zur Husserlschen Lehre von den Ganzen und den Teilen» (in Archiv für systematische Philosophie und Soziologie 32, 1929, 108–120). The paper discusses Husserl’s six theorems from Logical Investigations III, §14. Ginsberg provides new proofs for theorems 1 and 3, and also endorses theorem 5. In contrast, a counter example is given to theorems 2, 4, and 6: However, proofs are supplied for a modified version of these theorems. Furthermore, an additional (...)
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  28. Metaphysics.Barry Smith - 2010 - In Asbjørn Steglich-Petersen (ed.), Metaphysics: Five Questions. Automatic Press. pp. 143-158.
    Attempts to trace a unifying thread of ontological realism extending through 1. my early writings on Frege, Brentano, Husserl, Wittgenstein, Ingarden and (with Kevin Mulligan and Peter Simons) on truthmakers; 2. work on formal theories of the common-sense world, and on mereotopology, fiat objects, geographical categories, and environments (with David Mark, Roberto Casati, Achille Varzi), to 3. current work on applied ontology in biology and medicine, and on the theory of document acts and on the ontology of information artifacts.
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  29.  62
    Husserl’s Transcendental Phenomenology and the Project of Science.Agnieszka Wesołowska - 2014 - Argument: Biannual Philosophical Journal 4 (2):391-404.
    The article presents edmund Husserl’s idea of transcendental phenomenology in the perspec‐ tive of the project of science. this aspect of Husserl’s writings was pointed out by, for example, rudolf Bernet, man ed Brelage, Iso Kern, eduard marbach, eugen Fink, Ludwig Landgrebe, and roman Ingarden. the main aim, realised in the article is to prove the main hypothesis claiming that transcendental phenomenology is closely connected with Husserl’s conception of philosophy, the idea of philosophy as a science (eidetic and transcendental). (...)
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  30.  96
    Legal Text as a Description of a Possible World.Marcin Matczak - manuscript
    In this paper I outline a comprehensive theory of legal interpretation based on an assumption that legal text, understood as the aggregate of texts of all legal acts in force at a particular time and place, describes one rational and coherent possible world. The picture of this possible world is decoded from the text by interpreters and serves as a holistic model to which the real world is adjusted when the law is applied. From the above premise I will limit (...)
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