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  1. Anatomist and Painter: Hume's Struggles as a Sentimental Stylist.Michael L. Frazer - 2016 - In Heather Kerr, David Lemmings & Robert Phiddian (eds.), Passions, Sympathy, and Print Culture: Public Opinion and Emotional Authenticity in Eighteenth-Century Britain. New York, USA: Palgrave Macmillan. pp. 223-244.
    When David Hume wrote to Baron de Montesquieu ‘J’ai consacré ma vie à la philosophie et aux belles-lettres’,1 he was not describing himself as having two separate callings. His was a single vocation — one involving the expression of deep thought through beautiful writing.2 This vocation did not come naturally or easily to Hume. He struggled continually to reshape his approach to prose, famously renouncing the Treatise of Human Nature as a literary failure and radically revising the presentation of his (...)
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  2. Signatures and Taste: Hume’s Mortal Leavings and Lucian.Babette Babich - 2019 - In Reading David Hume’s » Of the Standard of Taste «. Berlin, Germany: De Gruyter. pp. 3-22.
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  3. Is God Morally Indifferent? The Problem of Inference according to David Hume.Milena Jakubiak - 2018 - Diametros (58):34-48.
    The article is devoted to an analysis of David Hume’s position on God’s benevolence in his Dialogues Concerning Natural Religion. The focal point is the problem of inference and the accompanying arguments concerning the relations between good and evil, as well as the four circumstances in which evil enters the world. In the conclusion, I discuss the hypothesis of moral indifference as Hume’s skeptical voice in the debate on the possibility of inferring the moral attributes of God on the basis (...)
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  4. Dissertação sobre as paixões.Jaimir Conte - 2011 - Princípios: Revista de Filosofia 18 (29):371-399.
    Tradução para o português da "Dissertation on passions", de David Hume. Tradução realizada com base nas seguintes edições: 1. Four Dissertations/ David Hume, edited by John Immerwahr. (Facsimile da edição de 1757 publicada por A. Millar, Thoemmes Press, 1995); 2. A Dissertation on the passions ; The natural history of religion : a critical edition /David Hume; edited by Tom L. Be auchamp. (The Clarendon Edition of the Works of David Hume. Oxford: Ox ford University Press, 2007); 3. The Complete (...)
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  5. Tamás Demeter. David Hume and the Culture of Scottish Newtonianism: Methodology and Ideology in Enlightenment Inquiry. Xi + 221 Pp., Bibl., Indexes. Leiden/Boston: Brill, 2016. €115 . ISBN 9789004327320. [REVIEW]Stefanie Rocknak - 2019 - Isis 110 (1):163-164.
    Tamas Demeter presents a clear and compelling new perspective of Hume’s methodology and conceptual structure in David Hume and the Culture of Scottish Newtonianism. Hume, he argues, is a Newtonian of the Scottish tradition, but not the mechanical kind that is modeled after the Principia. Instead, Hume should be understood as a kind of European Enlightenment “vitalist.” As a result, his work reflects the more organic methodology that defines Newton’s Opticks.
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  6. La teoría del juicio moral en David Hume: un movimiento a tres tiempos.Alejandro Ordieres - 2017 - Estudios 15 (121):39-53.
    In David Hume’s A Treatise of Human Nature, reason and passion are in constant interaction forming belief. Moral events are distinguished on three levels: moral sentiment, moral action and moral judgment, in which reason and passion interact, although with different functions at each level.
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  7. Model Theory, Hume's Dictum, and the Priority of Ethical Theory.Jack Woods & Barry Maguire - 2017 - Ergo: An Open Access Journal of Philosophy 4:419-440.
    It is regrettably common for theorists to attempt to characterize the Humean dictum that one can’t get an ‘ought’ from an ‘is’ just in broadly logical terms. We here address an important new class of such approaches which appeal to model-theoretic machinery. Our complaint about these recent attempts is that they interfere with substantive debates about the nature of the ethical. This problem, developed in detail for Daniel Singer’s and Gillian Russell and Greg Restall’s accounts of Hume’s dictum, is of (...)
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  8. Reid on Favors, Injuries, and the Natural Virtue of Justice.Lewis Powell & Gideon Yaffe - 2015 - In Todd Buras & Rebecca Copenhaver (eds.), Thomas Reid on Mind, Knowledge and Value. Oxford, UK: Oxford University Press. pp. 249-266.
    Reid argues that Hume’s claim that justice is an artificial virtue is inconsistent with the fact that gratitude is a natural sentiment. This chapter shows that Reid’s argument succeeds only given a philosophy of mind and action that Hume rejects. Among other things, Reid assumes that one can conceive of one of a pair of contradictories only if one can conceive of the other—a claim that Hume denies. So, in the case of justice, the disagreement between Hume and Reid is, (...)
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  9. Ensaios sobre a filosofia de Hume.Jaimir Conte, Marília Cortês de Ferraz & Flávio Zimmermann - 2016 - Santa Catarina: Universidade Federal de Santa Catarina (UFSC).
    1. Hume e a Magna Carta: em torno do círculo da justiça, Maria Isabel Limongi; 2. Hume e o problema da justificação da resistência ao governo, Stephanie Hamdan Zahreddine; 3 O surgimento dos costumes da sociedade comercial e as paixões do trabalho, Pedro Vianna da Costa e Faria; 4. O sentido da crença: suas funções epistêmicas e implicações para a teoria política de Hume, Lilian Piraine Laranja; 5. O Status do Fideísmo na Crítica de Hume à Religião Natural, Marília Côrtes (...)
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  10. Livingston, Donald, Ed. Rethinking the American Union for the Twenty-First Century. Gretna, LA: Pelican Publishing Company, 2012. [REVIEW]Gary James Jason - 2012 - Reason Papers 34 (2):211-214.
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  11. The Bibliothèque Raisonnée Review of Volume 3 of the Treatise: Authorship, Text, and Translation.David Fate Norton & Dario Perinetti - 2006 - Hume Studies 32 (1):3-52.
    The review of volume 3 of Hume’s Treatise, a review that appeared in the Bibliothèque raisonnée in the spring of 1741, was the first published responseto Hume’s ethical theory. This review is also of interest because of questions that have arisen about its authorship and that of the earlier review of volume 1 of the Treatise in the same journal. In Part 1 of this paper we attribute to Pierre Des Maizeaux the notice of vols. 1 and 2 of the (...)
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  12. Izazov skepticizma: Utjecaj Humeove metafizike i moralne filozofije u Europi 18. stoljeca [The Challenge of Skepticism: The Influence of Hume's Metaphysics and Moral Philosophy in 18th-Century Europe].Matko Globačnik - 2016 - Zagreb, Croatia: Croatian Philosophical Society.
    Summary, page 467: "This book is concerned with the influence of Hume’s metaphysics and moral philosophy in 18th-century Europe and it is divided into two main parts. The first part is focused on the exposition of Hume’s metaphysics and moral philosophy in their historical context, because this topic is still mostly unknown in Croatia. The second part deals with the influence of Hume’s metaphysics and moral philosophy on selected European thinkers of the Age of Enlightenment until the beginning of the (...)
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  13. A Comparative Analysis of David Hume’s Views on Human Nature and Society with Robert Louis Stevenson’s in Dr. Jekyll and Mr. Hyde.Drew Liquerman - manuscript
    David Hume, a leading Scottish Enlightenment philosopher using empirical investigation, examines and explains his view on human nature, society, and morality in A Treatise of Human Nature (Treatise) and in An Enquiry Concerning the Principles of Morals (Enquiry). In Dr. Jekyll and Mr. Hyde (Jekyll and Hyde), Robert Louis Stevenson draws from the Enlightenment’s empirical explorations in the study of the individual and society, to tell a story examining human nature.
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  14. Character and Blame in Hume and Beyond.Antti Kauppinen - 2016 - In Iskra Fileva (ed.), Questions of Character. Oxford University Press.
    Are we really to blame only for actions that manifest our character, as Hume claims? In this paper, I explore Hume's reasoning and the nature of blame in general. I suggest that insofar as blame comes in a relational variety as well as the more familiar reactive one, there may be something to be said for linking blame with character flaws after all.
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  15. Ardour of Youth: The Manner of Hume’s Treatise.D. Siebert - 1987 - In Ginsberg (ed.), The Philosopher As Writer: The Eighteenth Century. ve: Susquehanna University Press.
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  16. Marriage, Property & Romance in Jane Austen's Novels.F. G. Gornall - 1967 - Hibbert Journal 65 (59):151-56.
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  17. A Humean Theory of Moral Intuition.Antti Kauppinen - 2013 - Canadian Journal of Philosophy 43 (3):360-381.
    According to the quasi-perceptualist account of philosophical intuitions, they are intellectual appearances that are psychologically and epistemically analogous to perceptual appearances. Moral intuitions share the key characteristics of other intuitions, but can also have a distinctive phenomenology and motivational role. This paper develops the Humean claim that the shared and distinctive features of substantive moral intuitions are best explained by their being constituted by moral emotions. This is supported by an independently plausible non-Humean, quasi-perceptualist theory of emotion, according to which (...)
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  18. Still Waiting for a Plausible Humean Theory of Reasons.Nicholas Shackel - 2014 - Philosophical Studies 167 (3):607-633.
    In his important recent book Schroeder proposes a Humean theory of reasons that he calls hypotheticalism. His rigourous account of the weight of reasons is crucial to his theory, both as an element of the theory and constituting his defence to powerful standard objections to Humean theories of reasons. In this paper I examine that rigourous account and show it to face problems of vacuity and consonance. There are technical resources that may be brought to bear on the problem of (...)
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  19. Annette Baier (1929–2012).Charles Pigden - 2013 - Australasian Journal of Philosophy 91 (1):209 - 210.
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  20. Hume on Responsibility and Punishment.Paul Russell - 1990 - Canadian Journal of Philosophy 20 (4):539 - 563.
    In this paper I pursue two closely related objectives. First, I articulate and describe the nature and character of Hume's theory of punishment. Second, in light of this account, I offer an assessment of the contem- porary interest and value of Hume's theory. Throughout my discus- sion I emphasize the relevance and importance of Hume's views on moral responsibility to his account of punishment.1 More specifically, I argue that Hume seeks to develop an account of punishment on the foundation of (...)
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  21. Hard Determinism, Humeanism, and Virtue Ethics.Ben Vilhauer - 2008 - Southern Journal of Philosophy 46 (1):121-144.
    Hard determinists hold that we never have alternative possibilities of action—that we only can do what we actually do. This means that if hard determinists accept the “ought implies can” principle, they mustaccept that it is never the case that we ought to do anything we do not do. In other words, they must reject the view that there can be “ought”- based moral reasons to do things we do not do. Hard determinists who wish to accommodate moral reasons to (...)
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  22. Hume: Second Newton of the Moral Sciences.Jane L. McIntyre - 1994 - Hume Studies 20 (1):3-18.
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  23. Phenomenological Tendencies in British Moral Theory.Dallas Willard & Barry Smith - 1995 - In Lester Embree (ed.), Encyclopedia of Phenomenology. Dordrecht: Kluwer Academic Publishers. pp. 81-85.
    There is an inherent phenomenological tendency in British moral theory, especially from John Locke onward. The purpose of his Essay was, he said, to consider the discerning faculties of a man, as they are employed about the objects which they have to do with. This is language that might serve well in a general description of the work of Husserl and other phenomenologists.
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  24. Virtue, Reason, and Principle.R. Jay Wallace - 1991 - Canadian Journal of Philosophy 21 (4):469-495.
    A common strategy unites much that philosophers have written about the virtues. The strategy can be traced back at least to Aristotle, who suggested that human beings have a characteristic function or activity, and that the virtues are traits of character which enable humans to perform this kind of activity excellently or well. The defining feature of this approach is that it treats the virtues as functional concepts, to be both identified and justified by reference to some independent goal or (...)
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  25. Hume's Alleged Success Over Hutcheson.Noriaki Iwasa - 2011 - Synthesis Philosophica 26 (2):323-336.
    David Hume thinks that human affections are naturally partial, while Francis Hutcheson holds that humans originally have disinterested benevolence. Michael Gill argues that Hume's moral theory succeeds over Hutcheson's because the former severs the link between explaining and justifying morality. According to Gill, Hutcheson is wrong to assume that our original nature should be the basis of morality. Gill's understanding of Hutcheson's theory does not fully represent it, since for Hutcheson self-love and self-interest under certain conditions are permissible, or even (...)
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  26. How to Derive Morality From Hume's Maxim.Gerald Hull - manuscript
    The argument that follows has a certain air of prestidigitation about it. I attempt to show that, given a couple of innocent-seeming suppositions, it is possible to derive a positive and complete theory of normative ethics from the Humean maxim "You can't get ought from is." This seems, of course, absurd. If the reasoning isn't completely unhinged, you may be sure, the trick has to lie in those "innocent-seeming" props. And, in fact, you are right. But every argument has to (...)
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  27. Reason, Custom and the True Philosophy. [REVIEW]P. J. E. Kail - 2001 - British Journal for the History of Philosophy 9 (2):361 – 366.
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  28. Passionate Objectivity.Corliss G. Swain - 1992 - Noûs 26 (4):465-490.
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Hume: Aesthetics
  1. Sobre una posible influencia del Quijote en el pensamiento de Hume.Mario Edmundo Chávez Tortolero - 2020 - Ciudad de México, CDMX, México: Universidad Nacional Autónoma de México / Itaca.
    A lo largo de este libro se ofrece una interpretación novedosa y sugerente del pensamiento de David Hume y del Quijote, leído y citado por aquél, siendo una obra muy influyente en la Inglaterra de su tiempo. El autor pretende mostrar que la influencia del Quijote en el pensamiento de Hume es posible, probable y plausible, para lo cual ofrece diversos argumentos. Desarrolla su interpretación mostrando que un fragmento extraído del Quijote es indispensable para la postulación del criterio del gusto (...)
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  2. Hume’s “Projectivism” Explained.Miren Boehm - forthcoming - Synthese.
    Hume appeals to a mysterious mental process to explain how to world appears to possess features that are not present in sense perceptions, namely causal, moral, and aesthetic properties. He famously writes that the mind spreads itself onto the external world, and that we stain or gild natural objects with our sentiments. Projectivism is founded on these texts but it assumes a reading of Hume’s language as merely metaphorical. This assumption, however, conflicts sharply with the important explanatory role that “spreading” (...)
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  3. The Conflict of the Faculties in Hume: The Position of "Of the Standard of Taste" in the Principles of Human Nature.Daniel W. Smith - manuscript
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  4. Impressions Of Reflection And The End Of Art: A Re-Evaluation Of Hume’s Standard Of Taste.Gary Jaeger - 2004 - Postgraduate Journal of Aesthetics 1 (1):25-31.
    In his 'Of the Standard of Taste' David Hume seems to make the paradoxical claim that even though the sentiments an agent feels in response to an artwork are subjective and unique, and it cannot be said that such sentiments are either correct or incorrect, there is a standard upon which art can be judged, which is at least partly determined by these sentiments.
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  5. Sobre la imaginación y la fantasía en el pensamiento de Hume.Mario Edmundo Chávez Tortolero - 2016 - In Imaginación y conocimiento. De Descartes a Freud. México: Corinter/Gedisa. pp. 51-62.
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  6. Good Sense, Art, and Morality in Hume's ‘Of the Standard of Taste’.Reed Winegar - 2011 - Journal of Scottish Philosophy 9 (1):17-35.
    In his essay ‘Of the Standard of Taste,’ Hume argues that artworks with morally flawed outlooks are, to some extent, aesthetically flawed. While Hume's remarks regarding the relationship between art and morality have influenced contemporary aestheticians, Hume's own position has struck many people as incoherent. For Hume appears to entangle himself in two separate contradictions. First, Hume seems to claim both that true judges should not enter into vicious sentiments and that true judges should adopt the standpoint of an artwork's (...)
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  7. Reading Hume’s ‘Of the Standard of Taste’: Taking Hume Seriously.Ka Wing Kwok - 2014 - Dissertation, Lingnan University
    This thesis presents an interpretation of David Hume’s essay ‘Of the Standard of Taste’. The most distinguishing feature of this interpretation is the emphasis placed on the significance of Hume’s general philosophical position in a faithful reading of this philosophical classic. The success of this interpretation will show that Hume’s essay should be read as an integral part of his system of philosophy. There are three parts in this thesis. The first part is an overview of some key aspects of (...)
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  8. The Limits of Faultless Disagreement.Carl Baker - manuscript
    Some have argued that the possibility of faultless disagreement gives relativist semantic theories an important explanatory advantage over their absolutist and contextualist rivals. Here I combat this argument, focusing on the specific case of aesthetic discourse. My argument has two stages. First, I argue that while relativists may be able to account for the possibility of faultless aesthetic disagreement, they nevertheless face difficulty in accounting for the intuitive limits of faultless disagreement. Second, I develop a new non-relativist theory which can (...)
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  9. Pleased and Afflicted: Hume on the Paradox of Tragic Pleasure.Eva M. Dadlez - 2004 - Hume Studies 30 (2):213-236.
    How fast can you run? As fast as a leopard. How fast are you going to run?
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  10. Interrupción de tendencias y criterio del gusto: La estética del criterio del gusto de David Hume y realización en la filosofía de la música de Leonard Meyer.Juan Pablo Bermúdez Rey - 2003 - Universitas Philosophica 40:29-63.
    Hume presenta su teoría estética en el ensayo Sobre el criterio del gusto [On the Standard of Taste], en el que propone la existencia de un criterio [standard] capaz de zanjar discusiones de gusto. Ese criterio se basa en la existencia de ciertas formas y cualidades que complacen naturalmente a todo ser humano. Hume asevera que tal criterio corresponde a la opinión del crítico: un hombre que ha desplegado particularmente sus facultades cognoscitivas, lo cual le permite percibir esas finas cualidades (...)
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  11. Hume and the Recreative Imagination.Fabian Dorsch - 2013 - Rivista di Estetica 53:25-54.
    Two particular approaches to the imagination as a recreative capacity have recently gained prominence: neo-Humeanism and simulationatism. According to neo-Humeanism, imaginings have cognitions as a constitutive part of their representational contents; while simulationalists maintain that, in imagining, we essentially simulate the occurrence of certain cognitive states. Two other kinds of constitutive dependence, that figure regularly in the debate, concern the necessity of cogni­tions for, respectively, the causation and the semantic power of imaginings. In what follows, I dis­cuss each of these (...)
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  12. El pluralismo moral de David Hume.Agustin Arrieta & Agustin Vicente - 2013 - Critica 45 (134):17-42.
    In this paper, we argue for an objectivist pluralist interpretation of Hume’s moral philosophy. We begin by approaching the pluralist/relativist distinction in aesthetics. Then we move to ethics, and present some reasons which justify considering Hume a normative pluralist, and, in particular, an objectivist pluralist. Our argument will make use of Hume’s idea that there are foru sources of value, and of his notion of artificial lives/moralities.
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  13. Automobile Aesthetics: Humean Perspectives and Problems.Mandy-Suzanne Wong - manuscript
    Human relationships with cars are multifaceted and morally fraught. Cars serve multiple functions, and generate experiences characteristic of both fine art and everyday aesthetic experience – but they’re also the roots of dire eco-social ills. Recent theories tend to undermine the aesthetic aspects of human-automobile relationships in order to emphasize cars’ ethically problematic effects. But cars’ shameful consequences need not cancel out their beauty or their relevance to aesthetic theories. I suggest that David Hume’s aesthetic tenets demonstrate how and why (...)
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  14. Of the Standard of Taste.David Hume - 1757 - In Essays Moral, Political, and Literary. Libertyclassics (1987). pp. 226-249.
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  15. Hume's Double Standard of Taste.James Shelley - 1994 - Journal of Aesthetics and Art Criticism 52 (4):437-445.
    I attempt to make sense of Hume's enigmatic characterization of the standard of taste as "a rule, by which the various sentiments of men may be reconciled; at least, a decision, afforded, confirming one sentiment, and condemning another." In particular, I take up the questions (a) how the standard could be both a rule and a decision, (b) why it is at least a decision if not a rule, and (c) why, if a rule, it may reconcile various sentiments rather (...)
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  16. Hume's Key and Aesthetic Rationality.Steven Sverdlik - 1986 - Journal of Aesthetics and Art Criticism 45 (1):69-76.
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Hume: Meta-Ethics
  1. Hume’s Law Violated?Rik Peels - 2014 - Journal of Value Inquiry 48 (3):449-455.
    Introduction: Prinz’s SentimentalismMany ethicists claim that one cannot derive an ought from an is. In others words, they think that one cannot derive a statement that has prescriptive force from purely descriptive statements. This thesis plays a crucial role in many theoretical and practical ethical arguments. Since, according to many, David Hume advocated a view along these lines, this thesis has been called ‘Hume’s Law’. In this paper, I adopt this widespread terminology, whether or not Hume did indeed take this (...)
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  2. Hume On Is and Ought: Logic, Promises and the Duke of Wellington.Charles Pigden - forthcoming - In Paul Russell (ed.), Oxford Handbook on David Hume. Oxford University Press.
    Hume seems to contend that you can’t get an ought from an is. Searle professed to prove otherwise, deriving a conclusion about obligations from a premise about promises. Since (as Schurz and I have shown) you can’t derive a substantive ought from an is by logic alone, Searle is best construed as claiming that there are analytic bridge principles linking premises about promises to conclusions about obligations. But we can no more derive a moral obligation to pay up from the (...)
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  3. On the Triviality of Hume's Law: A Reply to Gerhard Schurz.Charles Pigden - 2010 - In Hume on Is and Ought. Palgrave-Macmillan. pp. 217-238.
    I argue that No-Ought-From-Is (in the sense that I believe it) is a relatively trivial affair. Of course, when people try to derive substantive or non-vacuous moral conclusions from non-moral premises, they are making a mistake. But No-Non-Vacuous-Ought-From-Is is meta-ethically inert. It tells us nothing about the nature of the moral concepts. It neither refutes naturalism nor supports non-cognitivism. And this is not very surprising since it is merely an instance of an updated version of the conservativeness of logic (in (...)
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  4. Hume, Motivation and “the Moral Problem”.Charles R. Pigden - 2007 - Rivista di Storia Della Filosofia 62 (3):199-221.
    Hume is widely regarded as the grandfather of emotivism and indeed of non-cognitivism in general. For the chief argument for emotivism - the Argument from Motivation - is derived from him. In my opinion Hume was not an emotivist or proto-emotivist but a moral realist in the modern ‘response-dependent’ style. But my interest in this paper is not the historical Hume but the Hume of legend since the legendary Hume is one of the most influential philosophers of the present age. (...)
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  5. El pluralismo moral de David Hume.Agustin Arrieta & Agustin Vicente - 2013 - Critica 45 (134):17-42.
    In this paper, we argue for an objectivist pluralist interpretation of Hume’s moral philosophy. We begin by approaching the pluralist/relativist distinction in aesthetics. Then we move to ethics, and present some reasons which justify considering Hume a normative pluralist, and, in particular, an objectivist pluralist. Our argument will make use of Hume’s idea that there are foru sources of value, and of his notion of artificial lives/moralities.
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  6. Empathy, Emotion Regulation, and Moral Judgment.Antti Kauppinen - 2014 - In Heidi Maibom (ed.), Empathy and Morality. Oxford University Press.
    In this paper, my aim is to bring together contemporary psychological literature on emotion regulation and the classical sentimentalism of David Hume and Adam Smith to arrive at a plausible account of empathy's role in explaining patterns of moral judgment. Along the way, I criticize related arguments by Michael Slote, Jesse Prinz, and others.
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