Is the societal-level of analysis sufficient today to understand the values of those in the global workforce? Or are individual-level analyses more appropriate for assessing the influence of values on ethical behaviors across country workforces? Using multi-level analyses for a 48-society sample, we test the utility of both the societal-level and individual-level dimensions of collectivism and individualism values for predicting ethical behaviors of business professionals. Our values-based behavioral analysis indicates that values at the individual-level make a more significant contribution to (...) explaining variance in ethical behaviors than do values at the societal-level. Implicitly, our findings question the soundness of using societal-level values measures. Implications for international business research are discussed. (shrink)

The view that phenomenally conscious robots are on the horizon often rests on a certain philosophical view about consciousness, one we call “nomological behaviorism.” The view entails that, as a matter of nomological necessity, if a robot had exactly the same patterns of dispositions to peripheral behavior as a phenomenally conscious being, then the robot would be phenomenally conscious; indeed it would have all and only the states of phenomenal consciousness that the phenomenally conscious being in question has. We experimentally (...) investigate whether the folk think that certain (hypothetical) robots made of silicon and steel would have the same conscious states as certain familiar biological beings with the same patterns of dispositions to peripheral behavior as the robots. Our findings provide evidence that the folk largely reject the view that silicon-based robots would have the sensations that they, the folk, attribute to the biological beings in question. (shrink)

Is the societal-level of analysis sufficient today to understand the values of those in the global workforce? Or are individual-level analyses more appropriate for assessing the influence of values on ethical behaviors across country workforces? Using multi-level analyses for a 48-society sample, we test the utility of both the societal-level and individual-level dimensions of collectivism and individualism values for predicting ethical behaviors of business professionals. Our values-based behavioral analysis indicates that values at the individual-level make a more significant contribution to (...) explaining variance in ethical behaviors than do values at the societal-level. Implicitly, our findings question the soundness of using societal-level values measures. Implications for international business research are discussed. (shrink)

Graduates' employability indicates the excellent education and relevant preparation they obtained from their respective degrees. Tracer studies have enabled higher education institutions to profile their graduates while also reflecting on the quality of education they provide. With the foregoing, a tracer study determined the demographic and academic profile of teacher education graduates from 2017 to 2020 in a state university in the West Philippines. It also ascertained the advanced studies they attended after college, their employment data, the relevance of college (...) preparation with their current employment, difficulties they encountered while securing employment and in their present job, and recommendations to strengthen the teacher education program. The study utilized a descriptive survey research design with 80 non-random samples chosen based on availability. The survey was based on the Philippine Commission on Higher Education with modifications elucidated from previous studies. Results showed that graduates took the teacher education program with a strong passion for the teaching profession. More graduates received honors and awards, passed the licensure examinations for teachers, attended advanced studies for professional development, and are employable. Besides, the graduates’ college preparation is relevant to their current employment. Further, difficulties and problems encountered and recommendations to strengthen the teacher education program were noted. These findings may serve as a baseline for curriculum review and give suggestions for future tracer studies. (shrink)

Jerry Fodor wrote the following assessment of Danto’s importance in 1993: “Danto has done something I’ve been very much wanting to do: namely, reconsider some hard problems in aesthetics in the light of the past 20 years or so of philosophical work on intentionality and representation” (Fodor 1993, p. 41). Fodor is absolutely right: some of Danto’s work could be thought of as the application of some influential ideas about perception that Fodor also shared. The problem is that these ideas (...) have turned out to be false. Both Danto and Fodor are modularist: they both think that perception is an encapsulated process that is in no way influenced by any kind of non-perceptual processing (see, e.g., Fodor 1983, Pylyshyn 1984). Many of Danto’s famous and influential arguments rely very directly on this modularist assumption. There is now, however, a wealth of evidence against modularism of the strong kind held to by Danto and Fodor. We now know that perceptual experience is not determined entirely by the retinal input: our visual processing is influenced at various point in a top-down manner. What we know and what kinds of visual stimuli we have encountered previously deeply influence how the retinal input is processed. The empirical literature on this is vast and conclusive (for an overview, see Teufel and Nanay 2017 but see also the references in the last section of this paper). What does this mean for Danto’s views on art and perception? While one of Danto’s premises may turn out to be false, the history and examples he gave are valuable and bear repeating. Even more importantly, Danto’s aesthetics can in part be separated out from his modularism, leading us to draw slightly different but arguably even more interesting conclusions from famous thought experiments such as the Gallery of Indiscernibles. (shrink)

This article examines whether people share the Gettier intuition (viz. that someone who has a true justified belief that p may nonetheless fail to know that p) in 24 sites, located in 23 countries (counting Hong-Kong as a distinct country) and across 17 languages. We also consider the possible influence of gender and personality on this intuition with a very large sample size. Finally, we examine whether the Gettier intuition varies across people as a function of their disposition to engage (...) in “reflective” thinking. (shrink)

Is behavioral integration (i.e., which occurs when a subjects assertion that p matches her non-verbal behavior) a necessary feature of belief in folk psychology? Our data from nearly 6,000 people across twenty-six samples, spanning twenty-two countries suggests that it is not. Given the surprising cross-cultural robustness of our findings, we suggest that the types of evidence for the ascription of a belief are, at least in some circumstances, lexicographically ordered: assertions are first taken into account, and when an agent sincerely (...) asserts that p, non-linguistic behavioral evidence is disregarded. In light of this, we take ourselves to have discovered a universal principle governing the ascription of beliefs in folk psychology. (shrink)

As schools publicly modernize in response to societal changes, additional teaching and learning methods are developed, observed, and used since learners have different learning styles that make it easier for them to grasp and retain the material. During the COVID-19 pandemic, teachers require different media to keep the classroom involved while presenting the lesson materials online, one of which is video tutorials. The purpose of this study was to analyze the extent of contextual effects of video tutorials used in general (...) chemistry, determine the relationship between video tutorial effectiveness and the respondents' academic performance, and analyze the significant difference between the four indicators of contextual effects of video tutorials and the respondents' profile. A descriptive-correlational quantitative research design was used in this study. The participants in this study were 144 Grade 12 STEM students from a private school in Sultan Kudarat, Philippines, who took their general chemistry course during the pandemic. The respondents were given a survey questionnaire created with Google Forms. The students agreed with all the assertions and rated them as effective in terms of their perceptions of general chemistry, implying that video tutorials are useful in teaching the subject. With p-values of .023, .046, and .010, respectively, the findings revealed a significant relationship between the overall mean of students' perceptions of the subject of General Chemistry, the concept and application of chemical knowledge and understanding, and their influence on students' academic performance. In terms of their perception, ideas, and application of chemical knowledge and comprehension, the results demonstrated that there is no statistically significant difference between the general mean of male and female students' responses. This basically means that by using video lectures, STEM students of all genders appreciate and understand General Chemistry as a subject. -/- . (shrink)

In view of the current progress of what has been named the ‘visual turn’ or the ‘pictorial turn’,1 it is exciting to witness Sam Rose’s return to early aesthetic formalist-modernism, which was so passionate about the medium, its appearance, and visuality. Rose’s project shares a recent inclination to think anew the advent of aesthetic modernism.2 It is founded on the presumption that visual art ought to be – and actually has always been – theoretically subsumed under one meta-project. This meta-project (...) does not necessarily have a clear telos, but it does have a history. In support of this view, Rose appeals to Stanley Cavell’s claim that ‘only masters of a game, perfect slaves to that project, are in a position to establish conventions which better serve its essence. This is why deep revolutionary changes can result from attempts to conserve a project, to take it back to its idea, keep it in touch with its history’ (p. 155). According to Rose’s post-formalist view, the idea of art’s meta-project is the idea of form. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

The main contention of this paper is that, just as there is something it is like to smell a rose, taste chocolate, and hear a siren, there is something it is like to perform an action. In other words, I will argue that we ought to recognize, alongside these other familiar forms of phenomenology, a distinctive phenomenology of agency. My claim is not simply that there is some subjective experience that attaches to the performance of actions. No one disputes that (...) action is typically accompanied by a range of kinaesthetic and visual experiences, and often preceded by conscious thoughts about what to do. The position I wish to defend, rather, is that there is a proprietary phenomenology or subjective character associated with action that “goes beyond” (Horgan et al. 2003, p. 323) these familiar types of sensory and cognitive experience (for other treatments of this topic, see Horgan 2007; Bayne and Levy 2006; Bayne 2008; Pacherie 2008; Kriegel 2015; Shepherd 2017). (shrink)

MANEJO NA AVICULTURA: POSTURA, ILUMINAÇÃO E INCUBAÇÃO DOS OVOS -/- MANAGEMENT IN POULTRY: POSTURE, ILUMINATION AND INCUBATION OF THE EGGS -/- 1. INTRODUÇÃO A produção de ovos no Brasil está próxima de 45 bilhões de unidades por ano, mantendo um desenvolvimento constante em todos os seus aspectos: genética, instalações, patologia, alimentação, etc. Ao longo do presente trabalho, pretende-se estabelecer os conceitos que estão ligados à produção de ovos, distribuição de ovoprodutos e refletir as ideias básicas sobre os programas de iluminação (...) nas galinhas. Num segundo bloco serão analisados aspectos relacionados com a incubação dos ovos, como a higiene e o manejo, o tratamento do ovo e, por último, a caracterização dos fatores envolvidos no processo da incubação. 2. PREPARAÇÃO/POSTURA DOS OVOS A galinha começa a ovulação normalmente a partir das 20-22 semanas de vida, se bem que mediante práticas de manejo (alimentação, programas de luz, etc.) pode-se adiantar ou atrasar o momento do início das primeiras ovulações. A genética tem, logicamente, um papel importante na idade em que se alcança a puberdade das aves. Mencionamos ritmos de postura por ser a oviposição facilmente verificável, já que nem toda ovulação é seguida de oviposição, como nos casos de queda da gema na cavidade intraperitoneal. Aos primeiros sinais de postura de ovos em frangas jovens, frequentemente observam-se certas irregularidades como: a) Postura irregular: longos intervalos entre dois ovos ou mais de um ovo por dia (geralmente são anormais). b) Ovos com casca mole («soft shelled eggs»), sem a adequada classificação de cálcio. c) Ovos com duas gemas. Talvez estes fenômenos sejam provenientes de uma excessiva estimulação do ovário e disfunções do oviduto. Em suma, tudo isto pode ser consequência da falta de sincronização dos complexos mecanismos que regulam o processo. Uma vez regularizada a postura dos ovos, verifica-se que a galinha coloca um número de ovos sucessivos, seguido de uma pausa ou descanso na postura (choco) de um ou vários dias. O número de ovos que põe seguidos é chamado de sequência ou série de postura. Normalmente, essa “pausa” acontece após uma sequência de quatro a seis ovos postos. A sequência de postura de uma galinha pode ser regular, ou seja, que se repete sucessivamente o número de ovos postos de forma contínua, ou irregular quando essa sequência não obedece ao padrão normal, sendo ela derivada. O mesmo aconteceria com os dias de descanso. Como exemplo podemos encontrar: XXXX - XXXX - série e repouso regular XXX — XX — série e descanso irregular O espaço de tempo entre dois ovos de cada série é um caráter individual. Verificações de Menher (1969) indicam que o intervalo médio entre dois ovos sucessivos de uma série depende da duração desta. Em grandes séries diminui o tempo entre dois ovos sucessivos. À medida que a idade da galinha aumenta, as séries diminuem. Também observa-se que o tempo transcorrido entre dois ovos sucessivos é menor na metade da série e máximo no final da série. Uma galinha com uma série regular do tipo: XXXX - XXXX durante um período de tempo concreto permite-nos estabelecer que tem uma intensidade de postura de 80%. A intensidade de postura é definida como a porcentagem de ovos de um efetivo de galinhas num determinado período de tempo. A evolução da porcentagem de postura ao longo da vida produtiva do rebanho nos dá a curva de postura com três fases: crescimento, constância retilínea e decrescente. Define-se como período de postura o intervalo de tempo entre o início da postura da galinha (20-22 semanas) e o fim da mesma. A duração deste período pode ser variável (entre 12 e 20 meses), dependendo de vários fatores. Se observarmos a hora de oviposição dos diferentes ovos de uma série de galinhas, verificaríamos que a mesma se atrasa dia após dia. Este é um fato lógico, tendo em conta que a formação do ovo é superior a 24 horas. Também se comprova que em nenhum caso há oviposições nos períodos de escuridão quando se mantêm programas clássicos de iluminação (porém, é frequente comprovar que uma porcentagem de ovos podem ser postos durante o período de escuridão). O controle dos mecanismos que regulam os ritmos de ovulação e que definirão as séries é muito complexo, então tento fazer um pequeno resumo. Uma vez produzida a ovulação, a presença de um ovo em formação colocaria em funcionamento um sistema «Feedback» negativo da seguinte forma: gema → gera estímulos nervosos → hipotálamo → suprime RH → sem estimulação da hipófise → bloqueio de uma nova ovulação Esta ideia não é tão simples e se desconhecem em profundidade os mecanismos que a regulam. Observe uma figura que detalha melhor a formação do ovo e a passagem pelos respectivos compartimentos reprodutivos da galinha. 3. DISTRIBUIÇÃO DAS OVIPOSIÇÕES Com programas de iluminação clássicos (17L:7N) já assinalámos que a oviposição na galinha realiza-se no período de luz, e que diariamente o momento de tal oviposição irá sendo regredido (atrasado). No entanto, existe algumas horas onde a frequência máxima de postura é concentrada, que normalmente coincide com as 2-4 horas após a iluminação. Se, experimentalmente, fornecermos 24 horas de luz às galinhas, a postura ocorre durante todo o período, seja de forma aleatória ou através os estímulos a determinados pontos de referência de fatores externos periódicos: ruídos, entradas, fala de pessoas, etc., então podemos estabelecer que existe um certo sincronismo. Quando os programas de iluminação que se seguem nas granjas de galinhas poedeiras não se ajustam às 24 horas ou que seguem programas fraccionados, a resposta é diversificada e deixamos sua avaliação até não conhecer os distintos programas especiais de iluminação. 4. BASES DA ILUMINAÇÃO PARA GALINHAS POEDEIRAS O estabelecimento de programas de iluminação começa na fase de recria da franga e dada a influência que a luz exerce sobre o desenvolvimento da maturidade sexual, os programas que se instauram terão um impacto sobre o futuro produtivo das frangas. As considerações que devem ser levadas em conta no estabelecimento dos programas de iluminação são as seguintes: a) Os programas devem ser considerados como uma "globalidade" durante toda a vida da galinha. A instauração de programas de iluminação das galinhas poedeiras deve estar em conformidade com o programa seguido durante a fase de recria. b) Os aumentos no fotoperíodo durante a fase de recria implica um adiantamento no aparecimento da maturidade sexual da galinha. Este efeito deve ser considerado prejudicial, uma vez que esta postura precoce é acompanhada de tamanhos inferiores de ovos (cuja avaliação no mercado é reduzida). Este avanço no início da postura pode levar a uma falta de harmonia entre puberdade e o desenvolvimento corporal (aponta-se para uma maior incidência de prolapsos). Também indica-se que uma maturidade sexual precoce pode ser acompanhada de irregularidades na postura, pior qualidade da casca e até a um maior índice de mortalidade. c) A redução do fotoperíodo durante a recria permite atrasar o momento do início da postura e a produção de ovos é de uma maior dimensão inicial, o que compensa a ligeira diminuição do número de ovos na sua vida produtiva. d) Estabelecido um programa e posto em prática não pode alterar-se o mesmo. e) Nunca diminuir o fotoperíodo na fase de produção de ovos. f) As alterações do fotoperíodo (aumentos ou diminuições) não passam de um conceito de sensibilidade ao fato do que da magnitude dessas alterações. g) As alterações no fotoperíodo afetam inicialmente o consumo de ração das frangas, mas estas adaptam-se rapidamente aos seus níveis de ingestão e suprimento de exigências ao novo fotoperíodo. h) Ações qualitativas (limitação de um nutriente) ou quantitativas na ração fornecida podem permitir, em si mesmas, o atraso da maturidade sexual das frangas, embora não se apliquem normalmente para este fim. O controle quantitativo do gênero alimentício obedece a estratégias destinadas a obter o peso ideal para uma determinada idade de acordo com as normas fornecidas pelo fornecedor das diferentes estirpes comerciais. i) Na decisão final, ao se definir um programa deve-se ter presente: Tipo de alojamento: — Galpão com ambiente controlado. — Galpão convencionais com janelas. Neste último caso a época de nascimento das frangas será um fator relevante a ser levado em consideração. Como aspectos a destacar poderíamos citar: — Durante os primeiros dias de vida da galinha convém fornecer-lhe luz durante as 24 horas, a fim de facilitar a adaptação ao seu novo habitat (localização de comedouros e bebedouros, etc.). — Durante a fase de recria devem ser evitadas falhas que estabeleçam períodos fotocrescentes, já que alterarão a resposta produtiva posterior de tais frangas (especialmente se altera-se na última fase do período decrescente). 4.1 Programas práticos de iluminação na recria Ao longo do trabalho consideraremos sempre uma recria de 20 semanas, embora este dado possa ser variável de acordo com: a) Melhoria genética das estirpes atuais, as quais tendem a ser mais precoces. b) Tentativa de uma maior produção de ovos. No caso de reprodutoras semipesadas, a duração do período de recria pode ser de 21-22 semanas. 4.1.1 Galpões convencionais com janelas Neste tipo de galpão a iluminação externa incide no interior do navio e devem ser estabelecidos programas para combater o aumento de luz natural que se apresenta de janeiro a junho. 1. Programa de fotoperíodo decrescente Para realizar este tipo de programa pode-se seguir esta rotina: a) Verificar na tabela as horas de luz natural (x) que vão dispor-se quando as frangas cumprirem as 20 semanas de vida. b) Aumentar em 6 horas o valor observado na tabela (x + 6 horas) e fornecê-las aos 4 ou 5 dias de vida. c) Diminuir semanalmente a iluminação artificial, de tal forma que quando chegarem às 20 semanas de vida, a luz fornecida coincida com a luz solar. Exemplo prático: frangas nascidas em 8 de janeiro: a) Observa-se em tabela que cumprirão as 20 semanas em 28 de maio, tendo um comprimento do dia de 14 horas e 45 minutos. b) aumentamos em 6 horas e fornecemos 20 horas e 45 minutos a partir do quarto dia. c) Diminuímos semanalmente 360 minutos/20 semanas = 18 minutos e quando cumprirem as 20 semanas de vida, o fotoperíodo de que dispõem (14 horas e 45 minutos) coincide com o comprimento do dia. 2. Programa de fotoperíodo constante a) Para levar a cabo este tipo de programa deve-se verificar na tabela o comprimento do dia mais longo durante as 20 semanas que dura a recria. b) Proporcionar essas horas de luz a partir dos primeiros 3-4 dias durante as 20 semanas. O uso de programas de luz constante em galpões convencionais com janelas não é muito frequente, apesar da certa poupança energética que acarreta. 4.1.2 Galpões com ambiente controlado Neste tipo de galpão considera-se que a luz solar não exerce nenhuma ação no interior do mesmo. No entanto, é necessário atentar-se para que o conceito de galpão totalmente escuro seja levado até às suas últimas consequências, evitando que por sistemas de ventilação, etc., possam existir fugas de luz que alterariam os programas de iluminação propostos. Nos galpões com ambiente controlado seguem-se dois tipos de programas: 1. Programa decrescente-constante Durante as primeiras semanas vai-se diminuindo o fotoperíodo paulatinamente (1 ou 2 horas) até chegar a 8 ou 10 horas, que ficariam constantes até as 20 semanas de idade. Uma variável deste programa consiste em ir diminuindo lentamente as horas de luz e por volta da 12ª semana fazer uma diminuição brusca, deixando um fotoperíodo de 7-8 horas, que se perduraria até às 20 semanas de vida. 2. Programa constante Consiste em proporcionar de 7 a 10 horas de luz constante durante toda a fase de recria (com exceção dos primeiros dias, os quais se consideram de adaptação). Na hora de estabelecer a intensidade luminosa nesta fase de recria nos encontramos com intervalos muito amplos. Diferentes fornecedores de frangas recomendam de 20 a 40 lux durante os primeiros dias e ir diminuindo de tal forma que ao primeiro mês de vida estejam a 10-20 lux. A partir da 5 semana e até 3-4 meses vem sendo recomendada 5-10 lux para que possa, assim, aumentar a intensidade a partir dessa data para níveis de 10-30 lux. 4.2 Programas clássicos de iluminação na fase de postura Uma vez que as frangas tenham atingido as 20 semanas de idade, é preciso estabelecer os programas de iluminação para o período de postura. É necessário considerar, como se fazia no período de recria, o tipo de galpão em que vão residir durante todo o período de postura, bem como o programa seguido na fase de recria. Recordando novamente que ao longo do período de postura nunca se deve diminuir a duração do fotoperíodo, passamos a definir os programas de iluminação mais usuais em função do tipo de galpão: 4.2.1 Galpões convencionais com janelas 1. Programa crescente Consiste em ir incrementando o fotoperíodo a partir da 20ª semana. Podem existir várias opções: a) Aumento do fotoperíodo semanal de forma constante até atingir as 16-17 horas de iluminação. b) Aumento brusco do fotoperíodo às 21 e 23 semanas até atingir as 15,5 horas de iluminação, que ficariam fixas em toda a fase de postura. Esta é uma recomendação clássica de algumas casas comerciais. Em galpões convencionais com janelas, os programas de iluminação constante não costumam ser utilizados. 4.2.2 Galpões de ambiente controlado Neste tipo de galpão deve ser instaurado um programa de fotoperíodo crescente. Às 20 semanas e em função do fotoperíodo que seguiram na fase de recria o incremento pode ser brusco (caso de frangas recriadas com 8-10 horas de iluminação, pode-se passar a 12-13 horas) e seguir posteriormente com incrementos de 20-30 minutos até atingir as 16-17 horas de iluminação. A intensidade da luz durante a fase de produção de ovos é unânime em considerar os valores de 10-15 lux como os mais adequados, desde que exista homogeneidade na sua distribuição. Atualmente, as recomendações das diferentes casas comerciais de estirpes de poedeiras são mais elevadas: na ordem de 20 a 30 lux. Níveis muito superiores não têm efeito sobre a produção de ovos e podem desencadear problemas de arranque de penas quando a intensidade é excessiva. 4.3 Outros programas de iluminação Em instalações de ambiente controlado os custos energéticos representam um capítulo importante dentro dos custos de uma exploração avícola. A fim de economizar energia, uma série de programas de iluminação vem sendo ensaiada, especialmente para a fase de postura, que poderíamos englobar em dois grupos: a) intermitentes ou fracionados. b) Não ajustados a 24 horas. 5. HIGIENE E MANEJO DA INCUBAÇÃO A higiene de todo o processo de incubação deve servir para estabelecer uma primeira medida de ruptura da cadeia de infecção. Há uma série de doenças como Marek, pulorose, encefalomielite aviária, micoplasmose, etc., que estão associadas ao processo de incubação. A higiene de todo o processo deve corresponder inicialmente ao controle na exploração, de tal forma que os reprodutores devem estar, do ponto de vista sanitário, em perfeitas condições e estendê-las ao manejo mecânico do ovo, regulação de entradas e saídas e igualmente a todas as instalações. Antes de continuar com o manejo do ovo para a incubadora, convém recordar alguns aspectos do desenvolvimento embrionário que ocorre dentro da própria galinha: o ovo é fertilizado na parte distal do infundíbulo cerca de 15 minutos após a ovulação, e quando se encontra no istmo (às 5 horas) já se produzem as primeiras divisões celulares. Às 9 horas da ovulação, o blastodermo cresce até um estágio de 256 células e antes da oviposição a formação do tubo digestivo (gastrulação) já está completada no embrião (PARKHURST e MOUNTNEY, 2012). As divisões celulares continuam após a oviposição, desde que as temperaturas estejam acima de 26,8ºC (zero fisiológico). 6. MANEJO DO OVO PARA A INCUBAÇÃO A colheita dos ovos nas explorações de reprodução deve ser efetuada com uma certa periodicidade (três a cinco vezes por dia), a fim de evitar problemas de roturas e de ovos sujos. Não devemos esquecer que a colocação em um mesmo ninho de vários ovos originam modificações nas temperaturas dos mesmos (superiores a zero fisiológico), que poderiam estar associadas a um reinício das divisões celulares no embrião. Uma vez recolhidos, os ovos devem ser instalados num armazém que permita manter uma temperatura de 15-18ºC (nunca inferior a 10ºC) e uma umidade de 70-75% para evitar uma perda de peso excessiva. A temperatura de armazenagem dos ovos para incubação pode variar em função do tempo em que permanecerão armazenados, pelo que é conveniente programar temperaturas mais baixas para um período de armazenagem mais longo. Alguns autores estabelecem que os ovos que permanecerem 3 dias na incubadora podem ser programados com temperaturas de 15ºC, enquanto que os que se armazenam por mais de 9 dias a temperatura recomendada é de 12ºC. Os ovos com problemas de casca, tais como calcificações defeituosas, quebra ou fissura, ovos com formas anormais e ovos com casca lisa e bem formada, devem ser eliminados na própria instalação. A uniformidade do tamanho dos ovos é um aspecto a destacar e o intervalo de peso mais adequado é de 55-65 g. Os ovos de maior tamanho sempre apresentam níveis mais elevados de problemas de casca e o período de incubação do mesmo é superior (até mais de 12 horas), por isso não é aconselhável introduzi-los na incubadora, assim como os ovos pequenos e os de gema dupla. Os trabalhos de Ron Jones (1978) evidenciam a importância do tamanho dos ovos ao considerar que as perdas de peso por evaporação são mais rápidas nos ovos de menor peso, e inclusive assinala que os ovos de casca branca são mais porosos, sugerindo sua incubação separada em função do tamanho. A desinfecção dos ovos (fumigação) com uma solução de formalina é prática corrente (45 ml de uma solução de formalina a 40% e 30 g de permanganato de potássio por metro cúbico de espaço ou 10 g/m3 de paraformaldeído aquecido num fumigador eléctrico), segundo as recomendações do Guia Cobb (1991). Um excesso de gás formaldeído pode ser neutralizado através da introdução de amoníaco líquido concentrado, 20 ml/m3. Pode também utilizar-se uma solução de cloro (500 ppm) a 43ºC durante 2 minutos, bem como produtos com amônio quaternário. Quando o tempo de armazenamento dos ovos para incubação é inferior a uma semana, a posição dos ovos para incubação dificilmente influencia a incubabilidade posterior. No entanto, quando o tempo de armazenamento excede 2 semanas, a incubabilidade dos ovos melhora se eles são virados diariamente. Romanoff, em 1960, estabeleceu os valores de incubabilidade dos ovos em função do tempo de armazenagem, verificando-se que, à medida que o período de tempo entre a postura dos ovos e a colocação na incubadora aumenta, os resultados de incubação diminuem, como pode ser observado na tabela 1: Tabela 1: Valores de incubalidade dos ovos em função do tempo de armazenamento -/- Período de armazenamento (dias) Incubalidade (%) 14 80 21 70 28 30 32 < 10 Fonte: ROMANOFF, 1960. Para evitar mudanças bruscas de temperatura (da sala de armazenamento da incubadora), que podem causar transpirações nos ovos, recomenda-se um aumento gradual da temperatura (12 a 18 horas antes de serem introduzidos na incubadora). Os ovos fecundados que são submetidos a longos percursos até chegarem ao incubatório devem ser mantidos no armazém durante 1 ou 2 dias antes de serem colocados nas incubadoras, melhorando assim os resultados de incubação. Através dos poros há uma troca de gases durante o armazenamento. O dióxido de carbono difunde-se no exterior e a sua concentração no ovo diminui rapidamente nas primeiras 12 horas após a postura. Se juntarmos as perdas de vapor de água, descobriremos que o armazenamento tem um impacto negativo nos resultados finais do processo de incubação. Experimentalmente, o tempo de armazenagem dos ovos fertilizados pode ser prolongado através da embalagem hermética em atmosfera de nitrogênio ou de anidrido carbônico, incluindo o revestimento de óleos. Alguns incubatórios testam o revestimento dos ovos com materiais plásticos para evitar tais perdas, todavia não é muito indicado, uma vez que lacra a passagem do oxigênio exterior para o embrião interior. No caso de nos depararmos com ovos sujos, e apesar dos condicionantes sanitários que vão associados, pode-se recorrer à sua limpeza e lavá-lo com água e algum desinfetante. Se a limpeza for excessiva, deve considerar-se a alteração que pode ter sofrido a cutícula da casca, pelo que não se recomenda a raspagem manual ou mecânica da mesma. De acordo com o estabelecido pelo Guia Cobb (1991), os efeitos mais importantes do armazenamento dos ovos são: a) O armazenamento prolonga o tempo de incubação e, em média, um dia de armazenamento prolonga o tempo de incubação por 1 hora. b) A armazenagem reduz a incubabilidade dos ovos. Este efeito, descrito acima, é quantificado de forma que a partir do quinto dia de armazenamento, cada dia de armazenamento adicional representa perdas de 0,5 a 1% na incubabilidade. c) O peso dos ovos pode diminuir quando o armazenamento dos ovos é de 14 dias ou mais. 6.1 Carregamento dos ovos na incubadora Embora ainda existam incubatórios que introduzem os ovos diretamente do armazém para a incubadora, recomenda-se um pré-aquecimento suave dos ovos até atingir temperaturas próximas dos 23ºC em 6 horas, independentemente da temperatura de partida. Duas horas antes de serem colocados na incubadora, a temperatura considerada ideal é de 28ºC. 6.2 Tempo de incubação Como já foi explicado acima, o tempo necessário para a incubação dos ovos de galinha deriva de uma função de vários fatores, de modo que os 21 dias e 4 horas (508 horas) que são definidos como tempo de referência podem ser ligeiramente modificados. 7. FATORES ENVOLVIDOS NO PROCESSO DE INCUBAÇÃO Os resultados obtidos por diferentes incubatórios variam consideravelmente de um para outros. As causas destas variações podem estar relacionadas ao manejo dos reprodutores, fertilidade dos ovos e na própria incubação. Cada empresa que dispõe de incubatórios desenvolve seu próprio método de operação no processo de incubação e seus padrões de qualidade exigidos nos pintainhos são geralmente variáveis. Vários fatores que desempenham um papel importante no processo de incubação já foram descritos ao comentar o manejo do ovo para incubação: uniformidade de pesos, qualidade de casca, armazenamento, etc., por isso é necessário assinalar os parâmetros a controlar na incubadora e no nascedouro. Em suma, podem ser estabelecidas as seguintes condições: Parâmetros Incubadora Nascedouro Temperatura (ºC) 37,5 – 37,7 37,1 Umidade relativa (%) 55 – 60 < 75 Ventilação (m3/minuto/1000 ovos) 0,14 0,23 – 0,28 Nível de CO2 0,3 – 0,4 0,5 – 0,6 Nível de O2 21 21 Número de viagens/dia < 4 – 6 — Tabela 2: Condições aceitas para a incubação dos ovos e nascimento dos pintainhos. 7.1 Manejo com os pintainhos de 1 dia – do incubatório para os galpões Numa sala convenientemente climatizada, 22-25 ºC e 70-80% de umidade, procedem-se as seguintes operações: a) Triagem dos pintainhos - Eliminando os que apresentem anomalias ou tenham pouca viabilidade/vitalidade, problemas nos membros, bico, olhos, se apresentam-se fracos, etc. b) Sexagem dos pintainhos - A separação dos sexos tem um interesse relativo no caso dos criadouros e criadores, mas é uma operação obrigatória quando o que interessa é produzir galinhas de postura ou reprodutores. Para o processo de separação por sexo podem ser utilizados dois sistemas: — Exame da cloaca, seguindo o método de Masui e Hashimoto, no qual é preciso evaginar a cloaca, mediante pressão, e através de uma luz direta observar as protuberâncias que correspondem a cada sexo. A aplicação desta técnica requer um elevado grau de especialização e os erros daí resultantes são insignificantes. Como regra a seguir, quando se aplica esta técnica, é que sua realização deve estar o mais próximo possível ao momento do nascimento. — Mediante o exame de caracteres ligados ao sexo, os caracteres usados para a determinação do sexo nas aves são vários: cores da plumagem (prateados frente a dourados: lisos frente a barrados), mas o mais empregado na atualidade faz referência à comparação dos comprimentos das penas primárias frente às de cobertura (quando as penas primárias são mais longas que as de cobertura, é uma fêmea). Esta técnica também é realizada dentro de poucas horas de nascimento. c) Vacinação dos pintainhos - Durante as primeiras horas de vida, as aves são normalmente alimentadas por via oral (spray) ou por injeção (com vacina manual ou automática). Vacina-se, também, contra várias doenças no primeiro dia de vida dos pintainhos, como a Marek, Gumboro e Bouba Aviária. d) Embalagem - Desenvolvidas as anteriores operações e já dentro da zona de expedição, realiza-se a última triagem e classificação (no caso dos reprodutores e das frangas, o processo pode ter conotações comerciais e podem apresentar-se no mercado várias classes em função da qualidade do produto, que, neste caso, é normalmente o peso), para posteriormente, contar e introduzi-las nas embalagens correspondentes, que podem ser retornáveis ou não. Nas embalagens normalmente introduz-se uma centena de aves (2 por 100) sem custo como regra de compensação às baixas iniciais. Em todas estas operações, o controle da temperatura e da humidade deve ser rigoroso, tal como descrito acima. e) Transporte - Os veículos de transporte devem estar equipados com sistemas auxiliares de calor e arrefecimento que permitam garantir condições estabelecidas, independentemente da situação atmosférica externa. A temperatura do ar fornecido no transporte deve ser de 28ºC quando as frangas estão em embalagens de plástico, enquanto que se forem de papelão a temperatura requerida pode ser bastante inferior (20ºC), segundo o Guia Cobb (1991). A distribuição da carga no transporte (para que a distribuição térmica seja homogénea), o controle contínuo das condições ambientais e os cuidados na condução e na descarga da mercadoria são os últimos aspectos importantes a assinalar. 8. RESUMO E PRIMEIRAS CONCLUSÕES No presente trabalho, tentou-se expor de forma sucinta os aspectos relacionados com a postura dos ovos: irregularidades no início da postura, sequência de postura, intensidade de postura, curva de postura, período de postura e distribuição de oviposições. O controle da iluminação, com seus diferentes programas, tanto em recria como em postura, é objeto de especial desenvolvimento. Uma terceira parte trata da questão da incubação artificial, começando pela higiene e manejo da incubação. É feita especial referência ao manejo dos ovos a serem incubados, e se resume os fatores que controlam o processo de incubação. -/- Emanuel Isaque Cordeiro da Silva – Departamento de Zootecnia da UFRPE. Recife, 2020. -/- REFERÊNCIAS BIBLIOGRÁFICAS -/- ABAD, M. et al. Reproducción e incubación en avicultura. Real Escuela de Avicultura. España, 2003. CAMPOS, Egladson João. Avicultura: razões, fatos e divergências. São Paulo: FEP-MVZ, 2000. COBB. Manual de manejo de frangos Cobb 500: guia de manejo. São Paulo: Cobb-Vantress Brasil, 2001 CONTO, L. A. Avicultura de postura. Avicultura Industrial, v. 1121, n. 95, 2004. ENSMINGER, M. Eugene. Zootecnia general. Buenos Aires: Centro Regional de Ayuda Técnica, 1973. ESTEBAN, José María Lasheras; ROCHA, Luís Oliveira. Manual de avicultura. Lisboa: Litexa, 1951. LANA, Geraldo Roberto Quintão. Avicultura. Recife: Livraria e Editora Rural Ltda, 2000. LOPES, Jackeline Cristina Ost. Caderno Didático de Avicultura (UFRN/UFPI). Cadernos Pronatec Goiás, v. 1, n. 1, p. 74-173, 2018. MENHER, A. La gallina. Zaragoza: Acribia, 1969. MACARI, Marcos. Manejo da incubação. Campinas: Facta, 2003. MALAQUIAS, Jessica Dantas. Manejo de galinhas poedeiras. 2019. Trabalho de Conclusão de Curso. Graduação em Zootecnia, UFRPE. 42f. Brasil. MALAVAZZI, Gilberto. Avicultura: manual prático. São Paulo: NBL Editora, 1983. PARKHURST, Carmen; MOUNTNEY, George J. Poultry meat and egg production. Berlim: Springer Science & Business Media, 2012. ROMANOFF, A.L. The Avian Embryo. New York: The Macmillan Co., 1960. RON JONES. A closer look at incubation. Poultry International. Vol 17. n° 2. ROSE, S. P. et al. Principles of poultry science. Nova Iorque: CAB International, 1997. WHITE, Fred N.; KINNEY, James L. Avian incubation. Science, v. 186, n. 4159, p. 107-115, 1974. (shrink)

L. Gazziero, « Machiavelli », in M. Lewis and D. Rose (ed.), The Bloomsbury Italian Philosophy Reader, London, Bloomsbury, 2022, p. 51-58 Confusion verging on chaos aptly describes Italian politics between any two points in time. That being said, the amount of outright violence, political backstabbing and social upheaval Machiavelli had to put up with - as a successful bureaucrat and diplomat first (1498-1512), and later as a disgraced citizen (1512-27) is, with few if any exceptions, virtually unmatched in the (...) history of Italian philosophy. At any rate, it is conspicuous enough to put him in a league of his own (among political thinkers). All the more so since, in Machiavelli's own words, his claim to originality rested on a return to the things themselves and the 'real truth' they convey through experience, as opposed to the traditional proclivity towards speculation regarding 'imaginary things', most notably by portraying fanciful characters and devising political regimes that can only exist on paper. Indeed, philosophers had long been lecturing- either in flawless syllogistic fashion or in vivid rhetorical style - both rulers and subjects on how they should behave and interact. However, they had taken little notice of how they actually go about their business. Alternatively, what does unbiased, direct observation of the present and extensive, informed reading of the past teach us about the ways of the world? (shrink)

L. Gazziero, « Dante », in M. Lewis and D. Rose (ed.), The Bloomsbury Italian Philosophy Reader, London, Bloomsbury, 2022, p. 29-42: Even if Dante's work involves a fair amount of autobiographical material and occasionally fashions itself as a record of personal experiences, his writings reveal surprisingly few facts about his life. With one exception though, etc.

In the Terry Achane case, a birth father who was in the military was not notified when his child's birth mother put up their child for adoption. Birth fathers are often stereotyped as uninvolved and irresponsible, especially when they are not married to the birth mother. Terry Achane was married. The adoption agency made little effort to contact him, raising ethical issues about the roles played by the race, economic status, and perhaps religious beliefs of the adopting parents.

Failing -- Ontology and desire in Dionysius the Areopagite -- Apophatic theology and its vicissitudes -- The death drive: from Freud to Žižek -- The gift and violence -- Divine violence as trauma -- Mystical theology and the four discourses -- Theology as failure.

The process of adopting a child is “not for the faint of heart.” This is what we were told the first time we, as a couple, began this process. Part of the challenge lies in fulfilling the licensing requirements for adoption, which, beyond the usual home study, can include mandatory participation in parenting classes. The question naturally arises for many people who are subjected to these requirements whether they are morally justified. We tackle this question in this paper. In our (...) view, while strong reasons exist in favour of licensing adoptive parents, these reasons support the licensing not only of adoptive parents, but of all or some subset of so-called “natural” parents as well. We therefore conclude that the status quo with respect to parental licensing, according to which only adoptive parents need to be licensed, is morally unjustified. (shrink)

Attention has a long history in philosophy, despite its near absence in the twentieth century. This chapter provides an overview of philosophical research on attention. It begins by explaining the concept of "selection from limitation," contrasting it with the more recent "selection for action." It reviews historical texts that discuss attention, focusing on those in the Western canon whose understanding of "attention" aligns with contemporary usage. It then describes the differential treatment of attention in phenomenology and behaviorism in the last (...) century. Finally, it discusses contemporary research by topic: attention, perception, and knowledge; attention and consciousness; attention and action; and attention and the self. It includes work by Allport,Aristotle, Astell, Augustine, Bergson, Berkeley, Block, Bradley, Buddhaghosa, Campbell, Cherry, De Brigard, Dehaene and Naccache, Descartes, Dickie, Du Bois, Ganeri, Hegel, Heidegger, James, Kant, Koch and Tsuchiya, LaBerge, Locke, Mack and Rock, Malebranche, Merleau-Ponty, Mole, Montemayor and Haladjian, Neumann, Pashler, Posner, Prinz, Reid, Rensink, Reynolds and Heeger, Treisman, Watzl, Wittgenstein, Wollstonecraft, and Wu. (shrink)

Does the Ship of Theseus present a genuine puzzle about persistence due to conflicting intuitions based on “continuity of form” and “continuity of matter” pulling in opposite directions? Philosophers are divided. Some claim that it presents a genuine puzzle but disagree over whether there is a solution. Others claim that there is no puzzle at all since the case has an obvious solution. To assess these proposals, we conducted a cross-cultural study involving nearly 3,000 people across twenty-two countries, speaking eighteen (...) different languages. Our results speak against the proposal that there is no puzzle at all and against the proposal that there is a puzzle but one that has no solution. Our results suggest that there are two criteria—“continuity of form” and “continuity of matter”— that constitute our concept of persistence and these two criteria receive different weightings in settling matters concerning persistence. (shrink)

In Explaining Attitudes, Baker argues that we should treat our everyday practices as relevant to metaphysical debates, resulting in a stance of realism with respect to intentional explanations. In this chapter I will argue that if one is going to be a practical realist about anything, it should be the self, or subject of attention. I will use research on attention combined with the stance of practical realism to argue in favor of a substantive self. That is, I will present (...) an account of the self that directs and controls attention, in line with our everyday view of the self. I will contrast this account with what I call the “illusion view,” which presents the self and its apparent causal power in the case of attention as an illusion. My account of the self will make use of several of Baker's ideas, including non-reductive materialism and broad supervenience. (shrink)

Biological individuality is a notoriously thorny topic for biologists and philosophers of biology. In this paper we argue that biological individuality presents multiple, interconnected questions for biologists and philosophers that together form a problem agenda. Using a case study of an interdisciplinary research group in ecology, behavioral and evolutionary biology, we claim that a debate on biological individuality that seeks to account for diverse practices in the biological sciences should be broadened to include and give prominence to questions about uniqueness (...) and temporality. We show that broadening the problem agenda of biological individuality draws attention to underrecognized philosophical issues and discussions and thereby organizes and enriches the existing debate. (shrink)

Many philosophers insist that the revisionary metaphysician—i.e., the metaphysician who offers a metaphysical theory which conflicts with folk intuitions—bears a special burden to explain why certain folk intuitions are mistaken. I show how evidence from cognitive science can help revisionist discharge this explanatory burden. Focusing on composition and persistence, I argue that empirical evidence indicates that the folk operate with a promiscuous teleomentalist view of composition and persistence. The folk view, I argue, deserves to be debunked. In this way, I (...) take myself to have illustrated one key role cognitive science can play in metaphysics; namely by helping the revisionary metaphysician discharge the explanatory burden of providing a plausible explanation of how the folk have gone wrong. (shrink)

Wayne Wu argues that attention is necessary for action: since action requires a solution to the ‘Many–Many Problem’, and since only attention can solve the Many–Many Problem, attention is necessary for action. We question the first of these two steps and argue that it is based on an oversimplified distinction between actions and reflexes. We argue for a more complex typology of behaviours where one important category is action that does not require a solution to the Many–Many Problem, and so (...) does not require attention. (shrink)

In 2018 Academic Placement Data and Analysis ran a survey of doctoral students and recent graduates on the topics of diversity and inclusivity in collaboration with the Graduate Student Council and Data Task Force of the American Philosophical Association. We submitted a preliminary report in Fall 2018 that describes the origins and procedure of the survey [1]. This is our final report on the survey. We first discuss the demographic profile of our survey participants and compare it to the United (...) States general population, its doctoral students, and APA membership, finding several areas of underrepresentation (i.e. gender, race/ethnicity, socioeconomic, and veteran status). We then discuss the results of questions regarding diversity and inclusivity. We find, for instance, that participant comfort in philosophy depends on gender, sexuality, race/ethnicity, disability, and language status and that participants most often mentioned the theme of diversity when asked how philosophy could be more inclusive. Finally, we discuss the results of questions related to graduate program and placement. We find, for example, that underrepresented graduates are both less likely to recommend their graduate program to others and less likely to prefer an academic job. We close by making some recommendations for the APA and for the discipline based on our findings. (shrink)

In this paper I develop a concept of behavioural ecological individuality. Using findings from a case study which employed qualitative methods, I argue that individuality in behavioural ecology should be defined as phenotypic and ecological uniqueness, a concept that is operationalised in terms of individual differences such as animal personality and individual specialisation. This account make sense of how the term “individuality” is used in relation to intrapopulation variation in behavioural ecology. The concept of behavioural ecological individuality can sometimes be (...) used to identify individuals. It also shapes research agendas and methodological choices in behavioural ecology, leading researchers to account for individuals as sources of variation. Overall, this paper draws attention to a field that has been largely overlooked in philosophical discussions of biological individuality and highlights the importance of individual differences and uniqueness for individuality in behavioural ecology. (shrink)

Doctoral graduates in philosophy are an excellent source of information about the discipline: they are at the cutting edge of research trends, have an inside view of researchfocused departments, and their employment prospects provide early insights on the future health of the discipline. We report on the results of a survey sent to recent PhD graduates and current students, as well as data gathering efforts by Academic Placement Data and Analysis that have taken place over the past ten years. In (...) this report we especially focus on demographic representation, program ratings, academic job placement, and non-academic careers. (shrink)

Academic Placement Data and Analysis (APDA), a project funded by the American Philosophical Association (APA) and headed by Carolyn Dicey Jennings (UC Merced), aims “to make information on academic job placement useful to prospective graduate students in philosophy.” The project has just been updated to include new data, which Professor Jennings describes in a post at New APPS. She also announces a new interactive data tool with which one can sift through and sort information. (from Daily Nous).

We have a mentalistic view of objects. This is due to the interdependence of folk psychology and folk physics, where these are interconnected by what I call Teleological Commingling. When considering events that don’t involve agents, we naturally default to tracking intentions, goal-directed processes, despite the fact that agents aren’t involved. We have a deep-seated intentionality bias which is the result of the pervasive detection of agency cues, such as order or non-randomness. And this gives rise to the Agentive Worldview: (...) we view nature as a whole as being infused with agency and purpose. Teleological Commingling and the Agentive Worldview it gives rise to are at the core of our conception of objects. I maintain that the ordinary view of material objects is rooted in an implicit, false theory. It should be given no weight in metaphysical debates about the nature of material objects. And this problematizes the central methodological assumption that metaphysical theories of material objects should be beholden to common sense. (shrink)

This paper addresses the likely impact on women of being denied emergency contraception (EC) by pharmacists who conscientiously refuse to provide it. A common view—defended by Elizabeth Fenton and Loren Lomasky, among others—is that these refusals inconvenience rather than harm women so long as the women can easily get EC somewhere else nearby. I argue from a feminist perspective that the refusals harm women even when they can easily get EC somewhere else nearby.

This paper addresses a relatively new mode of ecological research: data synthesis studies. Data synthesis studies involve reusing data to create a general model as well as a reusable, aggregated dataset. Using a case from movement ecology, I analyse the trade-offs and strategies involved in data synthesis. Like theoretical ecological modelling, I find that synthesis studies involve a modelling trade-off between generality, precision and realism; they deal with this trade-off by adopting a pragmatic kludging strategy. I also identify an additional (...) trade-off, the synthesis trade-off, between making data easy to synthesise for a particular project, on the one hand, and facilitating data reuse for other projects, on the other. In response to this synthesis trade-off, researchers create flexible datasets that are relatively easy to use for particular projects and can be adjusted to suit some other purposes. The flexibility compromise is also found in broader open data efforts, making it a significant element in the future of data-intensive ecology. (shrink)

It is beyond doubt that the legal system established by the Nazi government in Germany between 1933-1945 represented a gross departure from the rule of law: the Nazis eradicated legal security and certainty; allowed for judicial and state arbitrariness; blocked epistemic access to what the law requires; issued unpredictable legal requirements; and so on. This introduction outlines the distorted nature of the Nazi legal system and looks at the main factors that contributed to this grave divergence.

Volume 11, Issue 1, March 2019, Page 7-18.

In 1935, the Nazi government introduced what came to be known as the abrogation of the pro- hibition of analogy. This measure, a feature of the new penal law, required judges to stray from the letter of the written law and to consider instead whether an action was worthy of pun- ishment according to the ‘sound perception of the people’ and the ‘underlying principle’ of existing criminal statutes. In discussions of Nazi law, an almost unanimous conclusion is that a system (...) of criminal law ought not to contain legislation of this sort. This conclusion is often based on how the abro- gation relates to the normative claim that the law ought to be predictable. In particular, it has been argued that since the law ought to be predictable, and since this type of analogy legis- lation implied, caused or contributed to the diminution of the law’s predictability, this type of legislation ought to be prohibited. In this paper, we argue that this argument is not entirely correct. While we believe that the law ought to be predictable and that there is evidence for the claim that the Nazis’ intro- duction of analogical reasoning implied, caused, or contributed to a diminution of predictability, this fact is logically too weak to ground the conclusion that necessarily a penal system ought not to contain legislation of this kind. Despite the undeniable wickedness of the Nazi penal system, this type of analogical reasoning can be made consistent with the pre- dictability of the law. We argue that consistency of this sort depends on whether the use of analogy is supplemented by certain contextual background conditions. The occurrence of these conditions blocks an inference from the fact that the law ought to be predictable to the conclusion that a penal system ought not to allow for this type of analogical reasoning. (shrink)

This book examines the central role that language plays in understanding and human flourishing. The book begins by exploring Heidegger's idea that language is an essential element of how we dwell in the world and is, for the most part, ready-to-hand for us. With Gadamer, I then begin to explore phenomena where language is not ready-to-hand but calls for interpretation. The latter half of the book explores distinct ways in which language can become unready-to-hand for individuals (e.g., in cases of (...) trauma, depression, and social subordination) and examines the way that such situations have been analyzed by twentieth-century Continental thinkers (e.g., Blanchot, Kristeva, Derrida). (shrink)

This paper comes out of a panel honoring the work of Anne Donchin (1940-2014), which took place at the 2016 Congress of the International Network on Feminist Approaches to Bioethics (FAB) in Edinburgh. My general aim is to highlight the contributions Anne made to feminist bioethics, and to feminist reproductive ethics in particular. My more specific aim, however, is to have a kind of conversation with Anne, through her work, about whether reproductive justice could demand insurance coverage for in vitro (...) fertilization. I quote liberally from Anne’s work for this purpose, but also to shower the reader with her words, reminding those of us who knew her well what a wonderful colleague she was. (shrink)

From the publisher: -/- This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. -/- In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the (...) world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. -/- “This book is a gem. It gives the most comprehensive and accessible account of the importance of form in the last hundred years of writing about art. It should be compulsory reading not just for art historians, but also for aestheticians and anyone interested in visual culture.” —Bence Nanay, author of Aesthetics as Philosophy of Perception -/- “This is an exceptionally wide-ranging and successful study of a central topic in the history of modernism. Rose moves with enviable facility between archival research and historical concerns and a crisply incisive discussion of the status and integrity of the key ideas. The final section, which extends the story outward into new areas, will be an invaluable spur to future research.” —David Peters Corbett, author of The World in Paint: Modern Art and Visuality in England, 1848–1914 -/- “It’s time we had a sophisticated account of form in the modern visual arts to replace the crude caricatures that have dominated the literature on so-called modernist formalism. Sam Rose supplies this with precision (in his careful readings of modernist texts that have too often been oversimplified) and imagination (in relating them to wider, sometimes surprising, contexts). Demolishing the notion that formalism must be escapist, he provides a cogent explanation for how the study of the Old Masters could go hand in hand with the theorization of a modern art. This lucidly written book not only challenges preconceptions about formalism but shows why we cannot ignore the question of form in discussions of the visual arts up to and including the present day.” —Elizabeth Prettejohn, author of Art for Art’s Sake: Aestheticism in Victorian Painting -/- “A brilliant and timely account of aesthetic form and formalism. Debates about form are fundamental to modernism, and indeed to the story of the arts in the twentieth and twenty-first centuries, yet until now we have been lacking a sustained investigation of how this came to be. Art and Form is a great work of art history, and it will also prove indispensable to literary scholars, philosophers, and cultural critics.” —Rebecca Beasley, author of Ezra Pound and the Visual Culture of Modernism. (shrink)

Currently, the preferred accommodation for conscientious objection to abortion in medicine is to allow the objector to refuse to accede to the patient’s request so long as the objector refers the patient to a physician who performs abortions. The referral part of this arrangement is controversial, however. Pro-life advocates claim that referrals make objectors complicit in the performance of acts that they, the objectors, find morally offensive. I argue that the referral requirement is justifiable, although not in the way that (...) people usually assume that it is. (shrink)

In 1929 when Aurel Kolnai published his essay “On Disgust” in Husserl's ]ahrbuch he could truly assert that disgust was a "sorely neglected" topic. Now, however, this situation is changing as philosophers, psychologists, and historians of culture are turning their attention not only to emotions in general but more specifically to the large and disturbing set of aversive emotions, including disgust. We here provide an account of Kolnai’s contribution to the study of the phenomenon of disgust, of his general theory (...) of emotions and of the phenomenological methodology he employed in his work. (shrink)

A model policy for conscientious objection in medicine.

This chapter presents Gadamer’s conception of language and of its role in the process of understanding. The chapter begins by explaining what Gadamer means when he says that language is characterized by an essential “self-forgetfulness” [Selbstvergessenheit] and how this relates to his account of the fore-structure of the understanding. Next, it explains what it means to conceive of a linguistic presentation (e.g., a poem or a lecture) as a hermeneutic event and how this conceptualization is essential to Gadamer’s account of (...) understanding and of the dialectical unity between language and being. The chapter ends by considering how Gadamer’s analysis of conversation further clarifies what it means to be open to the event of language. (shrink)

Tradução para o português do ensaio "Freedom and Resentment”, de P. F. Strawson. Publicado originalmente em Proceedings of the British Academy, v. 48, 1960. Republicado em Freedom and Resentment and Other Essays. Londres: Methuen, 1974. [Routledge, 2008, p. 2-28]. Publicado na coletânea: Ensaios sobre a filosofia de Strawson: com a tradução de Liberdade e ressentimento & Moralidade social e ideal individual. Organizadores: Jaimir Conte & Itamar Luís Gelain. Editora da UFSC, 2015. ISBN: 9788532807250.

There are two attitudes regarding the historical situation of understanding commonly held today. On the one hand, we believe that we only achieve a real, worthwhile understanding of a topic when our thinking manages to break free from the dogmas of the past. We believe that this transcendence of the historical situation of thought is both possible and desirable. We applaud those whose thought appears to us to proceed unhinged by traditional dogmas, whether those dogmas be old habits of scientific (...) thought or traditional ideas about social life. We celebrate as epistemic heroes those who discover their own way of thinking. On the other hand, many are quick to accept as a general rule that one’s understanding is inevitably bound to one’s particular historical and cultural situation. Nobody understands things in a historical vacuum. Accordingly, we believe that there is no transcending the historicity of the understanding and thus no epistemic heroes to applaud. This chapter examines Gadamer's argument in “The Elevation of the Historicity of Understanding" (a central section in "Truth and Method") as a critique of both of these alternatives -- alternatives that can be traced back to the historical epochs of the Enlightenment and Romanticism. I argue that, for Gadamer, both of these historical models of understanding misconstrue the way that understanding is grounded in historical consciousness. (shrink)

This chapter presents a conception of understanding where understanding emerges out of the joint experience of conversation. On this conception, understanding requires more than the pre-reflective acquisition of shared social meanings – a conception of understanding historically highlighted by existential phenomenologists. Beyond this, it requires what occurs in genuine conversation, namely, that one put one’s pre-reflective social meanings at risk in the process of critical self-reflection. Drawing from the hermeneutic phenomenology of Hans-Georg Gadamer, I argue that conversation is that joint (...) experience that gives rise to such critical self-reflection and that it is conversation’s play-structure in particular that makes it a source of understanding in this sense. (shrink)

This chapter questions the way “sex” features in behavioral ecological research as a standard explanatory variable. Researchers often use sex to explain variation in a trait or phenomenon that they are studying. This practice is widespread, partly because sex is often easy to identify and often explains some variation, thus making it easier to discover and test other causal patterns of interest. Yet, sex also frequently fails to explain variation. Using a couple of recent examples, it is shown how the (...) pervasiveness of sex as an explanatory variable is partly due to the structure of scientific research, including the use of data from large longitudinal studies, and generalization from previous studies. Researchers should more carefully assess and justify the relevance of sex to each new study, to avoid overgeneralization and the perpetuation of assumptions about sexual difference and its importance in biology. (shrink)

This article examines the meaningful intervention that Gert-Jan Van der Heiden’s recent book, The Voice of Misery: A Continental Philosophy of Testimony, makes in the developing field of the philosophy of testimony. I argue that this intervention is accomplished through a phenomenological investigation into the nature of the testimonial object and of the demand that it makes upon one who bears witness. In taking such an approach, I argue, Van der Heiden initiates an ontological turn in the field of testimonial (...) theory, shifting the conversation away from a debate about the conditions in which belief in testimony is justified – a debate that has in many ways defined the field for philosophers in the Anglo-American tradition. I suggest that Van der Heiden’s account is helpful in demonstrating that, in many cases, doing justice to a testimonial object requires an epistemic-ethical attitude other than belief. The article concludes by developing a few questions for Van der Heiden based on my interpretation of his project, including to what extent his phenomenology of testimony can account for how often our receptivity to testimony depends on the default trust that we have in others by virtue of our fundamental immersion in social life. (shrink)

The standard of disinterested objectivity embedded within the US Data Quality Act (2001) has been used by corporate and political interests as a way to limit the dissemination of scientific research results that conflict with their goals. This is an issue that philosophers of science can, and should, publicly address because it involves an evaluation of the strength and adequacy of evidence. Analysis of arguments from a philosophical tradition that defended a concept of useful knowledge (later displaced by Logical Empiricism) (...) is used here to suggest how the legitimacy of scientific findings can be supported in the absence of disinterested objectivity. (shrink)

Is aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories.

Causation is one of philosophy's most venerable and thoroughly-analyzed concepts. However, the study of how ordinary people make causal judgments is a much more recent addition to the philosophical arsenal. One of the most prominent views of causal explanation, especially in the realm of harmful or potentially harmful behavior, is that unusual or counternormative events are accorded privileged status in ordinary causal explanations. This is a fundamental assumption in psychological theories of counterfactual reasoning, and has been transported to philosophy by (...) Hitchcock and Knobe (2009). A different view--the basis of the culpable control model of blame (CCM)--is that primary causal status is accorded to behaviors that arouse negative evaluative reactions, including behaviors that stem from nefarious motives, negligence or recklessness, a faulty character, or behaviors that lead to harmful or potentially harmful consequences. This paper describes four empirical studies that show consistent support for the CCM. (shrink)

In his The Meaning of Disgust, Colin McGinn employs elements of the phenomenological theory of disgust advanced by Aurel Kolnai in 1929. Kolnai’s treatment of what he calls “material” disgust and of its primary elicitors—putrefying organic matter, bodily wastes and secretions, sticky contaminants, vermin—anticipates more recent scientific treatments of this emotion as a mode of protective recoil. While Nina Strohminger charges McGinn with neglecting such scientific studies, we here attempt to show how Kolnai goes beyond experimental findings in his careful (...) description of the phenomenological differences between disgust and other emotions of forceful disapproval. (shrink)

Generic statements, such as "Bees are striped" are thought to be a central vehicle by which essentialist beliefs are transmitted. But work on generics and essentialism almost never focuses on the type of properties mentioned in generic statements. We test the hypothesis that teleological properties, what something is for, affect categorization judgments more strongly than behavioral, biological, or social properties. In Experiment 1, participants categorized properties as being either behavioral, biological, social, or teleological. In Experiment 2, we used the top (...) four properties from each group to describe a generic noun or a specific individual. Participants then categorized creatures that had one of their properties transformed. We found that changes to teleological properties had the strongest impact on categorization judgments. In Experiment 3, we also found that teleological properties mattered more in an induction task. We suggest that teleological properties play this privileged role in categorization because they are treated as essential properties. (shrink)