Results for 'Helene Veyrac'

12 found
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  1. The Laugh of the Medusa.Hélène Cixous - 1976 - Signs 1 (4):875-893.
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  2.  50
    Bullfighting, Sex and Sensation.Hélène Frichot - 2001 - Colloquy 5.
    The investigation that follows will flex in four directions, backwards and forwards, along the elastic threadthat ties the event of the bullfight to sex and thence a warm spill of sensation. In order to enter the fraythat is the bullfight, I will appropriate a term from Gilles Deleuze and Félix Guattari by way of which eachof the four thrusts I advance, or fights I present, can be read as asignifying ruptures [1] . With thisconcept we are encouraged to question the (...)
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  3. El viento en las velas. Notas sobre Voiles, de Hélène Cixous y Jacques Derrida.Antonio Tudela Sancho - 1999 - Daimon: Revista Internacional de Filosofía 19:185-192.
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  4. Online Deliberation: Design, Research, and Practice.Todd Davies & Seeta Peña Gangadharan (eds.) - 2009 - CSLI Publications/University of Chicago Press.
    Can new technology enhance purpose-driven, democratic dialogue in groups, governments, and societies? Online Deliberation: Design, Research, and Practice is the first book that attempts to sample the full range of work on online deliberation, forging new connections between academic research, technology designers, and practitioners. Since some of the most exciting innovations have occurred outside of traditional institutions, and those involved have often worked in relative isolation from each other, work in this growing field has often failed to reflect the full (...)
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  5.  59
    Ethics is a Gustics: Phenomenology, Gender & Oral Sex.Virgil W. Brower - 2011 - Assuming Gender 2 (1):18-45.
    The 'traditional philosophical prestige' of seeing and touching, as analyzed by Emmanuel Levinas, comes to dominate the qualities of the other three senses. An investigation of the roles of these prestigious senses, along with the resultant privileged sense-organs of the hand and the eye, within phenomenology, psychoanalysis, and gender- or queer-theory suggests that the part of the prestige of touch will have been related to its function in the phenomenality of feeling. Yet the sense of taste seems to be as (...)
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  6.  63
    The Taste to Come: The Lick of Faith.Virgil W. Brower - 2007 - Postscripts 3 (2-3):238-262.
    This article exploits a core defect in the phenomenology of sensation and self. Although phenomenology has made great strides in redeeming the body from cognitive solipisisms that often follow short-sighted readings of Descartes and Kant, it has not grappled with the specific kind of self-reflexivity that emerges in the sense of taste with the thoroughness it deserves. This path is illuminated by the works of Martin Luther, Jean-Luc Marion, and Jacques Derrida as they attempt to think through the specific phenomena (...)
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  7.  17
    Berlín.Facundo Bey - 2019 - Discusiones Filosóficas 20 (34):187-190.
    El presente texto de Maurice Blanchot (1907-2003) apareció por primera vez en una traducción al italiano de Guido Neri bajo el título “II nome Berlino” [El nombre Berlín], publicado en 1964 en la revista literaria dirigida por Elio Vittorini e Italo Calvino Il menabó 7, año 6, pp. 121-25. El texto original en francés se extravió y, con la autorización del propio Blanchot, Hélène Jelen y Jean-Luc Nancy tradujeron la versión italiana al francés para publicarla en 1983 como “Le Nom (...)
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  8.  82
    Speech & Oral Phenomena: Memory, Mouth, Writing, Life-Death.Virgil W. Brower - 2011 - French Literature Series 38:209-230.
    Following one of Jacques Derrida’s early questions — namely, How is writing involved in speech? — this essay reconsiders the role of the tongue and the sense of taste in the oral phenomena of speaking and saying. The contact the tongue makes with the mouth or teeth is just as much a materialization of language as what is commonly called “writing.” The tongue acts as a pen and the mouth, as a blank page (or palimpsest). Mouthed writing is accompanied by (...)
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  9.  74
    “But Didn’T He Kill His Wife?”.William Lewis - 2019
    If there is one thing that everyone knows about Louis Althusser, it is that he killed his wife - the sociologist and résistante Hélène Rytmann-Légotien. In this article, William S. Lewis asks how should this fact effect the reception of Althusser's work, and how should those who find Althusser's reconceptualisation of Marx and Marxism usefully respond?
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  10. La Violence Politique Comme Mauvaise Foi Dans Le Sang des Autres (French Version).Donovan Miyasaki - 2008 - In Julia Kristeva, Pascale Fautrier, Anne Strasser & Pierre-Louis Fort (eds.), (Re) découvrir l’œuvre de Simone de Beauvoir – Du Deuxième Sexe à La Cérémonie des adieux. Éditions Le Bord de l’Eau.
    The Blood of Others begins at the bedside of a mortally wounded Résistance fighter named Hélène Bertrand. We encounter her from the point of view of Jean Blomart, her friend and lover, who recounts the story of their relationship : their first meeting, unhappy romance, bitter breakup, and eventual reunion as fellow fighters for the liberation of occupied France. The novel invites the reader to interpret Hélène and Jean’s story as one of positive ethical development. On this progressive reading, although (...)
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  11.  18
    Berlín [Traducción de Facundo Bey].Maurice Blanchot & Facundo Bey - 2019 - Discusiones Filosóficas 34 (20):187-190.
    El presente texto de Maurice Blanchot (1907-2003) apareció por primera vez en una traducción al italiano de Guido Neri bajo el título “II nome Berlino” [El nombre Berlín], publicado en 1964 en la revista literaria dirigida por Elio Vittorini e Italo Calvino Il menabó 7, año 6, pp. 121-25. El texto original en francés se extravió y, con la autorización del propio Blanchot, Hélène Jelen y Jean-Luc Nancy tradujeron la versión italiana al francés para publicarla en 1983 como “Le Nom (...)
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  12.  69
    Political Violence as Bad Faith in Beauvoir's The Blood of Others - English Version.Donovan Miyasaki - 2008 - In Julia Kristeva (ed.), (Re) découvrir l’œuvre de Simone de Beauvoir – Du Deuxième Sexe à La Cérémonie des adieux. Lormont, France: pp. 367-73.
    The Blood of Others begins at the bedside of a mortally wounded Résistance fighter named Hélène Bertrand. We encounter her from the point of view of Jean Blomart, her friend and lover, who recounts the story of their relationship : their first meeting, unhappy romance, bitter breakup, and eventual reunion as fellow fighters for the liberation of occupied France. The novel invites the reader to interpret Hélène and Jean’s story as one of positive ethical development. On this progressive reading, although (...)
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