INTRODUCTION THE PROBLEM OF THE BEING OF THE EGO AND THE FUNDAMENTAL PRESUPPOSITIONS OF ONTOLOGY "Mit dem cogito sum beansprucht Descartes, der Philosophic ...

Abstract: This paper examines two fundamental claims by Michel Henry on his philosophy’s relationship with classical phenomenology (Husserl and Heidegger) and Christianity. It shows in what way Henry’s phenomenology is the radicalization and absolutization of classical phenomenology: pure phenomenological truth is the identification of appearing and what appears rather than the separation of the two. According to Henry, his notions of life and truth is fully in accordance with Christianity’s Revelation of God. In the last part, the (...) paper challenges Henry’s claim that his phenomenology is a Christian philosophy from a Kierkegaardian point of view and argues that Henry’s phenomenology is, as a matter of fact, a philosophy without Christ. Contrary to a popular viewpoint that Michel Henry is a Christian thinker of our age, I would argue that Henry’s concept of God and Christ is essentially a scholarly philosophical invention. If Henry’s philosophy is an absolute and ultimate form of phenomenology, then it is reasonable to draw a conclusion that Christ as the Truth of Christianity is outside the boundary of phenomenology. (shrink)

VAN PRAAG (Paul), Introduction : le Père Henri Bosmans, histo­rien des mathématiques (pp. 7-16). SAUVAGE (Pierre), Notice biographique du Père Henri Bosmans (pp. 17-25). HERMANS (Michel), Henri Bosmans : sa formation et ses réseaux de rela­tions (pp. 27-72). DELANGHE (Richard), Quelques aspects de la vie et de l’œuvre de Paul Mansion (1844-1919) (pp. 73-82). BRIGAGLIA (Aldo), Saccheri vu par Corrado Segre en Italie et par Mansion et Bosmans en Belgique / traduit de l’italien par Bruna GAINO et Patricia RADELET-DE GRAVE (...) (pp. 83-104). MAWHIN (Jean), La tentative belge d’édition des œuvres complètes d’Euler vue par Henri Bos­mans (pp. 105-133). GOLVERS (Noël), Henri Bosmans, s.j., et la mission jésuite en Chine / traduit du néerlandais par Anne-Sophie MEURICE (pp. 135-152). ROMANO (Antonella), Henri Bosmans, jésuite et historien des mathéma­tiques dans la Belgique du premier XXe siècle (pp. 153-168). SAUVAGE (Pierre), Le Père Henri Bosmans et l’historiographie au tournant du XXe siècle (pp. 169-187). RADELET-DE GRAVE (Patricia), Le fonds Henri Bos­mans / avec un ajout de Michel HERMANS (pp. 189-215). MANSION (Paul), Correspondance de Paul Mansion adres­sée à Henri Bosmans / introduction, trans­cription et annotation par Michel HERMANS (pp. 217-251). HEEFFER (Albrecht) – HERMANS (Michel) – STOFFEL (Jean-François), Bibliographie d’Henri Bosmans (pp. 253-298). (shrink)

Perhaps owing to frictions between his Christological worldview and the dominant secularism of contemporary French thought as taken up in the U.S., and persistent worries about a seeming solipsism in his phenomenology, Michel Henry's innovative contributions to aesthetics have received unfortunately little attention in English. The present investigation addresses both issues simultaneously with a new interpretation of his recently-translated 1996 interview, “Art and Phenomenology.” Inspired by this special issue’s theme, “French Thought in Dialogue,” it emphasizes four levels of dialogue (...) in the interview, as follows: (1) the interview as such, with Brohm; (2) its titular dialogue between art and phenomenology; (3) what I term a “trans-religious” dialogue between Christianity’s Jesus and Nietzsche’s Dionysus; and (4) a related dialogue between painting (Henry’s favored genre) and dance that is “Dionysian” (in Nietzsche’s sense). It concludes with new phenomenological accounts of a literal and a figurative dance, namely the social Latin dance called bachata, and an improvised musical dialogue with the mockingbirds of my hometown. In sum, thanks to Henry’s engagement with various forms of dialogue, including with Brohm, the arts, paganism, and dance, one can find room in his transcendental subjectivity of Life for others, dancingly transcending even humanity. (shrink)

What makes it possible to affect one another, to move and be moved by another person? Why do some of our encounters transform us? The experience of moving one another points to the inter-affective in intersubjectivity. Inter-affection is hard to account for under a cognitivist banner, and has not received much attention in embodied work on intersubjectivity. I propose that understanding inter-affection needs a combination of insights into self-affection, embodiment, and interaction processes. I start from Michel Henry's radically immanent (...) idea of self-affection, and bring it into a contrastive dialogue with the enactive concepts of autonomy and (participatory) sense-making. I suggest that the latter ideas can open up Henry's idea of self-affection to inter-affection (something he aimed to do, but did not quite manage) and that, in turn, Henry's work can provide insights into underexplored elements of intersubjectivity, such as its ineffable and mysterious aspects, and erotic encounters. (shrink)

: Este trabalho busca elucidar a constituição do ego transcendental na Fenomenologia da Vida de Michel Henry (1922-2002). Inicialmente, apresentaremos brevemente a constituição de sentido a partir do ego transcendental conforme proposto por Edmund Husserl (1859-1938). Em seguida, discutiremos a problemática deste ego transcendental, visto que, para Henry a fenomenologia husserliana deixa obscura a região de ser do próprio ego. Henry argumenta que o ego transcendental não se constitui por si mesmo; ele é secundário em relação ao (...) que o constitui. O que precede e possibilita o próprio ego transcendental é a região de ser que Michel Henry denomina como Vida. Deste modo, o ego não se autoconstitui, mas ele surge passivamente desta região ontológica a partir do nascimento transcendental. Uma vez que esta Vida é o fundamento, ela é a condição ontológica que possibilita toda a manifestação. Para este estudo, serão utilizadas as obras L’Essence de la manifestation (2011), Phénoménologie de la vie: Tome I, De la phénoménologie (2003), e Phénoménologie de la vie: Tome III, de l’art et du politique (2003). Portanto, é necessário compreender como opera a radicalização na Fenomenologia da Vida de Michel Henry para alcançar o sentido do fundamento que constitui o ego transcendental, identificado como região ontológica da Vida. (shrink)

Il concetto dell'anima svolge nel pensiero di Michel Henry un'importantissima funzione di filo conduttore nell'esame di alcuni momenti fondamentali della storia della filosofia. Dal momento che le interpretazioni henriane del pensiero dei filosofi del passato hanno sempre uno scopo teoretico, lo studio di questo utilizzo del tema dell'anima in funzione di filo conduttore permette sia di comprendere meglio alcuni aspetti importanti delle tesi filosofiche di Henry, sia di valutarne con maggiore consapevolezza l'importanza per lafilosofia e per la cultura (...) di oggi. (shrink)

The article deals with the relationship between art and religion in the philosophy of the French phenomenologist, Michel Henry. Henry develops a phi- losophy of art by interpreting Kandinsky’s theory of art on the basis of his own phenomenology of life. Art is an expression of life or subjectivity. By life or subjec- tivity, Henry means a passive self-affection of the subject on this side of intentional self-reference. According to Henry, self-affection is only possible if, in (...) relating to himself, the individual relates at the same time to absolute life. Religion is for Henry this link of the individual to absolute life. By being an expression of life, art is therefore at the same time an expression of religion. (shrink)

O presente trabalho visa apresentar a relação do método terapêutico da médica e psiquiatra Nise da Silveira (1905-1999) com a Fenomenologia da Vida do filósofo e fenomenólogo Michel Henry (1922-2002). Nise da Silveira revolucionou o tratamento psiquiátrico de sua época indo contra a psiquiatria tradicional e desenvolvendo um método revolucionário para o tratamento de pacientes esquizofrênicos, constituído através da arte, da cultura e, sobretudo, do que ela chama de afeto catalisador. Como método investigativo deste trabalho, a relação entre o (...) afeto catalisador, de Nise da Silveira, e a afetividade originária, de Michel Henry, é desenvolvida através das obras “Imagens do Inconsciente” (1981), de Nise, bem como “A Barbárie” (1987), “Encarnação: por uma filosofia da carne” (2013) e “Filosofia e Fenomenologia do corpo: ensaio sobre a ontologia biraniana” (2012) de Henry. O filósofo, assim como Nise que buscou uma terapia mais afetiva, em sua filosofia busca refletir sobre aquilo que foi deixado de lado pela filosofia clássica e pela fenomenologia tradicional: a vida tal qual como ela é. As teorias/abordagens de ambos autores buscam, de certa maneira, apontar para aquilo que a ciência e a racionalidade não conseguem penetrar: a carne afetiva da invisibilidade da vida na sua subjetividade absoluta. Diante disso, através do estabelecimento da relação do método de Nise à Fenomenologia da Vida de Henry, este trabalho visa realizar uma releitura fenomenológica da teoria das imagens. (shrink)

The image of the “mirror” (鏡kagami) appears frequently in the philosophical texts of Nishida Kitaro (西田幾多郎1870-1945), where it assumes various functions. Mirror references first occur in meditations on the philosophies of Josiah Royce (1855-1916) and Henri Bergson (1859-1941). The most fascinating evocation here corresponds to the idea of a “self-enlightening mirror”, used to probe the philosophical ground for self-illumination. This idea seems to point back to Buddhist meaning that intervenes in Japanese intellectual history. We take this as our warrant for (...) establishing here, firstly, how Nishidean philosophical speculation can be critically related to the thought of Dogen (道元1200-1253); and, secondly, in what sense it has stimulated some contemporary approaches in Japanese philosophy (for example, those of Nitta, Ohashi, and Sakabe). (shrink)

A presente pesquisa explora o ensaio de ontologia de Albert Camus (1913-1960), intitulado O mito de Sísifo (1942), no qual ele introduz sua teoria do absurdo, cujo propósito é questionar o sentido do mundo e da vida para o sujeito. Perguntando-se, o sujeito se depara com o sentimento de absurdo que manifesta o desejo de clareza frente a opacidade do mundo. Este sentimento é apresentado como uma experiência imediata frente ao não sentido do mundo e da vida. Uma das vias (...) que será analisada e tratada como uma resposta insuficiente para o sentimento de absurdo será o método fenomenológico proposto por Husserl que, através da intencionalidade - descrita como a experiência imediata do sujeito - é visto como uma medida que distancia o si de sua experiência. Distanciando-se da experiência, o método é compatível com uma das consequências do absurdo: a questão filosófica do suicídio. Outra consequência do absurdo será a revolta que é entendida como o que sustenta o sujeito a viver no desejo de clareza frente a irracionalidade do mundo que, posteriormente, resultará em uma Fenomenologia da Revolta. Para sustentar esta fenomenologia, será articulado a teoria do filósofo e fenomenólogo Michel Henry (1922-2002) através das suas obras L'essence de la manifestation (1963) e Fenomenología Material (1990). Nestas obras, Henry introduz o conceito de afetividade e páthos-com, que serão necessários para compreender o absurdo como uma afecção e condição de fragilidade que é compartilhada entre todos sujeitos resultando em uma intersubjetividade. Tanto a Revolta quanto o páthos-com revelam como o sujeito pode viver com o sentimento do absurdo e, desse modo, é possível afirmar a vida do si na solidão. Contudo, a conclusão presente nesta pesquisa constitui o argumento de que, pela Revolta enquanto coletividade que liga os sujeitos pela experiência absurda e pela essência constituinte da Vida, essa afirmação da vida de todos os sujeitos se torna mais forte. (shrink)

The phenomenological tradition is commonly understood as the domain of “philosophy of the subject”, and in this regard it is often criticized in contemporary thought. In respect to it, the originality of Michel Henry is to enter into this tradition by formulating to it an inverse objection: a mistake of the “historic” phenomenology is that it has not been able to conceive the subject in its own being or better, in its “interiority”. The aim of this paper is to (...) determine the meaning and scope of such criticism, the development of its consequences, not only regarding the positive concept of subjectivity but also in the sense of opening its possibilities to renew the understanding of artistic phenomenon. (shrink)

Within continental philosophy of biology the work of Michel Serres has not received a lot of attention. Nonetheless, this chapter wants to argue that Serres was part of a group of thinkers – together with Jacques Monod and Henri Atlan – that started to think about biology in terms of second-order cybernetics and information theory. Therefore, this chapter aims to do four things. First of all, it maps the relation between Serres and Canguilhem, one that was mediated by authors such (...) as Louis Althusser or Jacques Monod. Secondly, it fleshes out Serres’s own ‘biophilosophy’. I label this alternative tradition as a ‘biophilosophy without a subject’. Finally, this chapter explores the consequences of this alternative biophilosophy through a brief examination of two authors whose work lies in the line of this tradition: René Girard and Bruno Latour. Though at first sight different, they both draw inspiration from this biophilosophy to develop a framework that, paradoxically, ‘jumps over’ the subject. Hence, the reason why biology is neither a prominent theme in Girard’s nor in Latour’s work. This is not because of a lack of biophilosophy, but because of an implicit one: a biophilosophy without a subject. (shrink)

Phenomenological reflection on the essence of art goes towards the revelation of its ultimate Source, which is also the Source of spirituality of a man and, finally, of artistic works. Art occupies a prominent place in the works of Martin Heidegger, Hans Urs von Balthasar and Michel Henry, and what they have in common is pointing out the ability of transcending artistic work towards beyond-aesthetic and over-aesthetic dimensions. For those philosophers the work of art is a ‘way’ which may (...) lead human spirit towards Transcendence (the Absolute, God), but also towards the inner self. In this article the reflection over a religious dimension of the essence of art is extended by the analysis of St John Passion, BWV 245 by Johann Sebastian Bach, as a particular example of an artistic realization of phenomenologically rooted philosophical and theological reflection. (shrink)

A review of Michel Henry's Marx (2020) that focuses on the later philosophical-economic body of his works.

Applying Michel Henry’s philosophical framework to the phenomenological analysis of religious experience, the author introduces a concept of material introspection and a new theory of the constitution of religious experience in phenomenologically material interiority. As opposed to ordinary mental self-scrutiny, material introspection happens when the usual outgoing attention is reverted onto embodied self-awareness in search of mystical self-knowledge or union with God. Such reversal posits the internal field of consciousness with the self-disclosure of phenomenological materiality. As shown by the (...) example of Vedantic self-inquiry, material introspection is conditioned on the attitude ‘I “see” myself’ and employs reductions which relieve phenomenological materiality from the structuring influence of intentionality; the telos of material introspection is expressed by the inward self-transcendence of intentional consciousness into purified phenomenological materiality. Experience in material introspection is constituted by the self-affection and self-luminosity of phenomenological materiality; experience is recognized as religious due to such essential properties as the capacity of being selffulfilled, and specific qualitative “what it’s like”(s). Drawing on more than 5000 live accounts of internal religious experience, it is shown that introspective attention can have different trajectories, producing, within a temporal extension of material introspection, different spatial modifications of embodied selfawareness and a variety of corresponding religious experiences. (shrink)

For Michel Henry, the Cartesian notion of “videre videor” (“I seem to see”) provides the clearest schema of the type of self-affection in which life is experienced, and through which one can provide a properly phenomenological conception of life. It is above all in Henry’s exemplification of the ‘videor’ in terms of affective experience (in undergoing a passion, feeling pain) that one is able to pin down his two principle arguments concerning the nature of this self-affection. The one, (...) regarding the videor as a form of self-awareness, ultimately fails to convince, whereas the same cannot be said for Henry’s analyses of those types of affective experience whose primary characteristic is precisely a form of resistance internal to life itself. This leads to a demonstration of how Henry’s phenomenology of the videor founds an understanding of life that presupposes a form of impotence and limitation, and even finitude, as the very implication of its appearance. (shrink)

In my paper, I develop a phenomenological and pragmatist reflection on the fragility of liberal democracy’s moral foundations in times of war. Following Judith Shklar’s conception of the “liberalism of fear”, the legitimacy of the liberal-democratic order is seen as grounded in experiences of suffering caused by political violence. It is also assumed that the liberalism of fear delivers an adequate conception of the normative foundations of the European project. With the help of phenomenologists such as Edmund Husserl, Maurice Merleau-Ponty (...) and Michel Henry, the paper ants to philosophically deepen the liberalism of fear by outlining a theory of “pathic evidence” as a normative foundation and the concept of a common “flesh of the political” as a shared moral sensitivity that sets boundaries to political conflict as well as the political imaginary, excluding what I call the production of “monumental meaning”. It then examines the question which political conditions are needed for this evidence to become a shared, communal criteria of ethical thought, and considers inner and outer challenges to the transmission and reproduction of this evidence in time, drawing especially on John Dewey’s ideas of democratic communication and social intelligence. In the current war, the following problem appears as crucial for the “soul” of European democracies which are confronted with the need to respond to Russia’s attack: How can a political morality grounded in pathic evidence be sustained, once it is challenged by an aggressor who, out of cultural and political reasons, shows a higher level of toleration towards violence? Besides aggression from an external foe, there are also temporal dynamics that further the loss of the inhibiting force of pathic evidence from the inside. As it shall be argued, boredom can be such a factor. The paper concludes by drawing conclusions for the current war in Ukraine. (shrink)

Despite all controversies that might otherwise divide them, most phenomenologists agree that consciousness entails some form of self-consciousness. In fact, they go even further, as they virtually all agree on the necessity of fleshing out this insight in bodily terms: from the phenomenological point of view, self-consciousness is primarily experienced as a form of bodily self-consciousness (or self-awareness). Following Edmund Husserl's insight that the lived body (Leib), i.e. the body as it is subjectively felt or experienced, must necessarily be presupposed (...) by all object consciousness, including the thematic consciousness of me as a body, there is a long-standing discussion within the phenomenological movement on how to conceive of this self-relation. This entry focuses on the French reception of Husserl and highlights the distinctive ways in which French phenomenologists such as Maurice Merleau-Ponty, Michel Henry, Jean-Paul Sartre and Jacques Derrida have elaborated on and disputed this key insight. It will be shown that discussions on this question have open onto two further debates: one revolves around the paradigmatic role Husserl grants to touch in the analysis of consciousness, while the other concerns the differences between the experience of one's own body and the experience of the body of others. Finally, we point to the fact that one's body can be experienced and evaluated as other, as is shown in the critical analyses of Frantz Fanon, Simone de Beauvoir, Michel Foucault, and recent critical phenomenology. Here, it becomes clear that the bodily self-awareness of concrete subjects is shaped by the material conditions, norms, and discourses of their respective situation. (shrink)

This contribution offers an analysis of the essays gathered and published by François Courtine in 1992 (Phénoménologie et Théologie), and authored by Jean-Louis Chrétien, Michel Henry, Jean-Luc Marion, and Paul Ricoeur. Attention is paid to the possibility of investigating the phenomena of the ‘religious sphere’, by taking into account the historical-cultural context typical of contemporary society, the role of art, and the problem of intersubjectivity. -/- .

O presente artigo tem por objetivo mostrar, desde a psicanálise freudiana, um caminho possível que a leva ao encontro da filosofia de orientação fenomenológica. Em O eu e o isso, de 1923, Sigmund Freud emprega uma nova noção pouco explorada na literatura psicanalítica: o eu-corpo. O escopo de nossa análise delimita-se à interpretação e à explicitação da noção de eu-corpo tal como esta foi apresentada por Freud, confrontando-a com a fenomenologia em Merleau-Ponty e Michel Henry. Para tanto, propomos uma (...) análise em quatro tempos. Inicialmente, evidenciaremos o entendimento de Freud sobre o modelo de psicologia originada em Brentano que tem como um de seus desdobramentos a fenomenologia. Depois, mostraremos como a concepção do isso, segundo o próprio texto de Freud, foi determinante para que ele formulasse uma revisão da primeira tópica e a incorporasse em uma segunda tópica. Por fim, nas últimas duas partes, examinaremos o tratamento dado por Merleau-Ponty e Michel Henry à questão do corpo. Concluímos que é possível o encontro entre a psicanálise e a fenomenologia via a noção de eu-corpo freudiano; contudo, tal condução implicará reformulações em teses centrais da psicanálise. (shrink)

The Husserlian concept of intersubjectivity has been criticized for the fact that it belongs exclusively to a philosophy of representation and to a solipsistic consciousness. In this conceptual framework, the other (ego) appears to be constituted by a singular ego through the synthesis of the series of its appearances (perceptive or imaginative representations) and by extrapolation (transposition) of its own “sphere of originality”. For this theory of constitution seemed to be essentially related to the concept of objective representation that post-Husserlian (...) phenomenologists have criticized and eventually replaced with another, in which affectivity is supposed to open the way to otherness, as we can see in Heidegger, Levinas, Merleau-Ponty, Michel Henry or Jacques Derrida. Our hypothesis is that the difficulty does not regard the theory of constitution, but the fact that the other and the community that he forms with me and with many others are thought only in terms of representation. Even those who discharged the “abstract” objective representation of Husserl’s function and replaced it with “affectivity” were not finally able to overpass the representational framework, because the other has always been for me (and vice-versa, I have been for him) only a “picture” (no matter whether representative or “affective”), something which simply “stands” before my eyes. But this is certainly a reductive way of understanding the relation between the I and the other. If we focus our attention on the phenomenon of community and not on some interpretations or simplifications of it, we realize that it is not sufficient that objective representation or affectivity or any other faculty constitute or disclose the other for the I (even if that is a necessary starting point). As a multilayered concept, “intersubjectivity”, in Husserl’s sense, is a system of transitions from mere appearance to transcendence, from passivity to activity, from cognitive and affective representation to volition and action. As soon as we see the relation between the I and the other as active, as an influence or intrusion of one consciousness in another, as an intention to “move” the other, to determine him to assume or to begin an action (a real one, effected in real life), the concept of intersubjectivity changes drastically, even though the “representation” of the other before the I and of the I in the eyes of the other remains a necessary interface. Accordingly, constitutive phenomenology has to take into consideration volition, action and communication not simply as extensions of the constitution of the thing. A reform of the theory of constitution, or rather its enlargement, to encompass this new type of “objectivity” (praxis) which would thus offer an adequate conceptual framework is strongly recommended. (shrink)

Most see having their individuality stifled as equivalent to the terrible forced conformity found within speculative fiction like George Orwell's 1984. However, the oppression of others by those in power has often been justified through ideologies of individualism. If we look to animistic traditions, could we bridge the gap between these extremes? What effect would such a reevaluation of identity have on the modern understanding of selfhood? The term ' in-dividual' suggests an irreducible unit of identity carried underneath all of (...) our titles and experiences—the real self. By linking Marilyn Strathern's elaboration of dividualism and Nurit Bird-David's relational epistemology , a clear contrast forms between the animistic sense of self and that of the West. This system of selfhood more readily encourages a life lived in Henri Bergson's sense of duration and sets up a state of dialogical discourse , as seen in Mikhail Bakhtin's work. These concepts challenge the traditional praise for individuality and exposes how individualism can be used as a tool of marginalization as seen in Michel Foucault's critique of authorship. I argue that pursuing a sense of self rooted in these concepts instead of individualism mitigates this marginalization via a more socially aware cultural environment that the traditional Western sense of self fails to create. (shrink)

In his new book ‘When the Grain of Wheat Doesn't Die. A Philosophical Archaeology of Revelation, Ruud Welten examines the concept of revelation from a philosophical, rather than a religious perspective. The focus is not on a higher power revealing itself to humanity, but on the revelation of human nature itself. Central to this examination is the phenomenological question regarding the nature of appearance. The primary concern is not what appears, but rather how the appearance itself occurs. Welten posits that (...) the notion of revelation and religious discourse surrounding it elucidate fundamental aspects of this phenomenological inquiry. -/- Interestingly, the seemingly peculiar title ‘When the Grain of Wheat Doesn't Die’ remains unexplained within the text. Those familiar with the New Testament will recognize a reference to the parable of the grain of wheat described in John 12:24: " Most assuredly, I say to you, unless a grain of wheat falls into the ground and dies, it remains alone; but if it dies, it produces much grain. He who loves his life will lose it, and he who hates his life in this world will keep it for eternal life." The core principle underlying this parable is that new possibilities emerge only through risking or relinquishing the old. The title thus alludes to a structure reminiscent of Christian concepts of rebirth or conversion, wherein a rupture with existing frameworks creates an opening for a new mode of existence. The question arises as to how this structure relates to the research described in the subtitle as "A Philosophical Archaeology of Revelation." -/- The subtitle first specifies a particular method ("a philosophical archaeology") and subsequently indicates the subject under investigation using this method ("revelation"). Archaeology as a philosophical method has gained prominence following Foucault's work. However, Welten employs the term archaeology not primarily in the Foucauldian sense, but rather views phenomenology and psychoanalysis as forms of archaeology that aim to uncover elements previously obscured from view. Upon initial examination, the metaphor of the grain of wheat and that of archaeology appear somewhat incongruous. Archaeology suggests the unearthing of the hidden, the revelation of an origin that has been obscured. The sowing of a grain, conversely, appears more indicative of something buried and concealed, deposited in the ground to facilitate the genesis of something new. For Welten, however, the point is that in both cases something must first be taken away before a new opening can occur that disrupts the existing order. This is exemplified in one case by the dying of the grain, and in the other, by the removal of the barren leaves. (shrink)

O filósofo francês Henri Bergson (1859-1941) escreveu em seu artigo “Introdução à Metafísica” [1] que o cálculo infinitesimal, o mais poderoso método de investigação de que dispõe o espírito humano, foi o resultado da inversão da maneira habitual do trabalho de pensamento de partir de um conceito rígido para um conceito dinâmico de apreensão de uma realidade fluida e viva. Esse método cientifico e matemático é desse último modo, partindo de conceitos dotados de fluidez para apreender uma realidade igualmente fluida. (...) Por isso Bergson aproxima esse cálculo do seu conceito de metafísica que é a capacidade de apreensão do fenômeno do interior do seu processo e não de fora do mesmo, como é mais comum nas ciências. Bergson cita Isaac Newton (1642-1727) e seu método das fluxões, mas deve-se enfatizar a importância do filósofo e cientista alemão Gottfried Wilhelm Leibniz (1646-1716) na descoberta desse método de cálculo fundamental no desenvolvimento das ciências e do pensamento científico. Este artigo é uma revisão de Leibniz, G.W., “Naissance du Calcul Différentiel- 26 articles des Acta eruditorum”, Introduction, traduction et notes para Marc Parmentier, préface de Michel Serres, Paris: J. Vrin, 1995. (shrink)

Architecture and Deconstruction Case of Peter Eisenman and Bernard Tschumi -/- Introduction Towards deconstruction in architecture Intensive relations between philosophical deconstruction and architecture, which were present in the late 1980s and early 1990s, belong to the past and therefore may be described from a greater than before distance. Within these relations three basic variations can be distinguished: the first one, in which philosophy of deconstruction deals with architectural terms but does not interfere with real architecture, the second one, in which (...) a collaboration between Jacques Derrida and a group of architects interested in his concepts is commenced, and the third one, in which completed or only designed objects or new concepts of deconstruction created by architects gain their supremacy over philosophy. The following book analyses these three possible ways, first of all with the reference to Peter Eisenman and Bernard Tschumi. -/- Peter Eisenman -/- Misreading… and Other Errors -/- The issue of relations between Peter Eisenman’s work and philosophy of deconstruction may be referred to his activity more than ten years preceding his direct collaboration with Jacques Derrida (in 1985) and organisation of the exhibition Deconstructivist Architecture at Museum of Modern Art in New York (in 1988). As soon as at the stage of designing the first houses (House I-III, 1967-1970), which almost entirely inscribed in formalistic aesthetics of Modernism, the architect analysed the problem of architecture dependence on its assumptions. All his later designs may be treated as consequence of this initial interest in relations between practice and theory, and at the same time as an introduction to manipulations later on led at the level of metaphysics of architecture. Beginning with the issue of presence, considered in comments to House VI (1972), the number of ideas having their analogies in philosophy of deconstruction increased. The text entitled The End of the Classical: The End of the Beginning, The End of the End (1984), in which Eisenman criticised questions of representation in architecture, its delusive strive for truth and comparably unattainable attempts at ultimate definition of elementary rules, should be acclaimed the breaking point. This attitude was extended by numerous strategies disturbing architecture rules defined at metaphysical level in an essay Moving Arrows, Eros, and Other Errors: an Architecture of Absence (1986). The issue of Eisenman’s passage from formalism to deconstruction has already been much discussed in the literature (Rosalind Krauss, Thomas Patin among others), still it should be mentioned that the threads similar to Derrida’s concept included in Eisenman’s writing reveal untranslatability of architecture and philosophy. -/- Choral Works or Separate tricks -/- In 1985-1986 a series of seven disputes between Jacques Derrida and Peter Eisenman took place. The pretext for them were designs concerning Parc de la Villette in Paris. The situation of many months of collaboration between a notable philosopher of the second half of the 20th c. and an architect that already had a huge theoretical oeuvre, ended up with a publication of a large volume entitled Chora L Works and it became at the same time a vast study area for historians of contemporary architecture and philosophers. Derrida’s contribution to concept works were his considerations over the idea of chôra, the properties related to this concept were about to be reflected in shapes of the park. Therefore, Chora L Works became an example of the abilities of contemporary art, both in its capability of translation from philosophical ideas to artistic forms and its resistance to tradition of representing in architecture some phenomena and values originating outside this discipline. In the final period of their collaboration both interlocutors started to polemicise with each other more decidedly, what became a separate part of their thought exchange. The exchange of letters between Derrida and Eisenman at the turn of 1989 ended up the period of their direct contacts, nevertheless, at this time precisely a large group of experts in issues of deconstruction joined the discussion and extended the revealed in the former dispute problems into more than ten years of further considerations and publications. Except for a long text by Jeffrey Kipnis, who had participated in the meetings of the philosopher and the architect, there appeared also comments of researchers of artistic theories (K. Michael Hays, Thomas Patin), philosophers (Andrew Benjamin), and even experts in Greek literature (Maria Theodorou or Ann Bergren). Following these debates a contemporary reflection on architecture has saturated with indeed numerous concepts originating in philosophy of deconstruction. -/- Architecture which imitates mute philosophy -/- The series of Jacques Derrida and Peter Eisenman meetings, which took place in the period of 1985-1987, induced many authors to make comments. Some of them (Jeffrey Kipnis, Ann Bergren, Maria Theodorou) developed the subject of chôra which was introduced to the discussion by Derrida. The problem that was about to be solved was the question of tying up the concept of chôra with architecture, including Eisenman’s architecture and the series of meetings within frames of Chora L Works project. Kipnis on this occasion paid attention to chôra and its character of anachronia which infects any being created within chôra. In other words any event has its counterpart (analogon) in another, earlier event. He demonstrated the similarity of structure of many events and statements from the times of Derrida and Eisenman’s meetings to the almost identical behaviour of figures in Plato’s dialogue Timaeus. The loss of beginning present in this phenomenon was appropriate to both features of chôra and the effects of typical analyses of philosophy of deconstruction. Bergren’s analyses focused on accentuating gender of chôra, which, according to this author, had been neglected hitherto in discussions. She collated chôra descriptions with characteristics of women in myths, early Greek epic and philosophy and she arrived at a conclusion that chôra has features of a single woman and a married one at the same time. And yet Theodorou’s studies showed that in the Homeric epics chôra is not treated as an idea but is related with single things and events. The other part of the comments (represented by Andrew Benjamin and K. Michael Hays’ utterances) concerns Eisenman’s attitude to tradition which was treated as a variety of iteration understood philosophically. Benjamin commenced his considerations at the point of closeness between a definition of tradition and a concept of chôra understood as perpetuation (placement). A problematic issue was for him Eisenman’s complex relation to tradition based on its contest and affirmation at the same time. Overcoming the simple subordination to tradition – according to Benjamin – was based on awareness of the role of repetition in culture not known before. Hays made an attempt to explain the pleasure and torment of repetition with the support of Sigmund Freud and Roland Barthes’ concepts. According to Hays repetitions are attempts of a single being to a certain primal state perceived as free of any tension. In a similar way Rosalind Krauss explained a motif of a grate present in Modernistic art and also exceptionally frequent in Eisenman’s work. -/- Annex Architecture is still writing Balzac novels. Peter Eisenman and literature -/- Architecture’s approach to writing, script or literature, present within Peter Eisenman’s work, is an exceptional phenomenon, furthermore a complex one. The article considers four possible relations. The first one relates to Eisenman’s characteristics as a person extremely gifted with the ability to wordplay, which very ‘play’ reveals skills to create architectural images. In the second approach the attention has been paid to Eisenman’s interests – in the first period of his oeuvre – in linguistic works by Noam Chomsky and his transformational-generative grammar. The third kind of relations applied to overcoming the need for autonomy of architecture (and of modernist aesthetics at the same time) and renew interests in questions of meaning in architecture. The fourth sort of relations occurred when Eisenman started to create reflections of historic or literary narrations in architecture – ‘stone stories’ and architectural fictions of their kind. -/- Bernard Tschumi -/- From perversion to deconstruction In Bernard Tschumi’s writings from the 1970s and 1980s we can find a transposition of important threads of post-structuralist ideas deriving from Georges Bataille, Roland Barthes and Jacques Derrida’s works. The analysis of the architect’s writings also shows roots in Phillippe Sollers, Michel Foucault and Denis Hollier’s works. The analysis of borrowed elements from the beginnings of Tschumi’s theoretical activity may be helpful in explaining the contents of his later writings motre inspired by philosophy of deconstruction. The set of his earliest views was inspired by Marxism, Neo Marxism and French Structuralism, mainly by the writings of Henri Levebre and Guy Debord. From the thought of Levebre Tschumi took interest for city as not only a question of urbanistics but also a political issue. From Debord’s concepts he borrowed a conviction about the role of situational violation for changes in the society structure. Some of these beliefs were preserved in his own concepts of architecture as an event. From this period derived also his will to change conservative elements of social structure not by means of political revolution but of theoretical and creative activity. Tschumi acknowledged that the effective way of the proceedings towards achieving his aims would be accepting the role of both a critical intellectualist and architecture expert who would not hide away his left-wing orientation. The speculations defined by the architect as ‘revolting analyses’ were about to characterise contradictions which tear the society apart, penetrate architecture and constitute the basis of culture. Spreading away of the conscience of false assumptions hidden away in various disciplines could have weakened cohesion of a conservative society and influence the will to change among the elites. This way the beginnings of political revolution were rooted in philosophy of architecture. In 1977 Tschumi published his text entitled The Pleasure of Architecture inspired by Roland Barthes’s The Pleasure of the Text, it also included some concepts derived from Georges Bataille and Jacques Derrida. First of all the author used Barthes’s concept which made an assumption that literary activity is pervaded by the spirit of resistance towards social rules, and Tschudi transferred this remark onto architecture. From the ideas of Bataille, acquainted via Holier’s work, he derived his belief that two concepts of space, a conceptual one (defined as Pyramid) and a sensual one (defined as Labirynth), not losing their distinct features, they join in the concept of experienced space which exceeds contradictions. The exceeding itself was defined as the basic rule of architecture and it was referred to situations in which architecture not only negates social needs, but also disavows its own tradition. Crossing the borders applies not only to political issues or permanent rules of the very discipline but also interfering with other fields (especially literature and film). The fact that architecture is associated with organising events turned Tschumi’s attention to questions of violence that result from upsetting architectural order of a given building by its users and the one hand, and on the other from forcing the users to specific acts imposed by this very order. The analysis of the concepts used by Tschumi in his early writings indicates that they are close to definitions that would occur in his reflection in the following years influenced by philosophy of deconstruction. -/- Approaching deconstruction Tschumi in his theories developed in the 1980s presumed that the current social world had undergone a deep process of decay, and the reaction against which ought to be based on ordering-up actions, and also preserving the main outline of disintegration of the whole and its elements in the state of conflict. The statements concerning the nature of the contemporary to Tschumi social relations were applied by him to the world of architecture, this led him to coming up with designing strategies that took into consideration the destabilised character of conditions in which works of architecture were created. New ways of conduct invented by Tschumi drew their inspiration from literature and research on literature, psychoanalysis, structural linguistics, structuralism and post structuralism, and eventually also deconstruction philosophy. The proposed methods were opposed by their author both to functionalism continuity trends and postmodern architecture. Tschumi’s proposals contradicted any forms of conservatism or traditionalism in political sphere as well as in reference to tendencies in architecture. They were not simple contradictions of social or architectural rules, they intrude them from the inside, weaken or escalate the already existing incongruities, they move the boundaries between the areas. Revolutionary illusions about the possibility of radical changes were replaced with strategies which completed, tainted or test former rules in the series of formal games of permutation and combination. Quite different from avant-garde formalism Tschumi’s games were not about maintaining the autonomy of a given area, but on the contrary – polluting it with other areas’ influences. Tschumi enjoyed demonstrating illusions of architecture concerning simple relations between form and function, or between form and meaning. Making use of Freud, Lacan and Foucault’s research he introduced a category of “madness” into architecture allowing an observation that the recognised norms are nothing but merely ones of many possible principles of behaviour, and their recognised status resulted from unjustified hindering innovativeness which is crucial for architecture. To reborn architecture’s capability of changing Tschumi also made use of Barthes’s discoveries concerning rules of narration and works by writers who applied in their writing knowledge on linguistics. Making a work’s author unclear by various mechanical transformations of its elements was however apparent only, and formal rigours imposed on the process of designing liberated possibilities difficult to obtain in more traditional creative action. Another mode of acting introduced by Tschumi was combining his work of elements deriving from outside architecture; joining space records with notation of motion and events accompanying architectural objects among others. These architectural and extra-architectural elements were not unified, on the contrary their heterogenous and conflictual character was stressed. This is how shock, anxiety and instability, typical for live in great metropolises, infiltrated architecture. Taking some ideas of deconstruction philosophy as a pattern Tschumi also took into critical consideration in his essays traditional in architecture oppositions between form and figuration, or theory and practice. By combining various inspirations he eventually worked out an idea of architectural event, which he understood as a series of actions contesting its own field, redefining its sources, principles and elements. An event, understood in this way, was not so much producing works as rather creating conditions of their production and at the same time designing the society different from a hierarchic one. -/- Park of deconstruction Among numerous philosophical strategies of deconstruction most frequently used was questioning the practice of strong opposition of two reasons. In many cases Bernard Tschumi’s writings just consider functioning of the conflict juxtaposition of the ideas of structure and ornament or theory and practice in history of architecture. Violation of traditional relations between terms of this kind, both old and modern, raised Jacques Derrida’s objections, when he was induced for the first time to co-operate with architects’ milieu. During this long lasting thought exchange the philosopher eventually acknowledged Bernard Tschumi’s arguments for reasoning the encroachment of architecture’s fundamental rules. Deconstruction applied in architecture was not a simple transposition or analogy of practices that had been applied by philosophy of deconstruction. We may even say that considering architectural terms became an important formula of deconstruction. Architecture understood in philosophical way became something beyond the practice and theory of its own discipline, a sort of metaphysics of both philosophy and architecture. The deliberate encroachment of simplicity of dividing architecture into theory and practice, for the first time became a clear aim for Tschumi in his drawings and texts entitled The Manhattan Transcripts. The contents of this series of works was a record of characteristic features of this New York district in such a way that not only objects were the subject of the record but also relations between objects, people and events. The record was about to take into consideration a conflict character of elements of this representation and at the same time to avoid applying to them the rule of mimetism. The record became a form of reflection over the very record by an increased control over the ways of representation. Architecture which was considered in the The Manhattan Transcripts was not directed to fulfill the needs of inhabitation or production, it was rather related with hitherto usually marginalised liminal situations: building ostentatiously big monuments, religious cult, war etc. Architecture operating in these relations focused also the attention on the included in it continuous tendency to overpass its own restrictions, the role of violence as its not recognised factor, or the meaning of excess and shock in its operation. Architecture moving from reason towards madness became even more visible in the design of Parisian Parc de la Villette, whose pavilions were defined as folies (in French it means both small park buildings and follies). The park was supposed to be on the one hand a reflection of traditional society disintegration while on the other it questioned basic rules of producing a work of architecture. The traditional rules of designing, based on ordering up, were replaced with the strategies of dysfunction and dissociation. In Tschumi’s opinion methods of this kind may be equivalent of what Derrida named différance. Instead of aiming at mergence, any diversity, plays or variations were strengthen. Tschumi’s texts, in which he explained his attitude, were completed by Derrida’s extent statement entitled Point de folie – Maintenant l’architecture. Derrida’s article is the most significant of all his statements on architecture as a form of thinking and activity. According to the philosopher, architecture should divide space (in French defined as espacement), what enables both thinking and action – it arranges the space of an event. Tschumi’s buildings, defined as folies, in an essential way destabilise any created order, and at the same time they refresh it. Derrida’s statement suggests that architecture may become both metaphor of an order merging a language or a society but also of inner forces which deconstruct and reconstruct it. Therefore architecture is at the same time a construction, a deconstruction and a reconstruction. Parc de la Villette stands out in this system with its attempt to step beyond the scheme of an easy repetition and its heading for chances of achieving more radical otherness. -/- Conclusion Destruction as construction. Paradoxes of deconstruction in architecture -/- Scepticism about persistence and common importance of fundamental values of human culture evinced in philosophers and writers’ works as early as in Greek antiquity, nevertheless it was not expressed so strongly as in the second half of the 20th century. Especially in Heidegger’s work Being and Time (although originated in 1927, still influential in all later philosophy) the following states were characterised: the state of losing the ground (Abgrund), of being out of sight (Unheimlichkeit) and of being out of dwelling (Un-zuhause-sein) – as the basis of self-confidence of conscious being there (Dasein). The entire criticism of philosophy of home and dwelling draws the inspiration from this early writing of the German philosopher, it combines crisis of basic terms of metaphysics with social conditions which are dictated by living in large metropolis. The crisis of both metaphysical foundation and home appears to be similar to the situation of weakening the relations between a man and his dwelling in extensively expanding cities. Whereas philosophy, as well as many disciplines of social sciences, have diagnosed for a long time the destabilisation of fundamental ideas of Western culture and crucial changes in the ways of dwelling, architecture itself occurred to be “the last fortress of metaphysics” (J. Derrida). Among contemporary architects, Peter Eisenman and Bernard Tschumi were the ones who engaged most decidedly in the issues of critical analysis of architecture foundation and its social role. Both the architects noticed new formulas of contemporary social and individual existence, tremendously different from the entire history, and at the same time they affirmed lack of adequacy of architecture concepts to new situations. Both Eisenman and Tschumi used to describe the existing architecture as a tool for consolidation of highly integrated and hierarchised societies, and also as a discipline extremely uncoincidental with the current character of social life based on ideas of freedom and diversity. The means to transform architecture and make a factor of further social changes out of it, was a concept that accentuated revealing the inner contradictions of this discipline, and considering them in designing strategies. Eisenman’s activity, in regard of what has just been noticed, was focused on questioning the basic rules of traditionally comprehended architecture, especially the rule of purpose. The American architect noticed that the concept of architecture as fulfilment the need of location, hides away the fact that the location has to be constantly reconsidered, and hence it is overtaken by change (dislocation). Therefore new concept of architecture propounded architectural activity to translocate the concept of location – more than before – but also to change its status perpetually. Such comprehended architecture should claim, as its main purpose, the constant revision of this purpose and create itself anew permanently. Even Eisenman’s earliest designs of houses nos. I-IV broke with such values as the sense of safety, closeness and familiarity, and just on the contrary they accentuated senses of strangeness, homelessness and loss of confidence. The contradictions within architecture noticed by Tschumi referred to combination of intellectual and sensual values in architecture, when their non-appropriation was defeated by an additional condition, namely the way of experience based on pleasure of excess, marked by insanity. The features of folly were especially visible in his designs of gardens, where the order of planning was mixed with sensual experience introduced by particular elements (both the ones created by nature, and the buildings defined as folies). Parc de la Villette designed by the French architect in Paris put in question not only the common understanding of purpose in architecture but also the ideas of order and integrity, as its plan was based on the combination of independent layers with records of grids of points, various lines and planes. The architecture that collides inadequate elements with each other was supposed to be a kind of an event with no beginning and no end. The architecture treated as an event became a form of a space weakened articulation that maintains its diversity and lack of accordance of the elements building it up. The analyses of Eisenman and Tschumi’s theoretical writings indicate how much the aims of architecture have actually changed; instead of supporting social persistence, the architecture is rather intensifying contradictions, and instead of providing people with the sense of safety, it sublimes danger. From simple acts of defamiliarisation, increasing the distance to itself and enhancing the role of theory, through discomfort, anxiety, not feeling someone at home, weirdness, excess, shock and violence, architecture reached the edge of stability and uncertainty, only to make an attempt at penetrating what is impossible and unutterable, and recording what cannot become the subject of any records. -/- . (shrink)

FISIOLOGIA DA REPRODUÇÃO BOVINA -/- 3 – GESTAÇÃO -/- -/- INTRODUÇÃO -/- -/- O estabelecimento da gestação é o objetivo fundamental dos programas reprodutivos. Após a fertilização, o zigoto se divide e dá origem a embriões de duas, quatro, oito, dezesseis células, e no sétimo dia o embrião tem mais de 80 células. Entre os dias 16 e 18 do ciclo estral, o embrião se alonga e atinge 15 cm de comprimento. O estabelecimento da gestação depende da supressão da secreção (...) de PGF2α pelo embrião, que é realizada por meio da secreção de interferon-τ. Em vacas leiteiras, uma alta proporção de embriões morre antes do reconhecimento materno da gravidez. -/- Para evitar perdas embrionárias, é importante conhecer a fisiologia da gestação. Este capítulo descreve os principais processos fisiológicos que levam ao estabelecimento e manutenção da gestação e ao manejo da vaca prenhe. -/- -/- 3.1 Transporte de gametas -/- -/- Os gametas, óvulo e esperma, são definidos como células germinativas maduras que possuem um número haploide (n = 23) de cromossomos que, quando unidos, dão origem a um novo indivíduo geneticamente diferente de ambos os pais. -/- -/- 3.1.1 Transporte dos espermatozoides -/- -/- Os espermatozoides obtidos diretamente do testículo são funcionalmente imaturos, incapazes de fertilizar o óvulo. Durante sua permanência no epidídimo, os espermatozoides sofrem alterações na morfologia, mobilidade e metabolismo, o que lhes dá a capacidade de fertilização. No entanto, eles terão que passar algum tempo no trato genital feminino para que adquiram o estado ideal para fertilizar; processo conhecido como capacitação. -/- Durante a monta natural, a ejaculação ocorre na vagina e são depositados cerca de 5 x 109 de espermatozoides (volume ejaculado de três a cinco ml e concentração espermática de 1 x 109 a 1,2 x 109 por ml) suspensos no plasma seminal, este é basicamente constituído pelas secreções das vesículas seminais e da próstata. Após a ejaculação, o transporte dos espermatozoides é favorecido pelas contrações uterinas e vaginais que ocorrem durante e após a relação sexual. Nos primeiros minutos após a cópula, os espermatozoides já podem ser encontrados no oviduto, o que se deve às contrações do trato genital. Durante o transporte dos espermatozoides, a mobilidade individual é importante, já que apenas os espermatozoides com essa capacidade chegam ao local da fertilização. -/- O primeiro local para o estabelecimento de uma população de espermatozoides é a cérvix do útero, principalmente nas criptas, onde permanecem protegidos da fagocitose. É importante observar que apenas os espermatozoides móveis permanecem nas criptas; aqueles que estão mortos ou sem movimento são eliminados pelos fagócitos ou pelo movimento do muco cervical em direção a vagina. Embora uma população temporária de espermatozoides seja estabelecida no colo do útero, o reservatório funcional de espermatozoides está localizado na região distal do istmo. -/- As características do muco cervical são importantes para o transporte dos espermatozoides; assim, durante o estro e a ovulação, o muco fica mais aquoso, o que favorece a migração dos espermatozoides, enquanto na fase lútea o muco torna-se mais viscoso, dificultando sua movimentação. -/- Já no útero, o transporte de espermatozoides depende principalmente das contrações uterinas. Aqui, os espermatozoides ficam suspensos nas secreções uterinas, cuja função é promover sua viabilidade e transporte. As secreções uterinas contêm fagócitos que removem os espermatozoides mortos e imóveis, embora os espermatozoides normais também sejam removidos por esse meio. Algumas substâncias, como prostaglandinas e ocitocina, promovem o transporte. -/- O oviduto desempenha um papel muito importante no transporte e maturação dos gametas, bem como na fertilização e desenvolvimento embrionário inicial. As características das secreções do oviduto variam de acordo com a região do oviduto e o estágio do ciclo estral. Uma vez que os espermatozoides atingem o oviduto, eles são distribuídos em dois lugares. Alguns espermatozoides são imediatamente transportados para a região da ampola; esses são os primeiros que encontram o ovócito, mas sua capacidade de fertilização é limitada. O outro local de distribuição é a região caudal do istmo; aqui eles permanecem até que a ovulação seja iminente. Para que a fertilização ocorra, é necessário que o espermatozoide se estabeleça neste local por um período de seis a oito horas, antes da ovulação. Uma a duas horas, antes da ovulação, um movimento ativo do espermatozoide é observado em direção à região da ampola. -/- No oviduto, o transporte de espermatozoides depende de seu movimento, do fluido ovidutal e das contrações musculares. É comum que alguns espermatozoides continuem seu movimento e saiam pela fímbria. A viabilidade do espermatozoide de uma ejaculação varia de 24 a 48 horas. -/- -/- 3.1.2 Transporte do ovócito -/- -/- A ovulação é o processo pelo qual o ovócito é liberado. Este evento é desencadeado pela secreção de LH conhecida como pico de LH ovulatório ou pré-ovulatório. -/- Devido ao efeito de LH o cúmulos descola-se da parede folicular e começa a observar-se um adelgaçamento em uma pequena área da parede folicular, causada pela isquemia e pela ação de enzimas proteolíticas. Mais tarde, nesta área, uma pequena vesícula protuberante (estigma) se forma e eventualmente se quebra. Depois que o estigma é quebrado, o cúmulos que contém o ovócito junto com as células da granulosa. O ovócito é capturado pela fimbria; processo apoiado por movimentos dos cílios da mucosa e por contrações das pregas desta estrutura. Assim que o oócito é capturado, ele é transportado para a ampola. -/- 3.8 Manejo da vaca seca -/- -/- Em programas de manejo anteriores, a vaca seca recebia comida de pior qualidade e permanecia no esquecimento até o parto ocorrer. No entanto, os resultados dos estudos mostram que o período de seca é decisivo para que a vaca atinja um nível ótimo de produção e tenha um bom desempenho reprodutivo pós-parto. Por outro lado, o manejo correto no período seco reduz a incidência de doenças metabólicas no puerpério. O objetivo do período de seca é oferecer um descanso à vaca antes do parto, durante o qual o tecido mamário se regenera, o feto atinge seu crescimento máximo e a vaca atinge uma condição corporal adequada para enfrentar uma nova lactação. A duração recomendada do período de seca é de seis a oito semanas (60 dias). A involução do tecido da glândula mamária leva de duas a três semanas e um período semelhante é necessário para reiniciar a síntese do leite antes do parto. Assim, um período de seca de 60 dias é suficiente; entretanto, a duração desse período é questionada e tempos mais curtos foram propostos. Provavelmente, nos próximos anos, mais informações estarão disponíveis para apoiar a redução do período de seca. -/- Em termos de produção, o objetivo do manejo durante o período de seca é levar a vaca ao pico de lactação cinco a seis semanas após o parto, com produção máxima de leite. Estima-se que para cada kg de leite que aumenta no pico da lactação, ocorre um aumento de 120 kg ao longo da lactação. Para atingir este objetivo é necessário que a vaca tenha um consumo adequado de matéria seca após o parto; porém, três semanas antes do parto, a vaca reduz seu consumo em até 30%, para o qual é necessário estabelecer um manejo eficaz para promover um alto consumo de matéria seca durante a parte final do período de seca e durante as três primeiras semanas pós-parto (período de transição: três semanas antes e três após o parto). -/- A falta de capacidade de consumir as necessidades de matéria seca após o parto obriga a vaca a mobilizar suas reservas de gordura. Praticamente todas as vacas após o parto mobilizam suas reservas de gordura e perdem a condição corporal. A mobilização da gordura corporal causa degeneração gordurosa do fígado e é responsável por distúrbios metabólicos e retardo da atividade ovariana pós-parto. O grau de degeneração da gordura está relacionado à magnitude da mobilização da gordura corporal, que é diretamente dependente da capacidade de consumir matéria seca. Dessa forma, vacas com alto consumo de matéria seca no pós-parto, mobilizam menos gordura e, portanto, o dano ao fígado é menor. -/- O período de secagem é dividido em duas partes, a primeira compreende desde a secagem até duas semanas antes do parto; a segunda parte inclui as últimas duas semanas de gestação e é conhecida como período de desafio. -/- O período de desafio é decisivo para o desempenho produtivo e reprodutivo. Durante este período, uma dieta semelhante em ingredientes e forma deve ser oferecida à dieta que farão após o parto. Para facilitar esse manejo, as vacas deste grupo devem ser separadas do restante das vacas secas. -/- No período de seca, atenção especial deve ser dada para que as vacas não alcancem escores de condição corporal de quatro ou mais, uma vez que o excesso de gordura causa problemas metabólicos durante o puerpério, que afetam negativamente o comprometimento uterino e início da atividade ovariana pós-parto (figura 8). -/- -/- -/- Figura 8: Estágios fisiológicos e reprodutivos da vaca leiteira. Período de espera voluntário (PVE). -/- -/- 3.9 O período de transição -/- -/- O período de transição na vaca leiteira é três semanas antes e três após o parto (também conhecido como periparto). Nos últimos anos, esse tema tem merecido muitas pesquisas, pois o que for bem ou mal feito durante ele terá impacto na eficiência reprodutiva e na produção de leite. Durante o período de transição, a glândula mamária se prepara para a lactogênese, o feto cresce exponencialmente, a resposta imune é suprimida e o consumo de matéria seca diminui; além disso, o rúmen deve se adaptar à dieta recebida pelas vacas in natura (primeiras três semanas pós-parto), dieta caracterizada por alto teor de energia na forma de grãos. -/- Muitos distúrbios que se manifestam nas duas primeiras semanas pós-parto (hipocalcemia clínica e subclínica, cetose, retenção placentária, prolapso uterino, metrite, mastite, deslocamento do abomaso etc.), como os que se apresentam posteriormente (laminite, cistos ovarianos , endometrite e anestro) têm sua origem nos erros cometidos durante o período de transição. Em grande parte, os problemas estão relacionados à diminuição do consumo de matéria seca durante o período de transição; assim, o consumo diminui cerca de 30% durante as últimas três semanas de gestação, mas a maior parte da redução ocorre cinco a sete dias antes do parto. O manejo correto do período de transição tem como objetivo manter a normocalcemia, fortalecer o sistema imunológico, adaptar o rúmen a uma dieta rica em energia e aumentar a ingestão de matéria seca. Algumas recomendações gerais de manejo durante o período de transição são: separar as novilhas das vacas, ter comedouro suficiente para todos os animais, ter as mesmas características dos comedouros de vacas frescas e a dieta deve estar disponível 24 horas por dia (figuras 9 e 10). -/- -/- -/- Figura 10: O desempenho produtivo e reprodutivo das vacas depende em grande parte da condição corporal no momento do parto. Nesta fotografia são mostradas vacas recém-paridas, com uma condição corporal ideal (3,5). -/- Figura 9: Vacas no curral do desafio. Recomenda-se separar as novilhas das vacas, ter espaço suficiente com comedouro e a dieta deve estar disponível 24 horas por dia. -/- -/- RESUMO -/- -/- Cerca de 5 bilhões de espermatozoides são depositados em a genitália da vaca durante a cópula. Os espermatozoides devem permanecer no istmo e na região da junção útero-tubária por seis a oito horas antes da ovulação para obter uma alta taxa de fertilização. A viabilidade dos espermatozoides no útero é de 24 a 48 horas. A polispermia é efetivamente bloqueada nas primeiras 10 horas após a ovulação. Os blastômeros de embriões de duas, quatro e oito células são pluripotentes. A eclosão do embrião ocorre no oitavo dia. O tempo que o embrião leva para chegar ao útero é de três a quatro dias. Entre os dias 16 e 18 do ciclo, o embrião produz interferon-t, para bloquear a secreção de PGF2α. Entre os dias 17 e 18, o embrião se fixa ao endométrio. A medição da progesterona entre os dias 20-24 pós-infecção é 100% precisa na identificação de vacas não gestantes. A vaca deve atingir seu pico de lactação entre cinco e seis semanas após o parto. Para cada kg de leite que é aumentado no pico da lactação, um aumento de 120 kg é alcançado na lactação de 305 dias. Três semanas antes do parto, a vaca reduz seu consumo em até 30%. O período de transição inclui três semanas antes e três após o parto. As vacas ao parto não devem ter mais do que quatro pontos de condição corporal. A proporção de vacas secas deve ser de 15% (12,5% de vacas secas e 2,5% de novilhas). -/- -/- REFERÊNCIAS BIBLIOGRÁFICAS -/- -/- BEARDEN, Henry Joe et al. Applied animal reproduction. Reston Publishing Company, Inc., 1984. -/- Endocrinologia da Reprodução Animal. Recife, UFRPE, 2020. -/- Fisiologia da Reprodução Animal: Fecundação e Gestação. Recife: UFRPE, 2020. -/- HAFEZ, Elsayed Saad Eldin; HAFEZ, Bahaa. Reprodução animal. São Paulo: Manole, 2004. -/- HIDALGO, Galina et al. Reproducción de animales domésticos. México: Limusa, 2008. -/- HOLY, Lubos; MARTÍNEZ JÚSTIZ, G. Colab. Biología de la reproducción bovina. Havana: Revolucionária, 1975. -/- HOPPER, Richard M. (Ed.). Bovine reproduction. John Wiley & Sons, 2014. -/- LEBLANC, Stephen. Monitoring metabolic health of dairy cattle in the transition period. Journal of reproduction and Development, v. 56, n. S, p. S29-S35, 2010. -/- SARTORI, Roberto; BASTOS, Michele R.; WILTBANK, Milo C. Factors affecting fertilisation and early embryo quality in single-and superovulated dairy cattle. Reproduction, Fertility and Development, v. 22, n. 1, p. 151-158, 2009. -/- SENGER, Phillip L. et al. Pathways to pregnancy and parturition. Current Conceptions, Inc., 1615 NE Eastgate Blvd., 1997. -/- VIVEIROS, Ana Tereza de Mendonça. Fisiologia da reprodução de bovinos. Lavras: UFLA, p. 62, 1997. (shrink)

RENÉ DESCARTES: UMA BIOGRAFIA -/- RENÉ DESCARTES: A BIOGRAPHY -/- Emanuel Isaque Cordeiro da Silva - CAP-UFPE, IFPE-BJ e UFRPE. E-mails: [email protected] e [email protected]. WhatsApp: (82)98143-8399. -/- -/- Nascido em 1596 em Haia, nas fronteiras de Touraine e Poitou, em uma família nobre, René Descartes vem ao mundo ao mesmo ano em que Johannes Kepler (1671-1630), em seu primeiro trabalho publicado (Mysterium cosmographicum), prova a superioridade da astronomia moderna (a de Nicolau Copérnico (1473-1543)) da astronomia antiga (a de Ptolomeu (90-168 (...) d.C.)). Ao mesmo tempo, Galileu Galilei (1564-1642), que detém a cadeira de matemática da Universidade de Pádua, funda o método experimental. As descobertas de Galileu tiveram forte impacto sobre o Colégio Real de La Fleche, realizado pelos jesuítas e onde Descartes recebeu, a partir de 1606, uma forte educação. Ele menciona, no Discurso do Método, seu “desejo extremo” em aprender, seguido, no final de seus estudos, de uma grande decepção: decepção com a filosofia ensinada, cujas controvérsias perpétuas revelam um caráter questionável, e que não pode fornecer um alicerce, em seu estado atual, para outras ciências. Também é proferido um desapontamento, mas esse desapontamento é inverso e diz respeito às matemática, capaz de fornecer esse fundamento que a filosofia não confere, mediante sua certeza e evidências, mas sobre o qual ainda não construímos nada. -/- -/- Numa Europa marcada pelo choque do tradicionalismo católico e do mercantilismo protestante, o lento declínio do poder espanhol e a luta dos Países Baixos pela sua independência, Descartes escolheu, primeiramente, após a graduação, a carreira militar. Engajado no exército do Príncipe Maurício de Nassau, ele é retirado da ociosidade da vida da guarnição pelo encontro, em 1618, de um jovem cientista holandês, Isaac Beeckman (1588-1637), que se tornou seu amigo íntimo por algum tempo. Conhecedor de todas as pesquisas científicas do momento e partidário da nova concepção “mecanicista” da natureza, Beeckman compartilhou com Descartes um entusiasmo que foi acompanhado, segundamente, da ambição de realizar a ciência universal por si mesma, mediante um método único: na noite de 10 de novembro de 1619, ele concebe em três “sonhos”, “os alicerces de uma ciência admirável”. -/- Nos anos seguintes a essa iluminação decisiva, Descartes viajou por toda a Europa, estimando, como Michel de Montaigne (1533-1592), que a demonstração de boas maneiras e costumes diferentes podem gerar muitos preconceitos. Toda sua vida, além disso, esteve vagando, isto é, foi marcada por múltiplas mudanças de residências, e a recusa de estabelecer um vínculo muito de perto com alguém. Foi na Holanda que ele, finalmente, buscará a tranquilidade que não encontrara na França ainda abalada pelas guerras religiosas, antes de ser assim pelas convulsões da Fronda. Todavia, mesmo na Holanda, ele não pôde evitar os ataques de calvinistas e polemicas teológicas que o repugnaram, como evidenciado em suas discussões com a Universidade de Utrecht entre 1643 à 1645 e a Universidade de Leiden em 1647. -/- -/- Além de sua amizade com Beeckman, outro encontro teve uma influência indubitavelmente decisiva sobre o destino de Descartes: o encontro com o cardeal de Bérulle. Fundador da congregação do Oratório (ao qual pertencem Nicolas Malebranche (1638-1715) e Jean-Baptiste Massillon (1663-1742)), o cardeal de Bérulle enxerga na nova física mecanicista, um meio de lutar contra o naturalismo resultante do Renascimento e seu paganismo latente: em uma longa entrevista com Descartes, no outono de 1647, ele fez dessa última uma obrigação de consciência para se dedicar, nesse sentido, à filosofia. -/- Em 1628, Descartes começa a escrever as Regras para a direção do espírito, um tratado inacabado e que não foi publicado durante a vida do autor. Em 1631, desenvolvera a geometria analítica que combina curvas geométricas com equações algébricas. Em 1633 escreveu O Tratado do Homem e preparava-se para publicar O Tratado do Mundo quando a notícia da condenação de Galileu Galilei pelo Santo Ofício (a Inquisição) o deixou receoso e decide, por prudência, não publicar o seu Tratado no qual a tese do movimento da Terra ao redor do Sol é apoiada. Alguns anos depois, foi divulgado em público cultivada de algumas de suas descobertas científicas: além da geometria, a dioptria (a teoria da refração da luz) e meteoros (teoria dos fenômenos atmosféricos luminosos). Esses três tratados aparecem no apêndice do Discurso do Método, e como “ensaios” desse método, em 1637. No século XIX, Victor Cousin (1792-1867) publicou pela primeira vez o Discurso sozinho, sem os ensaios. -/- Então vem a principal obra de Descartes no ramo da metafísica: as seis Meditações, aumentadas pelas objeções dos mais famosos filósofos da época (incluindo Thomas Hobbes (1588-1679), Antoine Arnauld (1612-1694) e Pierre Gassendi (1592-1655)), e as respostas a essas objeções, apareceram em 1641. Ansioso para expor sua filosofia para que pudesse ser ensinada, ele também a caracteriza em forma de manual com os Princípios da Filosofia de 1644. -/- Além dos trabalhos publicados, foi por meio das cartas trocadas com personalidades do mundo erudito que Descartes encontrou a oportunidade de esclarecer vários pontos de sua filosofia. Seus principais correspondentes foram o Prade Marin Mersenne (1588-1648), o Padre Denis Mesland (1615-1672), Pierre Chanut (1601-1662), Claude Clerselier (1614-1684), Christiaan Huygens (1629-1695) e Henry More (1614-1687). A partir de 1643, Descartes sustentou, com a Princesa Isabel da Boêmia (1596-1662), uma correspondência dedicada essencialmente a questões morais, que lhe permitiu a formulação de suas ideias nesse campo: esse esforço conduziu, em 1649, ao tratado das Paixões da alma. -/- Nesse mesmo ano, 1649, a Rainha Cristina da Suécia (1626-1689) o convida para ir a Estocolmo, que ele aceitou após muita hesitação. Recebido com todas as honras, mas forçado a um modo de vida bastantemente distinto daquele que era acostumado, e submetido a um clima do qual não se adequou, ele sucumbiu a pneumonia em fevereiro de 1650. -/- Descartes deixou-nos uma espécie de autobiografia intelectual na primeira parte do Discurso do Método: em seus anos de treinamento, seus entusiasmos e suas decepções. O discurso é, também, o primeiro livro para quem busca compreender o projeto filosófico cartesiano desde sua gênese até sua realização. Existem expostos, o método claro (na segunda parte), mas também a moral (terceira parte), a metafísica (quarta parte) e finalmente a física (quinta e sexta partes). (shrink)

During the Middle Ages, physicians, philosophers, and theologians developed a complex and rich discourse on the concept of sickness. Illness (infirmitas) was perceived as the natural state of existential imperfection for homo viator, fallen due to sin and impaired in his bodily integrity. Leprosy, smallpox, plague and the other collective diseases that constantly plagued medieval societies prompted reflections on etiology and modes of transmission of epidemics. Building on Galenic teachings, medieval medicine – both Arabic and Latin – delved into the (...) study of fevers. Key concepts in medical pathology, such as the humors, humidum radicale, and spiritus, were assimilated and reinterpreted within philosophical and theological frameworks. The ten contribution collected in this volume explore this rich array of concepts and themes by closely examining the theories and works of prominent and lesser-known figures in medicine, theology, and philosophy active across Latin Christendom, the Islamic context, and the Jewish world: from Augustine to ʿAlī ibn al-ʿAbbas al-Maǧūsī, from Avicenna to Constantine the African, from Maimonides to Albert the Great, from Arnau de Vilanova to Gentile da Foligno, from Henry of Herford to Michele Savonarola. (shrink)

Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space and real space. In the course of his exploration, (...) Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures. (shrink)

This is a short piece on literary literacy, in the form of a choose-your-own-adventure story. -/- The entire piece is spread across all three volumes: Volume 1 Chapter 12, Volume 2 Chapter 5, and Volume 3 Chapter 22.

We start with an observation about implicit quantifier domain restriction: certain implicit restrictions (e.g., restricting objects by location and time) appear to be more natural and widely available than others (e.g., restricting objects by color, aesthetic, or historical properties). Our aim is to explain why this is. That is, we aim to explain why some implicit domain restriction possibilities are available by default. We argue that, regardless of their other explanatory virtues, extant pragmatic and metasemantic frameworks leave this question unanswered. (...) We then motivate a partially nativist account of domain restriction that involves a minimal view of joint planning around broad shared goals about navigating and influencing our environments augmented with cognitive heuristics that facilitate these. Finally, we sketch how the view can be extended to account for the ways non-default restriction possibilities become available when conversationalists have shared idiosyncratic goals. (shrink)

This paper tackles the problem of defining what a cognitive expert is. Starting from a shared intuition that the definition of an expert depends upon the conceptual function of expertise, I shed light on two main approaches to the notion of an expert: according to novice-oriented accounts of expertise, experts need to provide laypeople with information they lack in some domain; whereas, according to research-oriented accounts, experts need to contribute to the epistemic progress of their discipline. In this paper, I (...) defend the thesis that cognitive experts should be identified by their ability to perform the latter function rather than the former, as novice-oriented accounts, unlike research-oriented ones, fail to comply with the rules of a functionalist approach to expertise. (shrink)

In 1924, the Munich-school phenomenologist Moritz Geiger argued that there are dynamic essences. His two examples are the tragic, and being human, his main ideas are that what it takes to be tragic varies over time historically and that what makes an organism human varies across different stages of its ontogenetic development. He hence points to two ways in which essences may be dynamic, that is, subject to change. The current paper takes Geiger’s view seriously and assumes that it poses (...) an explanatory challenge for the, then and now, standard view that essences are ‘Platonic’, i.e. cannot be subject to change. In the first part of the paper, I introduce Geiger’s view and a bit of its historical context. In the second, I first formulate the challenge it poses to the standard ‘platonic’ view of essence, then discuss how this challenge can be met by a contemporary view of essence discussing three potential responses. The first relies on a notion of relativized essence, the second on the distinction between determinables and determinates, the third and last one on multidimensional properties. Finally, I argue that the last of these three proposals may be preferable to the other two. (shrink)

It is often claimed that democratic voters have epistemic responsibilities. However, it is not often specified why voters have such epistemic responsibilities. In this paper, I contend that voters have epistemic responsibilities because voting is best understood as an act that bears assertoric force. More precisely, voters perform what I call an act of political advocacy whereby, like an asserter who states or affirms that something is the case, they state or affirm that a certain course of political action is (...) the one that should be followed or enacted. Consequently, the performance of acts of political advocacy such as voting should be understood as bounded by epistemic norms mirroring those binding the act of assertion and yield epistemic responsibilities mirroring the ones required to satisfy these norms. (shrink)

ABSTRACT Our ascriptions of content to past utterances assign to them a level of conceptual continuity and determinacy that extends beyond what could be grounded in the usage up to their time of utterance. If one accepts such ascriptions, one can argue either that future use must be added to the grounding base, or that such cases show that meaning is not, ultimately, grounded in use. The following will defend the first option as the more promising of the two, though (...) this ultimately requires understanding the relation between use and meaning as ‘normative’ in two important ways. The first way is that the function from use to meaning must be of a sort that allows us to maintain a robust distinction between actual and correct use. The second sort of normativity is unique to theories that extend the grounding base into the future. In particular, if meaning is partially a function of future use, we can see our commitment to the ‘determinacy’ of meaning as a practical commitment that structures our linguistic practices rather than a theoretical commitment that merely describes them. (shrink)

This article presents a fairness principle for evaluating decision-making based on predictions: a decision rule is unfair when the individuals directly impacted by the decisions who are equal with respect to the features that justify inequalities in outcomes do not have the same statistical prospects of being benefited or harmed by them, irrespective of their socially salient morally arbitrary traits. The principle can be used to evaluate prediction-based decision-making from the point of view of a wide range of antecedently specified (...) substantive views about justice in outcome distributions. (shrink)

When performing a skilled action—whether something impressive like a double somersault or something mundane like reaching for a glass of water—you exercise control over your bodily movements. Specifically, you guide their course. In what does that control consist? In this dissertation, I argue that it consists in attending to what you are doing. More specifically, in attending, agents harness their perceptual and perceptuomotor states directly and practically in service of their goals and, in doing so, settle the fine-grained manner in (...) which their bodies will move—details an intention alone leaves unsettled. This requires, among other things, that we reject views on which agents’ control is identical with their practical rationality. When all goes well, agents attentionally prioritize what is motivationally relevant to them to the exclusion of what would otherwise distract them from achieving their goals. However, sometimes agents attend distractedly—i.e., without prioritizing. As the aim of attention is to avoid distraction, this entails the possibility of defective attention. Defective attention, in turn, casts light on scenarios in which agents lose control over what they are doing, as when a skilled practitioner ‘chokes under pressure’. A complaint sometimes levelled against accounts, like mine, that claim to reduce agents’ control of their behaviour to that of causally efficacious mental states or events is that these accounts invariably deprive agents themselves of their rightful role in the generation of behaviour. This is the “Disappearing Agent Problem” for “reductive” or “event-causal” theories of action. I argue that, correctly understood, extant reductive theories do face a genuine Disappearing Agent Problem. However, it is a problem we solve by recognizing the role that conscious attention plays in making an action the agent’s own. Accordingly, I develop and defend an attentional account of action ownership. On this view, allocating conscious attention in service of your goals is sufficient for a kind of conscious perspective (“motivational perspective”), which, when active in controlling your behaviour, constitutes the behaviour as your own doing. As I explain, such perspective also contributes to explaining the subjective structure of your perceptual awareness of the world around you. (shrink)

In light of recent breakneck pace in machine learning, questions about whether near-future artificial systems might be conscious and possess moral status are increasingly pressing. This paper argues that as matters stand these debates lack any clear criteria for resolution via the science of consciousness. Instead, insofar as they are settled at all, it is likely to be via shifts in public attitudes brought about by the increasingly close relationships between humans and AI users. Section 1 of the paper I (...) briefly lays out the current state of the science of consciousness and its limitations insofar as these pertain to machine consciousness, and claims that there are no obvious consensus frameworks to inform public opinion on AI consciousness. Section 2 examines the rise of conversational chatbots or Social AI, and argues that in many cases, these elicit strong and sincere attributions of consciousness, mentality, and moral status from users, a trend likely to become more widespread. Section 3 presents an inconsistent triad for theories that attempt to link consciousness, behaviour, and moral status, noting that the trends in Social AI systems will likely make the inconsistency of these three premises more pressing. Finally, Section 4 presents some limited suggestions for how consciousness and AI research communities should respond to the gap between expert opinion and folk judgment. (shrink)

A picture of the world as chiefly one of discrete objects, distributed in space and time, has sometimes seemed compelling. It is however one of the main targets of Henry Laycock's book; for it is seriously incomplete. The picture, he argues, leaves no space for "stuff" like air and water. With discrete objects, we may always ask "how many?," but with stuff the question has to be "how much?" Laycock's fascinating exploration also addresses key logical and linguistic questions about (...) the way we categorize the many and the much. (shrink)

There is growing concern that decision-making informed by machine learning (ML) algorithms may unfairly discriminate based on personal demographic attributes, such as race and gender. Scholars have responded by introducing numerous mathematical definitions of fairness to test the algorithm, many of which are in conflict with one another. However, these reductionist representations of fairness often bear little resemblance to real-life fairness considerations, which in practice are highly contextual. Moreover, fairness metrics tend to be implemented in narrow and targeted toolkits that (...) are difficult to integrate into an algorithm’s broader ethical assessment. In this paper, we derive lessons from ethical philosophy and welfare economics as they relate to the contextual factors relevant for fairness. In particular we highlight the debate around acceptability of particular inequalities and the inextricable links between fairness, welfare and autonomy. We propose Key Ethics Indicators (KEIs) as a way towards providing a more holistic understanding of whether or not an algorithm is aligned to the decision-maker’s ethical values. (shrink)

Zeugmatic oddness is a linguistic intuition of oddness with respect to an instance of zeugma, i.e. a sentence containing an instance of a homonymous or polysemous word being used in different meanings or senses simultaneously. Zeugmatic oddness is important for philosophical debates as philosophers often use it to argue that a particular philosophically interesting expression is ambiguous and that the phenomenon referred to by the expression is disunified. This paper takes a closer look at zeugmatic oddness. Focusing on relevant psycholinguistic (...) literature on homonymy and polysemy processing and representation, I argue that there are two different ways in which zeugmatic oddness can arise. Philosophical upshots concerning zeugmatic oddness are then drawn. (shrink)

Emotion terms such as “sad”, “happy” and “joyful” apply to a wide range of entities. We use them to refer to mental states of sentient beings, and also to describe features of non-mental things such as comportment, nature, events, artworks and so on. Drawing on the literature on polysemy, this paper provides an in-depth analysis of emotion descriptions. It argues that emotion terms are polysemous and distinguishes seven related senses. In addition, the paper applies the analysis to shed light on (...) a long-standing debate in philosophy of music concerning emotion descriptions of music. (shrink)

Empirical evidence suggests that perceptual‐motor simulations are often constitutively involved in language comprehension. Call this “the simulation view of language comprehension”. This article applies the simulation view to illuminate the much‐discussed phenomenon of copredication, where a noun permits multiple predications which seem to select different senses of the noun simultaneously. On the proposed account, the (in)felicitousness of a copredicational sentence is closely associated with the perceptual simulations that the language user deploys in comprehending the sentence.

In his Wittgenstein on Rules and Private Language, Saul Kripke famously raised two sorts of problems for responses to the meaning skeptic that appealed to how we were disposed to use our words in the past. The first related to the fact that our “dispositions extend to only finitely many cases” while the second related to the fact that most of us have “dispositions to make mistakes.” The second of these problems has produced an enormous, and still growing, literature on (...) the purported ‘normativity’ of meaning, but the first has received (at least comparatively) little attention. It will be argued here, however, that (1) the fact that we can be disposed to make mistakes doesn’t present a serious problem for many disposition-based responses to the skeptic, and (2) considerations of the ‘finiteness’ of our dispositions point, on their own, to an important way that the relation between meaning and use must be understood as ‘normative’. In particular, the assumption that words have determinate meanings, more so than the assumption that they have ‘correctness’ conditions, rules out the possibility of understanding the relation between meaning and use in the more descriptive fashion commonly associated with dispositionalism. Nevertheless, if the relation of meaning and use is understood in a more normative key, responding to the meaning-skeptic with facts about one’s dispositions will turn out to be perfectly legitimate, though it will prevent one from being the sort of ‘dispositionalist’ that Kripke gives, without any real argument, a monopoly on disposition-based responses. (shrink)

This paper presents an overview of the risks and benefits of Social AI, understood as conversational AI systems that cater to human social needs like romance, companionship, or entertainment. Section 1 of the paper provides a brief history of conversational AI systems and introduces conceptual distinctions to help distinguish varieties of Social AI and pathways to their deployment. Section 2 of the paper adds further context via a brief discussion of anthropomorphism and its relevance to assessment of human-chatbot relationships. Section (...) 3 of the paper provides a survey of potential and in some cases demonstrated harms associated with user interactions with Social AI systems. Finally, Section 4 discusses how the benefits and harms of Social AI can best be addressed, with a primary focus on how frameworks from AI ethics can inform their development. (shrink)

The paradox of pain refers to the idea that the folk concept of pain is paradoxical, treating pains as simultaneously mental states and bodily states. By taking a close look at our pain terms, this paper argues that there is no paradox of pain. The air of paradox dissolves once we recognize that pain terms are polysemous and that there are two separate but related concepts of pain rather than one.