The concept of philosophy as a philosophical problem.--Critical idealism as a philosophy of culture.--Descartes, Leibniz, and Vico.--Hegel's theory of the State.--The philosophy of history.--Language and art I.--Language and art II.--The educational value of art.--Philosophy and politics.--Judaism and the modern political myths.--The technique of our modern political myths.--Reflections on the concept of group and the theory of perception.

(2005). Hermann Cohen and the Renewal of Kantian philosophy2. Angelaki: Vol. 10, continental philosophy and the sciences the german traditionissue editor: damian veal, pp. 95-108.

In this essay Ernst Cassirer addresses two currents of the philosophical reflection about man and culture that emerged at the end of the 18th century. Th e naturalistic one, conceives of man and culture as an outcome of the processes that takes place beyond the reach of human will and consciousness. Among such naturalistically oriented philosophies Cassirer includes Hegel’s idealism, Taine’s positivism and Spengler’s psychologism. All of them imply a characteristic kind of historical fatalism. In opposition to (...) such a deterministic vision of human development stands a philosophy that emphasizes the importance of individual decision and responsibility for the course of history. Cassirer names it “humanistic” as it places man in the very middle of its research. The initiators of this tradition were Johann Gottfried Herder and Wilhelm von Humboldt, foremost representatives of the German romantic movement. The philosopher who took up their humanistic thought and elevated it to the importance of a distinct knowledge was Wilhelm Dilthey. While bearing in mind who is the real creator of culture all these thinkers pay special attention to the question of man’s responsibility for culture as well as for himself. The problem of human responsibility that totally escaped the attention of naturalistically oriented philosophers is somehow a distinguishing characteristic of all humanistic philosophies of culture. (shrink)

Auf die Frage „Was ist Wahrnehmung und welche Rolle spielt sie für die Objektivität der Erfahrung?“ hätte Ernst Cassirer vermutlich schlicht geantwortet: „Wahrnehmung ist eine erste Form objektiver Erfahrung.“ Tobias Endres macht es sich zur Aufgabe, Cassirers „Philosophie der symbolischen Formen“ einer Neu- und Gesamtinterpretation zu unterziehen und sie als eine „Phänomenologie der Wahrnehmung“ auszulegen. In Auseinandersetzung mit klassischen und gegenwärtigen Wahrnehmungstheorien wie der Sinnesdatentheorie, dem Disjunktivismus oder dem Enaktivismus gelingt es dem Autor, die Aktualität und Originalität solch (...) einer phänomenologischen Wahrnehmungstheorie aufzuzeigen. (shrink)

Aesthetics versus Art History? Ernst Cassirer as Mediator in an ongoing Controversy on the Relevance of Art for Life. Against the background of Ernst Cassirer’s cultural philosophy, art studies are to be classified as cultural studies. Central to this is Cassirer’s philosophy as the basis for answering a question that has been posed by the methods of formal aesthetics and iconology since the 19th century but is still unanswered today, namely the question of the relevance (...) of the arts for life. In this way, aesthetics/Kunstwissenschaft and art history gain a new meaning as cultural studies beyond their achievements in the humanities and in epistemology. (shrink)

Die vorliegende Arbeit befasst sich mit Ernst Cassirers Werk "Die Wendung zum Symbolischen". Der Autor analysiert die Argumentation von Cassirer und untersucht, wie er die Beziehung zwischen Symbolen und menschlichem Denken versteht. Cassirer argumentiert, dass das menschliche Denken durch Symbole geprägt ist, die eine Art von Sprache darstellen. Symbole ermöglichen es uns, über komplexe Konzepte nachzudenken und uns über abstrakte Ideen zu verständigen. Cassirer vertritt die Ansicht, dass Sprache und Symbole eine zentrale Rolle beim Verständnis der (...) Welt und der menschlichen Erfahrung spielen. Funke diskutiert Cassirers Ideen im Kontext der zeitgenössischen Philosophie und weist darauf hin, dass seine Arbeit wichtige Implikationen für die heutige Forschung hat. Der Autor betont, dass die Untersuchung der Beziehung zwischen Sprache, Symbolen und menschlichem Denken wichtige Erkenntnisse über die Funktionsweise des menschlichen Geistes liefern kann. Zusammenfassend betrachtet bietet die Arbeit eine detaillierte Analyse von Cassirers Werk und betont die Bedeutung seiner Ideen für die moderne Philosophie. Die Untersuchung der Rolle von Sprache und Symbolen beim menschlichen Denken ist auch heute noch ein wichtiges Forschungsfeld, das unser Verständnis der menschlichen Kognition erweitert. (shrink)

According to the neo-Kantian and cultural anthropologist Ernst Cassirer, man always interacts with nature. This assumption forms the basis for his philosophical approach to the Philosophy of Symbolic Forms of 1929. It is based on the thesis that we do not conceive nature as objects (‘Ding-Wahrnehmung’), but immediately feel and suffer nature through the so-called ‘perception of expression’ (‘Ausdrucks-Wahrnehmung’). Thus, our understanding of the world is based on interaction with nature, because feeling and suffering depend on something we (...) feel and suffer about. In conclusion, Cassirer developed already a theory of Enaktivismus, embodiment, and respectively to modern film theories of immersion. The thesis of the following paper is based on these findings of Cassirer and states that that there is no dichotomy between nature and man. (shrink)

This paper tries to reconstruct Ernst Cassirer's potential reception of the EPR argument, as exposed by Einstein in his letter to Cassirer of March 1937. It is shown that, in conformity with his transcendental epistemology taking the conditions of accessibility as constitutive of the quantum object, Cassirer would probably have rejected the argument. Indeed, Cassirer would probably not have subscribed to its separability/local causality presupposition (which goes against his interpretation of the quantum formalism as a (...) self-suf!cient condition constitutive of the quantum object, without any reliance on spatial intuition), nor to its completeness requirement (as his partial endorsement of Bohr's complementarity, and his rejection of the Kantian "idea of complete determination", illustrate). By rejecting both of its premises, Cassirer's philosophy of physics thus enables to escape the EPR dilemma, and exhibits what, in Kantian terms, might be called a "negative utility" with respect to physical science. A further investigation of the anti-reductionist utility of Cassirer's systematic philosophy with respect to physics and other "symbolic forms" is !nally suggested. (shrink)

The aim of the paper is to highlight a hidden reception of Ernst Cassirer’s works in the writings of Wilfrid Sellars. To set out such reception, I will begin with defining criteria that allow us to point out a possible influence from one thinker on another. In a second step, I will present several links between the set-out criteria and the constellation Sellars-Cassirer. Finally, the Cassirer Lectures Series at Yale, Sellars’ review of Language and Myth as (...) well as Sellars’ lecture Philosophy and the Scientific Image of Man will serve as at the basis for an analysis of historical and systematic connections between Cassirer and Sellars. The conclusion will show that we actually can speak of a hidden influence from Cassirer on Sellars’ thought and that philosophical desiderata remain in this context which are worth to explore even today. (shrink)

The subject of the paper is a polemic between Leonard Nelson and Ernst Cassirer mainly concerning the understanding of the critical method in philosophy. Nelson refutes the accusation of psychologism and attacks the core of the philosophy of the Marburg School of Neo-Kantianism. In response to those allegations, Cassirer feels obliged to defend the position of his masters and performs this task brilliantly. The present paper considers similarities and differences in the positions of both sides in this (...) debate. I try to evaluate the arguments of both sides and argue that they took basically the same positions, while the existing discrepancies did not justify such an intense polemic. If the disputing sides had approached the discussion in a less emotional way, it could have led to substantive and interesting conclusions. (shrink)

Ernst Cassirer’s focus on the expressive function of language should be read, not in the context of Carnap’s debate with Heidegger, but in the context of the earlier work of Chajim (Heymann) Steinthal. Steinthal distinguishes the expressive form of language, when language is studied as a natural phenomenon, from language as a logical, inferential system. Steinthal argues that language always can be expressed in terms of logical inference. Thus, he would disagree with Heidegger, just as Carnap does. But, (...) Steinthal insists, that is not to say that language, as a natural phenomenon, is exhausted by logic or by the place of terms or relations in inferential structures. Steinthal’s “form” of linguistic “expression” is an early version of Cassirer’s “expressive function” for language. The expressive function, then, should not be seen to place a barrier between Carnap and Cassirer. Rather, Steinthal and Cassirer deal with a question that, as far as I know, Carnap does not address directly: how should philosophers analyze human language as a natural phenomenon, as a part of our expression as animals? And how does that expression determine the semantic categories, kind terms, and other structures that develop within, and characterize, human language itself? (shrink)

Ernst Cassirer has been proclaimed a follower of Hermann Cohen. However, Cassirer modified the basic concepts of Cohen’s theory of knowledge, so that Cassirer’s philosophical positions in many aspects actually stand in opposition to Cohen’s. Although Cassirer did follow Cohen’s methodology coherently, in that path he refuted the main positions of his teacher. Cohen’s philosophical task was forwarding Kant’s critical method to construct a theory of knowledge. He aimed not only to renew Kant’s method in (...) the way he interpreted it, but also to revise, in accordance with Kant’s method, the uncritical positions of Kant's own theory of knowledge. Cohen’s methodology was intended to achieve this goal. In following his teacher’s task, however, Cassirer developed a set of functional concepts which coherently reveal and overturn the uncritical positions in the theory of knowledge, including the one essential for Cohen himself. Consequently, it may be said, Cassirer “revises” Cohen’s system in a same way that Cohen revised Kant. (shrink)

In spite of Ernst Cassirer’s criticisms of psychologism throughout Substance and Function, in the final chapter he issues a demand for a “psychology of relations” that can do justice to the subjective dimensions of mathematics and natural science. Although these remarks remain somewhat promissory, the fact that this is how Cassirer chooses to conclude Substance and Function recommends it as a topic worthy of serious consideration. In this paper, I argue that in order to work out the (...) details of Cassirer’s psychology of relations in Substance and Function, we need to situate it within two broader frameworks. First, I position Cassirer’s view in relation to the view of psychology and logic endorsed by his Marburg Neo-Kantian predecessors, Hermann Cohen and Paul Natorp. Second, I augment Cassirer’s early account of the psychology of relations in Substance and Function with the more mature view of psychology that he presents in The Philosophy of Symbolic Forms. By placing Cassirer’s account within these contexts, I claim that we gain insight into his psychology of relations, not just as it pertains to mathematics and natural science, but to culture as a whole. Moreover, I maintain that pursuing this strategy helps shed light on one of the most controversial features of his philosophy of mathematics and natural science, viz., his theory of the a priori. (shrink)

In this paper, I will argue with Ernst Cassirer that anticipation plays an essential part in the constitution of time, as seen from a transcendental perspective. Time is, as any transcendental concept, regarded as basically relational and subjective and only in a derivative way objective and indifferent to us. This entails that memory is prior to history, and that anticipation is prior to prediction. In this paper, I will give some examples in order to argue for this point. (...) Furthermore, I will also argue, again with Cassirer and contra Henri Bergson, that time should be seen as a functional unity, and not as a collection of three different things-in-themselves (past, present and future). (shrink)

The paper investigates Ernst Cassirer’s structuralist account of geometrical knowledge developed in his Substanzbegriff und Funktionsbegriff. The aim here is twofold. First, to give a closer study of several developments in projective geometry that form the direct background for Cassirer’s philosophical remarks on geometrical concept formation. Specifically, the paper will survey different attempts to justify the principle of duality in projective geometry as well as Felix Klein’s generalization of the use of geometrical transformations in his Erlangen program. (...) The second aim is to analyze the specific character of Cassirer’s geometrical structuralism formulated in 1910 as well as in subsequent writings. As will be argued, his account of modern geometry is best described as a “methodological structuralism”, that is, as a view mainly concerned with the role of structural methods in modern mathematical practice. (shrink)

Consider the claims that representations of physical laws are intersubjective, and that they ultimately provide the foundation for all other intersubjective knowledge. Those claims, as well as the deeper philosophical commitments that justify them, constitute rare points of agreement between the Marburg School neo-Kantians Paul Natorp and Ernst Cassirer and their positivist rival, Ernst Mach. This is surprising, since Natorp and Cassirer are both often at pains to distinguish their theories of natural scientific knowledge from positivist (...) views like Mach’s, and often from Mach’s views in particular. Thus the very fact of this agreement between the Marburg School neo-Kantians and their positivist stalking horse points to a deep current of ideas that runs beneath the whole of the post-Kantian intellectual context they shared. (shrink)

I propose a rational reconstruction of the early quantum theory (1900–1913) in terms of the ideas presented by Ernst Cassirer. Specifically, I propose to reconsider the early quantum theory through the lens of the method of conceptual functionalization that Ernst Cassirer laid down in his Substance and Function (S&F, 1910) and he later refined in Determinism and Indeterminism in Modern Physics (D&I, 1937). Following Cassirer’s functional interpretation of natural sciences, it is my primary concern to (...) reconsider the conceptual evolution of Planck’s quantum of action from 1900 to 1913. In this regard, I shall emphasize the importance of the quantum of action (Planck’s constant) in the architectonic structure of the early quantum theory, in the role of an element of fundamental continuity between the first quantum theory and the formulation by Niels Bohr of the first atomic theory. (shrink)

Everyday media consumption leaves no doubt that the perception of moving images from various media is characterized by experience and understanding. Corresponding research in this field has shown that the stimulus patterns flooding in on us are not only processed mentally, but also bodily. Building on this, the following study argues that incoming stimuli are processed not only visually, but multimodally, with all senses, and moreover affectively. The classical binding of a sensory organ to a medium, on whose delimitation the (...) common understanding of multimodality is based, is thus abolished. Can arguments for this assumption be found? Building on the research of cultural anthropologist Ernst Cassirer and his successors, the two American philosophers Susanne K. Langer and John M. Krois, and supported by research from the life sciences in which, in parallel, the arts also play an important role in understanding image formation, as in the work of Heinz Werner and, following on from this, in the more recent research of the child psychologist Daniel N. Stern in collaboration with mirror neuron research by the group of neuroscientists around Giacomo Rizzolatti in Parma, justifications for this will be provided. What the multimodal processing of film images is concretely based on will finally be made clear by means of an exemplary analysis of a video film by the Swiss artist Pipilotti Rist. It aims to prove, that the prerequisites for the thesis can only lie in the fact, that both the modes of perception (visual, tactile, auditory, olfactory, gustatory) as well as the medially conditioned modes of image formation are based on non-discursive, formal-abstract structures that are also processed affectively. At the same time, the analysis thus shows how the selection and composition of the vital experienced forms can provide information about the socio-culturally shaped self-image of the producer and the viewer. (shrink)

The main thesis of this paper is that Pap’s The Functional A Priori of Physical Theory (Pap 1946, henceforth FAP) and Cassirer’s Determinism and Indeterminism in Modern Physics (Cassirer 1937, henceforth DI) may be conceived as two kindred accounts of a late Neo-Kantian philosophy of science. They elucidate and clarify each other mutually by elaborating conceptual possibilities and pointing out affinities of neo-Kantian ideas with other currents of 20th century’s philosophy of science, namely, pragmatism, conventionalism, and logical empiricism. (...) Taking into account these facts, it seems not too far fetched to conjecture that under more favorable circumstances Pap could have served as a mediator between the “analytic” and “continental” tradition thereby overcoming the dogmatic dualism of these two philosophical currents that has characterized philosophy in the second half the 20th century. (shrink)

Ernst Cassirer, 2011, Symbolische Prägnanz, Ausdrucksphänomen und „Wiener Kreis“, Nachgelassene Manuskripte und Texte, vol. 4, ed. Christian Möckel, 478pp., Hamburg, Felix Meiner Verlag.

What distinguishes humans form animals? Acknowledging that humans are part of nature, that can process psychologically their affective-vital reactions to nature, and thus be held responsible for cultural processes, is the result of art historical, cultural-philosophical and life science research over the past two centuries. This line of argumentation led to the consideration that there must also be a connection between affective-psychological reactions and formal, a-historical mechanisms that are usually used by the arts. However, influenced by classical aesthetic theory, no (...) connection to culturally relevant communication processes has been established. It is the concern of the following scientific-historical study to establish this possible connection between the three in retrospect of research from the mid-19th century to the Hamburg circle around the art historian Aby Warburg, the philosopher Ernst Cassirer and the developmental psychologist Heinz Werner in the 1920s and the emergence of embodiment theories in the second half of the 20th century. (shrink)

Is it true that there is an analogy between modes of creation and such of perception? Respective to the cultural anthropological research of Ernst Cassirer, Susanne K. Langer and John M. Krois and by the analysis of a tape of the Swiss video-artist Pipilotti Rist this initial thesis of Formal Aesthetics shall be supported. - I - -/- Lässt sich die Behauptung stützen, dass zwischen Gestaltungsweisen und Wahrnehmungsweisen eine Analogie besteht? Aufbauend auf den kulturanthropologischen Forschungen von Ernst (...) Cassirer, Susanne K. Langer und John M. Krois sowie der Analyse eines Tapes der Schweizer Videokünstlerin Pipilotti Rist gilt es diese ursprünglich von der formalen Ästhetik aufgeworfene These zu untermauern. (shrink)

This paper defends the idea that Cassirer's methodology is idealistic in regard to validity claims and the structuralist views he holds and at the same time empiric in regard to the facts and genealogy of culture. This perspective is best to be unfolded along Cassirer's model of representation. The author does so by showing that Cassirer's triad of symbolic articulation (expressive, presentational, significative) and the triad of symbolic development (mimetic, analogical, symbolic) form a coherent and exhaustive theory (...) of symbolic formation. In order to defend this view, two main objections from the secondary literature against the consistency of this essential theory piece of The Philosophy of Symbolic Forms have to be rejected. (shrink)

In his book Continental Divide: Heidegger, Cassirer, Davos, Peter E. Gordon attempts to reconstruct the historical circumstances which shaped Martin Heidegger’s and Ernst Cassirer’s debate at Davos in 1929, as well as outline the key points of contention in their arguments. Gordon argues that the primary source of disagreement between Heidegger and Cassirer lies in their different concepts of what it means to be human. In this review essay, I argue that rather than a “conceptual” or (...) “thematic” divide, the divergence between them is primarily methodological, and, in Heidegger’s case, unfolds on two fronts: first, by shifting the focus of philosophy away from the modern concern for “man” in favor of the question of being, and, secondly, by pioneering a new strategy for reading the history of philosophy that emphasizes the “historical [geschichtlich]” as the recovery of the past in terms of its relevance for the future, versus providing a “historically [historisch]” accurate record of what has been. (shrink)

To what extend is there a relevance of aesthetics for life? By postulating a non-discursive and emotional relevance of forms Cassirer, Langer and Krois open the door for this idea. -/- Inwieweit spielt die Ästhetik im Leben eine Rolle? Indem sowohl Cassirer, Langer und Krois eine nicht-diskursive und emotionale Relevanz von Formen unterstellen, öffnen sie die Türen für diese Idee.

So many things have a meaning for us. How is it possible and how can we deal with it? In "gestures of attention" (rituals) we understand it, Hartmut Böhme says, and we produce it ourselves, Aby M. Warburg and Ernst Cassirer are suggesting. That means the producer and the recipient are responsible for their doing. -/- So vieles in unserem Leben hat für uns eine Bedeutung. Wie kommt das und wie können wir damit umgehen? In "Gesten der Zuwendung" (...) (Rituale), so Hartmut Böhme, erfassen wir diese und es sind wir selbst, die diese herstellen, wie es vertiefend Aby M. Warburg und Ernst Cassirer eröffnen. D.h. nicht nur der Produzent, sondern auch der Rezipient sind für ihr jeweiliges "Tun" verantwortlich. (shrink)

In Anglo-Saxon philosophy of science there is strong conviction that idealist philosophy of science on the the one hand and serious science and philosophy of science on the other do not go well together. In this paper I argue that this sweeping dismissal of the idealist tradition may have been too hasty. They may be some valuable insights for which it is striving. A promising case in question is provided by Ernst Cassirer’s Neo-Kantian „Critical Idealism“ that he put (...) forward in the first decades of the past century, or so I’d like to argue. (shrink)

Hermann von Helmholtz’s geometrical papers have been typically deemed to provide an implicitly group-theoretical analysis of space, as articulated later by Felix Klein, Sophus Lie, and Henri Poincaré. However, there is less agreement as to what properties exactly in such a view would pertain to space, as opposed to abstract mathematical structures, on the one hand, and empirical contents, on the other. According to Moritz Schlick, the puzzle can be resolved only by clearly distinguishing the empirical qualities of spatial perception (...) from those describable in terms of axiomatic geometry. This paper offers a partial defense of the group-theoretical reading of Helmholtz along the lines of Ernst Cassirer in the fourth volume of The Problem of Knowledge of 1940. In order to avoid the problem raised by Schlick, Cassirer relied on a Kantian view of space not so much as an object of geometry, but as a precondition for the possibility of measurement. Although the concept of group does not provide a description of space, the modern way to articulate the concept of space in terms of transformation groups reveals something about the structure and the transformation of spatial concepts in mathematical and natural sciences. (shrink)

Whether and to what extent Ernst Cassirer’s philosophy of culture contains a normative element for the proper evaluation of symbolic forms is a central question in Cassirer interpretation. In this paper, my aim is to specify the nature of this normative element. I not only assert the existence of a real normative dimension in the philosophy of culture, but also specify the nature of its main element: the concept of freedom. The concept of freedom in Cassirer (...) is by no means an explicit facet of his systematic thought. However, this does not indicate that this is not an important part of his system. Rather, it might mean that Cassirer either thought it so basic he didn’t need to explicate it or he thought that it would be made clear through his exposition of symbolic forms. I will proceed by arguing for a “normative space” in Cassirer’s philosophy of culture. By “normative space” I mean a certain limitation to the philosophy of culture that makes room for the free act of the cultural agent for which she is responsible. In other words, by “normative space” I mean to suggest that Cassirer meant to leave room, and a prominent seat, for the normative element in the philosophy of culture. After establishing this, I will suggest that this normative task in the philosophy of culture is, from a first-person perspective, inevitably connected to the descriptive task, but from a third-person perspective, conceptually distinct. I will then move to better define what I take to be the main value of the normative task: freedom. The freedom that Cassirer defends is an ethical conception understood as both a constitutive norm for cultural action and a regulative ideal for the evaluation of cultural objects. Understanding freedom in this way allows us to conceive of it both as a fundamental phenomenon and an evaluative standard. (shrink)

The ability to form „images“ of our experiences with the world (imaging effect) and to adjust our drive and determination in accordance with those images (action effect) is what characterises men, as stipulated by Cassirer and subsequently confirmed by Langer and Krois. Special techniques are required to communicate to others the images of life and how we interpret them. The art as a technique does this masterly by presenting us the views of others on their experiences and wishes through (...) aesthetic experience. Therefore, it is necessary to analyse images not only with respect to their historical aspects based on experiences with the world but to emphasise their power to shape the future by their potential to affect our actions. - / - Die Fähigkeit „Bilder“ unserer Erfahrungen mit der Welt zu formen (Bildkraft) und unser Streben und Wollen (Tatkraft) nach ihnen auszurichten, das ist es, was den Menschen nach Cassirer – und nachfolgend auch nach Langer und Krois – auszeichnet. Voraussetzung dafür die Bilder des Lebens und das, was wir von ihnen halten, zu objektivieren und Anderen zu kommunizieren, bilden Techniken. Die Kunst als Technik ist darin eine Meisterin, indem sie uns über die ästhetische Erfahrung Anschauungen Anderer von ihren Erfahrungen und Wünschen, lebendig vor Augen zu führen vermag. Bei der Analyse von Bildern gilt es insofern nicht nur deren geschichtsträchtigen, auf Erfahrungen mit der Welt beruhenden Aspekte zu untersuchen, sondern vor allem auch deren zukunftsprägendes und damit unsere Tatkraft ansprechendes Potential. (shrink)

Francesca Biagioli’s Space, Number, and Geometry from Helmholtz to Cassirer is a substantial and pathbreaking contribution to the energetic and growing field of researchers delving into the physics, physiology, psychology, and mathematics of the nineteenth and twentieth centuries. The book provides a bracing and painstakingly researched re-appreciation of the work of Hermann von Helmholtz and Ernst Cassirer, and of their place in the tradition, and is worth study for that alone. The contributions of the book go far (...) beyond that, however. It is a clear, accurate, and deep account of fascinating and philosophically momentous implications of the move to relativity theory. (shrink)

Abstract. The aim of this paper is to reconstruct the debate on Begriffstheorie between Ernst Cassirer, the Swe¬dish philosopher Konrad Marc-Wogau, and, virtually, Moritz Schlick. It took place during in the late thirties when Cassirer had immigrated to Sweden. While Cassirer argued for a rich “constitutive” theory of concepts, Marc-Wogau, and, in a different way, Schlick favored “austere” non-con¬sti¬¬tutive theories of concepts. Ironically, however, Cassirer used Schlick’s account as a weapon to counter Marc-Wogau’s criticism of (...) his rich con¬¬sti¬tu¬¬tive theory of concepts. With the help of modern Formal Concept Theory (FCT) it can be shown, however, that Marc-Wogau’s argument is flawed. (shrink)

My paper will analyze Cassirer’s logic of the cultural sciences as it developed in close engagement with work on logic, psychology, biology, and linguistics in the nineteenth and early twentieth centuries. The paper focuses on Chajim Steinthal, who sees the “expressive form” of language as a natural function of human engagement with the environment, developing independently of logic. When read in the context of his engagement with Steinthal, the biologist Uexküll, and the neuroscientist Kurt Goldstein, The Philosophy of Symbolic (...) Forms reimagines the role of logic and language in the construction of the cultural world. This provides a reading of what Cassirer means by the logic of the cultural sciences, and what he means by culture itself. My reading highlights the tension, which I argue stems from Steinthal’s earlier work, between the assertion that phenomena including linguistic expression, living beings, and consciousness develop independently of a unifying logic, and Cassirer’s assertion that we live in a common, objective human world. (shrink)

In this paper, I seek to explore the increasing popular claim that the performance of philosophy and the performance of humor share similar features. I argue that the explanation lies in the function of humor—a function which can be a catalyst for philosophy. Following Ernst Cassirer’s philosophy of symbolic forms and utilizing insights from various philosophical and scientific perspectives on the nature and origins of humor, I argue that the function of humor is to reveal faulty belief or (...) error in judgment. Once such errors are revealed the mind demands resolution, and this is the work of philosophy. But philosophy cannot solve a problem unless it recognizes that there is a problem to solve. That is, the move from ignorance to philosophy requires a mediating step. Humor can act as that step, and, as such, humor can serve as a catalyst for philosophy while being necessarily distinct from it. (shrink)

Analysing Cassirer's positions in the Nachruf dedicated to Natorp (1925) and in the third volume of the Philosophy of Symbolic Forms (1929), I will try in this short paper to outline the core, merits, and limitations of Natorp's psychology in Cassirer's interpretation. In doing so, I will emphasise three elements: 1. the cornerstones of Natorpian psychology, which for Cassirer represent Natorp's main contribution to the history of ideas; 2. the thematic unity of Natorp's philosophical production; 3. the (...) fundamental continuity between Natorp's research and that of Cassirer. These three aspects are interwoven and belong in some way to the inner development of Marburg Neo-Kantianism. (shrink)

Ernst Cassirer claimed that Kant's notion of actual object presupposes the notion of truth. Therefore, Kant cannot define truth as the correspondence of a judgement with an actual object. In this paper, I discuss the relations between Kant's notions of truth, object, and actuality. I argue that's notion of actual object does not presuppose the notion of truth. I conclude that Kant can define truth as the correspondence of a judgement with an actual object.

Detendo-se na questão do simbólico, que, precedendo e excedendo a razão, se impõe como fundamento da condição de uma existência que não tende a dialogar senão com a possibilidade, o artigo em questão investiga a sua emergência através das formas que se inter-relacionam na constitutividade da realidade (a saber, a linguagem, o mito, a religião), recorrendo à noção do sistema proposto pela leitura de Ernst Cassirer, que instaura um processo que do pertencimento à espécie animal à fala, do (...) mythos ao lógos, acena com a experiência da autoconstrução humana, convergindo para possibilitar, em suma, antes do que o conhecimento do Ser, a sua criação. (shrink)

Arthur Pap worked in analytic philosophy while maintaining a strong Kantian or neo-Kantian element throughout his career, stemming from his studying with Ernst Cassirer. I present these elements in the different periods of Pap’s works, showing him to be a consistent critic of logical empiricism, which Pap shows to be incapable of superseding the Kantian framework. Nevertheless, Pap’s work is definitely analytic philosophy, both in terms of the content and the style. According to Pap, the central topics of (...) analytic philosophy concern meaning, modality, and analysis. Pap was also influenced by pragmatism, especially in his dissertation, although he does not fully embrace it in either its classical or its Quinean form. (shrink)

Als Vertreter der historischen Anthropologie hat Christoph Wulf die philosophische Anthropologie von Max Scheler, Helmuth Plessner und Arnold Gehlen kritisiert: Mit ihrem Interesse an einer einheitlichen Bestimmung des Menschen entgehe ihr die Pluralität von menschlichen Kulturen. Meiner Auffassung nach stellt diese Kritik für die philosophische Lehre vom Menschen eine Herausforderung dar (1.). Um ihr zu begegnen, möchte ich prüfen, ob Ernst Cassirers Kulturphilosophie die Vielfalt menschlicher Erfahrungsweisen angemessener berücksichtigt. Dass dies nicht in hinreichendem Umfang der Fall ist, lässt sich (...) auf eine bei Cassirer vorherrschende Einheitsorientierung zurückführen, die bezeichnende Berührungspunkte zu Hegels Idealismus aufweist. Der von Kant über Hegel zu Cassirer führende philosophische Diskurs über den Menschen hat zwar der Thematisierung einer irreduziblen Erfahrungspluralität zunehmend Raum verschafft, ist aber zugleich auf eine einheitliche Verfassung des Geistes bezogen geblieben (2.). Will die philosophische Anthropologie der kulturellen Vielfalt gerechter werden, muss sie über Cassirers Ansatz hinausgehen und ihre Fokussierung auf eine die menschliche Welt durchdringende Bestimmung des Geistes weiter abschwächen, wenn nicht sogar aufgeben. Als einen hierfür förderlichen Ausgangspunkt, betrachte ich die Sozialphänomenologie von Alfred Schütz. Sie erlaubt die Begründung einer nicht hierarchisch strukturierten Pluralität der Erfahrung. Im Anschluss an Schütz' Konzeption muss der Philosophie mit ihrem legitimen Interesse an dem Menschen nicht die Vielfalt der Menschen abhanden kommen. Pluralität ist dem Menschen vielmehr als Bestimmung eingeschrieben (3.). (shrink)

By observing processes of art perception two contradicting phenomena come to the fore: a feeling of closeness and distance at the same time. The phenomenologists Martin Heidegger and Bernhard Waldenfels describe this connection as a matter of being ("Seinsweise") of images, that allows new views of the world whereas the two cultural anthropologists Ernst Cassirer and Hartmut Böhme note that the connection between both can be seen as the basis of experience ("Erlebnisweise") of images and therefore serves for (...) communication. Here one can see, knowledge-oriented notions the former promote do not exclude semiotic notions the latter imply. (shrink)

This article starts from the assumption that there is a connection between art and language and responsibility. What is it based on? It follows on from the research of the Hamburg Circle in the 1920s by Ernst Cassirer and Aby M. Warburg, and was strengthened in the 2000s by Hartmut Böhme. Their joint starting point is the emotional life of human beings. Thus, they assume that already the perception is shaped by it and can be increased in rituals. (...) Comparably hardly noticed by us, it continues to have an effect in art and language and thus influences the recipient. From this derives the demand that both the one who speaks and the one who is creatively active bears responsibility for his or her doing. With the knowledge of the effect of art and language, however, the recipient is also required to take responsibility for his actions influenced by it. The article aims to show this connection, which is deeply rooted in the nature of human beings. -/- The article was originally published in German. It has now been translated by the author with the kind permission of the Evangelical Church in Germany. Additions were made only in the notes and in the bibliography. The concept for the text goes back to a conference of the Evangelical Academy of the Martin Luther City of Wittenberg (Saxony). On this basis, the author was invited to contribute to the publication of the Evangelical Church in Germany (EKD) Mitteilungen—Zur Erneuerung evangelischer Predigtkultur (Kirche im Aufbruch 5), edited by Kathrin Oxen and Dietrich Sagert. Leipzig: Evangelische Verlagsanstalt, 2013. The selection of the text for this issue of Art Style Magazine was based on one of the fundamental ideals of Metropolis, which sees itself as democratic and based on the responsibility of each member in dealing with art and language. (shrink)

Employing the ideas of modern mathematics and biology, seen in the context of Ernst Cassirer's "Symbolic Forms, the author presents an entirely new and novel solution to the classical mind-brain problem. This is a "hard" book, I'm sorry, but it is the problem itself, and not me which has made it so. I say that Dennett, and, indeed, the whole of academia is wrong.