Results for 'Freedom of Art'

983 found
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  1. The Possibility Conditions of an Ethics of Belief.Valentin Arts - 2024 - Dissertation, Vrije Universiteit Amsterdam
    This dissertation explores the question of whether we bear moral responsibility for our beliefs and how this responsibility is possible. Since we cannot directly choose our convictions, some have argued that we have no obligations concerning what we believe. However, we frequently hold each other accountable for our beliefs. Philosophers have responded to the argument against ‘belief duties’ in various ways. One response is that we are responsible for how we influence our beliefs. Another argues that moral responsibility does not (...)
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  2. Using Art to Resist Epistemic Injustice: The Aesthetics of the Oppressed and Democratic Freedom.Gustavo H. Dalaqua - 2020 - Contention 8 (1):93-114.
    This article argues that the aesthetics of the oppressed—a series of artistic practices elaborated by Augusto Boal (1931-2009) that comprises the theatre of the oppressed, the rainbow of desire technique, and legislative theatre—utilizes art in order to resist epistemic injustice and promote democratic freedom.
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  3. Lord, Lewis, and the Institutional Theory of Art.Peggy Zeglin Brand - 1981 - Journal of Aesthetics and Art Criticism 40 (3):309-314.
    In "Convention and Dickie's Institutional Theory" (British Journal of Aesthetics 1980), Catherine Lord maintains the following thesis: (L) If a work of art is defined as institutional and conventional, then the definition precludes the freedom and creativity associated with art. Lord also maintains that the antecedent of this conditional is false. In this note, I argue that (i) certain confusions and assumptions prevent Lord from showing the antecedent is false, and (ii) even if the antecedent is assumed to be (...)
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  4. Material, Form and Art: The Generation of Freedom.John T. Sanders - manuscript
    Freedom is generated in at least two distinct ways: as the ability to avoid perceived dangers and pursue perceived goods, and even to pursue complicated plans in those directions, freedom evolves. But as a social and political matter, freedom seems more subject to human will. The best social institutions -- the kind that serve to encourage or constrain freedom of choice -- also appear to be evolutionary products in some sense. Can there be too much (...)? Of course there can. No constraint at all would guarantee personal and social disaster. Individual activity can pose serious dangers to nature and to culture. But how may we ensure that the constraints we may chose to impose our ones that are good for us? What we need to do is to find, as consistently as possible with the necessity that human individuals be able to use their local perception of local opportunity in pursuit of their own interests, a framework that emerges out of human practice; we should take advantage of lessons learned about evolution: those strategies work that are in tune with the forces at work within the niche. In our attempts to solve social problems, we can't afford to take our eyes off the characteristics of the individuals that make up the social world we hope to change. And in my view, here as elsewhere, the smallest intervention is likely to be the best. (shrink)
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  5. Towards a Materialist Theory of Art.Florian Endres - 2019 - Continental Thought and Theory: A Journal of Intellectual Freedom 2 (4):50-61.
    Art, for Hegel, is not only distinct but self-distinguishing of and from nature – it happens in and through the latter. It liberates us from being merely natural creatures, and it does so by a dynamic of a cut or break - even though this liberation is achieved only through natural sensuousness, and hence, keeps us tethered to nature in some particular way. Inspired by Todd McGowan’s emphasis on the central role of contradiction in Hegel’s philosophy, this paper considers the (...)
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  6. Negatywna wolność religijna i przekonania sekularystyczne w świetle sprawy Lautsi przeciwko Włochom [Negative Religious Freedom and Secular Thought in the Light of the Case of Lautsi v. Italy].Marek Piechowiak - 2011 - Przegląd Sejmowy 19 (5 (106)):37-68.
    The article provides an analysis of the European Court of Human Rights judgments in the case of Lautsi v. Italy (application no. 30814/06), also known as the Italian crucifix case. The applicant claimed that displaying crucifixes in the Italian State-school classrooms attended by her children was contrary to the principle of secularism, by which she wished to bring up her children, and therefore infringed her right to ensure their education and teaching in conformity with her religious and philosophical convictions, and (...)
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  7. The Art of Work in Kant's Critique of Judgment.Tyler Colby Re - forthcoming - Philosophers' Imprint.
    There is a general impression among Kant scholars that he has no robust theory of work. Most of his references to the topic appear in his historical and anthropological writings, where he tells us that work is burdensome, and valuable only for the sake of whatever we produce. In this paper, I argue that Kant has an under-explored theory of work in the third Critique. This theory bears little resemblance to his depiction of work in the historical and anthropological writings. (...)
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  8. Art and Ethics: Formalism, in James Harold (ed.) The Oxford Handbook of Ethics and Art.Michalle Gal (ed.) - 2023 - London: Oxford University Press.
    This chapter presents the formalist account of the moral status of an artwork as an aesthetically significant and autonomous form, with due emphasis on the Anglo-American art-for-art’s-sake aesthetic, as it developed between 1870 and 1960. The author shows that the formalist art-is-above-morals approach is a substantive moral stance in itself. Formalist aesthetics is usually presented in the literature as evincing a purist indifference to ethics, construing moral properties as external to art, in opposition to the internal pure properties of art’s (...)
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  9. Digital Feminist Placemaking: The Case of the “Woman, Life, Freedom” Movement.Asma Mehan - 2024 - Urban Planning 9:1-19.
    Throughout Iran and various countries, the recent calls of the “Zan, Zendegi, Azadi” (in Persian), “Jin, Jiyan, Azadi” (in Kurdish), or “Woman, Life, Freedom” (in English) movement call for change to acknowledge the importance of women. While these feminist protests and demonstrations have been met with brutality, systematic oppression, and internet blackouts within Iran, they have captured significant social media attention and coverage outside the country, especially among the Iranian diaspora and various international organizations. This article, grounded in feminist (...)
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  10. John Buridan: Portrait of a Fourteenth-Century Arts Master (review).Joshua P. Hochschild - 2004 - Journal of the History of Philosophy 42 (2):219-220.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 219-220 [Access article in PDF] Jack Zupko. John Buridan: Portrait of a Fourteenth-Century Arts Master. Notre Dame: University of Notre Dame Press, 2003. Pp. xix + 446. Cloth, $70.00. Paper, $40.00. What does the name "John Buridan" call to mind? For many, including medievalists, not much at all—at best, perhaps, a set of apparently unrelated ideas: nominalism; an impetus theory of (...)
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  11. Assessment of Iraq’s Air Defense System in the Iraqi Freedom Operation.Adam Radomyski & Pawel Bernat - 2019 - Proceedings of International Scientific Conference ―Defense Technologies‖ DefTech 2019.
    The paper presents a synthesis of research results that focus on identifying factors that affect the organization and functioning of Iraq's air defense system during the Iraqi Freedom operation and, as a result, contributed to Iraq's defeat. An important part of the considerations presented in the article are the results of research relating to the role and significance of the use by the coalition partners of the state-of-the-art air weapon systems, which facilitated carrying out very precise strikes on the (...)
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  12. Liberal arts and the failures of liberalism.James Dominic Rooney - 2024 - In James Dominic Rooney & Patrick Zoll, Beyond Classical Liberalism: Freedom and the Good. New York, NY: Routledge Chapman & Hall.
    Public reason liberalism is the political theory which holds that coercive laws and policies are justified when and only when they are grounded in reasons of the public. The standard interpretation of public reason liberalism, consensus accounts, claim that the reasons persons share or that persons can derive from shared values determine which policies can be justified. In this paper, I argue that consensus approaches cannot justify fair educational policies and preserving cultural goods. Consensus approaches can resolve some controversies about (...)
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  13. Dispositive Causality and the Art of Medicine.Chad Engelland - 2017 - Proceedings of the American Catholic Philosophical Association 91:159-170.
    For many philosophers, the relation of medicine to health is exemplary for understanding the relation of human power to nature in general. Drawing on Heidegger and Aquinas, this paper examines the relation of art to nature as it emerges in the second book of Aristotle’s Physics, and it does so by articulating the duality of efficient causality. The art of medicine operates as a dispositive cause rather than as a perfective cause; it removes obstacles to the achievement of health, but (...)
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  14. Once Again What Counts as Art.Marga Vega - 2016 - Philosophia: Philosophical Quarterly of Israel 2 (44):633-644.
    The question of what art is and why certain objects and events are considered art is examined. In the light of John Searle’s Social Philosophy, a hybrid Institutionalist-Functionalist explanation of what counts as art is presented. However, Searle’s apparatus applied to the ontology of the work of art is not enough to answer the question of why art has the status it exhibits. The proposal is to trace back the ontology of art to the origins of the dichotomy between (...) and necessity, and more specifically to the notion of “end in itself” presented by Kant, as the status that persons have. Ultimately, the ontology of art emerges as a projection of the status “end in itself”, of personhood, to objects and events. (shrink)
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  15. Democratization Through “Cancel Culture”—Three Levels of Artistic Freedom.Karsten Schubert - 2023 - In Konfliktuelle Kulturpolitik, Politologische Aufklärung – konstruktivistische Perspektiven. pp. 29-40.
    While ‘cancel culture’ is commonly regarded as limiting freedom of speech and artistic freedom, this article proposes a new understanding of ‘cancel culture’ as emancipatory norm-setting that is key for democratization. On a non-governmental level of the self-regulation of the art world, the argument for artistic freedom ignores the fact that art is permeated by power. The introduction of ‘politically correct’ norms leads to a justified redistribution of such power. On a parastatal level of public broadcasting and (...)
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  16. On the Art of Intercultural Dialogue. Some Forms, Conditions and Structures.Ulrich Diehl - 2005 - In P. N. Von und zu Liechtenstein Ch M. Gueye, Peace and Intercultural Dialogue. Universitätsverlag Winter.
    This essay begins with the claim that intercultural dialogue is an art rather than a science or technique and it attempts to point out what it takes to learn the art of intercultural dialogue. In PART ONE some basic forms of intercultural dialogue are presented which correlate to some basic forms of human life, such as family, politics, economy, science, art and religion. Also a few common traits about how intercultural dialogue is practised today are specified. PART TWO is pointing (...)
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  17. Freedom, Truth, and History. [REVIEW]David Kolb - 1995 - The Owl of Minerva 26 (2):221-224.
    Stephen Houlgate has written an introduction to Hegel that is more than historical. For him, “Hegel’s is still a viable philosophical endeavour with extremely important things to contribute to modern debates, particularly the debates about historical relativism, poverty and social alienation, the nature of freedom and political legitimacy, the future of art, and the character of the Christian faith”. This ambitious book is clearly written and very thoughtful. By concentrating on a number of central themes, Houlgate avoids giving us (...)
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  18. Beauty as a Symbol of Morality.Zhengmi Zhouhuang - 2019 - In Das Selbst und die Welt - Denken, Handeln und Hoffen in der Klassischen Deutschen Philosophie. pp. 113-134.
    Kant uses the concept of the symbol to show the complicated relationship between the autonomy of beauty and its systematic function as a transition from nature to freedom, which are the two most important topics in the third Critique. Beauty’s symbolism of morality lies in the analog between aesthetic reflection and moral disposition; concretely, it lies in the purity or disinterestedness and self-legislation as negative and positive freedom in both subjective states of mind. In this scenario, beauty’s symbolism (...)
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  19. Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought. [REVIEW]Laura Matthews - 2018 - Metapsychology Online Reviews 22 (19).
    Madness and Modernism is undoubtedly one of the most profound and perspicacious treatments of an illness that is utterly baffling to most laypersons and academics alike. Sass artfully brings together two obscure, complex, and unnerving realms -- the schizophrenic and the modern and postmodern aesthetic -- into mutual enlightenment. The comparisons between schizophrenic symptoms such as loss of ego boundaries, perspectival switching, and world catastrophe with modern literature and art is so adroit that it is almost eerie. The reader finds (...)
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  20. Freedom And Receptivity In Aesthetic Experience.Ronald Hepburn - 2006 - Postgraduate Journal of Aesthetics 3 (1):1-14.
    No-one can read far into our subject without finding an author linking aesthetic experience and freedom in one sense or another: Kant, notably of course, but also Schopenhauer, Schiller, and many more. In this article I want first [A] to remind you in a sentence or two of those by now classic ways of connecting concepts of freedom and aesthetic experience, and then [B] to outline some thoughts of my own. Section [C] opens up in more detail a (...)
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  21. Independência: libertação da arte na dimensão estética de Herbert Marcuse.Jair Soares - 2018 - Revista Diaphonía.
    Abstract: According to Marcuse, esthetics is an essential component to the process of freedom of consciousness and behavior of individuals. It is, in Hegelian language, to free the absolute spirit. In this sense, art configures itself as fantasy, which makes the “apparent” reveal the essence of things. Essence here is understood not as a metaphysical field, but as an unveiling of questions, within a false truth of the (establishment), in the totality of relationships. In dialectical terms, art manifests itself (...)
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  22. Artistic Activism and Feminist Placemaking in Iran’s ‘Women, Life, Freedom’ Movement.Asma Mehan - 2024 - Mozaik e-Zine 1 (4):8-21.
    In the realm of pixels and virtual spaces, the art of placemaking transcends physical confines, weaving a digital mosaic of voices and visions. Feminist digital placemaking emerges as a vibrant brushstroke on this canvas, painting online environments with the hues of inclusion, safety, and empowerment. The "Woman, Life, Freedom" movement in Iran, mirrored in the "Year of Hope" digital exhibition, showcases the transformative power of feminist digital placemaking in amplifying voices, knitting solidarity, and challenging oppressive narratives. The "Woman, Life, (...)
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  23.  70
    Art, Technology, and Trans-Death Options.Reyes Espinoza - 2019 - In Dalila Honorato, María Antοnia González Valerio, Marta De Menez & Andreas Giannakoulopoulos, TABOO ‒ TRANSGRESSION ‒ TRANSCENDENCE in Art & Science 2018. Corfu, Greece: Ionian University Publications. pp. 194-199.
    Death across human history is codified and controlled by religion, dogma, or social￾political circumstances. However, it is possible to take death out of these realms, instead dying how one wishes. One can design their own death. I will argue that human trans-death can be an intentional performance by persons and that this intentional performance can be combined with the newest and most novel methods of preserving a consciousness. This thesis opens possibilities for future exhibitions and live performances combining art and (...)
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  24. Culture and the Unity of Kant's Critique of Judgment.Sabina Vaccarino Bremner - 2022 - Archiv für Geschichte der Philosophie 104 (2):367-402.
    This paper claims that Kant’s conception of culture provides a new means of understanding how the two parts of the Critique of Judgment fit together. Kant claims that culture is both the ‘ultimate purpose’ of nature and to be defined in terms of ‘art in general’ (of which the fine arts are a subtype). In the Critique of Teleological Judgment, culture, as the last empirically cognizable telos of nature, serves as the mediating link between nature and freedom, while in (...)
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  25. The Influence of John of St. Thomas Upon the Thought of Jacques Maritain.Matthew K. Minerd - 2024 - Studia Poinsotiana.
    Amid the many figures who number among the Thomists writing during the early 20th century period of revival in scholastic thought in the Roman Catholic Church in the wake of the encyclical letter Aeterni Patris (1879) of Leo XIII, there is numbered the French convert, Jacques Maritain (1882–1973). Over the course of his long lifetime, Maritain authored works covering a host of philosophical and theological topics: epistemology, the philosophy of the sciences and natural philosophy, aesthetics, moral philosophy, political philosophy, metaphysics, (...)
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  26. Liberation of Language and Suspension of Subject in T. W. Adorno's Notes to Literature.Alžběta Dyčková - 2022 - Humanities Bulletin 5 (2):26-39.
    This article aims to explore the connection between freedom and language in T.W. Adorno's Notes to Literature, presenting freedom as a liberation of our way of thinking that has the potential to arrive at an unrestrained interpretation of art and representation of the intellectual experience. I also attempt to show some of Adorno's insights into language and freedom in The Essay as a Form and their role in his essays about Valéry and Proust. Namely I focus on (...)
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  27. How to Philosophize with an Affinity of Hammers: Censorship and Reproductive Freedom in France.Jill Drouillard - 2019 - APA Women in Philosophy Series Blog.
    On Oct. 24, 2019, French philosopher Sylviane Agacinski was scheduled to speak at the Université de Bordeaux-Montaigne on « l’être humain à l’époque de sa reproductibilité technique » [the human being in the era of its technological reproducibility]. Amidst “violent threats” and their purported inability to assure the safety of Agacinski, the organizers cancelled the event. Agacinski and other French intellectuals lament what they perceive to be part of a “drifting liberticide”, a form of censorship that forbids the exchange of (...)
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  28. Foundations of Ancient Ethics/Grundlagen Der Antiken Ethik.Jörg Hardy & George Rudebusch - 2014 - Göttingen, Germany: Vandenhoek.
    This book is an anthology with the following themes. Non-European Tradition: Bussanich interprets main themes of Hindu ethics, including its roots in ritual sacrifice, its relationship to religious duty, society, individual human well-being, and psychic liberation. To best assess the truth of Hindu ethics, he argues for dialogue with premodern Western thought. Pfister takes up the question of human nature as a case study in Chinese ethics. Is our nature inherently good (as Mengzi argued) or bad (Xunzi’s view)? Pfister ob- (...)
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  29. The Phantasm of Revolution from Fight Club to Mr. Robot.Bolea Stefan - 2015 - Caietele Echinox 29:314-321.
    In the following paper we explore the utopian theme of revolution in two filmic works of art: the movie Fight Club (1999), directed by David Fincher, and the very recent TV series Mr. Robot (2015), created by Sam Esmail. We will argue that Fight Club is an existential meditation on simulation, dehumanization and the capitalistic tyranny of the objects combined with a nihilistic pursuit of authenticity through violence. Closely following Fight Club’s rumination on madness as “revolution of the self,” Mr. (...)
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  30. Das kosmische Gedächtnis. Kosmologie, Semiotik und Gedächtnistheorie im Werke von Giordano Bruno (1548-1600), Series: Philosophie und Geschichte der Wissenschaften, Studien und Quellen, Lang, Frankfurt (The introduction can be downloaded from: pdf.) [The Cosmic Memory. Cosmology, Semiotics and Art of Memory in the Work of Giordano Bruno (1548-1600)].Wolfgang Wildgen - 1998 - Frankfurt am Main, Deutschland: Lang.
    Abstract (German) Dieses Buch faßt meine Forschungen zur Semiotik Giordano Brunos und zu deren Grundlagen in der Kosmologie und in der Gedächtnistheorie zusammen, wobei sowohl die Heterogenität als auch der Universalität des Denkers den Charakter dieses Buches geprägt haben. Es wird kein glattes Bild seiner Person oder seines Werkes angeboten, kein bejahender Jubel über eine epochale Leistung; wichtiger war mir die bis ins Detail gehende, manchmal mühselige Interpretation seiner Systementwürfe, wobei ich versucht habe, auch deren formales und technisches Niveau deutlich (...)
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  31. Reason and Revelation: Absolute Agency and the Limits of Actuality in Hegel.Jeffrey Reid - 2017 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 21 (1):182-202.
    Contemporary reluctance to consider any complicity between philosophy and religion has led to an inability to consider, in Hegel studies, how the revelatory agency of the Absolute necessarily complements the narrative of human reason. According to Hegel, reason alone can do no more than end in the endless limitations of actuality, in the infinite approximations of a moral summum bonum and in the ad infinitum strivings for concrete political freedom. Recognizing where revelatory agency occurs in Hegel’s Science allows us (...)
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  32. The Problem of Idleness: An Arendtian Justification of Universal Basic Income in the Face of Mass Automation.Riley Hannah Muriel Lewicki - 2019 - Dissertation, University of Ottawa
    This dissertation is concerned with a fundamental problem at the heart of Arendt’s The Human Condition—namely, ‘the problem of idleness’. This problem is related to the three types of human Arendt identifies as correlated to dominant activities in one’s life, animal laborans, homo faber, and the acting person. It explores Arendt’s predictions of an oncoming automation crisis, and the possibility of a corresponding crisis in the production—consumption cycle. The problem of idleness can be understood as the claim that if people (...)
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  33. Où va l'art africain ? Défétichisez les restitutions.Korassi Téwéché - 2022 - Seneplus.
    This philosophical meditation on the issue of the restitution of African art objects stolen during colonisation explores new meanings of contemporary aesthetics in Africa: the radical openness of consciousness towards the present, the absolute value of the living over the creations of the mind, the transcendence of intelligence and freedom over History...
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  34. Editorial: Projected interiorities or the production of subjectivity through spatial and performative means.Amir Djalali & Claudia Westermann - 2022 - Technoetic Arts 20 (3):159-165.
    Even those who consider themselves lucky to have escaped trauma, long-term illness and death, have experienced radical changes to their conception of life in its relation to public and private domains due to the COVID-19 pandemic. When public space turned into a dangerous realm, private interiors were assigned a new role and with these shifts, also new questions about the relation of interiority to any type of exteriority emerged. The first four contributions in this ‘Projected Interiorities’ issue of Technoetic Arts (...)
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  35. Technopolis as the Technologised Kingdom of God. Fun as Technology, Technology as Religion in the 21st Century. God sive Fun.Marina Christodoulou - 2018 - Cahiers d'Études Germaniques 1 (74: 'La religion au XXIe siècle):119-132.
    Citation:Christodoulou, Marina. “Technopolis as the Technologised Kingdom of God. Fun as Technology, Technology as Religion in the 21st Century. God sive Fun.” Cahiers d'études germaniques N° 74, 2018. La religion au XXIe siècle - Perpectives et enjeux de la discussion autour d'une société post-séculière. Études reunites par Sébastian Hüsch et Max Marcuzzi, 119-132. -/- -------- -/- Neil Postman starts his book Technopoly: The Surrender of Culture to Technology (1993)1 with a quote from Paul Goodman’s New Reformation: “Whether or not it (...)
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  36. A Baianidade Urbi et Orbi ou “engenho e arte” para além da metafísica ocidental.Alex Pereira De Araújo - 2024 - Ayé: Revista de Antropologia 6 (1):186-218.
    The genesis of this decolonial study begins with an essay that discussed Exu and black diasporic culture. Its developments were responsible for the emergence of two other studies: one on Candomblé in Bahia and religious syncretism, and another on the decolonial concept of language-language as a crossroads. The article on Exu, written in English, was also responsible for the invitation to write a book chapter, also in English, on human rights, religious freedom and anti-racist struggles in black diasporic Latin (...)
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  37. Philosopher-Kings in the Kingdom of Ends: Why Democracy Needs a Philosophically Informed Citizenry.Richard Oxenberg - 2015 - Philosophy Now 10 (111).
    Question: How do you turn a democracy into a tyranny? Answer (as those familiar with Plato's Republic will know): Do nothing. It will become a tyranny all by itself. My essay argues that for democracy to function it must inculcate in its citizens something of the moral and intellectual virtues of Plato’s Philosopher-Kings, who identify their own personal good with the good of society as a whole. Only thereby can Kant’s ideal of the ‘Kingdom of Ends’ - a society in (...)
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  38. Dancing with Nine Colours: The Nine Emotional States of Indian Rasa Theory.Dyutiman Mukhopadhyay - manuscript
    This is a brief review of the Rasa theory of Indian aesthetics and the works I have done on the same. A major source of the Indian system of classification of emotional states comes from the ‘Natyasastra’, the ancient Indian treatise on the performing arts, which dates back to the 2nd Century AD (or much earlier, pg. LXXXVI: Natyasastra, Ghosh, 1951). The ‘Natyasastra’ speaks about ‘sentiments’ or ‘Rasas’ (pg.102: Natyasastra, Ghosh, 1951) which are produced when certain ‘dominant states’ (sthayi Bhava), (...)
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  39. The Ethical Meaning of Foucault's Aesthetics of Existence.Cristian Iftode - 2015 - Cultura 12 (2):145-162.
    In order to grasp the true ethical meaning of Foucault's aesthetics of existence, I begin by explaining in what sense he was an anti-normativist, arguing that the most important thing about the "final" Foucault is his strong emphasis on the idea of human freedom. I go on with a brief discussion about Foucault's sources of inspiration and a criticism of Rorty's kindred plea for "aesthetic life". I strongly reject the interpretation of Foucault's aesthetics of existence in terms of narcissistic (...)
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  40.  36
    The Future of Human Reproduction and Family Structure.Angelito Malicse - manuscript
    The Future of Human Reproduction and Family Structure -/- Introduction -/- The future of human reproduction and family structure is set to undergo profound transformations due to advancements in science, technology, and shifting societal values. Breakthroughs in artificial reproduction, gene editing, AI-assisted parenting, and new family models are poised to redefine what it means to conceive, raise children, and form families. As these changes unfold, they will challenge traditional concepts of marriage, parenthood, and biological reproduction. This essay explores the potential (...)
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  41. Aesthetic Commitments and Aesthetic Obligations.Anthony Cross - 2022 - Ergo: An Open Access Journal of Philosophy 8 (38):402-422.
    Resolving to finish reading a novel, staying true to your punk style, or dedicating your life to an artistic project: these are examples of aesthetic commitments. I develop an account of the nature of such commitments, and I argue that they are significant insofar as they help us manage the temporally extended nature of our aesthetic agency and our relationships with aesthetic objects. At the same time, focusing on aesthetic commitments can give us a better grasp on the nature of (...)
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  42.  33
    The Implications of an Unsolvable Free Will Problem.Angelito Malicse - manuscript
    The Implications of an Unsolvable Free Will Problem -/- The question of free will has occupied philosophers, scientists, and theologians for centuries. At its core, the free will problem asks whether human beings possess genuine freedom in their decisions or whether their actions are predetermined by natural laws, genetics, and environmental factors. While some argue that the solution to this problem is within reach, others suggest that it might remain unsolved indefinitely. If the free will problem is never solved, (...)
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  43.  22
    The Possibility of Advanced Extraterrestrial Aliens Based on the Universal Formula.Angelito Malicse - manuscript
    -/- The Possibility of Advanced Extraterrestrial Aliens Based on the Universal Formula -/- Introduction -/- For centuries, humanity has pondered the existence of extraterrestrial life, particularly advanced alien civilizations. Traditional scientific approaches, such as the Drake Equation and astrobiology, suggest that the vastness of the universe makes alien life probable. However, from the perspective of the universal formula, which is based on the law of balance in nature, the law of karma (cause and effect with system integrity), and feedback mechanisms (...)
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  44. Hegel's reading of Antigone tragedy.Mohaddeseh Rabbaninia - 2020 - Wisdom and Philosophy 16 (62):35-64.
    Hegel believed the Antigone tragedy not only revealed the national spirit of ancient Greece but was indeed the greatest artwork of all time. displaying the “Logic of History”, was the critical role Antigone tragedy played in the phenomenology of spirit from the standpoint of Hegel. This article will attempt to answer how Hegel reads Antigone's tragedy and how he observes the “Logic of History” in it. Ancient Greek society, In Hegel’s point of view, has constantly been the symbol of “unity (...)
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  45. The Conditions of the Question: What Is Philosophy?Gilles Deleuze, Daniel W. Smith & Arnold I. Davidson - 1991 - Critical Inquiry 17 (3):471-478.
    Perhaps the question “What is philosophy?” can only be posed late in life, when old age has come, and with it the time to speak in concrete terms. It is a question one poses when one no longer has anything to ask for, but its consequences can be considerable. One was asking the question before, one never ceased asking it, but it was too artificial, too abstract; one expounded and dominated the question, more than being grabbed by it. There are (...)
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  46. THE PHILOSOPHY OF ALBERT CAMUS - ALEXIS KARPOUZOS.Alexis Karpouzos - 2024 - Cosmic Spirit 1:6. Translated by alexis karpouzos.
    Albert Camus, a French-Algerian writer and philosopher, is renowned for his unique contribution to the philosophical realm, particularly through his exploration of the Absurd. His philosophy is often associated with existentialism, despite his own rejection of the label. Camus’ works delve into the human condition and the search for meaning in a seemingly indifferent universe. The Absurd and the Search for Meaning At the heart of Camus’ philosophy is the concept of the Absurd, which arises from the conflict between the (...)
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  47.  99
    Freiheit der Abstraktion.Jürgen H. Franz - 2024 - Aphin-Rundbrief 32:2-4.
    Dieser Text beinhaltet nichts Neues. Nur hinlänglich Bekanntes, Erinnerungen an Gelesenes und Reflektiertes, vor allem zur Philosophie der Kunst mit ihrer zentrale Frage, was Kunst ist. Und eng damit verknüpft die Frage, was ein Kunstwerk ist und was einen Künstler und eine Künstlerin auszeichnet. In diesem Essay wird es aber nicht um die Kunst im Allgemeinen gehen, sondern um die abstrakte Kunst und die abstrakte Malerei im Besonderen. Was zeichnet sie aus und was ist ihr Wesen? Ist es die Freiheit?
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  48. Wokół konstytucyjnej ochrony życia. Próba oceny propozycji nowelizacji Konstytucji RP [Constitutional Protection of Life: An Attempt to Assess the Proposal for Amendment of Poland’s Constitution].Marek Piechowiak - 2010 - Przegląd Sejmowy 18 (1 (96)):25-47.
    This article first of all attempts to assess the proposals of 2006–2007 to amend Poland’s Constitution, aimed mostly at strengthening constitutional protection of unborn human life. Parliamentary work on this proposal begins with the submission of the Deputy’s bill on amendment of the Constitution, published in the Sejm Paper No. 993 of September 5, 2006, and ends with a series of votes at the 39th sitting of the Sejm of the fifth term of office, held on April 13, 2007, on (...)
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  49. Klauzula limitacyjna a nienaruszalność praw i godności [Limitation Clause and the Inviolability of Rights and Dignity].Marek Piechowiak - 2009 - Przegląd Sejmowy 17 (2 (91)):55-77.
    The author examines the arguments for applicability of the limitation clause which specifies the requirements for limitation of constitutional freedoms and rights (Article 31 para. 3 of the Constitution) to the right to protection of life (Article 38). Even if there is almost a general acceptance of such applicability, this approach does not hold up to criticism based on the rule existing in the Polish legal order that treaty commitments concerning human rights have supremacy over national statutory regulations. Due to (...)
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  50. The Politics of Nationalism, Human Development and Global Peace.Saad Malook - 2023 - Research Journal for Societal Issues 5 (2):428-439.
    This article investigates whether the politics of nationalism fosters human development and global peace. Nationalism is a political ideology that primarily gives birth to nation-states based on particular shared identities, such as religion, race, culture, or language. Empirical evidence shows that nationalism causes conflicts, which leads to violence, terrorism or war. On the one hand, nationalism gives birth to nation-states; on the other hand, it creates hostility in the world. However, Lahouari Addi argues that giving birth to nations and their (...)
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