This chapter proceeds from the standard picture of the relation between intuitions and experimental philosophy: the alleged evidential role of intuitions about hypothetical cases, and experimental philosophy’s challenge to these judgments, based on their variation with philosophically irrelevant factors. I will survey some of the main defenses of this standard picture against the x-phi challenge, most of which fail. Concerning the most popular defense, the expertise defense, I will draw the bleak conclusion that intuitive expertise of the envisaged kind is (...) largely a myth. Next, I will consider the mischaracterization objection, which has mainly been developed by Deutsch and Cappelen on the basis of textual evidence: that philosophers do not appeal to intuitions as evidence for their case judgments, but instead argue for them. This would render the x-phi challenge mostly irrelevant, due to its focus on intuitions about hypothetical cases. I will then consider a few instructive replies to the mischaracterization objection, which are all unconvincing on further inspection. Finally, I will discuss some potential normative consequences of the mischaracterization objection, and I will argue that it recommends a shift away from the excessive focus on intuitions about cases in metaphilosophy and experimental philosophy, towards more work on the role of argumentation in the method of cases. More speculatively, I claim that philosophers should always argue for their case judgments, even if they have strong intuitions about them, because an argument-based methodology would be more transparent and philosophically fruitful than one that mainly relies on intuition. (shrink)

Ancient Greek philosophers claimed that the particular task of art was mimesis. This kind of view about the relation between art and the world was dominant until the beginning of the 19th century. The theory of genius rethought this relation, and it did not presume that art needs to mirror the world. On the contrary, it expected originality, that is, the creation of a new world. Since the beginning of the 20th century, the artworld operates under a wider notion of (...) the ‘work of art’, e.g. Duchamp’s “readymade” and “institutional readymade”, which are linked to outsider art. In both cases, the creation of an object and the creation of an art piece are separate actions performed by different individuals. This paper attempts to tackle these problems and prove that the contemporary art does not relate primarily to the world, but mainly to the artworld. Thus, the path from art to the world goes through the artworld. (shrink)

The ‘museal’ approach to art has been attacked from many angles in the last decade; the main issue raised by most of these attacks was that such an approach would promote a certain idea of art which has little to do with real-life or the layman’s interest. Some artists have protested by stepping out of the museum space with projects deliberately designed as non-museum items (performance, land-art, public art etc.). Art, however, is always meant for a public, so, as an (...) “unfortunate” consequence, those artists who wished to become famous were not able to avoid certain art institutions, such as museums, galleries, curators or critics. Until now. The internet, especially Facebook, provide genuinely new options/ opportunities for the virtual display of art pieces, an option that artists are eager to take advantage of. In the following, I will present the process of expansion of the public artistic sphere, I will attempt to show why Facebook serves well as a public artistic arena, and finally, I will present some salient Facebook-art-projects. The presented projects will include works by a street artist (Banksy), a performance artist (Gusztáv Ütő) and a graphic designer (Dan Perjovsky). These three artists are intrigued by current social issues, which are usually reflected in their works, also they all wish to spread their messages to the widest possible public. On of their favorite channels is the Facebook Wall. (shrink)

The historical period of the avant-garde art movements coincided with two phenomena which can be interpreted as the failure of the rationalism characteristic for the modern, capitalist system. One of these is Taylorism, which dehumanized and robotized the person involved in the work process, and the other is the First World War. Several movements of the avant-garde related critically to reason and conscience (expressionism, surrealism), but the most radical was Dada. The manifestos and Dadaist activities reveal that the Dada wants (...) to do away not only with the heritage of the past, but also with the linguistic and logical structures which form the texture of society. Bruitist poems, meaningless words and sentences, simultaneous poems, and the various uses of sound are all aimed at tearing apart language itself. The refusal of logic is most evident in the manifesto of Tristan Tzara, in which the series of mutually contradictory affirmations is concluded with an exceptionally clear statement: “I hate common sense.” Logic, argumentation, and dialectics are all dismissed in the name of freedom and life, which are characterized by Tzara in the following way: “the interweaving of contraries and all contradictions, freaks and irrelevancies: LIFE” (Tzara 1918). In my paper, I supplement the thesis of Peter Burger on the failure of the avant-garde (which is explained by him through its artistic success) by calling attention to the failure of its fight against reason, which is most evident in the search for meaning as an essential part of artistic reception. Thus, Dada is only interesting as long as the meaningless phenomenon is associated with some kind of meaning during the artistic reception. (shrink)

The notion of “relational aesthetics” was created by Nicolas Bourriaud in 1995 to describe the new artistic phenomena of the nineties. According to Bourriaud the manifestations of relational art create temporary communities, thus turning art into a social laboratory. This paper investigates the communities arising through these artistic endeavors. My hypothesis is that the empty communities motivated solely by the artistic event are not more consistent than the audience of a play or a performance, furthermore, they do not transcend the (...) elite public of galleries and exhibitions. On the other hand, when the artistic endeavor expresses a social message in addition to the artistic purpose, the possibility of real – though, also temporary – communities arises. (shrink)

Differing worldviews give interdisciplinary work value. However, these same differences are the primary hurdle to productive communication between disciplines. Here, we argue that philosophical issues of metaphysics and epistemology subserve many of the differences in language, methods and motivation that plague interdisciplinary fields like educational neuroscience. Researchers attempting interdisciplinary work may be unaware that issues of philosophy are intimately tied to the way research is performed and evaluated in different fields. As such, a lack of explicit discussion about these assumptions (...) leads to many conflicts in interdisciplinary work that masquerade as more superficial issues. To illustrate, we investigate how philosophical assumptions about the mind may influence researchers in educational neuroscience. The methods employed by researchers in this field are shaped by their metaphysical beliefs, and arguments around these issues can threaten accepted disciplinary ontologies. Additionally, how a researcher understands reduction in the special sciences and how they place their colleagues in this ontology constrains the scope of interdisciplinary projects. In encouraging researchers to explicitly discuss the philosophical assumptions underlying their research we hope to alleviate some of the conflict and establish realistic expectations for collaborative projects. (shrink)

Technical reproduction in general, and photography in particular have changed the status and practices of art. Similarly, the expansion of Web 2.0 interactive spaces presents opportunities and challenges to artistic communities. Present study focuses on artistic activism: socially sensitive artists publish their creation on the internet on its most interactive space – social media. These artworks carry both artistic and social messages. Such practices force us to reinterpret some elements of the classical art paradigm: its autonomy, authorship, uniqueness (as opposed (...) to copies and series), and the social role of art. The analysis is aimed at Hungarian and Romanian online artistic projects from Transylvania region of Romania, relevant as intercultural communication endeavours. Our research question is the way they differ from the traditional artistic paradigm. (shrink)

This study focuses on the Hungarian impact of the 2017 “Me Too” movement, offering an analysis of some relevant online texts and of their comments. The theoretical framework is provided by the anthropological linguistic approach (Balázs 2009), linguistic world view research (Kövecses 2017, Banczerowski 2008, 2012, Magyari 2015), and discourse analysis (Berger 1998, Nemesi 2016). The research method is based on participant observation and on text analysis, which also offers the possibility of content analysis, if the researcher applies a corpus-centred (...) perspective (Balaskó 2005). The research questions point in two directions. The linguistic approach deals with the question of how the “Me Too” movement is discussed. How do the victim and the offender appear in online media, and how is their image represented by commenting readers? According to our hypothesis, information is not always controlled in online space, and opinion formation becomes almost even more important than the fact itself. Hence, the knowledge fixed within language and language use changes as well. Our research attaches great importance to the reconstruction of linguistic images, leading to the exploration of underlying values systems, also pointing out cultural phenomena such as the dichotomy between silence and speaking out, conceptualized as social phenomena in an anthropological and ethnographic framework. At the same time, from the perspective of argumentation and rhetoric, we are interested in the emerging positions and in the typical arguments supporting these, in their conflict, and in the most frequently occurring means of persuasion. We also presuppose that the positions and modes of reasoning are clearer and relatively restrained in the online press, while the discourse of the comments is more emotionally charged. (shrink)

The problem of identity in the world of art is relevant from many perspectives. This paper aims at discussing the identity of the work of art. The discussion is built in three steps: the problem of identification of an object as work of art, the problem of the relevant properties of a work of art and the question of the author of the work of art as decisive (or not) for the identification of a work of art. These issues are (...) raised with the evolution of artistic practice and art theory in the last century. The appearing of the “ready-made” destabilized the firm identity of a work of art and now we have to decide what the difference is between a work of art and its perceptually identical pair. Traditionally relevant perceptual features lost their importance in conceptual art, so we have to decide what relevant properties belong, even today, to works of art. Finally, the practice of appropriation in postmodern art challenges the notion of the artist and of the meaning of genuine creation. (shrink)

Most philosophers believe that testimony is not a fundamental source of knowledge, but merely a way to transmit already existing knowledge. However, Jennifer Lackey has presented some counterexamples which show that one can actually come to know something through testimony that no one ever knew before. Yet, the intuitive idea can be preserved by the weaker claim that someone in a knowledge-constituting testimonial chain has to have access to some non-testimonial source of knowledge with regard to what is testified. But (...) even this weaker claim has a counterexample which I develop in close connection with a safety-account of knowledge. Thus, testimonial statements can sometimes enable us to know something for which none of our informants has any source of knowledge available. I conclude that my counterexample nevertheless does not affect the core of our intuitions about testimony, although it establishes that testimony can indeed be a fundamental source of knowledge. (shrink)

This paper provides new tools for philosophical argument analysis and fresh empirical foundations for ‘critical’ ordinary language philosophy. Language comprehension routinely involves stereotypical inferences with contextual defeaters. J.L. Austin’s Sense and Sensibilia first mooted the idea that contextually inappropriate stereotypical inferences from verbal case-descriptions drive some philosophical paradoxes; these engender philosophical problems that can be resolved by exposing the underlying fallacies. We build on psycholinguistic research on salience effects to explain when and why even perfectly competent speakers cannot help making (...) stereotypical inferences which are contextually inappropriate. We analyse a classical paradox about perception, suggest it relies on contextually inappropriate stereotypical inferences from appearance-verbs, and show that the conditions we identified as leading to contextually inappropriate stereotypical inferences are met in formulations of the paradox. Three experiments use a forced-choice plausibility-ranking task to document the predicted inappropriate inferences, in English, German, and Japanese. The cross-linguistic study allows us to assess the wider relevance of the proposed analysis. Our findings open up new perspectives for ‘evidential’ experimental philosophy. (shrink)

The contemporary agonist thinker, Chantal Mouffe argues that conflicts are constitutive of politics. However, this position raises the question that concerns the survival of order and the proper types of conflicts in democracies. Although Mouffe is not consensus-oriented, consensus plays a role in her theory when the democratic order is at stake. This suggests that there is a theoretical terrain between the opposing poles of conflict and consensus. This can be discussed with the help of concepts and theories that seem (...) to be standing between the two, namely compromise, debate and the borders of democracy. I will argue that we can reveal this position with the theoretical analysis of compromise in the works of F. R. Ankersmit on the historical origin of representative democracy, and Amy Gutmann and Dennis Thompson on the role of compromise in divided communities. J. S. Mill’s view of colliding opinions offers a moderate agonistic understanding of politics, while the concept of debate plays a similar role for Márton Szabó, a contemporary Hungarian political theorist. Finally, Mouffe’s position stands at the conflictual end of this spectrum, although conflicts are delimited on the normative ground of democracy. (shrink)

In his “On the Metaphysics of Knowledge” (this volume), Sven Bernecker presents a novel ‘identificationist’ account of knowledge. In this paper, I will not directly address the epistemological adequacy of Bernecker’s identificationism. Rather, I want to focus on its substantial metaphysical commitments, especially on the problematic idea that our epistemic reasons identify the truthmaker of our respective belief when we know something. My conclusion will be that being a truthmaker for p is metaphysically more demanding than being an epistemic reason (...) for p. A truthmaker for p must necessitate the truth of p, while an epistemic reason for p must merely indicate the truth of p. Thus, we should not expect that epistemic reasons identify the truthmakers of our knowledge-constituting beliefs in the way Bernecker suggests. (shrink)

On the Periphery of the Artworld. The Case of the 55th Venice Biennale -/- The Venice Biennale is sort of a patent agency for art: if a work is exhibited at the Biennale, it is already regarded as being in the center of the contemporary artworld. This year the peculiarity of the Biennale was the emphasis on peripheral works: outsider art is brought to the center of the artworld. The notion of outsider art is paved with contradictions – it’s difficult (...) to find its place either in traditional art theory, or in avant-garde conceptions. This paper aims at making a parallel between outsider art and the readymade, highlights the similarities and differences, and proposes a new term instead of outsider art: “institutional readymade”. (shrink)

Les pensées de la différence selon Gilles Deleuze et Jacques Derrida se touchent dans leur sujet même, le Sujet qui « fait des histoires et des scènes » construisant le même système différentiel, le monde. C’est ce qui assure une sorte de continuité entre les deux philosophies. Concernant les « thèses » il n’y a aucune différence entre Deleuze et Derrida. Et pourtant, ils ne se laissent pas unir dans une seule et même philosophie de la différence. Les deux histoires (...) ne se laissent pas identifier dans un seul et même discours, elles exigent deux discours différents. Leur Sujet se raconte de deux façons, se joue sur deux scènes parallèlement, alternativement – cela relève d’une différence minime, différence de genre, de style, de geste, qui pourtant change tout. Penser pour Deleuze consiste à entrer dans le jeu, dans l’acte de la différence, à « faire la différence » – pour Derrida c’est comprendre la différence. Une philosophie comme celle de Derrida suspend les philosophies comme celle de Deleuze – une philosophie comme celle de Deleuze ne prend pas au sérieux une philosophie comme celle de Derrida. Leurs pensées s’excluent réciproquement tout en faisant signe l’une vers l’autre - comme le dirait Derrida : selon un certain graphique de la supplémentarité. Renverser le platonisme : changer son ontologie « en hauteur » pour une ontologie « en profondeur » , c’est un jeu immanent de l’ontologie. Le renversement deleuzien du platonisme est de se déplacer insidieusement en lui, mais aussi de se décaler légèrement par rapport à lui, lui ouvrir la porte, y instaurer une autre série de pensée divergente, constituer un para-platonisme, en d’autres mots : le déconstruire. L’effet en sera, selon Foucault, un « Theatrum Philosophicum » de fantasmes, de simulacres, d’événements, d’effets corporels où Freud et Artaud entrent en résonance même en s’ignorant. Derrida joue un tout petit peu différemment, du dehors, ou plutôt à la limite de son dehors. Si on se sert de l’allégorie de Rodolphe Gasché : Derrida s’installe au bord de la réflexion, dans le tain du miroir – on peut dire alors que Deleuze se déplace dans le miroitement, entre les images reflétées. Ils tiennent tous les deux, chacun à leur manière, à la limite de la réflexion, limites internes et externes. L’exemplarité de la relation Deleuze/Derrida réside en ceci : c’est une image de la doublure en soi de la pensée qui tente ses limites. Elle « illustre » la doublure inévitable de la pensée – doublure qui, par ailleurs, appelle à la déconstruction et à son mimétisme. (shrink)

Arthur C. Danto convincingly argued that works of art are not differentiated from common objects by aesthetic properties. With this he broke down the system of aestheticism, which discussed art as a sub-category of the aesthetic experience, looked for the universal, historically and culturally unconditioned significant form in works of art. At the same time, Danto’s theory can also be read as one considering the aesthetic point of view irrelevant for the essence of art. The paradigmatic starting point of Danto’s (...) theory is Andy Warhol’s Brillo Box. However it was the Brillo Box that created the opportunity for the questioning of this anti-aesthetic consequence, both Andy Warhol, when he created the Brillo Box, as well as Arthur C. Danto, when he chose it to be the starting point of his art philosophy, were driven by aesthetic motives. This inconsistency can be resolved by accepting that common objects are “transfigured” in the framework of an art theory, while adding that from the moment they have transfigured into a work of art, their (new) aesthetic properties become substantial. (shrink)

Abstract The awakening of art to self-awareness and the statement of its autonomy are modern phenomena. The way we think about art in the modern age may be derived from the Kantian “beauty without concept”. Beautiful art is the work of the genius, who creates a work of art that is valuable in itself and is admired in museums by the public. That which I call here “the modern paradigm of art” is based on an absence: the non-conceptuality of the (...) beautiful, i.e., the fact that objective qualities cannot define the beautiful. This absence establishes originality as the essential requirement for modern art and creates the possibility for artists to push the boundaries of the modern paradigm. Thus, the 20thcentury sees the appearance of strategies for overriding or substituting originality. The artist withdraws from behind her work, and the work of art is no longer an unapproachable object with an aura, just as the museum is also no longer the temple of the arts. But do these experiments overcome the frontiers of art’s modern paradigm? And, more generally, can this paradigm be overcome at all? Here I deduct three elements of the modern paradigm of art from the idea of “beauty without concept”: (1) the original artist, who is seen as a genius, (2) the work of art with an aura, and (3) the museum as the temple of art. Then I present how artists, based on the requirement of originality, worked on dismantling the frontiers of the modern paradigm. (shrink)

Immanuel Kant és Marcel Duchamp munkássága egyaránt értelmezhető úgy, mint a művészet világát átrendező új kezdet, új távlatok forrása. Kant Az ítélőerő kritikája című munkájára úgy tekintek, mint a művészet modern paradigmájának forrására. E paradigma három alapja – a zseniális alkotó, a műalkotás és a múzeum mint a művészet temploma – levezethető a fogalom nélküli szépből. Mivel a szépnek nincs definíciója és nincsenek szabályai, az alkotó szükségszerűen eredeti kell, hogy legyen. Ezáltal a zseniális művész adja a szépművészetnek a szabályt, és (...) alkotására rávetül a zsenialitás fénye. Ezt az alkotást imádják a művészetek templomában, a múzeumban. A művészet modern paradigmáját mozgató zseniális alkotó ettől fogva a kísérletezésre van ítélve, és előbb-utóbb ennek a kísérletezésnek a tárgya maga a művészet paradigmája lesz. A huszadik századi művészek destabilizálják a művészet paradigmájának mindhárom pillérét, és ebben úttörő (kútfő) szerepet játszik Marcel Duchamp. Munkásságában megtaláljuk a műtárgy hagyományos fogalmának megszüntetésére, a művészeti világ intézményrendszerének szabotálására és a művész-szerep átértelmezésére irányuló kísérleteket. Duchamp úgy folytatja Kant művészetfelfogását, hogy a legtöbb ponton szakít vele. (shrink)

The necessary condition for the reception of art is aesthetic distance, which paradoxically relies on direct experience: one has to be there in front of the artwork, has to live the experience. Therefore, the current pandemic and the practice of social distancing, which attempts to slow it down, is a serious challenge for the arts. This text analyses the ways in which artists and the institutions which mediate art react to the conditions caused by the pandemic. I will present some (...) creative practices which turn the adversity of the pandemic into an asset (the White Cuib Facebook project and the series by Sándor Bartha). So, there are projects which mine the gap (social distancing) and use it creatively. Then I will analyze the practice of some museums and galleries, focusing on the positive examples (e.g., the “Stay at Home Museum”) as well as on the difficulties. The examined cases will reveal the fact that while the artists were able to react in creative ways to the constraints and to create artworks which point beyond the contextual value, art institutions generally attempted merely to get through this period, hoping that they would soon be able to get back to life as usual. (shrink)

Proceedings of the Sixth Argumentor Conference held in Oradea/Nagyvárad, Romania, 11–12 September 2020.

Many people know Jesus Christ and believe he is the Savior, even though that person calls the word God. But many also today claim that the word 'Allah' only has a certain group and is a proper name. This situation created the birth of two groups that were pros and cons in using the word Allah. What is the answer for Christians who keep using the word God? Is it sinful to mention the word Allah? what is the meaning of (...) the word God in the Christian faith? Then how is the history of the word God used? These questions will be answered in the following article. The following article is expected to help believers understand the answers to these problems. (shrink)

This paper investigates the history of systems of thought different from those of the West. A closer look at Japan’s long philosophical tradition draws attention to the presence of uniquely designed acculturation and training techniques designed as kata or shikata, shedding light on kata as a generic technique of self-perfection and self-transformation. By seeing kata as foundational to the Japanese mind and comparing it to Michel Foucault’s research on technologies of the self, the groundwork is laid for (...) a comparative analysis in terms of the principle of ἐπιμελείσθαι σαυτού, an ethical and aesthetic paradigm dating back to European antiquity. Not only does this bring to light their similarities as techniques of individuation, it also reinforces the importance of Watsuji’s relational understanding of human being. (shrink)

Fragment B 1 of Parmenides describes a youth's journey to the house of a goddess who enlightens him as to the nature of all things. The task of translating Parmenides' Greek text is beset with many difficulties, most notably the phrase kata pant' atê at B 1.3. There, the neuter accusative plural panta ('all things') combines with the feminine nominative singular atê (heavenly sent blindness') to render translation impossible. Some have proposed emending the text to read a<s>tê ('down to (...) all cities'), understood in connection with the pathway of divine inspiration. Others reject the emendation in so far as the youth is said at B 1.27 to travel 'far from the beaten path of men.' I argue in defense of the reading kata pant' a<s>tê in so far as references to pathways of inspiration and poetic journeys to the cities of men occur frequently in the poetry of Parmenides' era. (shrink)

In this paper, I try to show how Japanese practices of self-cultivation found in the so-called “ways” can be interpreted as embodied forms of “caring for oneself ” and, therefore, as part of a philosophical Lebenskunst or art of living. To this end, I refer to phenomenological accounts of the body as well as to a unique notion of practice found in the writings of Dōgen Kigen, a thirteenth-century Japanese Zen master. Central to this essay is a concern with embodying (...) kata or pre-defined patterns of movement and posture used in nearly all practices of self-cultivation in Japan. To approach this question, I look at the etymological roots of the term kata and its use in the writings of Zeami, the foremost representative of classical Noh theater, both as author and as actor. This is followed by an analysis of certain aspects of the embodiment of kata and the way it is described in Japanese literature. (shrink)

The reception of Kant began in Croatia at the turn of the 19th century with the writings of J.B. Horváth, whose textbooks were in use at that time in Croatia and Hungary. Unlike Horváth's decidedly negative attitude toward Kant, Šimun Čučić (Simeon Chuchich), in his systematic work Philosophia Critice Elaborata (1815), adopted some aspects of Kantian philosophy. This includes, for example, the formalistic conception of logic, Kantian apriorism and subjectivism, the formalistic approach to the moral law, and the (...) like. However, since these elements were incorporated into a schoolbook type of text, they could not always be consistently implemented. The beginning of the reception of Kant in Croatia coincided with the revival of Croatian national self-awareness. -- Die Kantrezeption setzte in Kroatien an der Wende zum 19. Jahrhundert ein mit den Schriften J. B. Horváths, dessen Lehrbuecher in Kroatien und Ungarn damals in Gebrauch waren. Im Unterschied zu Horváth's ausgeschprochen negativer Einstellung zu Kant hat Šimun Čučić in seinem systematischen Werk Philosophia critice elaborata (1815) einige Aspekte der Kantischen Philosophie uebernommen. Dies betrifft z.B. die formalistische Auffassung der Logik, die Uebernahme des kantianischen Apriorismus und Subjektivismus, die formalistische Auffassungsweise des moralischen Gesetzes und dgl. Da nun diese Momente in ein schulmaeßig konzipiertes Buch aufgenommen wurden, konnten sie nicht immer konsequent durchgefuehrt werden. Der Beginn der Kantrezeption in Kroatien koinzidierte mit der Wiedererweckung des kroatischen nationalen Selbsbewußtseins. (shrink)

I examine Aristotle’s definition of scientific knowledge in Posterior Analytics 71b 9-12 and try to understand how it relates to the sophistical way of knowing and to "kata sumbebekos knowledge". I claim that scientific knowledge of p requires knowing p by its appropriate cause, and that this appropriate cause is a universal (katholou) in the restricted sense Aristotle proposes in 73b 26-27 ff., i.e., an attribute coextensive with the subject (an extensional feature) and predicated of the subject in itself (...) (an intensional feature). Kata sumbebekos knowledge, on the other hand, can occur even when the predicate of a conclusion is coextensive with its subject and is proved by a convertible meson which is not the most appropriate from an explanatory standpoint. (shrink)

In Posterior Analytics 71b9 12, we find Aristotle’s definition of scientific knowledge. The definiens is taken to have only two informative parts: scientific knowledge must be knowledge of the cause and its object must be necessary. However, there is also a contrast between the definiendum and a sophistic way of knowing, which is marked by the expression “kata sumbebekos”. Not much attention has been paid to this contrast. In this paper, I discuss Aristotle’s definition paying due attention to this (...) contrast and to the way it interacts with the two conditions presented in the definiens. I claim that the “necessity” condition ammounts to explanatory appropriateness of the cause. (shrink)

It has been pointed out that Gettier case scenarios have deviant realizations and that deviant realizations raise a difficulty for the logical analysis of thought experiments. Grundmann and Horvath have shown that it is possible to rule out deviant realizations by suitably modifying the scenario of a Gettier-style thought experiment. They hypothesize further that the enriched scenario corresponds to the way expert epistemologists implicitly interpret the original one. However, no precise account of this implicit enrichment is offered, which makes the (...) proposal somewhat ad hoc. Drawing on pragmatic theory, I argue that the content of Grundmann and Horvath’s modified scenario corresponds to the default interpretation of the original scenario and that epistemological expertise is not required to access the deviance-proof interpretation. This Default Interpretation proposal offers thus a more general and independently motivated solution to the Problem of Deviant Realizations. (shrink)

In De Anima II.6, Aristotle divides the objects of perception into three kinds: “special perceptibles" (idia aisthêta) such as colours, sounds and flavours, which can be perceived in their own right by only one sense; “common perceptibles" (koina aisthêta) such as shapes, sizes and movements, which can be perceived in their own right by multiple senses; and “incidental perceptibles,” such as the son of Diares, which can be perceived only “incidentally” (kata sumbebêkos). In this paper, I examine this division (...) of perceptibles and consider what it amounts to. First, I argue that Aristotle’s distinction between perceiving something in its own right (kath' hauto) and perceiving it incidentally marks a causal distinction: what is perceived in its own right causes perception as such, whereas what is perceived incidentally coincides with what is perceived in its own right. Second, I argue that for Aristotle special perceptibles, unlike common perceptibles, belong to homogeneous bodies on account of their chemical composition. Finally, I explain the primacy Aristotle assigns to special perceptibles and his claim that perception of them alone is free from error. I conclude with some brief remarks on Aristotle and the primary/secondary quality distinction. (shrink)

Xenophon’s conception of the dialectical method shares many similarities with Antisthenes’ point of view regarding the relation between language and reality. The key element supporting this reading is the parallel between Xenophon’s method of dialegein kata genē and Antisthenes’ method of episkepsis tōn onomatōn. In this paper, I claim that a correct understanding of both methods yields a clear structural proximity between the two Socratics on the issue of dialectics. Although they present some significant differences, which I will also (...) explore, I will argue that both variants express a single Socratic motive with regard to dialectics. That is that dialectics, in its basic structure, consists of organizing reality through discourse in order to make it comprehensible. In particular, this is done through establishing unified instances capable of comprehending a multiplicity. This nuclear position could also be extended to include middle Plato’s concept of dialectics. This concurrence takes up different forms in Plato, Xenophon and Antisthenes. Nevertheless, they share the same structure, which indicates quite plausibly a major characteristic of Socratic philosophies, as opposed to previous attempts by the Presocratics and the Sophists. (shrink)

Fragment B 1 of Parmenides describes a youth’s journey to the house of a goddess who enlightens him as to the nature of all things. The task of translating Parmenides’ Greek text is beset with many difficulties, most notably the phrase kata pant’ atê at B 1.3. There, the neuter accusative plural panta (‘all things’) combines with the feminine nominative singular atê (‘heaven sent blindness’) to render translation impossible. Some have proposed emending the text to read astê (‘down to (...) all cities’), understood in connection with the pathway of divine inspiration. Others reject the emendation in so far as the youth is said at B 1.27 to travel ‘far from the beaten path of men.’ I argue in defense of the reading kata pant’ a<s>tê in so far as references to pathways of inspiration and poetic journeys to the cities of men occur frequently in the poetry of Parmenides’ era. (shrink)

I argue for the possibility of a proprioceptive art in addition to, for example, visual or auditory arts, where aspects of some martial arts will serve as examples of that art form. My argument is inspired by a thought of Ted Shawn’s, one of the pioneers of American modern dance: "Dance is the only art wherein we ourselves are the stuff in which it is made.” In a first step, I point out that in some practices of martial arts (in (...) the paper I will introduce “hyongs” & “katas”), we are, too, the stuff these performances are made of. Second, I show that we, as martial arts practitioners, are not in the first place visual or auditorial observers (as common in painting or music or ballet) but introspective, proprioceptive perceivers of our bodies and their movements. (As a corollary we get that we are, in such a case, necessarily our exclusive audience.) In an third crucial step, I show that the martial arts practices referred to, hyongs & katas, and especially the proprioceptive aspects thereof, can indeed count as art. Thus, proprioceptive art is possible because some practices of some martial arts are actual existing examples of that art form. (shrink)

In an era of digital revolution, artificial intelligence, big data and augmented reality, technology has shifted from being a tool of communication to a primary medium of experience and sociality. Some of the most basic human capacities are increasingly being outsourced to machines and we increasingly experience and interpret the world through digital interfaces, with machines becoming ever more ‘social’ beings. Social interaction and human perception are being reshaped in unprecedented ways. This book explores this technologisation of the social and (...) the attendant penetration of permanent liminality into those aspects of the lifeworld where individuals had previously sought some kind of stability and meaning. Through a historical and anthropological examination of this phenomenon, it problematises the underlying logic of limitless technological expansion and our increasing inability to imagine either ourselves or our world in other than technological terms. Drawing on a variety of concepts from political anthropology, including liminality, the trickster, imitation, schismogenesis, participation, and the void, it interrogates the contemporary technological revolution in a manner that will be of interest to sociologists, social and anthropological theorists and scholars of science and technology studies with interests in the digital transformation of social life. -/- Table of Contents -/- Introduction: The Technologisation of the Social: A 21st-Century Megamachine? Paul O’Connor -/- 1. Communication as Theatricalisation: Self-Presentation in the Digital Age Arpad Szakolczai -/- 2. Parasites of the Social: Digital Disruptions of the Labour Market Tom Boland -/- 3. Possessed by Technology: The Metastasis of Absence Agnes Horvath -/- 4. Technologisation of the Social: Symbiosis, Parasitism, or Predation? Daniel Gati -/- 5. J'accuse Zéro: The Technology of Zero and the Making of a Personal Void Ray Griffin -/- 6. Digital Affordances and the Liminal Stephen Turner -/- 7. The Smart Womb: Digital Technologies and the Maze of Trickster Politics Marius Ion Benta -/- 8. Brave New Industry? The Dark Side of Dematerialisation and Industry 4.0 Thomas S.J. Smith -/- 9. ‘What Have You Caught?’: Nannycams and Hidden Cameras as Normalised Surveillance of the Intimate Janos Mark Szakolczai -/- 10. Coercive Visibility: Discipline in the Digital Public Arena Paul O’Connor -/- Conclusion: Is There a Way Out of the Technologisation of the Social? Marius Ion Benta. (shrink)

Reedition of papers in English spanning from 1986 to 2009 /// Historical background -- An imposed legacy -- Twentieth century contemporaneity -- Appendix: The philosophy of teaching legal philosophy in Hungary /// HISTORICAL BACKGROUND -- PHILOSOPHY OF LAW IN CENTRAL & EASTERN EUROPE: A SKETCH OF HISTORY [1999] 11–21 // PHILOSOPHISING ON LAW IN THE TURMOIL OF COMMUNIST TAKEOVER IN HUNGARY (TWO PORTRAITS, INTERWAR AND POSTWAR: JULIUS MOÓR & ISTVÁN LOSONCZY) [2001–2002] 23–39: Julius Moór 23 / István Losonczy 29 // (...) ON THE SURVIVAL OF ILMAR TAMMELO’S LETTER AND MANUSCRIPT ADDRESSED TO PROFESSOR MOÓR [2009] 41–44 // PROFESSIONAL DISTRESS AND SCARCITY: ALEXANDER HORVÁTH AND THE LEGACY OF NATURAL LAW IN HUNGARY [2005] 45–50 // HUNGARIAN LEGAL PHILOSOPHY IN THE 20TH CENTURY [2011] 51–72: I. The Pre-war Period [1. Bódog (Felix) Somló (1871–1920) 52] / II. The Inter-war Period [2. Gyula (Julius) Moór (1888–1950) 54 / 3. Barna Horváth (1896–1973) 55 / 4. József Szabó (1909–1992) 57 / 5. István Bibó (1911–1979) 58 / 6. Tibor Vas (1911–1983) 59 / 7. István Losonczy (1918–1980) 60] III. The Post-war Period (Communism) 61 [8. Imre Szabó (1912–1991) 62 / 9. Vilmos Peschka (1929–2006) 63 / 10. Kálmán Kulcsár (1928–2010) 65] IV. Contemporary Trends and Perspectives 66 [11. Csaba Varga (b. 1941) 66 / 12. András Sajó (b. 1949) 69 / 13. Béla Pokol (b. 1950) 70] V. Our Understanding of the Law Today 71 --- AN IMPOSED LEGACY -- LOOKING BACK [1999] 75–94: 1. On Ideologies and Marxism in general 75 / 2. Life of an Intellectual in Communism 79 / 3. On Marxism and its Socialist Cultivation in Particular 82 / 4. Legal Philosophising [4.1. Approaches to Law 87 / 4.2. Arriving at a Legal Ontology 91] 5. Conclusion 94 // LEGAL PHILOSOPHY OF THE MARXISM OF SOCIALISM: HUNGARIAN OVERVIEW IN AN INTERNATIONAL PERSPECTIVE [2003] 95–151: I. Development and Balance of Marxist Philosophising on Law in Hungary [1. Preliminaries (until 1948) 96 / 2. Stalinism (from the Soviet Occupation on) {a) Liquidation of the »Residues« 98 / b) Soviet-type Uniformisation [Gleichschaltung] 99 / c) Denial of the Past, with a Dual Effect 99 / d) »Socialist Legality«, Drawn from the Progressive Past of Western Europe 103 / e) Search for the Germs of Scholarly Evolution 103} 3. Institutionalisation Accompanied by Relaxation (from the 1960s) [a) Epigonism Becoming the Scholarly Ideal 104 / b) Stalinism in a Critical Self-perspective 105 / c) Disciples Diversified Launching their own Trends 107 / d) Comparatism 110 / e) (Re)discovery of the Western Legal Philosophy as a Competitor 112 / f) A Leading Mediatory Role within the »Socialist World Order« 114} 4. Disintegration (in the 1980s) {a) Attempt at Laying New Foundations for Marxism with Epigonism Exhausted 115 / b) Competitive Trends Becoming Exclusive 115 / c) Western Legal Philosophy Acknowledged as a Fellow-traveller within the Socialist Orbit Proper 116 / d) Hungarian Legal Theory Transforming into a National Corpus 118 / e) The Practical Promotion of Some Balance 119} 5. End-game for a Substitute State Religion (in the 1990s) 120] II. Marxist Legal Philosophising in an International Perspective [Ad 1: To the Preliminaries 122 / Ad 2: To Stalinism 124 / Ad 3: To Institutionalisation Accompanied by Relaxation {a) Late Separation from Vishinskiy’s Theory 125 / b) From Ideological Self-closure to an Apparently Scholarly Openness 127 / c) From Political Ideology to Genuine Scholarship 130 / d) International Recognition of Socialist Jurisprudence as an Independent Trend 135 / e) Together with Western Trends 137} Ad 4: To Disintegration {a) Loss of Attraction as Mere Epigonism 139 / b) Exclusivity of Competing Trends 139 / c) Fellowship with »Bourgeois« Trends 140 / d) An own Trend, Internationally Recognised 141 / e) A yet Progressive Role 142} Ad 5: To the Present state 143] III. A Temporary Balance 145 // AUTONOMY AND INSTRUMENTALITY OF LAW IN A SUPERSTRUCTURAL PERSPECTIVE [1986] 151–175: 1. The Strange Fate of Concepts 151 / I. A Relational Category 2. Basis and Superstructure: The Genuine Meaning 154 / 3. Exerting Social Influence as a Conceptual Minimum 156 / 4. Relationships within the Prevailing Totality 158 / 5. Attempts at Interpretation in Hungary 159 / 6. The Lukácsian Stand 162 / 7. Lukács’s Recognitions 168 / 8. Some Criticism 169 / II. The Law’s Understanding 171 / 9. Law Interpreted as Superstructure 171 / 10. Conclusions Drawn for the Law’s Understanding 173 // LEGAL THEORY IN TRANSITION (A PREFACE FROM HUNGARY) [2000] 177–186 // DEVELOPMENT OF THEORETICAL LEGAL THOUGHT IN HUNGARY AT THE TURN OF THE MILLENNIUM [2006] 187–215: 1. International Environment 188 / 2. The Situation in Hungary 190 / 3. Outlook I: The Historical-comparative Study of Legal Cultures and of the Lawyerly Way of Thinking 203 / 4. Outlook II: The Paradigmatic Enigma of the Transition to Rule of Law 207 / 5. Incongruity in Practice 213 / 6. Perspectives 214 --- TWENTIETH CENTURY CONTEMPORANEITY -- CHANGE OF PARADIGMS IN LEGAL RECONSTRUCTION: CARL SCHMITT AND THE TEMPTATION TO FINALLY REACH A SYNTHESIS [2002] 219–234: 1. Dangers of Intellectualism 219 / 2. Schmitt in Facts 221 / 3. Schmitt and Kelsen 222 / 4. On Bordering Conditions 226 / 5. With Kelsen in Transubstantiation 230 / 6. Polarisation as the Path of Theoretical Development 232 // KELSENIAN DOCUMENTS IN HUNGARY: CHAPTERS ON CONTACTS, INCLUDING THE GENESIS OF AUTOBIOGRAPHY [2006] 235–243: 1. Preludes 235 / 2. The Search for Moór’s Bequeath 235 / 3. Moór’s Collegiality 238 / 4. Bibó as a Disciple Translating 241 // THE »HART-PHENOMENON« [2002] 245–267: I. The Hart-miracle 246 [1. The Scene of Britain at the Time 247 / 2. The Personal Career 250 / 3. The Opus’ Career 252 / 4. Verbal Sociologism 255 / 5. Growing into the British Pattern 259] II. The Hart-phenomenon 260 [6. Origination of a Strange Orthodoxy 261 / 7. Mastering Periods of the 20th Century 263 / 8. Raising the Issue of Reception in Hungary 365] // LITERATURE? A SUBSTITUTE FOR LEGAL PHILOSOPHY? [2007] 269–287: 1. The Enigma of Law and its Study 269 / 2. “Law and Literature” 271 / 3. Varieties of “Law and Literature” 274 / 4. The German Study of Artistic Representations 280 / 5. Some Literary Reconsiderations 285 / 6. Conclusion 287 --- APPENDIX -- THE PHILOSOPHY OF TEACHING LEGAL PHILOSOPHY IN HUNGARY [2007] 291–320: I. Why and How to Philosophise in Law? 291 / II. The State of Teaching Legal Philosophy 294 / III. The Philosophy of Teaching Legal Philosophy 296 / IV. Programme at the Catholic University of Hungary 300 [1. Graduate Studies 300 {a) Basic Subjects 301 / b) Facultative Seminars 305 / c) Closing Subjects 309 / d) Written Memoranda and the Thesis 312} 2. Postgraduate Studies 313 / 3. Conclusion 317] V. Perspectives 318 /// Index of Subjects 321 / Index of Normative Materials 328 / Index of Names 329 . (shrink)

Tieteen yhteiskunnallisen vaikuttavuuden käsite on nykyään kohtuuttoman kapea. Tilanne on hermeneuttisesti epäoikeudenmukainen: etenkin humanistisen tutkimuksen yhteiskunnallinen vaikuttavuus jää näkymättömiin, koska käytettävä vaikuttavuuden käsite ei kata sitä. Tämä hapertaa jopa humanististen alojen itseymmärrystä. Humanistinen tutkimus vaikuttaa kuitenkin konkreettisin tavoin siihen, keitä olemme.

Dasar yang paling penting dalam pendidikan menurut Ki Hajar Dewantara adalah adanya persamaan persepsi antara penegak atau pemimpin pendidikan tentang arti “mendidik” itu sendiri. Ki Hadjar Dewantara mengatakan bahwa; Pendidikan ialah usaha kebudayaan yang bermaksud memberi bimbingan dalam hidup tumbuhnya jiwa raga anak agar dalam kodrat pribadinya serta pengaruh lingkunganannya, mereka memperoleh kemajuan lahir batin menuju ke arah adab kemanusiaan Dari definisi pendidikan tersebut terdapat dua kalimat kunci yaitu; „tumbuhnya jiwa raga anak‟ dan „ kemajuan anak lahir-batin‟. Dasar kontinuitas berarti (...) bahwa, Dengan perkembangan dan kemajuan kebudayaan, garis hidup bangsa terus menerima pengaruh nilai-nilai baru, garis kemajuan suatu bangsa ditarik terus. Kemajuan suatu bangsa ialah lanjutan dari garis hidup asalnya, yang ditarik terus dengan menerima nilai-nilai baru dari perkembangan sendiri maupun dari luar. Dasar Konsentris Dasar konsentris berarti bahwa dalam mengembangkan kebudayaan harus bersikap terbuka, namun kritis dan selektif terhadap pengaruh kebudayaan di sekitar kita. Hanya unsur-unsur yang dapat memperkaya dan mempertinggi mutu kebudayaan saja yang dapat diambil dan diterima, setelah dicerna dan disesuaikan dengan kepribadian bangsa. c. Dasar Konvergensi Dasar konvergensi mempunyai arti bahwa dalam membina karakter bangsa, bersamasama bangsa lain diusahakan terbinanya karakter dunia sebagai kebudayaan kesatuan umat sedunia (konvergen), tanpa mengorbankan kepribadian atau identitas bangsa masing-masing. Dengan demikian maka pengaruh terhadap kebudayaan yang masuk, harus bersikap terbuka, disertai sikap selektif sehingga tidak menghilangkan identitas sendiri. Kata Kunci: Filsafat, Pendidikan, Ki Hajar Dewantara. (shrink)

Aristoteles unterscheidet zwischen zwei Arten, das Wort „dynaton" zu gebrauchen. Die erste dieser beiden Verwendungsweisen dient zur Zuschreibung von Vermögen (dynaton kata dynamin), die zweite entspricht unserer Verwendung des logisch-alethischen Modaloperators „Es ist möglich, dass" (dynaton ou kata dynamin). Ich argumentiere dafür, dass wichtige Unterschiede zwischen Vermögensprädikationen und Modalaussagen bestehen. Ich nenne mehrere Gründe dafür, dass Vermögensprädikationen keine Modalaussagen sind, zeige aber auch, dass Vermögensprädikationen zwei modale Elemente haben: Sie implizieren erstens nichttriviale Modalaussagen, weil es keine Vermögen für (...) Unmögliches gibt. Und sie implizieren zweitens nichttriviale Aussagen über kontrafaktische Situationen, weil sie Aussagen über kausale Rollen sind. (shrink)

Dalam tulisan Mempopulerkan Filsafat Indonesia ke Dunia (Majalah Ilmiah Bina Widya Vol.16, No.2, Agustus 2005), penulis telah menggunakan dua pendekatan untuk menjawab soal ‘adakah tradisi filsafat di Indonesia?’, yang salah satunya ialah pendekatan morfologi linguistik. Sebagai suatu cabang ilmu linguistik yang mempelajari kata-kata (words) dan bagian-bagiannya (word parts) seperti morfem (morpheme) dan leksem (lexeme), kategori semantik dan kategori gramatikal yang dimiliki keduanya, aturan ucap dan perubahan ucap dalam kombinasi keduanya, serta hubungan antar-kata dalam kalimat, morfologi linguistik amat (...) berguna dalam kaitannya dengan studi Filsafat Indonesia, utamanya untuk menggali khazanah kata-kata di Indonesia yang berhubungan dengan tradisi pemikiran abstrak Filsafat, yang dengannya akan ditemukan data￾data linguistik yang cukup valid, yang memungkinkan kita berasumsi dengan asumsi ilmiah yang memadai akan adanya tradisi kefilsafatan di Indonesia. (shrink)

Kosmovisi Adalah Istilah yang seharusnya berarti seperangkat fondasi yang darinya muncul pemahaman sistemik tentang Alam Semesta, komponen-komponennya sebagai kehidupan, dunia tempat kita hidup, alam, fenomena manusia, dan hubungan mereka. Oleh karena itu, ini adalah bidang filsafat analitis yang disuplai oleh ilmu pengetahuan, yang tujuannya adalah pengetahuan yang terkumpul dan berkelanjutan secara epistemologis tentang segala sesuatu yang ada dan terkandung dalam diri kita, yang mengelilingi kita, dan yang berhubungan dengan kita dengan cara apa pun. Ini adalah sesuatu yang sama tuanya dengan (...) pemikiran manusia, dan, selain menggunakan unsur-unsur kosmologi ilmiah, ini mencakup segala sesuatu dalam filsafat dan sains yang mengacu pada alam semesta dan kehidupan. Kosmovisi bukanlah sekumpulan ide, hipotesis, dan asumsi, melainkan sebuah sistem yang didasarkan pada observasi, analisis, bukti, dan demonstrasi. Tidak ada kosmovisi yang bermaksud untuk mendefinisikan, menetapkan, atau mengusulkan, tetapi hanya memahami, menganalisis, dan menafsirkan. Masing-masing dari kita membangun dan membawa kosmovisi-nya sepanjang hidup, tanpa menetapkan bentuk, sebagai latar belakang pemikiran dan perilaku kita. Secara linguistic, Istilah "kosmovisi" akan berasal dari padanan bahasa Jerman untuk konsep "Weltanschauung", seperti yang digunakan oleh beberapa filsuf. Namun, hubungan linguistic ini tidak dapat diterapkan karena bertentangan dengan apa yang kami usulkan sebagai kosmovisi. Kata Jerman ini mengacu pada visi pra-logis atau proto-eksperimental tentang realitas, dengan konteks intuitif dan jauh dari pengetahuan kritis yang masih belum ada pada saat perumusannya. Tidak diragukan lagi, kosmovisi, dalam pengertian yang kita pahami, menampung dan menggunakan elemen-elemen proto-eksperimental atau pra-logis yang mencakup sejarah, ketidaksadaran kolektif, dan semua pola dasar yang kita bawa. Namun, dalam konsep yang kami terapkan di sini, kosmovisi jauh melampaui konten ini, pertama-tama dengan terus-menerus menyerahkannya untuk menghadirkan pemikiran kritis dan akhirnya dengan menjadikan pengalaman analitik (dan bukan pemikiran itu sendiri atau intuisi) sebagai alam semesta yang sebenarnya. António Lopes memaparkan luasnya konten ini: -/- "Kosmovisi bukanlah produk dari pemikiran. Mereka tidak muncul dari keinginan sederhana untuk mengetahui. Pemahaman tentang realitas adalah momen penting dalam konfigurasinya, tetapi, bagaimanapun, itu hanya satu. Itu berasal dari perilaku vital, dari pengalaman hidup, dari struktur totalitas psikis kita. Peningkatan kehidupan menuju kesadaran dalam pengetahuan tentang realitas, dalam penilaian kehidupan dan dalam realitas kehendak adalah pekerjaan yang lambat dan sulit yang telah dilakukan umat manusia dalam pengembangan konsepsi kehidupan. (W. Dilthey, 1992 [1911]: 120)" . Dalam karya ini, kami berusaha menguraikan sebuah visi kosmik berdasarkan realitas yang ditawarkan sains saat ini. Kami tidak mengusulkan, kapan pun, untuk melakukan sains atau berteori tentang filsafat. Namun, kami akan selalu berusaha untuk didukung oleh mereka atau, setidaknya, dilindungi oleh mereka dari distorsi kognitif yang biasanya kita bawa. (shrink)

Artikel ini bertujuan untuk memperlihatkan pentingnya prinsip penghargaan atas subjek dalam penelitian ilmiah. Dengan menjadikan kasus hipotermia Nazi sebagai contoh, artikel ini akan menunjukkan masalah yang terjadi saat prinsip penghargaan atas subjek absen dalam andaian aksiologis penelitian. Metode yang digunakan dalam artikel ini adalah evaluasi kritis dalam tataran prinsip dan kerangka riset. Hasil evaluasi menunjukkan bahwa ketidakhadiran prinsip penghargaan atas subjek adalah konsekuensi logis atas lemahnya kerangka riset yang dijalankan Nazi dalam penelitian hipotermianya. Dengan kata lain, problem non-epistemik yang (...) tidak tepat dapat memengaruhi keoptimalan pertimbangan epistemik. Berdasarkan hal tersebut, artikel ini merekomendasikan usaha penuh untuk mengafirmasi prinsip penghargaan terhadap subjek dalam segala bentuk kondisi dan penelitian. (shrink)

Sebelum mengomentari buku ini, saya menawarkan komentar tentang Wittgenstein dan Searle dan struktur Logis rasionalitas. Esai di sini sebagian besar sudah diterbitkan selama dekade terakhir (meskipun beberapa telah diperbarui), bersama dengan satu item yang tidak diterbitkan, dan tidak ada di sini akan datang sebagai kejutan bagi mereka yang telah terus dengan karyanya. Seperti W, ia dianggap sebagai filsuf Standup terbaik pada waktunya dan karya tulis yang solid sebagai batu dan terobosan di seluruh. Namun, kegagalannya untuk mengambil W kemudian cukup serius (...) mengarah ke beberapa kesalahan dan kebingungan. Hanya beberapa contoh: pada P7 ia dua kali mencatat bahwa kepastian kita tentang fakta dasar adalah karena berat alasan yang luar biasa mendukung klaim kita, tapi W menunjukkan definitif dalam ' pada kepastian ' bahwa tidak ada kemungkinan meragukan benar-satu-satunya struktur aksiomatik sistem kita 1 persepsi, kenangan dan pikiran, karena itu sendiri dasar untuk penghakiman dan tidak bisa sendiri dihakimi. Dalam kalimat pertama di P8 dia mengatakan kepada kita bahwa kepastian adalah revisable, tapi semacam ini ' kepastian ', yang kita sebut Certainty2, adalah hasil dari memperluas aksiomatik dan nonrevisable kami kepastian (Certainty1) melalui pengalaman dan sangat berbeda karena proposisional (benar atau salah). Ini tentu saja merupakan contoh klasik dari "pertempuran melawan kebingungan kecerdasan kita dengan bahasa" yang W menunjukkan berulang-ulang. Satu kata-dua (atau banyak) kegunaan yang berbeda. -/- Nya bab terakhir "The kesatuan proposisi" (sebelumnya belum diterbitkan) juga akan mendapatkan keuntungan besar dari membaca W "pada kepastian" atau DMS dua buku tentang OC (Lihat ulasan saya) karena mereka membuat jelas perbedaan antara benar hanya kalimat yang menggambarkan S1 dan benar atau salah proposisi menggambarkan S2. Pemogokan ini saya sebagai pendekatan yang jauh lebih unggul untuk S mengambil persepsi S1 sebagai proposisional karena mereka hanya menjadi T atau F setelah satu mulai berpikir tentang mereka di S2. Namun, titik yang proposisi pernyataan izin aktual atau potensi kebenaran dan kepalsuan, masa lalu dan masa depan dan fantasi, dan dengan demikian memberikan muka yang besar atas pra atau protolinguistic masyarakat, adalah meyakinkan. Ketika ia menyatakan itu "proposisi adalah apa-apa yang dapat menentukan kondisi kepuasan... dan kondisi kepuasan... adalah bahwa hal itu dan semacamnya. " Atau, salah satu kebutuhan untuk menambahkan, yang mungkin atau mungkin telah atau mungkin dibayangkan menjadi kasus. -/- Secara keseluruhan, PNC adalah ringkasan yang baik dari banyak kemajuan yang substansial atas Wittgenstein dihasilkan dari setengah abad S bekerja, tetapi dalam pandangan saya, W masih adalah tak tertandingi setelah Anda memahami apa yang dia katakan. Idealnya, mereka harus dibaca bersama-sama: Searle untuk CLEAR koheren prosa dan generalisasi, diilustrasikan dengan contoh yang perpedas W dan brilian aphorisms. Jika saya masih jauh lebih muda saya akan menulis buku melakukan hal itu. -/- Mereka yang ingin komprehensif up to date kerangka perilaku manusia dari dua systEMS tampilan modern dapat berkonsultasi buku saya 'struktur Logis filsafat, psikologi, mind dan bahasa dalam Ludwig wittgenstein dan John Searle ' 2nd Ed (2019). Mereka yang tertarik pada tulisan saya lebih mungkin melihat 'berbicara monyet--filsafat, psikologi, ilmu pengetahuan, agama dan politik di planet yang ditakdirkan--artikel dan review 2006-2019 3rd ed (2019) dan bunuh diri utopian delusi di 21st Century 4th Ed (2019). (shrink)

Aku mulai dengan beberapa komentar terkenal oleh filsuf (psikolog) Ludwig Wittgenstein karena Pinker saham dengan kebanyakan orang (karena pengaturan default psikologi bawaan kita berevolusi) prasangka tertentu tentang fungsi pikiran, dan karena Wittgenstein menawarkan wawasan yang unik dan mendalam dalam cara kerja bahasa, pemikiran dan realitas (yang ia dipandang sebagai lebih atau kurang coekstensif) tidak ditemukan di tempat lain. TheRe adalah hanya referensi untuk Wittgenstein dalam volume ini, yang paling disayangkan mengingat bahwa ia adalah yang paling brilian dan asli analis bahasa. (...) -/- Dalam bab terakhir, menggunakan metafora terkenal dari gua Plato, ia dengan indah meringkas buku dengan gambaran tentang bagaimana pikiran (bahasa, berpikir, psikologi disengaja)-produk keegoisan buta, dimoderasi hanya sedikit oleh altruisme otomatis untuk kerabat dekat membawa salinan gen kita (inklusif Fitness)--bekerja secara otomatis, tetapi mencoba untuk mengakhiri pada catatan optimis dengan memberi kita harapan bahwa kita tetap dapat menggunakan kemampuan yang luas untuk bekerja sama dan membuat dunia menjadi tempat yang layak untuk hidup. -/- Pinker tentu sadar tetapi mengatakan sedikit tentang fakta bahwa jauh lebih banyak tentang psikologi kita ditinggalkan daripada yang disertakan. Di antara jendela ke dalam sifat manusia yang ditinggalkan atau diberi perhatian minimal adalah matematika dan geometri, musik dan suara, Gambar, peristiwa dan kausalitas, Ontologi (kelas hal atau apa yang kita tahu), sebagian besar Epistemologi (bagaimana kita tahu), disposisi (percaya, berpikir, menilai, berniat dll) dan sisanya psikologi disengaja tindakan, neurotransmiter dan entheogens, negara spiritual (misalnya, Satori dan pencerahan, otak stimulasi dan perekaman, kerusakan otak dan perilaku defisit dan gangguan, permainan dan olahraga, teori keputusan (termasuk. teori permainan dan perilaku ekonomi), perilaku hewan (sangat sedikit bahasa tetapi satu miliar tahun genetika bersama). Banyak buku telah ditulis tentang masing-masing bidang psikologi disengaja. Data dalam buku ini adalah deskripsi, bukan penjelasan yang menunjukkan mengapa otak kita melakukannya dengan cara ini atau bagaimana hal itu dilakukan. Bagaimana kita tahu untuk menggunakan kalimat dalam berbagai cara mereka (yaitu, tahu semua makna)? Ini adalah psikologi evolusi yang beroperasi pada tingkat yang lebih mendasar-tingkat di mana Wittgenstein paling aktif. Dan ada perhatian yang sangat minim pada konteks kata mana yang digunakan = sebuah arena yang dirintis Wittgenstein. -/- Namun demikian, ini adalah karya klasik dan dengan memperingatkan ini masih layak dibaca. -/- Mereka yang ingin komprehensif up to date kerangka perilaku manusia dari dua systEMS tampilan modern dapat berkonsultasi buku saya 'struktur Logis filsafat, psikologi, mind dan bahasa dalam Ludwig wittgenstein dan John Searle ' 2nd Ed (2019). Mereka yang tertarik pada tulisan saya lebih mungkin melihat 'berbicara monyet--filsafat, psikologi, ilmu, agama dan politik di planet yang ditakdirkan--artikel dan review 2006-2019 3rd ed (2019) dan bunuh diri utopian delusi di 21st Century 4th Ed (2019) . (shrink)

Horwich memberikan analisis baik Wittgenstein (w) dan merupakan sarjana W terkemuka, tetapi dalam pandangan saya, mereka semua jatuh pendek dari apresiasi penuh, seperti yang saya jelaskan di length dalam tinjauan ini dan banyak lainnya. Jika seseorang tidak mengerti W (dan sebaiknya Searle juga) maka saya tidak melihat bagaimana seseorang bisa memiliki lebih dari pemahaman yang dangkal filsafat dan urutan yang lebih tinggi berpikir dan dengan demikian dari semua perilaku kompleks (psikologi, Sosiologi, antropologi, sejarah, sastra, masyarakat). Singkatnya, W menunjukkan bahwa ketika (...) Anda telah menunjukkan bagaimana kalimat digunakan dalam konteks kepentingan, tidak ada lagi yang dapat dikatakan. Saya akan mulai dengan beberapa kutipan penting dan kemudian memberikan apa yang saya pikir adalah pertimbangan minimum yang diperlukan untuk memahami Wittgenstein, filsafat dan perilaku manusia. -/- Pertama mungkin dicatat bahwa menempatkan "meta" di depan kata apapun harus tersangka. W berkomentar misalnya, bahwa metamathematics adalah matematika seperti yang lain. Gagasan bahwa kita dapat melangkah keluar filsafat (yaitu, psikologi deskriptif pemikiran yang lebih tinggi) adalah dirinya sendiri kebingungan yang mendalam. Iritasi lain di sini (dan di seluruh akademik menulis selama 4 dekade terakhir) adalah bahasa yang konstan sebaliknya seksisme dari "dia" dan "miliknya" dan "dia" atau "dia/dia" dll, di mana "mereka" dan "mereka" dan "mereka" akan melakukan dengan baik. Demikian pula, penggunaan kata Perancis ' repertoar ' di mana bahasa Inggris ' Repertory ' akan cukup baik. Kekurangan utama adalah kegagalan lengkap (meskipun sangat umum) untuk mempekerjakan apa yang saya lihat sebagai sangat kuat dan intuitif dua sistem pandangan HOT dan Searle's kerangka yang telah saya diuraikan di atas. Hal ini terutama pedih dalam bab tentang makna p111 et seq. (terutama di catatan kaki 2-7), di mana kita berenang di air yang sangat berlumpur tanpa kerangka benar otomatis hanya S1, disposisional proposisional S2, cos dll Satu juga bisa mendapatkan pandangan yang lebih baik dari dalam dan luar dengan membaca misalnya, Johnston atau Budd (Lihat ulasan saya). Horwich namun membuat banyak komentar tajam. Saya terutama menyukai ringkasan nya dari impor w's anti-teoritis sikap pada P65. Dia perlu memberikan penekanan lebih untuk ' pada kepastian ', baru-baru ini subjek banyak usaha oleh Daniele Moyal-Sharrock, Coliva dan lain-lain dan diringkas dalam artikel baru-baru ini. -/- Horwich adalah tingkat pertama dan pekerjaannya layak usaha. Satu harapan bahwa ia (dan semua orang) akan mempelajari Searle dan beberapa psikologi modern serta Hutto, baca, Hutchinson, Stern, Moyal-Sharrock, berjalan, hacker dan Baker dll untuk mencapai pandangan modern yang luas perilaku. Sebagian besar kertas mereka berada di academia dot edu dan philpapers dot org, tetapi untuk PMS Hacker. -/- Dia memberikan salah satu ringkasan yang paling indah di mana pemahaman Wittgenstein meninggalkan kita yang pernah saya lihat. -/- "Tidak boleh ada upaya untuk menjelaskan linguistik/kegiatan konseptual kita (PI 126) seperti Frege pengurangan aritmatika untuk logika; tidak ada upaya untuk memberikan fondasi epistemologis (PI 124) seperti dalam arti rekening berdasarkan pengetahuan apriori; tidak ada upaya untuk mencirikan bentuk ideal itu (PI 130) seperti dalam pengertian Logics; tidak ada usaha untuk mereformasi (PI 124, 132) seperti teori kesalahan Mackie atau intuisi Dummett; tidak ada upaya untuk merampingkan itu (PI 133) seperti dalam laporan quine keberadaan; tidak ada usaha untuk membuatnya lebih konsisten (PI 132) seperti dalam tanggapan Tarski terhadap paradoks pembohong; dan tidak ada upaya untuk membuatnya lebih lengkap (PI 133) seperti dalam penyelesaian pertanyaan identitas pribadi untuk skenario aneh ' teleportasi '. -/- Akhirnya, izinkan saya menyarankan bahwa dengan perspektif saya telah mendorong di sini, W adalah di pusat filsafat dan psikologi kontemporer dan tidak jelas, sulit atau tidak relevan, tapi gemilang, mendalam dan jernih dan bahwa untuk merindukannya adalah untuk melewatkan salah satu petualangan intelektual terbesar mungkin. -/- Mereka yang ingin komprehensif up to date kerangka perilaku manusia dari dua systems tampilan modern dapat berkonsultasi buku saya 'struktur Logis filsafat, psikologi, mind dan bahasa dalam Ludwig wittgenstein dan John Searle ' 2nd Ed (2019). Mereka yang tertarik pada tulisan saya lebih mungkin melihat 'berbicara monyet--filsafat, psikologi, ilmu, agama dan politik di planet yang ditakdirkan--artikel dan review 2006-2019 3rd ed (2019) dan bunuh diri utopian delusi di 21st Century 4th Ed (2019) . (shrink)

Dalam ' Godel ' s Way ' tiga ilmuwan terkemuka membahas isu seperti undecidability, ketidaklengkapan, kekasaran, komputasi dan paraconsistency. Saya mendekati masalah ini dari sudut pandang Wittgensteinian bahwa ada dua masalah dasar yang memiliki solusi yang sama sekali berbeda. Ada masalah ilmiah atau empiris, yang merupakan fakta tentang dunia yang perlu diselidiki masalah observationally dan filosofis mengenai bagaimana bahasa dapat digunakan secara jelas (yang mencakup pertanyaan tertentu dalam matematika dan logika), yang perlu diputuskan dengan mencarit bagaimana kita benar-benar menggunakan (...) class='Hi'>kata dalam konteks tertentu. Ketika kita mendapatkan jelas tentang mana permainan bahasa yang kita bermain, topik ini dipandang sebagai pertanyaan ilmiah dan matematika biasa seperti orang lain. Wawasan Wittgenstein jarang sama dan tidak pernah melampaui dan seperti yang berkaitan dengan hari ini karena mereka 80 tahun yang lalu ketika dia mendikte buku Blue and Brown. Terlepas dari kegagalan-benar serangkaian catatan daripada buku selesai-ini adalah sumber yang unik dari pekerjaan tiga sarjana terkenal yang telah bekerja di tepi berdarah fisika, matematika dan filsafat selama lebih dari setengah abad. Da Costa dan Doria dikutip oleh Wolpert (Lihat di bawah atau artikel saya di Wolpert dan saya review yanofsky's ' The Outer batas dari alasan ') karena mereka menulis di Universal komputasi, dan di antara banyak prestasi, da Costa adalah pelopor dalam paraconsistency. -/- Mereka yang ingin komprehensif up to date kerangka perilaku manusia dari dua systEMS tampilan modern dapat berkonsultasi buku saya 'struktur Logis filsafat, psikologi, mind dan bahasa dalam Ludwig wittgenstein dan John Searle ' 2nd Ed (2019). Mereka yang tertarik pada tulisan saya lebih mungkin melihat 'berbicara monyet--filsafat, psikologi, ilmu, agama dan politik di planet yang ditakdirkan--artikel dan review 2006-2019 3rd ed (2019) dan bunuh diri utopian delusi di 21st Century 4th Ed (2019) . (shrink)

Saya sangat terbiasa dengan buku aneh dan khusus orang, tapi Hawkins berdiri keluar karena penggunaan teknik sederhana untuk menguji ketegangan otot sebagai kunci untuk "kebenaran" dari segala jenis pernyataan apa pun-i. e., bukan hanya untuk Apakah orang yang diuji percaya, tapi apakah itu benar-benar benar! Apa yang terkenal adalah bahwa orang akan menunjukkan otomatis, gangguan fisiologis dan psikologis pingsan untuk apa saja mereka terpapar-gambar, suara, sentuhan, bau, ide, orang. Jadi, membaca otot untuk mengetahui perasaan mereka yang sebenarnya tidak radikal sama (...) sekali, tidak seperti menggunakannya sebagai tongkat menyiram (lebih otot membaca) untuk melakukan "ilmu paranormal". Hawkins menjelaskan penggunaan penurunan ketegangan pada otot lengan dalam menanggapi peningkatan beban kognitif sehingga menyebabkan lengan turun dalam menanggapi tekanan konstan jari seseorang. Dia tampaknya tidak menyadari bahwa ada yang lama didirikan dan luas upaya penelitian yang berkelanjutan dalam psikologi sosial disebut dengan frase seperti ' implisit kognisi ', ' automatisitas ' dll, dan bahwa penggunaan ' Kinesiology ' adalah salah satu bagian kecil. Selain nada otot (jarang digunakan) psikolog sosial mengukur EEG, respon kulit galvanik dan respon yang paling sering verbal kata, kalimat, gambar atau situasi pada waktu yang bervariasi dari detik ke bulan setelah stimulus. Banyak, seperti bargh dan Wegner, mengambil hasilnya berarti kita automaton yang belajar dan bertindak sebagian besar tanpa kesadaran melalui S1 (sistem otomatis 1) dan banyak orang lain seperti kihlstrom dan Shanks mengatakan studi ini cacat dan kami adalah makhluk S2 (sistem musyawatif 2). Meskipun Hawkins tampaknya tidak tahu, seperti di bidang lain dari psikologi deskriptif pemikiran yang lebih tinggi, situasi mengenai "automatisitas" masih sebagai kacau seperti itu ketika Wittgenstein menggambarkan alasan untuk sterilitas dan kemandulan psikologi di 30 ' s. Namun demikian, buku ini adalah mudah dibaca dan beberapa terapis dan guru spiritual mungkin menemukan penggunaan. Mereka yang ingin komprehensif up to date kerangka perilaku manusia dari dua systems tampilan modern dapat berkonsultasi buku saya 'struktur Logis filsafat, psikologi, mind dan bahasa dalam Ludwig wittgenstein dan John Searle ' 2nd Ed (2019). Mereka yang tertarik pada tulisan saya lebih mungkin melihat 'berbicara monyet--filsafat, psikologi, ilmu, agama dan politik di planet yang ditakdirkan--artikel dan review 2006-2019 3rd ed (2019) dan bunuh diri utopian delusi di 21st Century 4th Ed (2019). (shrink)

' ' Orang mengatakan lagi dan lagi bahwa filosofi tidak benar-benar maju, bahwa kita masih sibuk dengan masalah filosofis yang sama seperti orang Yunani. Tapi orang yang mengatakan ini tidak mengerti mengapa hal itu harus begitu. Hal ini karena bahasa kita tetap sama dan terus merayu kita untuk mengajukan pertanyaan yang sama. Selama masih ada kata kerja ' ' yang terlihat seolah-olah berfungsi dengan cara yang sama seperti untuk makan dan minum ', selama kita tetap memiliki kata sifat (...) yang sama ', ' benar ', ' palsu ', selama kita terus berbicara tentang Sungai waktu, dari keluasan ruang, dll, dll, orang akan terus tersandung kesulitan membingungkan yang sama dan menemukan diri mereka menatap sesuatu yang tidak ada penjelasan yang tampaknya mampu membersihkan. Dan apa lagi, ini memuaskan kerinduan untuk transenden, karena, sejauh orang berpikir bahwa mereka dapat melihat 'batas pemahaman manusia, mereka percaya tentu saja That mereka dapat melihat di luar ini. '' -/- Kutipan ini dari Ludwig Wittgenstein yang didefinisikan ulang filsafat beberapa 70 tahun yang lalu (tapi kebanyakan orang belum menemukan ini). Dennett, meskipun ia telah menjadi seorang filsuf untuk beberapa 40 tahun, adalah salah satu dari mereka. Hal ini juga ingin tahu bahwa baik dia dan antagonis utamanya, John Searle, belajar di bawah Wittgensteinians terkenal (Searle dengan John Austin, Dennett dengan Gilbert Ryle) tapi Searle lebih atau kurang mendapat titik dan Dennett tidak, (meskipun hal ini peregangan untuk memanggil Searle atau Ryle Wittgensteinians). Dennett adalah penentu yang keras (meskipun ia mencoba menyelinap realitas di pintu belakang), dan mungkin ini karena Ryle, yang bukunya yang terkenal ́The Concept of Mind ́ (1949) terus dicetak ulang. Buku itu melakukan pekerjaan yang besar mengusir hantu, tapi itu meninggalkan mesin. -/- Dennett menikmati membuat kesalahan Wittgenstein, Ryle (dan banyak lainnya sejak) telah terkena secara rinci. Kami menggunakan kata kesadaran, pilihan, kebebasan, niat, partikel, berpikir, menentukan, gelombang, sebab, terjadi, peristiwa (dan seterusnya tanpa henti) jarang menjadi sumber kebingungan, tetapi segera setelah kita meninggalkan kehidupan normal dan memasuki filsafat (dan setiap diskusi terlepas dari lingkungan di mana bahasa berevolusi— yaitu, konteks yang tepat di mana kata yang berarti) kekacauan memerintah. Seperti kebanyakan, Dennett tidak memiliki kerangka yang koheren-yang Searle telah disebut struktur Logis rasionalitas. Saya telah memperluas ini cukup sejak saya menulis review ini dan artikel saya baru-baru ini menunjukkan secara rinci apa yang salah dengan pendekatan Dennett filsafat, yang satu mungkin menyebut saintisme on steroid. Mari saya Akhiri dengan kutipan lain dari Wittgenstein--' ambisi adalah kematian pemikiran ́. -/- Mereka yang ingin komprehensif up to date kerangka perilaku manusia dari dua systEMS tampilan modern dapat berkonsultasi buku saya 'struktur Logis filsafat, psikologi, mind dan bahasa dalam Ludwig wittgenstein dan John Searle ' 2nd Ed (2019). Mereka yang tertarik pada tulisan saya lebih mungkin melihat 'berbicara monyet--filsafat, psikologi, ilmu pengetahuan, agama dan politik di planet yang ditakdirkan--artikel dan review 2006-2019 3rd ed (2019) dan bunuh diri utopian delusi di 21st Century 4th Ed (2019). (shrink)