Our paper examines Gloria Anzaldúa’s critical appropriation of Mexican philosophical sources, especially in the writing of Borderlands/La Frontera. We demonstrate how Anzaldúa developed a transnational Philosophy of Mexicanness, effectively contributing to what has been recently characterized as the “multi-generational project to pursue philosophy from and about Mexican circumstances” (Vargas). More specifically, we recover “La Mexicana en la Chicana” by paying careful attention to Anzaldúa’s Mexican sources, both those she explicitly cites and those we have discovered while conducting archival research using (...) the Gloria Evangelina Anzaldúa Papers from the Benson Latin American Collection at the University of Texas at Austin. The three sections of our paper: 1) define the terms Mexican and philosophy in conversation with Anzaldúa’s work, 2) examine the Mexican philosophical sources that Anzaldúa cites in Borderlands/La Frontera, and 3) present the other major Mexican philosophical influences on Anzaldúa that we have found in her archive. The eight Mexican philosophical sources we discuss here include: José Vasconcelos (1882-1959), Miguel León-Portilla (1926-2019), Juana Armanda Alegría (1938- ), Octavio Paz (1914-1998), Samuel Ramos (1897-1959), Rosario Castellanos (1925-1974), Sor Juana Inés de La Cruz (1648-1695), and Jorge Carrión (1913-2005). (shrink)

Cải cách tiền lương là một trong những nội dung quan trọng sẽ được thảo luận tại Kỳ họp thứ 6, Quốc hội khóa XV và đây cũng là một trong những chìa khoá để mở ra các chính sách đãi ngộ nhằm góp phần xây dựng, phát triển đội ngũ trí thức nước nhà, đáp ứng yêu cầu phát triển đất nước nhanh và bền vững trong giai đoạn mới như nội dung mà Hội nghị Trung ương 8 khoá (...) XIII, Ban Chấp hành Trung ương Đảng đã thảo luận. (shrink)

This article is part of a For-Discussion-Section of Methods of Information in Medicine about the paper "Biomedical Informatics: We Are What We Publish", written by Peter L. Elkin, Steven H. Brown, and Graham Wright. It is introduced by an editorial. This article contains the combined commentaries invited to independently comment on the Elkin et al. paper. In subsequent issues the discussion can continue through letters to the editor.

Abstract: In the past fifteen years Tugendhat has tentatively proposed to recover the role of anthropology as the core philosophical discipline or first philosophy. This peculiar return to the German thinking of the ‘20s is, on the one hand, a projection of the author’s whole intellectual evolution. On the other hand, it allows us to focus on classic epistemological problems of philosophical anthropology such as its object and contents, its method, and its place among other philosophical studies. The present paper (...) criticizes Tugendhat’s position, yet considers this sort of return to Kant as valuable, a return that sees anthropology as the core and ultimate self-reflective telos of philosophy. -/- Key Words: Ends of reason. Human vulnerability. Kant. Metaphilosophy. Self-reflection. (shrink)

El trabajo explora críticamente la idea de una justificación débil o pen última de la moral enmarcándola en el conjunto de la filosofía de Tugendhat, reordenan do sus escritos éticos y discriminando los diversos aspectos que incluye dicha idea. Entre ellos, revisa el concepto formal de moral, ligado a los sentimientos, antes de centrarse en el punto crucial: la fundamentación de la ética moderna. Aquí se distingue, por un lado, la justificación comparativa de un contractualismo igualitario frente a otras alternativas (...) teóricas y, por otro, los motivos que pueden llevar a un individuo autónomo a entenderse en términos morales. (shrink)

Trong lab nghiên cứu thường gọi cuốn này cho gọn là BC, chữ viết tắt của “Bói Cá”.

La, V. P., & Vuong, Q. H. (2019). bayesvl: Visually learning the graphical structure of Bayesian networks and performing MCMC with ‘Stan’. The Comprehensive R Archive Network (CRAN).

Được mừng tuổi có thích hay không, điều này còn tùy thuộc tính cách, quan niệm từng người. -/- Nhưng hôm nay, ngày đầu năm 1-1-2024, được mừng tuổi thì tôi cảm thấy rất thích thú. Vì đó chính là “em”: sales.

Is an epistemological reduction strictly possible? Scientific methodology claims that a boundary separating the system from the “extra-system” can be defi ned. However, no system defi nes its own limits: rather, every system needs extra-systemic presuppositions that are defi ned from outside the system. In this article, we show how various areas of knowledge presuppose the presence of an extra-systemic reality that provides meaning: to know any system, knowledge of the “extra-system” is also necessary.

Cuprins INTRODUCERE EXCURSIVĂ 5 CAPITOLUL I SECRETUL CA TEMA A UNEI ANALIZE DE FILOSOF1E APLICATA ...9 Preliminarii 9 /. Schiţa ideii de „aplicare" a fiiosofiei şi a unei „filosofii aplicate" 10 //. Tematica secretului 27 Excurs: Despre temati-are 28 CAPITOL Uli^T) _ ANALIZA CATEGORIALA Şl SECRETUL 40 /. Filosofía aplicată şi analiza categorială 40 //. Secretul şi structura lui categorială 6,5, Excurs: Secret - Privat - Public 70 CAPITOLUL III SECRETUL ŞI SOCIALISMUL 76 Excurs: Fonduri secrete sau fonduri interzise? 90 (...) CAPITOLUL IV FENOMENOLOGIA EXISTENŢIALĂ A SECRETULUI - TENTATIVE DE DIALOG CU MARTIN HEIDEGGER 113 Excurs: Nimicul, Secretul şi Misterul 158 CAPITOLUL V „FOSTELE" SECRETE - „FOSTITATE" ŞI TRECUT 179 Excurs: Despre NICICÂND şi NICIODATĂ 1) Expunerea temporalităţii ..fenomenului culpei" la Heidegger 198 2) Analiza lui „nicicând" şi „niciodată" (nici-când-nici) 201 CAPITOLUL VI IPOSTAZELE SECRETULUI. COMPLOTUL. JURĂMÂNT ŞI SECRET ..229" Excurs: Despre jurământ 233 Excurs: Despre mască 248 APPENDLX: FILOSOFÍA APLICATA ŞI ÎNTREBAREA DESPRE EXISTENŢA Şl POSIBILITATEA FILOSOFULOR NAŢIONALE 258 RESUME 272. (shrink)

Hình ảnh: Quả cây dâu ta, non màu trắng, lớn hồng nhạt, rồi đậm dần. Tới lúc đỏ tươi là sắp chín. Khi chín, quả tím sẫm, thậm chí đen.

Prima antologie a revistei Philobiblon, la doi ani dupa lansare.

O cercetare monografica asupra fondurilor si a arhivei comuniste secrete a BCU Cluj.

This interview, conducted over the span of several months, tracks the respective journeys of Constantin V. Boundas and Daniel W. Smith with the philosophy of Gilles Deleuze. Rather than “becoming Deleuzian,” which is neither desirable nor possible, these exchanges reflect an array of encounters with Deleuze. These include the initial discoveries of Deleuze’s writings by Boundas and Smith, in-person meetings between Boundas and Deleuze, and the wide-ranging and influential philosophical work on Deleuze’s concepts produced by both Boundas and Smith. At (...) stake in this discussion are key contributions by Deleuze to continental philosophy, including the distinction between the virtual and the actual and the very nature of a “concept.” Also at stake is the formative or pedagogical impact of a philosopher, like Deleuze, on those who find and fully engage with his texts, concepts, and project. Cette interview, menée sur plusieurs mois, suit les parcours respectifs de Constantin V. Boundas et Daniel W. Smith avec la philosophie de Gilles Deleuze. Au lieu de « devenir Deleuzien, » ce qui n’est ni souhaitable ni possible, ces échanges reflètent un éventail de rencontres avec Deleuze. Il s’agit notamment des premières découvertes des écrits de Deleuze par Boundas et Smith, des rencontres en personne entre Boundas et Deleuze, et du travail philosophique vaste et in????luent sur les concepts de Deleuze produit par Boundas et Smith. L’enjeu ici étant les contributions clés de Deleuze à la philosophie continentale, y compris la distinction entre le virtuel et l’actuel, et la nature même d’un « concept. » Mais il y a aussi l’impact formateur ou pédagogique d’un philosophe, comme Deleuze, sur ceux qui trouvent et s’engagent pleinement dans ses textes, ses concepts et ses projets. (shrink)

Resumo: Neste texto, introduzo algumas questões importantes que fazem parte do debate sobre infiltração pragmática. Além de apresentar e problematizar as principais alegações oferecidas pelos proponentes da infiltração pragmática eu irei contrasta-la com algumas teses mais tradicionais, como a Tese Tradicional sobre o Conhecimento e o Contextualismo Epistêmico. Por fim, apresento uma crítica aos proponentes da infiltração pragmática que parece ainda não ter sido tratada. Concluo que embora controversa, tal tese está longe de ser refutada completamente. Palavras-chave: Conhecimento; Contexto; Justificação; (...) Padrões; Infiltração prática. -/- Abstract: In this paper I introduce some central aspects concerning the debate on pragmatic encroachment. After introducing and discussing the main arguments offered by the pragmatic encroachers advocates I will contrast it with more traditional theses such as the Traditional Analysis of Knowledge and Epistemic Contextualism. Finally, I present an objection to the pragmatic encroachment approach that haven't been treated yet. I conclude that despite its difficulties, the pragmatic encroachment view is far from being refuted. Keywords: Knowledge; Context; Justification; Standards; Pragmatic encroachment. (shrink)

Hôm nay, ngày cận kề cuối năm, Tổng cục Thống kê đã công bố số liệu kinh tế ước tính cả năm 2023. Đây là những con số rất nhiều người trông ngóng, bao gồm cả nhà đầu tư, giới kinh doanh, thị trường chứng khoán, và lẽ tự nhiên rất nhiều hộ gia đình ở Việt Nam.

Đến khúc này, 3 ông bói cá cũng bí nên chuyển chủ đề. Hướng sang vấn đề ăn cá vậy. Đây là vấn đề truyền thống lâu đời. Có chuyện gì lớn?

BOOK REVIEW: Through fifteen interrelated essays, Daniel Campos’ Loving Immigrants in America reflects upon his experiences as a Latin American immigrant to the United States and develops an experiential philosophy of personal interaction. Building upon previous work, Campos’ implicit conceptual framework comes from Charles S. Peirce’s dual philosophical accounts of the evolution of personality and evolutionary love. But the flesh and blood of the book are Campos’ own personal experiences as an immigrant who has labored for more than twenty years (...) to make himself at home in the United States, aka la Yunai, by growing to love an impressively broad range of places and people across the country. Campos begins in rural Arkansas (where he arrived as an eighteen-year-old from Costa Rica to study at a small religious liberal arts college), travels extensively across the Deep South (in a series of road trips described in Chapters 3-6), completes an MA in Statistics and later a PhD in Philosophy at Penn State, and eventually settles to teach at Brooklyn College where he is surrounded by immigrants from all over the world. The book’s cast of characters and Campos’ interactions with them are so extensive as to defy generalization, but careful readers are likely to walk away convinced of Campos’ claim that “anyone who is receptive and attentive to the commonality of human experience can empathize with immigrants” (2). (shrink)

Automatizarea şi informatizarea nu mai reprezintă astăzi un simplu deziderat pentru bibliotecile româneşti. Dimpotrivă, ele sunt o realitate ce, pe zi ce trece, prinde contururi mai extinse, devenind mediul nostru cotidian. Cu cât ne sunt însă mai "apropiate" cu atât mai mult ele devin şi o sursă de sfidări şi de confruntare. Cu ce anume ne confruntă însă - în primul rând şi în esenţă - automatizarea şi informatizarea, în general, şi cea a activităţii de informare, în special? Ca orice (...) întrebare pusă în mod serios şi aceasta trebuie să fie însă mai întâi lămurită cu privire la structura şi natura ei proprie. Ceea ce - din punct de vedere structural - ne izbeşte din capul locului la această întrebare este faptul că, în structura ei este cuprins deopotrivă şi în mod explicit şi cel care ridică întrebarea. Astfel spus, în ea, noi înşine suntem aceia care, aflaţi în faţa unei confruntări, ne întrebăm despre noi înşine. Apoi: în şi prin această întrebare, însăşi sarcina cu care ne confruntăm - adică automatizarea şi informatizarea - devine şi ea dizlocată din toposul său pur destinai şi se eliberează pentru întâlnirea unei sfidări organice. (shrink)

The Catena aurea entium of Henry of Herford is part of the work of re-elaboration of Aristotle’s natural-philosophical corpus, which characterised the European intellectual environment in the Late Middle Ages. In the central books of his encyclopaedia, Henry comments on the works of natural philosophy of Albert the Great, placing himself in continuity with the cultural project started by Albert in Cologne. The present article aims to compare the 5th book of the Catena aurea entium, which consists of a comment (...) per modum quaestionis on the Meteora of Albert the Great, with some meteorological quaestiones composed between the 13th and 15th centuries. This analysis will lead me to grasp the philosophical orientations and interpretation of Henry and also his reception of Albert the Great’s meteorology. In the 5th book, Henry introduces an extensive medical section taken from the pseudo-Aristotelian Problemata, in which he applies the Galenic medical principles to meteorology. Besides, in the quaestio 105 (V 1 105), he interprets Albert through the theological-poetic explanation of ancient origins on the sacrality of the number three and an excerpt from the Liber proverbiorum. (shrink)

In the traditional sense, a work of art creates an illustration of the outside world, or of a certain text or doctrine. Sometimes it is considered that such an illustration is not literal, but is an interpretation of what is visible, or an interpretation of a certain literary or ideological message. It can also be assumed that a work of art creates its own visual world, a separate story or a separate philosophical statement. The Parc de La Villette represents the (...) last of these possibilities: it is a philosophical statement that develops the premises derived from poststructuralist philosophies and the philosophy of deconstruction. The uniqueness of its being status, however, is that it does so not only at the level of the theoretical assumptions, but also through its functioning as an active philosophical work. This means that a park is a happening philosophy. Its activity, however, does not refer only to the present tense, but is also an attempt to penetrate the future, all otherness and impossibility. This kind of activity assumes that the work, in a sense, does not yet fully exist, but is also still produced in the processes of its interpretation. The theoretical foundations of the park included texts by Bernard Tschumi, in which he questioned traditional ways of creating a work of architecture, postulating in return the use of a long series of negations, which were comparable to the crisis of metaphysics characteristic of contemporary philosophy. It is therefore no coincidence that the publication containing Tschumi’s theoretical text on Parc de La Villette was accompanied by an essay by Jacques Derrida developing some of the architect’s concepts. The next step in integrating philosophy into the process of park design was a series of discussions between Peter Eisenman and Derrida, who completely moved the creation of the park into the world of thoughts, without accentuating the need for their realization in the material reality. The main topic of these discussions was the problem of the chôra, which was taken up by later commentators and used to interpret the park as a work in which the philosophy of the beginning is manifested relating to issues of politics, morality and religion. The park was therefore interpreted as a space of invention within the scope of creating new rules of functioning of the community and democracy. Thinking about the political future may, however, exceed the horizon of ordinary expectations. Although philosophical thought is always connected with contemporary problems and metaphysics sometimes intertwines with current politics, yet at the same time the customs of philosophy also include crossing horizons and thinking about absolute otherness and impossibility. Initially, the chôra, différance, Absolute Otherness (tout autre) and the Impossibile were concepts of pure philosophy of atheistic character, but with the further development of the discussion, more and more theological motifs began to emerge. One of the reasons for this phenomenon was the fact that radical negations of all being, which were contemplated in contemporary philosophy (by Heidegger and Derrida, among others), had previously been manifested in negative and apophatic theologies (by Master Eckhart, among others). Also the category of the “Other”, taken from Emmanuel Levinas, was clearly connected with the thought about God. A further reason for connecting the chôra with the theological thought was the interest in the philosophy of deconstruction expressed by some theologians. Caputo in particular managed to persuade Derrida to participate in discussions on the current status of religion. In the late period of Derrida’s writing, further statements on religious topics appeared. All these reasons led to posing a question about the identity of the chôra and God. Although there were no satisfactory conclusions on this issue, the discussion was also important to create an interpretation of the park as a place of worship. The chôra, representing, according to Plato, the preoriginal emptiness is the place of every beginning, but it turns out that it is not neutral to the being created in it. The chôra deposits itself in every being as an irremovable beginning that interferes with its stability. The chôra, therefore, forces us into a palintropical movement, but it also turns out to be a pure compulsion, an erring necessity and a fundamental force from which, in the human perception, motifs useful to the individual and to the community are extracted. All definitions of this force, including its anthropomorphisation, are formulated in such a way that they allow for building private and collective morality upon them. Such definitions are changed depending on variable political situations. It is difficult to determine whether in the processes of changes in the formulation of “God’s names” any essential value is retained, which is not subject to change. The current definitions of the chôra (God?), which can be found, for example, in the philosophy of Caputo, stress that she is a combination of various and contradictory forces. This characteristic inherits much of Plato’s concept, reminds us of Master Eckhart’s views on Gottheit and, at the same time, is not unfamiliar to Tschumi, whose essays were an apologia of contradictions. The current concept of chôra, transferred into the sphere of politics, is the praise of social diversity and the protection of the difference from the forces of order. In the Parc de La Villette, the future community and democracy were elevated as a system of safe existence of individuals in all their singularity. The park is a temple of a future community in which individual beings have nothing in common. (shrink)

The fifth century BC is one of the most brilliant of Greek history. Pericles, as the leader of a splendid Athens, promoted the entry into his polis of the new scientific movement that until then had developed primarily in Ionia and in the Italian peninsula. However, their research raised suspicions among the Athenians, who regarded it as a risk for traditional religion. In spite of the somewhat flexible and plural character of the Greek religion, in this period three famous trials (...) took place in which different philosophers were tried for impiety: Anaxagoras, Protagoras and Socrates. The controversy between religion and philosophy can lead us to an oversimplification of the facts. Thus, several modern scholars have understood philosophy as an exorcism of myth and therefore as something necessarily guiding to a progressive elimination of the divine from the worldview. We intend to interpret this conflict only as a change in understanding of the divinity, rather than a suppression of it. This has, of course, effects on religion, but it does not drag inevitably to irreligion. (shrink)

On compte, parmi les nombreux ennemis de Kevin Mulligan, une foule de personnes bigarrées et (selon notre professeur) profondément vicieuses : les philosophes continentaux, les pharisiens, les amis de l’Europe, des Droits de l’Homme, du politiquement correct, des lettres, des études genres et bien sûr, les gauchistes. On peut faire remonter le terme "gauchiste" à Lénine (1920) qui en usait pour designer cette gauche (communiste) qui, pour rester fidèle à son idéologie, refusait de participer aux élections et, par conséquent, était (...) condamnée à rester éternellement un groupuscule. Pour Vladimir Illich, le vice des gauchistes est prudentiel : parce qu’ils sont focalisés sur leur idéologie, les gauchistes n’agissent pas pour prendre le pouvoir. Ce vice est doublé d’une faute épistémique : en s’arc-boutant (comme des enfants) sur leurs principes – quitte à ne jamais voir leurs idées aboutir –, les gauchistes sont bêtes. Le reproche de Lénine n’est pas très éloigné de celui que l’on fait habituellement à la gauche : elle a de grands rêves irréalisables qu’elle ne cherche jamais à concrétiser – ou de manière magistralement infantile. Cette vision du gauchiste comme un brave hippie un peu benêt sous-estime largement, à mon sens, les vices instanciés par les personnes atteintes de cette maladie politique. -/- Dans cet article, je vous propose d’explorer avec moi tous les vices du gauchisme en regardant, pour commencer, (I) ce que sont la gauche et la droite, puis en avançant pas à pas, (II) une définition en conditions nécessaires et suffisantes du gauchisme. Il conviendra également de ne pas oublier son opposé, tout aussi dangereux (et trop méconnu), le droitisme. C’est pourquoi, une fois que nous aurons caractérisé le gauchisme, je proposerai (III) une définition du droitisme en détaillant ses vices les plus inavouables. Nous pourrons alors (IV) identifier ce qu’est, en général, cette maladie infantile de la politique, suite à quoi (V) je vous prescrirai un vaccin pour vous en prémunir. Avant de débuter, il convient de préciser que si nous parlons ici de gauchisme et de droitisme, nous ne faisons aucune assomption concernant la gauche et la droite ; une personne de gauche n’est pas nécessairement un gauchiste ; de même, tout homme ou femme de droite qui se respecte cherche à tout prix à éviter les droitistes (et vice versa). (shrink)

Platon s'est inspir? des travaux philosophiques de certains de ses pr?d?cesseurs, en particulier Socrate, mais aussi Parm?nide, H?raclite et Pythagore, pour d?velopper sa propre philosophie, qui explore les domaines les plus importants, notamment la m?taphysique, l'?thique, l'esth?tique et la politique. Avec son professeur Socrate et son ?l?ve Aristote, il pose les bases de la pens?e philosophique occidentale. Platon est consid?r? comme l'un des philosophes les plus importants et les plus influents de l'histoire humaine, ?tant l'un des fondateurs de la religion (...) et de la spiritualit? occidentales. La philosophie qu'il a d?velopp?e, connue sous le nom de platonisme, est bas?e sur la th?orie des Formes connues par la raison pure comme une solution au probl?me des universaux. La philosophie de Platon s'inscrit dans la lign?e des pr?socratiques, des sophistes et des traditions artistiques qui sous-tendent l'?ducation grecque, dans un cadre nouveau, d?fini par la dialectique et la th?orie des Id?es. Pour Platon, la connaissance est une activit? de l'?me, affect?e par des objets sensibles, et par des processus internes. Dans La R?publique de Platon, la forme la plus ?lev?e est consid?r?e comme la Forme du Bien, la source de toutes les autres Formes qui pourraient ?tre connues par la raison. Le th?me central du livre est la justice, argument?e ? l'aide de plusieurs th?ories platoniciennes, dont le mythe all?gorique de la caverne, la doctrine des Id?es, la dialectique, la th?orie de l'?me et la conception d'une cit? id?ale. Sa dialectique est un type de connaissance, ? r?le ontologique et m?taphysique, qui s'atteint par la confrontation de plusieurs positions pour d?passer l'opinion (doxa), un passage du monde des apparences (ou ? sensible ?) ? la connaissance intellectuelle (ou ? intelligible ? ) aux premiers principes. Le mod?le ?ducatif de Platon (paid?ia) diff?rencie le niveau d'?ducation selon les comp?tences des ?l?ves. Selon les principes socratiques, pour faire justice, il faut savoir ce qui est bien, et c'est ce que le philosophe sait le mieux. Platon a d?taill? ce concept en soulignant la distinction entre le philosophe (qui cherche les principes de v?rit? sans pr?tendre les poss?der) et le sophiste (qui se laisse guider par l'opinion comme seul param?tre valable de la connaissance). (shrink)

ESPAÑOL: Similar a Baehr v. Miike en Hawaii (1993), Goodridge fue la primera decisión de un tribunal supremo estatal en Estados Unidos que concluyó que las parejas del mismo sexo tienen derecho al matrimonio. La traducción contiene los segmentos más importantes de Goodridge. ENGLISH: Similar to Baehr v. Miike in Hawaii (1993), Goodridge was the first time a state Supreme Court in the United States ruled that same-sex couples have the right to marry. The translation (English to Spanish) contains Goodridge’s (...) key passages. (shrink)

Reseña del Encuentro Internacional de Egresados de la Facultad de Filosofía de la Universidad Lomonósov de Moscú realizado del 16 de septiembre al 12 de octubre de 1985. Se ofrece una descripción general del evento y, en particular, de las actividades realizadas por la delegación cubana en el mismo.

Le présent article entend aborder la critique de l’intellect agent de Durand de Saint-Pourçain (v.1275-1334) et l’une des réactions immédiates suscitées par celle-ci, que l’on trouve dans les Evidentiae contra Durandum de Durandellus. Après une brève présentation de ce texte et de certains enjeux philologiques reliés à l’étude de la noétique de Durand et de ses adversaires, nous proposons une analyse de certains arguments centraux de Durand contre l’intellect agent et de ceux que leur oppose Durandellus. Ce faisant, nous entrons (...) en dialogue avec Serge-Thomas Bonino, seul commentateur à s’être jusqu’ici intéressé au débat entre Durandellus et Durand au sujet de l’intellect agent, et contestons certaines de ses analyses et conclusions. (shrink)

(ESP) Éste artículo tiene como objeto hacer una re-exposición de la teoría política de Baruch Espinosa (1632-1677) a la luz de su ontología –entendida ésta como una ontología materialista. Por lo tanto, se hará una interpretación materialista de la teoría política éste filósofo, desde un acercamiento al «Materialismo Filosófico» de Gustavo Bueno –específicamente, desde su filosofía política, como «materialismo político». Para esto, exploraremos brevemente ciertas ideas de su Tratado Político –teniendo en cuenta, desde luego, la Ética y el Tratado Teológico-Político. (...) Lidiaremos con ideas como «derecho natural», «Estado» o «Libertad», u otras ideas que irán saliendo a través de estas y que junto a la construcción de unas, dialécticamente criticará y destruirá otras –como «Pueblo», «Voluntad», «monarquía absoluta» etc. (ENG)("The Political Ontology of Spinoza") The aim of this article is the reexposition of Baruch Spinoza's (1632-1677) political theory, in the light of his ontology –understood as a materialist ontology. Therefore, we will make a materialist interpretation of the political theory of this philosopher, from an approach to Gustavo Bueno's «Philosophical Materialism» –specifically, from his political philosophy, as a «political materialism». For that goal, we will briefly explore certain ideas from his Political Treatise –of course, with the help of other works, like the Tractatus Theologico-Politicus and the Ethics. We will deal with ideas like «natural law», «State», «Freedom», and other ideas that may arise from those and in which construction, they dialectically criticize and destroy others –v.g., «People», «Will», «absolute monarchy» and so on. (shrink)

● Un emplazamiento cualquiera (v. gr. sol en Tauro; Marte en Capricornio; Mercurio en la tercera casa) es necesariamente común a decenas de miles de personas. Saturno hospedado en la novena casa, por ejemplo, no se comportará de la misma manera o no producirá los mismos efectos en las veinte o cien cartas en que allí lo encontremos, sino en concordancia con el resto de la composición astrográfica (como hospedarnos en el mismo hotel en diferentes épocas o diferentes personas haber (...) contraído la misma enfermedad; nuestra estadía será diferente cada vez, según la época, y no todos los enfermos presentarán los mismos síntomas, según su metabolismo; por no mencionar que cada astrografía, como cada código o secuencia genética, es irrepetible). Ciertamente, “ningún planeta puede, por sí solo, producir lo que solamente la acción mancomunada o conjunta de todos puede” (BUSTAMANTE, 2023, revista SPICA, págs. 93-111). He aquí la naturaleza o condición sinérgica del ejercicio interpretativo (i.e., el todo es poco más que la suma de todas sus partes). ● El componente fundamental de la expresión matemática del ejercicio interpretativo lo constituye la triangulación astrológica, denominación funcional de lo que conocemos como síntesis (WEISS, 1946; LEO, 1983; HAND, 1981). ● Con el fin de demostrar su utilidad, así como la conveniencia de su expresión matemática, hemos escogido dos individuos (JEFFREY DAHMER, STEVEN SPIELBERG) cuyas astrografías no explican, según la comunidad, sus vidas. El resto de las astrografías corresponden a las de los asesinos en serie JOHN WAYNE GACY, DAVID CARPENTER y TED BUNDY. ● A través de notaciones algebraicas, explicamos la síntesis y los valores funcionales que la componen. ● Tomamos la luna y Neptuno como planetas relevantes a propósito del diagnóstico o el estudio de asuntos endocrinos o neurohormonales y a Marte, Plutón y Saturno como planetas relevantes a los fines de inferir violencia o comportamiento siniestro, según el caso, y las cuadraturas u oposiciones —y conjunciones— entre Venus y la luna, la luna y Neptuno o entre el sol o Venus y Neptuno o Urano como indicadores de desórdenes neurohormonales y/o de desviación sexual (definición APA) . ● Consideramos las cuadraturas u oposiciones —y conjunciones— entre: Mercurio o la luna y Saturno, o entre Marte o la luna y Saturno, Urano, Neptuno y/o Plutón como poderosos indicios de violencia o de desequilibrio, según el caso. ● También hemos considerado a Sagitario como un signo tan expansivo y abundante como su regente, Júpiter, según la mejor de sus caracterizaciones (o excepcionalmente raudo y salvaje, según otras), y a la quinta región de un mapa natal como una estrechamente relacionada con la fortuna en sentido amplio (material e inmaterial). ● Debido a que defendemos la idea según la cual los orbes deben predicarse del planeta (tamaño, velocidad), no del aspecto, a los gigantes gaseosos (Júpiter, Saturno, Urano y Neptuno) y al sol les hemos concedido hasta 10º de orbe (o 12º, en el caso de la influencia amplia ). ● Entendemos las relaciones aspectuales como relaciones angulares sostenidas entre dos o más cuerpos celestes emplazados en signos con al menos una propiedad en común (según nuestra teoría molecular de la eclíptica, compatible con la teoría óptica de los aspectos de la tradición helenística). (shrink)

Tato studie je recenzní statí ke knize Andrew MCGETTIGAN, The Great University Gamble: Money, Markets and the Future of Higher Education. London: Pluto Press, 2013. Klíčovým motivem studie je využití McGettiganovy analýzy technických aspektů reformy univerzitního systému započaté v Anglii na konci první dekády jednadvacátého století pro výklad vzestupu specifického režimu vzdělávání vyjádřeného v jazyce a logice „trhu a peněz". Vzestup tohoto režimu je interpretován s ohledem na procesy odpojování univerzitního prostředí od dosavadního vzdělávacího rámce spojeného s veřejnými zájmy. Studium (...) způsobů, jakými procházejí peníze zaváděným systémem vzdělávání, odkrývá novou podobu konfrontace klasických ideálů univerzitní výchovy s realitou masového vzdělávání. (shrink)

Con este volumen de la serie Academia y Egresados, la Colección La Fuente ofrece una compilación de trabajos de profesores, colaboradores y egresados de la Maestría en Estética y Arte (MEyA) de la BUAP. Preparado especialmente para ser presentado en el V Encuentro de Egresados de la MEyA (junio de 2022), la diversidad temática de las aportaciones que incluye el libro (estética y teoría del arte; historia del arte e instituciones artísticas; arte, ciencia y tecnología) reproduce el espectro de áreas (...) que aborda el programa y evidencia la huella académica que la MEyA dejó en sus exalumnos, así como el crecimiento académico alcanzado por los mismos. (shrink)

Атореферат диссертации на соискание ученой стеnени кандидата философских наук. Работа выnолнена в Московском государственном университете им. М.В.Ломоносова. Защита диссертации состоялась 27 января 1984 г. на заседании сnециализированного совета по философским наукам Цель диссертационного исследования состояла в том, чтобы показать природу оценочного отражения действительности и органическую связь познавательной и практической деятельности людей с деятельностью оценочной. Resumen de la tesis en opción al grado científico de doctor en ciencias filosóficas. El trabajo se realizó en la Universidad Estatal de Moscú M. V. Lomonósov. (...) La defensa de la tesis tuvo lugar el 27 de enero de 1984 en sesión del consejo especializado en ciencias filosóficas. El objetivo de la tesis consistió en mostrar la naturaleza del reflejo valorativo de la realidad y su nexo orgánico con las actividades cognoscitiva y práctica. (shrink)

El capítulo expone el lugar dialéctico-sistemático de la escultura clásica en las Lecciones de estética de Hegel, poniendo de relieve su afinidad con las descripciones de Winckelmann, como interpretación moderna, del arte griego de los siglos IV y V.

Aproximaciones teóricas a la danza es producto de un trabajo investigativo conjunto que permite la circulación del conocimiento producido por distintos actores involucrados en el campo de la danza en Colombia. Para la Red de Investigación Cuerpo Danza Movimiento, esta publicación es un logro investigativo colectivo que ofrece una visión del conjunto de esfuerzos y perspectivas actuales sobre la danza en Colombia y en otras latitudes en donde este arte se ha ido convirtiendo en un objeto de estudio específico. En (...) este volumen se encuentran textos sobre la relación danza y filosofía, de Carlos Eduardo Sanabria (Universidad Jorge Tadeo Lozano); la relación danza y antropología, de Andrea Ceballos Flórez y la danza contemporánea como campo de investigación de la antropología (Pontificia Universidad Javeriana); un estudio etnográfico de la salsa en Bogotá, de el de Ángela R. Leguizamón (Universidad Nacional, Universidad Distrital FJC); la política cultural y la participación del sector en la políticas distritales, de el de Laura de la Rosa, Diana C. Varón y Aidaluz Sánchez A. (Universidad Santo Tomás). Sobre estudios historiográficos, Juliana Congote se centra en los procesos editoriales y la consolidación de las comunidades de interpretación de la danza contemporánea en el país (Universidad de Antioquia ); y en estudios sociales Liliana Echeverri, sobre la relación del baile social con los espacios sociales que aparecen en Manrique, Medellín (Universidad Andina Simón Bolívar, Ecuador) y el texto de Patricio Juárez F., sobre la práctica artística de la danza y su relevancia como fenómeno sociocultural (Universidad Autónoma de Nuevo León, México); igualmente encontramos sobre filosofía el texto propuesto por Paola V. Pita Gaona, quien analiza la teoría de la acción poética y la danza en Paul Valéry (Pontificia Universidad Javeriana ); y sobre medios interactivos de Gloria S. Sáenz, en la exploración investigativa realizada en la Escuela tecnológica del Instituto Técnico Central, sobre la utilización del Smartphone (como videocámara) para la producción discursiva, creando nuevas aproximaciones al mundo (Escuela Tecnológica ITC), y finalmente, el texto de Rebeca Sánchez A., sobre la transformación en la creación, la contemplación y la participación, de la experiencia dancística cuando son utilizados recursos tecnológicos (UNAM, México). (shrink)

Este ensayo tiene tres pilares sobre los que se asienta. En primer lugar tendremos que especificar y aclarar los conceptos de auctoritas y potestas (Capítulo II)-que se irán desarrollando a lo largo de la misma-en relación con el vocablo poder, ya que estos conceptos tienen una similitud tanto en su etimología como en la forma que posteriormente se han utilizado en el pensamiento político, de forma tal que ha originado equívocos y cambios a la hora de conformar una comunidad legitimante (...) constituida. Para ello se acudirá a pensadores clásicos y contemporáneos que se han preocupado por la exégesis del binomio auctoritas-potestas, en relación a la legitimación del poder. Ello nos permitirá abordar el segundo pilar (Capítulos III, IV), en referencia a la génesis de la época moderna, como cambio de paradigma que dará a los vocablos referenciados una nueva forma de ejercer el poder a la hora de configurar dicha época. Ello se debe al paulatino alejamiento de los sistemas filosóficos de nuestras sociedades occidentales de la religión, la ética y de la metafísica. Por tanto nos acercaremos al surgimiento del cuestionamiento de la época moderna, a partir del nacimiento de la Ilustración como movimiento que cuestiona todo prejuicio que proviene de la religión y de su carácter de autoridad, para desembocar en el surgimiento del Pacto Social, como idea de razón kantiana que alberga el orden político y social de la época moderna. Por último, como tercer pilar, que es trasversal a todos ellos y en continua relación con los dos anteriores estudiaremos las reflexiones de dos pensadores del siglo XX, como son Boaventura de Sousa y Richard Rorty-ya que la maduración y trayectorias intelectuales de sus obras así nos lo aconsejan-, pueden representar dos visiones diferentes de afrontar los retos que se nos presentan en nuestros tiempos, en cuanto a los principios, los valores y la estructura que debería tener una sociedad del siglo XXI, en la que se pueda articular la convivencia de la forma más justa en relación con la auctoritas y la potestas. La elección de los mismos para confrontar sus aportaciones, tanto en el campo epistemológico, ontológico e ideológico, así como en el modelo de sociedad que ellos defienden, se fundamenta en que ambos representan puentes de diálogo posibles tanto entre la filosofía analítica (positivismo) y continental-Richard Rorty-como entre la filosofía europea continental (La teoría crítica de la Escuela de Frankfurt) y la filosofía latinoamericana anticolonial de autores del siglo XX -Boaventura de Sousa-. Esto último nos permitirá adentrarnos en la discusión entre modernidad y postmodernidad (Capítulos V y VI), por considerar que es una discusión actual en el panorama del pensamiento filosófico, y en la cual se ven inmersos estos dos pensadores, en particular en el uso que hacen del vocablo antiautoritarismo (Richard Rorty) y nuevo fascismo social (Boaventura de Sousa). Por último en su Capítulo VII llegaremos a las conclusiones a la que nos ha llevado a nuestra investigación. Al plantear una cuestión como la auctoritas y la postestas en relación con el poder legítimamente constituido dentro del campo de la filosofía política, estamos demostrando un compromiso con la concepción que se tiene de la filosofía, pues en este sentido se entiende como un ejercicio formativo para la construcción del ser humano y no como una disciplina meramente teórica. Por tanto realizaremos una investigación basada en el procedimiento reflexivo, sistemático y crítico de las obras filosóficas, antropológicas, sociológicas…etc., tanto de Boaventura de Sousa como de Richard Rorty. Ya que deberemos tener en cuenta que cada periodo histórico de la filosofía ha tenido una tensión entre pensadores que defendían una estamos aportando un compromiso con la concepción que se tiene de la filosofía, pues en este sentido se entiende como un ejercicio formativo para la construcción del ser humano y no como una disciplina meramente teórica. Por tanto realizaremos una investigación basada en el procedimiento reflexivo, sistemático y crítico de las obras filosóficas, antropológicas, sociológicas…etc., tanto de Boaventura de Sousa como de Richard Rorty. Ya que deberemos tener en cuenta que cada periodo histórico de la filosofía ha tenido una tensión entre pensadores que defendían una estamos aportando un compromiso con la concepción que se tiene de la filosofía, pues en este sentido se entiende como un ejercicio formativo para la construcción del ser humano y no como una disciplina meramente teórica. Por tanto realizaremos una investigación basada en el procedimiento reflexivo, sistemático y crítico de las obras filosóficas, antropológicas, sociológicas…etc., tanto de Boaventura de Sousa como de Richard Rorty. Ya que deberemos tener en cuenta que cada periodo histórico de la filosofía ha tenido una tensión entre pensadores que defendían una sistemático y crítico de las obras filosóficas, antropológicas, sociológicas…etc., tanto de Boaventura de Sousa como de Richard Rorty. Ya que deberemos tener en cuenta que cada periodo histórico de la filosofía ha tenido una tensión entre pensadores que defendían una sistemático y crítico de las obras filosóficas, antropológicas, sociológicas…etc., tanto de Boaventura de Sousa como de Richard Rorty. Ya que deberemos tener en cuenta que cada periodo histórico de la filosofía ha tenido una tensión entre pensadores que defendían una. (shrink)

Es un lugar común afirmar que Hannah Arendt es una filósofa difı́cilmente encasillable en una sola tradición polı́tica. Menos arduo es advertir la gran influencia que ha ejercido el mundo grecolatino a lo largo de su filosofı́a. La polis griega y la república romana son imágenes recurrentes para ilustrar instancias donde se ha ejercido con plenitud la polı́tica. Aunque es patente la influencia de los clásicos en su filosofı́a, existe un elemento ausente que es, no obstante, ampliamente trabajado por los (...) antiguos: la virtud. Por lo anterior el presente trabajo se propone explorar los vı́nculos que existen entre una doctrina de la virtud y la filosofı́a polı́tica de Arendt, tratando de responder la siguiente pregunta: ¿cómo se relaciona la virtud con el ejercicio de la libertad? Se concluye que, si bien Arendt no trabaja un concepto de virtud, esta puede asimilarse al concepto de principio, tal como lo expone en su ensayo Revisión de la Tradición por Montesquieu. Además, el ejercicio de virtudes polı́ticas particulares, como la valentı́a y la prudencia, son prácticas que protegen la libertad. (shrink)

Quine's aim in this slim book is to "update, sum up and clarify variously intersecting views on cognitive meaning, objective referencce, and the grounds of knowledge." Only nine pages had previously appeared as the book came to print. It is based largely on unpublished lectures and informal discussions of the past ten years back to the Immanuel Kant Lectures given at Stanford in 1980. It does not, then duplicate Leonelli's Italian translation of the Kant lectures, La Scienza E I Datti (...) di Senso, which appeared in 1987. (shrink)

(Back Cover:) « La pensée métaphysique renaîtra demain. Ce sont des savants qui ont le goût et le sens de la pensée conduite jusqu’au terme de ses exigences internes, et des philosophes initiés aux sciences expérimentales qui, en commun, la feront. » L’œuvre de Claude Tresmontant (1925-1997) illustre parfaitement cette recherche de la métaphysique d’un monde en devenir, qui sait écouter et se modeler sur la transformation – la métamorphose – promise à une Création finalisée. Le trait commun aux exposés (...) ici présentés sous forme définitive a été cette recherche autour d’une pensée qui renouvelle de l’intérieur la métaphysique en réalisant le vœu de Bergson qu’elle devienne « auscultatrice », que l’énigme que pose l’homme face à son origine et sa destinée ne soit pas recouverte par une pensée qui se perdrait dans la description des choses ou dans l’esprit de système, mais qui non plus n’irait se recroqueviller sur elle-même, en narrant sa propre expérience subjective sous le mode de la déréliction. Claude Tresmontant a su penser l’être en genèse, et il a cherché à renouveler la question de l’existence de Dieu, en en transformant la problématique en dialogue avec les sciences contemporaines. À ce goût de l’être dont les sciences ont renouvelé l’approche, il a également voulu infuser un « supplément d’âme », en repensant la réalité de la création et l’horizon de la cause finale, toujours à partir de la nature ultimement théologique de la réponse à la question « qu’est-ce que l’homme ? » Contributeurs : Yves Tourenne, Philippe Gagnon, Fabien Revol, Brunor, Frédéric Crouslé, Bertrand Souchard, Emmanuel Gabellieri. Table of Contents: Note Liminaire (Ph. Gagnon) - 7 En quoi la pensée de Claude Tresmontant nous stimule-t-elle encore ? Hommage et critique (Y. Tourenne) - 13 L’imbrication de la preuve de Dieu et de la cosmologie chez Tresmontant représente-t-elle une preuve ? (Ph. Gagnon) - 27 L’usage apologétique de la philosophie de Tresmontant dans les Indices pensables de Brunor (F. Revol) - 49 Réponse à Fabien Revol (Brunor) - 77 Qu’est-ce qui cloche dans la théologie de Claude Tresmontant ? (Fr. Crouslé) - 85 Les métaphysiques principales de Claude Tresmontant : la foi biblique est-elle à part de la raison philosophique grecque ? (B. Souchard) - 109 Maurice Blondel et Claude Tresmontant (E. Gabellieri) - 123 La vision informationnelle de Tresmontant, surtout en référence au problème de l’âme (Ph. Gagnon) - 133. (shrink)

El autor del artículo edita y estudia tres inscripciones funerarias inéditas de época helenística encontradas en la necrópolis occidental de Aptera (Creta) por la arqueóloga griega V. Ninioú-Kindelí. El texto de las inscripciones dice así: Inscr. 1, A) Ἰ̣ κ̣ ̣αρ̣[- -] | Κοσίλ[λω], in L. 1 quizás Ι̣κ̣α̣ρ̣[ος]. B) Νέων | Κοσίλ[λω]; Inscr. 2, Νικ̣α[- - -] | Διογ[νήτω ?]; Inscr. 3, [- - -] | [- - -]δα. La primera inscripción presenta los nombres de dos difuntos, dos hermanos (...) hijos de Cosilo. El nombre Κόσιλλος aparece en Creta, aparte de esta inscripción, en Eliro en Creta Occidental en el s. II a.C. Fuera de Creta este nombre no ha sido atestiguado en ninguna otra parte. En la tercera inscripción se han conservado las dos letras finales del nombre del padre en la segunda línea. Se trata probablemente de un antropónimo con un sufijo en -δας, cuyo empleo es usual en cretense. (shrink)

Preface -/- 1. 'Anima' and 'res cogitans'. The Cartesian idea of nature and mind as a residual concept. The first chapter discusses the genesis of the concept of mind in Cartesian Philosophy; the claim is advanced that 'res cogitans' is a residual concept, defined on the basis of a previous definition of matter as 'res extensa'. As a consequence, a contradictory ontology of the mind is Descartes's poisoned bequest to the following tradition of 'scientific' psychology. -/- 2. The Mathematical method (...) in the theory of the mind and the passions. The second chapter discusses the first ambitious attempt in this direction, namely Spinoza's theory of the mind and the passions in Ethics II and III; the topics treated are Spinoza's program of a mathematical science of the mind and his transformation of the genre 'treatise of the passions' into a would-be mathematical science of the motions of the soul. -/- 3. The definition of affections and the impossibility of reducing inadequate to adequate ideas. The third chapter discusses a tension in Spinoza project of a theory of the passions, namely a need to reduce concepts to pure mathematical definitions and the opposite need to keep inadequate imaginative definitions of the phenomena under scrutiny, namely the passions, in order to avoid a radical reduction of the subject-matter to the only truly existing reality (the world order in itself) that would leave the theory without any subject-matter at all. -/- 4. 'Conatus', 'potentia', 'vis'. Concepts of force in the theory of passions and the impossibility of eliminating occult qualities. The fourth chapter discusses the troubles arising in the original project deriving from difficulties in the treatment of dynamic concepts, such as the notion of conatus, which were an unavoidable consequence of Cartesian assumptions. -/- 5. Overview and discussion. Chapter five tries to draw a general discussion, focusing on the tension between the Cartesian assumptions and the actual practice in the new post-Galilean sciences, including attempts at giving birth to psychology or science of man. -/- Appendices I. The mind-body problem in Spinoza. II. Concepts of force in Newton and Spinoza. III. Materialist readings of Newton and Spinoza. IV. On the opposition of materialism and spiritualism and Geisteswissenschaften and natural science. V. Conatus, the idea of liberation and social theory in Spinoza. (shrink)

The book covers scientific and philosophical topics by bringing them closer to literature. Some topics are scientific explanation, the concept of cause, rational argumentation, pseudoscience, language, ethics, philosophy of mind, posthumanism, and democracy. Summary Prefazione di Severino Saccardi. Introduzione. Capitolo 1: Le scrivanie di Eddington. 1.1. Il vecchio Qfwfq (I. Calvino. Le cosmicomiche). 1.2. L’assassino invisibile (L.F. Celine, Il dottor Semmelweis). 1.3. Gli gnommeri di Ingravallo (C.E. Gadda, Quer pasticciaccio brutto de via Merulana). 1.4. I sergenti di Napoleone (L. Tolstoj, (...) Guerra e pace). 1.5. Tex e il Coyote nero (G. Bonelli, Il Coyote nero). 1.6. “Elementare Watson!” (A.C. Doyle, Il segno dei quattro). Capitolo 2. Non saranno mai delusi. 2.1. L’albero di Natale. (V. Perrin, Cambiare l’acqua ai fiori). 2.2. Il dagherrotipo di Buendia. (G.G. Marquez, Cent’anni di solitudine). 2.3. Don Ferrante e la peste. (A. Manzoni, I promessi sposi). Capitolo 3. Capitolo puffo. 3.1. L’Accademia di Lagado. (J. Swift, I viaggi di Gulliver). 3.2. Bruto è uomo d’onore. (W. Shakespeare, Giulio Cesare). 3.3. Le oche mute. (G. Orwell, 1984). Capitolo 4. “Quarantadue!” 4.1. Lo zio N’Ba N’Ga. (I. Calvino, Le cosmicomiche). 4.2. La mosca cocchiera. (J. de La Fontaine, Favole). 4.3. Il fiore del dr. Dek. (E. Salgari, Le meraviglie del Duemila). Capitolo 5. L’ultimo uomo. 5.1. La pernice accusatrice. (Cyrano de Bergerac, Gli stati e gli imperi del Sole). 5.2. Pallino in via Mjasnickaja. (M.A. Bulgakov, Cuore di cane). Capitolo 6. Scenari perturbanti. 6.1. Dissipatio. (G. Morselli, Dissipatio H.G.). 6.2. Un mammifero meccanizzato. (S. Butler, Erewhon). 6.3. Mlle Olimpia. (E.T.A. Hoffmann, Racconti notturni). Capitolo 7. La gente perbene. 7.1. La balena bianca. (H. Melville, Moby Dick). 7.2. Betsabea Everdeene. (T. Hardy, Via dalla pazza folla). 7.3. Un’idea francese. (C. McCarthy, Cavalli selvaggi). 7.4. Le montagne del Montana. (D. Delillo, Rumore bianco). (shrink)

Il fascino di un libro, tra Reuchlin e Bruno. -/- RINASCIMENTO ESOTERICO Speciale V centenario De arte cabalistica (1517-2017) -/- Nella sua rinomata libreria antiquaria, nel cuore di Firenze, Paolo Pampaloni sta sfogliando un grazioso volumetto in ottavo, rilegato in pelle scura. Si tratta di un esemplare del De incertitudine et vanitate scientiarum di Heinrich Cornelius Agrippa von Nettesheim.

El objetivo de este ensayo es hacer una defensa de la exigibilidad de los derechos económicos y sociales. Esta noción se refiere a “la posibilidad de reclamar ante un juez o tribunal de justicia el cumplimiento, al menos, de algunas de las obligaciones que se derivan [de estos derechos]”. Para realizar este objetivo, procederé de la siguiente manera. En la sección II, haré una reconstrucción de uno de los argumentos más tradicionales que se han ofrecido en contra de la exigibilidad (...) de los derechos económicos y sociales. En la sección III, haré una reconstrucción de la interpretación institucional de los derechos humanos, presentada por el filósofo Thomas Pogge, en su libro La pobreza en el mundo y los derechos humanos. La relevancia de esta interpretación consiste en que pretende trascender la crítica libertariana que sostiene que los derechos económicos y sociales no son derechos humanos. En la sección IV, me ocuparé de los derechos económicos y sociales incluidos en la Constitución nacional y en varios instrumentos internacionales. En la sección V, haré algunas reflexiones sobre la exigibilidad de estos derechos. Finalmente, en la sección VI, extraeré algunas conclusiones de las secciones previas. (shrink)

En 1968 Raquel Carson comenzaba una revolución en el pensamiento, quizá una de las de mayor peso en la actualidad. En su libro "La primavera silenciosa" acusaba del deterioro ambiental al poder ilimitado del ser humano. La creencia surgida en la modernidad de que todo lo que el hombre decidía era en sí mismo lo mejor por haber sido fruto de una voluntad libérrima, daba primacía y legitimidad absoluta a su acción sobre la naturaleza. Surgieron con gran fuerza numerosos grupos (...) ecologistas que adoptaron un pensamiento que responde al nombre de "ecología profunda" o "Deep Ecology" descrito por primera vez por Arme Naess en un artículo publicado por la revista Inquiry y titulado "The Shallow and the Deep, Long Range Ecology Movement". Los principios que proponía este movimiento (Naess 1984) pueden ser resumidos en ocho grandes puntos: 1) la vida de los seres no humanos es un valor en sí: 2) la riqueza y la diversidad de estas formas de vida son también valores en sí; 3) los seres humanos no pueden intervenir de manera destructiva en la vida; 4) a este respecto, la intervención humana actual es eminentemente excesiva; 5) por consiguiente, las reglas de juego deben ser radicalmente modificadas; 6) esta modificación radical debe hacerse tanto a nivel de las estructuras económicas como de las estructuras ideológicas y culturales; 7) a nivel ideológico, el cambio principal consiste en apreciar más la calidad de la vida que el goce de los bienes materiales; 8) las personas que acepten estos principios tienen la obligación de contribuir, directa o indirectamente a la realización de los cambios fundamentales que aquellos implican. (shrink)

G. Hegel in his Introduction to the History of Philosophy limits the initiation of this study to the field of the kind of thinking that emerged in Greece in the S. V ac, starting to do it that in other traditions (in which states, the Taoism, the religion of the Vedas, the Buddhism), the thinking is not autonomus in relation to a religious, mystical, mythological or customs justifications. Therefore there is no thought free of external determinations in these traditions. This (...) Hegelian principle has been accepted by the vast majority of those who carry out the study on the origin and history of philosophy. This paper intends to point out, following comments from experts in the field, how in certain traditions of Indian philosophy defined as nastika darshanas, and taking the Cārvāka materialism as example, philosophical thought occurs free from external determinations (religious, mythological, etc.), without prejudice to those philosophical systems which have been useful when justifying or discredit certain positions in these branches of human action. (shrink)

We adjust the notion of typicality originated with Russell, which was introduced and studied in a previous paper for general first-order structures, to make it expressible in the language of set theory. The adopted definition of the class ${\rm NT}$ of nontypical sets comes out as a natural strengthening of Russell's initial definition, which employs properties of small (minority) extensions, when the latter are restricted to the various levels $V_\zeta$ of $V$. This strengthening leads to defining ${\rm NT}$ as the (...) class of sets that belong to some countable ordinal definable set. It follows that ${\rm OD}\subseteq {\rm NT}$ and hence ${\rm HOD}\subseteq {\rm HNT}$. It is proved that the class ${\rm HNT}$ of hereditarily nontypical sets is an inner model of ${\rm ZF}$. Moreover the (relative) consistency of $V\neq {\rm NT}$ is established, by showing that in many forcing extensions $M[G]$ the generic set $G$ is a typical element of $M[G]$, a fact which is fully in accord with the intuitive meaning of typicality. In particular it is consistent that there exist continuum many typical reals. In addition it follows from a result of Kanovei and Lyubetsky that ${\rm HOD}\neq {\rm HNT}$ is also relatively consistent. In particular it is consistent that ${\cal P}(\omega)\cap {\rm OD}\subsetneq{\cal P}(\omega)\cap {\rm NT}$. However many questions remain open, among them the consistency of ${\rm HOD}\neq {\rm HNT}\neq V$, ${\rm HOD}={\rm HNT}\neq V$ and ${\rm HOD}\neq {\rm HNT}= V$. (shrink)

The Shadow of God in the Philosopher’s Garden. The Parc de La Villette in Paris in the context of the philosophy of chôra I Bernard Tschumi’s project of the Parc de La Villette could have won the competition and was implemented thanks to the political atmosphere that accompanied the victory of the left-wing candidate in the French presidential elections in 1981. François Mitterand’s revision of the political programme and the replacement of radical reforms with the construction of prestigious architectural objects (...) and urban assumptions in the French capital gave Tschumi a unique opportunity to realise ideas that polemicised with traditional forms of social life, questioned the basic principles of architecture and included architectural work in the philosophical disputes over the issues of metaphysics. Tschumi’s theoretical assumptions put forward during the design of the Parc de La Villette highlighted the questions of conflict between the main components of the project and suggested that the intensification of differences was analogous to Jacques Derrida’s creation of the concept of différance. It was this philosopher who in a special commentary to Derrida’s project also introduced the concept of maintenant, which aimed at demonstrating that the architect’s polemical inclinations remain in a hidden balance with his inclinations to affirmation of architectural principles. During the discussion between Derrida and Peter Eisenman, who was to take part in the design of the Parisian park, the concept of the chôra was also put forward, which in the course of the debate led to an additional confusion of architectural and philosophical problems. II In the period from the Antiquity to the Renaissance, the dialogue Timaeus was the most frequently commented work of Plato. At present, the most frequently discussed is the issue of the chôra included in it, which aroused fascination among philosophers, researchers of rhetoric, religion, feminism, but also architecture. The work on the chôra also influenced the development of the interpretation of the Parc de La Villette, among which the topics related to the beginning and the change were highlighted. In early uses of the word chôra in Greek, as in Homer’s 18th Book of Iliad, it meant both dancing and a place to dance. On this occasion, it can be seen that it is not possible to determine which phenomenon took precedence in the creation of the name. It cannot be denied, however, that the word concerned a specific movement, as if circular and returning to an indefinable beginning. Despite gaining more and more general meanings, the word chôra has retained its connection with the dance of people on the threshing floor, the dance of bees (choros meliton) or the dance of stars (choros astron). In Timaeus, the chôra is a space filled with movement with an effect similar to shaking the sieve to husk the grain: it separates similar elements from the dissimilar ones. The juxtaposition of the Parc de La Villette and the chôra already at this stage leads to the suggestion that the park was treated by the architect as a place of dynamic changes leading to the establishment of new social solutions. In his statements, the architect confirmed that the park was to be a space of new politics and ethics. The book by Julia Kristeva La Révolution du langage poétique contributed to the spread of the belief that works of art can play a role as factors of political revolution. In this work, the author put forward the thesis that the chôra is a kind of space, the character of which has a destructive influence on attempts to conclude language games. The chôra gives beginning to words, but at the same time, by leaving a trace of this beginning it forces us to renew their meanings. The chôra understood in this way, turns out to be an irremovable beginning, to which one has to return all the time. Kristeva found manifestations of the chôra’s activity in avant-garde French poetry, to which she attributed the role of a mediator between criticism of metaphysics and aspirations for social change. The chôra, violating the language, introduces some voids into it, as if traces of the abyss, which direct the consciousness towards understanding the necessity of political changes. The Parc de La Villette was to pursue similar objectives in the city space. In his essays, Tschumi considered the problems of creating spaces that would give rise to a radical democracy. The proposed rebellious spaces should have the characteristics of a void, in which contradictory forces would occur as forms of pure activity. The means of achieving this goal was to concentrate contradictions and make them visible. The Parc de La Villette was supposed to collect differences as indelible and at the same time by showing them it was supposed to raise awareness of the social world as a conglomerate of differences. Saturation of the space of the park with subversive values results from the character of this space suppressed in the consciousness, as well as from the social diversity which has not been taken into account so far. The main contradictions contained in space relate to the division that exists between its presentation as a mental problem and a sensual one. The park was the deliberate creation of a place that transcends such a division and creates a separate space for negotiation between architectural theories and its practical applications. The purpose of the park was to become a place of future events, which would not hide their conflicting character coming from diversity of both space and society. The method of composition usually aimed at achieving a harmonious whole has been replaced by Tschumi with a system of juxtaposition of non-coherent elements or those resulting from variations and transformations. Tschumi did not seek direct influence on politics in the Parc de La Villette, but made room for thinking about the possibilities of the future. He introduced problems rather than showed solutions to them. The task of the park was to put the principles of architecture into a kind of vibration that would inspire users to participate in the new community. III Tschumi believes that the quality of architecture depends on the theoretical factor it contains. Such a view led to the creation of architecture that would achieve visibility and comprehensibility only after its interpretation. On his way to creating such an architecture he took on a purely philosophical reflection on the basic building block of architecture, which is space. In 1975, he wrote an essay entitled Questions of Space, in which he included several dozen questions about the nature of space. The questions he formulated could be regarded as analogous to the situation in the philosophy of the time, in which the interest in questioning the most obvious forms of understanding the world and intellectual categories increased. The research on space is an area common to many fields of natural sciences, humanities and artistic creation, but it also deals with other problems, such as issues of experience. The concept of space-time continuum proposed by Hermann Minkowski drew attention to the identity of time and space with the events taking place. Probably regardless of the postulates of physicists commenting on Albert Einstein’s discoveries, also in philosophy it increased the importance of the concept of the event which became dominant in Martin Heidegger’s latest work Contributions of Philosophy: Of the event. Furthermore, Tschumi’s reflections on space entered into relation with the problem of experience, which aroused the interest of a group of French philosophers trying to assimilate Georges Bataille’s concept of “inner experience”. Both Tschumi and Derrida referred to Bataille because his views could be used not only to modify the concept of the subject, but also to change the understanding of what constitutes the area of architecture. The discussion on experience has led to the recognition that the subject is not sovereign, but actually a form of what is on their outside. Such insights make it possible to treat the area of the Parc de La Villette as existing mainly when it is organised by its users. The decisive features of the park are its assumptions, according to which it is a variety of active void that leads to agreeing new social relations with it. The park does not force to participate in already existing moral or political communities, but tries to move into an unknown future in which the scope of free functioning of individuals will be increased. Doubts about the principles of functioning of the individual self and its discovery as a whole composed of non-coherent parts, as well as its dependence on its own depth full of disordered forces, influenced the understanding of architecture as a set of contradictions whose source is a fundamental void anticipating the empty phenomenal space. The use of this phenomenal void in architecture, as well as the rejection of the whole and unity, had a specific political purpose and drew its inspiration from political analyses. In the Parc de La Villette, metaphysics and politics were brought closer together because the philosophy of void was used to create new conditions for community action. It can be argued that the source of this philosophy was the perception of errors in existing societies dependent on the shortcomings of traditional metaphysics. Spacing (espacement) was one of the key terms in Derrida’s philosophy, which was also combined with the concepts of différance and chôra. The study of the nature of space, especially its transition from the level of pure possibility to the level of sensual phenomenon, also contributes to understanding how well designed space can have an impact on its audience. This explanation is based on Tschumi’s assumption that the space of the Parc de La Villette contradicts the integrating approaches and instead exposes contradictions, but it does so in a way that combines incompatible properties into a single piece of architecture. The specificity of such integration is similar to the invention of a musical phrase, which is an ideological message: moral and political. Such a thesis may raise doubts, however, if both the clearly adopted assumptions and those deduced from the work allow for their logically ordered presentation then to a limited extent it may be assumed that the work has achieved a connection between a specific philosophy of space and its practical application. Derrida combined the problem of spatiality with the problem of transcendental imagination in the philosophy of Immanuel Kant, who in the first version of Critique of Pure Reason assumed that pure imagination precedes the appearance of time and space, even in their transcendental forms. The imagination in such a situation can be described as a factor activating time and space, which indicates what function is played by movement in this activity. This leads us to recognize that the ultra originary source of pure forms of sensual intuition is movement, which in early Greek philosophy was identified with void and its lack of resistance to phenomena occurring in it. Derrida’s philosophy in search of a certain super-transcendental source of time and space pointed to différance which, like void or the chôra, does not have material features or even any other form of being. Différance is the primary cause of the disruption of motionlessness and the introduction of activity into motionless time and space, thus its activity can be described as spacing (espacement). Derrida’s discoveries in this respect are not entirely original, because Georg Wilhelm Friedrich Hegel already pointed out when examining the present that it is primarily a differential relation (differente Beziehung), which, being seemingly neutral, influences the present with supernatural force and makes it unidentifiable with itself. Differente Beziehung must similarly influence the originary space, negating its initial character by multiplying its divisions and expanding its boundaries. Différance acts by revealing contradictions wherever there is apparent undifferentiation. Tschumi, composing the Parc de La Villette as a variety of void and a set of incompatible layers, followed the rules of différance or the chôra: he made void visible together with its saturation with contradictions. If space can be considered to be the result of the activity of difference, such activity has a certain regularity, which influences the behaviour of its observers. Differences or contradictions fall into a certain rhythm, which can be considered a manifestation of transcendent order. The problem is that what can be considered the source of such order, namely the logos or God, is partly disorder and error. According to descriptions contained in Timaeus, the world is a combination of forces that drive to order with forces of erroneous necessity that resounds in every order and forces it to return to disorder. Derrida denied the possibility of understanding différance as a theological value, even if it were a negative or apophatic theology, but no categorical denial could be perfect. The assumption that différance or the chôra are not endowed with any substance properties cannot deny their activity, and thus a certain force. Already since Democritus, philosophy has multiplied the names of such a force and the contradictory variety of its manifestations, never forgetting also the necessity for reason to withdraw from the possibility of giving its correct characteristics. Such a withdrawal may be interpreted as an expression of respect and, in certain situations, as a cult of the force that precedes reasonableness. The Parc de La Villette, which is an artistic divagation about the contradictions and forces behind them, can be considered as a place of their sublimation, and therefore as a variation of the temple of what differs from order and disorder. IV In the texts that presented the theoretical assumptions of the Parc de La Villette, Tschumi used a large number of terms that contradicted not only the traditional principles of composing architecture, but also negated the rules of social order and the foundations of Western metaphysics. Tschumi’s statements, which are a continuation of his leftist political fascinations from the May 1968 revolution, as well as his interest in the philosophy of French poststructuralism and his collaboration with Derrida, prove that terms such as “disruption”, “dissociation”, “disfunction”, “disjunction” and “dispersion” not only referred to architectural problems but also applied to political criticism and the deepest foundations of thinking itself. His collaboration with Derrida manifested itself primarily in the publication La Case Vide: La Villette 1985, in which the architect’s design drawings and texts explaining his concepts related to the Parc de La Villette were accompanied by an extensive essay by Derrida, which included theoretical problems taken up by Tschumi in a philosophical context. Architectural and philosophical issues were also combined during seven discussion meetings organised by Eisenman, invited by Tschumi to collaborate on the design of the Parc de La Villette. Eisenman, who, like Tschumi, invited Derrida to participate in the design of the park and also led to the publication of Chora L Works: Jacques Derrida and Peter Eisenman, in which his ideas were confronted with Derrida’s philosophical text. In this case, Derrida’s essay was not a direct commentary on the architect’s concepts, but rather a reflection on the question of the chôra presented by Plato in Timaeus. During the discussion and in his essay, Derrida pointed out that the chôra is a component of the created world, yet it does not belong to it, but precedes it. The originality of the chôra is so radical that she also precedes all the factors of creating the world, including ideas and the Demiurge. Thus athesis appeared in the metaphysics of the West that the chôra is a form of active abyss, in relation to which all beings are secondary, both those perfect (as ideas or God) and those created, such as the world, things, people or language. This leads to the conclusion that the chôra does not exist, because all existence is a derivative of the chôra. Nor could the chôra be described, since it is a form of developing a space that is preceded by a lack of space characteristic of the chôra. Derrida intended the chôra to be an instance with an exceptional degree of transcendentalism, an anti-metaphysical instance, but also an a-theological one. However, this attempt failed, both in the field of secular philosophy and in the field of theology. Derrida’s characteristics of the chôra to strengthen its transcendentalism and negation of metaphysics had to be expressed in a language that immediately produces new concepts and a new metaphysics that reproduces the categories of the beginning, the origin or the foundation known from earlier philosophical traditions. All forms of criticism of metaphysics are also inspired by negative, apophatic and mystical theology. The undermining of many concepts of permanent meaning and the introduction of new concepts of unstable meaning, characteristic of the philosophy of deconstruction, had many features of originality, but it was directed towards problems whose solutions repeat, with the use of new vocabulary, the findings known in culture since Democritus. Thus, if apophatic philosophy can be regarded as deconstruction avant la lettre, then deconstruction itself in its late versions began to take on the features of a new religion. The exchange of inspiration between theology and deconstruction was manifested in a series of scientific conferences and publications in which Derrida’s philosophical concepts were interpreted within the scope of religious thought. Theological threads began to be found in such concepts of deconstruction as différance or the chôra, while at the same time Derrida himself undertook in his philosophy to study problems such as the Other (L’Autre) or the Impossible (Impossible), which belonged to newer theological traditions. As a consequence of the new problems, the deconstruction became closer to the features of a new religion. Philosophy, at least from Kant’s time, has tried to create a system that would take over from religion the tasks of setting moral and political goals. Similarly, Derrida has directed his interest towards the problems of democracy and ethics, which would enable their renewal. Attempts to create a new religion (cleared of old metaphors), a new community or a new democracy bring problems and threats which may be no less troublesome than the previous systems. All promises of freedom carry with them threats, the greater the more they strive for perfection. The renewal of existential orders, sometimes carried out by means of violent changes, is a certain repetitive feature of human cultures. Deep changes, however, do not protect against the return of both old gods and old demons. Tschumi and Derrida were shaped in their youth by the atmosphere of leftist rebellion against the moral and political limitations of ossified communities and the imperfections of democracy. The ethical theme distinguishes many of their works, including the Parc de La Villette. The opposition to the metaphysical traditions of philosophy and architecture contained in this park was prompted by specific political situations and resulted from bringing political issues to the level of philosophical considerations. Achievements made at the level of pure concepts were then subject to elevation, to a kind of sacralization, which made them religious concepts. The deconstruction reached for the status of the new religion especially when it found its followers and began to generate moral obligations. In the new situation, terms such as the chôra, l’Autre or the Impossible were absolutized and in relation to them a cult and attitude of adoration emerged. The Parc de La Villtette then gained new post-secular meanings, which allow it to be assigned the function of a Temple of Otherness (L’Autre) and Impossible. V In the traditional sense, a work of art creates an illustration of the outside world, or of a certain text or doctrine. Sometimes it is considered that such an illustration is not literal, but is an interpretation of what is visible, or an interpretation of a certain literary or ideological message. It can also be assumed that a work of art creates its own visual world, a separate story or a separate philosophical statement. Parc de La Villette represents the last of these possibilities: it is a philosophical statement that develops the premises derived from poststructuralist philosophies and the philosophy of deconstruction. The uniqueness of its being status, however, is that it does so not only at the level of the theoretical assumptions, but also through its functioning as an active philosophical work. This means that a park is a happening philosophy. Its activity, however, does not refer only to the present tense, but is also an attempt to penetrate the future, all otherness and impossibility. This kind of activity assumes that the work, in a sense, does not yet fully exist, but is also still produced in the processes of its interpretation. The theoretical foundations of the park included texts by Tschumi, in which he questioned traditional ways of creating a work of architecture, postulating in return the use of a long series of negations, which were comparable to the crisis of metaphysics characteristic of contemporary philosophy. It is therefore no coincidence that the publication containing Tschumi’s theoretical text on Parc de La Villette was accompanied by an essay by Derrida developing some of the architect’s concepts. The next step in integrating philosophy into the process of park design was a series of discussions between Eisenman and Derrida, who completely moved the creation of the park into the world of thoughts, without accentuating the need for their realization in the material reality. The main topic of these discussions was the problem of the chôra, which was taken up by later commentators and used to interpret the park as a work in which the philosophy of the beginning is manifested relating to issues of politics, morality and religion. The park was therefore interpreted as a space of invention within the scope of creating new rules of functioning of the community and democracy. Thinking about the political future may, however, exceed the horizon of ordinary expectations. Although philosophical thought is always connected with contemporary problems and metaphysics sometimes intertwines with current politics, yet at the same time the customs of philosophy also include crossing horizons and thinking about absolute otherness and impossibility. Initially, the chôra, différance, absolute otherness (tout autre) and the Impossible were concepts of pure philosophy of atheistic character, but with the further development of the discussion, more and more theological motifs began to emerge. One of the reasons for this phenomenon was the fact that radical negations of all being, which were contemplated in contemporary philosophy (by Heidegger and Derrida, among others), had previously been manifested in negative and apophatic theologies (by Master Eckhart, among others).Also the category of the “Other”, taken from Emmanuel Levinas, was clearly connected with the thought about God. A further reason for connecting the chôra with the theological thought was the interest in the philosophy of deconstruction expressed by some theologians. John Caputo in particular managed to persuade Derrida to participate in discussions on the current status of religion. In the late period of Derrida’s writing, further statements on religious topics appeared. All these reasons led to posing a question about the identity of the chôra and God. Although there were no satisfactory conclusions on this issue, the discussion was also important to create an interpretation of the park as a place of worship. The chôra, representing, according to Plato, the preoriginal emptiness is the place of every beginning, but it turns out that it is not neutral to the being created in it. The chôra deposits itself in every being as an irremovable beginning that interferes with its stability. The chôra, therefore, forces us into a palintropical movement, but it also turns out to be a pure compulsion, an erring necessity and a fundamental force from which, in the human perception, motifs useful to the individual and to the community are extracted. All definitions of this force, including its anthropomorphisation, are formulated in such a way that they allow for building private and collective morality upon them. Such definitions are changed depending on variable political situations. It is difficult to determine whether in the processes of changes in the formulation of “God’s names” any essential value is retained, which is not subject to change. The current definitions of the chôra (God?), which can be found, for example, in the philosophy of Caputo, stress that she is a combination of various and contradictory forces. This characteristic inherits much of Plato’s concept, reminds us of Master Eckhart’s views on Gottheit and, at the same time, is not unfamiliar to Tschumi, whose essays were an apologia of contradictions. The current concept of chôra, transferred into the sphere of politics, is the praise of social diversity and the protection of the difference from the forces of order. In the Parc de La Villette, the future community and democracy were elevated as a system of safe existence of individuals in all their singularity. The park is a temple of a future community in which individual beings have nothing in common. (shrink)

To commemorate the 400th anniversary of the death of St. Robert Bellarmine, this article pays attention to his significant contribution to the De Auxiliis controversy. The main milestones of his intervention are considered: Bellarmine’s internal censure of the Concordia by Molina made for Aquaviva, as well as some details of his relationship with Pope Clement VIII. He composed several opuscules on these topics, most of which have already been published. Here we transcribe an unpublished manuscript from the last years of (...) De Auxiliis Congregations. It is a report written for Pope Paul V on the divine knowledge of conditioned futures. This question provides Bellarmine with another opportunity to criticize the doctrine of physical predetermination. According to the Jesuit cardinal, such a thesis was more dangerous a doctrine than the erroneous affirmations that even he could recognize in the Concordia by Molina. (shrink)

"In the programs of Logic and History of Philosophy in the FHUCE study and introduction to logic is always done on the basis of Western classical Greek tradition, and its development is still exclusively through Western culture. This presentation aims to provide a path parallel to the West is the tradition of Nyaya-Vaisesika schools, which arise in the S. V B.C. like a response to the anti-Vedic Buddhist nihilism, and reached an important technical development at the beginning of S. II (...) D.C. when you know the Nyāyasutras attributed to Aksapada Gautama, and are considered the founding text of Nyāya tradition of Indian philosophy. The great virtue of the achievement of these schools is that although the system has Vaisesika been described as "a synthesis between philosophy of nature, ethics and soteriology" , which also applies to school Nyāya in the latter we are also a great emphasis on epistemology and the rules must be observed in philosophical debates. In their synthesis, Nyāya -Vaisesika system gets his language and jargon will be adopted by all who wish to discuss logical issues in India (especially in discussions Vedanta / Buddhism) without the need to adopt such language should assume his ontological, moral and religious premises. (shrink)