Results for 'Cine-Scape'

16 found
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  1.  11
    Tenis – Cine Câstigă Ultimul Meci? (Tennis – Who’Ll Win the Last Match?).Mihai Nadin - 2016 - Revista Curtea de la Arges 9 (70).
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  2. La estética del hambre en el cine de G. Rocha. Una discusión con los estudios sobre cine de Deleuze.Gustavo Romero - 2016 - In Edgardo Gutiérrez & Olga Irene Scarpatti (eds.), Los caminos de la imagen: aproximaciones a la ontología del cine. Buenos Aires, Argentina: pp. 97-118.
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  3. Jacques Derrida y los fantasmas del cinematógrafo.Antonio Tudela-Sancho - 2003 - Revista de Filosofía (Madrid) 45 (3):137-166.
    Leyendo algunos textos «marginales» de Jacques Derrida, especialmente en sus últimos trabajos, desde la perspectiva de las relaciones entre la experiencia biográfica y los intereses filosóficos, este ensayo trata, por un lado, de las reflexiones del filósofo acerca del cine como un desarrollo de la tradición contemporánea fundada muy particularmente por Walter Benjamin y Hugo von Hofmannsthal; y por otro, el artículo se centra en el «fantasma» o «espectro»: un concepto básico a la par que clásico tanto del cinematógrafo (...)
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  4. La estética y el arte a debate (II).José Ramón Fabelo Corzo & Mariana Romero Bello (eds.) - 2018 - Puebla, Pue., México: Colección La Fuente, BUAP.
    El presente libro recopila algunas de las mejores investigaciones presentadas en el “IX Coloquio Internacional de Estética y Arte” en La Habana en diciembre del 2015, redactadas ahora a modo de artículos. La estética y el arte a debate II está compuesto por 27 artículos y se encuentra dividido en cinco bloques que, de alguna manera, reflejan las temáticas centrales alrededor de las cuales giró el encuentro del 2015. Los bloques temáticos son: 1 Arte, estética y política, 2 Cine (...)
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  5.  56
    El Infierno y Salvando al soldado Pérez. Entre el realismo macabro y el ridículo mágico.Mario Edmundo Chávez Tortolero - 2019 - In Carlos Oliva Mendoza & Luis Guillermo Martínez Gutiérrez (eds.), Cine mexicano y filosofía. Editorial Itaca.
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  6.  12
    Estética inorgánica. Detroit en Only Lovers Left Alive.Leonardo Arriagada - 2020 - Archivos de la Filmoteca (78):111-124.
    El cine de Jim Jarmusch es reconocible por captar momentos de quietud en los que la acción y el drama son secundarios. Es por ello que su film Only Lovers Left Alive ha sido tan destacado por críticos y académicos. Esta película ha llevado a la pantalla la estética ruinosa de Detroit. Este artículo amplía esas recientes investigaciones, para postular que la Detroit de Jarmusch es una ciudad estéticamente inorgánica. Siguiendo a grandes rasgos los lineamientos de Wilhelm Worringer, se (...)
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  7. The Reality of Lies.Venanzio Raspa - 2013 - Filozofija I Društvo 24 (2):105-131.
    A lie is neither a false proposition, nor a mistake, nor a mere fiction; it is a type of fiction, an act, and precisely an intentional act. An act calls for a subject, and therefore a lie is inseparable from its subject. Together, they make up a real object: it has to be real, since a lie produces effects, and the cause-effect relationship only holds between real beings. Like every real object, a lie unfolds in a context. But there is (...)
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  8.  97
    Traducere şi traducători.Nicolae Sfetcu - 2014 - Drobeta Turnu Severin: MultiMedia Publishing.
    Include Ghidul Comisiei Europene pentru traducătorii din Uniunea Europeană Despre traducere şi traducători, teorii ale traducerilor, traducerea asistată pe calculator, şi software utilizat în traduceri. Include Ghidul Comisiei Europene pentru traducătorii din Uniunea Europeană şi legislaţia specifică traducerilor şi traducătorilor. Fidelitatea (sau loialitatea) şi transparenţa, idealurile duale în traducere, sunt de multe ori în conflict. Problema fidelităţii versus transparenţă a fost formulată şi în termeni de “echivalenţă formală” şi ” echivalenţă dinamică, sau funcţională“. Cele din urmă expresii sunt asociate cu (...)
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  9. Dossier Chris Marker: The Suffering Image.Gavin Keeney - 2012 - Cambridge Scholars Press.
    This study firstly addresses three threads in Chris Marker’s work – theology, Marxism, and Surrealism – through a mapping of the work of both Giorgio Agamben and Jacques Derrida onto the varied production of his film and photographic work. Notably, it is late Agamben and late Derrida that is utilized, as both began to exit so-called post-structuralism proper with the theological turn in the late 1980s and early 1990s. It addresses these threads through the means to ends employed and as (...)
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  10. Identidad y poder en las sociedades de control.Antonio Tudela Sancho - 2009 - Revista de Filosofía (Venezuela) 61 (1):7-37.
    La finalidad del presente ensayo consiste en partir de las nociones interrelacionadas de "capitalismo mundial integrado" (Guattari) y de "sociedad de control" (Deleuze) para intentar una deriva que cruce géneros, épocas y nombres propios: de la filosofía al cine y a la poesía (caminos de ida y vuelta), de Benjamin a Serres pasando por Homero, Kavafis, Cioran o Godard, del tardío imperio romano y sus incertidumbres a la imprecisión de nuestro propio tiempo. Posiblemente, pensar hoy la identidad humana sea (...)
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  11.  55
    Carlo Serra “Tiempo y escansión. Contribución sobre el significado rítmico de la duración entre Husserl y Bachelard” - Traducción de Facundo Bey.Facundo Bey - 2018 - Boletín de Estética 14 (45):42-76.
    English Title: Time and scansion: rythmical meaning of Duration between Husserl and Bachelard. -/- Abstract: Inside phenomenological search, present time and instant live inside a troubled dialectic: for Husserl present runs, widening out past and future, in the same moment, like the Heraclitean bowstring which stretches between two dimensions. Gaston Bachelard, on the contrary, is the thinker of Discreteness, where temporal continuum is linked to the reciprocal differentiating of instants in the duration. So, the conceptions of time inside these philosophers (...)
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  12. Ato e Potência: um estudo sobre a relação entre ser e movimento no livro Theta da Metafísica de Aristóteles.Alexandre Lima - 2005 - Dissertation, UFSC, Brazil
    Com o propósito de analisar a relação entre ser e movimento a partir dos conceitos de ato e potência, elaboramos um mapeamento do livro Θ da Metafísica, capaz de orientar o entendimento de sua estrutura central. Visto como um dos modos de se dizer o ser, o ser em ato e em potência é parte integrante e fundamental da investigação metafísica. A distinção entre ser em ato e em potência pretende resolver o clássico problema do não-ser que vem a ser, (...)
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  13.  41
    Espectadores, gigantes e infancia: Jean-Jacques Rousseau y Víctor Erice.Byron Davies - 2018 - Correspondencias. Cine y Pensamiento.
    Spanish translation, with some additions, of "Spectators and Giants in Rousseau and Víctor Erice.".
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  14. No Pain, No Gain: Strategic Repulsion and The Human Centipede.Steve Jones - 2013 - Cine-Excess E-Journal 1 (1).
    Tom Six’s The Human Centipede (First Sequence) (2009) and The Human Centipede II (Full Sequence) (2011) are based on a disturbing premise: people are abducted and stitched together mouth-to-anus. The consequent combinations of faeces and bloodshed, torture and degradation have been roundly vilified by the critical press. Additionally, the sequel was officially banned or heavily censored in numerous countries. This article argues that these reactive forms of suppression fail to engage with the films themselves, or the concepts (such as disgust (...)
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  15. Rashômon. La memoria y su conexión con el pasado.Marina Trakas - 2017 - Journal Etica Cine 7 (3):11-21.
    Taking as starting point Akira Kurosawa’s film, I analyse the tension between the reconstructive nature of memory and the possibility of knowing truths from the past, and I explore if the tendency to align our personal memories to our present interests necessarily leads to an sceptic and relativistic vision of the knowledge from the past.
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  16.  7
    WOMEN AND BIOMEDICAL HEALTHCARE IN A COMMUNITY IN GHANA.Samuel Adu-Gyamfi - 2020 - Current Issues of Social Studies and History of Medіcine 28 (4):59-64.
    The contribution of women to the development of societies and medicine around the world cannot be overstated. Their contribution to medicine is great; this is seen, in particular, in their role among other physicians, obstetricians, nurses, herbalists, and assistant physicians. Despite the significant contribution of women to medicine and health care, the have often been largely omitted in the history of medicine and other scientific literature. Therefore, my study contains an obvious novelty: the urgent need to consider the diverse role (...)
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