Despre necesitatea şi utilitatea dezvoltării unei filosofii specifice tehnologiei blockchain, accentuând pe aspectele ontologice. După o Introducere în care evidenţiez principalele direcţii filosofice pentru această tehnologie emergentă, în Tehnologia blockchain explicitez modul de funcţionare al blockchain, punând în discuţie direcţiile ontologice de dezvoltare în Proiectarea şi Modelarea acestei tehnologii. Următoarea secţiune este dedicată principalei aplicaţii a tehnologiei blockchain, Bitcoin, cu implicaţiile sociale ale acestei criptovalute. Urmează o secţiune de Filosofie în care identific tehnologia blockchain cu conceptul de heterotopie dezvoltat de (...) Michel Foucault şi o interpretez în lumina tehnologiei notaţionale dezvoltată de Nelson Goodman ca sistem notaţional. În secţiunea Ontologii dezvolt două direcţii de dezvoltare considerate de mine ca importante: Ontologia narativă, bazată pe ideea de ordine şi structură a istoriei transmise prin naraţia istoriei a lui Paul Ricoeur, şi un sistem ontologic bazat pe Ontologiile de intreprindere, bazat pe conceptele şi modelele de intreprindere specifice webului semantic, şi pe care eu îl consider cel mai bine dezvoltat şi cel care va deveni, probabil, sistemul ontologic formal, cel puţin în ceea ce priveşte aspectele economice şi juridice ale tehnologiei blockchain. În Concluzii vorbesc despre direcţiile viitoare de dezvoltare a filosofiei tehnologiei blockchain în general ca o teorie explicativă şi robustă din punct de vedere fenomenologic, consistentă şi care să permită testabilitatea, şi a ontologiilor în special, argumentând pentru necesitatea unei adopţii globale a unui sistem ontologic pentru a dezvolta soluţii transversale şi a rentabiliza tehnologia. -/- Cuvinte cheie: filosofie, blockchain, ontologie, bitcoin, proiectare, modele -/- CUPRINS -/- Abstract Introducere Tehnologia blockchain - - - Proiectare - - - Modele Bitcoin Filosofia Ontologii - - - Ontologii narative - - - Ontologii de intreprindere Concluzii Note Bibliografie -/- DOI: 10.13140/RG.2.2.25492.35204. (shrink)

În acest eseu evidențiez principalele aspecte psihologice și filosofice desprinse din filmul Solaris regizat de Andrei Tarkovski, precum și tehnicile cinematografice utilizate de regizor pentru a-și transmite mesajele spectatorului. În ”Introducere” prezint pe scurt elementele relevante din biografia lui Tarkovski și o prezentare generală a romanului Solaris a lui Stanislav Lem și filmul Solaris în regia lui Andrei Tarkovsky. În ”Tehnica cinematografică” vorbesc despre ritmul specific al scenelor, mișcarea radicală declanșată de Tarkovsky în cinematografia modernă, rolul elementelor simbolice și iconice, (...) , și afinitățile cu zona fantastică a literaturii ruse. În ”Aspecte psihologice” analizez problema comunicării într-o societate umană a viitorului considerată de Tarkovsky ca rigidă, obsesia casei, și evoluția personală a lui Kris, Hari, și a relațiilor dintre ei. În ”Aspecte filosofice” se analizează filmul prin prisma filosofiei minții (dualismul cartezian, reducționismul și funcționalismul), a problemei identității personale, a teoriei spațiilor heterotopice dezvoltată de Michel Foucault, și interpretările semantice care se pot deduce din film. De asemenea, se analizează problema identității personale prin prisma filosofiei lui Locke. ”Concluziile” expun ideile generale rezultate din acest eseu, respectiv că Tentativele omului de a clasifica și de a păstra forme de interacțiune cu entități necunoscute vor fi întotdeauna condamnate la eșec și vor reflecta o greșeală majoră în lumea panoptică în care trăim. În acest cadru de analiză a filosofiei minții, funcționalismul pare a fi cel mai intuitiv. Solaris este, totuși, un film care începe ca o căutare a răspunsurilor și ajunge să ofere aceste răspunsuri împreună cu o serie de întrebări cu totul diferite. (shrink)

De la existențialismul lui Albert Camus și Sartre, la înlocuirea ritualului de excludere cu mecanismul disciplinar al lui Michel Foucault, o formă ideală de control al autorităților statului a tuturor formelor de ”dezordine”, și modernitatea virală și bioinformaționalism. Și despre ipoteza Gaia, dezvoltată de James Lovelock și susținută în actuala pandemie de Bruno Latour. DOI: 10.13140/RG.2.2.31276.49284.

Lucrarea debutează cu o retrospectivă a dezbaterilor privind originea vieții: virusul sau celula? Virusul are nevoie de celulă pentru replicare, în schimb celula este o formă mai evoluată pe scara evoluționistă a vieții. În plus, studiul virușilor ridică întrebări conceptuale și filozofice presante despre natura lor, clasificarea lor, și locul lor în lumea biologică. Subiectul pandemiilor este abordat pornind de la existențialismul lui Albert Camus și Sartre, înlocuirea ritualului de excludere cu mecanismul disciplinar al lui Michel Foucault, și despre (...) ipoteza Gaia, dezvoltată de James Lovelock și susținută în actuala pandemie de Bruno Latour. În continuare sunt evidențiate dimensiunile sociale ale pandemiilor, legătura lor cu încălzirea globală care a dus la o creștere a bolilor infecțioase, și despădurirea unor zone întinse, care au determinat virușii să migreze din zona lor nativă („rezervorul” lor). Etica pandemiilor este abordată din mai multe puncte de vedere filosofice, din care cel mai important într-o criză de asemenea dimensiuni globale este utilitarismul care presupune maximizarea beneficiilor pentru societate în conflict direct cu viziunea obișnuită (kantiană) privind respectul față de persoane ca indivizi. După o retrospectivă a virusul COVID-19 care a cauzat actuala pandemie, a ciclului său de viață și a istoriei sale, cu accent pe filosofia morții, este discutat conceptul de bioputere dezvoltat inițial de Foucault, cu referire la practica statelor naționale moderne de control al populațiilor și dezbaterea generată de Giorgio Agamben care afirmă că ceea ce se manifestă în această pandemie este tendința crescândă de a folosi starea de excepție ca o paradigmă normală de guvernare. O altă abordare de interes și foarte dezbătută este cea generată de lucrările lui Slavoj Žižek, care afirmă că actuala pandemie a dus la falimentul actualului capitalism ”barbar”, întrebându-se dacă nu cumva drumul pe care îl va lua omenirea este un neo-comunism. Un alt efect negativ important este desocializarea, cu concluzia unor filosofi că nu putem exista independent de relațiile noastre cu ceilalți, că umanitatea unei persoane depinde de umanitatea celor din jurul ei. Ultima secțiune este dedicată previziunilor despre cum va arăta lumea după pandemie, existând deja semne ale unei schimbări de paradigmă, inclusiv dispariția bruscă a ideologiei legate de „ziduri”: o tuse a fost suficientă pentru a face dintr-o dată imposibilă evitarea responsabilității pe care fiecare individ o are față de toate ființele vii pentru simplul fapt că este parte a acestei lumi, și a dorinței de a fi parte a ei. Întregul este întotdeauna implicat în parte, pentru că totul este, într-un anumit sens, în tot și în natură nu există regiuni autonome care să constituie o excepție. Pandemia COVID-19 pare să restabilească supremația care a aparținut cândva politicii. Una din virtuțile virusului este capacitatea acestuia de a genera o idee mai sobră de libertate: a fi liber înseamnă a face ceea ce trebuie făcut într-o situație specifică. -/- CUPRINS: -/- Abstract Introducere 1 Viruși 1.1 Ontologia 2 Pandemii 2.1 Dimensiuni sociale 2.2 Etica 3 COVID-19 3.1 Biopolitica 3.2 Neocomunism 3.3 Desocializarea 4 Previziuni Bibliografie -/- DOI: 10.13140/RG.2.2.27611.39205 . (shrink)

From the existentialism of Albert Camus and Sartre, to the replacement of the exclusion ritual with the disciplinary mechanism of Michel Foucault, an ideal form of control of state authorities of all forms of "disorder", and viral modernity and bioinformationalism. And about the Gaia hypothesis, developed by James Lovelock and supported in the current pandemic by Bruno Latour. DOI: 10.13140/RG.2.2.34967.80801.

Fericirea este un concept fuzzy. Ea poate fi definită în termeni de a trăi o viață bună sau de a înflori, mai degrabă decât de a experimenta o emoție. Fericirea în acest sens a fost folosită pentru a traduce eudaimonia greacă și este încă folosită în etica virtuții. A existat o tranziție în timp, de la accent pe fericirea virtuții la virtutea fericirii. În psihologie, fericirea este o stare mentală sau emoțională a bunăstării, care poate fi definită, printre altele, de (...) emoții pozitive sau plăcute, variind de la mulțumire până la bucuria intensă. În Vedele hinduse, ānanda semnifică fericirea veșnică, cea care însoțește sfârșitul ciclului de renaștere. Pentru grecii antici, ataraxia este o stare lucidă de echilibru robust, caracterizată de elibertatea continuă de teama primejdiei și îngrijorare. Filosofii consideră că fericirea poate fi înțeleasă ca fiind scopul moral al vieții sau ca aspect al hazardului, explicând fericirea fie ca o stare de spirit, fie ca o viață înfloritoare pentru persoana căreia i se aplică. „Conceptul de fericire este un concept atât de vag încât, în ciuda dorinței fiecărui om de a fi fericit, nimeni nu poate spune niciodată în termeni preciși și coerent ce vrea și dorește cu adevărat. Motivul este că elementele care fac parte din conceptul de fericire sunt în totalitate empirice, adică trebuie împrumutate din experiență, și că în același timp, pentru ideea fericirii, un întreg absolut, este necesar un maxim de bunăstare în starea actuală și cea viitoare. Ori, este imposibil ca o persoană finită să fie atât de perspicace și, în același timp, atât de puternică încât să se presupună că poate crea un concept cert despre ceea ce își dorește cu adevărat. Bogăție? ... Cunoaștere? ... Viață lungă? .. Sănătate? Prin urmare, nu există, în acest sens, un imperativ care să ne impună în sensul strict al cuvântului ce să facem pentru a fi fericiți, deoarece fericirea este un ideal nu al rațiunii, ci al imaginației." (Emmanuel Kant, Critica facultății de judecată) -/- CUPRINS: -/- Fericirea - Definiție - Legătura cu sănătatea fizică - Filozofie - Religie - - Religiile orientale - - - Budism - - - Hinduism - - - Confucianismul - - Religiile abrahamice - - - Iudaismul - - - Catolicismul roman - - - Islam - Psihologie - - Ierarhia nevoilor a lui Maslow - - Teoria autodeterminării - - Psihologie pozitivă - - Măsurarea fericirii - Viziunea economică și politică Ānanda - Diferite sensuri de fericire în filosofia hindusă - - Swami Vivekananda - - Sri Aurobindo - - Advaita vedanta - - Dvaita vedanta - - Vishishtadvaita vedanta - - Sri Ramana Maharshi - Modalități de realizare a ānandei Ataraxia - Epicureismul - Pironism - Stoicism Indici ai fericirii: Fericirea Națională Brută - Definirea FNB - Implementarea FNB în Bhutan - Răspândirea FNB în afara Bhutan - Critica Filosofia fericirii - Grecia antică - - Platon - - Aristotel - - Cinism - - Cirenaicism - - Pironism - - Epicureism - - Stoicism - Roma antică - - Școala lui Sextius - - Augustin de Hippo - - Boețiu - Evul Mediu - - Avicenna - - Al-Ghazali - - Maimonide - - Thomas de Aquino - Perioada modernă timpurie - - Michel de Montaigne - - Jeremy Bentham - - Arthur Schopenhauer - Perioada contemporană - - Władysław Tatarkiewicz - - Herbert Marcuse - - Viktor Frankl - - Robert Nozick - Scientismul - Studiul fericirii - - Sonja Lyubomirsky Teoria (etica) virtuții - Concepte cheie - Istoria virtuții - - „Turnura aretaică” contemporană Consecințialism - Filosofii - - Consecințialismul de stat - - Utilitarism - - Egoismul etic - - Altruismul etic - - Consecințialismul regulilor - - Consecințialismul pe două niveluri - - Consecințialismul motivațional - - Consecințialism negativ - - Etica teleologică - - Actele și omisiunile, și "doctrina actelor și omisiunilor" Referințe Despre autor - Nicolae Sfetcu - - De același autor - - Contact Editura - MultiMedia Publishing . (shrink)

De l'existentialisme d'Albert Camus et Sartre, au remplacement du rituel d'exclusion par le mécanisme disciplinaire de Michel Foucault, forme idéale de contrôle des autorités étatiques de toutes les formes de « désordre », et à la modernité virale et au bioinformationalisme. Et à propos de l'hypothèse Gaia, développée par James Lovelock et soutenue dans la pandémie actuelle par Bruno Latour. DOI: 10.13140/RG.2.2.20639.18089.

Le papier commence par une rétrospective des débats sur l'origine de la vie : le virus ou la cellule ? Le virus a besoin de la cellule pour se répliquer, mais la cellule est une forme plus évoluée à l'échelle évolutive de la vie. De plus, l'étude des virus soulève des questions conceptuelles et philosophiques pressantes sur leur nature, leur classification et leur place dans le monde biologique. Le sujet des pandémies est abordé à partir de l'existentialisme d'Albert Camus et (...) Sartre, du remplacement du rituel d'exclusion par le mécanisme disciplinaire de Michel Foucault, et de l'hypothèse Gaia, développée par James Lovelock et soutenue dans la pandémie actuelle par Bruno Latour. Les dimensions sociales des pandémies, leur lien avec le réchauffement climatique, qui a conduit à une augmentation des maladies infectieuses, et la déforestation de vastes zones, qui ont provoqué la migration des virus de leur zone d'origine (leur « réservoir ») sont mis en évidence ci-dessous. L'éthique des pandémies est abordée sous plusieurs points de vue philosophiques, dont le plus important dans une crise de telles dimensions globales est l'utilitarisme qui consiste à maximiser les bénéfices pour la société en conflit direct avec la vision ordinaire (kantienne) du respect des personnes en tant qu'individus. Après une rétrospective du virus COVID-19 qui a causé la pandémie actuelle, son cycle de vie et son histoire, avec un accent sur la philosophie de la mort, est discuté le concept de biopouvoir initialement développé par Foucault, en référence à la pratique des États modernes de contrôle des populations, et le débat généré par Giorgio Agamben qui déclare que ce qui se manifeste dans cette pandémie est la tendance croissante des États à utiliser l'état d'urgence comme un paradigme normal de gouvernement. Une autre approche intéressante et très débattue est celle générée par les travaux de Slavoj Žižek, qui déclare que la pandémie actuelle a conduit à la faillite du capitalisme « barbare » actuel, se demandant si le chemin que l'humanité empruntera est un néocommunisme. Un autre effet négatif important est la désocialisation, avec la conclusion de certains philosophes que nous ne pouvons pas exister indépendamment de nos relations avec les autres, que l'humanité d'une personne dépend de l'humanité de ceux qui l'entourent. La dernière section est consacrée à prédire à quoi ressemblera le monde après la pandémie, et il y a déjà des signes de changement de paradigme, y compris la disparition soudaine de l'idéologie du « mur » : une toux a suffi à rendre soudain impossible d'échapper à la responsabilité qui chaque individu l'a envers tous les êtres vivants pour le simple fait qu'il fait partie de ce monde et du désir d'en faire partie. Le tout est toujours impliqué en partie, car tout est, en un sens, dans tout et dans la nature il n'y a pas de régions autonomes qui font exception. La pandémie COVID-19 semble restaurer la suprématie qui appartenait autrefois à la politique. L'une des vertus du virus est sa capacité à générer une idée plus sobre de la liberté : être libre signifie faire ce qui doit être fait dans une situation précise. -/- SOMMAIRE: -/- Abstract Introduction 1 Virus 1.1 Ontologie 2 Pandémies 2.1 Dimensions sociales 2.2 Ethique 3 COVID-19 3.1 Biopolitique 3.2 Néocommunisme 3.3 Désocialisation 4 Prévisions Bibliographie -/- DOI: 10.13140/RG.2.2.17905.92003 . (shrink)

The paper begins with a retrospective of the debates on the origin of life: the virus or the cell? The virus needs a cell for replication, instead the cell is a more evolved form on the evolutionary scale of life. In addition, the study of viruses raises pressing conceptual and philosophical questions about their nature, their classification, and their place in the biological world. The subject of pandemics is approached starting from the existentialism of Albert Camus and Sartre, the replacement (...) of the exclusion ritual with the disciplinary mechanism of Michel Foucault, and about the Gaia hypothesis, developed by James Lovelock and supported in the current pandemic by Bruno Latour. The social dimensions of pandemics, their connection to global warming, which has led to an increase in infectious diseases, and the deforestation of large areas, which have caused viruses to migrate from their native area (their "reservoir") are highlighted below. The ethics of pandemics is approached from several philosophical points of view, of which the most important in a crisis of such global dimensions is utilitarianism which involves maximizing benefits for society in direct conflict with the usual (Kantian) view of respect for people as individuals. After a retrospective of the COVID-19 virus that caused the current pandemic, its life cycle and its history, with an emphasis on the philosophy of death, the concept of biopower initially developed by Foucault is discussed, with reference to the practice of modern states of control of the populations and the debate generated by Giorgio Agamben who states that what is manifested in this pandemic is the growing tendency to use the state of emergency as a normal paradigm of government. An interesting and much debated approach is the one generated by the works of Slavoj Žižek, who states that the current pandemic has led to the bankruptcy of the current "barbaric" capitalism, wondering if the path that humanity will take is a neo-communism. Another important negative effect is desocialization, with the conclusion of some philosophers that we cannot exist independently of our relationships with others, that a person's humanity depends on the humanity of those around him. The last section is dedicated to forecasting what the world will look like after the pandemic, and there are already signs of a paradigm shift, including the sudden disappearance of the "wall" ideology: a cough was enough to make it suddenly impossible to avoid the responsibility that every individual has it towards all living beings for the simple fact that he is part of this world, and of the desire to be part of it. The whole is always involved in part, because everything is, in a sense, in everything and in nature there are no autonomous regions that are an exception. The COVID-19 pandemic seems to restore the supremacy that once belonged to politics. One of the virtues of the virus is its ability to generate a more sober idea of ​​freedom: to be free means to do what needs to be done in a specific situation. -/- CONTENTS: -/- Abstract Introduction 1 Viruses 1.1 Ontology 2 Pandemics 2.1 Social dimensions 2.2 Ethics 3 COVID-19 3.1 Biopolitics 3.2 Neocommunism 3.3 Desocialising 4 Forecasting Bibliography -/- DOI: 10.13140/RG.2.2.31039.74405/1. (shrink)

Les principaux aspects psychologiques et philosophiques détachés du film Solaris réalisé par Andrei Tarkovski, ainsi que les techniques cinématographiques utilisées par le réalisateur pour transmettre ses messages aux spectateurs. Dans « Introduction », je présente brièvement les éléments pertinents de la biographie de Tarkovski et un aperçu du roman Solaris de Stanislav Lem et du film Solaris réalisé par Andrei Tarkovsky. Dans « Technique cinématographique », je parle du rythme spécifique des scènes, du mouvement radical déclenché par Tarkovski dans le (...) cinéma moderne, du rôle des éléments symboliques et iconiques et des affinités avec le fantastique domaine de la littérature russe. Dans « Aspects psychologiques », j'analyse la question de la communication dans une société humaine de l'avenir considéré par Tarkovski comme rigide, de l'obsession de la maison et de l'évolution personnelle de Kris, Hari et de leurs relations. Dans « Aspects philosophiques », le film est analysé à travers la philosophie de l’esprit (dualisme cartésien, réductionnisme et fonctionnalisme), le problème de l’identité personnelle, la théorie des espaces hétérotopiques développée par Michel Foucault et les interprétations sémantiques pouvant être déduites du film. J'analyse également la question de l'identité personnelle à travers la philosophie de Locke. Les « Conclusions » montrent les idées générales de cet essai, à savoir que les tentatives de l'homme pour classer et maintenir des formes d'interaction avec des entités inconnues seront toujours condamnées à l'échec et refléteront une erreur majeure du monde panoptique dans lequel nous vivons. Dans ce cadre d'analyse de la philosophie de l'esprit, le fonctionnalisme semble être le plus intuitif. Solaris est toutefois un film qui commence par une recherche de réponses et vient apporter à ces réponses toute une gamme de questions différentes. -/- SOMMAIRE: -/- Abstract Introduction 1 Technique cinématographique 2. Aspects psychologiques 3. Aspects philosophiques Conclusions Bibliographie Notes -/- DOI: 10.13140/RG.2.2.20367.53929 . (shrink)

De la nécessité et de l'utilité de développer une philosophie spécifique pour la technologie de la blockchain, mettant l'accent sur les aspects ontologiques. Après une Introduction qui met en évidence les principales orientations philosophiques de cette technologie émergente, dans La technologie blockchain j’explique le fonctionnement de la blockchain, en analysant les directions de développement ontologique de cette technologie dans Conception et modélisation. La section suivante est consacrée à la principale application de la technologie de la blockchain, Bitcoin, avec les implications (...) sociales de cette crypto-monnaie. Il suit une section de Philosophie dans laquelle j'identifie la technologie de la blockchain au concept d'hétérotopie développé par Michel Foucault et je l'interprète à la lumière de la technologie de notation développée par Nelson Goodman en tant que système de notation. Dans la section Ontologie, je présente deux voies de développement que j'estime importantes: une Ontologie narrative, basée sur l'idée d'ordre et de structure de l'histoire transmise à travers l'histoire narrative de Paul Ricoeur, et le système de l'Ontologie d'entreprise basé sur des concepts et des modèles d'entreprise, spécifiques au Web sémantique, que je considère comme le plus développé et qui deviendra probablement le système ontologique formel, du moins en ce qui concerne les aspects économiques et juridiques de la technologie de la blockchain. Dans Conclusions, je parle des orientations futures du développement de la philosophie de la technologie blockchain en général en tant que théorie explicative et robuste d’un point de vue phénoménologique cohérent, qui permet la testabilité et les ontologies en particulier, en plaidant pour la nécessité de l’adoption globale d’un système ontologique afin de développer des solutions transversales et de rentabiliser cette technologie. -/- SOMMAIRE: -/- Abstract Introduction La technologie blockchain - Conception - Modèles Bitcoin Philosophie Ontologies - Ontologies narratives - Ontologies d'entreprise Conclusions Bibliographie Notes -/- DOI: 10.13140/RG.2.2.22996.14724 . (shrink)

About the necessity and usefulness of developing a philosophy specific to the blockchain technology, emphasizing on the ontological aspects. After an Introduction that highlights the main philosophical directions for this emerging technology, in Blockchain Technology I explain the way the blockchain works, discussing ontological development directions of this technology in Designing and Modeling. The next section is dedicated to the main application of blockchain technology, Bitcoin, with the social implications of this cryptocurrency. There follows a section of Philosophy in which (...) I identify the blockchain technology with the concept of heterotopia developed by Michel Foucault and I interpret it in the light of the notational technology developed by Nelson Goodman as a notational system. In the Ontology section, I present two developmental paths that I consider important: Narrative Ontology, based on the idea of order and structure of history transmitted through Paul Ricoeur's narrative history, and the Enterprise Ontology system based on concepts and models of an enterprise, specific to the semantic web, and which I consider to be the most well developed and which will probably become the formal ontological system, at least in terms of the economic and legal aspects of blockchain technology. In Conclusions I am talking about the future directions of developing the blockchain technology philosophy in general as an explanatory and robust theory from a phenomenologically consistent point of view, which allows testability and ontologies in particular, arguing for the need of a global adoption of an ontological system for develop cross-cutting solutions and to make this technology profitable. -/- CONTENTS: -/- Abstract Introducere Tehnologia blockchain - Proiectare - Modele Bitcoin Filosofia Ontologii - Ontologii narative - Ontologii de intreprindere Concluzii Note Bibliografie -/- DOI: 10.58679/MM73548, ISBN 978-606-033-222-0. (shrink)

About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the "Introduction" I briefly present the relevant elements of Tarkovski's biography and an overview of Stanislav Lem's Solaris novel and the film Solaris directed by Andrei Tarkovsky. In "Cinema Technique" I talk about the specific rhythm of the scenes, the radical movement triggered by Tarkovsky in modern (...) cinema, the role of symbolic and iconic elements, and affinities with the fantastic area of Russian literature. In Psychological Aspects I analyze the issue of communication in a human society of the future considered by Tarkovsky as rigid, the obsession of the house, and the personal evolution of Kris, Hari, and the relationships between them. In Philosophical Aspects, the film is analyzed through the philosophy of the mind (Cartesian dualism, reductionism and functionalism), the problem of personal identity, the theory of heterotopic spaces developed by Michel Foucault, and the semantic interpretations that can be deduced from the film. It also analyzes the issue of personal identity through Locke's philosophy. "Conclusions" show the general ideas of this essay, namely that Man's attempts to classify and maintain forms of interaction with unknown entities will always be condemned to failure and will reflect a major mistake in the panoptic world in which we live. In this framework of analysis of the philosophy of mind, functionalism seems to be the most intuitive. Solaris is, however, a movie that begins as a search for answers and comes to provide these answers with a whole range of different questions. -/- CONTENTS: -/- Abstract Introduction 1 Cinema technique 2 Psychological Aspects 3 Philosophical aspects Conclusions Bibliography Notes -/- DOI: 10.58679/MM59030 , ISBN 978-606-033-225-1. (shrink)

Final work done for the Philosophy of Law subject of the UCES Degree in Philosophy. In this work I propose to reflect on the relationship between justice and freedom, starting from the works of the French philosopher Michel Foucault, his analysis of disciplinary societies, as well as his conception of power relations. -/- En el presente trabajo me propongo reflexionar sobre la relación entre justicia y libertad, partiendo de los trabajos del filósofo francés Michel Foucault, sus análisis referentes (...) a las sociedades disciplinarias, así como su concepción de relación de poder. (shrink)

Η μοντέρνα φιλοσοφία στράφηκε απευθείας στη φύση (Francis Bacon), στράφηκε απευθείας στο νου (René Descartes), στράφηκε απευθείας στην εμπειρία (Thomas Hobbes). Από αυτή τη βασική διαφωνία ως προς τις πηγές της φιλοσοφικής γνώσης προέκυψε η «διαμάχη των αρχαίων με τους σύγχρονους». -/- Η σύγχρονη φιλοσοφία αποστασιοποιήθηκε από το παγιωμένο γνωσιολογικό παρελθόν και ενστερνίστηκε την αρχή ότι η γνώση προοδεύει ιστορικά και κατατείνει στη διεύρυνση της ανθρώπινης κατανόησης μέσω της λογικής μεθόδου ή μέσω της εμπειρίας. Στη διαμάχη μεταξύ των ηπειρωτικών ορθολογιστών (...) φιλοσόφων (Descartes, Nicolas Malebranche, Gottfried Wilhelm Leibniz και Benedict de Spinoza) και των Βρετανών εμπειριστών (Hobbes, John Locke και David Hume) στο τέλος του Διαφωτισμού του δέκατου όγδοου αιώνα, ο Immanuel Kant επιχείρησε να συμφιλιώσει τις αντιθέσεις και να διατυπώσει μια νέα κριτική φιλοσοφία. Ο Immanuel Kant συγκέντρωσε στην «κριτική» του φιλοσοφία τις δεσμεύσεις για την αναλυτική άσκηση του νου, από τη μια, και την εμπειρική πρόσληψη μέσω των αισθήσεων, από την άλλη. Με τον Καντ, η σύγχρονη φιλοσοφία συνδύασε την «υπερβατική ενότητα της αντίληψης» με την «πολλαπλότητα της εμπειρίας». Η σύγχρονη φιλοσοφία δεν βασιζόταν πλέον σε μια θεωρία αναπαράστασης -αναπαράσταση του νου μέσω της λογικής ή αναπαράσταση του νου μέσω της εμπειρίας- αλλά στη σύνδεση της υπερβατικής υποκειμενικότητας και της εμπειρικής αντικειμενικότητας. Αυτό το «διπλό», όπως το ονόμασε ο Michel Foucault, αντιπροσώπευε έναν εντελώς νέο τρόπο φιλοσοφίας. Ο μοντερνισμός διακρίνεται από τη σύγχρονη φιλοσοφία στο ότι συνδέεται με ορισμένα κινήματα στην τέχνη και τη λογοτεχνία που ξεκίνησαν κάπου γύρω στα τέλη του δέκατου ένατου αιώνα. Ενώ βασιζόταν σε κάποια παρόμοια χαρακτηριστικά της «μοντέρνας φιλοσοφίας», ο μοντερνισμός στην τέχνη, τη λογοτεχνία και τη φιλοσοφία περιλάμβανε καινοτομία, ρήξη με την παράδοση, πρόοδο, συνεχή ανάπτυξη, γνώση που προέρχεται είτε από τη θέση του υποκειμένου είτε από αξιώσεις για αντικειμενικότητα, και ταυτόχρονα κρίση στη γνώση που παράγεται από αυτήν ακριβώς τη διχοτόμηση. Ως εκ τούτου, στον μοντερνισμό, την ίδια στιγμή που ορισμένες θεωρίες βασίζονταν στη γνώση σε μια επικεντρωμένη, υπερβατική, ερμηνευτική υποκειμενικότητα και άλλες βασίζονταν στη γνώση σε βέβαιη, ατομικιστική, αναλυτική, εμπειρική αντικειμενικότητα, η κρίση στη γνώση δημιούργησε μια αίσθηση αβεβαιότητας, παραδοξότητας, ατέλειας, ανεπάρκειας, κενό. Ο μοντερνισμός στην τέχνη και τη λογοτεχνία περιλάμβανε μια μετατόπιση από τις διχοτομίες του ρομαντισμού και του ρεαλισμού στο ρεύμα της συνείδησης, της βιωμένης και εσωτερικής συνείδησης του χρόνου, της υπερβατικής υποκειμενικότητας, της αφηγηματικής ανάμνησης και επίγνωσης, της απεικονιζόμενης ταχύτητας, των μηχανισμών, των αντικειμένων και των αφαιρέσεων. Το λανθάνον περιεχόμενο αφέθηκε να διεισδύσει μέσα από τις επιφάνειες εμφανούς περιεχομένου. Η κατανόηση θα έπρεπε να εμβαθύνει περισσότερο από τις επιφάνειες και τις απλές εμφανίσεις. Θα χρειαζόταν μια φαινομενολογία για την απογραφή του περιεχομένου της συνείδησης (Edmund Husserl) ή μια ψυχανάλυση για να διερευνήσει τα βάθη του τι σκεφτόταν πραγματικά ο νους (Sigmund Freud), ή ένας λογικός θετικισμός θα έπαιρνε την εναλλακτική οδό, αποκλείοντας κάθε γνώση που δεν μπορεί να επαληθευτεί λογικά και εμπειρικά (Bertrand Russell, πρώιμος Ludwig Wittgenstein, A. J. Ayer). Ο μοντερνισμός στη φιλοσοφία περιλάμβανε σε κάθε στάδιο τον καντιανό συνδυασμό του εμπειρικού και του υπερβατικού, του αντικειμενικού και του υποκειμενικού, του υλικού και του διανοητικού—αλλά κάθε φορά στη διπλή αυτή θεωρητική σύλληψη υπερίσχυε αξιακά και γνωσιολογικά ένας πόλος. -/- Η αποσύνθεση του μοντερνισμού στη φιλοσοφία ήταν εσωτερική. Οι ριζοσπαστικοί ισχυρισμοί του λογικού θετικισμού απέκλειαν ό,τι είχε αξία: τη μεταφυσική, την αισθητική, την αξιολογία. Η αυστηρή επιστήμη της υπερβατικής φαινομενολογίας απέκλεισε την ίδια την ύπαρξη αυτού που ερευνούσε. Ο δυϊσμός του δημιουργικού εξελικτισμού άφησε μια ανεπανόρθωτη διχοτόμηση μεταξύ βιωμένης εμπειρίας και αντικειμενικής γνώσης. Ο πραγματισμός του ριζοσπαστικού εμπειρισμού απέτυχε να προσφέρει έναν τρόπο ερμηνείας των νοημάτων της εμπειρίας. Το κέντρο του μοντερνισμού στη φιλοσοφία δεν μπορούσε να κρατήσει γιατί τα ίδια τα θεμέλιά του ήταν υπό αμφισβήτηση. Αλλά οι προσπάθειες να το ανακτήσει κανείς από τον εαυτό του με τη στροφή προς τη γλώσσα - καθημερινή γλώσσα, αναλυτικές φιλοσοφίες της γλώσσας, ερμηνευτική της γλώσσας, σημειολογίες της γλώσσαςδεν μπόρεσαν να λύσουν τα διλήμματα της ανθρώπινης ύπαρξης. Ο μοντερνισμός στη φιλοσοφία αντιμετώπισε το παράλογο, το διφορούμενο και το διαλεκτικό και εξώθησε αυτές τις θεωρίες στα όριά τους. Στα μέσα της δεκαετίας του 1960, η φιλοσοφία άρχισε να εξετάζει τους γνωσιολογικούς της, οι ανακρίσεις του Maurice Merleau-Ponty αναδιατυπώθηκαν στην αρχαιολογία της γνώσης του Foucault. Οι ανθρωπιστικές επιστήμες έθεσαν υπό αμφισβήτηση τις αισιοδοξίες της σύγχρονης φιλοσοφίας παρακάμπτοντας τη θεωρία του «ανθρώπου». Οι σχηματισμοί γνώσης αρθρώθηκαν με όρους πολλαπλών χώρων παραγωγής γνώσης και όχι πλέον σύμφωνα με μια κεντρική πηγή ή θέση, ή εγώ, ή εαυτός, ή υποκείμενο, ούτε σύμφωνα με μια πληθώρα αισθητηριακών δεδομένων, αντικειμενικών κριτηρίων, υλικών στοιχείων ή συμπεριφορών . Οι σχηματισμοί γνώσης διέσχιζαν τους κλάδους και λειτούργησαν σε πολλαπλούς χώρους όπου τα ερωτήματα της δομής, του πλαισίου, του περιθωρίου, του ορίου, της άκρης, του ορίου κ.λπ. θα σημάδευαν οποιαδήποτε πρακτική λόγου. Με άλλα λόγια, η γνώση δεν παράγεται πλέον από ένα κέντρο, θεμέλιο, έδαφος, βάση, ταυτότητα, εξουσία ή υπερβατική ικανότητα. Η γνώση ήταν διάσπαρτη, πολλαπλή, κατακερματισμένη και θεωρητικά ποικίλη. Η γνώση δεν βασιζόταν πλέον στη συνέχεια, την ενότητα, την ολότητα, την πληρότητα και τη συνέπεια. Η γνώση άρχισε να γίνεται κατανοητή με όρους ασυνέχειας, διαφοράς, διάδοσης και διαφορετικών. Στις αρχές της δεκαετίας του 1970, ο μεταμοντερνισμός - ένας όρος που χρησιμοποίησε ο Daniel Bell σε σχέση με τη μεταβιομηχανική κοινωνία τη δεκαετία του 1950, τον οποίο έκαναν έκκληση οι αρχιτέκτονες στη δεκαετία του 1960 και που οι ιστορικοί της τέχνης και της λογοτεχνίας επικαλέστηκαν τη δεκαετία του 1970 - δεν είχε ακόμη επικαλεστεί σε σχέση με τη φιλοσοφία. -/- Η γραμματολογία και η θεωρία της «διαφοράς» του Ζακ Ντεριντά το 1967 (με βάση την αφήγηση του Μάρτιν Χάιντεγκερ για το «τέλος της φιλοσοφίας και το έργο της σκέψης») μετατράπηκαν σε πλήρη αποδόμηση τη δεκαετία του 1970. Η έννοια του Gilles Deleuze και του Felix Guattari για τη ριζωματική σκέψη (σε αντίθεση με την ιεραρχική, εξουσιοδοτημένη δενδρώδη σκέψη) σηματοδότησε μια κίνηση ενάντια στις ψυχαναλυτικές θεωρίες που βασίζονται στην Οιδιπόδεια αυθεντία και την πατρική επιμονή. Η ιδέα τους για τον νομαδισμό έδωσε έμφαση στη γνώση, την εμπειρία και τις σχέσεις που δεν ήταν οργανωμένες γύρω από μια κεντρική έννοια. Η αφήγηση του J. Kristeva για την επανάσταση στην ποιητική γλώσσα σηματοδότησε τη διάκριση μεταξύ του σημειωτικού και του συμβολικού. Όπου η συμβολική —επιστημονική, θεωρητική, φαλλική, πατρική— σκέψη είχε διαποτίσει τη φιλοσοφία και την επιστήμη, η Kristeva επικαλέστηκε τη σημειωτική ως την ποιητική, ρευστή, σαν υποδοχέα, μητρική σκέψη που έχει κρυφτεί στη σύγχρονη σκέψη. Ωστόσο, το μεταμοντέρνο δεν ήταν σχεδόν ο όρος που χρησιμοποιήθηκε για να περιγράψει αυτό το είδος φιλοσοφίας. Αντίστοιχα, η πιο περιορισμένη μελέτη της φαινομενολογίας και του υπαρξισμού στη φιλοσοφία έδωσε τη θέση της στις πιο πολλαπλές και ποικιλόμορφες θεωρίες που υπονοούνται στην ηπειρωτική φιλοσοφία: αποδόμηση, αρχαιολογία της γνώσης, σημασιολογική ανάλυση, σχιζανάλυση, φεμινιστική θεωρία κ.λπ. Ωστόσο, ενώ ο μεταστρουκτουραλισμός (σε σχέση με τους Foucault, Derrida, Deleuze, Kristeva, et al.) χαιρετίστηκε ως ο διάδοχος του στρουκτουραλισμού (Claude Lévi-Strauss, Roland Barthes, Jacques Lacan, Louis Althusser) και της υπαρξιακής φαινομενολογίας (Heidegger, Jean -Paul Sartre, Merleau-Ponty, Simone de Beauvoir), ο μεταμοντερνισμός δεν ήταν ακόμα μια σχετική κατηγορία στη φιλοσοφία μέχρι και τη δεκαετία του 1980. Καθώς περνούσε ο καιρός, ο μεταμοντερνισμός και η μεταμοντέρνα σκέψη άρχισαν να υπερισχύουν του μεταστρουκτουραλισμού ως η κυρίαρχη θεωρητική διατύπωση. -/- . (shrink)

RENÉ DESCARTES: UMA BIOGRAFIA -/- RENÉ DESCARTES: A BIOGRAPHY -/- Emanuel Isaque Cordeiro da Silva - CAP-UFPE, IFPE-BJ e UFRPE. E-mails: [email protected] e [email protected]. WhatsApp: (82)98143-8399. -/- -/- Nascido em 1596 em Haia, nas fronteiras de Touraine e Poitou, em uma família nobre, René Descartes vem ao mundo ao mesmo ano em que Johannes Kepler (1671-1630), em seu primeiro trabalho publicado (Mysterium cosmographicum), prova a superioridade da astronomia moderna (a de Nicolau Copérnico (1473-1543)) da astronomia antiga (a de Ptolomeu (90-168 (...) d.C.)). Ao mesmo tempo, Galileu Galilei (1564-1642), que detém a cadeira de matemática da Universidade de Pádua, funda o método experimental. As descobertas de Galileu tiveram forte impacto sobre o Colégio Real de La Fleche, realizado pelos jesuítas e onde Descartes recebeu, a partir de 1606, uma forte educação. Ele menciona, no Discurso do Método, seu “desejo extremo” em aprender, seguido, no final de seus estudos, de uma grande decepção: decepção com a filosofia ensinada, cujas controvérsias perpétuas revelam um caráter questionável, e que não pode fornecer um alicerce, em seu estado atual, para outras ciências. Também é proferido um desapontamento, mas esse desapontamento é inverso e diz respeito às matemática, capaz de fornecer esse fundamento que a filosofia não confere, mediante sua certeza e evidências, mas sobre o qual ainda não construímos nada. -/- -/- Numa Europa marcada pelo choque do tradicionalismo católico e do mercantilismo protestante, o lento declínio do poder espanhol e a luta dos Países Baixos pela sua independência, Descartes escolheu, primeiramente, após a graduação, a carreira militar. Engajado no exército do Príncipe Maurício de Nassau, ele é retirado da ociosidade da vida da guarnição pelo encontro, em 1618, de um jovem cientista holandês, Isaac Beeckman (1588-1637), que se tornou seu amigo íntimo por algum tempo. Conhecedor de todas as pesquisas científicas do momento e partidário da nova concepção “mecanicista” da natureza, Beeckman compartilhou com Descartes um entusiasmo que foi acompanhado, segundamente, da ambição de realizar a ciência universal por si mesma, mediante um método único: na noite de 10 de novembro de 1619, ele concebe em três “sonhos”, “os alicerces de uma ciência admirável”. -/- Nos anos seguintes a essa iluminação decisiva, Descartes viajou por toda a Europa, estimando, como Michel de Montaigne (1533-1592), que a demonstração de boas maneiras e costumes diferentes podem gerar muitos preconceitos. Toda sua vida, além disso, esteve vagando, isto é, foi marcada por múltiplas mudanças de residências, e a recusa de estabelecer um vínculo muito de perto com alguém. Foi na Holanda que ele, finalmente, buscará a tranquilidade que não encontrara na França ainda abalada pelas guerras religiosas, antes de ser assim pelas convulsões da Fronda. Todavia, mesmo na Holanda, ele não pôde evitar os ataques de calvinistas e polemicas teológicas que o repugnaram, como evidenciado em suas discussões com a Universidade de Utrecht entre 1643 à 1645 e a Universidade de Leiden em 1647. -/- -/- Além de sua amizade com Beeckman, outro encontro teve uma influência indubitavelmente decisiva sobre o destino de Descartes: o encontro com o cardeal de Bérulle. Fundador da congregação do Oratório (ao qual pertencem Nicolas Malebranche (1638-1715) e Jean-Baptiste Massillon (1663-1742)), o cardeal de Bérulle enxerga na nova física mecanicista, um meio de lutar contra o naturalismo resultante do Renascimento e seu paganismo latente: em uma longa entrevista com Descartes, no outono de 1647, ele fez dessa última uma obrigação de consciência para se dedicar, nesse sentido, à filosofia. -/- Em 1628, Descartes começa a escrever as Regras para a direção do espírito, um tratado inacabado e que não foi publicado durante a vida do autor. Em 1631, desenvolvera a geometria analítica que combina curvas geométricas com equações algébricas. Em 1633 escreveu O Tratado do Homem e preparava-se para publicar O Tratado do Mundo quando a notícia da condenação de Galileu Galilei pelo Santo Ofício (a Inquisição) o deixou receoso e decide, por prudência, não publicar o seu Tratado no qual a tese do movimento da Terra ao redor do Sol é apoiada. Alguns anos depois, foi divulgado em público cultivada de algumas de suas descobertas científicas: além da geometria, a dioptria (a teoria da refração da luz) e meteoros (teoria dos fenômenos atmosféricos luminosos). Esses três tratados aparecem no apêndice do Discurso do Método, e como “ensaios” desse método, em 1637. No século XIX, Victor Cousin (1792-1867) publicou pela primeira vez o Discurso sozinho, sem os ensaios. -/- Então vem a principal obra de Descartes no ramo da metafísica: as seis Meditações, aumentadas pelas objeções dos mais famosos filósofos da época (incluindo Thomas Hobbes (1588-1679), Antoine Arnauld (1612-1694) e Pierre Gassendi (1592-1655)), e as respostas a essas objeções, apareceram em 1641. Ansioso para expor sua filosofia para que pudesse ser ensinada, ele também a caracteriza em forma de manual com os Princípios da Filosofia de 1644. -/- Além dos trabalhos publicados, foi por meio das cartas trocadas com personalidades do mundo erudito que Descartes encontrou a oportunidade de esclarecer vários pontos de sua filosofia. Seus principais correspondentes foram o Prade Marin Mersenne (1588-1648), o Padre Denis Mesland (1615-1672), Pierre Chanut (1601-1662), Claude Clerselier (1614-1684), Christiaan Huygens (1629-1695) e Henry More (1614-1687). A partir de 1643, Descartes sustentou, com a Princesa Isabel da Boêmia (1596-1662), uma correspondência dedicada essencialmente a questões morais, que lhe permitiu a formulação de suas ideias nesse campo: esse esforço conduziu, em 1649, ao tratado das Paixões da alma. -/- Nesse mesmo ano, 1649, a Rainha Cristina da Suécia (1626-1689) o convida para ir a Estocolmo, que ele aceitou após muita hesitação. Recebido com todas as honras, mas forçado a um modo de vida bastantemente distinto daquele que era acostumado, e submetido a um clima do qual não se adequou, ele sucumbiu a pneumonia em fevereiro de 1650. -/- Descartes deixou-nos uma espécie de autobiografia intelectual na primeira parte do Discurso do Método: em seus anos de treinamento, seus entusiasmos e suas decepções. O discurso é, também, o primeiro livro para quem busca compreender o projeto filosófico cartesiano desde sua gênese até sua realização. Existem expostos, o método claro (na segunda parte), mas também a moral (terceira parte), a metafísica (quarta parte) e finalmente a física (quinta e sexta partes). (shrink)

This paper demonstrates the central role of the Socratic elenchus in the Sophist. In the first part, I defend the position that the Stranger describes the Socratic elenchus in the sixth division of the Sophist. In the second part, I show that the Socratic elenchus is actually used when the Stranger scrutinizes the accounts of being put forward by his predecessors. In the final part, I explain the function of the Socratic elenchus in the argument of the dialogue. By contrast (...) with standard scholarly interpretations, this way of reading the text provides all the puzzles about being (241c4–251a4) with a definite function in the dialogue. It also reveals that Plato’s methodology includes a plurality of method and is more continuous than what is often believed. (shrink)

A survey of the similarities and differences between BFO and DOLCE, and of the mutual interactions between Nicola Guarino and Barry Smith.

In this article we argue that the social value of health research should be conceptualized as a function of both the expected benefits of the research and the priority that the beneficiaries deserve. People deserve greater priority the worse off they are. This conception of social value can be applied for at least two important purposes: in health research priority setting when research funders, policy-makers, or researchers decide between alternative research projects; and in evaluating the ethics of proposed research proposals (...) when research ethics committees assess whether the social value of the research is sufficient to justify the risks and burdens to research participants and others. In assessing how far a proposed research project will advance the interests of people who are more disadvantaged, research priority setters and RECs should examine the diseases that the research targets and the type of research. Just as certain diseases impose a greater burden on people who are more disadvantaged, so certain types of intervention and forms of research are more likely to benefit people who are more disadvantaged. We outline which populations are likely to be representative of the global worst off and identify what types of health research, and which disease categories, are priorities for these populations. (shrink)

In the biomedical context, policy makers face a large amount of potentially discordant evidence from different sources. This prompts the question of how this evidence should be aggregated in the interests of best-informed policy recommendations. The starting point of our discussion is Hunter and Williams’ recent work on an automated aggregation method for medical evidence. Our negative claim is that it is far from clear what the relevant criteria for evaluating an evidence aggregator of this sort are. What is the (...) appropriate balance between explicitly coded algorithms and implicit reasoning involved, for instance, in the packaging of input evidence? In short: What is the optimal degree of ‘automation’? On the positive side: We propose the ability to perform an adequate robustness analysis as the focal criterion, primarily because it directs efforts to what is most important, namely, the structure of the algorithm and the appropriate extent of automation. Moreover, where there are resource constraints on the aggregation process, one must also consider what balance between volume of evidence and accuracy in the treatment of individual evidence best facilitates inference. There is no prerogative to aggregate the total evidence available if this would in fact reduce overall accuracy. (shrink)

Cet article est consacré au problème du rapport entre l’entrelacement des genres (συμπλοκὴ τῶν εἰδῶν) et le logos dans le Sophiste. Après avoir brièvement présenté le problème, je discute, dans la première partie, différentes solutions proposées par les commentateurs. Je cherche à montrer qu’aucune de ces solutions n’est pleinement satisfaisante. Dans la deuxième partie, je propose une nouvelle solution au problème de la συμπλοκὴ τῶν εἰδῶν fondée sur une distinction entre deux types de logos, le logos dialectique et le logos (...) doxique. Dans la troisième partie, je cherche à justifier textuellement cette solution en recourant à la fois au texte du Sophiste lui-même et à la dernière partie du Théétète. Dans ma conclusion, je suggère que la distinction entre logos dialectique et logos doxique correspond à une différence qui traverse toute l’œuvre de Platon, à savoir la différence entre connaissance et opinion. / This paper deals with the problem of the συμπλοκὴ τῶν εἰδῶν in the Sophist. In the first part, after a brief presentation of this problem, I discuss different solutions which have been proposed in the recent literature. I try to show that none of them is entirely satisfying. In the second part, I propose and explain a new solution based on a distinction between two types of logos : dialectical logos and doxastic logos. In the third part, I try to justify this solution on the basis of some passages of the Sophist and of the final part of the Theaetetus. To conclude, I suggest that the distinction between dialectical logos and doxasticlogos matches the difference between knowledge and belief made by Plato in his dialogues. (shrink)

This paper explores what happens when artists fail to execute their goals. I argue that taxonomies of failure in general, and of failed-art in particular, should focus on the attempts which generate the failed-entity, and that to do this they must be sensitive to an attempt’s orientation. This account of failed-attempts delivers three important new insights into artistic practice: there can be no accidental art, only deliberate and incidental art; art’s intention-dependence entails the possibility of performative failure, but not of (...) failed-art; and art’s intention-dependence is perfectly compatible with the role that luck plays in artistic creation. (shrink)

Most physics theories are deterministic, with the notable exception of quantum mechanics which, however, comes plagued by the so-called measurement problem. This state of affairs might well be due to the inability of standard mathematics to “speak” of indeterminism, its inability to present us a worldview in which new information is created as time passes. In such a case, scientific determinism would only be an illusion due to the timeless mathematical language scientists use. To investigate this possibility it is necessary (...) to develop an alternative mathematical language that is both powerful enough to allow scientists to compute predictions and compatible with indeterminism and the passage of time. We suggest that intuitionistic mathematics provides such a language and we illustrate it in simple terms. (shrink)

It is widely agreed that fiction is necessarily incomplete, but some recent work postulates the existence of universal fictions—stories according to which everything is true. Building such a story is supposedly straightforward: authors can either assert that everything is true in their story, define a complement function that does the assertoric work for them, or, most compellingly, write a story combining a contradiction with the principle of explosion. The case for universal fictions thus turns on the intuitive priority we assign (...) to the law of non-contradiction. My goal in this paper is to show that our critical and reflective literary practices set constraints on story-telling which preclude universal fictions. I will raise four stumbling blocks for universal fictionalists: the gap between saying and making true, our actual interpretive reactions to story-level contradictions, the criteria we accept for what counts as a story in our literary practices, and the undesirability of the universal fictionalist’s closure principles. (shrink)

The premise that every work belongs to an art-kind has recently inspired a kind-centred approach to theories of art. Kind-centred analyses posit that we should abandon the project of giving a general theory of art and focus instead on giving theories of the arts. The main difficulty, however, is to explain what makes a given kind an art-kind in the first place. Kind-centred theorists have passed this buck on to appreciative practices, but this move proves unsatisfactory. I argue that the (...) root of this dissatisfaction stems not from the act of kicking the can down the road, but from not kicking it far enough. The missing ingredient, I argue, is a notion of convention which does the work of marking the difference between art and non-art for a given physical medium. (shrink)

It is usual to identify initial conditions of classical dynamical systems with mathematical real numbers. However, almost all real numbers contain an infinite amount of information. I argue that a finite volume of space can’t contain more than a finite amount of information, hence that the mathematical real numbers are not physically relevant. Moreover, a better terminology for the so-called real numbers is “random numbers”, as their series of bits are truly random. I propose an alternative classical mechanics, which is (...) empirically equivalent to classical mechanics, but uses only finite-information numbers. This alternative classical mechanics is non-deterministic, despite the use of deterministic equations, in a way similar to quantum theory. Interestingly, both alternative classical mechanics and quantum theories can be supplemented by additional variables in such a way that the supplemented theory is deterministic. Most physicists straightforwardly supplement classical theory with real numbers to which they attribute physical existence, while most physicists reject Bohmian mechanics as supplemented quantum theory, arguing that Bohmian positions have no physical reality. (shrink)

Do scientific theories limit human knowledge? In other words, are there physical variables hidden by essence forever? We argue for negative answers and illustrate our point on chaotic classical dynamical systems. We emphasize parallels with quantum theory and conclude that the common real numbers are, de facto, the hidden variables of classical physics. Consequently, real numbers should not be considered as ``physically real" and classical mechanics, like quantum physics, is indeterministic.

It is usual to identify initial conditions of classical dynamical systems with mathematical real numbers. However, almost all real numbers contain an infinite amount of information. I argue that a finite volume of space can’t contain more than a finite amount of information, hence that the mathematical real numbers are not physically relevant. Moreover, a better terminology for the so-called real numbers is “random numbers”, as their series of bits are truly random. I propose an alternative classical mechanics, which is (...) empirically equivalent to classical mechanics, but uses only finite-information numbers. This alternative classical mechanics is non-deterministic, despite the use of deterministic equations, in a way similar to quantum theory. Interestingly, both alternative classical mechanics and quantum theories can be supplemented by additional variables in such a way that the supplemented theory is deterministic. Most physicists straightforwardly supplement classical theory with real numbers to which they attribute physical existence, while most physicists reject Bohmian mechanics as supplemented quantum theory, arguing that Bohmian positions have no physical reality. (shrink)

What can be more fascinating than experimental metaphysics, to quote one of Abner Shimony’s enlightening expressions? Bell inequalities are at the heart of the study of nonlocality. I present a list of open questions, organised in three categories: fundamental; linked to experiments; and exploring nonlocality as a resource. New families of inequalities for binary outcomes are presented.

The method of the transcendental reduction, which takes place as a return revealing the subjectivity to itself, makes possible to grasp the link connecting the worldly reality and the egological dimension, i.e. the world’s becoming in the ways of the originally subjective constitution. The legitimate aim of the psychological experience to understand the basic structures of the life-consciousness can find in the conceptual figure of the phenomenological reduction both a valid methodological approach and a useful terms of comparison.

It is widely believed, among philosophers of literature, that imagining contradictions is as easy as telling or reading a story with contradictory content. Italo Calvino’s The Nonexistent Knight, for instance, concerns a knight who performs many brave deeds, but who does not exist. Anything at all, they argue, can be true in a story, including contradictions and other impossibilia. While most will readily concede that we cannot objectually imagine contradictions, they nevertheless insist that we can propositionally imagine them, and regularly (...) do, simply by entertaining a text which prompts us to do so. I argue that this narrative does not bear scrutiny for two main reasons. First, because propositional imagining is beside the point, where truth in fiction is concerned; evaluating truth in fiction engages the cognitive architecture in ways that prohibit the mobilization of merely propositional imagination to that end. And second, because it is not obvious, given the strategies usually suggested, that we ever propositionally imagine contradictions in the first place—in fact, it seems we go out of our way to avoid directly imagining them. (shrink)

There is a tendency to take mounted dinosaur skeletons at face value, as the raw data on which the science of paleontology is founded. But the truth is that mounted dinosaur skeletons are substantially intention-dependent—they are artifacts. More importantly, I argue, they are also substantially imagination-dependent: their production is substantially causally reliant on preparators’ creative imaginations, and their proper reception is predicated on audiences’ recreative imaginations. My main goal here is to show that dinosaur skeletal mounts are plausible candidates for (...) art-status. But, what is more, I think they are artworks—specifically, sculptures. (shrink)

We present in this paper a novel ontological theory of events whose central tenet is the Aristotelian distinction between the object that changes and the actual subject of change, which is what we call an individual quality. While in the Kimian tradition events are individuated by a triple ⟨ o, P, t ⟩, where o is an object, P a property, and t an interval of time, for us the simplest events are qualitative changes, individuated by a triple ⟨ o, (...) q, t ⟩, where q is an individual quality inhering in o or in one of its parts. Detaching the individuation of events from the property they exemplify results in a fine-grained theory that keeps metaphysics and semantics clearly separate, and lies between the multiplicative and the unitarian approaches. We discuss then the way language refers to events, observing that, in most cases, event descriptions refer to complex, cognitively relevant clusters of co-occurring qualitative changes, which exhibit a synchronic structure depending on the way they are described. Contra Bennett, who famously argued that the semantics of event names ultimately depends on “local context and unprincipled intuitions”, we show how the lexicon provides systematic principles for individuating such clusters and classifying them into kinds. Finally, we address some open challenges in the semantics of locative and manner modifiers. (shrink)

Despite intensive exegetical work, Plato’s description of dialectic in the Sophist still raises many questions. Through a close reading of this passage that contextualizes it in the general organisation of the Sophist, this paper provides answers to these questions. After presenting the difficult text, I contend that the “vowel-kinds” are necessary conditions for the blending of kinds. Then, I interpret the “cause of divisions” mentioned by the Stranger as the kinds responsible of the dichotomous division in the first half of (...) the dialogue. In the next part, I show that 235d5-e2 does not describe a procedure of “meta-divison” as some commentators have it, but that it describes the method of division itself. Finally, I connect the difficulty and the obscurity of the passage to the fact that dialectic is the supreme science and I explain why dialectic is the science of free men. (shrink)

In a number of papers, Kit Fine introduced a theory of embodiment which distinguishes between rigid and variable embodiments, and has been successfully applied to clarify the ontological nature of entities whose parts may or may not vary in time. In particular, he has applied this theory to describe a process such as the erosion of a cliff, which would be a variable embodiment whose manifestations are the different states of erosion of the cliff. We find this theory very powerful, (...) and especially appropriate to capture the intuition that the same process may go on at different times. However, its formal principles have been subject to some criticisms, mainly concerning the mereological structure of a variable embodiment. Moreover, since the notion of variable embodiment is very general, simply saying that processes are variable embodiments is not enough to understand their ontological nature. To address these concerns, in this paper we proceed in two phases: first, we propose a revised version of Fine’s original theory adapted to the case of processes, which adopts a classical mereology instead of Fine’s hylomorphic mereology, and a temporalized constitution relation in place of Fine’s function of variable embodiment; second, we go deeper into the ontological nature of processes by revisiting the notions of homogeneity, intentionality, and telicity discussed in the literature, and propose an account based on ontological principles and not on semantic properties of predicates. This allows us to organize processes into a novel taxonomy based exclusively on their unity and individuation principles. (shrink)

This is a short piece on literary literacy, in the form of a choose-your-own-adventure story. -/- The entire piece is spread across all three volumes: Volume 1 Chapter 12, Volume 2 Chapter 5, and Volume 3 Chapter 22.

We propose a novel ontological analysis of relations and relationships based on a re-visitation of a classic problem in the practice of knowledge repre- sentation and conceptual modeling, namely relationship reification. Our idea is that a relation holds in virtue of a relationship's existence. Relationships are therefore truthmakers of relations. In this paper we present a general theory or reification and truthmaking, and discuss the interplay between events and rela- tionships, suggesting that relationships are the focus of events, which emerge (...) from the context (the scene) they occur in. (shrink)

There is growing concern that decision-making informed by machine learning (ML) algorithms may unfairly discriminate based on personal demographic attributes, such as race and gender. Scholars have responded by introducing numerous mathematical definitions of fairness to test the algorithm, many of which are in conflict with one another. However, these reductionist representations of fairness often bear little resemblance to real-life fairness considerations, which in practice are highly contextual. Moreover, fairness metrics tend to be implemented in narrow and targeted toolkits that (...) are difficult to integrate into an algorithm’s broader ethical assessment. In this paper, we derive lessons from ethical philosophy and welfare economics as they relate to the contextual factors relevant for fairness. In particular we highlight the debate around acceptability of particular inequalities and the inextricable links between fairness, welfare and autonomy. We propose Key Ethics Indicators (KEIs) as a way towards providing a more holistic understanding of whether or not an algorithm is aligned to the decision-maker’s ethical values. (shrink)

This article defends a relational account of personhood. I argue that the structure of personhood consists of dyadic relations between persons who can wrong or be wronged by one another, even if some of them lack moral competence. I draw on recent work on directed duties to outline the structure of moral communities of persons. The upshot is that we can construct an inclusive theory of personhood that can accommodate nonhuman persons based on shared community membership. I argue that, once (...) we unpack the internal relation between directed duties, moral status, and flourishing, relations can ground personhood and include nonhuman animals. (shrink)

Francis Sparshott introduced the term ‘remote art’ in his 1982 presidential address to the American Society for Aesthetics. The concept has not drawn much notice since—although individual remote arts, such as palaeolithic art and the artistic practices of subaltern cultures, have enjoyed their fair share of attention from aestheticians. This paper explores what unites some artistic practices under the banner of remote art, arguing that remoteness is primarily a matter of some audience’s epistemic distance from a work’s context of creation. (...) I introduce palaeoart—the depiction of extinct prehistoric fauna and flora, especially from the Mesozoic—as a paradigmatic case of remote art, showing that its remoteness is secured both by the deceptively rich cognitive load required for its creation and appreciation, and by its existence at the margins of the institutional artworld, which ensures that this cognitive loading is largely obscured. Too often, remote art is not just inscrutable, it is invisible to us. (shrink)

Schopenhauer’s invective is legendary among philosophers, and is unmatched in the historical canon. But these complaints are themselves worthy of careful consideration: they are rooted in Schopenhauer’s philosophy of language, which itself reflects the structure of his metaphysics. This short chapter argues that Schopenhauer’s vitriol rewards philosophical attention; not because it expresses his critical take on Fichte, Hegel, Herbart, Schelling, and Schleiermacher, but because it neatly illustrates his philosophy of language. Schopenhauer’s epithets are not merely spiteful slurs; instead, they reflect (...) deep-seated theoretical and methodological commitments to transparency of exposition. (shrink)

The claim that the observation of a violation of a Bell inequality leads to an alleged alternative between nonlocality and non-realism is annoying because of the vagueness of the second term.

This paper is concerned with the construction of theories of software systems yielding adequate predictions of their target systems’ computations. It is first argued that mathematical theories of programs are not able to provide predictions that are consistent with observed executions. Empirical theories of software systems are here introduced semantically, in terms of a hierarchy of computational models that are supplied by formal methods and testing techniques in computer science. Both deductive top-down and inductive bottom-up approaches in the discovery of (...) semantic software theories are refused to argue in favour of the abductive process of hypothesising and refining models at each level in the hierarchy, until they become satisfactorily predictive. Empirical theories of computational systems are required to be modular, as modular are most software verification and testing activities. We argue that logic relations must be thereby defined among models representing different modules in a semantic theory of a modular software system. We exclude that scientific structuralism is able to define module relations needed in software modular theories. The algebraic Theory of Institutions is finally introduced to specify the logic structure of modular semantic theories of computational systems. (shrink)

Art historians and philosophers often talk about the interpretive significance of titles, but few have bothered with their historical origins. This omission has led to the assumption that an artwork's title is its proper name, since names and titles share the essential function of facilitating reference to their bearers. But a closer look at the development of our titling practices shows a significant point of divergence from standard analyses of proper names: the semantic content of a title is often crucial (...) to the identification, individuation, and interpretation of its associated artwork. This paper represents a first step towards an empirically centred study of our titling practices. I argue that, in order to accept titles as proper names, we must first recognize the social, rather than the referential, function of naming. (shrink)

The paper aims at analyzing the inner development of self-identity from its pre-reflective level to the full awareness one. The recent findings of neurosciences and cognitive studies suggest focusing attention on the complex relation between self as consciousness and self as subjectivity, both with regard to their interdependency and to their reference to a shared context. Phenomenology, thanks to the careful consideration of the issues regarding the constitution of mental life articulated by its classic researches and current inquires, offers a (...) valuable opportunity to set the scientific outcomes in an authentically philosophical perspective. (shrink)

In 2018, the Art Gallery of Ontario retitled a painting by Emily Carr which contained an offensive word. Controversy ensued, with some arguing that unsanctioned changes to a work’s title infringe upon artists’ moral and free speech rights. Others argued that such a change serves to whitewash legacies of racism and cultural genocide. In this paper, I show that these concerns are unfounded. The first concern is not supported by law or the history of our titling practices; and the second (...) concern misses the mark by ignoring the gallery’s substantial efforts to avoid just such an outcome. Picking up on a suggestion from Loretta Todd, I argue that we can use Aboriginal Title as a model for thinking about the harms perpetuated by cultural appropriation, and the practices we should adopt to mitigate them. (shrink)